Manahan’s career begins when, as a young woman, she is recruited by the legendary Irish impresarios and theatrical directorsMicheál Mac Liammóir and Hilton Edwards. She later marries stage director Colm O’Kelly, who dies not long afterward of polio, which he contracts after swimming in the Nile during a theatre tour of Egypt. They have no children and she never remarries. She is known professionally by her maiden name. In 1946 she appears in a production by Irish playwrightTeresa Deevy, The Wild Goose, where she plays the part of Eileen Connolly. This is performed by Equity Productions in the Theatre Royal, Waterford.
In 1957, Manahan plays Serafina in the first Irish production of Tennessee Williams‘s The Rose Tattoo and achieves unexpected notoriety when she and several other members of the cast are arrested for the possession of a condom on stage.
Manahan plays a minor role in the Irish cultsoap operaThe Riordans (1960s), and as Mrs. Mary Kenefick in the TV comedy Me Mammy (1970s). She also plays the lead in the Irish comedy series, Leave It To Mrs O’Brien (1980s) and Mrs. Cadogan in The Irish R.M. (1980s). Most recently she plays Ursula in Fair City, for which her niece, Michele Manahan (daughter of Michael Manahan), is a writer.
Manahan has an extensive theatre portfolio having played at theatres throughout Ireland including the Abbey Theatre, the United Kingdom, continental Europe, the United States and Australia. She wins the Tony Award for Best Featured Actress in a Play for her role as Mag in Martin McDonagh’s The Beauty Queen of Leenane on Broadway. She previously receives a Tony nomination in 1969 for Brian Friel’s Lovers.
The Irish playwright John B. Keane writes the play Big Maggie specifically for Manahan. In 2001 she stars in Keane’s The Matchmaker with veteran Irish actor Des Keogh. In 2005 she stars in Sisters, a new play by Declan Hassett that is also written for her and for which she is nominated for a Drama Desk Award in the category of Outstanding Solo Performance. The production tours Ireland and is staged at the International Festival of World Theatre in Colorado and also plays at the 59E59 Theater in New York City in 2006.
In 2004 Manahan starts to play the role of Ursula in Fair City. All About Anna (2005), a documentary on her life and work is made by Charlie Mc Carthy/Icebox Films for RTÉ Television. In 2008, she becomes the first ever patron of the Active Retirement Ireland organization.
Manahan dies of multiple organ failure on March 8, 2009 in Waterford. She had suffered from a longterm illness.
Her funeral is held on March 11, officiated by her “longtime friend” the psychoanalyst, poet, and priest Bernard Kennedy. “As the final curtain falls, the lights dim, the auditorium becomes silent, we remember her” he says. Describing her as a woman of faith (who “sought to bring the word of God alive”), he says she had brought everyone together to be present at “her last great exit from this great stage of life,” saying her life’s work had drawn people from all over the world. “Anna believed in the empty tomb of the Resurrection and she believed the empty tomb could be filled by hearing the word take the place of the emptiness,” he says. “She knew the bedsits which preceded the Tony nomination.”
In the 19th century, association football outside of Ulster is largely confined to Dublin and a few provincial towns. The British Army teams play a role in the spread of the game to these areas, especially in Munster, as local clubs are initially reliant on them to form opposition teams, leading to the nickname “the garrison game.” Association football is played in relatively few Catholic schools as middle-class schools favour rugby union while others favour Gaelic games. The Irish Football Association (IFA) had been founded in 1880 in Belfast as the football governing body for the whole of Ireland, which was then a part of the United Kingdom and considered a Home Nation. The Leinster Football Association was an affiliate, founded in 1892 to foster the game in Leinster, outside of the Ulster heartlands. This was followed by the establishment of the Munster Football Association in 1901.
By 1913, the Leinster FA becomes the largest divisional association within the IFA, displacing the North East Ulster Football Association, yet all but two clubs in the 1913–14 Irish League are based in Ulster. While this largely reflects the balance of footballing strength within Ireland, southern members feel the IFA is doing little to promote the game outside of the professional clubs in its northern province. In the other provinces, association football is also under pressure from the Gaelic Athletic Association (GAA), which has banned members from playing or watching the sport as it is considered a “foreign” game. Furthermore, there is a growing feeling in Dublin of alleged Belfast bias when it comes to hosting matches and player selection for internationals. This view is not helped by the composition of the IFA’s sub-committees, with over half of the membership consisting of delegates hailing from the North-East, and the International Committee, who chooses the national team, containing just one member from Leinster. The Belfast members are mainly unionist, while the Dublin members are largely nationalist. World War I increases the gulf between the northern teams and the clubs in the south as the Irish League is suspended and replaced by regional leagues, foreshadowing the ultimate split. Tensions are then exacerbated by the Irish War of Independence of 1919–21, which disrupts contact between northern and southern clubs further and prevents resumption of the Irish League. The security situation prompts the IFA to order the March 1920-21 Irish Cup semi-final replay between Glenavon and Shelbourne to be replayed in Belfast, rather than in Dublin as convention dictates. This proves to be the final straw and the Leinster FA confirms their decision to disaffiliate from the IFA at a meeting on June 8, 1921.
The Football Association of Ireland (FAI) is formed in Dublin on September 2, 1921, by the Leinster FA. The Free State League (originally the Football League of Ireland and now the League of Ireland) is founded in June of that year when the Leinster FA withdraws from the IFA. This is the climax of a series of disputes about the alleged Belfast bias of the IFA. Both bodies initially claim to represent the entire island. The split between Southern Ireland (which becomes the Irish Free State in December 1922) and Northern Ireland (which comes into existence as a jurisdiction in 1921) does not produce a split in the governing bodies of other sports, such as the Irish Rugby Football Union (IRFU). The Munster Football Association, originally dominated by British Army regiments, falls into abeyance on the outbreak of World War I, and is re-established in 1922 with the help of the FAI, to which it affiliates. The Falls League, based in the Falls Road of nationalist West Belfast, affiliates to the FAI, and from there Alton United wins the FAI Cup in 1923. However, when the FAI applies to join FIFA in 1923, it is admitted as the Football Association of the Irish Free State (FAIFS) based on a 26-county jurisdiction. (This jurisdiction remains, although Derry City, from Northern Ireland, are given an exemption, by agreement of FIFA and the IFA, to join the League of Ireland in 1985.) Attempts at reconciliation followed. At a 1923 meeting, the IFA rejects an FAIFS proposal for it to be an autonomous subsidiary of the FAIFS. A 1924 meeting in Liverpool, brokered by the English FA, almost reaches agreement on a federated solution, but the IFA insists on providing the chairman of the International team selection committee. A 1932 meeting agrees on sharing this role, but founders when the FAIFS demands one of the IFA’s two places on the International Football Association Board (IFAB). Further efforts to reach agreement are made through a series of conferences between the IFA and FAI from 1973 to 1980 during the height of the Troubles in Northern Ireland.
The IFA does not feel obliged to refrain from selecting Free State players for its international team. The name Football Association of Ireland is readopted by the FAIFS in 1936, in anticipation of the change of the state’s name in the pending Constitution of Ireland, and the FAI begins to select players from Northern Ireland based on the Constitution’s claim to sovereignty there. A number of players play for both the FAI “Ireland” (against FIFA members from mainland Europe) and the IFA “Ireland” (in the British Home Championship, whose members had withdrawn from FIFA in 1920). Shortly after the IFA rejoins FIFA in 1946, the FAI stops selecting Northern players. The IFA stops selecting southern players after the FAI complains to FIFA in 1950.
From the late 1960s, association football begins to achieve more widespread popularity. Donogh O’Malley, TD and then Minister for Education, begins a new programme of state-funded schools in 1966, many with association football pitches and teams. The Gaelic Athletic Association’s ban on members playing “foreign” games is lifted in 1971. RTÉ television, founded in 1962, and British television (available nearly everywhere on cable or microwave relay from the 1970s), broadcast association football regularly. Above all, the increasing success of the international side from the late 1980s gives increased television exposure, more fans, and more funds to the FAI.
However, increased media exposure also highlights some inadequacies of its hitherto largely amateur organisation. In January 1999, the FAI announces a planned national association football stadium, to be called Eircom Park after primary sponsors Eircom. This is to be a 45,000-seat stadium in City West, modeled on the GelreDome in Arnhem. It gradually becomes apparent that the initial forecasts of cost and revenue have been very optimistic. FAI and public support for the project is also undermined by the announcement of the Stadium Ireland in Abbotstown, which would have 65,000 seats and be available free to the FAI, being funded by the state. The Eircom Park project is finally abandoned in March 2001, amid much rancour within the FAI.
During preparation for the 2002 FIFA World Cup, the captain of the senior football team, Roy Keane, leaves the training camp and returns to his home. He is critical of many aspects of the organisation and preparation of the team for the upcoming games, and public opinion in Ireland is divided. As a result of the incident, the FAI commissions a report from consultants Genesis into its World Cup preparations. The “Genesis Report” makes a number of damning criticisms regarding corruption and cronyism within the association, but is largely ignored. The complete report is never published for legal reasons. The FAI subsequently produces its own report of itself titled “Genesis II” and implements a number of its recommendations.
In 2002, the FAI announces a deal with British Sky Broadcasting to sell broadcasting rights to Ireland’s international matches, as well as domestic association football, to be televised on its satellite subscription service. The general public feels it should be on RTÉ, the free-to-air terrestrial service, in spite of their offering much lower rates. Faced with the prospect of the government legislating to prevent any deal, the FAI agrees to accept an improved, but still lower, offer from RTÉ.
Following the respectable performance of the national team in the 2002 FIFA World Cup, the team’s fortunes decline under the management of Mick McCarthy, Brian Kerr and Steve Staunton.
In September 2006, Lars-Christer Olsson, CEO of UEFA, is quoted as anticipating that Lansdowne Road in Dublin (actually owned by the Irish Rugby Football Union) will stage the UEFA Cup Final in 2010, and that the FAI and the IFA will co-host the 2011 UEFA European Under-21 Championship. The 2010 final is ultimately awarded to Hamburg, but in January 2009, UEFA nameS Lansdowne Road as the host stadium for the renamed 2011 UEFA Europa League Final. In August 2010, an FAI spokesman says they will have repaid all of their stadium debt of €46 million within 10 years despite the disastrous sale of 10-year tickets for premium seats at the Aviva Stadium.
In November 2007, the FAI moves to new headquarters at the National Sports Campus in Abbotstown. Its headquarters since the 1930s had been a Georgian terraced house at 80 Merrion Square, which is sold for a sum variously reported as “in excess of €6m” and “almost €9m.”
O’Reilly is one of six children of James P. O’Reilly, shopkeeper and musician, and Catherine O’Reilly (née Donegan). The family moves to Dublin when he is nine years old. He is educated at the Christian Brothers school in James’s Street, where he excels at Gaelic football and develops an interest in drama and music. Toward the end of his schooldays, he begins to participate in athletics, particularly the high jump, and is coached by Jack Sweeney, a leading athletics coach.
Always a man of many talents and interests, after leaving school O’Reilly combines working in the insurance business with an athletics career with Donore Harriers and evening drama classes. He wins several Irish titles, including the high jump, javelin, and decathlon, and sets a national record in the high jump. In 1954 he wins the British AAA Championships high jump title, beating the Commonwealth champion into second place, and setting a championship record of 6 ft. 5 in. (1.96 m). As a result, he secures a United States athletics scholarship to the University of Michigan, Ann Arbor, where he takes a degree in liberal arts, majoring in speech and drama. While at Michigan he improves his Irish record to 6 ft. 7 in. (2.007 m). His athletic career, however, is dogged with bad luck. He is selected to compete in the high jump at the European Athletics Championships in Bern, Switzerland, in 1954 but fractures an ankle in practice and fails to advance beyond the qualifying round. Although he competes at international level for ten years (1952–62), he is unlucky to never take part in the Olympic Games. A victim of sporting politics in 1952, as an NCAA athlete he is not entitled to compete. He is selected for the 1956 Summer Olympics in Melbourne but is unable to attend when, at the last minute, his club cannot provide the finance for him to attend. Earlier that year he wins the Big Ten Conference high jump title.
On leaving Michigan O’Reilly moves to New York City, where he embarks on an acting career with the Irish Players, but he returns to Dublin in 1959, where, after brief spells working as a teacher and for an advertising agency, he applies to Ireland’s new television station for a position. He is looking for an acting job but ends up being offered a position as a presenter, joining Teilifís Éireann in 1961 as an announcer/interviewer. His relaxed and unobtrusive style appeals to viewers and his light entertainment show, The Life of O’Reilly, is the most popular programme on Irish television in the day, eclipsing even a fledgling The Late Late Show. It is as a sports presenter and commentator, however, that O’Reilly is primarily remembered, as he becomes the face of sport on RTÉ Television for many years. He attends five Olympic Games as a broadcaster, from Mexico in 1968 to Los Angeles in 1984, commentating on athletics and gymnastics. The first presenter of RTÉ’s flagship Saturday afternoon sports programme Sports Stadium in 1984, he continues to present it over its fourteen-year life, co-presenting the final programme in December 1997. He also is the regular presenter of RTÉ’s Wimbledon Championships tennis coverage for many years, the sports results on news broadcasts on TV and radio, and Sunday Sport on RTÉ Radio, as well as commentating on individual sports such as ice-skating.
Although sports presenting is a natural progression for an athlete with his talents, O’Reilly’s real love is the arts. He continues to act, playing the part of Detective Inspector Michael Roarke in the classic children’s film Flight of the Doves (1971) with Ron Moody and Willie Rushton. He is also an accomplished singer and songwriter, and writes and performs his own one-man show, Across the Spectrum, comprising his own poems and songs in 1992. As well as a book of poems, The Great Explosion (1977), he releases a number of albums and tops the charts with his own song, “The Ballad of Michael Collins,” in 1981. He has a great admiration for Michael Collins, and this leads to his becoming the first non-political figure to give the oration at the annual Collins commemoration at Béal na Bláth, County Cork, in 1981. He also writes the song “Let the Nations Play” (1985), inspired by the boycotts of the Olympic games of 1980 and 1984, and the song is adopted as an anthem of the international Olympic movement.
Tall and slim in build, O’Relly is affable, modest, and self-deprecating in character. His relaxed style is no mere public affectation. He often exasperates colleagues by turning up just in time for broadcasts, and his ability to ad-lib is important in a live television environment. He once describes himself as “a champion high-jumper who could enunciate properly and keep my hair neatly combed” (The Irish Times, April 7, 2001). Despite the disappointments in his sporting career, he maintains that his other interests more than compensated. In relation to the Olympics he is quoted as saying, “If you asked me whether I’d have preferred to win a medal or have written the song, I’d honestly say I would have preferred to have written the song” (Longford Leader, April 6, 2001).
O’Reilly lives in Ranelagh, Dublin, and is married twice. He meets his first wife Linda Herbst (née Kuhl) in New York in the late 1950s. His second marriage is to Johanna Lowry. He has four children. After a lengthy illness, he dies on April 1, 2001, in St. Vincent’s Hospital, Fairview, Dublin. He is buried at Mount Venus cemetery, Rathfarnham.
(From: “O’Reilly, Brendan” by Jim Shanahan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Goan is an Irish language speaker. He studies Celtic studies at University College Dublin (UCD). He joins RTÉ in 1979 as an archivist with RTÉ Radio. He becomes a producer and senior producer on RTÉ Radio. In 1988, he moves to RTÉ Television and works on Today Tonight. Remaining in current affairs, he becomes editor of Cúrsaí, an Irish language television programme about arts and current affairs. He becomes Editor of Irish Language Programming in 1990.
Four years after being appointed Editor, Goan is approached to become “Ceannasaí” of the new Teilifís na Gaeilge. From August 1994, he manages the commencement of the new television channel. After a successful launch of the channel, where award-winning programming is produced during his tenure, he returns to RTÉ in 2000. He is appointed Director of Television and becomes a member of the RTÉ Executive Board.
Bob Collins retires as Director-General of RTÉ in 2003 to pursue a career elsewhere. It is announced in July 2003 that Goan will fill this position. He becomes the Director-General in October 2003. In 2008, he has a salary of €280,000, but it is reduced by €35,000. In 2006, he is announced as member of the board of National Concert Hall and serves there until May 2011. After the broadcast of a news item on nude pictures of TaoiseachBrian Cowen, Minister Michael Kennedy calls for Goan to “consider his position” as Director-General of RTÉ. He also receives criticism from Minister Éamon Ó Cuív in February 2010, when Sunday Mass is reduced to being broadcast just once a month on RTÉ Raidió na Gaeltachta.
Goan announces in July 2010 that he intends to step down at the end of his seven-year term. His resignation is accepted by the RTÉ Board.
O’Reilly is born on May 14, 1929, in Granard, County Longford, one of six children of James P. O’Reilly, shopkeeper and musician, and Catherine O’Reilly (née Donegan). The family moves to Dublin when he is nine years old. He is educated at the Christian Brothers school in James’s Street, where he excels at Gaelic football and develops an interest in drama and music. Toward the end of his schooldays, he begins to participate in athletics, particularly the high jump, and is coached by Jack Sweeney, a leading athletics coach.
Always a man of many talents and interests, after leaving school O’Reilly combines working in the insurance business with an athletics career with Donore Harriers and evening drama classes. He wins several Irish titles, including the high jump, javelin, and decathlon, and sets a national record in the high jump. In 1954 he wins the British AAA Championships high jump title, beating the Commonwealth champion into second place, and setting a championship record of 6 ft. 5 in. (1.96 m). As a result, he secures a United States athletics scholarship to the University of Michigan, Ann Arbor, where he takes a degree in liberal arts, majoring in speech and drama. While at Michigan he improves his Irish record to 6 ft. 7 in. (2.007 m). His athletic career, however, is dogged with bad luck. He is selected to compete in the high jump at the European Athletics Championships in Bern, Switzerland, in 1954 but fractures an ankle in practice and fails to advance beyond the qualifying round. Although he competes at international level for ten years (1952–62), he is unlucky to never take part in the Olympic Games. A victim of sporting politics in 1952, as an NCAA athlete he is not entitled to compete. He is selected for the 1956 Summer Olympics in Melbourne but is unable to attend when, at the last minute, his club cannot provide the finance for him to attend. Earlier that year he wins the Big Ten Conference high jump title.
On leaving Michigan O’Reilly moves to New York City, where he embarks on an acting career with the Irish Players, but he returns to Dublin in 1959, where, after brief spells working as a teacher and for an advertising agency, he applies to Ireland’s new television station for a position. He is looking for an acting job but ends up being offered a position as a presenter, joining Teilifís Éireann in 1961 as an announcer/interviewer. His relaxed and unobtrusive style appeals to viewers and his light entertainment show, The Life of O’Reilly, is the most popular programme on Irish television in the day, eclipsing even a fledgling The Late Late Show. It is as a sports presenter and commentator, however, that O’Reilly is primarily remembered, as he becomes the face of sport on RTÉ Television for many years. He attends five Olympic Games as a broadcaster, from Mexico in 1968 to Los Angeles in 1984, commentating on athletics and gymnastics. The first presenter of RTÉ’s flagship Saturday afternoon sports programme Sports Stadium in 1984, he continues to present it over its fourteen-year life, co-presenting the final programme in December 1997. He also is the regular presenter of RTÉ’s Wimbledon Championships tennis coverage for many years, the sports results on news broadcasts on TV and radio, and Sunday Sport on RTÉ Radio, as well as commentating on individual sports such as ice-skating.
Although sports presenting is a natural progression for an athlete with his talents, O’Reilly’s real love is the arts. He continues to act, playing the part of Detective Inspector Michael Roarke in the classic children’s film Flight of the Doves (1971) with Ron Moody and Willie Rushton. He is also an accomplished singer and songwriter, and writes and performs his own one-man show, Across the Spectrum, comprising his own poems and songs in 1992. As well as a book of poems, The Great Explosion (1977), he releases a number of albums and tops the charts with his own song, “The Ballad of Michael Collins,” in 1981. He has a great admiration for Michael Collins, and this leads to his becoming the first non-political figure to give the oration at the annual Collins commemoration at Béal na Bláth, County Cork, in 1981. He also writes the song “Let the Nations Play” (1985), inspired by the boycotts of the Olympic games of 1980 and 1984, and the song is adopted as an anthem of the international Olympic movement.
Tall and slim in build, O’Relly is affable, modest, and self-deprecating in character. His relaxed style is no mere public affectation. He often exasperates colleagues by turning up just in time for broadcasts, and his ability to ad-lib is important in a live television environment. He once describes himself as “a champion high jumper who could enunciate properly and keep my hair neatly combed” (The Irish Times, April 7, 2001). Despite the disappointments in his sporting career, he maintains that his other interests more than compensated. In relation to the Olympics he is quoted as saying, “If you asked me whether I’d have preferred to win a medal or have written the song, I’d honestly say I would have preferred to have written the song” (Longford Leader, April 6, 2001).
O’Reilly lives in Ranelagh, Dublin, and is married twice. He meets his first wife Linda Herbst (née Kuhl) in New York in the late 1950s. His second marriage is to Johanna Lowry. He has four children. After a lenghty illness, he dies on April 1, 2001, in St. Vincent’s Hospital, Fairview, Dublin. He is buried at Mount Venus cemetery, Rathfarnham.
(From: “O’Reilly, Brendan” by Jim Shanahan, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Brian Patrick Boydell, Irish composer whose works include orchestral pieces, chamber music, and songs, dies on November 8, 2000. He is Professor of Music at Trinity College Dublin for 20 years, founder of the Dowland Consort, conductor of the Dublin Orchestral Players, and a prolific broadcaster and writer on musical matters. He was also a prolific musicologist specialising in 18th-century Irish musical history.
Boydell is born on March 17, 1917, in Howth, County Dublin, into a prosperous Anglo-Irish family. His father James runs the family maltings business while his mother, Eileen Collins, is one of the first women graduates of Trinity College. Following their son’s birth, the Boydells move from Howth and live in a succession of rented houses before settling in Shankill, County Dublin. The young Boydell begins his formal education at Monkstown Park in Dublin and is subsequently sent to the Dragon School at Oxford, England. From there he goes to Rugby School, where he comes under the influence of Kenneth Stubbs, the music master. Although he later speaks of his resentment at the anti-Irish attitude he experiences at Rugby, he appreciates the very good education in science and music he receives there.
Having completed his secondary education, Boydell spends the summer of 1935 developing his musical knowledge at Heidelberg, Germany, where he writes his first songs and also studies organ. He wins a choral scholarship to Clare College, Cambridge, where, perhaps through parental pressure, he studies natural science, graduating in 1938 with a first-class degree.
Upon the outbreak of World War II, Boydell returns to Dublin and achieves further academic success in 1942 with a Bachelor of Music degree from Trinity College. He also takes further lessons in composition from John F. Larchet.
Boydell’s busy working life combines teaching, performing and composing. Following a brief stint in his father’s business, he plunges himself into Dublin’s classical music scene. In 1943, he succeeds Havelock Nelson as conductor of the Dublin Orchestral Players, beginning an association with the amateur orchestra that endures for a quarter of a century (until 1966). In 1944, he is appointed Professor of Singing at the Royal Irish Academy of Music, a position he holds for eight years. Along with fellow composers Edgar M. Deale, Aloys Fleischmann, and Frederick May he founds the Music Association of Ireland in 1948 as a vehicle to promote classical music throughout the country.
Boydell’s interest in Renaissance music, in particular the madrigal, leads in 1959 to founding the Dowland Consort, a vocal ensemble with which he performs for many years and records an LP. In 1962, having obtained a Doctorate in Music, he is appointed Professor of Music at Trinity College, a position he holds until 1982. He immediately revamps the course making it more relevant to the second half of the twentieth century. He also finds time to sit on the Arts Council throughout the 1960s, 70s, and early 80s.
Boydell’s communication skills combined with his infectious enthusiasm makes him a natural broadcaster. The appeal of his programmes on the history and performance of music, first on RTÉ Radio 1 and later on Telefís Éireann, go beyond a specialist audience and are, for many people, their introduction to a new world of aural pleasure.
Boydell has many interests beyond music. As a surrealist painter in the 1940s, having taken lessons from Mainie Jellett, he is a member of The White Stag Group. He is also passionate about cars and photography.
Following retirement from Trinity as Fellow Emeritus, Boydell devotes himself to musical scholarship, writing two books on the music of 18th century Dublin. He also contributes to The New Grove Dictionary of Music and Musicians.
Boydell dies at his home in Howth on November 8, 2000, at the age of 83 and in the company of his wife of 56 years, Mary (née Jones) and their sons, Cormac and Barra. A third son, Marnac, predeceases him.
Boydell is awarded several honorary titles in recognition of his services to music, including the Honorary Doctorate of Music from the National University of Ireland (1974), the Order of Merit of the Italian Republic (1983), the election to Aosdána, Ireland’s academy of creative artists (1984), and Honorary Fellowship of the Royal Irish Academy of Music (1990).
Scallon is born Rosemary Brown, the fifth of seven children of a King’s Cross railway station porter and trumpet player originally from Derry, Northern Ireland. When she is five, the family moves back to Derry where she grows up in the Creggan housing estate and Bogside. She attends St. Eugene’s Primary School and then enrolls at Thornhill College. A singing talent from childhood, she wins several local contests while also participating in local choirs and taking piano, violin and ballet lessons.
In the early 1960s Scallon forms a trio with two of her sisters, often performing at charity concerts organized by their father. When one sister leaves, the remaining duo lands a summer-long booking at the Palladium and a recording contract with Decca Records. Her other sister, however, leaves to join her new husband, a United States airman, in America. Stricken with stage fright, Scallon the solo singer manages to win a folk competition at the Embassy Ballroom with her eyes shut. The contest’s sponsor, teacher and music promoter Tony Johnston, helps her complete her equivalency degree and records a demo that convinces Decca Records to sign her on as a solo artist. She releases a single in 1967 that brings some attention from local TV and radio.
Performing under her school nickname “Dana,” Scallon becomes a fixture in Dublin‘s cabaret and folk clubs. She is crowned “Queen of Cabaret” and feted with a parade and a reception at Clontarf Castle on the Saturday before Easter 1968.
At the suggestion of Decca Record’s local agent, Phil Mitton, Scallon auditions for the Irish National Song Contest, a preliminary for the 1969 Eurovision competition. She reaches the finals in Dublin but comes in second.
RTÉ Television chief Tom McGrath invites Scallon back to compete the following year. She accepts even though she is preparing to retire from active performing to pursue teaching. The song, “All Kinds of Everything” by Derry Lindsay and Jackie Smith, is picked for her by McGrath and propels her to victory. She goes on to represent Ireland in the 1970 Eurovision contest, held in Amsterdam. She performs perched on a stool on stage and defeats England’s Mary Hopkin and Spain‘s Julio Iglesias to secure Ireland’s victory.
Scallon is given a hero’s welcome upon her return to Ireland, especially in Northern Ireland. “All Kinds of Everything” shoots to #1 on the Irish Singles Chart, as well as the UK Singles Chart. It is also successful in Australia, Austria, Germany, Israel, Malaysia, the Netherlands, New Zealand, Singapore, South Africa, Switzerland and Yugoslavia, on its way to passing 1 million sales. She quickly records an album, with orchestral accompaniment. Her follow-up single, “I Will Follow You,” fails to make much of a splash. Given the choice of giving up, she decides to fight for her recording career, and succeeds with Paul Ryan‘s “Who Put the Lights Out,” which spends eleven weeks on the UK charts.
In 1974 Scallon switches to GTO Records. Her first single on that label, “Please Tell Him That I Said Hello,” returns her to the top 10. Her 1975 holiday single “It’s Gonna be a Cold Cold Christmas” by Roger Greenaway and Geoff Stephens, reaches #4 and remains a classic. Now an established Irish singing star she appears in films and festivals and sells out a week of concerts at the London Palladium. She also maintains her “Queen of the Cabaret” reputation with regular appearances in top London clubs. The BBC gives her two shows of her own: a series called A Day with Dana in 1974 and four-part series of Wake Up Sunday in 1979. BBC Radio follows suit with a series of I Believe in Music in 1977.
Meanwhile, Scallon begins performing stage pantomime in a blockbuster production of Cinderella in Oxford. In September 1976, however, she is hospitalized with a non-malignant growth on her left vocal cord, requiring surgery. The single “Fairytale” is sustained in the charts with the publicity from her dire medical prognosis. The experience strengthens her religious faith. On October 5, 1978, she marries Damien Scallon, a hotel-owner from Newry, at St. Eugene’s Cathedral in Derry.
In 1979, recovered from her surgery, Scallon records a new album entitled The Girl is Back, which has modest success. Pope John Paul II‘s visit to Ireland that year inspires her to write a song based on his personal motto, “Totus Tuus,” which tops the Irish charts. Long associated with Christian causes and Sunday-morning programs, she and her husband look for opportunities to reach a broader market for Christian music and find one in the United States. They attend the National Religious Broadcasters conference in Washington, D.C. in 1980 and secure a contract with Word Records.
Scallon’s first album of Christian songs, Totally Yours, is released on Word Records in 1981. She continues to record pop music, including the 1982 album Magic and the official 1982 FIFA World Cup song for the Northern Ireland team, “Yer Man.” She also continues her stage career, starring in Snow White and the Seven Dwarfs at Hull and later in London’s West End and Wolverhampton. She tours the United States in 1984, including appearances at Billy Graham‘s Boston crusades. She pens an autobiography in 1985. She performs “Totus Tuus” before a packed Superdome crowd during John Paul II’s visit to New Orleans in 1987.
Also in 1987, after one of her husband’s hotels is damaged for the seventh time by a terrorist bomb, he takes a job managing retreats for EWTN and moves the family to Alabama. They rent a house in the Cherokee Bend area of Mountain Brook and enroll their children at Saint Rose Academy. Scallon is welcomed to the network as well, hosting the Say Yes and We Are One Body programs. She leaves Word Records and signs with Heart Beat Records for her later Catholic albums. In 1993 she again performs for the Pope at a World Youth Day event in Denver, Colorado.
Scallon is naturalized as a dual citizen of the United States and Northern Ireland in 1997 and moves back there a year later because she has been drafted as an independent candidate for President of Ireland. She garners 15% of the popular vote, finishing third in the race won by Mary McAleese, ahead of the Labour Party candidate. Most of her votes come from rural districts where conservative values are more strongly held.
In 1999 Scallon wins a seat on the European Parliament, representing Connacht-Ulster on a family values and anti-abortion platform. During her five-year term she opposes the development of a European constitution. She also speaks out against a 2001 proposal to amend the Irish constitution to legalize the “morning-after pill” and intrauterine contraceptive devices. With the support of the mainstream parties, the amendment is put to a popular referendum, which fails in 2002. That same year she is defeated in a campaign to represent Galway West in the Dáil Éireann, the lower house of the Irish parliament. In 2004 she fails to hold her seat in the European Parliament and also does not secure a nomination for President.
Leaving politics behind, Scallon joins a weight-loss challenge on RTÉ’s The Afternoon Show in 2005. In 2006 she competes with Ronan McCormack on Celebrity Jigs ‘n’ Reels, finishing second on the popular dance contest.
That same year, Scallon and her husband launch their own music label, DS Music Productions, and release a compilation of songs deidcated to John Paul II’s memory. That is followed by Good Morning Jesus: Prayers and Songs for Children of All Ages, which is featured in a special series on EWTN. Heart Beat Records files a lawsuit against DS Music Productions for alleged copyright violations.
In 2007 Scallon appears as a guest judge for Young Star Search, a Belfast CityBeat radio contest. In 2009 she is brought on as a judge for The All Ireland Talent Show. That same year she returns to EWTN as host of Dana and Friends.
Cowley is born September 8, 1923, in Ardbraccan, Navan, County Meath, the third child of Patrick Cowley, a small farmer, and his wife Margaret. Educated at the local national school, he leaves at the age of thirteen to work on the family farm. He also works with a horse and cart drawing stones from a local quarry. He is an enthusiastic amateur actor and learns his trade in the fit ups of the forties and fifties. Moving to England, he gets parts in television shows such as Z-Cars and No Hiding Place. During the 1950s and 60s, he is also very active in theatre, and has a long association with the Globe theatre company in Dún Laoghaire, which he joins in 1956. He also plays in the Abbey, Gate and Olympia theatres, travels Europe in 1960–61 with John Millington Synge‘s The Playboy of the Western World, and stars in the early Hugh Leonard play I Loved You Last Summer.
Cowley is best known for his portrayal of the bluff countryman Tom Riordan in RTÉ’s rural drama, The Riordans. First airing on January 4, 1965, it runs until May 28, 1979. One of RTÉ’s most successful programmes, it has a huge audience and a considerable social impact through its treatment of controversial topics such as divorce, contraception, and mixed marriages. When it ends in 1979 Cowley is bitterly disappointed and accuses RTÉ of throwing him on the scrap heap. After this he continues to work in theatre and has occasional appearances on screen, including a part in Jim Sheridan‘s The Field (1991) and the British espionage television series, The Avengers.
Cowley also writes poetry and a play, A Fool and His Money. His other hobbies include a passion for history (particularly the 1798 period), hurling, Gaelic football, boxing, and swimming. A patron and a founder member of the Irish Council Against Blood Sports in 1967, he is a leading opponent of hare coursing, popularising the cause through an appearance on The Late Late Show in 1967.
In 1953 Cowley marries Annie D’Alton, an actor who later appears with him in The Riordans, two years after the death of her first husband, the dramatist Louis D’Alton. They have one son.
Cowley dies in Navan on February 13, 1998. His wife precedes him in death in March 1983.
The RTÉ Television Centre is a television studio complex which is owned by Raidió Teilifís Éireann (RTÉ) and has been home to Ireland’s national public service broadcaster since 1961. The building houses the main production studios for RTÉ Television, the control rooms for all RTÉ’s TV channels, and RTÉ’s main newsroom.
At 1:30 AM on the morning of August 5, a bomb explodes at the RTÉ Television Centre causing damage primarily to the western end of the studios. The explosion is heard over a wide area of Dublin. Only a skeleton staff are on duty and nobody is injured. The bombing takes place during the protest campaign by the Northern Ireland Civil Rights Association but before the 1969 Northern Ireland riots.
The bomb, which is believed to be a time bomb placed at the rear wall of the studio building, causes no structural damage to the building but destroys the wardrobe department and shatters windows in a large section of the building, including the large structural plate glass panels which are a feature of the building.
Army explosive experts are called in to investigate the cause of the explosion and determine who planted it.
Finbar Furey, multi-instrumental Irish folk musician, is born in Ballyfermot, Dublin on September 28, 1946. He is best known for his band of brothers, The Fureys.
Furey’s well-known musician father, Ted, starts him on the Uilleann pipes while he is very young. By his teens, he has won three All Ireland Medals, The Oireachtas, and many Feisanna. He is the only piper to win the All-Ireland, the Oireachtas medal and the four province titles in the same year. He is also an Irish Traveller.
Furey popularizes the pipes worldwide while on tour with his brother Eddie in the 1960s. In 1969, he and Eddie begin touring as backup musicians for the influential Irish folk group, The Clancy Brothers. He plays the pipes, as well as the banjo, tin whistle, and guitar with the group in live performances, on television, and on recordings. The Furey brothers leave the group the following year and begin performing as a duo again. They are awarded Single of the Year by John Peel in 1972.
In 1997, after nearly thirty years as The Fureys’ front man, Furey decides the time is right to follow his own path as a singer songwriter. He decides to step aside and pursue his solo career, to present his definitive one-man show and to explore new pastures as a singer, producer and writer.
In August 2013, Furey appears on the Irish television show The Hit. He records a single pitched by a songwriter, Gerry Fleming. The single, “The Last Great Love Song”, charts at number one in the Irish charts against Mundy‘s song “Jigsaw Man” written by Mark Walsh which charts at number five. The song is performed again with the RTÉ Concert Orchestra in the final and comes in first place in the public vote earning the title “The Ultimate Hit.”
seamus dubhghaill 