Biden then travels to Government Buildings where he is formally welcomed by TaoiseachEnda Kenny. Kenny says he hopes Biden enjoyed his visit and Biden says that he himself has visited Ireland several times privately, but never as vice president. He adds that he had promised his late son Beau that he would make a family trip to Ireland, “Unfortunately Beau didn’t make it, but we decided that we would bring the whole family.”
Biden, an Irish American, speaks of his great-grandfather who emigrated from Ireland, and he also speaks of the pride his family feels in their Irish heritage.
Kenny presents Biden with a hurley and a sliotar, to which the Vice President responds, “I have witnessed one game and I have one regret, that they don’t have this in the United States. I played American football and American baseball in high school and college, but this would have been … this is a dangerous game.”
Biden holds a bilateral meeting with Kenny in the evening and meets with the President of Ireland, Michael D. Higgins, the following day at his official residence, Áras an Uachtaráin in Dublin‘s Phoenix Park. As he signs the visitors’ book, he paraphrases another famous Irish American, former U.S. PresidentJohn F. Kennedy, who had visited the Republic of Ireland 53 years earlier. His written entry makes reference to a speech made to Dáil Éireann in June 1963, when Kennedy said, “our two nations, divided by distance, have been united by history.”
During his visit Biden visits County Mayo and County Louth, where his ancestors originated, in addition to several engagements in Dublin and a stop at Newgrange. He also arranges to fit in a round of golf with Kenny.
Biden speaks at an event at Trinity College, Dublin on the morning of Friday, June 24 and delivers a keynote address to an American Ireland Fund event in Dublin Castle in the evening. He addresses the Irish American experience, the shared heritage of the two nations, and the values of tolerance, diversity and inclusiveness.
On Saturday, June 25, Biden visits various locations in County Louth including the Kilwirra Cemetery and Newgrange in County Meath.
Biden returns to the United States following a lunch with Kenny on Sunday, June 26.
(Pictured: U.S. Vice President Joe Biden signing the visitor’s book as Irish President Michael D. Higgins look on at his official residence, Áras an Uachtaráin)
Gregg is the youngest child of Robert and Margaret Gregg. They move to Rockcorry in 1872. Robert Gregg, who is of Scottish ancestry, is stationmaster at the Bushford railway station in Rockcorry. He and his wife raise their children as strict Presbyterians and send their children to the village school in Rockcorry. On Gregg’s second day of class, he is caught whispering to a schoolmate, which prompts the schoolmaster to hit the two children’s heads together. This incident profoundly damages Gregg’s hearing for the rest of his life, rendering him unable to participate fully in school, unable to understand his teacher. This ultimately leads to him unnecessarily being perceived as dull or mentally challenged by his peers, teachers, and family.
In 1877, one of Robert Gregg’s friends, a journalist named Annesley, visits the village for a weekend. He is versed in Pitman Shorthand and takes verbatim notes of the sermon at the village church. This causes the preacher to sweat and stutter out of fear that his sermon, which he has plagiarized from a famous preacher, would be made public through Annesley’s notes. That day, Robert Gregg sees the shorthand skill as a powerful asset, so he makes it mandatory for his children to learn Pitman shorthand, with the exception of John, who is considered by his family too “simple” to learn it. None of the children succeed in fully learning the system. On his own, John Robert learns a different shorthand system, that of Samuel Taylor, published in a small book by Odell. He teaches himself the system fully since he does not require the ability to hear in order to learn from the book.
Due to hardships on the family, Gregg has to leave school before the age of 13 in order to support his family’s income. He works in a law office, earning five shillings a week.
Gregg professes he initially set out to improve the English adaptation by John Matthew Sloan of the French Prévost Duployan shorthand, while working with one of Sloan’s sales agents, Thomas Malone. Malone publishes a system called Script Phonography, of which Gregg asserts a share in authorship is owed to him. Angered by Malone, Gregg resigns from working with him and encouraged by his older brother Samuel, publishes and copyrights his own system of shorthand in 1888. It is put forth in a brochure entitled Light-Line Phonography: The Phonetic Handwriting which he publishes in Liverpool, England.
In 1893, he emigrates to the United States, where he publishes in the same year Gregg Shorthand. The method meets with great success in the new country, and Gregg settles in Chicago where he authors numerous books for the Gregg Publishing Company on the subjects of shorthand and contemporary business practices.
John Robert Gregg dies in New York City, at the age of 80, on February 23, 1948.
Mary Josephine Lavin, noted Irish short story writer and novelist, is born in Walpole, Massachusetts on June 10, 1912. She is regarded as a pioneering female author in the traditionally male-dominated world of Irish letters. Her subject matter often deals explicitly with feminist issues and concerns as well as a deep Catholic faith.
Lavin is the only child born to Tom and Nora Lavin, an immigrant Irish couple. She attends primary school in East Walpole until the age of ten, when her mother decides to go back to Ireland. Initially, Mary and Nora live with Nora’s family in Athenry, County Galway. Afterwards, they purchase a house in Dublin, and Mary’s father comes back from the United States to join them.
Lavin attends Loreto College, a convent school in Dublin, before going on to study English and French at University College Dublin (UCD). She teaches French at Loreto College for a while. As a postgraduate student, she publishes her first short story, “Miss Holland,” which appears in the The Dublin Magazine in 1938. Tom Lavin then approaches Edward Plunkett, 18th Baron of Dunsany, the well-known Irish writer, on behalf of his daughter and asks him to read some of Mary’s unpublished work. Suitably impressed, Lord Dunsany becomes her literary mentor.
In 1943, Lavin publishes her first book, Tales from Bective Bridge, a volume of ten short stories about life in rural Ireland. It is a critical success and goes on to win the James Tait Black Memorial Prize for fiction. That same year, she marries William Walsh, a Dublin lawyer. Over the next decade, the couple has three daughters and moves to “abbey farm” which they purchase in County Meath and includes the land around Bective Abbey. Her literary career flourishes. She publishes several novels and collections of short stories during this period. Her first novel, The House in Clewe Street, is serialised in The Atlantic Monthly before its publication in book form in 1945.
In 1954, William Walsh dies. Lavin, her reputation as a major writer already well-established, is left to confront her responsibilities alone. She raises her three daughters and keeps the family farm going at the same time. She also manages to keep her literary career on track, continuing to publish short stories and winning several awards for her work, including the Katherine Mansfield Prize in 1961, Guggenheim Fellowships in 1959 and 1961, and an honorary doctorate from UCD in 1968. Some of her stories written during this period, dealing with the topic of widowhood, are acknowledged to be among her finest.
Lavin remarries in 1969. Michael Scott is an old friend from her student days in University College. He has been a Jesuit priest in Australia but has obtained release from his vows from Rome and returned to Ireland. The two remain together until Scott’s death in 1991.
In 1992, Lavin, by now retired, is elected Saoi by the members of Aosdána for achieving “singular and sustained distinction” in literature. Aosdána is an affiliation of creative artists in Ireland, and the title of Saoi one of the highest honours in Irish culture.
Mary Lavin dies at the age of 83 on March 25, 1996.
The play receives its world premiere when the Druid Theatre Company opens the production at the Town Hall Theatre, Galway on February 1, 1996. It then tours Ireland, stopping off in Longford, Kilkenny and Limerick. It transfers to London‘s West End, where it opens at the Royal Court Theatre on February 29, 1996.
The Druid production returns to Ireland to embark on an extensive national tour, playing in Galway, Cork, Kerry, Limerick, Fermanagh, Donegal and Derry amongst others. The play returns to London where it is revived at the Duke of York’s Theatre on November 29, 1996, for several months.
The play is produced as part of Druid’s Leenane Trilogy, which includes two other plays by Martin McDonagh, in 1997 where it plays as part of another Irish and UK tour, which includes stops at the Olympia Theatre, Dublin and the Royal Court Theatre in London again.
The play receives its American premiere opening Off-Broadway on February 11, 1998, presented by the Atlantic Theatre Company at the Linda Gross Theater. It transfers to the Walter Kerr Theater on Broadway where it opens on April 14, 1998. It receives six Tony Award nominations, winning four for Best Supporting Actor (Tom Murphy), Best Actress (Marie Mullen), Best Supporting Actress (Anna Manahan), and Best Director (Garry Hynes), the first female recipient of a Tony Award for directing a play.
The play is produced in Australia in 1998 and again in 1999. The 1999 production is a tour by the Royal Court Theatre Company, appearing at the Adelaide Festival Centre (May – June 1999) and Wharf 1 (July 1999) and directed by Garry Hynes. The production returns to Ireland in 2000 as part of a final national tour.
The play is revived in July 2010 at the Young Vic Theatre in the West End, starring Irish actress Rosaleen Linehan. The production transfers to Dublin’s Gaiety Theatre where Linehan reprises her role opposite Derbhle Crotty. It then returns to the Young Vic for another run, closing in September 2011.
The Druid Theatre Company presents a revival in 2016–2017. The production starts in Ireland in Galway at the Town Hall Theatre in September 2016, and then tours to The Everyman in Cork, the Lime Tree Theatre in Limerick and the Gaiety Theatre, Dublin. The play then tours in the United States starting in November 2016. The play runs at the Mark Taper Forum in Los Angeles in November 2016 then opens at the Brooklyn Academy of Music in New York City, running from January 11, 2017, to February 5. The production returns to Ireland, playing at The Gaiety Theatre from March 28 to April 15, 2017.
Herbert is born in Dublin on February 1, 1859, to Protestants Edward Herbert and Fanny Herbert (née Lover). At age three and a half, shortly after the death of his father, he and his mother move to live with his maternal grandparents in London, England, where he received encouragement in his creative endeavours. His grandfather is the Irish novelist, playwright, poet and composer Samuel Lover. The Lovers welcome a steady flow of musicians, writers and artists into their home. He joins his mother in Stuttgart, Germany in 1867, a year after she marries a German physician, Carl Schmidt of Langenargen. In Stuttgart he receives a strong liberal education at the Eberhard-Ludwigs-Gymnasium, which includes musical training.
Herbert initially plans to pursue a career as a medical doctor. Although his stepfather is related by blood to the German royal family, his financial situation is not good by the time Herbert is a teenager. Medical education in Germany is expensive, and so he focuses instead on music. He initially studies the piano, flute and piccolo but ultimately settles on the cello, beginning studies on that instrument with Bernhard Cossmann from age 15 to age 18. He then attends the Stuttgart Conservatory. After studying cello, music theory and composition under Max Seifritz, he graduates with a diploma in 1879.
Although Herbert enjoys important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiere on Broadway from the 1890s to World War I. He is also prominent among the Tin Pan Alley composers and is later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produces two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.
In the early 1880s, Herbert begins a career as a cellist in Vienna, Austria, and Stuttgart, Germany, during which he begins to compose orchestral music. Herbert and his opera singer wife, Therese Förster, move to the United States in 1886 when both are engaged by the Metropolitan Opera. He continues his performing career, while also teaching at the National Conservatory of Music of America, conducting and composing. His most notable instrumental compositions are his Cello Concerto No. 2 in E minor, Op. 30 (1894), which enters the standard repertoire, and his Auditorium Festival March (1901). He leads the Pittsburgh Symphony Orchestra from 1898 to 1904 and then founds the Victor Herbert Orchestra, which he conducts throughout the rest of his life.
Herbert begins to compose operettas in 1894, producing several successes, including The Serenade (1897) and The Fortune Teller (1898). Some of the operettas that he writes after the turn of the 20th century are even more successful: Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), Naughty Marietta (1910), Sweethearts (1913) and Eileen (1917). After World War I, with the change of popular musical tastes, he begins to compose musicals and contributes music to other composers’ shows. While some of these are well-received, he never again achieves the level of success that he enjoyed with his most popular operettas.
A healthy man throughout his life, Herbert dies suddenly of a heart attack at the age of 65 on May 26, 1924, shortly after his final show, The Dream Girl, began its pre-Broadway run in New Haven. He is survived by his wife and two children, Ella Victoria Herbert Bartlett and Clifford Victor Herbert. He is entombed in Woodlawn Cemetery in The Bronx, New York City.
Holt is one of six sons of John Holt, a farmer in County Wicklow. He joins the Irish Volunteers in the 1780s and holds a number of minor public offices but becomes involved in law enforcement as a sub-constable, billet master for the militia and a bounty hunter. He is involved in the Battle of Vinegar Hill which is an engagement during the Irish Rebellion of 1798 on June 21, 1798, when over 15,000 British soldiers launch an attack on Vinegar Hill outside Enniscorthy, County Wexford.
Despite Holt’s apparent loyalism, he becomes a member of the Society of United Irishmen in 1797 and gradually begins to attract suspicion until finally in May 1798, his house is burned down by the militia of Fermanagh. He then takes to the Wicklow mountains, gradually assuming a position of prominence with the United Irish rebels. The defeat of the County Wexford rebels at Vinegar Hill on June 21 sees surviving rebel factions heading towards the Wicklow Mountains to link up with Holt’s forces.
Emerging to meet them, Holt is given much of the credit for the planning of the ambush and defeat of a pursuing force of 200 British cavalry in the Battle of Ballyellis on June 30, 1798. However, the subsequent Midlands campaign to revive the rebellion is a disaster, and he is lucky to escape with his life back to the safety of the Wicklow Mountains.
Holt largely holds out in expectation of the arrival of French aid but news of the defeat of the French in the Battle of Ballinamuck together with his ill-health brought about by the hardships of his fugitive life, age and family considerations prompt him to initiate contact with the Dublin Castle authorities with a view to a negotiated surrender. Dublin Castle is eager to end the rebellion in Wicklow and allows him exile after incarceration in the Bermingham Tower without trial in New South Wales.
Holt goes out on the Minerva and meets Captain William Cox who has been appointed paymaster of the New South Wales Corps. The ship arrives at Sydney on January 11, 1800, and shortly afterwards Holt agrees to manage Captain Cox’s farm. He always claims in Australia that he is a political exile and not a convict. In 1804 when the Castle Hill uprising occurs Holt, who is not involved, has been warned that evening that it is about to happen. During the night he sets up a defense of Captain Cox’s house. He is nonetheless afterwards hounded by Governor Philip Gidley King and many false witnesses are brought against him. Although there is no plausible evidence at all against him, he is exiled by King to Norfolk Island in April 1804, and there put to hard labour.
Holt is officially pardoned on January 1, 1811, and in December 1812, with his wife and younger son, takes passage to Europe on the Isabella. The ship is wrecked by a reef, so the passengers and crew are landed at Eagle Island, one of the Falkland Islands. He shows great resolution and ingenuity in making the best of the conditions on the island. He is rescued on April 4, 1813, but does not reach England until February 22, 1814, as he travels via the United States. He retires to Ireland where he lives for the rest of his life but regrets he had left Australia.
Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.
Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “My Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.
Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.
Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.
Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.
Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.
Brougham’s father is an amateur painter and dies young. His mother is the daughter of a Huguenot, whom political adversity has forced into exile. He is the eldest of three children. Both of his siblings die in youth, and the father being dead, and the widowed mother left penniless, he is reared in the family and home of an uncle.
Brougham is prepared for college at an academy at Trim, County Meath, twenty miles from Dublin, and subsequently is sent to the University of Dublin. There he acquires classical learning and forms interesting and useful associations and acquaintances. He also becomes interested in private theatricals. He falls in with a crowd that puts on their own shows, cast by drawing parts out of a hat. Though he most always trades off larger roles so he can pay attention to his studies, he takes quite an interest in acting. He is a frequent attendant, moreover, at the Theatre Royal in Hawkins Street.
Brougham is educated with the intention of his becoming a surgeon and walks the Peth Street Hospital for eight months. However, misfortune comes upon his uncle, so he is obliged to provide for himself. Before leaving the university he, by chance, becomes acquainted with the actress Lucia Elizabeth Vestris.
Brougham goes to London in 1830 and, after a brief experience of poverty, suddenly determines to become an actor. He is destitute of everything except fine apparel, and he has actually taken the extreme step of offering himself as a cadet in the service of the East India Company. But, being dissuaded by the enrolling officer, who lends him a guinea and advises him to seek other employment, and happening to meet with a festive acquaintance, he seeks recreation at the Tottenham Theatre where Madame Vestris is acting.
Brougham’s acquaintance with Madame Vestris leads to him being engaged at the theatre, and he thus makes his first appearance on the London stage in July in Tom and Jerry, in which he plays six characters. In 1831 he is a member of Madame Vestris’s company and writes his first play, a burlesque. He remains with Madame Vestris as long as she and Charles Mathews retain Covent Garden Theatre, and he collaborates with Dion Boucicault in writing London Assurance, the role of Dazzle being one of those with which he becomes associated. His success at small or “low” comic roles such as Dazzle earn him the nickname “Little Johnny Brougham,” a moniker which he embraces, and which boosts his popularity with working-class audiences.
In 1840 Brougham manages the Lyceum Theatre, for which he writes several light burlesques, but in 1842 he moves to the United States, where he becomes a member of William Evans Burton‘s company, for which he writes several comedies, including Met-a-mora; or, the Last of the Pollywogs, a parody of John A. Stone and Edwin Forrest’s Metamora; or The Last of the Wamponoags, and Irish Yankee; or, The Birthday of Freedom.
In 1860 Brougham returns to London, where he adapts or writes several plays, including The Duke’s Motto for Charles Fechter. In November 1864 he appears at the Theatre Royal in his native Dublin in the first performance of Dion Boucicault’s Arrah-na-Pogue with Boucicault, Samuel Johnson and Samuel Anderson Emery in the cast.
After the American Civil War Brougham returns to New York City. Brougham’s Theatre is opened in 1869 with his comedies Better Late than Never and Much Ado About a Merchant of Venice, but this managerial experience is also a failure due to disagreements with his business partner, James Fisk. He then takes to playing the stock market. His last appearance onstage is in 1879 as “O’Reilly, the detective” in Boucicault’s Rescued.
McCarthy is born in Cork, County Cork on November 22, 1830, and is educated there. He begins his career as a journalist at the age of 18 in Cork. From 1853 to 1859 he is in Liverpool, on the staff of the Northern Daily Times. In March 1855, he marries Charlotte Ailman. In 1860 he moves to London, as parliamentary reporter to the Morning Star, of which he becomes editor in 1864. He gives up his post in 1868 and, after a lecturing tour in the United States, joins the staff of The Daily News as leader-writer in 1870. In this capacity he becomes one of the most useful and respected upholders of the liberal politics of the time. He lectures again in America in 1870–71 and in 1886–87.
McCarthy is first elected to Parliament at a by-election on April 4, 1879, when he is returned unopposed as a Home Rule League MP for County Longford. He is re-elected unopposed as a Parnellite Home Ruler in 1880, and when the two-seat Longford constituency is split into two divisions under the Redistribution of Seats Act 1885, he is elected as an Irish Parliamentary Party member for the new single-seat Northern division of Longford. His sole opponent, a Conservative, wins only 6% of the votes.
At the 1886 general election, he is returned unopposed in North Longford, but also stands in Londonderry City, where he is declared the loser to the Irish Unionist Alliance candidate by the narrow margin of 1778 votes to 1781. However, the result is later overturned on petition and McCarthy opts to sit for Derry City. During the divorce controversy surrounding Charles Stewart Parnell in November 1890, the British Prime MinisterWilliam Ewart Gladstone expresses a warning, given to McCarthy as intermediary, that if Parnell retains leadership of the Irish Parliamentary Party it will mean the loss of the next election, the end of their alliance and Home Rule. When the annual party leadership election meeting is called later that month, the threat is somehow not conveyed to the members, who re-elect Parnell leader of the Party.
After a further historical meeting of the Irish Party MPs in early December, Parnell refuses to retire and the Party divides. McCarthy becomes chairman of the Anti-Parnellite group, the Irish National Federation, for a year in 1891–1892. His nationalism is of a temperate and orderly kind, and though his personal distinction singles him out for the chairmanship during the party dissensions of this period, he is in no active sense the political leader.
At the 1892 general election, McCarthy again stands both in North Longford and in Derry City. In each seat there is a two-way contest between the Anti-Parnellite McCarthy and a Unionist candidate, but the narrow Unionist victory in Derry is not overturned, and McCarthy sits for North Longford, where he wins over 93% of the votes. He is returned unopposed for North Longford in 1895 United Kingdom general election in Ireland and stands down from Parliament at the 1900 United Kingdom general election in Ireland.
It is claimed that McCarthy’s true vocation is literature. His earliest publications are novels, some of which, such as A Fair Saxon (1873), Dear Lady Disdain (1875), Miss Misanthrope (1878), and Donna Quixote (1879), attain considerable popularity. His most important work is his History of Our Own Times, which treats of the period between Queen Victoria‘s accession and her Diamond Jubilee. He begins a History of the Four Georges (1884–1901) and the latter half is written by his son, Justin Huntly McCarthy.
Justin McCarthy dies at the age of 81 in Folkestone, Kent, England on April 24, 1912.
Heaney’s family moves to nearby Bellaghy when he is a boy. He attends Queen’s University Belfast and begins to publish poetry. In the early 1960s he becomes a lecturer at St. Joseph’s College in Belfast. He lives in Sandymount, Dublin from 1976 until his death. He also lives part-time in the United States from 1981 to 2006. He is recognised as one of the principal contributors to poetry during his lifetime.
American poet Robert Lowell describes Heaney as “the most important Irish poet since Yeats,” and many others, including the academic John Sutherland, have said that he is “the greatest poet of our age.” Robert Pinsky states that “with his wonderful gift of eye and ear Heaney has the gift of the storyteller.” Upon his death in 2013, The Independent describes him as “probably the best-known poet in the world.” One of his best-known works is Death of a Naturalist, published in 1966.
Seamus Heaney dies in Blackrock, Dublin on August 30, 2013, while hospitalized following a fall a few days earlier. He is buried at the Cemetery of St. Mary’s Church, Bellaghy, Northern Ireland. The headstone bears the epitaph “Walk on air against your better judgement,” from one of his poems, The Gravel Walks.
PresidentMichael D. Higgins, himself a poet, praises Heaney’s “contribution to the republics of letters, conscience and humanity.” TaoiseachEnda Kenny says that Heaney’s death has brought “great sorrow to Ireland, to language and to literature.”
seamus dubhghaill 