Trevor wins the 2008 International Nonino Prize in Italy. In 2014, he is bestowed with the title of Saoi within Aosdána. He resides in England from 1954 until his death in 2016, at the age of 88.
Trevor is educated at a succession of schools including St Columba’s College, Dublin (where he is taught by Oisín Kelly) and at Trinity College Dublin (TCD), from which he receives a degree in history. He works as a sculptor under the name Trevor Cox following his graduation from TCD, supplementing his income by teaching.
Trevor marries Jane Ryan in 1952 and emigrates to England, working as a teacher, a sculptor and then as a copywriter for an advertising agency. During this time he and his wife have their first son. In 1952, he becomes an art teacher at Bilton Grange, a prep school near Rugby. He is commissioned to carve reliefs for several churches, including All Saints’ Church, Braunston, Northamptonshire. In 1956, he moves to Somerset to work as a sculptor and carries out commissions for churches. He stops wood carving in 1960.
Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson & Co. of London, but receives little critical success. He later disowns this work, and, according to his obituary in The Irish Times, “refused to have it republished.” It is, in fact, republished in 1982 and in 1989.
In 1964, at the age of 36, Trevor is awarded the Hawthornden Prize for The Old Boys. This success encourages him to become a full-time writer.
In 1971, he and his family move from London to Devon in South West England, first to Dunkeswell, then in 1980 to Shobrooke, where he lives until his death. Despite having spent most of his life in England, he considers himself to be “Irish in every vein”.
Trevor dies peacefully in his sleep, at the age of 88, at Crediton, Devon, England, on November 20, 2016.
A portrait of Guinness is held at the National Portrait Gallery in London. She has modeled for various perfume and make-up campaigns, including Armani and Shu Uemura. She is the face of the Goffs Million horse races at the Curragh Racecourse in September 2007, an event that pays the highest winnings of any race meeting in Europe.
In 2009, Guinness is the face of the Arthur’s Day event celebrating her ancestor Arthur Guinness. In March and December 2011 she is again the subject of articles in Hello! magazine.
The year 2014 marks a revival of Guinness’s modeling career as she leads Jaeger‘s AW14 campaign alongside her mother Liz and fellow models Kirsty Hume and Jodie Kidd. Her range largely includes knitwear, including cardigans, skirts and sweater dresses.
Guinness is the great-granddaughter of Diana Mitford (later Lady Mosley), who is one of the Mitford sisters, and her first husband Bryan Guinness, later the 2nd Lord Moyne. Her paternal grandfather, Desmond Guinness, is a conservationist specialising in Georgian and classical architecture, while her paternal grandmother, Mariga Guinness, is born Marie-Gabrielle, Princess of Urach. Desmond and Mariga Guinness are co-founders of the Irish Georgian Society. Guinness’s maternal family is researched in the RTÉ programme Where Was Your Family During the Famine?
Gwynn is educated at St. Columba’s College, Dublin, and Trinity College Dublin. In 1896 he heads the list of Foundation Scholars in Classics at TCD. In 1898 he graduates Bachelor of Arts, gaining a “first of firsts” with gold medals in Classics and Modern Literature.
In 1900, along with his brother Edward Gwynn and others, Gwynn founds the Social Services (Tenements) Company to provide housing for poor families in Dublin. He subsequently spends many periods working with the poor in Dublin’s slums. He is instrumental in founding the Trinity Mission, which serves slum dwellers in Belfast, and is for many years actively involved in the Dublin University Fukien Mission (later the Dublin University Far Eastern Mission), eventually becoming its chairman and president.
He is ordained deacon in 1906, achieving full priesthood two years later. He is the only one of Rev. John Gwynn’s sons to be ordained, and he never serves in a parish. That same year, he proceeds to MA and is elected a Fellow of Trinity College Dublin.
In 1907 Gwynn is appointed Lecturer in Divinity and Tutor. He remains Lecturer in Divinity until 1919 and continues as Tutor until 1937. He is appointed Chaplain of TCD in 1911, retaining that post until 1919.
In January 1909 he is appointed Acting Warden of his old school, St. Columba’s College, which is facing a major financial crisis. He keeps the institution afloat until a new warden is appointed.
Horrified by the brutality of the Dublin Metropolitan Police (DMP) toward strikers during the lockout in 1913, Gwynn becomes a prominent advocate of the workers’ cause and joins the Industrial Peace Committee. On November 12, 1913, when the committee is barred from holding its meeting at the Mansion House, he invites the members to his college rooms at No. 40, New Square. It is this meeting that leads to the foundation of the Irish Citizen Army (ICA). In their history of Trinity College McDowell and Webb observe, “Gwynn’s support for the ‘army’ concept was based simply on the idea that military-style discipline would keep unemployed men fit and give them self-respect. ‘Sancta simplicitas!'”
In 1914 Gwynn marries Dr. Eileen Gertrude Glenn, a rector’s daughter from Pomeroy, County Tyrone. They have six children.
In 1916 Gwynn is appointed Professor of Biblical Greek, a post he holds for forty years (1916-56). During those four decades, he holds a number of other, often overlapping, academic appointments at the university, including Professor of Hebrew (1920-37), Registrar (1941), Vice-Provost (1941-43), Senior Lecturer (1944-50), and Senior Tutor (1950-56). In 1937 he is co-opted to Senior Fellowship. He is made an honorary fellow in 1958.
When the Dublin University Fabian Society is formed. Gwynn becomes one of its vice-presidents.
Like several of his brothers, Gwynn is a fine cricket player, in his youth captaining both his school XI and the Dublin University XI. A right-handed batsman and right-arm slow bowler, he plays once for the Ireland cricket team in 1901. He also plays four first-class matches for Dublin University in 1895. He retains a lifelong interest in the sport, and John V. Luce portrays him as President of the Dublin University Cricket Club, with his “tall rangy figure … a familiar sight at matches in College Park.”
Gwynn is tall and athletic, but in later life suffers from deafness. To aid his hearing he carries a large ear trumpet with him and this, together with his height and glowing white hair, makes him an impressive and instantly recognizable figure around Trinity College. In character, he is patient, kind and wise, but at the same time resolute and tough. His nephew-in-law, the late Archbishop of Armagh, George Simms, remarks that his “gentle humility inspired trust and drew confidences, his stubborn integrity brought surprises for those who mistook charity for easy-going indifference,” and spoke of his “Athanasian courage.”
Gwynn dies in Dublin at the age of 85 on June 25, 1962. He is buried in Whitechurch churchyard.
Orpen wants to pursue painting, but “for family reasons” he becomes an architect. He spends eleven years with Thomas Drew, initially as a pupil, and later as a managing assistant from 1885 to 1892. From around 1884, he attends the annual excursions of the English Architectural Association. Around 1890, he establishes his own architectural practice in Drew’s offices at 22 Clare Street, Dublin. In 1896, he moves his office to 7 Leinster Street. In 1888 he is elected as a member of the Royal Institute of the Architects of Ireland (RIAI), serving as a council member from 1902 to 1910, as honorary secretary from 1903 to 1905, and as president from 1914 to 1917. He designs the institute’s official seal in 1909. In 1904, the Irish Builder describes him as the “originator of the bungalow in Ireland.”
From 1888, Orpen exhibits with the Royal Hibernian Academy (RHA), with watercolours and architectural drawings. He continues to exhibit with them until 1936. He collaborates with Percy French on a number of projects, including illustrating Racquetry Rhymes (1888) and The First Lord Liftinant and Other Tales (1890). He provides cartoons for French’s periodical, The Jarvey. His architectural illustrations are included in H. Goldsmith Whitton’s Handbook of the Irish Parliament Houses… (1891). He is one of the original members of the Architectural Association of Ireland, serving as its first president in 1896, and as vice-president in 1910.
Orpen is appointed the architect to St. Columba’s from 1897 to 1938, following a fire at the college in 1896. He becomes a fellow of the college, and the sanatorium becomes known as the Orpen building. He is an active member of the Arts and Crafts Society of Ireland, serving as secretary in 1895, on the committee in 1904, and in 1917 sits on the organising committee for the fifth exhibition. In 1906, he is a founding member of the Arts Club. In 1906 he moves his architectural practice to 13 South Frederick Street, and moves into a house he designed, Coologe, Carrickmines, County Dublin.
From 1910 to 1914, Orpen is in an architectural partnership with Page Dickinson, with the two collaborating on plans for the new Dublin municipal gallery and conversion of the Turkish Baths, Lincoln Place. Lane rejects his and Dickinson’s gallery plans, leading to him refusing to work with Lane’s choice of architect, Sir Edwin Lutyens. In 1914, he is appointed a guardian of the National Gallery of Ireland, and lectures at the Dublin Metropolitan School of Art on architectural history in 1914 and 1915. He is involved in the design of a number of memorials including the setting for a bronze relief by Beatrice Campbell for the members of the Royal Irish Regiment killed in the Second Boer War and the war memorial at the Rathgar Methodist church. He serves as president of the arts and crafts section of the Royal Dublin Society (RDS). He is also a governor of the Royal National Hospital for Consumption for Ireland in Newcastle, County Wicklow.
Orpen features as one of the many portraits in Seán Keating‘s Homage to Sir Hugh Lane. St. Columba’s College holds a portrait of Orpen by his brother, William, as well as a memorial stained-glass window to him by Catherine O’Brien.
Gwynn spends his early childhood in rural County Donegal, which is to shape his later view of Ireland. He attends Brasenose College, Oxford, where, as scholar, in 1884 he is awarded first-class honours in classical moderations and in 1886 literae humaniores. During term holidays he returns to Dublin, where he meets several of the political and literary figures of the day.
After graduating, Gwynn spends ten years from 1886 tutoring as a schoolmaster, for a time in France, which creates a lifelong interest in French culture, as expressed in his Praise of France (1927). By 1896 he has developed an interest in writing, becoming a writer and journalist in London focused on English themes, until he comes into contact with the emerging Irish literary revival, when he serves as secretary of the Irish Literary Society.
This is the beginning of a long and prolific career as a writer covering a wide range of literary genres, from poetry and biographical subjects to general historical works. The eighteenth century is Gwynn’s particular specialism. He writes numerous books on travel and on the topography of his own homeland, as well as on his other interests: wine, eighteenth-century painting and fishing.
Gwynn returns to Ireland in 1904 when he enters politics. In the 1906 Galway Borough by-election he wins a seat for Galway Borough, which he represents as a member of the Irish Parliamentary Party until 1918. During this period, he is active in the Gaelic League and is one of the few Irish MPs to have close links to the Irish literary revival. Along with Joseph Maunsel Hone and George Roberts he founds the Dublin publishing house of Maunsel and Company. He is opposed to the demand for the Irish language to be a compulsory subject for matriculation. He supports the campaign which wins the establishment of a Catholic university when he serves on the Irish University Royal Commission in 1908. During the debate on the third Home Rule Bill, and at the request of his party leader John Redmond, he writes The case for Home Rule (1911) and is in charge of much of the party’s official publicity and its replies to criticism from Sinn Féin.
On the outbreak of World War I in August 1914, Gwynn strongly supports Redmond’s encouragement of Irish nationalists and the Irish National Volunteers to support the Allied and British war effort by enlisting in Irish regiments of the Irish Divisions, especially as a means to ensure the implementation of the suspended Home Rule Act at the end of an expectedly short war. Now over fifty, he enlists in January 1915 with the 7th Leinster Regiment in the 16th (Irish) Division. In July he is commissioned as a captain in the 6th (Service) Battalion, Connaught Rangers and serves with them on the Western Front at Messines, the Somme and elsewhere.
Gwynn is one of five Irish Nationalist MPs who enlist and serve in the army, the others being John L. Esmonde, Willie Redmond, William Redmond and D. D. Sheehan, as well as former MP Tom Kettle. Together with Kettle and William Redmond, he undertakes a recruitment drive for the Irish divisions, co-operating with Kettle on a collection of ballads called Battle Songs for the Irish Brigade (1915). He is made a chevalier of the Legion of Honour in July 1915. In 1916, he is appointed to the Dardanelles Commission.
Recalled to Ireland in late 1917 to participate in the Irish Convention chaired by Sir Horace Plunkett, Gwynn sides with the Redmondite faction of the Irish Party in supporting a compromise with the southern unionists in an attempt to reach consensus on a Home Rule settlement which would avoid partition. On the death of Redmond in March 1918, he takes over as leader of the moderate nationalists in the Convention. He opposes the threat of compulsory military service during the Conscription Crisis of 1918, though as a member of the Irish Recruiting Council he continues to support voluntary recruitment, encountering intense opposition led by Sinn Féin.
Gwynn forms the Irish Centre Party in 1919 and stands unsuccessfully as an Independent Nationalist for Dublin University in the 1918 Irish general election. The party merges with Plunkett’s Irish Dominion League to press for a settlement by consent on the basis of dominion status, but Gwynn subsequently breaks with Plunkett due to his willingness to accept partition as a temporary compromise. The polarities which divide Ireland during the Irish War of Independence and Irish Civil War increasingly sideline his brand of moderate cultural nationalism. Although he supports the newly emergent nation, he equally condemns some of the excesses, such as the burning of houses belonging to Free State senators.
Gwynn’s personal life also becomes complicated at this stage and around 1920. He has a romantic association with married artist Grace Henry who is perhaps the best-known female artist in Ireland at the time. During this period, he and Grace travel in France and Italy and at various stages in his life she painted portraits of him including a very distinguished looking one of him in his late 60s or early 70s. Their relationship contributes significantly to the separation of Henry from her artist husband Paul Henry in 1930.
During the 1920s, Gwynn also devotes himself to writing, covering political events as Irish correspondent to The Observer and The Times. Later in his career, he writes some substantial works, and together with his son Denis Gwynn (The Life of John Redmond, 1932) does much to shape the retrospective image and self-justification of John Redmond. In the mid-1930s he authors three books with a connecting theme of fishing with the artist Roy Beddington serving as illustrator: The Happy Fisherman (1936), From River to River (1937), and Two in a Valley (1938).
Gwynn is awarded an honorary D.Litt. by the National University of Ireland in 1940, and a Litt.D. by the University of Dublin in 1945. The Irish Academy of Letters awards him the Gregory Medal in April 1950. In his literary writings he stands for a humanism and tolerance, which qualities, due to political upheavals, were relatively rare in the Ireland of his day.
Gwynn dies on June 11, 1950, at his home in Terenure, Dublin, and is buried at Tallaght Cemetery, south County Dublin.
Gwynn marries his cousin Mary Louisa (d. 1941), daughter of Rev. James Gwynn. She later converts to Catholicism. They have three sons and two daughters who are brought up in her religion, of whom Aubrey (1892–1983) becomes a Jesuit priest and professor of medieval history at University College Dublin (UCD). Their second son, Denis Rolleston (1893–1971), is professor of modern Irish history at University College Cork (UCC).
Gwynn’s brother Edward John (1868–1941) becomes provost of Trinity College and another brother Robert Malcolm becomes its senior dean. His sister Lucy Gwynn is the first woman registrar of Trinity. A third brother, Charles, has a successful career in the British Army and retires as a Major General. Younger brothers Lucius and Jack are noted cricketers.
From 1969 to 1973, during the 12th Seanad, Yeats serves as Cathaoirleach (chair).
While a senator, Yeats serves as a Member of the European Parliament from 1973 to 1979, being appointed to Ireland’s first, second and third delegations. He stands at the first direct elections in 1979 for the Dublin constituency but is not elected. He is Director General of the EEC Council of Ministers in Brussels in the 1980s.
Yeats marries Gráinne Ni hEigeartaigh, a singer and Irish harpist. They have four children – three daughters and a son.
Faulkner is the elder of two sons of James, owner of the Belfast Collar Company, and Nora Faulkner. His younger brother is Colonel Sir Dennis Faulkner. He is educated initially at Elm Park preparatory school, Killylea, County Armagh, but at 14, preferring to stay in Ireland, is sent to the Church of Ireland-affiliated St. Columba’s College at Whitechurch, County Dublin, although he is Presbyterian. His best friend at the school is Michael Yeats, son of W. B. Yeats. He enters Queen’s University Belfast in 1939 to study law, but, with the advent of World War II, he quits his studies to work full-time in the family shirt-making business. He is the only Prime Minister of Northern Ireland to have been educated in the Irish Free State and one of only two to have been educated in Ireland.
Faulkner becomes involved in unionist politics, the first of his family to do so, and is elected to the Parliament of Northern Ireland as the Ulster Unionist Party (UUP) Member of Parliament (MP) for the constituency of East Down in 1949. His vociferous traditional unionist approach to politics ensures him a prominent backbench position. He is, at the time, the youngest ever MP in the Northern Irish Parliament. He is also the first Chairman of the Ulster Young Unionist Council in 1949. In 1956 he is offered and accepts the job of Parliamentary Secretary to the Ministry of Finance, or Government Chief Whip.
When Terence O’Neill becomes Prime Minister in 1963, he appoints Faulkner, his chief rival for the job, as Minister of Commerce. He resigns in 1969 over the technicalities of how and when to bring in the local government reforms which the British Labour government is pushing for. This is a factor in the resignation of O’Neill, who resigns as Prime Minister in the aftermath of his failure to achieve a good enough result in the 1969 Northern Ireland general election.
In the ensuing leadership contest, Faulkner loses out again when O’Neill gives his casting vote to his cousin, James Chichester-Clark. In 1970, he becomes the Father of the House. He comes back into government as Minister of Development under Chichester-Clark and in a sharp turn-around, begins the implementation of the political reforms that were the main cause of his resignation from O’Neill’s cabinet. Chichester-Clark himself resigns in 1971 as the political and security situation and the more intensive British interest proves difficult.
Faulkner is elected leader of the Ulster Unionist Party and Prime Minister. In his initial innovative approach to government, he gives a non-unionist, David Bleakley, a former Northern Ireland Labour Party (NILP) MP, a position in his cabinet as Minister for Community Relations. In June 1971, he proposes three new powerful committees at Stormont which would give the opposition salaried chairmanships of two of them.
However, this initiative (radical at the time) is overtaken by events. A shooting by soldiers of two nationalist youths in Derry causes the Social Democratic and Labour Party (SDLP), the main opposition, to boycott the Stormont parliament. The political climate deteriorates further when, in answer to a worsening security situation, Faulkner introduces internment on August 9, 1971. This is a disaster and causes the situation to worsen.
Despite this, Faulkner continues his radical approach to Northern Irish politics and, following Bleakley’s resignation in September 1971 over the internment issue, appointes Dr. G. B. Newe, a prominent lay Catholic, as Minister of State in the Cabinet Office. His administration staggers on through the rest of 1971, insisting that security is the paramount issue.
In January 1972, an incident occurs during a Northern Ireland Civil Rights Association march in Derry, during which paratroopers shoot and killed thirteen unarmed civilians. A fourteenth civilian dies later. What history has come to know as Bloody Sunday is, in essence, the end of Faulkner’s government. In March 1972, he refuses to maintain a government without security powers which the British government under Edward Heath decides to take back. The Stormont parliament is subsequently prorogued, initially for a period of one year, and following the appointment of a Secretary of State for Northern Ireland, William Whitelaw, direct rule is introduced.
In June 1973, elections are held to a new devolved parliament, the Northern Ireland Assembly. The elections split the UUP. Faulkner becomes chief executive in a power-sharing executive with the SDLP and the centre-ground Alliance Party, a political alliance cemented at the Sunningdale Conference that year. The power-sharing Executive lasts only six months and is brought down by a loyalistUlster Workers’ Council strike in May 1974. In 1974, he loses the leadership of the UUP to anti-Sunningdale elements led by Harry West. He subsequently resigns from the Ulster Unionist Party and forms the Unionist Party of Northern Ireland (UPNI).
The UPNI fares badly in the Northern Ireland Constitutional Convention elections of 1975, winning only five out of the 78 seats contested. Faulkner wins the final seat. In 1976 he announces that he is quitting active politics. He is elevated to the House of Lords in the 1977 New Year Honours list, being created Baron Faulkner of Downpatrick on February 7, 1977.
Faulkner, a keen huntsman, dies on March 3, 1977, following a riding accident while hunting with the County Down Staghounds at the Ballyagherty/Station Road junction near Saintfield, County Down. He is riding at full gallop along a narrow country road when his horse slips, throwing him off and killing him instantly. He is laid to rest at Magherahamlet Presbyterian Church near Spa, County Down where he had been a regular member of the congregation. His twenty-four-day life peerage is thus the shortest-lived until the death of Lord Heywood of Whitehall in 2018 just nine days after ennoblement.
Trevor is born to a middle-class, Anglo-IrishProtestant family. They move several times to other provincial towns, including Skibbereen, Tipperary, Youghal and Enniscorthy, as a result of his father’s work as a bank official. He is educated at St. Columba’s College, Dublin, and at Trinity College, Dublin, from which he receives a degree in history. He works as a sculptor under the name Trevor Cox after his graduation from Trinity College, supplementing his income by teaching. He marries Jane Ryan in 1952 and emigrates to Great Britain two years later, working as a copywriter for an advertising agency. It is during this time that he and his wife have their first son.
Trevor’s first novel, A Standard of Behaviour, is published in 1958 by Hutchinson of London, but has little critical success. He later disowns this work and, according to his obituary in The Irish Times, “refused to have it republished.” It was, in fact, republished in 1982 and in 1989.
In 1964, at the age of 36, Trevor wins the Hawthornden Prize for Literature for The Old Boys. The win encourages him to become a full-time writer. He and his family then move to Devon in South West England, where he resides until his death. In 2002, he makes honorary KBE for services to literature. Despite having spent most of his life in England, he considers himself to be “Irish in every vein.”
Trevor writes several collections of short stories that are well received. His short stories often follow a Chekhovian pattern. The characters in his work are typically marginalised members of society. The works of James Joyce influence his short-story writing, and “the odour of ashpits and old weeds and offal” can be detected in his work, but the overall impression is not of gloominess since, particularly in his early work, his wry humour offers the reader a tragicomic version of the world. He adapts much of his work for stage, television and radio. In 1990, Fools of Fortune is made into a film directed by Pat O’Connor, along with a 1999 film adaptation of Felicia’s Journey, which is directed by Atom Egoyan.
Trevor’s stories are set in both England and Ireland. They range from black comedies to tales based on Irish history and politics. His early books are peopled by eccentrics who speak in a pedantically formal manner and engage in hilariously comic activities that are recounted by a detached narrative voice. Instead of one central figure, the novels feature several protagonists of equal importance, drawn together by an institutional setting, which acts as a convergence point for their individual stories. The later novels are thematically and technically more complex. The operation of grace in the world is explored, and several narrative voices are used to view the same events from different angles.
The Purser family had come to Ireland from Gloucestershire in the eighteenth century. Purser is born in Kingstown (now Dún Laoghaire) in County Dublin on March 22, 1848. She is raised in Dungarvan, County Waterford, one of the numerous children of Benjamin Purser, a prosperous flour miller and brewer, and his wife Anne Mallet. She is related to Sir Frederic William Burton, RHA (1816-1900), who is a son of Hannah Mallet. Two of her brothers, John and Louis, become professors at Trinity College Dublin. Her niece Olive Purser, daughter of her brother Alfred, is the first woman scholar at Trinity.
At thirteen Purser attends the Moravian school, Institution Evangélique de Montmirail, Switzerland where she learns to speak fluent French and begins painting. In 1873 her father’s business fails and she decides to become a full-time painter. She attends classes at the Dublin Metropolitan School of Art and joins the Dublin Sketching Club, where she is later appointed an honorary member. In 1874 she distinguishes herself in the National Competition. In 1878 she again contributes to the Royal Hibernian Academy, and for the next fifty years becomes a regular exhibitor, mainly portraits, and shows an average of three works per show.
Purser becomes wealthy through astute investments, particularly in Guinness, for which several of her male relatives have worked over the years. She is very active in the art world in Dublin and is involved in the setting up of the Municipal Gallery of Modern Art, persuading the Irish government to provide Charlemont House in Parnell Square to house the gallery.
Purser works mostly as a portraitist. Through her talent and energy and owing to her friendship with the Gore-Booths, she is very successful in obtaining commissions. When the Lord Lieutenant of Ireland commissions her to portray his children in 1888, his choice reflects her position as the country’s foremost portraitist. Various portraits painted by Purser are held in the National Gallery of Ireland.
Purser finances An Túr Gloine (The Tower of Glass), a stained-glass cooperative, at 24 Upper Pembroke and runs it from its inauguration in 1903 until her retirement in 1940. Michael Healy is the first of a number of distinguished recruits, such as Catherine O’Brien, Evie Hone, Wilhelmina Geddes, Beatrice Elvery and Ethel Rhind. She is determined the stained-glass workshop should adhere to true Arts and Crafts philosophy. An Túr Gloine archive is held in the Centre for the Study of Irish Art, National Gallery of Ireland.
Purser does not produce many items of stained glass herself. Most of the stained-glass works are painted by other members of the co-operative, presumably under her direction. Two early works are St. Ita (1904) for St. Brendan’s Cathedral, Loughrea and The Good Shepard (1904) for St. Columba’s College, Dublin. Her last stained-glass work is believed to be The Good Shepard and the Good Samaritan (1926) for the Church of Ireland at Killucan, County Westmeath.
Until her death Purser lives for many years in Mespil House, a Georgian mansion with beautiful plaster ceilings on Mespil Road, on the banks of the Grand Canal. Here she is “at home” every Tuesday afternoon to Dublin’s writers and artists. Her afternoon parties are a fixture of Dublin literary life.
Purser dies in Dublin on August 7, 1943, and is buried in Mount Jerome Cemetery beside her brothers John and Louis. Mespil House is demolished after her death and developed into apartments.
Purser is the second woman to sit on the Board of Governors and Guardians, National Gallery of Ireland, 1914-1943. She is made an Honorary Member of the Royal Hibernian Academy in 1890, becoming the first female Associate Member in 1923 and the first female Member in 1924. Also, in 1924 she initiates the movement for the launching of the Friends of the National Collection of Ireland. Archives relating to Sarah Purser are housed in the Centre for the Study of Irish Art, National Gallery of Ireland.
(Pictured: Portrait of Sarah Purser by John Butler Yeats, c. 1880–1885)
In 1885, Gildea founds the Soldiers and Sailors Families Association, which becomes the Soldiers, Sailors, Airmen and Families Association in 1919. He serves as its chairman and treasurer until his death.
Gildea is appointed Companion of the Order of the Bath (CB) in the 1898 New Year Honours and Commander of the Royal Victorian Order (CVO) in 1901. Knighted in 1902, he is later appointed Knight Commander of the Royal Victorian Order (KCVO), and in the 1920 civilian war honours is appointed Knight Grand Cross of the Order of the British Empire (GBE).
James Gildea dies on November 6, 1920, at Earl’s Court, London.
seamus dubhghaill 