Downey’s tenure sees the construction and dedication of the crypt of Liverpool Metropolitan Cathedral, built to a design by Sir Edwin Lutyens, although the Cathedral itself is never completed as he had envisaged. A picture of Lutyens proposed cathedral is printed on postcards sold to raise funds.
In 1929, before the actual construction begins, Downey states, “Hitherto all cathedrals have been dedicated to saints. I hope this one will be dedicated to Christ himself with a great figure surmounted on the cathedral, visible for many a mile out at sea.” He also declares that while the Cathedral will not be medieval and Gothic, neither will it be as modern as the works of Jacob Epstein, a statement somewhat at odds with the design that is finally realised after his death.
Downey dies in Liverpool at the age of 72 on June 16, 1953, having served as Liverpool’s archbishop for twenty-four years. His remains are interred in a crypt at Liverpool Metropolitan Cathedral, Liverpool.
Williams is descended on his father’s side from the yeomen of Worcestershire who grew their orchards and tilled their land in the parishes of Tenbury and Mamble. His mother’s side descended from Scottish settlers who planted Ulster in 1610. He is educated at Belfast Academy in Belfast and at a Greenwich private school. Later on, he goes to the southern United States for health purposes and takes part in a filibustering expedition to Nicaragua, where he sees some hard fighting and reportedly earns the reputation of a blockade runner. He is separated from his party and is lost in the forest for six days. Fevered, he discovers a small boat and manages to return to the nearest British settlement. He serves in the London Irish Rifles with the rank of Sergeant.
Williams returns to England in 1859, where he becomes a volunteer, and a leader writer for the London Evening Herald. In October 1859, he begins a connection with The Standard which lasts until 1884. From 1860 until 1863, he works as a first editor for the Evening Standard and from 1882 until 1884, as editor of The Evening News.
Williams is best known for being a war correspondent. For The Standard, he is at the headquarters of the Armée de la Loire, a French army, during the Franco-Prussian War in 1870. He is also one of the first correspondents in Strasbourg, where the French forces are defeated. In the summer and autumn of 1877, he is a correspondent to Ahmed Muhtar Pasha who commands the Turkish forces in Armenia during the Russo-Turkish War (1877-78). He remains constantly at the Turkish front, and his letters are the only continuous series that reaches England. In 1878, he publishes this series in a revised and extended form as The Armenian Campaign: A Diary of the Campaign on 1877, in Armenia and Koordistan, which is a large and accurate record of the war, even though it is pro-Turkish. From Armenia, he follows Muhtar Pasha to European Turkey and describes his defence of the lines of Constantinople against the Imperial Russian Army. He is with General Mikhail Skobelev at the headquarters of the Imperial Russian Army when the Treaty of San Stefano is signed in March 1878.
At the end of 1878, Williams is in Afghanistan reporting the war, and in 1879 publishes the Notes on the Operations in Lower Afghanistan, 1878–9, with Special Reference to Transport.
Williams dies in Brixton, London on February 9, 1904, and is buried in Nunhead Cemetery in London. His funeral is well attended by the press as well as members of the military including Field Marshal Sir Evelyn Wood.
(Pictured: Portrait of Charles Frederick Williams, London President, The Institute of Journalists, from The Illustrated London News, September 30, 1893 issue)
Early is ordered by Lee to watch the remaining Union force near Fredericksburg. If he is attacked and defeated, he is to retreat southward to protect the Confederate supply lines. If the Union force moves to reinforce Hooker, then Early is to leave a covering force and rejoin Lee with the remainder of his troops. On May 2, misunderstanding his orders, Early leaves one brigade at Fredericksburg and starts the rest of his force towards Chancellorsville. Lee corrects the misunderstanding and Early then returns to his positions that night before Major GeneralJohn Sedgwick of the Union Army discovers the Confederate retreat.
Sedgwick is left near Fredericksburg with the VI Corps, the I Corps, and the II Corps division of Brigadier GeneralJohn Gibbon. Hooker’s plan calls for Sedgwick to demonstrate near the city in order to deceive Lee about the Union plan. The VI and II Corps seize control of several crossings on April 29, laying down pontoon bridges in the early morning hours, and the divisions of William T. H. Brooks and James S. Wadsworth cross the river. The I Corps is ordered to reinforce the main army at Chancellorsville during the night of May 1. During the evening of May 2, Sedgwick receives orders to attack Early with his remaining forces.
Sedgwick moves his forces into Fredericksburg during dawn on May 3, uniting with Gibbon’s division which had crossed the river just before dawn. Sedgwick originally plans to attack the ends of Marye’s Heights, but a canal and a stream block the Union forces. He then decides to launch an attack on the Confederate center on the heights, which is manned by Barksdale’s brigade, with John Newton’s division. This attack is defeated. Colonel Thomas M. Griffin of the 18th Mississippi Infantry grants the Union forces a truce in order to gather in their wounded. During this truce, the Union commanders notice that the flank of Barksdale’s left regiment is unprotected.
Sedgwick launches another attack against this flank and Barksdale’s front using elements from all three VI Corps divisions, which pushes the Confederate forces off the ridge, capturing some artillery. The first men to mount the stone wall are from the 5th Wisconsin and the 6th Maine Infantry regiments. Barksdale retreats to Lee’s Hill, where he attempts to make another stand but is again forced to retreat southward.
Confederate casualties total 700 men and four cannons. Early withdraws with his division two miles to the south, while Wilcox withdraws westward, slowing Sedgwick’s advance. When he learns of the Confederate defeat, Lee starts moving two divisions east to stop Sedgwick. Following the campaign, Early becomes embroiled in an argument with Barksdale over what Barksdale considered a slight to his brigade in a newspaper letter that Early had written. The exchange continues until Lee orders the two generals to cease.
Sedgwick loses 1,100 men during the engagement. At first, he starts to pursue Early’s division but then follows the orders he received the previous day and starts west along the Plank Road towards Hooker’s army at Chancellorsville. Gibbon’s division is left in Fredericksburg to guard the city.
(Pictured: Three men in a tree on Stafford Heights watching distant fighting on Marye’s Heights during the Second Battle of Fredericksburg, 1863. Smoke from the battle is possibly visible in the distance which would make it one of the earliest combat photographs of a land battle. The destroyed railroad bridge over the Rappahannock River is in the middle ground of the photo. Source: National Park Service via the Western Reserve Historical Society)
Basil Blackshaw, Northern Irish artist, dies at the age of 83 on May 2, 2016. He is best known for his paintings of dogs, horses, landscapes and people and is regarded as one of the country’s most talented artists.
Blackshaw’s home and studio is in County Antrim by Lough Neagh. He becomes well known for his country scenes including landscapes, farm buildings and horses, painted in an expressionist style.
Blackshaw is initially acclaimed for his mastery of traditional approaches to painting. He continues to develop as an artist, becoming most highly regarded for his very loose gestural application of paint and a very distinctive and subtle use of colour. His paintings of such sports as horse racing and boxing make him particularly popular, but he is also a talented portrait painter.
Blackshaw’s paintings are often figurative in form, but with a non-naturalistic palette which re-balances the composition in an expressionist, even abstract, way. His themes are very Irish and often rural; greyhounds, Irish Travellers, and the landscape. He also produces portraits and designs posters for Derry‘s Field Day Theatre Company.
The Arts Council of Northern Ireland organises a major retrospective of Blackshaw’s work in 1995, which travels from Belfast to Dublin, Cork and many galleries in the United States. In 2001 he receives the GlenDimplex Award for a Sustained Contribution to the Visual Arts in Ireland. The Ulster Museum holds a major exhibition of his work in 2002 and a major book is published by Eamonn Mallie on the artist in 2003.
For a 2005 exhibition at the Fenton Gallery in Cork, Blackshaw works exclusively over a period of 20 months creating a dramatic collection of fifteen new paintings. His choice of arguably mundane subjects, The Studio Door, Car, Wall, Six Trees, express both an engagement with tradition and a watchful detachment.
In 2006 Blackshaw’s work is exhibited at the Irish College in Paris (French: Centre Culturel Irlandais).
Blackshaw is elected as an associate of The Royal Ulster Academy of Arts in 1977 and elected an Academician in 1981. Dublin’s Royal Hibernian Academy describes him as “one of Ireland’s greatest artists” who was “lauded by the art world and his fellow painters.”
Basil Blackshaw dies on May 2, 2016. Father to well-known artist Anya Waterworth, he is buried in a wicker coffin in a humanist funeral, the ceremony ending to Bob Dylan‘s “Mr. Tambourine Man” at Roselawn Cemetery on the outskirts of Belfast. More than 100 mourners come to pay their respects. Among them are artists Jack Pakenham and Neil Shawcross, actor Stephen Rea and boxing legend Barry McGuigan.
Wellesley is born to Garret Wesley, 1st Earl of Mornington and Anne Wellesley, Countess of Mornington. Fatherless at an early age and neglected by his mother, he is a reserved, withdrawn child. He fails to shine at Eton College and instead attends private classes in Brussels, followed by a military school in Angers, France. Ironically, he has no desire for a military career. Instead, he wishes to pursue his love of music. Following his mother’s wishes, however, he joins a Highland regiment.
Wellesley fights at Flanders in Belgium in 1794, and directs the campaign in India in 1796, where his elder brother Richard is Governor-General. Knighted for his efforts, he returns to England in 1805.
After the Battle of Waterloo, Wellesley becomes Commander in Chief of the army in occupied France until November 1818. He then returns to England and Parliament, and joins Robert Jenkinson, 2nd Earl of Liverpool’s government in 1819 as Master-General of the Ordnance. He undertakes a number of diplomatic visits overseas, including a trip to Russia.
In 1828, after twice being overlooked in favour of George Canning and F. J. Robinson, 1st Viscount Goderich, Wellesley is finally invited by King George IV to form his own government and set about forming his Cabinet. As Prime Minister, he is very conservative; known for his measures to repress reform, his popularity sinks a little during his time in office. Yet one of his first achievements is overseeing Catholic emancipation in 1829, the granting of almost full civil rights to Catholics in the United Kingdom. Feelings run very high on the issue. George Finch-Hatton, 10th Earl of Winchilsea, an opponent of the bill, claims that by granting freedoms to Catholics Wellesley “treacherously plotted the destruction of the Protestant constitution.”
Wellesley has a much less enlightened position on parliamentary reform. He defends rule by the elite and refuses to expand the political franchise. His fear of mob rule is enhanced by the riots and sabotage that follow rising rural unemployment. His opposition to reform causes his popularity to plummet to such an extent that crowds gathered to throw missiles at his London home.
The government is defeated in the House of Commons and Wellesley resigns on November 16, 1830, to be replaced by Charles Grey, 2nd Earl Grey. Wellesley, however, continues to fight reform in opposition, though he finally consents to the Great Reform Act in 1832.
Two years later Wellesley refuses a second invitation to form a government because he believes membership in the House of Commons has become essential. The king reluctantly approves Robert Peel, who is in Italy at the time. Hence, Wellesley acts as interim leader for three weeks in November and December 1834, taking the responsibilities of Prime Minister and most of the other ministries. In Peel’s first cabinet (1834–1835), he becomes Foreign Secretary, while in the second (1841–1846) he is a Minister without portfolio and Leader of the House of Lords. Upon Peel’s resignation in 1846, he retires from politics.
In 1848 Wellesley organises a military force to protect London against possible Chartist violence at the large meeting at Kennington Common.
(From: “Arthur Wellesley, 1st Duke of Wellington,” GOV.UK (wwww.gov.uk) | Pictured: “Arthur Wellesley, 1st Duke of Wellington (1769-1852)” by Thomas Lawrence, oil on canvas)
The USC is set up in October 1920, shortly before the partition of Ireland. It is an armed corps, organised partially on military lines and called out in times of emergency, such as war or insurgency. It performs this role most notably in the early 1920s during the Irish War of Independence (1920-22) and the Irish Republican Army (IRA) Border Campaign (1956-1962).
During its existence, 95 USC members are killed in the line of duty. Seventy-two of these are killed in conflict with the IRA in 1921 and 1922. Another eight die in air raids or IRA attacks during World War II. Of the remainder, most die in accidents but two former officers are killed during the Troubles in the 1980s.
The force is almost exclusively Ulster Protestant and as a result is viewed with great mistrust by Catholics. It carries out several revenge killings and reprisals against Catholic civilians during the Irish War of Independence. Unionists generally support the USC as contributing to the defence of Northern Ireland from subversion and outside aggression.
The abolition of the B Specials is a central demand of the Northern Ireland civil rights movement in the late 1960s. On April 30, 1970, the USC is finally stood down as a result of the Hunt Report, produced by a committee headed by John Hunt, Baron Hunt in 1969. Hunt concludes that the perceived bias of the Special Constabulary, whether true or not, has to be addressed. One of his other major concerns is the use of the police force for carrying out military style operations.
It has been argued that the USC’s failure to deal with the 1969 disturbances were due to a failure on behalf of the Northern Ireland government to modernise their equipment, weaponry, training and approach to the job. Upon the disbandment of the USC, many of its members join the newly established Ulster Defence Regiment (UDR), the part-time security force which replaces the B Specials. Unlike the Special Constabulary, the UDR is placed under military control. Other B Specials join the new part-time Reserve of the Royal Ulster Constabulary (RUC). The USC continues to do duties for a month after the formation of the UDR and RUC Reserve to allow both of the new forces time to consolidate.
In the final handover to the Ulster Defence Regiment, the B Specials have to surrender their weapons and uniforms. Despite the government’s concerns about the handover of weapons and equipment, every single uniform and every single weapon is surrendered.
After implementation of the Hunt report, the last night of duties for most B Men is March 31, 1970. On April 1, 1970 the Ulster Defence Regiment begins duties. Initially, the Regiment has 4,000 members who work part-time while the new special constabulary, the RUC Reserve which replaces the B-Specials, initially consists of 1,500 members.
Since disbandment the USC has assumed a place of “almost mythic proportions” within unionist folklore, whereas in the Nationalist community they are still reviled as the Protestant only, armed wing of the unionist government “associated with the worst examples of unfair treatment of Catholics in Northern Ireland by the police force.” An Orange Order lodge is formed to commemorate the disbandment of the force called “Ulster Special Constabulary LOL No. 1970.” An Ulster Special Constabulary Association is also set up soon after the disbandment.
Stuart is born to Irish Protestant parents, Henry Irwin Stuart and Elizabeth Barbara Isabel Montgomery. His father is an alcoholic and kills himself when Stuart is an infant. This prompts his mother to return to Ireland and Stuart’s childhood is divided between his home in Ireland and Rugby School in England, where he boards.
In 1920, at age 17, Stuart becomes a Catholic and marries Iseult Gonne, daughter of Maud Gonne. Her father is the right-wing French politician Lucien Millevoye, with whom Maud Gonne had had an affair between 1887 and 1899. Because of her complex family situation, Iseult is often passed off as Maud Gonne’s niece in conservative circles in Ireland. Iseult has a brief affair with Ezra Pound prior to meeting Stuart. Pound and Stuart both believe in the primacy of the artist over the masses and are subsequently drawn to fascism, Stuart to Nazi Germany and Pound to Fascist Italy.
Gonne and Stuart have a baby daughter who dies in infancy. Perhaps to recover from this tragedy, they travel for a while in Europe but return to Ireland as the Irish Civil War begins. Unsurprisingly given Gonne’s strong opinions, the couple are caught up on the anti-Treaty Irish Republican Army (IRA) side of the fight. Stuart is involved in gun running and is interned following a botched raid.
After independence, Stuart participates in the literary life of Dublin and writes poetry and novels. His novels are successful, and his writing is publicly supported by W. B. Yeats.
Stuart’s time with Gonne is not an entirely happy time as both he and his wife apparently struggle with personal demons and their internal anguish poisons their marriage. In letters to close friend W. B. Yeats, Maud Gonne characterizes Stuart as being emotionally, financially, and physically abusive towards Iseult.
During the 1930s Stuart becomes friendly with German Intelligence (Abwehr) agent Helmut Clissmann and his Irish wife Elizabeth. Clissmann is working for the German Academic Exchange Service and the Deutsche Akademie (DA). He is facilitating academic exchanges between Ireland and the Third Reich but also forming connections which might be of benefit to the Abwehr. Clissmann is also a representative of the NaziAuslandorganisation (AO), the Nazi Party’s foreign organisation, in pre-war Ireland.
Stuart is also friendly with the head of the German Legation in Dublin, Dr. Eduard Hempel, largely as a result of Maud Gonne MacBride’s rapport with him. By 1938 he is seeking a way out of his marriage and the provincialism of Irish life. Iseult intervenes with Clissmann to arrange for Stuart to travel to Germany to give a series of academic lectures in conjunction with the DA. He travels to Germany in April 1939 and visits Munich, Hamburg, Bonn and Cologne. After his lecture tour, he accepts an appointment as lecturer in English and Irish literature at Berlin University to begin in 1940. At this time, under the Nuremberg Laws, the German academic system has barred Jews.
In July 1939, Stuart returns home to Laragh, County Wicklow, and after his plans for traveling to Germany are finalised, he receives a visit from his brother-in-law, Seán MacBride, following the seizure of an IRA radio transmitter on December 29, 1939, which had been used to contact Germany. Stuart, MacBride, Seamus O’Donovan, and IRA Chief of StaffStephen Hayes then meet at O’Donovan’s house. Stuart is told to take a message to Abwehr HQ in Berlin. Upon arrival in Berlin in January 1940, he delivers the IRA message and has some discussion with the Abwehr on conditions in Ireland and the fate of the IRA-Abwehr radio link. Around August 1940, he is asked by Sonderführer Kurt Haller if he will participate in Operation Dove and he agrees, although he is later dropped in favour of Frank Ryan.
Between March 1942 and January 1944 Stuart works as part of the Redaktion-Irland team, reading radio broadcasts containing Nazi propaganda which are aimed at and heard in Ireland. In his broadcasts he frequently speaks with admiration of Adolf Hitler and expresses the hope that Germany will help unite Ireland. He is dropped from the Redaktion-Irland team in January 1944 because he objects to the anti-Soviet material that is presented to him and deemed essential by his supervisors. His passport is taken from him by the Gestapo after this event.
In 1945 Stuart plans to Ireland with a former student Gertrude Meissner. They are arrested and detained by Allied troops. Following their release, Stuart and Meissner live in Germany and then France and England. They marry in 1954 after Iseult’s death and in 1958 they return to settle in Ireland. In 1971 Stuart publishes his best-known work, Black List Section H, an autobiographical fiction documenting his life and distinguished by a queasy sensitivity to moral complexity and moral ambiguity.
In 1996 Stuart is elected a Saoi of Aosdána, a high honour in the Irish art world. Influential Irish language poet Máire Mhac an tSaoi objects strongly, referring to Stuart’s actions during the war and claiming that he holds anti-Semitic opinions. When it is put to a vote, she is the only person to vote for her motion. She resigns from Aosdána in protest, sacrificing a government stipend by doing so. While the Aosdána affair is ongoing, The Irish Times columnist Kevin Myers attacks Stuart as a Nazi sympathiser. Stuart sues for libel and the case is settled out of court. The statement from The Irish Times read out in the High Court accepts “that Mr. Stuart never expressed anti-Semitism in his writings or otherwise.”
For some years before his death Stuart lives in County Clare with his partner Fionuala and in County Wicklow with his son Ian and daughter-in-law Anna in a house outside Laragh village. He dies of natural causes on February 2, 2000, at the age of 97 in County Clare.
“Barry’s is a world of sharp edges, of precisely defined yet utterly unpredictable musical objects. His music sounds like no one else in its diamond-like hardness, its humour, and sometimes, its violence.” He often conceives of material independently of its instrumental medium, recycling ideas from piece to piece, as in the reworking of Triorchic Blues from a violin to a piano piece to an aria for countertenor in his television operaThe Triumph of Beauty and Deceit:
“It seemed to me unprecedented: the combination of the ferociously objective treatment of the material and the intense passion of the working-out, and both at an extreme of brilliance. And the harmony – that there was harmony at all, and that it was so beautiful and lapidary. It functions, again, irrationally, but powerfully, to build tension and to create structure. It wasn’t just repetitive. It builds. And the virtuosity, the display of it, that combination of things seemed, to me, to be new, and a major way forward.”
Barry’s most recent opera, The Importance of Being Earnest, has become a huge success after its world premiere at Los Angeles and European premiere at the Barbican Centre, London. A critic comments:
“He writes ‘what he likes’ in the way Strindberg does, not trying to characterise his characters, but letting them perform his own specialties, a kind of platform for his own musical specialties. As in Strindberg where you feel every sentence stands for itself and the characters are sort of borrowed for the use of saying them (borrowed to flesh out the text, rather than the other way round), that they’ve been out for the day. In Gerald’s opera the whole apparatus – for that’s what it is – takes on a kind of surrealistic shape, like one person’s torso on someone else’s legs being forced to walk, half the characters in the opera and half the composer.”
It is written in The Irish Times that “no other Irish composer springs to mind who carries the same aura of excitement and originality or whose music means so much to such a wide range of listeners. Certainly, there has been no Irish premiere that has made the impression of The Conquest of Ireland since Barry’s opera The Intelligence Park was seen at the Gate Theatre in 1990.”
In a 2013 guide to Barry’s musical output, Tom Service of The Guardian praises Chevaux-de-frise (1988), The Bitter Tears of Petra von Kant (2005), Lisbon (2006), Beethoven (2008), and The Importance of Being Earnest (2012).
Eames spends his early years in Larne, with the family later moving to Belfast. He is educated at the city’s Belfast Royal Academy and Methodist College Belfast before going on to study at Queen’s University Belfast, graduating LL.B. (Upper Second Class Honours) in 1960 and earning a Ph.D. degree in canon law and history in 1963. During his undergraduate course at Queen’s, one of his philosophy lecturers is his future Roman Catholic counterpart, Cahal Daly.
Turning his back on legal studies for ordination in the Church of Ireland, Eames embarks on a three-year course at the divinity school of Trinity College, Dublin in 1960, but finds the course “intellectually unsatisfying.” In 1963 he is appointed curate assistant at Bangor Parish Church, becoming rector of St. Dorothea’s in Belfast in 1966, the same year he marries Christine Daly.
During his time at St. Dorothea’s, in the Braniel and Tullycarnet area of east Belfast, Eames develops a “coffee bar ministry” among young people but is interrupted by the Troubles. He turns down the opportunity to become dean of Cork and in 1974 is appointed rector of St. Mark’s in Dundela in east Belfast, a church with strong family links to C. S. Lewis.
On May 9, 1975, at the age of 38, Eames is elected bishop of the cross-border Diocese of Derry and Raphoe. Five years later, on May 30, 1980, he is translated to the Diocese of Down and Dromore. He is elected to Down and Dromore on April 23 and that election is confirmed on May 20, 1980. In 1986, he becomes the 14th Archbishop of Armagh and Primate of All Ireland since the Church of Ireland’s break with Rome. It is an appointment that causes some level of astonishment among other church leaders.
Drumcree Church, a rural parish near Portadown, becomes the site of a major political incident in 1996, when the annual Orangemen‘s march is banned by the Chief Constable of the Royal Ulster Constabulary from returning to the centre of Portadown via the nationalist Garvaghy Road after attending worship at Drumcree Church. Public unrest and violence escalate over the next three summers as other parades come under first police and later commission sanction.
Eames, as diocesan bishop and civil leader finds himself immersed in the search for a resolution to the issue. Within the wider Church of Ireland there is unease as it is a broad church in theology and politics including within its congregations nationalists in the south and unionists in the north. Eames, along with the rector of Drumcree, has to navigate this political and social controversy and seeks political assistance to diffuse tension. Some bishops in the Republic of Ireland call for Eames to close the parish church, including Bishop John Neill who later becomes Archbishop of Dublin. He refuses to do so, believing this action could precipitate greater unrest and possible bloodshed.
Eames is, for many years, a significant figure within the general Anglican Communion. In 2003, the self-styled ‘divine optimist’ is appointed Chairman of the Lambeth Commission on Communion, which examines significant challenges to unity in the Anglican Communion. The Commission publishes its report, the Windsor Report, on October 18, 2004.
At the Church of Ireland General Synod in 2006 Eames announces his intention to retire on December 31, 2006. Church law permits him to continue as primate until the age of 75 but he resigns, in good health, at the age of 69. On January 10, 2007, the eleven serving bishops of the Church of Ireland meet at St. Patrick’s Cathedral in Dublin and elect Alan Harper, Bishop of Connor, as Eames’s successor.
Jimmy O’Dea, Irish actor and comedian, is born at 11 Lower Bridge Street, Dublin, on April 26, 1899.
O’Dea, born James Augustine O’Dea, is one of eleven children of James O’Dea, an ironmonger, and Martha O’Gorman, who keeps a small toy shop. His father has a shop in Capel Street. He is educated at the Irish Christian BrothersO’Connell School in North Richmond Street, Dublin, where a classmate is future TaoiseachSeán Lemass, by the Holy Ghost Fathers at Blackrock College, and by the Jesuits at Belvedere College. From a young age he is interested in taking to the stage. He co-founds an amateur acting group, the Kilronan Players, in 1917, but his father will not hear of it. He is apprenticed to an optician in Edinburgh, Scotland, where he qualifies as an optician.
O’Dea returns to Dublin where, at age 21, he sets up his own business which he eventually gives to his sister, Rita. In his spare time he takes part in amateur productions of Henrik Ibsen and Anton Chekhov. From 1920 he is in the Irish theatre in Hardwicke Street working with actor-producer John MacDonagh. In 1922 he makes a series of comedy films for Norman Whitten. After working in plays by George Bernard Shaw for a few years he rejoins MacDonagh in revues, the first of which, Dublin To-Night, is produced at the Queen’s Theatre, Dublin in 1924. In 1927 he takes to the stage full-time. In 1928, the company’s first production Here We Are wins international acclaim, and in December of the same year it produces its first Christmas Pantomime, Sinbad the Sailor.
O’Dea forms a partnership with Harry O’Donovan whom he first meets in a production of You Never Can Tell in 1924. Their first show is Look Who’s Here at Queen’s Theatre. For more than two decades beginning in 1929 the duo produces two shows a year in Dublin, first in the Olympia Theatre, then in the Gaiety Theatre. They create O’Dea’s most famous character, Mrs. Biddy Mulligan. The role draws on O’Dea’s previous manifestations as “Dames” in Variety performances and pantomimes. Biddy Mulligan is the representation (caricature, parody and stereotype) of a Dublin street-seller, with all the working-class repartee, wisdom and failings implicit. He makes a number of recordings of sketches starring Mrs. Mulligan. Biddy Mulligan is referenced in many Dublin music hall songs such as “Biddy Mulligan the Pride of the Coombe,” “Daffy the Belle of the Coombe” and “The Charladies’ Ball.”
O’Dea makes some film appearances, such as Darby O’Gill and the Little People (1959) in which he plays King Brian of the little people and Johnny Nobody (1961). He also has a successful career in pantomime and tours Ireland and England many times, and is much associated with actress Maureen Potter, with whom he often partners.
O’Dea is also a prolific songwriter in his day. Many of his songs are still well known to this day, some of them having been sung and recorded by Dublin singer Frank Harte.
O’Dea marries Ursula Doyle, a theatrical impresario, in September 1959 with Seán Lemass standing in as best man and Maureen Potter as the bridesmaid. O’Dea had been best man at Lemass’s wedding in 1924.
Jimmy O’Dea dies at Dr. Steevens’ Hospital, Dublin, at age 65, on January 7, 1965. Seán Lemass, at the time Taoiseach, gives the valedictory oration at his funeral. He is buried in Glasnevin Cemetery, Dublin.
seamus dubhghaill 