Nolan is born to parents Joseph and Bernadette Nolan in Mullingar, County Westmeath on September 6, 1965. Due to asphyxiation at birth, he is born with permanent impairment of his nerve-signaling system, a condition now labelled dystonia. Because of these complications, he is born with cerebral palsy and can only move his head and eyes. Due to the severity of the cerebral palsy, he uses a wheelchair. In an interview, his father, Joseph, explains how, at the age of 10, he is placed on medication that “relaxed him so he could use a pointer attached to his head to type.” To write, he uses a special computer and keyboard. In order to help him type, his mother holds his head in her cupped hands while he painstakingly picks out each word, letter by letter, with a pointer attached to his forehead.
Nolan communicates with others by moving his eyes, using a signal system. When he is young, his father tells him stories and reads passages from James Joyce, Samuel Beckett and D. H. Lawrence to keep his mind stimulated. His mother strings up letters of the alphabet in the kitchen, where she keeps up a stream of conversation. His sister, Yvonne, sings songs and acts out skits. His mother states that “he wrote extensively since the age of 11 and went on to write many poems, short stories and two plays, many of which were published.” Many of the writings are compiled for his first publication, the chapbookDam-Burst of Dreams.
Nolan spends more than a decade writing The Banyan Tree. According to The New York Times, the book is a multigenerational story of a dairy-farming family in Nolan’s native county of Westmeath. The story is seen through the eyes of the aging mother. It is inspired, he tells Publishers Weekly, by the image of “an old woman holding up her skirts as she made ready to jump a rut in a field.” A review of the book is done in The New York Times by Meghan O’Rourke. She reviews the book and relates it to James Joyce’s A Portrait of the Artist as a Young Man; in the story the protagonist leaves his mother in Ireland while he moves on to travel the world. Nolan, however, gives the reader a version of the mother’s story. “And so, in the end, one suspects that he wants Minnie’s good-natured, commonplace ways to stand as their own achievement, reminding us that life continues in the places left behind.”
At the age of 43, while working on a new novel, Nolan dies in Beaumont Hospital in Dublin at 2:30 a.m. on February 20, 2009. His death is the result of a piece of salmon becoming trapped in his airway. Nothing from the novel he was working on has been released since his death.
Upon hearing the news of Nolan’s death, President of IrelandMary McAleese says, “Christopher Nolan was a gifted writer who attained deserved success and acclaim throughout the world for his work, his achievements all the more remarkable given his daily battle with cerebral palsy.”
Byrne is born on March 17, 1882, the second of seven children born to Thomas Byrne, an engineer, and Fanny Dowman. His childhood home is at 36 Seville Place, a terraced house with five rooms just off the North Strand in Dublin. He drops out of school at the age of thirteen and is soon juggling jobs as a grocer’s assistant and a bicycle mechanic. Eventually he uses his savings to buy a pub on Talbot Street. He marries Elizabeth Heagney in 1910.
Byrne becomes an Alderman on Dublin Corporation in 1914. He is a member of the Dublin Port and Docks Board, a significant position for a politician from the Dublin Harbour constituency. In the records of the Oireachtas his occupation is given as company director. He is elected as MP for Dublin Harbour as a candidate of the Irish Parliamentary Party (IPP) in a by-election on October 1, 1915, following the death of William Abraham. The Easter Rising in 1916 is followed by the rapid decline of the Irish Parliamentary Party and the rise of Sinn Féin. At the 1918 Irish general election he is defeated by a Sinn Féin candidate, Philip Shanahan.
Byrne is elected as an Independent TD supporting the Anglo-Irish Treaty for the Dublin Mid constituency at the general election to the Third Dáil in 1922. From 1923 to 1928 he represents Dublin City North. In 1928 he is elected for a six-year term as a member of Seanad Éireann. He vacates his Dáil seat on December 4, 1928. He resigns from the Seanad on December 10, 1931, and returns to the Dáil in 1932. He remains a TD until his death in 1956, representing Dublin City North (1932–37) and Dublin North-East (1937–56). In several elections he secures more votes than any other politician in the country.
Byrne is elected as Lord Mayor of Dublin in 1930, serving in the post for nine consecutive years. When cycling or walking around the city he dispenses lollipops to children, who are often seen chasing him down the street. With a handshake and a few words for all, his eternal canvassing soon earns him the first of his nicknames: the Shaking Hand of Dublin. Married with eight children, he treats the people of Dublin as his second family. Every morning, he finds up to fifty people waiting for him in the Mansion House. None have appointments. All are met. He answers 15,000 letters in his first year as Lord Mayor. Many are from Dubliners looking for a job, a house, some advice or a reference. One morning in 1931 a journalist watches the Lord Mayor attend to his correspondence. Within an hour he accepts “seventeen invitations to public dinners, one invitation to a public entertainment and eight invitations to public functions.” Then he dictates forty-three sympathetic letters to men and women looking for employment.
In 1937, children between the ages of eight and eleven years old are being sentenced to spend up to five years in Industrial Schools. Their crime is stealing a few apples from an orchard. When Byrne says such sentences are “savage,” a judge responds with a defence of the Industrial School system, urging an end to “ridiculous Mansion House mummery.” He stands firm: “For the punishment of trifling offences the home of the children is better than any institution.” In 1938, he is favoured by the press for the presidency of Ireland, a ceremonial role created in the new Constitution, but he is outgunned by the political establishment.
When, in 1935, Byrne becomes the first Lord Mayor of Dublin to visit North America in 40 years, he is granted the freedom of Toronto, and The New York Times hails the arrival of a “champion showman.” He often extends a hand of friendship to Britain. He also improves relations between Dublin, until recently the centre of British authority, and the rest of the country. One night Dublin Fire Brigade gets an urgent call for assistance from Clones, County Monaghan. As Lord Mayor, he feels obliged to join the men on top of the fire engine as they set off on the 85-mile journey in the middle of the night.
In August 1936, Byrne addresses the inaugural meeting of the anti-communistIrish Christian Front, some of whose members later express anti-Semitic views. In 1938, as Lord Mayor, he presents a gift of a replica of the Ardagh Chalice to Italian naval cadets visiting Dublin on board two warships, who had been welcomed by the Irish government despite the protests of Dubliners. A photograph exists of Byrne giving a fascist salute along with Eoin O’Duffy, commander of the Blueshirts, around 1933.
In 1954, Byrne is elected as Lord Mayor for a record tenth time. This time he does not live in the Mansion House, but stays in Rathmines with his family, taking the bus to work each morning. He is just as devoted to the job. When flooding damages 20,000 houses in Fairview and North Strand, he rises from his sick bed to organise a relief fund. His final term as Lord Mayor comes to an end in 1955. Shortly afterwards, Trinity College Dublin awards him an honorary Doctor of Law, describing him as a “champion of the poor and needy, and a friend of all men.”
Byrne dies on March 13, 1956. His funeral is the largest seen in Dublin for many years. TheEvening Herald reports that “Traffic in O’Connell Street was held up for almost 20 minutes to allow the cortege of over 150 motor cars to pass, and at all the junctions along the route to Glasnevin people silently gathered to pay tribute to one of Dublin’s most famous sons.” The members of the Dáil stand and observe a short silence as a mark of respect. A telegram is sent to his widow from the Mayor of New York City, Robert F. Wagner Jr., expressing deepest sympathy, and stating “that Ald. Byrne had attained high office of Lord Mayor many times, but he never lost contact with the poor and the underprivileged, whose champion he was.”
The by-election caused by Byrne’s death, is won by his son, Patrick Byrne. Two other sons, A. P. Byrne and Thomas Byrne, are also TDs for various Dublin constituencies. Alfie Byrne Road in Clontarf is named after him. The Dublin Bay North branch of Young Fine Gael is renamed “Alfie Byrne YFG.”
McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews and have been performed internationally (notably in the West End and on Broadway).
McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.
McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.
In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.
McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.
In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”
The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.
McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.
The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.
He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television AwardsThe Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.
In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.
Paisley is born on April 6, 1926, in Armagh, County Armagh. He becomes a Protestant evangelical minister in 1946 and remains one for the rest of his life. In 1951, he co-founds the fundamentalist Free Presbyterian Church of Ulster and is its leader until 2008. He becomes known for his fiery speeches and regularly preaches and protests against Catholicism, ecumenism and homosexuality. He gains a large group of followers who are referred to as “Paisleyites.”
Paisley becomes involved in Ulster unionist/loyalist politics in the late 1950s. In the mid-late 1960s he leads and instigates loyalist opposition to the Catholic civil rights movement in Northern Ireland. This leads to the outbreak of the Troubles in the late 1960s, a conflict that engulfs Northern Ireland for the next thirty years. In 1970, he becomes Member of Parliament for North Antrim and the following year he founds the Democratic Unionist Party (DUP), which he leads for almost forty years. In 1979, he becomes a Member of the European Parliament.
In 2005, Paisley’s DUP becomes the largest unionist party in Northern Ireland, displacing the Ulster Unionist Party (UUP), which has dominated unionist politics since 1905. In 2007, following the St. Andrews Agreement, the DUP finally agrees to share power with republican party Sinn Féin and consent to all-Ireland governance in certain matters. He and Sinn Féin’s Martin McGuinness become First Minister and deputy First Minister respectively in May 2007. He steps down as First Minister and DUP leader in May 2008 and leaves politics in 2011. He is made a life peer in 2010 as Baron Bannside.
In November 2011, Paisley announces to his congregation that he is retiring as a minister. He delivers his final sermon to a packed attendance at the Martyrs’ Memorial Hall on December 18, 2011, and finally retires from his religious ministry on January 27, 2012.
Paisley dies in Belfast on September 12, 2014. He is buried in Ballygowan, County Down on September 15 following a private funeral and a public memorial for 800 invited guests is held in the Ulster Hall on October 19. An obituary in The New York Times reports that late in life Paisley had moderated and softened his stances against Roman Catholics but that “the legacies of fighting and religious hatreds remained.”
According to a study of the region, Cork is “by far the most violent county in Ireland” during the War of Independence and has several active guerrilla brigades. Of these, the 3rd Cork Brigade is one of the most effective and it is a unit from this Brigade that carries out the Upton ambush.
Up until the end of 1920, the British had been unable to move troops by train, due to a nationwide boycott by railway workers of trains carrying the British military. However, the strike is lifted in December 1920. While this helps the British military’s mobility, it also gives the IRA a new target: trains carrying soldiers. A week before the Upton ambush, the local IRA had made a successful attack on a train travelling from Killarney to Millstreet near Drishanbeg, killing one sergeant and wounding five more soldiers.
Five days after the Drishanbeg ambush, plans are made for an attack at Upton and Innishannon railway station on a train traveling between Cork city and Bandon. The ambushers, led by Charlie Hurley, are thirteen strong. Seven are armed with rifles and the remainder with revolvers or semi-automatic pistols. They take up position at the station ten minutes before the train pulls in, imprisoning the station master, clearing the station and taking cover behind sacks of grain and flour taken from a store.
The train is carrying approximately 50 British soldiers of the Essex Regiment, who are mingled with civilian passengers throughout the train’s carriages. The IRA party is therefore quite heavily outnumbered and out-gunned, but are unaware of this, as two IRA scouts, who were supposed to have been on the train and signaled to them the British numbers, never turn up. They also wrongly believe that the British troops are all in the central carriage. As a result, when the IRA opens fire on the train, there are heavy civilian casualties, including two commercial travelers killed by the first volley. The New York Times reports that “a shower of bullets was rained on the train, practically every compartment being swept.”
The firefight lasts only ten minutes, but in that time six civilian passengers are killed and ten wounded. Six British soldiers are injured, three of them seriously. Two IRA volunteers are killed outright and another is fatally wounded. Two more are badly wounded but survive. Charlie Hurley, who had led the ambush, is struck in the face by a bullet. IRA leader Tom Barry later writes, “Through some miracle, the nine unwounded and two wounded got away across country, in small parties, with the British following close behind.” Three civilian passengers, one unwounded and two wounded, are detained by the British on suspicion of belonging to the ambush party.
The Upton ambush is part of what Tom Barry describes as “twelve dark days” for the 3rd Cork Brigade of the IRA. Between February 4 and February 16, eleven members of the Brigade are killed. One is shot dead by British troops when they raid a safehouse on February 4, another dies in an accidental shooting on February 7, two more (brothers James and Timothy Coffey) are assassinated in their beds on February 14 by Black and Tans or Auxiliaries, three die at Upton on February 15 and four are killed on February 16 when they are arrested by the Essex Regiment in Kilbrittain while digging a trench and shot dead. Of the eleven dead, only those at Upton are killed in combat.
The Upton attack also highlights the dangers, and particularly the risk to civilians, of attacking trains carrying troops. Only a month later at the Headford Ambush in neighbouring County Kerry, an IRA column successfully attacks a train-load of troops, but again, there are civilian casualties alongside the IRA and British Army losses. One of the three men captured by the British at Upton is reported to give information leading to the 3rd Cork Brigade’s main column of over 100 fighters almost being encircled at the Crossbarry Ambush. Hurley is killed in this action.
The Upton ambush is later made famous in a popular 1960s Irish ballad titled “The Lonely Woods of Upton.”
(Pictured: A portion of the cover of an Italian magazine from 1921 that reported on the Upton ambush)
Born on January 5, 1944 in Waterford, County Waterford, Stewart grows up in Dublin. He begins playing guitar when he is thirteen, influenced by guitarists Les Paul and Barney Kessel. He begins his professional career performing in Dublin showbands. In 1968, he wins an award as the most outstanding soloist at the Montreux Jazz Festival. Soon after, he spends three years with Benny Goodman.
In 1981, ahead of Stewart’s debut in the United States as a leader, The New York Times states, “Mr. Stewart seems to have his musical roots in bebop. He leans toward material associated with Charlie Parker and he spins out single-note lines that flow with an unhurried grace, colored by sudden bright, lively chorded phrases. His up-tempo virtuosity is balanced by a laid-back approach to ballads, which catches the mood of the piece without sacrificing the rhythmic emphasis that keeps it moving.”
Stewart is prominently featured in Norman Mongan’s book, The History Of The Guitar In Jazz, in a chapter devoted to guitarists who are considered to be contemporary masters (along with players such as Jim Hall, Pat Martino, and George Benson). In a review of his live album Overdrive (Hep, 1993), AllMusic states, “Louis Stewart is one of the all-time greats, and it is obvious from the first notes he plays on any occasion.”
Stewart receives an honorary doctorate from Trinity College, Dublin, in 1998. In 2009, he becomes only the second jazz musician to be elected to Aosdána, an Irish affiliation of people engaged in literature, music, and visual arts that was established by the Irish Arts Council in 1981 to honour those whose work has made an outstanding contribution to the creative arts in Ireland.
In 2015, Stewart is diagnosed with cancer and dies on August 20, 2016 in Harold’s Cross, Dublin, at the age of 72.
In 2017, award-winning artist Vera Klute is commissioned by the National Gallery of Ireland to create a portrait of Hynes as part of the 2015 Hennessey Portrait Prize. The bust, made of porcelain, concrete and timber (with a dimension of 164cm x 54cm x 45cm), is unveiled to the public in April 2017 and is currently on display as part of the Gallery’s National Portrait Collection.
In 1998 Hynes wins the Tony Award for Direction for The Beauty Queen of Leenane, the first woman to receive the award. She is a recipient of many other Theatre Awards, including The Irish Times/ESB Irish Theatre Award for Best Director (2002) and a The Irish Times Special Tribute Award for her contribution to Irish Theatre in February 2005.
Stronge (86) and his son, James (48), are watching television in the library of Tynan Abbey when members of the Provisional Irish Republican Army, armed with machine guns, use grenades to break down the locked heavy doors to the home.
The Stronge family home is then burned to the ground as a result of two bomb explosions. On seeing the explosions at the house, as well as a flare Stronge lit in an attempt to alert the authorities, the Royal Ulster Constabulary and British Army troops arrive at the scene and establish a roadblock at the gate lodge. They encounter at least eight fleeing gunmen. A twenty-minute gunfight ensues in which at least two hundred shots are fired. There are no casualties among the security forces but the gunmen escape. The bodies of the father and son are later discovered in the library of their burning home, each with gunshot wounds in the head. It is not known who died first, Norman or James. Under the legal fiction known as the doctrine of survival, James is still listed as succeeding to the baronetcy.
The village of Tynan is crowded for the joint funeral of Stronge and his son. Mourners come from throughout the province and from England, including lords, politicians, policemen, judges and church leaders. The coffin is carried by the 5th Battalion the Royal Irish Rangers, the successors to his old regiment. The sword and cap of the Lord Lieutenant of Tyrone, Major John Hamilton-Stubber, are placed on his coffin in lieu of his own, which had been destroyed with his other possessions in the fire. During the service, a telegram sent from Queen Elizabeth II to one of Sir Norman’s daughters, is read. After the service, the chief mourners move out into the churchyard where the “Last Post” is sounded, and a Royal British Legion farewell is given. The two coffins are laid in the family plot, where Lady Stronge, Sir Norman’s wife and mother of James, was buried a year previously.
The IRA releases a statement in Belfast, quoted in The Times, claiming that “This deliberate attack on the symbols of hated unionism was a direct reprisal for a whole series of loyalist assassinations and murder attacks on nationalist peoples and nationalist activities.” This follows the loyalist attempted murder of Bernadette McAliskey and her husband Michael McAliskey on January 16, and the loyalist assassinations of four republican activists (Miriam Daly, John Turnley, Noel Lyttle and Ronnie Bunting) which had taken place since May 1980.
Stronge is described at the time of his death by Social Democratic and Labour Party politician Austin Currie as having been “even at 86 years of age … still incomparably more of a man than the cowardly dregs of humanity who ended his life in this barbaric way.”
The ruins of Tynan Abbey are demolished in 1998, having stood for 249 years.
Brian Moore, novelist and screenwriter who is acclaimed for the descriptions in his novels of life in Northern Ireland after World War II, is born in Belfast, Northern Ireland on August 25, 1921. He has been described as “one of the few genuine masters of the contemporary novel.”
In 1948 Moore emigrates to Canada to work as a reporter for the Montreal Gazette and becomes a Canadian citizen. While eventually making his primary residence in California, he continues to live part of each year in Canada up to his death.
Moore lives in Canada from 1948 to 1958, where he meets his first wife, Jacqueline (“Jackie”) Sirois, a French Canadian and fellow journalist. They marry in 1952. He moves to New York City in 1959 to take up a Guggenheim Fellowship and remains there until his divorce in October 1967. He then moves to the west coast of the United States, settling in Malibu, California, with his new wife Jean Denney, a former commentator on Canadian TV. There he teaches creative writing at UCLA.
Moore writes his first novels in Canada. His earliest novels are thrillers, published under his own name or using the pseudonyms Bernard Mara or Michael Bryan. His first novel outside the genre, Judith Hearne, remains among his most highly regarded. The book is rejected by ten American publishers before being accepted by a British publisher. It is made into a film, with British actress Maggie Smith playing the lonely spinster who is the book/film’s title character.
Some of Moore’s novels feature staunchly anti-doctrinaire and anti-clerical themes, and in particular he speaks strongly about the effect of the Church on life in Ireland. A recurring theme in his novels is the concept of the Catholic priesthood. On several occasions he explores the idea of a priest losing his faith. At the same time, several of his novels are deeply sympathetic and affirming portrayals of the struggles of faith and religious commitment, Black Robe most prominently.
Moore dies at his Malibu home, which is celebrated in Seamus Heaney‘s poem Remembering Malibu, on January 11, 1999, from pulmonary fibrosis. His widow, Jean, lives on in the house until it is destroyed in 2018 in the Woolsey Fire.
At the time of his death, Moore is working on a novel about the 19th-century French symbolist poet Arthur Rimbaud. His last published work before his death is an essay entitled “Going Home.” It is a reflection inspired by a visit he made to the grave in Connemara of his family friend, the Irish nationalist Bulmer Hobson. The essay is commissioned by Granta and published in The New York Times on February 7, 1999.
In 1996, the Brian Moore Short Story Awards is launched by the Creative Writers Network in Northern Ireland and is open to all authors of Irish descent. Previous judges have included Glenn Patterson, Lionel Shriver, Carlo Gébler and Maeve Binchy.
In 1975 Moore arranges for his literary materials, letters and documents to be deposited in the Special Collections Division of the University of Calgary Library, an inventory of which is published by the University of Calgary Press in 1987. His archives, which include unfilmed screenplays, drafts of various novels, working notes, a 42-volume journal (1957–1998), and his correspondence, are housed at the Harry Ransom Center at the University of Texas at Austin.
Born Kathleen Annie Josephine Madden, she is the only daughter of banker Paul J. Madden, who is Mayor of Cork in 1885–1886 and a friend of Charles Stewart Parnell, and Eliza Madden (née Dwyer). She is educated privately at her family home, Wood’s Gift, Blackrock Road.
On February 16, 1901, five weeks after her father’s death, she marries the writer Ernest Temple Thurston. They separate in 1907 and are divorced in 1910 on grounds of his adultery and desertion. The suit goes undefended. Thurston “complained that she was making more money by her books than he was, that her personality dominated his, and had said that he wanted to leave her.”
Thurston’s novels achieve success in Britain and the United States. Her best-known work is a political thriller entitled John Chilcote, M.P. (as The Masquerader in the United States), published in 1904 and on The New York Times bestseller list for two years, ranking as third best-selling book for 1904 and seventh best in 1905. Her next book, The Gambler, comes out in 1905 and it too makes the U.S. best-selling lists for that year. This is the first time The New York Times had recorded any author, female or male, as having two top ten books in a single year. In 1910, she is back on the same list at No. 4 with her novel Max, the story of a young Russian princess, who flees disguised as a boy to the Montmartre Quarter of Paris, on the night before her arranged marriage.
John Chilcote, M.P. is adapted for the stage by John Hunter Booth and opens on Broadway in 1917. It is filmed four times, the first silent film by American Pathé in 1912 under the title The Compact and starring Crane Wilbur. The second film is a 1920 Russian/French co-production entitled Chlen parlamenta. Two more films are made using the American book title The Masquerader, in 1922 and then by The Samuel Goldwyn Company in 1933 as a “talkie” starring Ronald Colman.
An epileptic, Thurston’s blossoming career is cut short at the age of 36 when she is found dead in her hotel room in Cork on September 5, 1911. The official enquiry the following day gives the cause of death as asphyxia as result of a seizure. She had been due to remarry later in the month to Dr. A. T. Bulkeley Gavin. She is buried in St. Joseph’s Cemetery, Cork. The story of her final years and her relations with Bulkeley Gavin are the subject of a published thesis by C. M. Copeland, written while studying at the Napier University, Edinburgh.
seamus dubhghaill 