O’Donoghue is born to Irish parents and grows up in the Hans Town area of Chelsea. He is the son of John O’Donoghue, a bricklayer from Kilworth, County Cork, and Bridget Griffin, who is from County Tipperary. He is the third of nine children, and has four brothers, Thomas, John, James, and Edmund, and four sisters, Mary, Ellen, Katherine, and Agnes. He is first an upholsterer‘s apprentice from the age of sixteen before becoming a journalist and author.
O’Donoghue attends a Catholic school and furthers his education at the British Museum. He begins his journalistic work by writing for the Dublin papers upon subjects relating to Irish music, art, and literature. A founder-member of the Irish Literary Society in London, he is also vice president of the National Literary Society, Dublin, and the compiler of a biographical dictionary, The Poets of Ireland (1891–93; revised edition, 1912), with entries on 2,000 authors. His published works also include Irish Poetry of the Nineteenth Century (1894), Humor of Ireland (1894), List of 1300 Irish Artists (1894), The Life and Writings of James Clarence Mangan (1897), Bibliographical Catalogue of Collections of Irish Music (1899), and Geographical Distribution of Irish Ability (1906).
In 1896 O’Donoghue moves to Dublin. In 1909 he becomes librarian of University College Dublin. He is co-editor of Catalogue of the Gilbert Library (in Dublin; 1918). William Butler Yeats writes of him in his Autobiographies of William Butler Yeats (1938).
Keane’s mother is a poet who writes under the pseudonym Moira O’Neill. Her father is a fanatic for horses and hunting. She grows up at Ballyrankin in County Wexford and refuses to go to boarding school in England as her siblings had done. She is educated by her mother, governesses, and at a boarding school in Bray, County Wicklow. Relationships between her and her parents are cold and she states that she had no fun in her life as a child. Her own passion for hunting and horses is born out of her need for fun and enjoyment. Reading does not feature much in her family and, although her mother writes poetry, it is of a sentimental nature, “suitable to a woman of her class.”
Keane claims she had never set out to be a writer, but at seventeen she is bedbound due to suspected tuberculosis, and turns to writing out of sheer boredom. It is then she writes her first book, The Knight of Cheerful Countenance, which is published by Mills & Boon. She writes under the pseudonym “M. J. Farrell,” a name over a pub that she had seen on her return from hunting. She explains writing anonymously because “for a woman to read a book, let alone write one was viewed with alarm: I would have been banned from every respectable house in County Carlow.”
In her teenage years Keane spends much of her time in the Perry household in Woodruff, County Tipperary. Here she befriends the two children of the house, Sylvia and John Perry. She later collaborates with John in writing a number of plays. Among them is Spring Meeting, directed by John Gielgud in 1938, and one of the hits of the West End that year. She and Gielgud become life long friends.
It is through the Perry family that Molly meets Bobby Keane, whom she marries in 1938. He belongs to a County Waterfordsquirearchical family, the Keane baronets. The couple goes on to have two daughters, Sally and Virginia.
Keane loves Jane Austen, and like Austen’s, her ability lay in her talent for creating characters. This, with her wit and astute sense of what lay beneath the surface of people’s actions, enables her to depict the world of the big houses of Ireland in the 1920s and 1930s. She “captured her class in all its vicious snobbery and genteel racism.” She uses her married name for her later novels, several of which, including Good Behaviour and Time After Time, have been adapted for television. Between 1928 and 1956, she writes eleven novels, and some of her earlier plays, under the pseudonym “M. J. Farrell.” She was a member of Aosdána.
Keane’s husband dies suddenly in 1946, after which she moves to Ardmore, County Waterford, a place she knows well, and lives there with her two daughters. Following the failure of a play shortly after her husband’s death, she publishes nothing for twenty years. In 1981 Good Behaviour comes out under her own name. The manuscript, which had languished in a drawer for many years, is lent to a visitor, the actress Peggy Ashcroft, who encourages her to publish it. The novel is warmly received and is short-listed for the Man Booker Prize.
Keane dies at the age of 91 on April 22, 1996 in her Cliffside home in Ardmore. She is buried beside the Church of Ireland church, near the centre of the village.
Wilson becomes interested in astronomy and travels to Oran in 1870 to photograph the solar eclipse. In 1871 he acquires a reflecting telescope of 12 inches (30.5 cm) aperture and sets it up in a dome in the gardens of Daramona House. He uses it to experiment on the photography of the moon with wet plates and also begins to study solar radiation using thermopiles. In 1881, he replaces the original telescope with a Grubb reflector of 24 inches (61 cm) aperture and a new dome and mounting that has an electrically controlled clock drive. The new telescope is mounted in a two-story tower attached to the house with an attached physical laboratory, darkroom and machine shop.
Wilson’s main research effort, in partnership with P.L. Gray, is to determine the temperature of the sun using a “differential radio-micrometer” of the sort developed by C.V. Boys in 1889, which combines a bolometer and galvanometer into one instrument. The result of their measurements is an effective temperature of about 8000 °C for the sun which, after correction to deal with absorption in the earth’s atmosphere, give a value of 6590 °C, compared to the modern value of 6075 °C.
Some of Wilson’s other astronomical projects include observations on the transit of Venus, determination of stellar motion, observations of sunspots and a trip to Spain to photograph a solar eclipse. He takes a great many excellent photographs of celestial bodies such as nebulae. His astronomical findings are published in a series of memoirs such as Experimental Observations on the Effective Temperature of the Sun.
Wilson dies on March 6, 1908 at Daramona at the relatively young age of 56, and is buried in the family plot in Steete churchyard. He had married Caroline Ada in 1886, the daughter of Capt. R.C. Granville, and they have a son and two daughters. His son donates his telescope to the University of London, where it is used for research and teaching, finally becoming a feature in Liverpool museum.
Campbell is born into a Catholic and Irish nationalist family from County Down. He is educated at St. Malachy’s College, Belfast. After working for his father he teaches for a while. He travels to Dublin in 1902, meeting leading nationalist figures. His literary activities begin with songs, as a collector in Antrim, County Antrim and working with the composer Herbert Hughes. He is then a founder of the Ulster Literary Theatre in 1904. He contributes a play, The Little Cowherd of Slainge, and several articles to its journal Uladh edited by Bulmer Hobson. The Little Cowherd of Slainge is performed by the Ulster Literary Theatre at the Clarence Place Hall in Belfast on May 4, 1905, along with Lewis Purcell’s The Enthusiast.
Campbell moves to Dublin in 1905 and, failing to find work, moves to London the following year where he is involved in Irish literary activities while working as a teacher. He marries Nancy Maude in 1910, and they move shortly thereafter to Dublin, and then later to County Wicklow. His play Judgement is performed at the Abbey Theatre in April 1912.
Campbell takes part as a supporter in the Easter Rising of 1916, doing rescue work. The following year he publishes a translation from Irish of the short stories of Patrick Pearse, one of the leaders of the Rising.
Campbell becomes a Sinn FéinCouncillor in Wicklow in 1921. Later in the Irish Civil War he is on the Republican side, and is interned in 1922-23. His marriage breaks up, and he emigrates to the United States in 1925 where he settles in New York City. He lectures at Fordham University, and works in academic Irish studies, founding the University’s School of Irish Studies in 1928, which lasts four years. He is the editor of The Irish Review (1934), a short lived “magazine of Irish expression.” The business manager is George Lennon, former Officer Commanding of the County WaterfordFlying Column during the Irish War of Independence. The managing editor is Lennon’s brother-in-law, George H. Sherwood.
Campbell returns to Ireland in 1939, settling at Glencree, County Wicklow. He dies at Lacken Daragh, Enniskerry, County Wicklow on June 6, 1944.
Sir Joseph LarmorFRSFRSE, Irish and British physicist and mathematician who makes breakthroughs in the understanding of electricity, dynamics, thermodynamics, and the electron theory of matter, is born in Magheragall, County Antrim, on July 11, 1857. His most influential work is Aether and Matter, a theoretical physics book published in 1900.
In 1903 Larmor is appointed Lucasian Professor of Mathematics at Cambridge, a post he retains until his retirement in 1932. He never marries. He is knighted by King Edward VII in 1909.
Potter receives his commission as District Inspector on April 27, 1901, having completed his cadetship at the Depot, Phoenix Park, Dublin. His first assignment is to Castlepollard, County Westmeath. During the 1909 ITGWU strike in Cork, he is temporarily posted there from Dublin and is also involved in policing the August 14 marches in Portadown. Having had charge of No. 4 Company at the Depot, he is assigned to Cahir in 1912.
On April 23, 1921, District Inspector Potter is captured by the 3rd Tipperary Brigade, IRA, following the Hyland’s Cross Ambush. This occurs near Curraghcloney, close to the village of Ballylooby. The ambush party is initially made up of a combination of the 1st and 2nd Flying Columns 3rd Tipperary Brigade. This is the largest force assembled to date by the Tipperary IRA in anticipation of a major battle. However, the convoy of military lorries that is expected never materialises. Dan Breen and Con Moloney return to Battalion Headquarters, while Seán Hogan‘s Column withdraws northward in the direction of the Galtee Mountains.
As Dinny Lacey‘s No.1 Column prepares to leave towards the south, a small party of British soldiers accompanying two horse-drawn carts unexpectedly approaches from Clogheen and are immediately fired upon. Amid some confusion Lacey’s scattered men withdraw southwards towards the Knockmealdown Mountains. One British soldier, Frank Edward Conday, is fatally wounded and two others from the relieving party are wounded.
By chance, Potter, who is returning by car from police duties at Ballyporeen, drives into a section of the withdrawing No.1 Column. Although in civilian attire, he is recognised by one of the IRA Volunteers and taken prisoner. As part of a new strategy, he is held as a hostage for the safe release of Thomas Traynor, an IRA volunteer and father of ten young children, then under sentence of death at Mountjoy Gaol. The IRA offers to release Potter in exchange for Traynor’s release. Traynor is executed. Traynor has since been honoured by the Irish state as one of “The Forgotten Ten.”
The Column, under sporadic fire from soldiers, alerted at the nearby Clogheen barracks, follow the contours of the mountains to the village of Newcastle. Losing their pursuers, they stay for a period of time at the townland of Glasha. Here Potter is detained in an out-building of a farm which is regularly used by the IRA as a safe house. From there the party is guided into the Nire Valley by a contingent of local Waterford Volunteers and on to the Comeragh Mountains.
Accounts from Rathgormack, County Waterford suggest he is kept for at least one night at a nearby Ringfort before being taken down the hill to a field then owned by Powers of Munsboro, where he meets his ultimate fate. At 7:00 PM, on April 27, following news of Traynor’s execution by hanging, he is shot to death, and hastily buried in a shallow grave on the banks of the River Clodiagh. A diary he kept during his period of captivity and some personal effects and farewell letters, are returned anonymously to his wife. It is the first confirmation she has that he has been killed. The artifacts are later lost when his son’s ship is torpedoed in 1942, during World War II.
(Pictured: Photo of District Inspector Gilbert Potter R.I.C. that appeared in the Press during his time in captivity)
Clarence Patrick O’Connor, British singer of Irish heritage known professionally as Cavan O’Connor, is born on July 1, 1899 in Carlton, Nottinghamshire, England. He is most popular in the 1930s and 1940s, when he is billed as “The Singing Vagabond” or “The Vagabond Lover.”
O’Connor is born to parents of Irish origin. His father dies when he is young, and he leaves school at an early age to work in the printing trade. He serves in World War I as a gunner and signaler in the Royal Artillery, after first being rejected by the Royal Navy when it is discovered that he had pretended to be three years older than his real age. He is wounded in the war, aged 16, while serving with the Royal Artillery. After the war he returns to Nottingham where he works in a music shop. He starts singing in clubs and at concerts, before deciding to turn professional in the early 1920s.
O’Connor wins a scholarship to the Royal College of Music in London, where he meets his wife, Rita Tate (real name Margherita Odoli), a niece of the opera singer Maggie Teyte. He makes his first recordings, as Cavan O’Connor, for the Vocalion label in 1925, including “I’m Only a Strolling Vagabond” from the operetta The Cousin from Nowhere, which becomes his signature song. Noted for his fine tenor voice, well suited for recording, he appears on many British dance band recordings in the 1920s and 1930s, and uses a wide variety of pseudonyms, including Harry Carlton, Terence O’Brien, and Allan O’Sullivan. He also joins Nigel Playfair‘s revue company at the Lyric Theatre in Hammersmith, before moving on to playing lead roles in opera productions at The Old Vic, often performing in French, Italian and Spanish.
O’Connor turns increasingly toward light entertainment, largely for financial reasons. He starts appearing in variety shows around the country, often performing Irish folk songs. Having made his first radio broadcasts for BBC Radio in 1926, he continues to feature occasionally, but makes his breakthrough when he is billed, initially anonymously, as “The Strolling Vagabond” and “The Vagabond Lover” on a series of radio programmes produced by Eric Maschwitz in 1935. This is the first British radio series based around a solo singer, and when it becomes known that he is the performer, makes him a star, “one of Britain’s highest paid radio personalities.” The series continues for over ten years. From 1946, his Sunday lunchtime radio series, The Strolling Vagabond, is heard by up to 14 million listeners.
O’Connor consistently tours and continues to broadcast regularly. During World War II he settles in Bangor, Gwynedd, north Wales, and regularly appears on the Irish Half Hour radio programmes. His most popular songs include “The World Is Mine Tonight,” written for O’Connor by Maschwitz and George Posford, “Danny Boy” and “I’ll Take You Home Again, Kathleen,” an American song widely assumed to be Irish. He records frequently for at least 15 record labels over his career, including Decca Records, at one point recording 40 songs in five days. He makes over 800 recordings in total, both under his own name and pseudonyms, and also appears in two films, Ourselves Alone (1936) and Under New Management (known in the U.S. as Honeymoon Hotel, 1946).
After the war, O’Connor returns to live in London, and tours in Australia and South Africa as well as in Don Ross‘s Thanks for the Memory tours. He retires at one point to set up an electrical goods business, but then resumes his music career in the Avonmore Trio with his wife and son, to give occasional performances and make recordings, the last in 1984.
O’Connor dies at the age of 97 in London on January 11, 1997.
When the unit is originally mustered out of service, the 90-day enlistment terms having expired, Nugent accepts a commission as a captain in the regular army. He is immediately assigned to the 13th Infantry Regiment whose commanding officer, General William Tecumseh Sherman, personally requests. Taking a leave of absence to return to New York, he assists Thomas Francis Meagher in organizing the Irish Brigade. The newly reformed 69th Infantry Regiment is the first unit assigned to the Irish Brigade and, with Nugent as its colonel, he leads the “Fighting 69th” at the Battles of Seven Pines, Gaines’ Mill, Savage’s Station, White Oak Swamp, Glendale, and Malvern Hill.
Nugent is wounded, shot in the stomach, at the Battle of Fredericksburg and is eventually forced to resign his command. He is appointed acting assistant provost marshal for the southern district of New York, which includes New York City and Long Island, by the U.S. Department of War. An Irishman and Democrat, his appointment is thought to assure the Irish American population that conscription efforts would be carried out fairly. The Irish-American, a popular Irish language newspaper, writes that the selection is a “wise and deservedly popular one.” He does encounter resistance from city officials wanting him to remain uninvolved, however by mid-June he reports to his superior officer and provost marshal general Colonel James Fry that conscription efforts are “nearing completion without serious incident.”
Understanding the seriousness of the situation, Nugent attempts to keep the draft selections quiet and in isolated parts of the city. In Manhattan however, lotteries are placed in the heart of Irish tenement and shanty neighborhoods where the draft is most opposed.
In the ensuing New York City draft riots, Nugent takes command of troops and attempts to defend the city against the rioters. Despite issuing the cancellation of the draft, the riots continue for almost a week. His home on West 86th Street is looted and burned by the rioters during that time, his wife and children barely escaping from their home. Upon breaking into his house, furniture is destroyed, and paintings of Nugent and Meagher are slashed, although Brigadier General Michael Corcoran‘s is left untouched.
On October 28, Nugent is relieved of his post and succeeded by General William Hayes. Returning to active duty, he assumes command of the Irish Brigade in November 1864, shortly after the death of Corcoran, and is present at the Battle of Spotsylvania Court House, the Siege of Petersburg and the Appomattox campaign. As its last commanding officer, he and the Irish Brigade also march in the victory parade held in Washington, D.C. following Robert E. Lee‘s surrender at Appomattox Court House.
Nugent is brevetted Brigadier General for distinguished leadership of the 69th Regiment on March 13, 1865. The veterans of the Irish Brigade are honorably discharged and mustered out three months later. Nugent, however, remains in the regular U.S. Army for the next twenty years, a formidable “Indian fighter” during the America Indian Wars with the 13th and 24th Infantry Regiments. In 1879, he retires at the rank of major and resides in New York where he is involved in the Grand Army of the Republic, the War Veterans’ Association of the 7th Regiment and an honorary member of The Old Guard.
Nugent becomes ill in his old age, complications arising from his wounds suffered at Fredericksburg, and remains bedridden for two months before his death at his McDonough Street home in Brooklyn on June 20, 1901. In accordance with his last wishes, he is buried at Cypress Hills National Cemetery, located in the Cypress Hills neighborhood of Brooklyn.
Bowen is baptised in St. Stephen’s Church on Upper Mount Street. Her parents, Henry Charles Cole Bowen and Florence (née Colley) Bowen, later bring her to Bowen’s Court at Farahy, near Kildorrery, County Cork, where she spends her summers. When her father becomes mentally ill in 1907, she and her mother move to England, eventually settling in Hythe. After her mother dies in 1912, she is raised by her aunts. She is educated at Downe House School under the headship of Olive Willis. After some time at art school in London she decides that her talent lay in writing. She mixes with the Bloomsbury Group, becoming good friends with Rose Macaulay who helps her seek out a publisher for her first book, a collection of short stories entitled Encounters (1923).
In 1923 Bowen marries Alan Cameron, an educational administrator who subsequently works for the BBC. The marriage has been described as “a sexless but contented union.” She has various extra-marital relationships, including one with Charles Ritchie, a Canadiandiplomat seven years her junior, which lasts over thirty years. She also has an affair with the Irish writer Seán Ó Faoláin and a relationship with the American poet May Sarton. She and her husband first live near Oxford, where they socialize with Maurice Bowra, John Buchan and Susan Buchan, and where she writes her early novels, including The Last September (1929). Following the publication of To the North (1932) they move to 2 Clarence Terrace, Regent’s Park, London, where she writes The House in Paris (1935) and The Death of the Heart (1938). In 1937, she becomes a member of the Irish Academy of Letters.[3]
In 1930 Bowen becomes the first (and only) woman to inherit Bowen’s Court, but remains based in England, making frequent visits to Ireland. During World War II she works for the British Ministry of Information, reporting on Irish opinion, particularly on the issue of neutrality. Her political views tend towards Burkean conservatism. During and after the war she writes among the greatest expressions of life in wartime London, The Demon Lover and Other Stories (1945) and The Heat of the Day (1948). She is awarded the CBE the same year.
Bowen’s husband retires in 1952 and they settle in Bowen’s Court, where he dies a few months later. Many writers visit her at Bowen’s Court from 1930 onwards, including Virginia Woolf, Eudora Welty, Carson McCullers, Iris Murdoch, and the historian Veronica Wedgwood. For years Bowen struggles to keep the house going, lecturing in the United States to earn money. In 1957 her portrait is painted at Bowen’s Court by her friend, painter Patrick Hennessy. She travels to Italy in 1958 to research and prepare A Time in Rome (1960), but by the following year she is forced to sell her beloved Bowen’s Court, which is demolished in 1960. In the following months, she writes for CBS the narrative of the documentary titled Ireland the Tear and the Smile which is realized in collaboration with Robert Monks as cameraman and associate producer. After spending some years without a permanent home, she finally settles at “Carbery”, Church Hill, Hythe, in 1965.
In 1972 Bowen develops lung cancer. She dies at the age of 73 in University College Hospital in London on February 22, 1973. She is buried with her husband in St. Colman’s churchyard in Farahy, close to the gates of Bowen’s Court, where there is a memorial plaque to the author at the entrance to St. Colman’s Church, where a commemoration of her life is held annually.
Born on November 23, 1845, at Cahirmoyle, County Limerick, O’Brien is the younger daughter in a family of five sons and two daughters. Her father is William Smith O’Brien, the Irish nationalist and her mother is Lucy Caroline, eldest daughter of Joseph Gabbett, of High Park, County Limerick. On her father’s return in 1854 from the penal colony in Tasmania, she rejoins him in Brussels and stays there until he comes back to Cahirmoyle in 1856. On her mother’s death in 1861, she moves with her father to Killiney, near Dublin, and is his constant companion until his death at Bangor, Gwynedd in 1864.
From 1864, O’Brien lives at Cahirmoyle with her brother Edward, caring for his motherless children until his remarriage in 1880. Having been hard of hearing since childhood, by 1879 she has become entirely deaf. She goes to live at Ardanoir near Foynes on the River Shannon and spends time writing. She becomes a staunch supporter of Charles Stewart Parnell.
A bad harvest in Ireland in 1879, combined with Irish political turmoil, causes many Irish people to emigrate to the United States. In articles and letters to newspapers and reviews, O’Brien exposes the awful conditions that exist in the Queenstown (Cobh) lodging houses, on board the emigrant ships, and in the dock slums of New York City, where the Irish have to stay upon landing. A notable piece she writes is the Horrors of the Immigrant Ship which appears in ThePall Mall Gazette on May 6, 1881.
A visit to Queenstown, the port of embarkation, and a tour of the White Star Line‘s Germanic leads her to successfully lobby to get a Catholic priest aboard the emigrant ship to help ease the passage, at least spiritually. That achievement captures even more public attention by virtue of the fact that O’Brien herself is Protestant. Despite the limit of 1,000 passengers, she notes the steamer has carried as many as 1,775 at one time.
O’Brien presses the Board of Trade for greater vigilance, and in April 1882, founds a 105-bed boarding house at Queenstown for the reception and protection of girls on the point of emigrating. The O’Brien Emigrants Home at The Beach, Queenstown fails because it is boycotted by other boardinghouse keepers and local merchants, forcing her to order provisions from Cork.
O’Brien also daily visits three or four of the ships for which her lodgers are destined along with a medical officer. She makes passages herself to America, using the occasion to investigate shipboard conditions and lobby for the reform and enforcement of health and safety standards.
O’Brien finds little effort to provide food, drink or accommodation at the Castle Garden entry facility. She also finds that often the illiterate young women are being tricked into prostitution through spurious offers of employment. Additionally, she notes the high infant mortality rates in the tenements where the women live. She proposes to Archbishop John Ireland of Minnesota an information bureau at Castle Garden, a temporary shelter to provide accommodation for immigrants and a chapel. Archbishop Ireland agrees to raise the matter at the May 1883 meeting of the Irish Catholic Association which endorses the plan and votes to establish an information bureau at Castle Garden. Ireland also contacts Cardinal John McCloskey, Archbishop of New York, about providing a priest for immigrants arriving at Castle Garden.
The Mission opens on January 1, 1884, with Rev. John J. Riordan appointed as the first chaplain at Castle Garden. Immigrant girls needing accommodation are placed in local boarding houses until May 1 when a Home for Immigrant Girls is opened at 7 Broadway. In 1885, the James Watson House at 7 State Street is purchased from Isabella Wallace for the Mission of Our Lady of the Rosary for the Protection of Irish Immigrant Girls to serve as a way station for young immigrant women. Between 1884 and 1890, the Mission provides assistance to 25,000 Irish immigrant women.
In 1881–82, O’Brien embarks on a campaigning lecture tour in the United States. She encounters problems, however, particularly given her Protestant background and the need to enlist support from Catholic clergy. Poor health, and her profound deafness cause her to curtail her activities in America. When she returns to Ireland in 1883, she finds herself suspected of being a British agent whose Emigrant Boarding house and whose plans for an American home for Irish immigrant girls facilitate the government’s assisted emigrant scheme. Supposedly, this would be the scheme that helps landlords clear their estates of poor tenants. In fact, O’Brien opposes assisted emigration, but she continues to assist those who are sent to her.
O’Brien retires from active public work in 1886, moving to Ardanoir, Foynes, on the Shannon Estuary. She spends considerable time in Dublin, where she socialises with Douglas Hyde and the painter William Osbourne. She joins the Roman Catholic Church in 1887. She dies of heart failure on June 3, 1909, at Foynes, and is buried at Knockpatrick.
