seamus dubhghaill

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Death of Dave Allen, Comedian, Satirist & Actor

David Edward Tynan O’Mahony, comedian, satirist and actor professionally known as Dave Allen, dies from emphysema in Kensington, London, on March 10, 2005.

Allen is born on July 6, 1936, in a nursing home at 37 Lower Leeson Street, Dublin, the youngest of three sons of (Gerard John) Cullen Tynan Allen, journalist, manager of The Irish Times, and raconteur, and his wife Jean Ballantyne (née Archer), an English-born nurse. His paternal grandmother, Nora Tynan O’Mahony, is the first women’s features editor of the Freeman’s Journal, and the poet Katharine Tynan is his great-aunt. Allen loses half a finger on his left hand in a childhood accident which becomes a favourite theme (and occasional prop) in his shows.

After initially attending Beaumont convent school, Allen goes to Firhouse national school, County Dublin, near the family residence outside Templeogue. For a period during World War II, he lives with his mother and brothers at Keenagh, County Longford, where they had moved for fear that Dublin might be targeted by air raids. On returning to Dublin, he goes to Terenure College, run by the Carmelite fathers. His reminiscences in later life often centre on memories of frequent and sadistic corporal punishment, and warnings from priests that adolescent male sexuality is a device of Satan leading straight to hell. His resentment is formative in his lifelong and outspoken atheism.

Allen, who is close to his father, is severely affected emotionally by his death in 1948, after which his relations with the school deteriorate further. The discovery that his father’s drinking and gambling had left the family heavily indebted means that, notwithstanding assistance from journalistic friends, his elder brothers are obliged to leave school and work as journalists to support the family. Restless and even more discontented at school than previously, he often plays truant to visit museums and art galleries. Expelled from Terenure College, he briefly attends the Catholic University School before leaving school at the age of 16. After working as a clerk for the Irish Independent, in 1954 he becomes a journalist on the Drogheda Argus, reporting weddings and gymkhanas. He later attributes this career path to the contemporary tradition of following a family profession.

Moving to London but failing to secure a job on a Fleet Street newspaper, Allen follows his brother John by becoming a “redcoat” attendant at Butlin’s holiday camps in Filey (Yorkshire), Skegness, Margate, and Brighton, performing various functions and telling jokes and stories during intervals between stage acts. In the winters he sells educational toys in Sheffield. Acquiring an agent, he becomes a professional comedian, adopting the stage name Dave Allen. He initially works the declining club and variety circuit, later claiming that he had toured with the last old-style nude tableaux show. In 1959, he makes his first television appearance on the BBC talent show New Faces and realises that television is the medium of the future. He tours with pop singer Helen Shapiro in 1963 and 1964, joined in the latter year by an emerging support band, the Beatles. At this period, he models himself on American stand-up comedians such as Jerry Lewis, focusing his act on discrete gags leading up to a punchline.

While performing in support of the singer Helen Traubel in Australian nightclubs, Allen often reminisces to her off stage about his early life. Traubel suggests that he incorporate such material into his act. Such is the genesis of his mature style of rambling absurdist monologues, which he describes as influenced by the Irish storytelling tradition in general, and his father’s stories in particular. After appearing in Melbourne and Sydney, he becomes the host of a ninety-minute chat show, Tonight with Dave Allen, on Sydney-based Channel 9. Eighty-four episodes are recorded of what becomes one of Australian television’s most successful programmes ever, its popularity boosted by the rumour that he is having an affair with singer Eartha Kitt, his hilarious interviews with eccentrics, and the frequent deployment of dangerous animals onstage.

Allen marries the English actress Judith Stott in Australia on March 9, 1964, a divorcée with one son. They have two children, including the comedian Ed Allen (Edward James Allen). After separating in 1980, the couple divorces in 1983. Returning to England in December 1964 to be with his wife, he establishes a reputation there through well-received performances as a compère at the televised Sunday Night at the London Palladium (1967) and The Blackpool Show (1966). After a slot as resident comedian on The Val Doonican Show (1965–67), he obtains his first stand-alone show, Tonight with Dave Allen, in 1967 on ITV, a mixture of sketches with the monologues for which he becomes best known. He usually performs seated on a barstool, smoking a cigarette, and sipping from a presumed glass of whiskey (actually ginger ale), while musing on the oddities of life, often expressing his suspicion of authority figures. His signature farewell phrase is “Goodnight, and may your God go with you.”

On BBC television Allen headlines two programmes: The Dave Allen Show (1968–69), and Dave Allen at Large (1971–79). He writes much of his own material, compulsively scouring newspapers for items that he can work into his act. He resists suggestions that he should move to an early evening slot, as this would entail restrictions on his material. In the 1970s and 1980s he tours widely with a one-man stage show, “An evening with Dave Allen,” containing more “adult” material than would be allowed on television at the time. His stage performances are less well-received in the United States than elsewhere.

Allen’s treatment of sex and religion involves him in frequent controversies. Priests and the confessional are frequent targets. In 1975, he provokes widespread protests from Catholics over a sketch in which the pope, played by Allen himself, and his cardinals perform a striptease on the steps of St. Peter’s Basilica. In 1977, his shows are banned from RTÉ. In 1984, the British anti-indecency campaigner Mary Whitehouse formally complains about his televised act, with particular reference to a simulated post-coital conversation. As with many stage comedians, his angry and outspoken stage persona contrasts with a reserved offstage life. He keeps his stage persona distinct from his private life and does not allow his children to attend his shows.

Allen gives occasional straight performances, notably in Edna O’Brien‘s plays A Pagan Place (1972) and Flesh and Blood (1985); in the dual roles of Captain Hook and Mr. Darling in a production of Peter Pan (1973); and in Alan Bennett‘s television play One Fine Day (1979). He has a supporting role in the Australian comedy film Squeeze a Flower (1970). He also presents several documentaries, notably Dave Allen in the Melting Pot (1969); surveying life in New York City, he discusses racism and drug addiction and conducts one of the first television interviews with openly gay men. Other documentaries for ITV include Dave Allen in Search of the Great English Eccentric (1974), and Dave Allen (1978), which deals with American eccentrics. Long fascinated with ghost stories, he publishes an anthology of horror stories, A Little Night Reading (1974).

In the 1980s, Allen is regarded by many fans of the new, politically engaged “alternative comedians” as old-fashioned. His leisurely style contrasts with their quick-fire delivery, and some of his references to the Irish and other ethnic groups are seen as demeaning. He makes a partial television comeback with a six-part BBC One series, Dave Allen (1990), using considerably more outspoken material than he had previously deployed on television.

In 1993, Allen appears in a six-part series for the new ITV London franchise, Carlton Television. Thereafter he moves into semi-retirement, partly because of health problems, while continuing to make guest television appearances. At the British Comedy Awards he is named best comedy performer (1993) and is granted a lifetime achievement award (1996). He occasionally releases videos of older material “to keep myself in the style to which I had become accustomed – a bit of an Irish retirement, actually.” He maintains tight editorial control over his recordings, having been annoyed when his first television shows were chopped and changed when re-broadcast by American networks. They are released on DVD after his death. He presents a six-part BBC series based on his old material, The Unique Dave Allen (1998). After giving his last performance on BBC Radio 4 in 1999, he retires and devotes himself to his hobby as an amateur painter.

After a seventeen-year relationship, Allen marries secondly Karin Stark, a theatrical producer, on December 9, 2003. Their one son is born three weeks after Allen dies peacefully in his sleep as a result of sudden arrhythmic death syndrome on March 10, 2005, in Kensington, London.

A selection of his routines, edited by Graham McCann, is published as The Essential Dave Allen (2005). His obituarists see him as prefiguring the aggressive mocking of authority by the alternative comedians who had once criticised him, and as paving the way for such irreverent and anti-deferential satire of political and religious authority as Not the Nine O’Clock News and Father Ted. The widespread use of the monologue by Irish dramatists such as Conor McPherson in the first decade of the twenty-first century also owes something to his influence.

(From: “Allen, Dave” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, June 2011)


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Death of Seán Cronin, Journalist & IRA Chief of Staff

Seán Gerard Cronin, journalist and former Irish Army officer and twice Chief of Staff of the Irish Republican Army (IRA), dies on March 9, 2011, in Baltimore, Maryland.

Cronin is born on August 29, 1922, in Dublin, the only son among three children of Con Cronin, a member of the IRA, and his wife Kate. After his father’s death, his mother works as a cook in a boarding school while the children are brought up by relatives in Ballinskelligs in the County Kerry Gaeltacht. Educated locally, he is deeply influenced by his Gaeltacht childhood; his later writings often refer to the hypocrisy of a state that romanticises the Gaeltacht while neglecting its social problems.

During World War II, Cronin’s sisters emigrate to England to train as nurses while he works as a labourer for Kerry County Council. In December 1941, he joins the Irish Army and is selected in 1943 for an officers’ training course, on which he forms a lifelong friendship with the future theatre director Alan Simpson. He is commissioned and remains in the army until 1948.

Shortly thereafter Cronin emigrates to New York City, where he finds work as a journalist writing for The Advocate, an Irish American newspaper. He is strongly influenced by interviewing 1916 veterans for The Advocate and by contact with left-wing Irish American associates of Michael Quill, who played leading roles in the foundation of the Transport Workers Union of America. He becomes active in the semi-secret separatist organisation Clan na Gael, and in autumn 1955 returns to Ireland with the aim of helping the IRA to prepare for another military campaign.

Cronin begins work as a sub-editor with the Evening Press and also contributes summaries of world affairs to The Irish Times.

Cronin establishes contact with the IRA, and his military experience leads to his rapid assignment to GHQ staff. He is initially placed in charge of training and instruction, composing a manual on guerrilla warfare and twelve lectures on battlefield training. He teaches new military techniques and new recruits, such as the future IRA Chief of Staff Ruairí Ó Brádaigh, find him deeply impressive.

Cronin becomes a leading advocate of an early IRA campaign against Northern Ireland and becomes the chief strategist for Operation Harvest, a campaign which sees the carrying out of a range of military operations from direct attacks on security installations to disruptive actions against infrastructure. He is arrested on January 8, 1957, near the border in County Cavan. He is imprisoned several times over the course of the campaign (1956–1962).

Most of the IRA and Sinn Féin leadership are interned by the Dublin government on July 6, 1957. Cronin, one of the few to escape, becomes IRA Chief of Staff. He also acts for a time as editor of the movement’s newspaper, United Irishman. He tries to secure weapons from various sources, leading an unsuccessful raid on a British Army base at Blandford Camp in Dorset on February 16, 1958, and through contacts with Spanish republican exiles in Paris. The Irish American community remains the IRA’s main source of external support.

Cronin is arrested on September 30, 1958, and interned, causing considerable disarray, as he had been running much of the campaign single-handed. When the internees are released in March 1959, he resumes his position as Chief of Staff after a factional dispute causes the resignations of Tomás Óg Mac Curtain and the former Chief of Staff Tony Magan. He continues to argue that a sustained guerrilla campaign might yet succeed, but in June 1960 is again arrested and imprisoned for six months.

In November 1960, the Irish Freedom Committee (IFC), a Clan na Gael splinter group, accuses Cronin of being a communist and a “Free State agent,” supposedly implicated in the 1944 execution of Charlie Kerins. The IRA supports Cronin, but he nevertheless decides to resign successively as Chief of Staff, as a member of the Army Council, and as an IRA volunteer, on the grounds that his presence endangers the American support necessary for the continuance of the campaign. He then secures a job as a journalist on the Irish Independent. He withdraws his resignation in November 1961 after the Irish government reinstates military tribunals to try suspected IRA men. He is subsequently sentenced to six months’ imprisonment by a military tribunal and is in prison when the border campaign ends on February 26, 1962. Released on amnesty on April 19, 1962, he finally resigns from the IRA the next day.

By February 1966, Cronin has returned to the United States, where he resides for the remainder of his life, with regular visits to Ireland. He works as a journalist on the Newark Evening News and the Dow Jones News Service and is the U.S. correspondent of The Irish Times from 1967 to 1991, becoming that paper’s first Washington, D.C. correspondent.

In the 1970s Cronin takes a degree at New York University, then teaches and studies for a doctorate at The New School for Social Research in New York under Hans Morgenthau. His dissertation forms the basis for his magnum opus, Irish nationalism: its roots and ideology (1980). Although limited by its colonial model and socialist-republican intellectual framework, this historically oriented account draws on his extensive research and personal contacts to some effect.

Cronin is the author of a dozen books and pamphlets, including a biography of republican Frank Ryan, Washington’s Irish Policy 1916-1986: independence, partition, neutrality (1987), an authoritative account of Irish-US relations, Our Own Red Blood: The Story of the 1916 Rising (1966), and a number of works on guerrilla strategy, including an early Sinn Féin pamphlet Resistance under the pseudonym of J. McGarrity.

After the death of his first wife in 1974, Cronin marries Reva Rubinstein, a toxicologist. In 1980 they move to Washington, D.C. He has no children by either marriage, though his second wife brings him a stepson. After several years of illness, he dies in Baltimore, Maryland, on March 9, 2011. He is survived by his second wife, Reva Rubenstein Cronin.


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Founding of Friends of Irish Freedom

The Friends of Irish Freedom, an Irish American nationalist organisation, is founded on March 4, 1916, at the third Irish Race Convention held in New York City (March 4-5, 1916). It is supported by the United Irish League, the Ancient Order of Hibernians and other leading Irish American organisations. Clan na Gael dominates the Executive, holding 15 of the 17 seats.

The Organisation’s aims are to “encourage and assist any movement that will tend to bring about the National Independence of Ireland.” Among the first members of the Executive Committee are Victor Herbert (President), Thomas Hughes Kelly (Treasurer) and John D. Moore (Secretary). An office is set up in Sweden and relations are established with Imperial Germany. The Friends of Irish Freedom support the 1916 Easter Rising and, in the months following, raise $350,000 through the Irish Relief Fund to assist dependents of many who fought in the Rising.

In 1917, the Executive Committee of the Friends of Irish Freedom circulates a petition calling for the independence of Ireland throughout the United States and secures several hundred thousand signatures. President Woodrow Wilson in turn directs Secret Service agents to examine the membership and funding of the organisation. In May 1918, the Friends of Irish Freedom organises the fourth Irish Race Convention during which Diarmuid Lynch becomes National Secretary holding the post until his return to Ireland in 1932.

By 1920, there is a Regular membership of 100,000 and 484 Associate Branches with an Associate membership of 175,000. During the Irish War of Independence, the Friends of Irish Freedom raise over $5,000,000 in Dáil loans for the newly declared Irish Republic through the promotion of Bond Certificates. Legal advisor to the organisation for the Bond Drive is Franklin Delano Roosevelt. In October 1920, a rift develops between the Irish American leaders and Éamon de Valera which results in a split between the Friends of Irish Freedom in the United States and the Irish Republican Brotherhood in Ireland. Prior to his departure from the United States, de Valera founds a rival organisation — the American Association for the Recognition of the Irish Republic — to take over the activities of the Friends.

The public dispute between the Friends of Irish Freedom and Sinn Féin representatives damages the effectiveness and credibility of the Irish American organisation. While the Executive largely remains loyal to Daniel F. Cohalan, many rank-and-file members do not renew their subscriptions. By mid-1921 membership has fallen to 20,000 and is further reduced after the outbreak of Irish Civil War in 1922. By 1928, the Friends of Irish Freedom has virtually ceased to exist as a viable Irish American organisation.

The Friends of Irish Freedom is wound up in 1932 following extensive litigation concerning the funds raised for the Irish Republic which were claimed by de Valera. Most of the funds are returned to the original donors.

(Pictured: Éamon de Valera and Friends of Irish Freedom members Daniel Cohalan, John Goff and James Devoy)


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Birth of Noreen Rice, Northern Irish Artist

Noreen Rice, Irish artist, is born in Belfast, Northern Ireland, on February 19, 1936. She exhibits for fifty years and works in the United States, France and Switzerland. Her work is included in the United Nations collection.

Rice is born to Johnny Rice and his wife Nell (née Hayes). Her mother can sing, and her father is a master mason. Her mother’s singing brings in extra money after her father is posted overseas during World War II. She goes to Methodist College Belfast and by the age of fourteen is living in the family home with lodgers as her parents are in Africa where her father is working. She is not academic and takes only a passing interest in becoming a secretary. A school friend says that all she wants to do is draw.

The artist Gerard Dillon comes from Belfast. He helps Rice after they are introduced to each other by her piano teacher in 1951. He is friends with the painter George Campbell. They both share “an interest in bohemian characters.” She regards both Dillon and Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.

In 1956, Rice completes her first solo exhibition at the British Council in Hong Kong. She had been there since 1954 doing typing and practicing her painting. Her father is working there, and she stays in Hong Kong until the following year. When she returns, she earns money working night shifts in the BBC newsroom.

Gerard Dillon and his sister, Mollie, have a property on London‘s Abbey Road in 1958. They rent part of the house to artist Arthur Armstrong, and they rent a flat to Rice and her brother. Dillon and Rice would tour junk yards to find objects like leather and string that they include in their artwork. The house is known for its ex-pat Irish artists which also include Aidan Higgins and Gerry Keenan.

In 1963, Rice goes to the United States to exhibit, and she has to be persuaded to find time to meet President Kennedy. This is three weeks before he is killed in Dallas. In 1967, she is in Paris learning lithography and marries the German contemporary artist Haim Kern. Their child Tristran is born, and the marriage soon ends, and she leaves for Switzerland.

Rice marries again after she returns to Ireland to live in County Fermanagh. They have a daughter who is named Trasna. She exhibits twice in Belfast. In 1997, a large collaboration with Felix Anaut results in images of Adam and Eve which is prepared for a Spanish arts festival near Zaragoza. Another large commission is to decorate the shutters of Pushkin House at Baronscourt for Alexandra Hamilton, Duchess of Abercorn, in 2005.

Rice dies in County Monaghan on March 23, 2015, where she had lived for twenty years. She completes her last exhibition in 2009, over fifty years after her first in Hong Kong. She has exhibited and had her work in notable collections including the United Nations. She is noted for only creating art when she wanted to, she had never conformed, Aeneas Bonner says in her obituary “Normality was a not a close acquaintance.”


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Birth of Irish Actress Sinéad Cusack

Sinéad Moira Cusack, award winning Irish actress, is born Jane Moira Cusack in Dalkey, County Dublin, on February 18, 1948.

Cusack is the daughter of actress Maureen Cusack and actor Cyril Cusack. She is the sister of actresses Sorcha Cusack, Niamh Cusack, and half-sister to Catherine Cusack. Her father is born in South Africa, to an Irish father and an English mother, and had worked with Micheál Mac Liammóir at Dublin‘s Gate Theatre.

Cusack’s first acting roles are at the Abbey Theatre in Dublin. In 1975, she moves to London and joins the Royal Shakespeare Company (RSC) starring in Dion Boucicault‘s London Assurance in the West End. Her work with the RSC continues with an award-winning performance as Celia in As You Like It which includes the Clarence Derwent Award and her first Laurence Olivier Award nomination. She secures a second Olivier Award nomination for her performance in The Maid’s Tragedy by Francis Beaumont and John Fletcher in 1981, followed two years later with a third Olivier Award nomination as Kate in The Taming of the Shrew.

Cusack makes her Broadway debut in 1984 performing in repertory with the Royal Shakespeare Company. Starring opposite Derek Jacobi, she plays Roxane in Anthony Burgess‘s translation of Edmond Rostand‘s Cyrano de Bergerac and Beatrice in William Shakespeare‘s Much Ado About Nothing, directed by Terry Hands. Much Ado is first produced at the Royal Shakespeare Theatre in Stratford-upon-Avon in 1982–83, then moves to London’s Barbican Centre for the 1983–1984 season where it is joined by Cyrano, before both plays transfer to New York‘s Gershwin Theatre from October 1984 to January 1985, for which Cusack received a Tony Awards nomination for her performance as Beatrice, and costar Derek Jacobi wins the award for his Benedick. The production of Cyrano de Bergerac is later filmed in 1985.

During this period, Cusack and her husband, Jeremy Irons, appear in a Shakespeare Winter’s Eve, a major fundraiser for the Riverside Shakespeare Company in New York, along with other members of the Royal Shakespeare Company. Following the Broadway run, the plays tour the United States, making stops in Washington, D.C. and Los Angeles. Her connection with the Royal Shakespeare Company continues with a series of leading roles include Portia in The Merchant of Venice opposite David Suchet, Lady Macbeth opposite Jonathan Pryce in Macbeth and Cleopatra in Antony and Cleopatra in Stratford-upon-Avon and at London’s Theatre Royal Haymarket in the West End.

In 1990, Cusack, in the role of Masha, joins two of her sisters, Niamh (as Irina) and Sorcha (as Olga), and her father, Cyril Cusack (as Chebutykin) for a well-received production of Anton Chekhov‘s tragicomedy Three Sisters in a new version by Frank McGuinness, directed by Adrian Noble at the Gate Theatre, Dublin, before transferring to the Royal Court Theatre in London. The production also features Niamh’s husband, Finbar Lynch, as Solenyi and Lesley Manville as Natasha. The production wins the three real-life sisters the Irish Life Award in 1992.

One of Cusack’s best known stage roles is Our Lady of Sligo by Sebastian Barry in 1998, in which she plays the principal role of Mai O’Hara in performances in Ireland, on Broadway and at the National Theatre. For this she wins the 1998 Evening Standard Theatre Award for Best Actress, the 1998 Critics’ Circle Theatre Award for Best Actress and her fourth Olivier Award nomination for Best Actress. In 2006-07 she stars with Rufus Sewell in Tom Stoppard‘s Rock ‘n’ Roll at the Royal Court Theatre in London which transfers to the West End and Broadway, winning Cusack her fifth Olivier Award nomination and her second Tony Award nomination.

In 2015, Cusack returns to Ireland’s Abbey Theatre, where she begins her theatre career. She appears in the world première of Mark O’Rowe‘s play Our Few and Evil Days, acting opposite long-time collaborator Ciarán Hinds. She wins the Irish Times Irish Theatre Award for Best Actress.

Cusack stars with Peter Sellers in the film Hoffman (1970). She guest stars in an episode of The Persuaders! (1971), a TV series starring Tony Curtis and Roger Moore, as Jenny Lindley, a wealthy heiress who suspects that a man claiming to be her dead brother is in fact an impostor. In 1975, she makes three appearances in the TV series Quiller as the character Roz.

Cusack and her husband appear together in the film Waterland (1992), in a television adaptation of Christopher Hampton‘s Tales from Hollywood (also 1992), and again in Bernardo Bertolucci‘s Stealing Beauty (1996). Further film work includes Passion of Mind (2000), V for Vendetta (2005), and Eastern Promises (2007), a thriller directed by David Cronenberg. Her performance in The Tiger’s Tail (2007) wins her a first Irish Film & Television Academy (IFTA) Award nomination for Best Actress in a Supporting Role. She wins the IFTA Award for her performance in The Sea (2013), adapted from the novel by John Banville. She is nominated once more for an IFTA Award for her performance in John Boorman‘s drama film Queen and Country (2014), which premières at the Cannes Film Festival.

Further starring roles include lead roles in Oliver’s Travels (1995), Have Your Cake and Eat It (1997) for which Cusack wins the Royal Television Society‘s RTS Award for Best Actress and Frank McGuinness’s The Hen House (1989) for BBC Television. She stars in the title role of George du Maurier‘s Trilby (1976), in an adaptation for the BBC’s Play of the Month, with Alan Badel as Svengali. She also stars in the BBC mini-series North & South (2004, from the novel by Elizabeth Gaskell) as Mrs. Thornton. She stars in the BBC sitcom Home Again (2006) and appears in the TV series Camelot (2011), which runs for one season. She has featured roles in the mini-series The Deep (2014) and the series Marcella (2016), an eight-episode murder mystery.

Along with other actresses, including Paola Dionisotti, Fiona Shaw, Juliet Stevenson and Harriet Walter, Cusack contributes to a book by Carol Rutter called Clamorous Voices: Shakespeare’s Women Today (1994). The book analyses modern acting interpretations of female Shakespearean roles.

Cusack marries British actor Jeremy Irons in 1978, and they have two sons, Samuel James and Maximilian Paul. Prior to marrying Irons, she gives birth to a son in 1967 and places the boy for adoption. In 2007, a journalist for the Irish Sunday Independent, Daniel McConnell, reveals that Cusack is the mother of left-wing general election candidate and now member of Irish parliament Richard Boyd Barrett. The two have since been reunited.

Cusack is a patron of the Burma Campaign UK, the London-based group campaigning for human rights and democracy in Burma. In 1998, she is named, along with her husband, in a list of the biggest private financial donors to the British Labour Party. In August 2010, she signs the “Irish artists’ pledge to boycott Israel” initiated by the Palestine Solidarity Campaign.

(Pictured: Sinéad Cusack reciting poetry for the British Library in October 2021)


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Birth of William Randall Roberts, Fenian & U.S. Representative

William Randall Roberts, Fenian Brotherhood member, United States Representative from New York (1871–1875), and a United States Ambassador to Chile, is born on February 6, 1830, in Mitchelstown, County Cork.

Roberts is the son of Randall Roberts, a baker, and Mary Roberts (née Bishop). He is educated locally and in July 1849 leaves with his family for the United States. For several years he works as a clerk for a dry goods company in New York City. In 1857, he sets up his own dry goods business, the Crystal Palace, which becomes successful. He retires in 1869 as a very wealthy man.

Having joined the American Fenian Brotherhood in 1863, Roberts gives it strong financial support for the remainder of the decade. He also supports several Irish American charitable organisations, including the Knights of St. Patrick, of which he is president. In October 1865, he is responsible for a change in the constitution of the Fenian Brotherhood, which results in a split in the movement. The majority of the Brotherhood supports his proposal to elect a “senate” to govern the organisation, with himself as president, in place of the autocratic leader, John O’Mahony. After the suppression of the Irish People and the arrest of the Irish Republican Brotherhood (IRB) leaders in Dublin in September 1865, he believes that it to be foolish to send American Fenian troops to Ireland.

Seeking to capitalise on the bad relations that develop between the United States and Britain during the American Civil War, Roberts hopes that a Fenian Brotherhood invasion Canada might provoke a war between Britain and the United States and thereby make a successful insurrection in Ireland more possible. Once the invasion takes place (May 31 – June 3, 1866), however, the American government seizes the Fenians’ supplies and reinforcements, thereby prompting him to abandon the attack. He is arrested in New York on June 7 and detained in prison but escapes prosecution and is released on June 15. Three days later, with the support of Irish American politicians, he is allowed to deliver an address to the United States Senate appealing for support for the cause of the amnesty of IRB prisoners in Ireland. Thereafter he goes on a lecture tour and argues that American politicians cannot hope to receive Irish American electoral support if they do not support the Fenian cause. In response to demands from Irish American politicians, in September 1866, President Andrew Johnson orders that the arms seized by the United States army be returned to the Fenian Brotherhood.

After the failure of the March 1867 rising in Ireland, Roberts sends men to Ireland to assume command of the IRB on his behalf. A significant number of IRB men follow his lead, and in June 1867 a convention is held in Paris over which he presides. At this he proposes the establishment of a Supreme Council to govern the IRB, a proposal that is soon accepted. He seeks to be appointed president of the new Supreme Council, but the IRB refuses owing to his being such a divisive figure within American Fenianism. In dismay he resigns as president of the Senate wing of the Fenian Brotherhood on December 31, 1867, and becomes less active in the revolutionary movement. In 1870, he opposes the attempt of Fenians to invade Canada once more, and in January 1871 organises a welcoming committee in New York for five recently released IRB leaders who had been banished from Ireland.

By that time, however, Roberts is more concerned with American politics. During 1870, he is elected to Congress as a Democratic Party candidate for New York, a seat he holds until 1874 when, due to financial difficulties, he decides not to run for reelection. As a congressman, he criticises the Republican government for its policy towards the former Confederate states, opposes the increasing power of railroad companies, demands greater protection for American citizens living in foreign countries (including the Fenians imprisoned in Canada), and supports civil rights for black people. He also attracts much praise for his strong criticism of British foreign policy.

After leaving Congress, Roberts becomes a member of the Tammany Society and attains prominence in New York municipal politics, being elected president of the New York City Board of Aldermen in 1878. The following year, he runs for the position of sheriff of New York but is defeated. Thereafter, he leaves the Tammany Society and establishes a rival organisation, the New York County Democracy. In 1882, he supports Grover Cleveland for the governorship of New York and in 1884 as the Democratic candidate for the United States presidency. He is rewarded on April 2, 1885, when President Cleveland appoints him Envoy Extraordinary and Minister Plenipotentiary to Chile.

Roberts’s term of office is cut short, however, when he suffers a paralytic stroke in May 1888. He is sent back to New York and to hospital, where he remains for nine years. He never regains his mental or physical health and dies on August 9, 1897. His funeral takes place on hospital grounds with few people in attendance. He had been separated from his wife, of whom nothing is known, except that they had at least one son, prior to being admitted to hospital. He is buried at Calvary Cemetery, Queens, New York City.

(From: “Roberts, William Randall” by Owen McGee, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Eamonn Casey, Former Bishop of Galway & Kilmacduagh, Returns from Exile

Eamonn Casey, Irish Catholic prelate who serves as bishop of Galway and Kilmacduagh from 1976 until his resignation 1992, returns to Ireland on February 5, 2006, following fourteen years in exile. He fled Ireland after he admitted to fathering his son, Peter.

Casey is born on April 24, 1927, in Firies, County Kerry. He is educated in Limerick before training for the priesthood at St. Patrick’s College, Maynooth. He is ordained a priest for the Diocese of Limerick on June 17, 1951, and appointed Bishop of Kerry on July 17, 1969.

Casey holds this position until 1976, when he is appointed Bishop of Galway and Kilmacduagh and apostolic administrator of Kilfenora. While in Galway, he is seen as a progressive. It is a significant change in a diocese that had been led for nearly forty years by the very conservative Michael Browne, bishop from 1937 to 1976. He is highly influential in the Irish Catholic hierarchy and a friend and colleague of another highly prominent Irish priest, Father Michael Cleary.

Casey works aiding Irish emigrants in Britain. In addition, he supports the Dunnes Stores‘ staff who are locked out from 1982 to 1986 for refusing to sell goods from apartheid South Africa.

Casey attends the funeral of the murdered Archbishop of San Salvador, Monsignor Óscar Romero. He witnesses first-hand the massacre of those attending the funeral by government forces. He then becomes a vocal opponent of United States foreign policy in Central America, and, as a result, opposes the 1984 visit of United States President Ronald Reagan to Ireland, refusing to meet him when he comes to Galway.

In 1992 it is reported that, despite the vow of chastity undertaken by Catholic clergy, Casey has a sexual relationship in the early 1970s with American woman Annie Murphy. When Murphy becomes pregnant, he is determined that the child should be given up for adoption in order to avoid any scandal for himself or the Catholic church. By contrast, Murphy is determined to accept responsibility for her child, and she returns to the United States with their son, Peter, who is born in 1974 in Dublin. He makes covert payments for the boy’s maintenance, fraudulently made from diocesan funds and channeled through intermediaries. In order to continue the cover up of his affair with Murphy and his fraudulent activities, he refuses to develop a relationship with his son, or acknowledge him. Murphy is very disappointed by this, and in the early 1990s contacts The Irish Times to tell the truth about Casey’s hypocrisy and deception. Having been exposed, he reluctantly admits that he had “sinned” and wronged the boy, his mother and “God, his church and the clergy and people of the dioceses of Galway and Kerry,” and his embezzlement of church funds. He is forced to resign as bishop and flees the country under a cloud of scandal. He is succeeded by his secretary, James McLoughlin, who serves in the post until his own retirement on July 3, 2005.

Murphy publishes a book, Forbidden Fruit, in 1993 revealing the truth of their relationship and the son she bore by Casey, exposing the institutional level of hypocrisy, moral corruption and misogyny within the Irish Catholic Church.

Casey is ordered by the Vatican to leave Ireland and become a missionary alongside members of the Missionary Society of St. James in a rural parish in Ecuador, whose language, Spanish, he does not speak. During this time, he travels long distances to reach the widely scattered members of his parish but does not travel to meet his own son. After his missionary position is completed, he takes a position in the parish of St. Pauls, Haywards Heath, West Sussex, England.

In 2005, Casey is investigated in conjunction with the sexual abuse scandal in Galway, Kilmacduagh and Kilfenora diocese, and cleared of any wrongdoing. In 2019, it emerges that he had faced at least three accusations of sexual abuse before his death, with two High Court cases being settled. The Kerry diocese confirms that it had received allegations against him, that Gardaí and health authorities had been informed and that the person concerned was offered support by the diocese.

Casey returns to Ireland on February 5, 2006, with his reputation in tatters, and is not permitted to say Mass in public.

In August 2011, Casey, in poor health, is admitted to a nursing home in County Clare. He dies on March 13, 2017, a month before his 90th birthday. He is interred in Galway cathedral’s crypt.

Casey is the subject of Martin Egan’s song “Casey,” sung by Christy Moore. He is also the subject of The Saw Doctors‘ song “Howya Julia.”


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Founding of the Irish White Cross

The Irish White Cross is established during a meeting in Dublin’s Mansion House on February 1, 1921, as a mechanism for distributing funds raised by the American Committee for Relief in Ireland for the purpose of assisting with relief and reconstruction in the country.

It is envisaged that the Irish White Cross will act in cooperation with similar relief committees that have been established in the United States.

The meeting, presided over by the Lord Mayor of Dublin, Laurence O’Neill, hears that the Society of Friends in New York has already contributed $50,000 to help launch the initiative.

Among those to welcome the new organisation is Sinn Féin President, Éamon de Valera, who promises all the support he can offer. Cardinal Michael Logue, Catholic Primate of Ireland, also offers his assistance: “Even if peace were restored, of which there seems little prospect at present, all the help which can be obtained shall be necessary, to restore the country from the wreck to which it has been reduced, and to help those who have been left destitute by the murder of those on whom they depended, or ruined by the destruction of their property.”

Cardinal Logue becomes president of the new organisation, the trustees of which include William Walsh, Archbishop of Dublin, Arthur Griffith, Sinn Féin TD, Molly Childers, Jennie Wyse Power and Tom Johnston. The Executive Committee includes Hanna Sheehy Skeffington, Kathleen Clarke and Mary Kettle.

Barry Egan, deputy Lord Mayor of Cork, says that the moral effect of the organisation will be incalculable.

The Irish White Cross is managed by the Quaker businessman, and later Irish Free State senator, James G. Douglas. The organisation continues to operate until the Irish Civil War and its books are officially closed in 1928. From 1922, its activities are essentially wound down and remaining funds divested to subsidiary organisations. The longest running of these aid committees is the Children’s Relief Association which distributes aid to child victims of this troubled period, north and south of the border, until 1947. The head of the Children’s Relief Association is Áine Ceannt, the widow of Éamonn Ceannt who is perhaps one of the least known signatories of the 1916 Proclamation of the Irish Republic.


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Birth of Pete St. John, Irish Folk Singer-Songwriter

Peter Mooney, Irish folk singer-songwriter known professionally as Pete St. John, is born in Inchicore, Dublin on January 31, 1932. He is best known for composing “The Fields of Athenry.”

St. John is the eldest of six children born to Tommy and Lottie Mooney. He is educated at Scoil Muire Gan Smál and Synge Street CBS. He emigrates to Ontario, Canada in 1958 where he takes what labouring jobs he can find. Within six months he meets a woman named Gert Gorman who has an electrical contracting company in the United States. She and her husband sponsor him to move to Washington, D.C., where he is able to work as an electrician. He marries his sweetheart, Susie Bourke, who is from a well-known Dublin theatrical family with links to both the Gaiety and the Olympia theatres. They have two sons, Kieron and Brian. He travels widely and becomes involved in the peace movement and the civil rights movement. He remains in the United States until 1970, returning to settle in Collins Avenue in north Dublin.

The Dublin city that St. John returns to is a changed place from the one he had grown up in and proves to be the spur that inspires his songwriting. He chooses “St. John” as his nom de plume, inspired by a middle name he had been given while at school when all the boys in his class were assigned saints’ names. In 1975, he is running a theatre in Petticoat Lane on Marlborough Street, and while fixing an alarm outside a window on the first floor, the ledge on which he is leaning gives way, resulting in a bad fall. He breaks his elbow and hip and spends six months in the hospital recuperating. It is during this time that he takes to songwriting in earnest.

St. John is an extrovert who loves people. He is a voracious reader with a particular interest in Irish history. His son Kieron recalls his father writing “The Rare Aul Times” during this recovery period and singing it to his family. The Dublin City Ramblers is the first band to cover the song, but it is Danny Doyle’s version that achieves a real breakthrough, spending eleven weeks in the Irish Singles Chart, reaching No. 1 in 1978.

In 1978, St. John writes “The Fields of Athenry,” a tale of a man exiled to Botany Bay for stealing food to feed his family during the Famine. It has been recorded by several artists, charting in the Irish Singles Chart on a number of occasions. A recording by Paddy Reilly, which is released in 1982, remains in the Irish charts for 72 weeks.

St. John pays close attention to the melding of lyric and melody and has particular form in writing memorable melodies that sound timeless, resonating deeply with listeners across all walks of life. His songs sometime express regret for the loss of old certainties, for example, the loss of Nelson’s Pillar and the Metropole Ballroom, two symbols of old Dublin, as progress makes a “city of my town.”

St. John describes his chosen craft with affection. “Songs are magic carpets. They can tell a story over and over again without boring the pants off the listener and maybe take us out of ourselves for a few moments of peaceful escapism. With easy to remember melody lines, the words can tell of times and events in our daily lives that are worth noting or remembering.”

St. John’s songbook consists of hundreds of compositions, including “The Ferryman,” “Waltzing on Borrowed Time” and “The Furey Man” and are recorded by over 2,500 artists. He is a founding member of the Irish Music Rights Organisation (IMRO) and is always generous and supportive of younger writers, some of whom he continues to mentor well into his 80s.

St. John is surprised and delighted at the affiliation that emerges between “The Fields of Athenry” and rugby and football sporting events. He is present in Croke Park in 2007 when Ireland beats England in the Six Nations, and where the song is sung three times over. It is a song often heard in Anfield in Liverpool, and at Glasgow Celtic games, and reverberates around the stadium at Chicago’s Soldier Field when Ireland beats the All Blacks on November 5, 2016.

St. John wins several awards, including the Irish Music Rights Organisation “Irish Songwriter of the Year.”

St. John lives life to the fullest, and while he suffers ill health in his later years with both diabetes and Parkinson’s disease, he never loses his zest for life. His son Kieron describes his father with affection as a man who had nine lives and lived them all to the fullest. He lives independently at home until his admission to Beaumont Hospital in Dublin. He dies peacefully there at the age of 90 on March 12, 2022. After his funeral, Paddy Reilly and Glen Hansard perform “The Fields of Athenry” at Beaumont House in Dublin as a tribute.


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Birth of Thomas Charles Wright, Founder of the Ecuadorian Navy

Thomas Charles Wright, founding father of the Ecuadorian Navy and a general in Simón Bolívar‘s army, is born in Queensborough, Drogheda, County Louth, on January 26, 1799. He is regarded as a leading militarist in Ecuador‘s and other South American countries’ struggle for independence.

Wright is born to Joseph Wright and Mary Montgomery. At the age of eleven, he is sent to the Royal Naval College at Portsmouth, regarded at the time as the finest in the world, where he is educated to become an officer.

At the age of fourteen, following his junior officer training, Wright embarks on a sea voyage on board HMS Newcastle under the captaincy of Lord George Stuart. On this vessel he sails to the east coast of the United States where he is engaged in blockading activities in the squadron of Admiral John Borlase Warren. In 1817 he returns to England, having attained the junior officer’s rank of midshipman.

Although Wright passes the lieutenant‘s examination, promotional opportunities are diminishing in the Royal Navy, and he is not given a commission like many young junior officers in Britain. Collectively, he and others decide to enlist in Simón Bolívar’s revolutionary army and sail for South America in support of the uprisings against Spanish colonial rule. In November 1817, he enlists as an officer in the British Legions of Simón Bolívar, under the patronage of Luis Lopez Mendez, Bolivar’s agent in London. Originally setting off from the River Thames in November 1817, several snags delay the departure until January 2, 1818. They depart from Fowey harbor and sail on a brigantine named Dowson, under naval commander Captain Dormer, with 200 other volunteers armed with valuable weapons and ammunition. They land in the Saint Thomas Island after several weeks. Admiral Luis Brión arrives with his squadron on the Island of St Thomas and Pigott and the Rifle Corps are shipped on Patriot vessels to Margarita Island off the coast of Venezuela, arriving on April 21, 1818.

They are sent to Guayana and then to Angostura, beginning the campaign in the Apure. At Angostura (present-day Ciudad Bolívar), Wright first meets Simón Bolívar, for whom he develops a deep admiration. Bolívar opens the liberating campaign in Apure. During 1818–1819, one of the earliest battles with Wright partaking as an officer is at Trapiche de Gamarra on March 27, 1819. These encounters inspire Bolívar to begin his New Granada campaign and the march 1,500 miles over the Andes Mountains. Wright accompanies Bolívar on the legendary crossing on which 25% of the British/Irish troops die.

Wright takes part in the entire land campaign to liberate the northern countries of South America, and fights in numerous land battles with Bolívar’s army. He plays leading roles in the Battle of Vargas Swamp, and later in the victory at the Battle of Boyacá in August 1819, after which he is promoted to captain. In 1820, he returns with his Rifles regiment to the coastal plains to campaign in the jungles east of the Magdalena against the Spanish based on Santa Marta. The Rifles Corp are then transported by sea to Maracaibo, and on June 21, 1821, take part in Simon Bolívar’s decisive victory in the Battle of Carabobo. Cartagena is also seized, and the Rifles are brought in boats up the Magdalena River en route to Popayán. They form part of the forces led by Bolívar in the second of his famed Andean campaigns. After the successful battle at Bomboná on 7 April 7, 1822, Wright is twice mentioned in Bolívar’s order of the day for his exceptional skill and courage. Again, he is promoted and from February 1822 he is an acting lieutenant colonel.

In early 1824, Bolívar realizes that, despite the Patriot Army success on land, unless the South American revolutionary armies can control the seas off their coasts, they will forever be under sea blockade from imperial Spain. He appoints Wright to the newly fledged United Pacific Naval Squadron.

After Guayaquil seizes independence, John Illingworth Hunt is appointed as Commanding General of the Maritime Department. Immediately he takes care of organizing everything concerning the Navy. Thus, in 1823, the first Ecuadorian naval force is formed.

Wright, who in February 1824 is promoted to captain, becomes Commodore of the South Squadron, and embarks on the brig Chimborazo, and conducts patrols along the Peruvian coast with seven transports properly equipped and ready to assist in the transfer of troops, when Bolívar’s army would require it. Following Bolivar’s defeat of the royalist forces at the Battle of Junín on August 6, 1824, Wright is instructed to proceed to Callao with a squadron of five ships and is placed under the orders of Admiral Martin Guisse, head of the United Squadron. The Gran Colombian units, forming this squadron, participate in some naval actions against the royalists and also in the blockade of Callao, the last Spanish stronghold in South America.

Bolívar installs Wright as a Commodore of the Pacific Southern Squadron. He is appointed to command a small fleet of ships in support of Admiral Martin Guisse and joins the Patriotic naval force blockading off Callao. Along with Admiral Guisse and a handful of other former Royal Navy officers, they spearhead the blockade of Callao that successfully fights the Spanish naval squadron sent to lift the blockade of the besieged city. The blockade holds and Callao capitulates in early 1826, ending Spanish rule in South America.

The revolutionary independence struggles end with the unfolding liberation of South America countries, and Wright settles in Ecuador where he helps establish the Ecuadorian Navy and helps create the Ecuadorian naval school that is named in his honor.

The downfall and expulsion of the Spanish colonial power leads to land disputes and new wars among the South American home nations that once were united against Spain. In 1827, Peruvian President José de la Mar invades Bolivia and then invades Ecuador. Wright takes up the cause of defending his new adopted homeland. His navy fights two battles with the Peruvians in the Gulf of Guayaquil.

In 1829, Wright returns to the army as a Colonel and is appointed General Antonio José de Sucre‘s aide-de-camp at the Battle of Tarqui.

Ecuador declares itself a republic in 1830, though the region is completely unsettled with Peru and Colombia both claiming parts of Ecuador as part of their territory. At this time Wright goes back in the Navy with his own flag officer’s pendant. He is also appointed to the army with the rank of General of Brigade in 1830. Two unconstitutional presidents, Vincente Rocafuerte and Valdivieso, declare themselves in office. Wright and Flores lead Rocafuerte’s army into a decisive battle that takes place at Minarica in 1835. This action is decisive, and they defeat General Barriga, who is Valdivieso’s appointed General. The victory guarantees the stability and future of Ecuador, with Rocafuerte becoming Ecuador’s president.

In 1835, Wright is Comandante del Apostadero, later changed to Comandancia General de la Marina (Commander-in-Chief of the Navy) for many years. He does not found the Ecuadorian Naval School, as often incorrectly cited. The college is named in his honor. He is the commanding officer of the Ecuadorian Naval Squadron before Ecuador becomes a Republic, as such he is considered a founding father of the Ecuadorian Navy. In this year he is also promoted to Army General of Division.

In 1843, Wright becomes the Governor of Guayaquil. This is the premier military position in the city.

In 1845, a military coup plot overthrows the liberal government supported by Wright and he goes into exile for fifteen years in Chile and Peru. In Chorrillos, Peru, he befriends the Ecuadorian exile Eloy Alfaro and exerts a massive influence on him as a mentor. Alfaro later becomes President of Ecuador from 1897 to 1913. Wright returns from exile in 1860 and opposes Gabriel García Moreno until his death in 1868.