Casey, born in 1971, is diagnosed with ocular albinism as a child but is not personally informed until her 17th birthday. She graduates from University College Dublin with BA, DBS and MBS degrees. She works at a couple of jobs including as a management consultant for Accenture.
In 2000, at the age of 28, Casey leaves her job at Accenture to launch the Aisling Foundation, with an aim to improve how disability is treated. In early 2001, she begins her solo trek across India on elephant back. She travels approximately 1,000 km and raises €250k for The National Council for the Blind of Ireland and Sightsavers. She becomes the first female mahout from the west. The journey is the subject of a National GeographicdocumentaryElephant Vision and a TED Talk.
Then, as founding CEO of Kanchi in Dublin, Casey develops a set of best practices for businesses, to help them see “disabled” workers as an asset, as opposed to a liability. Hundreds of companies have adopted these standards, changing their policies and attitudes. In 2004, she starts the Ability Awards, sponsored by O2, to recognize Irish businesses for their inclusion of people with disabilities, as employees, suppliers, customers and members of the community. The initiative receives great international praise and, in 2010, a parallel program is launched in Spain, backed by Telefónica.
In 2015 Casey founds business inclusion company Binc which, in August 2017, launches #valuable – a worldwide call to action for business to recognise the value and potential of the 1 billion people living with a disability and position disability equally on the global business agenda. To start the conversation and build momentum, Casey embarks on a 1,000km horse adventure through Colombia, ending with a keynote address at “One Young World Summit 2017” in Bogotá.
Hayden is educated initially at the Dominican College, Eccles Street and then at Alexandra College in Dublin. She attends the Royal University of Ireland where she graduates with a BA in 1885 and an MA in 1887 in Modern Languages. With Agnes O’Farrelly she campaigns for women’s rights in the university.
Hayden helps to form the Women’s Social and Progressive League as a political party committed to opposing the 1937 constitution of Ireland and any regressive consequences it would entail. She opposes articles 40, 41, and 45 concerning the status of women.
Thomas Kinsella, poet whose sensitive lyrics deal with primal aspects of the human experience, often in a specifically Irish context, is born in Inchicore, Dublin on May 4, 1928.
Kinsella spends most of his childhood in the Kilmainham/Inchicore area of Dublin. He is educated at the Model School, Inchicore, where classes are taught in Irish Gaelic, and at the O’Connell School in North Richmond Street, Dublin. He acquires a series of grants and scholarships that allow him to attend University College Dublin, where he studies physics and chemistry before receiving a degree in public administration.
Kinsella begins serving in the Irish civil service in 1946, and in the early 1950s he meets Liam Miller, the founder of Dolman Press, which publishes much of Kinsella’s poetry beginning in 1952. Among these publications are Poems (1956), his first volume of collected work, Another September (1958), which contains poems that explore the imposition of existential order through various forms, be they natural or products of the poet’s imagination and Downstream (1962), a collection focusing on war and political and social disruption in modern Ireland.
In 1965 Kinsella leaves the Irish civil service and takes a position as a writer in residence at Southern Illinois University in Carbondale (1965–70). During this time, he publishes Nightwalker, and Other Poems (1967), a sombre collection ruminating on Ireland’s past and turbulent present. His translation of the ancient Gaelic saga The Cattle Raid of Cooley (Táin bó Cuailnge) is published in 1969, and the following year he begins teaching at Temple University in Philadelphia. New Poems 1956–73 (1973) and One, and Other Poems (1979) skillfully extend the themes of love, death, and rejuvenation.
Kinsella founds his own publishing company, the Peppercanister Press, in Dublin in 1972, which allows him to publish pamphlets and individual poems in limited editions without relying on submissions to journals or magazines. His first poem to be published through his press is Butcher’s Dozen (1972), about Bloody Sunday, in which 13 demonstrators are killed by British troops in Derry, Northern Ireland, and the ensuing tribunal. Blood & Family (1988) combines four short collections of prose and verse originally published individually through Peppercanister, and Godhead (1999) explores the Trinity in the light of contemporary society. Later works published through Peppercanister include Marginal Economy (2006), Man of War (2007), and Belief and Unbelief (2007). Numerous collections of his poems have been released, including Collected Poems, 1956–2001 (2001) and Selected Poems (2007).
In December 2018, Kinsella is awarded Doctor in Littoris, Honoris Causa, by Trinity College Dublin.
Peter Denis Sutherland, businessman, barrister and politician, is born in Foxrock, Dublin on April 25, 1946. He is a barrister by profession and a Senior Counsel of the Bar Council of Ireland. He is known for serving in a variety of international organisations, political and business roles.
Sutherland is educated at Gonzaga College, Ranelagh, Dublin. He is of partial Scottish ancestry. He graduates in Civil Law at University College Dublin and practices at the Irish Bar between 1969 and 1980. He marries Maruja Sutherland, a Spaniard, in 1974.
Sutherland makes his entry into politics when he is appointed Attorney General of Ireland in June 1981. He resigns in March 1982 only to take the post again between December 1982 and December 1984.
In September 2016, Sutherland suffers a heart attack while on his way to Mass at a Catholic Church in London. Six months later, he resigns from his post as United Nations Special Representative of the Secretary-General for International Migration because of poor health. After a long illness, he dies at St. James’s Hospital in Dublin on January 7, 2018, of complications from an infection, at the age of 71. He is buried in Kilternan Cemetery Park in Dublin.
Peter Sutherland received numerous awards including European Person of the Year Award (1988).
(Pictured: Peter D. Sutherland, Chairman, Goldman Sachs International, United Kingdom; Member of the Foundation Board of the World Economic Forum, speaks during the session ‘China’s Impact on Global Trade and Growth’ at the Annual Meeting 2011 of the World Economic Forum in Davos, Switzerland, January 27, 2011. Copyright by World Economic Forum swiss-image.ch/Photo by Michael Wuertenberg)
Devlin and his family return to live in Dublin in 1918. He studies at Belvedere College and, from 1926, as a seminarian for the Roman Catholicpriesthood at Clonliffe College. As part of his studies he attends a degree course in modern languages at University College Dublin (UCD), where he meets and befriends Brian Coffey. Together they publish a joint collection, Poems, in 1930.
In 1927, Devlin abandons the priesthood and leaves Clonliffe. He graduates with his BA from UCD in 1930 and spends that summer on the Blasket Islands to improve his spoken Irish. Between 1930 and 1933, he studies literature at the University of Munich and the Sorbonne in Paris, meeting, amongst others, Beckett and Thomas MacGreevy. He then returns to UCD to complete his MAthesis on Michel de Montaigne.
Devlin joins the Irish Diplomatic Service in 1935 and spends a number of years in Rome, New York and Washington, D.C.. During this time he meets the French poet Saint-John Perse, and the Americans Allen Tate and Robert Penn Warren. He goes on to publish a translation of Exile and Other Poems by Saint-John Perse, and Tate and Warren edit his posthumous Selected Poems.
Since his death on August 21, 1959, there have been two Collected Poems published; the first in 1964 is edited by Coffey and the second in 1989 by J.C.C. Mays.
In 1962 Jordan re-founds and edits the literary magazine Poetry Ireland in hopes of contributing towards the recreation of Dublin as a literary centre. In this journal, he introduces a number of poets who are to become quite famous later, including Paul Durcan, Michael Hartnett and Seamus Heaney. This series of Poetry Ireland lasts until 1968–69.
In 1981 Jordan becomes the first editor of the new magazine published by the Poetry Ireland Society, called Poetry Ireland Review. He serves as a reviewer of novels for The Irish Times, writes a column for Hibernia, contributes to Envoy, A Review of Literature and Art and The Irish Press among others, and serves as a TV presenter and arts interviewer. He is a defender of Gaelic literature, translates Pádraic Ó Conaire, edits The Pleasures of Gaelic Literature (Mercier Press, 1977), and champions the later plays of Seán O’Casey. His translation of one of Aogán Ó Rathaille‘s essays is published in The Pleasures of Gaelic Poetry (London: Allen Lane, 1982).
Jordan’s Collected Poems (Dedalus Press) and Collected Stories (Poolbeg Press) are edited by his literary executor, Hugh McFadden, and published in Dublin in 1991. His Selected Prose, Crystal Clear, also edited by McFadden, is published by The Lilliput Press in Dublin in 2006. His Selected Poems, edited with an introduction by McFadden, is published in February 2008 by Dedalus Press. Uncollected stories appear in Penguin Book of Irish Short Stories, Cyphers, and The Irish Press, among other places.
Jordan’s literary papers and letters are held in the National Library of Ireland. In 1953 the young Irish artist Reginald Gray is commissioned by University College Dublin to design the decor and costumes for their production of “The Kings Threshold” by William Butler Yeats. The leading role is given to Jordan. During the preparations for the production, Gray starts a portrait of Jordan, which he never finishes. This work now hangs in the Dublin Writers Museum.
(Pictured: John Jordan, by Patrick Swift, c. 1950)
De Valera knows of O’Neill’s reputation as a historian and asks him to undertake the project. A contract is signed with the publishers in 1963, and O’Neill moves to Áras an Uachtaráin to work on the book. He is later joined by Lord Longford as co-author.
O’Neill’s other works include a biography in Irish of James Fintan Lalor and a major study of the Great Famine, which establishes his reputation as a historian.
After the completion of the de Valera work, O’Neill is appointed lecturer and later professor of history in University College, Galway. On his retirement, he returns to live in Dublin, where he renews his association with the National Library, becoming a strong supporter of its expansion.
O’Neill is survived by his wife, Marie, and six children. His funeral Mass takes place at St. Joseph’s Church on March 5, followed by his interment at Shanganagh Cemetery.
(From: “Biographer of de Valera dies at 74,” The Irish Times, Monday, March 4, 1996)
Jordan is educated at St. Paul’s College, Raheny. Later, Jordan attends University College Dublin, where he studies Irish history and English literature. He is raised a Catholic and is quite religious during the early stages of his life. Regarding his current beliefs, he states that “God is the greatest imaginary being of all time. Along with Einstein‘s General Theory of Relativity, the invention of God is probably the greatest creation of human thought.”
When John Boorman is filming Excalibur in Ireland, he recruits Jordan as a “creative associate.” A year later Boorman is executive producer on Jordan’s first feature, Angel, a tale of a musician caught up in the Troubles, starring Stephen Rea who subsequently appears in almost all of Jordan’s films to date. During the 1980s, he directs films that win him acclaim, including The Company of Wolves and Mona Lisa, both made in England. The Company of Wolves becomes a cult favorite.
As a writer/director, Jordan has a highly idiosyncratic body of work, ranging from mainstream hits like Interview with the Vampire to commercial failures like We’re No Angels to a variety of more personal, low-budget arthouse pictures. He is also the driving force behind the cable TV series The Borgias.
Unconventional sexual relationships are a recurring theme in Jordan’s work, and he often finds a sympathetic side to characters that audiences would traditionally consider deviant or downright horrifying. His film The Miracle, for instance, follows two characters who struggle to resist a strong, incestuous attraction, while The Crying Game makes complicated, likable characters out of an IRA volunteer and a transgender woman. Interview with the Vampire, like the Anne Rice book it is based on, focuses on the intense, intimate interpersonal relationship of two undead men who murder humans nightly, accompanied by an equally lusty vampire woman who is eternally trapped in the body of a little girl. While Lestat (Tom Cruise) is depicted in an attractive but villainous manner, his partner Louis (Brad Pitt) and the child vampire Claudia (Kirsten Dunst) are meant to capture the audience’s sympathy despite their predatory nature.
In addition to the unusual sexuality of Jordan’s films, he frequently returns to the Troubles of Northern Ireland. The Crying Game and Breakfast on Pluto both concern a transgender character, both concern the Troubles, and both feature frequent Jordan leading man Stephen Rea. The two films, however, are very different, with The Crying Game being a realistic thriller/romance and Breakfast on Pluto a much more episodic, stylized, darkly comic biography. Jordan also frequently tells stories about children or young people, such as The Miracle and The Butcher Boy. While his pictures are most often grounded in reality, he occasionally directs more fantastic or dreamlike films, such as The Company of Wolves, High Spirits, Interview with the Vampire, and In Dreams.
The critical success of Jordan’s early pictures leads him to Hollywood, where he directs High Spirits and We’re No Angels. Both are critical and financial disasters. He later returns home to make the more personal The Crying Game, which is nominated for six Academy Awards. Jordan wins the Academy Award for Best Original Screenplay for the film. Its unexpected success leads him back to American studio filmmaking, where he directs Interview with the Vampire. He also directs the crime drama The Brave One starring Jodie Foster.
Desmond Connell is created Cardinal-Priest by Pope John Paul II at the Consistory in Rome on February 21, 2001. He becomes the first Archbishop of Dublin in over 100 years to be installed as a Cardinal. A large Irish contingent from Church and State, along with family and friends of the Cardinal, attend the installation which for the first time takes place at the front of the entrance to St. Peter’s Basilica.
Connell is ordained priest by Archbishop John Charles McQuaid on May 19, 1951. He takes up a teaching post at the Department of Metaphysics at the University College Dublin. He is appointed Professor of General Metaphysics in 1972 and in 1983 becomes the Dean of the Faculty of Philosophy and Sociology. The College’s Department of Metaphysics is abolished after his departure.
Connell is appointed Archbishop of Dublin by the Holy See in early 1988. He is consecrated at St. Mary’s Pro-Cathedral, Dublin on March 6, 1988. He is created Cardinal-Priest by Pope John Paul II at the Consistory in Rome on February 21, 2001, with the TitulusS. Silvestri in Capite. Archbishops of Armagh, who hold the higher title of Primate of All Ireland, are more frequently appointed Cardinal than Archbishops of Dublin. The last Archbishop of Dublin to have been a cardinal is Cardinal Edward MacCabe, who was appointed in 1882.
On April 26, 2004, Connell retires as archbishop, handing the diocese to the coadjutor bishop, Diarmuid Martin. All bishops submit their resignation to the Pope on their 75th birthday. Connell’s is accepted shortly after his 78th birthday.
It is Connell’s failure, when Archbishop of Dublin in 1988–2004, to address adequately the abuse scandals in Dublin that lead the Vatican to assign Archbishop Martin as his replacement in the country’s largest diocese. The Murphy Report finds that Connell had handled the affair “badly” as he was “slow to recognise the seriousness of the situation.” It does praise him for making the archdiocesan records available to the authorities in 2002 and for his 1995 actions in giving the authorities the names of 17 priests who had been accused of abuse, although it says the list is incomplete as complaints were made against at least 28 priests in the archdiocese.
From 1988 Connell also continues to insure his archdiocese against liability from complainants, while claiming to the Murphy Commission that the archdiocese is “on a learning curve” in regard to child abuse. He arranges for compensation payments to be made from a “Stewardship Trust” that is kept secret from the archdiocese’s parishioners until 2003. In 1996 he refuses to help a victim of Paul McGennis and does not pass on what he knows about McGennis to her, or to the police. He apologises for this in 2002.
Desmond Connell dies in Dublin at the age of 90 on February 21, 2017, exactly sixteen years after his creation as Cardinal.
Joyce is one of the ten children of Mary Jane “May” Murray and John Stanislaus Joyce, a professional singer and later rate-collector from a bourgeois Catholic family. He attends Clongowes Wood College, a Jesuit boarding school, until 1891, when his father’s financial worries mean they can no longer afford to send him there. He is temporarily home-schooled and spends a short time at a Christian Brothers school, before starting at Belvedere College, a Jesuit day school run by his old Clongowes headmaster, Father John Conmee.
Much of Joyce’s childhood is influenced by his charismatic, but increasingly alcohol-dependent and difficult father, whose ongoing financial troubles led to regular domestic upheaval. However, John Joyce’s passions, eccentricities, as well as his gift as a singer are celebrated in his son’s work. The death of the Irish Home Rule movement leader Charles Stewart Parnell in 1891 is a watershed moment in Joyce’s life and is the subject of an inflammatory argument during a Christmas dinner, in which John Joyce and his friend John Kelly passionately defend Parnell from the accusations of the pious Elizabeth Conway. Joyce recreates the scene in A Portrait of the Artist as a Young Man, portraying Kelly’s character, Mr. Casey, crying loudly with a “sob of pain,” “Poor Parnell! … My dead king!”
Joyce attends University College Dublin in 1899-1902, where he studies modern languages, with Latin and logic. In 1902 he goes to Paris with an intent of studying medicine but discovers, on arrival, that he does not have the necessary qualifications. He constantly struggles for money, relying on irregular work as a teacher, bank employee, cinema-owner and tweed-importer, and on patrons and supporters such as Harriet Shaw Weaver and Ezra Pound.
Joyce returns to Ireland in 1903 after his mother falls ill. She dies in August 1903. He refuses to take the sacraments or kneel at her deathbed, and the guilt he later feels is depicted in Ulysses when the ghost of Stephen’s mother returns to haunt him. On June 16, 1904, he meets Nora Barnacle, the woman with whom he spends the rest of his life. By autumn, he is convinced of the impossibility of remaining in Ireland and persuades Nora to travel with him. They arrive in Paris on October 9, 1904. He would not return to Ireland to live. He cultivates a sense of himself as an exile, living in Trieste, Zürich, Rome and Paris.
Joyce’s first publication in 1907 is the poetry collection Chamber Music. When he sends Pound a revised first chapter of Portrait of an Artist as a Young Man, along with the manuscript of his short story collection Dubliners, Pound arranges for Portrait to be published serially in the modernist magazine The Egoist between 1914 and 1915. His short story collection, Dubliners, had been delayed by years of arguments with printers over its contents, but is also published in 1914.
Joyce then begins work on Ulysses, an experimental account of a single day in Dublin. The novel is serialised between 1918 and 1920, but full publication is delayed due to problems with American obscenity laws. The work is finally published in book form by his friend Sylvia Beach in Paris in 1922. His play Exiles is first performed in German in 1919, and English in 1926. His last novel, Finnegans Wake (1939), is an innovative language experiment that contains over 40 languages and a huge variety of popular and arcane references.
On January 11, 1941, Joyce undergoes surgery in Zürich for a perforated duodenal ulcer. He falls into a coma the following day. He awakes at 2:00 AM on January 13, 1941, and asks a nurse to call his wife and son, before losing consciousness again. They are en-route when he dies 15 minutes later, less than a month short of his 59th birthday. He is buried in the Fluntern Cemetery, Zürich.
Visually-impaired Irish adventurer, activist and management consultant Caroline Casey arrives back in Dublin on May 11, 2001 after a four-month elephant ride across India during which she raises €250k for charity.
seamus dubhghaill 