seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Death of Oliver St. John Gogarty, Poet, Author, Athlete & Politician

Oliver Joseph St. John Gogarty, Irish poet, author, otolaryngologist, athlete, politician, and well-known conversationalist, dies in New York City on September 22, 1957. He serves as the inspiration for Buck Mulligan in James Joyce‘s novel Ulysses.

Gogarty is born on August 17, 1878, in Rutland Square, Dublin. In 1887, his father dies of a burst appendix, and he is sent to Mungret College, a boarding school near Limerick. He is unhappy in his new school, and the following year he transfers to Stonyhurst College in Lancashire, England, which he likes little better, later referring to it as “a religious jail.” He returns to Ireland in 1896 and boards at Clongowes Wood College while studying for examinations with the Royal University of Ireland. In 1898, he switches to the medical school at Trinity College Dublin (TCD), having failed eight of his ten examinations at the Royal.

A serious interest in poetry and literature begins to manifest itself during his years at TCD. In 1900, he makes the acquaintance of W. B. Yeats and George Moore and begins to frequent Dublin literary circles. In 1904 and 1905 he publishes several short poems in the London publication The Venture and in John Eglinton‘s journal Dana. His name also appears in print as the renegade priest Fr. Oliver Gogarty in George Moore’s 1905 novel The Lake.

In 1905, Gogarty becomes one of the founding members of Arthur Griffith‘s Sinn Féin, a non-violent political movement with a plan for Irish autonomy modeled after the Austro-Hungarian dual monarchy.

In July 1907, his first son, Oliver Duane Odysseus Gogarty, is born, and in autumn of that year he leaves for Vienna to finish the practical phase of his medical training. Returning to Dublin in 1908, he secures a post at Richmond Hospital, and shortly afterward purchases a house in Ely Place opposite George Moore. Three years later, he joins the staff of the Meath Hospital and remains there for the remainder of his medical career.

As a Sinn Féiner during the Irish War of Independence, Gogarty participates in a variety of anti-Black and Tan schemes, allowing his home to be used as a safe house and transporting disguised Irish Republican Army (IRA) volunteers in his car. Following the ratification of the Anglo-Irish Treaty, he sides with the pro-Treaty government and is made a Free State Senator. He remains a senator until the abolition of the Seanad in 1936, during which time he identifies with none of the existing political parties and votes according to his own whims.

Gogarty maintains close friendships with many of the Dublin literati and continues to write poetry in the midst of his political and professional duties. He also tries his hand at playwriting, producing a slum drama in 1917 under the pseudonym “Alpha and Omega,” and two comedies in 1919 under the pseudonym “Gideon Ouseley,” all three of which are performed at the Abbey Theatre. He devotes less energy to his medical practice and more to his writing during the twenties and thirties.

With the onset of World War II, Gogarty attempts to enlist in the Royal Air Force (RAF) and the Royal Army Medical Corps (RAMC) as a doctor. He is denied on grounds of age. He then departs in September 1939 for an extended lecture tour in the United States, leaving his wife to manage Renvyle House, which has since been rebuilt as a hotel. When his return to Ireland is delayed by the war, he applies for American citizenship and eventually decides to reside permanently in the United States. Though he regularly sends letters, funds, and care-packages to his family and returns home for occasional holiday visits, he never again lives in Ireland for any extended length of time.

Gogarty suffers from heart complaints during the last few years of his life, and in September 1957 he collapses in the street on his way to dinner. He dies on September 22, 1957. His body is flown home to Ireland and buried in Cartron Church, Moyard, near Renvyle, County Galway.

(Pictured: 1911 portrait of Oliver St. John Gogarty painted by Sir William Orpen, currently housed at the Royal College of Surgeons in Ireland)


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Birth of Banjo Player Gerry O’Connor

Gerry O’Connor, traditional tenor banjo player, is born on July 21, 1960, in Nenagh, County Tipperary. As Earl Hitchener, music critic for The Wall Street Journal, says, O’Connor can be considered at the moment “the single best four-string banjoist in the history of Irish Music.” He also plays mandolin, fiddle, guitar and tenor guitar.

O’Connor releases four solo albums and his third one, titled No Place Like Home, is named by The Irish Times as Number 1 Traditional/Folk album of the year in 2004. After the sudden death of banjo player Barney McKenna on April 5, 2012, he joins The Dubliners to complete their planned tour, until the final shows at Vicar Street in Dublin, on December 28-30. McKenna himself says about Gerry O’Connor: “He’s my best pupil ever.” Together with Eamonn Campbell, Patsy Watchorn and Seán Cannon, O’Connor keeps touring in 2013 as The Dublin Legends.

In addition to his solo performances and recordings, O’Connor is a member of Four Men and a Dog. He also works on Michael Flatley‘s Lord of the Dance soundtrack and guests over the years with many famous Irish artists such as The Waterboys, Mary Black, Arcady, Moya Brennan, Luka Bloom, Sharon Shannon and performs for U.S. President Bill Clinton in Belfast during his historic visit to Ireland. More recently he guests on Christy Moore‘s album Folk Tale (2011).

O’Connor is one of four musicians brought together by blues rock singer/guitar player Joe Bonamassa to perform on a variety of instruments in an acoustic concert at the Vienna State Opera on July 3, 2012. None of the five had ever worked together nor even met until they arrive in Vienna, where three days later they put on a live performance. The event is released on March 12, 2013, on CD and DVD/Blu-Ray, titled An Acoustic Evening At The Vienna Opera House, and in 2014 is broadcast as a PBS special.

O’Connor mainly plays CGDA tuned tenor banjo, instead of the usual Irish tuning GDAE. He plays a David Boyle banjo on almost every tour since 1996, but usually records with an Epiphone Recording A banjo.


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Death of Leslie Mary de Barra, Irish Nationalist & Republican

Leslie Mary de Barra (née Price), Irish nationalist and republican active during the Easter Rising of 1916, the Irish War of Independence and the Irish Civil War, dies in Cork, County Cork, on April 9, 1984. She becomes Director of Cumann na mBan and goes on to be chairman and President of the Irish Red Cross.

She is born Leslie Mary Price in Dublin on January 9, 1893, to Michael and Mary Price. Her father is a blacksmith, and she is one of six children. She wants to be a teacher and by 1911 has become a Monitress, a common way for girls to get into the teaching profession. Two of her brothers are involved in the Irish Volunteers and she is a member of Cumann na mBan. In advance of the Easter Rising, with the confusion over orders and lack of information, she states that she “did not question anything” as, with all that was happening, there are often odd events in her house. But they all wait for the mobilisation orders for the Rising.

De Barra’s role during the republican rebellion in Ireland, Easter 1916, is to act as a courier carrying messages and ammunition between the main headquarters in the General Post Office (GPO) and other posts. She does her role well during the Rising and gains the respect of many Irish Republicans. On the orders of Seán Mac Diarmada, one of the principal leaders of the rising, she and fellow Cumann na mBan member Bríd Dixon are promoted in the field and treated as officers. She later admits that the job was stressful. She is stationed both in the GPO and in the Hibernian Bank. It is while she is in the bank that she comes closest to death, standing beside Captain Thomas Weafer while he is shot. Another soldier who goes to his aid is also shot. She barely has time to grab Captain Weafer before he dies. She is the person sent to fetch a priest for the dying and wounded soldiers on the Thursday. By Friday evening, she is in the GPO and is with the group evacuated with Louise Gavan Duffy. Once they reach the hospital on Jervis Street, she parts company from Duffy and heads to Jacob’s factory to see how the rebels are getting on there. She is also arrested and held in Broadstone Station but quickly released.

By 1918, de Barra represents West Cork in the Cumann na mBan convention and becomes a member of the executive committee. She leaves her teaching career to focus fully on the organisation required by the republican movement in 1918. She travels the country by train and by bicycle to get women to join the local branches of the Cumann and take part in the activities needed by the movement. She is tasked by the Irish Republican Army’s (IRA) General Headquarters to set up specific lines of communication between Dublin and the Provincial commands. Within the year the organisation has grown from 17 to over 600 branches. She is Director of the organisation during the period up to the end of the war.

De Barra marries Tom Barry on August 22, 1921, in Cork during the Truce period in the lead up to the Anglo-Irish Treaty. At the wedding are men who later end up on opposite sides. Both Éamon de Valera and Michael Collins are guests. Her husband is staunchly Anti-Treaty even though he has been friends with Collins. Although her husband is a staunch republican and a major figure in the Irish War of Independence and the Irish Civil War, while she is serving in the GPO in Dublin during the rising, he is in Mesopotamia serving in the British Army in World War I.

In later years de Barra is central to the Irish Red Cross. Initially she gets involved by organising the care of children orphaned by World War II. She represents the Irish Red Cross at conferences in Toronto, Oslo, Monaco, New Delhi, Geneva, Vienna, The Hague, Athens, Istanbul and Prague. She and her husband handle refugees from Czechoslovakia and Poland. Through the Red Cross she is able to ascertain the status of Irish held by the Spanish during the Spanish Civil War, as officially Ireland remains neutral and cannot get involved. She is Chairman of the Irish Red Cross from 1950 to 1973.

De Barra is instrumental in the setting up of the Voluntary Health Insurance organisation in the late 1950s. In 1962, with the Red Cross she launches the “Freedom from hunger” campaign in Ireland which later becomes the organisation Gorta. She serves as chairman of Gorta also.

In 1956, a memorial to 1916 is unveiled in Limerick. It is designed by Albert Power and the commemoration of the Rising is held in May 1956 and the monument is unveiled by de Barra. In 1963 she is awarded an honorary degree from University College Dublin (UCD) along with Éamon de Valera and others.

In 1971, de Barra is part of a series to look back on the events leading to Irish Independence and her story is broadcast by Raidió Teilifís Eireann. In 1979 she wins the Henry Dunant Medal which is the highest award of the Red Cross Movement.

De Barra and her husband live on St. Patrick’s Street in Cork from the 1940s until his death in 1980. She dies in Cork on April 9, 1984, and is buried with her husband in St. Finbarr’s Cemetery. She is remembered today in the Leslie Bean de Barra Trophy awarded for the Cork Area Carer of the Year.


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Death of Frederick May, Composer & Arranger

Frederick May, Irish composer and arranger, dies in Dublin on September 8, 1985. His musical career is seriously hindered by a lifelong hearing problem, and he produces relatively few compositions.

May is born on June 9, 1911, into a Dublin Protestant family who lives in the suburb of Donnybrook. His father, also named Frederick, is employed at the Guinness Brewery. He pursues his musical studies at the Royal Irish Academy of Music, where he is taught composition by John Larchet. In 1930, McCullough Pigott and Co. publishes his Irish Love Song. That same year he is awarded the Esposito Cup at the Feis Ceoil and as a result of this he is nominated as the first recipient of a new scholarship prize worth £100 to be spent on the further study of piano. In July 1930, he takes his preliminary examination for the Bachelor of Music at Trinity College Dublin (TCD) before departing Dublin to utilise his scholarship in London. In September he enrolls at the Royal College of Music (RCM) where his teachers include Charles Kitson, Ralph Vaughan Williams, R. O. Morris and Gordon Jacob. He takes his final TCD examination in December 1931 submitting a string quartet and on December 10 his degree is conferred. During 1932 his study is funded by the RCM’s Foli Scholarship and in October he is awarded the Octavia Travelling Scholarship.

May’s compositions are few in number and he produces most of his small output in the 1930s and early 1940s. His first significant work is the Scherzo for Orchestra, written while he is still a student in London. The first orchestral run through of Scherzo for Orchestra takes place on March 17, 1933, and it receives its first public performance on December 1 when it is heard as part of the Patron’s Concert. Between the months of May and October he composes his Four Romantic Songs, which receive their premiere in London at a Macnaghten-Lemare concert on January 22, 1934. At some point, probably in the second half of 1933, he follows in the footsteps of other Octavia Scholarship winners and travels to Vienna to study with Egon Wellesz.

On January 1, 1936, May takes up the position of Director of Music at the Abbey Theatre in Dublin, a position he retains until he is fired in 1948. His duties mainly consist of leading the piano trio which bears the title “The Abbey Orchestra” in music during the intervals of productions. In 1936, he composes what is today his best-known composition, the String Quartet in C Minor, described in the Grove’s Dictionary of Music and Musicians as “one of the most individual statements from an Irish composer in the first half of the 20th century.” He composes the quartet as his hearing is beginning to deteriorate and he later describes it as “an appeal for release.” String Quartet in C Minor is not premiered until 1948 when it is performed by the Martin Quartet in the Wigmore Hall, London. This is followed by Symphonic Ballad (1937), Suite of Irish Airs (1937), Spring Nocturne (1938), Songs from Prison (1941) and Lyric Movement for Strings (1942). He effectively ceases original composition at this point.

Following a long break from composition, May produces what is to be his valedictory work in 1955, the nine-minute orchestral piece Sunlight and Shadows. It is given its first performance on January 22, 1956, by the Radio Éireann Symphony Orchestra at Dublin’s Gaiety Theatre. Although this is his last original work, he does not abandon music completely. He produces arrangements of Irish music for Radio Éireann, which while not perhaps rewarding artistically, does help to alleviate his always precarious financial situation. He also composes a number of songs for voice and piano and a short piece entitled Idyll for violin and piano. The latter is chosen as a set work for the junior violin competition at the Feis Ceoil in 2017.

Throughout his life May suffers from significant mental health issues which result in hospitalisation. He also experiences otosclerosis, as a result of which he gradually becomes increasingly deaf. In addition, he suffers from severe tinnitus with constant ringing noises in his head. In later life he becomes homeless for a time due to alcoholism and sleeps at night in Grangegorman Asylum, Dublin. He is rescued by some friends led by Garech Browne whose record company, Claddagh Records, records the String Quartet in 1974.

Throughout his career May is an advocate of better musical education in Ireland and expresses his views on this and other musical matters through the medium of The Bell, a monthly journal dealing with the arts. He is a co-founder, along with Brian Boydell and Aloys Fleischmann, of the Music Association of Ireland (now “Friends of Classical Music”), set up in 1948 to promote art music as an integral part of the cultural life of Ireland. Later he becomes a member of Aosdána. He lives the last years of his life at Orthopaedic Hospital of Ireland, Clontarf, Dublin. He dies on September 8, 1985, at the age of 74 and is buried in Mount Jerome Cemetery.


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Death of Albert Rosen, Czech/Irish-Naturalized Conductor

Albert Rosen, Austrian-born and Czech/Irish-naturalised conductor associated with the National Symphony Orchestra of Ireland, the Wexford Festival Opera, the National Theatre in Prague and J. K. Tyl Theatre in Plzeň (Pilsen), dies of lung cancer in Dublin on May 23, 1997. He has a strong affinity with the works of Czech composers such as Bedřich Smetana, Antonín Dvořák, Bohuslav Martinů, and Leoš Janáček.

Rosen is born in Vienna on February 14, 1924. His mother is Czech, while his father’s family is Austrian-Jewish. After Anschluss of Austria in 1938 they move to Bratislava, and after the Slovak version of Nuremberg Laws comes to force in September 1941, he escapes discrimination and genocide via the Danube and the sea to Israel (then Mandatory Palestine). There he works in the Shaʽar_HaGolan kibbutz, manually and as an amateur chorus master, until 1945, when he returns to Bratislava.

In 1946–47 Rosen studies piano, composition and conducting at the Vienna Academy of Music with Joseph Marx and Hans Swarowsky, and continues to study conducting at the Prague Conservatory under Pavel Dědeček and Alois Klíma (1947–48). He starts his career in J. K. Tyl Theatre in Plzeň (Pilsen) as a correpetiteur, assistant conductor and chorus master (1949–52) and conductor (1953–59), participating on the production of 11 operas, 19 ballets and, as the composer of stage music, 17 dramas. In 1960 he is engaged by National Theatre in Prague, to be appointed in 1964 the chief conductor of Smetana Theatre, the National Theatre’s opera stage. He holds this position until 1971, conducting 11 ballets and 9 opera productions.

In 1965 Rosen comes to Ireland for the first time to conduct the National Symphony Orchestra (under its former name, the Radio Telefís Éireann Symphony Orchestra) at the Wexford Festival Opera. This leads to regular appearances at the festival until 1994, conducting 18 Wexford productions, more than anyone else. In 1969 he becomes the orchestra’s chief conductor, until he becomes principal guest conductor in 1981. In 1994 he is honoured with the title Conductor Laureate of the orchestra.

Rosen’s operatic repertoire includes standard works such as Carmen (Bizet), Tosca and Madama Butterfly (Puccini), Il trovatore and Don Carlos (Verdi), Lohengrin (Wagner), Lucrezia Borgia (Donizetti), Otello and L’italiana in Algeri (Rossini), Káťa Kabanová (Janáček), La Wally (Catalani), The Bartered Bride (Smetana), and Salome (Richard Strauss). He also conducted unusual works such as Smetana’s The Two Widows and The Kiss, and Dvořák’s Rusalka, The Devil and Kate and The Jacobin.

In October 1978, in Dublin and Cork, Rosen conducts the National Symphony Orchestra in only the second and third performances of André Tchaikowsky‘s 2nd Piano Concerto, Op. 4, which are the first performances with the composer as soloist. He is to record the work in 1982, again with Tchaikowsky at the piano, but the composer becomes ill and the recording is cancelled. His other work with the NSO includes standard orchestral repertoire as well as major pieces such as Olivier Messiaen‘s Turangalîla-Symphonie and Gustav Mahler‘s Symphony No. 8 (Symphony of a Thousand). In 1992, the orchestra tours ten cities in Germany, having a major success with Die Fledermaus in Stuttgart.

Rosen makes his American debut at the San Francisco Opera in 1980, in Janáček’s Jenůfa. In Australia, he is chief conductor of the West Australian Symphony Orchestra from 1983 until 1985, and the Adelaide Symphony Orchestra in 1986. He conducts the British premiere of Nikolai Rimsky-Korsakov‘s opera Christmas Eve with English National Opera in 1988. He becomes music director of the Irish National Opera in 1993.

Rosen often conducts the National Youth Orchestra of Ireland during the 1990s, in challenging works such as the tone poems and An Alpine Symphony of Richard Strauss. Other opera orchestras he conducts included those of the Welsh National Opera, Scottish Opera, Vancouver Opera, San Diego Opera, and the Dublin Grand Opera Society.

Rosen becomes an Irish citizen by naturalisation. His own conducting students include John Finucane.

Rosen dies at the age of 73 in Dublin on May 23, 1997, of lung cancer.


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Birth of Composer Ian Wilson

Irish composer Ian Wilson is born in Belfast, Northern Ireland, on December 26, 1964. He has written over one hundred and fifty works, including chamber operas, concertos, string quartets, a range of orchestral and chamber music and multi-media pieces.

Wilson studies violin and piano, graduating with a Doctor of Philosophy (DPhil) in composition from Ulster University at Jordanstown in 1990, where he is a research fellow from 2000 to 2003. He is a composer-in-residence with Leitrim County Council and is music director of the Sligo New Music Festival from 2003 to 2011. He receives the Macaulay Fellowship from the Arts Council of Ireland in 1992. In 1998, he is elected to Aosdána, Ireland’s academy of creative artists. Since 2009, he has been a post-doctoral research fellow at Dundalk Institute of Technology, investigating aspects of traditional (ethnic) Irish performance practice as basis for new works of art music.

Wilson’s compositions have been performed and broadcast on six continents, and presented at festivals including the BBC Proms, Venice Biennale, ISCM World Music Days, Frankfort Book Fair and the Ultima Oslo Contemporary Music Festival and at venues such as New York City’s Carnegie Hall, London’s Royal Albert Hall and Wigmore Hall, Amsterdam’s Royal Concertgebouw and Muziekgebouw aan ‘t IJ, Vienna’s Wiener Musikverein and Tokyo’s Suntory Hall. His music has been performed by such diverse groups as the RTÉ National Symphony Orchestra, the London Mozart Players, the Irish Chamber Orchestra (ICO), the pianist Hugh Tinney and many others.

There are commercially available recordings of over fifty of Wilson’s works on labels including Diatribe Records, Riverrun, RTÉ Lyric fm, Black Box, Timbre, Guild, Meridian and Chandos Records. His music is published by Ricordi (London) and Universal Edition.


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The 1918 Irish General Election & Rise of Sinn Féin

The 1918 Irish general election is the part of the 1918 United Kingdom general election which takes place in Ireland on December 14, 1918. It is a key moment in modern Irish history because it sees the overwhelming defeat of the moderate nationalist Irish Parliamentary Party (IPP), which had dominated the Irish political landscape since the 1880s, and a landslide victory for Sinn Féin. Sinn Féin had never previously stood in a general election but had won six seats in by-elections in 1917–18. The party vows in its manifesto to establish an independent Irish Republic. In Ulster, however, the Irish Unionist Alliance (IUA) is the most successful party.

In 1918, a system called plural voting is in place in both Britain and Ireland. Plural voting is a practice whereby one person might be able to vote multiple times in an election. Property and business owners can vote both in the constituency where their property lay and that in which they live, if the two are different. In the newly formed Irish Free State this system is ended by the Electoral Act 1923 and is abolished in the United Kingdom by the Representation of the People Act 1948. Plural voting remains in effect in Northern Ireland until 1969.

The 1918 election is held in the aftermath of World War I, the Easter Rising and the Conscription Crisis. It is the first general election to be held after the Representation of the People Act 1918. It is thus the first election in which women over the age of 30, and all men over the age of 21, can vote.

Sinn Féin is founded by Arthur Griffith in 1905. He believes that Irish nationalists should emulate the Ausgleich of Hungarian nationalists who, in the 19th century under Ferenc Deák, had chosen to boycott the imperial parliament in Vienna and unilaterally establish their own legislature in Budapest.

Griffith initially favours a peaceful solution based on “dual monarchy” with Britain, that is two separate states with a single head of state and a limited central government to control matters of common concern only. However, by 1918, under its new leader, Éamon de Valera, Sinn Féin has come to favour achieving separation from Britain by means of an armed uprising if necessary and the establishment of an independent republic.

In the aftermath of the 1916 Easter Rising, the party’s ranks are swelled by participants and supporters of the rebellion as they are freed from British gaols and internment camps. At its 1917 Ardfheis (annual conference) de Valera is elected leader, and the new, more radical policy is adopted.

Prior to 1916, Sinn Féin had been a fringe movement having a limited cooperative alliance with William O’Brien‘s All-for-Ireland League and enjoyed little electoral success. However, between the Easter Rising of that year and the 1918 general election, the party’s popularity increases dramatically. This is due to the failure to have the Home Rule Bill implemented when the IPP resists the partition of Ireland demanded by Ulster Unionists in 1914, 1916 and 1917, but also popular antagonism towards the British authorities created by the execution of most of the leaders of the 1916 rebels and by their botched attempt to introduce Home Rule on the conclusion of the Irish Convention linked with military conscription in Ireland (see Conscription Crisis of 1918).

Sinn Féin demonstrates its new electoral capability in four by-election successes in 1917 in which George Noble Plunkett, Joseph McGuinness, de Valera and W. T. Cosgrave are each elected, although it loses three by-elections in early 1918 before winning two more with Patrick McCartan and Arthur Griffith. In one case there are unproven allegations of electoral fraud. The party benefits from a number of factors in the 1918 elections, including demographic changes and political factors.

In the aftermath of the elections, Sinn Féin’s elected members refuse to attend the British Parliament in Westminster, and instead form a parliament in Dublin, Dáil Éireann (“Assembly of Ireland”), which declares Irish independence as a republic. The Irish War of Independence is conducted under this revolutionary government which seeks international recognition and sets about the process of state-building. The next election is part of 1921 Irish elections.

(Pictured: L to R, Éamon de Valera of Sinn Féin, Sir Edward Carson on the Irish Unionist Alliance, and John Dillon of the Irish Parliamentary Party)


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Birth of Matthew Gerard Sweeney, Irish Poet

Matthew Gerard Sweeney, Irish poet, is born at Lifford, County Donegal, on October 6, 1952. His work has been translated into Dutch, Italian, Hebrew, Japanese, Latvian, Mexican Spanish, Romanian, Slovakian and German.

Growing up in Clonmany, Sweeney attends Gormanston College (1965–70). He then reads sciences at University College Dublin (1970–72). He goes on to study German and English at the Polytechnic of North London, spending a year at the University of Freiburg, before graduating with a BA Honours degree in 1978.

Sweeney meets Rosemary Barber in 1972 and they marry in 1979. Two offspring – daughter Nico and son Malvin – are produced before the couple goes their separate ways in the early 21st century. Having lived in London for many years until 2001, he separates from Rosemary and goes to live in Timișoara, Romania and Berlin. In 2007, he meets his partner, Mary Noonan, and in early 2008 he moves to Cork to live with her there.

Sweeney produces numerous collections of poetry for which he wins several awards. His novels for children include The Snow Vulture (1992) and Fox (2002). He authors a satirical thriller, co-written with John Hartley Williams, and entitled Death Comes for the Poets (2012).

As Bill Swainson, Sweeney’s editor at Allison & Busby in the 1980s, recalls: “As well as writing his own poetry, Matthew was a great encourager of poetry in others. The workshops he animated, and later the residencies he undertook, were famous for their geniality and seriousness and fun. Sometime in the late 1980s I attended one of these workshops in an upstairs room of a pub in Lamb’s Conduit Street, Bloomsbury, where the poems were circulated anonymously and carefully read and commented on by all. Around the pushed-together tables were Ruth Padel, Eva Salzman, Don Paterson, Maurice Riordan, Jo Shapcott, Lavinia Greenlaw, Michael Donaghy, Maura Dooley and Tim Dooley.” Sweeney later has residencies at the University of East Anglia and Southbank Centre, among many others. He reads at three Rotterdam Poetry Festivals, in 1998, 2003 and 2009.

According to the poet Gerard Smyth: “I always sensed that in the first instance [Sweeney] regarded himself as a European rather than an Irish poet – and rightly so: like the German Georg Trakl whom he admired he apprehended the world in a way that challenged our perceptions and commanded our attention.” Sweeney’s work has been considered “barely touched by the mainstream of English writing” and more so by the German writers Heinrich von Kleist, Georg Büchner, Franz Kafka, Günter Grass and Heinrich Böll, as well as the aforementioned Georg Trakl. According to Poetry International Web, he would be among the top five most famous Irish poets on the international scene.

Sweeney’s final year sees the publication of two new collections: My Life As A Painter (Bloodaxe Books) and King of a Rainy Country (Arc Publications), inspired by Charles Baudelaire‘s posthumously published Petits poèmes en prose.

Having been diagnosed with motor neuron disease the previous year, Sweeney dies at the age of 65 at Cork University Hospital in Wilton, Cork, on August 5, 2018, surrounded by family and friends. He continues writing up until three days before his death. In an interview shortly before his death he is quizzed on his legacy, to which he gives the response, “Mostly what awaits the poet is posthumous oblivion. Maybe there will be a young man in Hamburg, or Munich, or possibly Vienna, for whom my German translations will be for a while important – and might just contribute to him becoming a German language poet with Irish leanings.”

Among those attending a special ceremony on August 8, 2018, at the Triskel Arts Centre in Cork to celebrate Sweeney’s life are fellow poets Jo Shapcott, Thomas McCarthy, Gerry Murphy, Maurice Riordan and Padraig Rooney. On August 9, 2018, he is buried in Clonmany New Cemetery in County Donegal.


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Death of Thomas McDowell, Former CEO of “The Irish Times”

Thomas Bleakley McDowell, often called T. B. McDowell or simply “the Major,” dies on September 9, 2009. He is a British Army officer and subsequently chief executive of The Irish Times for nearly 40 years.

Born in Belfast, Northern Ireland, on May 18, 1923, the only child of a Protestant and unionist couple, McDowell finishes school at the Royal Belfast Academical Institution in 1941 as World War II is under way. He is dissuaded from enlisting immediately in the British Army by his parents as his father, also named Thomas, had been gassed in World War I and suffers serious lung problems which lead to his early death in 1944. He goes instead to Queen’s University Belfast to study commerce but, a year later and still uncertain about his long-term plans, he joins the Royal Inniskilling Fusiliers, being commissioned in 1943. He goes on to join the Royal Ulster Rifles.

A knee injury during a night training exercise in Omagh makes McDowell ineligible for active military service and he becomes a weapons instructor. The accident also leads to him meeting his future wife, Margaret Telfer, the physiotherapist who treats him in hospital in Bangor, County Down.

McDowell rises to the rank of major and is part of the Allied forces in occupied Austria following the end of the war, taking part in joint patrols in Vienna with Russian, American and French officers. In the post-war period, he is given two years to finish his college course and spends a summer studying law with a tutor before passing the English bar and returning to the British Army.

After a further military posting to Edinburgh, McDowell’s legal qualification brings him to the army legal service in the War Office in London. With little prospect of further promotion and every chance of being posted abroad without his young family, he decides to leave the army. He is offered a job as legal adviser in London to James North Ltd, a company which makes protective clothing. With no experience of industry, he asks to be given a managerial role at first. The company suggests a managing position in its operations in Dublin. He slots easily into the city’s old business establishment, joining the Kildare Street Club, becoming a director of Pim’s department store, and setting his career firmly on a commercial rather than a legal path.

McDowell’s involvement with newspapers comes about through the recognition of his business acumen. He is asked by some acquaintances to take a look at the financial troubles of the Evening Mail, which is bought subsequently by The Irish Times, adding to the latter’s own financial difficulties.

McDowell is asked later by The Irish Times to see if Roy Thomson, the Canadian-born British press baron whom he had met while they both looked separately at the Evening Mail, might be interested in taking it over. Thomson passes and the company then asks McDowell himself to take charge as chief executive in 1962. Among his first actions are to close the Evening Mail and the Sunday Review, a short-lived tabloid that is ahead of its time. A year later, another problem is resolved when Douglas Gageby, who had been hired as managing director of The Irish Times shortly before McDowell’s arrival, takes over as editor.

Thus, what had begun as a slightly awkward relationship, turns into a highly successful partnership as Gageby sets about broadening the newspaper’s editorial appeal and McDowell sets it on a successful commercial course. McDowell always credits Gageby and his successors as editor with the success of the newspaper. Although he has a close relationship with editors, especially Gageby, he does not interfere in the editorial running of the newspaper.

By the early 1970s, the circulation of The Irish Times has almost doubled in a decade to 60,000 and it is making money. Some of the directors indicate an interest in selling the company. McDowell proposes instead that it be turned into a trust. It is a period when several newspapers in Ireland and Britain have changed hands or are seen as being vulnerable to takeovers. His aims are to protect the newspaper’s independence, make it as difficult as possible for anyone to take over, and formalise its aims in a guiding trust.

McDowell works on the trust document for many months, going through 28 drafts before he is satisfied with the result. The five directors of the company, including McDowell and Gageby, transfer their shares in the company to a solicitor in the autumn of 1973 in anticipation of announcing the trust at the end of that year. Further delays in finalising the trust terms result in its announcement in April 1974, on the eve of the introduction of capital gains tax. The timing gives rise to suggestions that the directors are taking their cash (£325,000 each) out of the company before the new tax takes effect. McDowell always denies that this is the case, maintaining that the timing is coincidental. He is also adamant that the motivation behind the formation of the trust itself is altruistic.

The formation of the trust leaves the newspaper with a large bank debt, used to buy out the directors/shareholders, at what turns out to be a difficult economic period after the first oil crisis hits the western world in the autumn of 1974. McDowell successfully guides The Irish Times‘ financial fortunes through the subsequent recession and into further periods of growth throughout the 1980s and 1990s.

McDowell stands down as chief executive of the company in 1997 and retires from the chairmanship of The Irish Times Trust in 2001. He is given the title President for Life in recognition of his huge contribution to the newspaper.

McDowell is a private person and never seeks or exploits the public status or limelight that goes with being a newspaper publisher. During his visit to the new The Irish Times offices on Tara Street in June 2008 for the unveiling of a portrait of him by Andrew Festing, he describes the newspaper and his family as the two loves of his life.

McDowell dies unexpectedly at the age of 87 on September 9, 2009. His funeral takes place in Whitechurch Parish Church, Rathfarnham, followed by burial in the adjoining churchyard.


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Death of Charles Lever, Novelist & Raconteur

Charles James Lever, Irish novelist and raconteur, dies of heart failure on June 1, 1872, at Trieste, Italy. According to Anthony Trollope, his novels are just like his conversation.

Lever is born in Amiens Street, Dublin, on August 31, 1806. He is the second son of James Lever, an architect and builder, and is educated in private schools. His escapades at Trinity College, Dublin (1823–1828), where he earns a degree in medicine in 1831, are drawn on for the plots of some of his novels. The character Frank Webber in the novel Charles O’Malley is based on a college friend, Robert Boyle, who later becomes a clergyman. He and Boyle earn pocket-money singing ballads of their own composing in the streets of Dublin and play many other pranks which he embellishes in the novels Charles O’Malley, Con Cregan and Lord Kilgobbin.

Before seriously embarking upon his medical studies, Lever visits Canada as an unqualified surgeon on an emigrant ship. Arriving in Canada, he journeys into the backwoods, where he is affiliated to a tribe of Native Americans but has to flee because his life is in danger, as later his character Bagenal Daly does in his novel The Knight of Gwynne.

Back in Europe, Lever pretends he is a student from the University of Göttingen and travels to the University of Jena and then to Vienna. He loves German student life and several of his songs, such as “The Pope He Loved a Merry Life,” are based on student-song models. His medical degree earns him an appointment to the Board of Health in County Clare and then as a dispensary doctor in Portstewart, County Londonderry, but his conduct as a country doctor earns him the censure of the authorities.

In 1833 Lever marries his first love, Catherine Baker, and in February 1837, after varied experiences, he begins publishing The Confessions of Harry Lorrequer in the recently established Dublin University Magazine. Before Harry Lorrequer appears in volume form (1839), he has settled on the strength of a slight diplomatic connection as a fashionable physician in Brussels.

In 1842 Lever returns to Dublin to edit the Dublin University Magazine and gathers round him a typical coterie of Irish wits. In June 1842 he welcomes William Makepeace Thackeray, the author of The Snob Papers, to Templeogue, four miles southwest of Dublin, on his Irish tour. The O’Donoghue and Arthur O’Leary (1845) make his native land an impossible place for Lever to continue in. Thackeray suggests London, but Lever requires a new field of literary observation and anecdote. His creative inspiration exhausted, he decides to renew it on the continent. In 1845 he resigns his editorship and goes back to Brussels, whence he starts upon an unlimited tour of central Europe in a family coach. Now and again, he halts for a few months and entertains to the limit of his resources in some ducal castle or other which he hires for an off season.

Depressed in spirit as Lever is, his wit is unextinguished. He is still the delight of the salons with his stories, and in 1867, after a few years’ experience of a similar kind at La Spezia, he is cheered by a letter from Lord Derby offering him the more lucrative consulship of Trieste. The $600 annual salary does not atone to Lever for the lassitude of prolonged exile. Trieste, at first “all that I could desire,” became with characteristic abruptness “detestable and damnable.”

Lever’s depression, partly due to incipient heart disease, partly to the growing conviction that he is the victim of literary and critical conspiracy, is confirmed by the death of his wife on April 23, 1870, to whom he is tenderly attached. He visits Ireland in the following year and seems alternately in high and low spirits. Death had already given him one or two runaway knocks, and, after his return to Trieste, he fails gradually, dying suddenly, however, and almost painlessly, from heart failure on June 1, 1872, at his home, Villa Gasteiger. His daughters, one of whom, Sydney, is believed to have been the real author of A Rent in a Cloud (1869), are well provided for.