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Category Archives: Union with Great Britain (1801-1912)


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Birth of Mary Swanzy, Landscape & Genre Artist

Mary Swanzy, Irish landscape and genre artist, is born in Dublin on February 15, 1882. Noted for her eclectic style, she paints in many styles including cubism, futurism, fauvism, and orphism, she is one of Ireland’s first abstract painters.

Swanzy is the second of three daughters of Sir Henry Rosborough Swanzy, an eye surgeon, and his wife Mary (née Denham). She attends Alexandra College, Earlsfort Terrace, a finishing school at the Lycée in Versailles, France, and a day school in Freiburg, Germany. This education means that she is fluent in French and German. She goes on to take art classes at Mary Manning‘s studio, under the direction of John Butler Yeats. Manning encourages her to study modelling with John Hughes at the Dublin Metropolitan School of Art.

Living within walking distance of the National Gallery of Ireland, she spends a lot of time studying and copying the great masters. Her first exhibition is with the Royal Hibernian Academy (RHA) in 1905 with Portrait of a child, continuing to exhibit portraits every year until 1910. In 1905 she goes to Paris and works at the Académie Delécluse, an atelier-style art school. She goes on to attend the studio of Antonio de La Gándara in 1906 and takes classes at Académie de la Grande Chaumière and Académie Colarossi. While in Paris she is exposed to the works of Gauguin, Matisse, and Picasso, which make a lasting impression on her.

On her return to Dublin, Swanzy paints portraits and genre scenes and holds her first show at Mill’s Hall, Merrion Row in 1913. She holds another show there in 1919, where she exhibits nearly 50 pieces. This exhibition is reviewed by Sarah Purser who notes the lack of melancholy and light optimism in Swanzy’s Irish landscapes. Swanzy paints in a number of styles, often reflecting the major art developments in Paris.

After the deaths of her parents, she is financially independent and can travel, spending her time between Dublin and Saint-Tropez during World War I while continuing to paint. She also exhibits with the Société des Artistes Indépendants in 1914 and 1916, being elected to the committee in 1920. While visiting her sister who is involved with the Protestant relief mission in Yugoslavia and Czechoslovakia, she paints landscapes, village life, and peasant scenes. These works are shown in the autumn of 1921 in the Dublin Painters’ Gallery with six other artists including Jack Butler Yeats, Paul Henry, and Clare Marsh with whom she shares a studio.

Swanzy begins to travel to more exotic countries from the 1920s, Honolulu around 1923, and later Samoa. As a result, she paints local tropical flowers, trees, and native women, with a palette and style similar to that of Fauvism. She stays for a time in Santa Barbara, California, working in a local studio and exhibiting some of her Samoan work at the Santa Barbara Arts Club Gallery. She returns to Ireland in February 1925 and exhibits three of her Samoan paints at the RHA, and 14 at her one-woman show in the Galerie Bernheim-Jeune, Paris in October 1925. Gertrude Stein writes her to congratulate her on her Paris exhibition.

In the mid 1920s Swanzy settles in Blackheath, London, making regular trips to Dublin and abroad. In 1932 Purser holds an exhibition of Swanzy’s work for invited guests in her house. At this time her painting is influenced by orphism and is reviewed positively. Her work becomes more allegorical in later years, with The message in the Hugh Lane Gallery demonstrating this. During World War II she stays with her sister in Coolock for three years. In 1943, she holds a one-woman show at the Dublin Painters’ Gallery, and is also featured at the first Irish Exhibition of Living Art. She is exhibited at St. George’s Gallery, London in 1946 along with Henry Moore, Marc Chagall, and William Scott.

Swanzy is made an honorary member of the RHA in 1949, showing with them in 1950 and 1951. She does not exhibit in Ireland for a number of years, but the Hugh Lane Gallery holds a major retrospective of her work in 1968. Following this she holds two one-woman shows at the Dawson Gallery in 1974 and 1976. In 1975 she is featured at the Cork ROSC art exhibition and resumes showing with the RHA. She continues to paint until her death at her home in London on July 7, 1978.

In 1982 the Taylor Galleries holds an exhibition to mark the centenary of Swanzy’s birth. More recently she is featured in the Irish Museum of Modern Art (IMMA) 2013 exhibition Analysing Cubism. From October 2018-February 2019, also in IMMA, she is the subject of the solo exhibition Mary Swanzy Voyages.

(Pictured: Sunlit Landscape, oil-on-canvas, by Mary Swanzy)


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Death of William Drennan, Physician, Poet & Political Radical

William Drennan, physician, poet and political radical, dies on February 5, 1820, in Belfast. He is one of the chief architects of the Society of United Irishmen and is known as the first to refer in print to Ireland as “the emerald isle” in his poem When Erin first rose.

Drennan is born on May 23, 1754, in Belfast, the son the son of Reverend Thomas Drennan (1696–1768), minister of Belfast’s First Presbyterian Church on Rosemary Street. Thomas Drennan is an educated man from the University of Glasgow and is ordained to the congregation of Holywood, County Down in 1731. Drennan is heavily influenced by his father, whose religious convictions serve as the foundation for his own radical political ideas. His sister, Martha, marries fellow future United Irishman Samuel McTier in 1773.

In 1769 Drennan follows in his father’s footsteps by enrolling in the University of Glasgow where he becomes interested in the study of philosophy. In 1772 he graduates in arts and then in 1773 he commences the study of medicine at Edinburgh. After graduating in 1778 he sets up practice in Belfast, specialising in obstetrics. He is credited with being one of the earliest advocates of inoculation against smallpox and of hand washing to prevent the spread of infection. He also writes much poetry, coining the phrase “Emerald Isle” and is the founder and editor of a literary periodical, Belfast Magazine. He moves to Newry in 1783 but eventually moves to Dublin in 1789 where he quickly becomes involved in nationalist circles.

Like many other Ulster Presbyterians, Drennan is an early supporter of the American Colonies in the American Revolution and joins the Volunteers who had been formed to defend Ireland for Britain in the event of French invasion. The Volunteer movement soon becomes a powerful political force and a forum for Protestant nationalists to press for political reform in Ireland eventually assisting Henry Grattan to achieve legislative independence for the Irish parliament in 1782. However, Drennan, like many other reformers, quickly becomes dismayed by the conservative and sectarian nature of the Irish parliament and in 1791 he co-founds the Society of United Irishmen with Wolfe Tone and Thomas Russell.

Drennan writes many political pamphlets for the United Irishmen and is arrested in 1794 for seditious libel, a political charge that is a major factor in driving the United Irishmen underground and into becoming a radical revolutionary party. Although he is eventually acquitted, he gradually withdraws from the United Irishmen but continues to campaign for Catholic Emancipation.

On February 8, 1800, Drennan marries Sarah Swanwick, “an English lady of some wealth” from Shropshire. They have one daughter and four sons.

Drennan settles in Belfast in 1807. In 1810 he co-founds the non-denominational Royal Belfast Academical Institution. As a poet, he is best remembered for his poem The Wake of William Orr, written in memory of a United Irishman executed by the British. Despite his links with revolutionary republicans, he gradually becomes alienated from the post-Union nationalism of the period. His abiding concern for Liberalism and post union realities make him contemplate his political ideas anew.

Drennan dies in Belfast on February 5, 1820. He directs that his coffin be carried by an equal number of Catholics and Protestants with clergy from different denominations in attendance.

Drennan’s son, John Swanwick Drennan, is a noted poet who, along with his brother William Drennan, write a biography of him for Richard Davis Webb‘s A Compendium of Irish Biography. Through his daughter Sarah, who marries John Andrews of a prominent family of flax merchants, he has several notable descendants, including William Drennan Andrews, judge of the High Court of Justice in Ireland, Sir James Andrews, 1st Baronet, Lord Chief Justice of Northern Ireland, John Miller Andrews, Prime Minister of Northern Ireland, Thomas Andrews who drew up the plans for the RMS Titanic and was aboard and drowned when she sank, and Thomas Drennan, performance artist known primarily for his seminal work ‘Journey to the Centre of Drennan.’


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Founding of the Ladies’ Land League

Anna Parnell, younger sister of Irish Nationalist leader Charles Stewart Parnell, founds the Committee of the Ladies’ Land League, an auxiliary of the Irish National Land League, in Dublin on January 31, 1881. The organisation grows rapidly. By May 1881 there are 321 branches in Ireland, with branches also in Britain, the United States, Canada, Australia and New Zealand.

The organization is set up to take over the work of the Irish National Land League after its leadership is imprisoned. They raise money for the Land League prisoners and their dependants. They encourage women to resist eviction from their cottages. If families are evicted, the Ladies’ Land League provides wooden huts to the evicted families.

The ladies find themselves with additional work late in 1881. The Land League has started its own paper, United Ireland, in August 1881, but towards the end of the year the government tries to close it down. William O’Brien, the editor, continues to smuggle out copy from Kilmainham Gaol, but it falls to the ladies to get it printed. This is done first in London and then for a while in Paris. Eventually the ladies print and circulate it themselves from an office at 32 Lower Abbey Street.

On Sunday, March 12, 1881, just more than a month after the formation of the league, a pastoral letter of Archbishop of Dublin Edward McCabe is read out in all the churches of the diocese. It condemns the league in the strongest terms, deploring that “our Catholic daughters, be they matrons or virgins, are called forth, under the flimsy pretext of charity, to take their stand in the noisy street of life.” McCabe is not representative of all bishops, particularly Archbishop of Cashel Thomas Croke, a strong supporter of the original league. Croke publishes a letter in the Freeman’s Journal challenging the “monstrous imputations” in McCabe’s pastoral.

The dissension is revived somewhat in the summer of 1882. McCabe, now a Cardinal, and another bishop try to have a public condemnation of the Ladies’ Land League inserted into an address by the Catholic Bishops of Ireland in June. The other bishops resist on the basis that it would probably do more harm than good. They content themselves with expressing their hope that “the women of Ireland will continue to be the glory of their sex and the noble angels of stainless modesty.” When newspapers interpret this as a condemnation of the league, Croke writes again to the Freeman’s Journal to deny that this had been the intention of the bishops.

The order banning the Irish National Land League makes no direct reference to the Ladies’ Land League, but many police officers try to insist that the ban includes the women’s group. Eventually, on December 16, 1881, Inspector General Hillier of the Royal Irish Constabulary (RIC) orders the police to stop the women’s meetings. Anna Parnell defiantly issues a notice to all Ladies’ Land League branches in the country calling on them all to hold a meeting on January 1, 1882.

The prominent resident magistrate, Major Clifford Lloyd, claims that the huts built for evicted tenants are being used as posts from which the evicted tenants can intimidate anyone who attempts to take over their vacated holdings. In April 1882, he threatens that anyone attempting to erect huts will be imprisoned. That month, Anne Kirke is sent down from Dublin to Tulla, County Clare, to oversee the erection of huts for a large number of evicted tenants. Lloyd has her arrested and imprisoned for three months.

The government does not wish to be seen to use the Coercion Act to imprison women, but another stratagem is used. In December 1881 21-year-old Hannah Reynolds is imprisoned under an ancient statute from the reign of Edward III, the original purpose of which was to keep prostitutes off the streets. The statute empowers magistrates to imprison “persons not of good fame” if they do not post bail as a guarantee of their good behavior. Since Reynolds claims her behavior is good, she refuses to pay bail and spends a month in Cork gaol. In all, thirteen women serve jail sentences under this statute.

On May 3, 1882, Parnell and other leaders are released from jail after agreeing to the Kilmainham Treaty. This includes some improvement in the 1881 Land Act. He now wishes to turn his attention more to the Home Rule question. The Irish National Land League is replaced by the Irish National League. Parnell also wants to see an end to the Ladies’ Land League. There had been increased violence while he was in jail, and he sees Anna as too radical. The organization has an overdraft of £5,000 which Parnell agrees to clear from central funds only if the organization is dissolved. At a meeting of the Central Committee on August 10, 1882, the Ladies’ Land League votes to dissolve itself. Anna Parnell herself is not in attendance at that meeting having suffered a physical and mental collapse after the sudden death of her sister Fanny the previous month.

The records of the Ladies’ Land League are lost to history in 1916. Jennie Wyse Power, who had served on the Central Committee, had kept them in her house in Henry Street, Dublin. When fire spreads from Sackville Street during the 1916 Easter Rising, her house is destroyed, and the records perish in the blaze.

(Pictured: Lady Land Leaguers at work at the Dublin office)


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Birth of George Fitzmaurice, Playwright & Writer

George Fitzmaurice, Irish dramatist and short story writer, some of whose plays were broadcast on Radio Éireann, is born at Bedford House, Listowel, County Kerry on the January 28, 1877.

Fitzmaurice attends Duagh National School and later St. Michael’s College, Listowel. He is brought up in the Protestant faith as his father is a Protestant clergyman and is the vicar of St. John’s Church, Listowel. His father dies when he is fourteen years old and the family fortune declines. He takes a job in Dublin as a clerk in the Congested Districts Board for Ireland. In 1916 he enlists in the British Army and returns to Dublin after the war and is diagnosed with neurasthenia, rendering him fearful of crowds. On his return to Dublin, he takes up a position working for the Irish Land Commission.

Fitzmaurice and his eleven siblings are the children of a mixed marriage. He and his brothers are brought up as Protestants and his sisters are brought up as Roman Catholics. His family home at Bedford, together with its extensive lands has to be given up as collateral in respect of a £60 debt owed to the local butcher. Neither Fitzmaurice nor any of his eleven siblings are to marry or have any offspring. He is the last Fitzmaurice of Duagh. There are no photographs of him other than a sketch of him in later life.

Fitzmaurice’s first success was in 1907, with an Abbey Theatre production of his comedy The Country Dressmaker which features one of his most famous characters, Luke Quilter, “The man from the mountain.” This character proves to be a favourite with the audience, to the surprise of William Butler Yeats. The play’s commercial success brings necessary income to the Abbey Theatre in 1907. The play is ultimately broadcast by the Radio Éireann Players.

Fitzmaurice’s second play is a dramatic fantasy called The Pie Dish. It is heavily rejected and slated by critics and considered blasphemous. This leads to the rejection of another of his plays called The Dandy Dolls which is now understood as another of his best plays. It is produced in the Abbey Theatre in 1969, six years after his death.

During Fitzmaurice’s lifetime, some of his dramatic works are produced by poet Austin Clarke in Lyric Theatre, Dublin. In 1923 his play Twixt by Giltinans and the Carmodys is also performed on Abbey and eight more of his plays are printed in the literary journey The Dublin Magazine from 1924 to 1925.

The effects of having fought in World War I lead to Fitzmaurice becoming increasingly reclusive over time. With a fear of travelling and people or crowds, he spends his later years following “monotonous routines in Dublin.” On May 12, 1963, he dies in poverty at his home at 3 Harcourt Street and is buried in Mount Jerome Cemetery. In his room there are no pictures of himself, few personal mementos, but he does have a copy of almost every play he had published, as well as some unpublished drafts. Besides his personal clothing, there is little else. He dies without leaving a will.

In 1965, RTÉ reports that “the works of George Fitzmaurice are now undergoing something of a revival.” A fellow Kerry playwright, John B. Keane, states at the time that Fitzmaurice is increasingly being recognised as the great dramatist he truly was. He also describes his work as having “practical clarity of speech coupled with a great conciseness, and a tightness in his writing and in his construction.” Michael Connor, the man who owns the Fitzmaurice property in Daugh, recounts that he often saw Fitzmaurice in the town after his retirement from the civil service but by that time the dramatist had completely lost interest in seeing his own plays on the stage.

In his native Daugh, The George Fitzmaurice Library is founded, and on October 14, 1995, a headstone that is sculpted by a local and commissioned by the Duagh Historical Society, is placed over Fitzmaurice’s grave.


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Birth of John Todhunter, Poet & Playwright

John Todhunter, Irish poet and playwright who wrote seven volumes of poetry and several plays, is born in Dublin on December 30, 1839.

Todhunter is the eldest son of Thomas Harvey Todhunter, a Quaker merchant of English origin. He is educated at Quaker schools, including Bootham School in York and in Mountmellick, County Laois. He starts work at his father’s offices in Dublin and London before continuing on to attend Trinity College, Dublin, where he studies medicine. While at Trinity, he wins the Vice-Chancellor’s prize for English Verse 1864, 1865 and 1866, and the Gold Medal of the Philosophical Society 1866 for an essay. He also clerks for William Stokes while studying. He receives his Bachelor of Medicine in 1867 and his Doctor of Medicine degree in 1871.

In 1870, one year prior to receiving his Doctor of Medicine, Todhunter becomes a Professor of English Literature at Alexandra College, Dublin. Four years later, he resigns from that position and travels to Egypt and several places in Europe. He marries Dora L. Digby in 1879. In 1881, he finally settles in London, where his home in Bedford Park, Chiswick is located in a small community of writers and artists, including William Butler Yeats. Informal “symposia” are held at his house about once a fortnight, when friends gather at his fireside to discuss poetry and philosophy. He is involved in the founding of the Irish Literary Society there.

Todhunter’s first volume is a collection of narrative and lyrical poems entitled Laurella (1876). Grace, tenderness, and melody mark these poems. In later years he does much stronger work under the influence of ancient Celtic literature, to the study of which he is led by the memorable rendering of the Cú Chulainn legend published in 1878 by Standish O’Grady. The Banshee and Other Poems (1888) and The Irish Bardic Tales (1896) contain the best of his work in poetry.

Three of Todhunter’s plays have been acted with success. One of them, The Black Cat (1893), produced by the Independent Theatre Society, a private club formed to forestall censorship by the Lord Chamberlain’s Office, is a factor in the revival of the literary drama. However, it only receives one performance, on December 8, 1893, at the Opera Comique. His translation of Heinrich Heine‘s Buch der Lieder is perhaps the best complete English version of a work than which none more irresistibly attracts or more cruelly eludes the art of the translator. He is also author of a few brief prose works, including “The Life of Patrick Sarsfield, Earl of Lucan” and “A Study of Shelley.”

Todhunter dies on October 25, 1916, at his residence in Bedford Park.


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Founding of the Society for the Preservation of the Irish Language

The Society for the Preservation of the Irish Language (Irish: Cumann Buan-Choimeádta na Gaeilge), a cultural organisation which is part of the Gaelic revival of the period, is formed in Dublin on December 29, 1876.

Present at the initial meeting are Charles Dawson, High Sheriff of Limerick City, Timothy Daniel Sullivan, editor of The Nation, and Bryan O’Looney. Writing in 1937, Douglas Hyde also remembers himself, George Sigerson, Thomas O’Neill Russell, J. J. McSweeney of the Royal Irish Academy, and future MP James O’Connor as being present. Its patron is John MacHale, Archbishop of Tuam, its first president is Lord Francis Conyngham, and its first vice-presidents include Isaac Butt and Charles Owen O’Conor.

Unlike similar organisations of the time, which are antiquarian in nature, the SPIL aims at protecting the status of the Irish language, which is threatened with extinction at the time. Its mission statement says that it is “possible and desirable to preserve the Irish Language in those parts of the Country where it is spoken, with a view to its further extension and cultivation.” Hyde writes that the formation of the society can truly be said to be the first attempt made to recruit the common people to the cause of the Irish language. The society succeeds in having Irish included on the curriculum of primary and secondary schools and third-level colleges in 1878.

The membership of the SPIL includes Protestant Ascendancy figures such as John Vesey, 4th Viscount de Vesci, and Colonel W. E. A. Macdonnell. Horace Plunkett represents the Society at the 1901 Pan-Celtic Congress in Dublin. It takes a conciliatory approach to the British government and civil service in pursuing its aims, in contrast to the later Gaelic League, which is anti-British in character.


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The Clerkenwell Explosion

The Clerkenwell explosion, also known as the Clerkenwell Outrage, is a bombing that takes place in London on December 13, 1867. The Irish Republican Brotherhood (IRB), nicknamed the “Fenians“, explode a bomb to try to free one of their members being held on remand at Clerkenwell Prison. The explosion damages nearby houses, kills 12 people and causes 120 injuries. None of the prisoners escape.

The whole of Ireland has been under British rule since the end of the Nine Years’ War in 1603. The Irish Republican Brotherhood is founded on March 17, 1858 with the aim of establishing an independent democratic republic in Ireland, and the Fenian Brotherhood, ostensibly the American wing of the Irish Republican Brotherhood, is founded in New York City in 1859.

On November 20, 1867, Ricard O’Sullivan Burke and his companion Joseph Casey are arrested in Woburn Square in London. Burke had purchased weapons for the Fenians in Birmingham. Burke is charged with treason and Casey with assaulting a constable. They are remanded in custody pending trial, and imprisoned at the Middlesex House of Detention, also known as Clerkenwell Prison.

Burke’s IRB colleagues try to free him on Thursday, December 12, without success. They try to blow a hole in the prison wall while the prisoners are exercising in the prison yard but their bomb fails to explode. They try again at about 3:45 PM the following day, December 13, using a barrel of gunpowder concealed on a costermonger‘s barrow. The explosion demolishes a 60-foot section of the wall, but no one escapes. The prison authorities had been forewarned and the prisoners were exercised earlier in the day, so they are locked in their cells when the bomb explodes. The blast also damages several nearby tenement houses on Corporation Lane on the opposite side of the road, killing 12 people and causing many injuries, with estimates ranging from around 30 to over 120.

Charges are laid against eight, but two turn Queen’s evidence. Michael Barrett and five others are tried at the Old Bailey in April 1868. Lord Chief Justice Sir Alexander Cockburn and Baron George Bramwell preside with a jury. The prosecution is led by the Attorney General Sir John Karslake and the Solicitor General Sir William Baliol Brett supported by Hardinge Giffard QC and two junior counsel. Defence barristers included Montagu Williams and Edward Clarke.

Barrett, a native of County Fermanagh, protests his innocence, and some witnesses testify that he was in Scotland on December 13, but another identifies him as being present at the scene. Two defendants are acquitted on the instructions of the presiding judges in the course of the trial, leaving four before the jury. Following deliberations, three of the defendants are acquitted, but Barrett is convicted of murder on April 27 and sentenced to death. Barrett is hanged by William Calcraft on the morning of Tuesday, May 26, 1868, outside Newgate Prison. He is the last man to be publicly hanged in England, with the practice being ended from May 29, 1868, by the Capital Punishment Amendment Act 1868.

The trial of Burke and Casey, and a third defendant, Henry Shaw, begains on April 28, all charged with treason. The prosecution claims that Burke had been involved in finding arms for the Fenians in Birmingham in late 1865 and early 1866, where he was using the name “Edward C Winslow.” The case against Casey is ultimately withdrawn, but Burke and Shaw are found guilty of treason on April 30 and sentenced to 15 years and 7 years of penal servitude respectively.

The bombing enrages the British public, souring relations between England and Ireland and causing a panic over the Fenian threat. The radical, Charles Bradlaugh, condemns the incident in his newspaper, the National Reformer, as an act “calculated to destroy all sympathy, and to evoke the opposition of all classes.” The Metropolitan Police form a Special Irish Branch at Scotland Yard in March 1883, initially as a small section of the Criminal Investigation Department, to monitor Fenian activity.

In April 1867, the supreme council of the Irish Republican Brotherhood condemns the Clerkenwell Outrage as a “dreadful and deplorable event,” but the organisation returns to bombings in Britain in 1881 to 1885, with the Fenian dynamite campaign.

(Pictured: The House of Detention in Clerkenwell after the bombing as seen from within the prison yard)


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Death of Marie-Louise O’Murphy, Mistress of Louis XV

Marie-Louise O’Murphy, one of the lesser mistresses of King Louis XV of France and possibly the model for the famous painting by François Boucher, dies in Paris on December 11, 1814.

O’Murphy is born in Rouen, France on October 21, 1737 as the youngest of twelve children of Daniel Morfi and Marguerite Iquy, a family of Irish origin. Her parents have well-known criminal histories. Her father was involved in a case of espionage and blackmail while her mother was accused of prostitution and theft. She and her sisters are also known for being involved in prostitution.

Contemporary and modern historiography believe O’Murphy is the very young model who posed for the Jeune Fille allongée (Reclining Girl), of François Boucher, a painting famous for its undisguised eroticism, dating from 1752. Two versions of this painting have survived, both conserved in Germany, one in the Alte Pinakothek at Munich and the other in the Wallraf-Richartz Museum at Cologne.

The term petite maîtresse (little mistress) is given to Louis XV’s mistresses that are not formally presented at court, and unlike the official mistress (maîtresse-en-titre) do not have an apartment in Palace of Versailles. Generally recruited by the King’s valets in Paris surroundings, if their affair lasts more than a single night, they are placed in a group of houses in the district of Parc-aux-Cerfs in Versailles, or close to other royal residences. O’Murphy resides there for two years, from 1753 to 1755.

After a miscarriage in mid-1753 which almost kills her, O’Murphy gives birth to Louis XV’s illegitimate daughter, Agathe-Louise de Saint-Antoine de Saint-André, born in Paris on June 20, 1754. The King, who does not want to recognize the offspring born from petites maîtresses and brief affairs, orders that the newborn must be immediately placed in care of a wet nurse. Subsequently, Agathe-Louise is sent to the Couvent de la Présentation, where she is raised.

After serving as a mistress to the King for almost two years, O’Murphy makes a mistake that is common for many courtesans, that of trying to replace the official mistress. She unwisely tries to unseat the longtime royal favorite, Madame de Pompadour. This ill-judged move quickly results in her downfall at court. In November 1755 she is expelled at night from her home at Parc-aux-Cerfs, repudiated by the King, and sent far away from Versailles.

O’Murphy hastily marries Jacques Pelet de Beaufranchet, Seigneur d’Ayat on November 25, 1755. Soon after she becomes pregnant. Her first child, a daughter named Louise Charlotte Antoinette Françoise Pelet de Beaufranchet, is born on October 30, 1756 (she dies at the age of two). Thirteen months later, on November 5, 1757, her husband is killed in action at the Battle of Rossbach. Seventeen days after his death she gives birth a second child, a son, Louis Charles Antoine de Beaufranchet, the later Comte de Beaufranchet and General under the Republic.

On February 19, 1759, O’Murphy marries François Nicolas Le Normant, Comte de Flaghac and Receiver General of Finance in Riom, a divorcee with three children. From this marriage, she gives birth to a daughter, Marguerite Victoire Le Normant de Flaghac on January 5, 1768, who, according to one theory, could be another illegitimate daughter of Louis XV. François Le Normant dies on April 24, 1783.

During the Reign of Terror O’Murphy is imprisoned as a “suspect,” under the name of O’Murphy, at Sainte-Pélagie Prison and later at the English Benedictine convent in Paris. After her release she marries Louis Philippe Dumont, a moderate MP for Calvados in the National Convention and twenty-eight years her junior, on June 19, 1795. This union quickly fails, and after almost three years, they divorce on March 16, 1798. She never marries again.

Marie-Louise O’Murphy dies in Paris on December 11, 1814 aged 77, at the home of her daughter Marguerite Le Normant.


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Death of Isabella Tod, Women’s Rights Activist

Isabella Maria Susan Tod, Irish women’s rights activist, dies at her home at 71 Botanic Avenue in Belfast on December 8, 1896. She is a formidable lady who uses her political skills to great advantage in order to further many causes.

Tod is born on May 18, 1836, in Edinburgh into a well-known Irish Presbyterian family, her uncle being the Rev. Hope Masterton Waddell, one of the earliest Irish Presbyterian missionaries who served with the Scottish Missionary Society in Jamaica and whose great grandfather is the Rev. Charles Masterton, one of the most distinguished minsters of the General Synod of Ulster who ministers at Connor and Rosemary Street, Belfast. She is very proud of her Presbyterian heritage and of her Scottish ancestry.

The daughter of James Banks Tod, an Edinburgh merchant, Tod spends her early years in Edinburgh. She is educated at home by her mother, Maria Isabella Waddell, who comes from County Monaghan. The family moves to Belfast in the 1850s following the death of her father. She and her mother join Elmwood Presbyterian Church. Her Presbyterian background no doubt contributes to her radical views on social issues and women’s rights. She earns her living from writing and journalism, contributing, for example, to the Dublin University Magazine, an independent literary, cultural and political magazine, and to the Banner of Ulster, a Presbyterian newspaper.

Tod becomes one of the leading pioneers in the fight to improve the position of women. She is the only woman called to give evidence to a Select Committee of Enquiry on the reform of the married women’s property law in 1868 and serves on the executive of the Married Women’s Property Committee in London from 1873 to 1874. She successfully campaigns for the repeal of the Contagious Diseases Acts of 1864, 1866 and 1869 which enacted that a woman suspected of being a prostitute could be arrested and forced to undergo medical examination for venereal disease. She sees this legislation as an infringement of a woman’s civil liberties.

Tod is also a strong supporter of the temperance movement and, along with her friend Margaret Byers, forms the Belfast Women’s Temperance Association in 1874. Perhaps she is best known for her tireless campaign to extend the educational provision for middle-class women. For example, in 1878 she organises a delegation to London to put pressure on the Government to include girls in the Intermediate Education Act of 1878. The Ladies’ Collegiate School in Belfast, Alexandra College in Dublin and the Belfast Ladies Institute owe their existence largely to her. She writes a paper entitled “An Advanced Education for Girls in the Upper and Middle Classes” which is presented in 1867 at a meeting of the National Association for the Promotion of Social Science and is among the pamphlets held in the Presbyterian Historical Society of Ireland library.

Tod is also an active campaigner for women’s right to vote, embarking on her first campaign in 1872 and addressing meetings in Belfast, Carrickfergus, Coleraine and Londonderry. Following a meeting in Dublin a suffrage committee is established that later becomes the Dublin Women’s Suffrage Society and in 1873 she forms the North of Ireland Women’s Suffrage Society. She extends her meetings to London, Glasgow and Edinburgh and is a frequent visitor to London to lobby politicians during the parliamentary session.

Tod is very much a staunch opponent of Home Rule, establishing a branch of the London-based Women’s Liberal Federation in Belfast and the Liberal Women’s Unionist Association. She sees unionism as the way to progress. “I knew that all the social work in which I had taken so prominent a part for 20 years was in danger and most of it could not exist a day under a petty legislature of the character which would be inevitable,” she says. “What we dread is the complete dislocation of all society, especially in regard to commercial affairs and organised freedom of action.”

Tod suffers from ill-health in her later days and dies in Belfast of pulmonary illness on December 8, 1896. She is buried in Balmoral Cemetery in South Belfast.


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First Issue of “The Irish People” Printed in Dublin

The Irish People, a nationalist weekly newspaper supportive of the Fenian movement, is first printed in Dublin on November 28, 1863. It is suppressed by the British Government in 1865.

Other republican newspapers namely, the United Irishman, The Irish Tribune, The Irish Felon, and then the Repeal Association-supporting paper, The Nation, are suppressed in 1848 after their writers, Young Irelanders and members of the Irish Confederation, are accused of promoting sedition. James Stephens is a Young Irelander and part of the Young Ireland rebellion of 1848 that follows the closures of these newspapers. He flees to France after the rebellion’s failure. In 1856, he returns to Ireland and makes connections with former rebels. Two years later, he founds the Irish Republican Brotherhood (IRB).

In 1863, Stephens tells friends he is to start a newspaper. With funds through John O’Mahony, founder of the Fenian Brotherhood in the United States, he sets up an office at 12 Parliament Street. John O’Leary becomes the editor, with Thomas Luby, Charles Kickham, and Denis Mulcahy as editorial staff and Luby as a proprietor. Jeremiah O’Donovan Rossa is the business manager and James O’Connor his assistant and bookkeeper. The newspaper is printed by John Haltigan. Most of the articles are written by O’Leary and Kickham. The first issue comes out on Saturday, November 28, 1863. Its sympathies are clear. A front-page advertisement offers to ship old copies of the United Irishman and The Irish Felon to any address in the UK and editorial content is critical of the political status quo. Superintendent Daniel Ryan of G Division of the Dublin Metropolitan Police, which is largely concerned with Fenianism, notes the new publication’s birth and comments on its low circulation.

Plans for a rising in Ireland, hatched in the United States, are found at Kingstown station in July 1865 in an envelope containing a £500 New York bankers’ draft payable to Stephens’ brother-in-law. This is handed over to Dublin Castle and the link proves to be decisive for what follows. Later, a letter to the Tipperary IRB calling for a nationalist uprising is found by Pierce Nagle, a police informer working for The Irish People. Nagle had visited British officials while in New York in 1864 and offers his services after being upset by Stephens’ manner. After Nagle provides the information, the offices of The Irish People are raided on September 15. The last issue comes out the following day.

The paper is suppressed by the Lord Lieutenant of Ireland, John Wodehouse. Luby, O’Leary, O’Donovan Rossa and O’Connor are arrested and held at Richmond Bridewell prison. Stephens and Kickham join them a month later. Stephens escapes from prison on November 24. A Special Commission is opened on November 27 and forty-one people are charged are ultimately charged. Luby, O’Leary, O’Connor, O’Donovan Rossa and Kickham are charged with the most serious crime of treason felony, first used against the republicans of 1848. Evidence used for the prosecution includes the letter found by Nagel and his testimony about Fenian connections, articles from The Irish People as far back as the first issue, in which Irish Catholic judges including one of the presiding judges, the current Attorney-General for Ireland and Privy Councillor William Keogh, had been strongly criticised, and a devastating secret document from 1864 written by Stephens and entrusted to Luby granting Luby, O’Leary and Kickham executive powers over the IRB. Kickham is unaware of the document. The conflicts of interest, also with the other judge, John David FitzGerald, who is involved in the defendants’ arrest, are highlighted by the defending counsel, former Tory MP Isaac Butt. Also noted is the striking, if not unusual, jury packing, an act where in a mostly Catholic land, some of the juries involved are entirely Protestant.

Luby, O’Leary and O’Connor receive sentences of twenty years. O’Donovan Rossa is sentenced to life imprisonment because of his previous convictions. The frail Kickham, lifelong near blind and deaf, gets twelve years. Judge Keogh praises his intellect and expresses sympathy with his plight, despite having refused his request for a writ of corpus to bring Luby and Charles Underwood O’Connell to his trial concerning his ignorance of the “executive document,” as Luby had already begun his sentence in Pentonville Prison.

(Pictured: The masthead of the first issue of The Irish People | This file is licensed under the Creative Commons Attribution 4.0 International license)