O’Rourke makes his debut on the inter-county scene when he is picked for the Meath minor team. He later joins the under-21 side but enjoys little success in these grades. He makes his senior debut during the 1975-1976 league. Over the course of the next twenty years he is a regular member of the starting fifteen and wins back-to-back All-Ireland medals in 1987 and 1988. He also wins five Leinster Senior Football Championship medals, three National Football League titles and is named Texaco Footballer of the Year in 1991. He plays his last game for Meath in July 1995.
In retirement from playing O’Rourke combines his teaching career with a new position as a sports broadcaster. His media career begins with RTÉ where he has worked as a studio analyst with the flagship programme The Sunday Game for over twenty-five years. He also writes a weekly column for the Sunday Independent.
Le Fanu is born at 45 Lower Dominick Street in Dublin to Thomas Philip Le Fanu and Emma Lucretia Dobbin, a literary family of Huguenot, Irish, and English descent. Within a year of his birth the family moves to the Royal Hibernian Military School in Phoenix Park where his father, a Church of Ireland clergyman, is appointed to the chaplaincy of the establishment.
In 1826, the family moves to Abington, County Limerick, where Le Fanu’s father takes up his second rectorship. Le Fanu uses his father’s library to educate himself and by the age of fifteen he was writing poetry.
The disorders of the Tithe War (1831–1836) affect the region in 1832 and the following year the family temporarily moves back to Dublin, where Le Fanu works on a government commission. Although Thomas Le Fanu tries to live as though he is well-off, the family is in constant financial difficulty. At his death, Thomas has almost nothing to leave to his sons and the family has to sell his library to pay off some of his debts.
Le Fanu studies law at Trinity College, Dublin, where he is elected Auditor of the College Historical Society. He is called to the bar in 1839 but never practices and soon abandons law for journalism. In 1838 he begins contributing stories to the Dublin University Magazine, including his first ghost story, The Ghost and the Bone-Setter (1838). He becomes owner of several newspapers from 1840, including the Dublin Evening Mail and the Warder.
In 1856 the family moves from Warrington Place to the house of his wife Susanna’s parents at 18 Merrion Square. His personal life becomes difficult at this time, as his wife suffers from increasing neurotic symptoms. She suffers from anxiety after the deaths of several close relatives, including her father two years previous. In April 1858, Susanna suffers a “hysterical attack” and dies the following day. She is buried in the Bennett family vault in Mount Jerome Cemetery beside her father and brothers. He does not write any fiction from this point until the death of his mother in 1861.
He becomes the editor and proprietor of the Dublin University Magazine in 1861 and begins to take advantage of double publication, first serializing in the Dublin University Magazine, then revising for the English market. He publishes both The House by the Churchyard and Wylder’s Hand in this manner. After lukewarm reviews of The House by the Churchyard, which is set in the Phoenix Park area of Dublin, Le Fanu signs a contract with Richard Bentley, his London publisher, which specifies that future novels be stories “of an English subject and of modern times,” a step Bentley thinks necessary for Le Fanu to satisfy the English audience. Le Fanu succeeds in this aim in 1864, with the publication of Uncle Silas, which is set in Derbyshire. In his very last short stories, however, Le Fanu returns to Irish folklore as an inspiration and encourages his friend Patrick Kennedy to contribute folklore to the Dublin University Magazine.
Le Fanu dies in his native Dublin on February 7, 1873, at the age of 58. Today there is a road and a park in Ballyfermot, near his childhood home in south-west Dublin, named after him.
Brian Moore, novelist and screenwriter who is acclaimed for the descriptions in his novels of life in Northern Ireland after World War II, is born in Belfast, Northern Ireland on August 25, 1921. He has been described as “one of the few genuine masters of the contemporary novel.”
In 1948 Moore emigrates to Canada to work as a reporter for the Montreal Gazette and becomes a Canadian citizen. While eventually making his primary residence in California, he continues to live part of each year in Canada up to his death.
Moore lives in Canada from 1948 to 1958, where he meets his first wife, Jacqueline (“Jackie”) Sirois, a French Canadian and fellow journalist. They marry in 1952. He moves to New York City in 1959 to take up a Guggenheim Fellowship and remains there until his divorce in October 1967. He then moves to the west coast of the United States, settling in Malibu, California, with his new wife Jean Denney, a former commentator on Canadian TV. There he teaches creative writing at UCLA.
Moore writes his first novels in Canada. His earliest novels are thrillers, published under his own name or using the pseudonyms Bernard Mara or Michael Bryan. His first novel outside the genre, Judith Hearne, remains among his most highly regarded. The book is rejected by ten American publishers before being accepted by a British publisher. It is made into a film, with British actress Maggie Smith playing the lonely spinster who is the book/film’s title character.
Some of Moore’s novels feature staunchly anti-doctrinaire and anti-clerical themes, and in particular he speaks strongly about the effect of the Church on life in Ireland. A recurring theme in his novels is the concept of the Catholic priesthood. On several occasions he explores the idea of a priest losing his faith. At the same time, several of his novels are deeply sympathetic and affirming portrayals of the struggles of faith and religious commitment, Black Robe most prominently.
Moore dies at his Malibu home, which is celebrated in Seamus Heaney‘s poem Remembering Malibu, on January 11, 1999, from pulmonary fibrosis. His widow, Jean, lives on in the house until it is destroyed in 2018 in the Woolsey Fire.
At the time of his death, Moore is working on a novel about the 19th-century French symbolist poet Arthur Rimbaud. His last published work before his death is an essay entitled “Going Home.” It is a reflection inspired by a visit he made to the grave in Connemara of his family friend, the Irish nationalist Bulmer Hobson. The essay is commissioned by Granta and published in The New York Times on February 7, 1999.
In 1996, the Brian Moore Short Story Awards is launched by the Creative Writers Network in Northern Ireland and is open to all authors of Irish descent. Previous judges have included Glenn Patterson, Lionel Shriver, Carlo Gébler and Maeve Binchy.
In 1975 Moore arranges for his literary materials, letters and documents to be deposited in the Special Collections Division of the University of Calgary Library, an inventory of which is published by the University of Calgary Press in 1987. His archives, which include unfilmed screenplays, drafts of various novels, working notes, a 42-volume journal (1957–1998), and his correspondence, are housed at the Harry Ransom Center at the University of Texas at Austin.
In 1887 Gogarty’s father dies of a burst appendix, and he is sent to Mungret College, a boarding school near Limerick. He is unhappy in his new school, and the following year he transfers to Stonyhurst College in Lancashire, England, which he likes little better, later referring to it as “a religious jail.” He returns to Ireland in 1896 and boards at Clongowes Wood College while studying for examinations with the Royal University of Ireland. In 1898 he switches to the medical school at Trinity College, having failed eight of his ten examinations at the Royal.
A serious interest in poetry and literature begins to manifest itself during his years at Trinity. In 1900 he makes the acquaintance of W. B. Yeats and George Moore and begins to frequent Dublin literary circles. In 1904 and 1905 he publishes several short poems in the London publication The Venture and in John Eglinton‘s journal Dana. His name also appears in print as the renegade priest Fr. Oliver Gogarty in George Moore’s 1905 novel The Lake.
In 1905 Gogarty becomes one of the founding members of Arthur Griffith‘s Sinn Féin, a non-violent political movement with a plan for Irish autonomy modelled after the Austro-Hungarian dual monarchy.
In July 1907 his first son, Oliver Duane Odysseus Gogarty, is born, and in autumn of that year he leaves for Vienna to finish the practical phase of his medical training. Returning to Dublin in 1908, he secures a post at Richmond Hospital, and shortly afterwards purchases a house in Ely Place opposite George Moore. Three years later, he joins the staff of the Meath Hospital and remains there for the remainder of his medical career.
As a Sinn Féiner during the Irish War of Independence, Gogarty participates in a variety of anti-Black and Tan schemes, allowing his home to be used as a safe house and transporting disguised Irish Republican Army (IRA) volunteers in his car. Following the ratification of the Anglo-Irish Treaty, he sides with the pro-Treaty government and is made a Free State Senator. He remains a senator until the abolition of the Seanad in 1936, during which time he identifies with none of the existing political parties and votes according to his own whims.
Gogarty maintains close friendships with many of the Dublin literati and continues to write poetry in the midst of his political and professional duties. He also tries his hand at playwriting, producing a slum drama in 1917 under the pseudonym “Alpha and Omega”, and two comedies in 1919 under the pseudonym “Gideon Ouseley,” all three of which are performed at the Abbey Theatre. He devotes less energy to his medical practice and more to his writing during the twenties and thirties.
With the onset of World War II, Gogarty attempts to enlist in the Royal Air Force (RAF) and the Royal Army Medical Corps (RAMC) as a doctor. He is denied on grounds of age. He then departs in September 1939 for an extended lecture tour in the United States, leaving his wife to manage Renvyle House, which has since been rebuilt as a hotel. When his return to Ireland is delayed by the war, he applies for American citizenship and eventually decides to reside permanently in the United States. Though he regularly sends letters, funds, and care-packages to his family and returns home for occasional holiday visits, he never again lives in Ireland for any extended length of time.
Gogarty suffers from heart complaints during the last few years of his life, and in September 1957 he collapses in the street on his way to dinner. He dies on September 22, 1957. His body is flown home to Ireland and buried in Cartron Church, Moyard, near Renvyle.
(Pictured: 1911 portrait of Oliver St. John Gogarty painted by Sir William Orpen, currently housed at the Royal College of Surgeons in Ireland)
O’Reilly is born on June 28, 1844, at Dowth Castle to William David O’Reilly (1808–1871) and Eliza O’Reilly (née Boyle) (1815–1868) near Drogheda. His father is a headmaster. He is the third of six children. A year after his birth, the Great Famine begins, an event that shapes his life and beliefs. Most of his closest family manage to survive the famine, however many of his classmates lose their lives to the famine.
O’Reilly moves to his aunt’s residence in England as a teenager and becomes involved in journalism and shortly after becomes involved in the military. He leaves the military, however, in 1863 after becoming angry with the military’s treatment of the Irish and returns to Ireland the same year.
In 1864 O’Reilly joins the Irish Republican Brotherhood under an assumed name and is part of the group for two years until he and many others are arrested by authorities in early 1866. After a trial that same year he is sentenced to death, but the sentence is later commuted to 20 years’ penal servitude. In 1867 he is transported to Western Australia and moves to the town of Bunbury where he escapes two years later. He is assisted in escaping by a Fr. Patrick McCabe from Arnaghan, Gowna, County Cavan.
Following his escape O’Reilly moves to Boston, Massachusetts and embarks on a successful writing and journalism career that produces works such as Moondyne (1879) and Songs from the Southern Seas (1873), and poems such as The Cry of the Dreamer and The White Rose and In Bohemia (1886). He becomes a prominent spokesperson for the Irish community and culture through his editorship of the Boston newspaper The Pilot, his prolific writing and his lecture tours.
O’Reilly marries Mary Murphy (1850-1897), a journalist who writes for the Young Crusader under the name of Agnes Smiley, on August 15, 1872, and has four daughters. In the final four years of his life, he suffers various health issues.
On August 9, 1890, O’Reilly takes an early boat to his residence in Hull, Massachusetts. He has been suffering from bouts of insomnia during this time. That evening he takes a long walk with his brother-in-law, John R. Murphy, hoping that physical fatigue will induce the needed sleep. Later on that night he takes some of his wife’s sleeping medicine, which contains chloral hydrate.
In the early morning hours of August 10 his wife wakes up to find O’Reilly unconscious, sitting in a chair with one hand resting on the table near a book and a cigar in the other. She sends a servant for the family’s physician, Dr. Litchfield, and he spends nearly an hour trying to revive him, but O’Reilly dies shortly before 5:00 AM. Public announcements attribute O’Reilly’s death to heart failure but the official death register claims “accidental poisoning.” His memorial service held at Tremont Temple in Boston is a major public event.
The song “Van Diemen’s Land” on U2‘s Rattle and Hum (1988) album refers to and is dedicated to O’Reilly.
After she graduates, her father employs her at his company but, following his death three years later, she changes professions and starts a public relations firm in 1983, which she runs for seven years. In 1983–84, she serves as secretary to the Fianna Fáil group at the New Ireland Forum. She serves as Charles Haughey‘s personal assistant, and becomes a family friend, taking holidays with his children. In 1987 she serves as election agent and party treasurer in Dublin North for Seán Haughey.
In 1990, she changes careers again, switching to journalism as a reporter with The Sunday Business Post and Sunday Tribune, working under editor Damien Kiberd. Craving first-hand information, she pursues a story directly to the source with little regard for her personal safety, to engage those she deems central to a story. This allows her to build close relationships with both the legitimate authorities, such as the Garda Síochána, and the criminals, with both sides respecting her diligence by providing highly detailed information. She also reports on Irish Republican Army activities in the Republic of Ireland.
From 1994 onwards, she begins to write about criminals for the Sunday Independent. Using her accountancy knowledge to trace the proceeds of illegal activity, she uses street names or pseudonyms for organized crime figures to avoid Irish libel laws.
When she begins to cover drug dealers, and gains information from convicted drugs criminal John Traynor, she receives numerous death threats. The first violence against her occurs in October 1994, when two shots are fired into her home after her story on murdered crime kingpin Martin Cahill is published. Guerin dismisses the “warning.” The day after writing an article on Gerry “The Monk” Hutch, on January 30, 1995, she answers her doorbell to a man pointing a revolver at her head. The gunman misses and shoots her in the leg. Regardless, she vows to continue her investigations.
On September 13, 1995, convicted criminal John Gilligan, Traynor’s boss, attacks her when she confronts him about his lavish lifestyle with no source of income. He later calls her at home and threatens to kidnap and rape her son and kill her if she writes anything about him.
On the evening of June 25, 1996, Gilligan drug gang members Charles Bowden, Brian Meehan, Kieran ‘Muscles’ Concannon, Peter Mitchell and Paul Ward meet at their distribution premises on the Greenmount Industrial Estate. The following day, while driving her red Opel Calibra, Guerin stops at a red traffic light on the Naas Dual Carriageway near Newlands Cross, on the outskirts of Dublin, unaware she is being followed. She is shot six times, fatally, by one of two men sitting on a motorcycle.
About an hour after Guerin is murdered, a meeting takes place in Moore Street, Dublin, between Bowden, Meehan, and Mitchell. Bowden later denies under oath in court that the purpose of the meeting is the disposal of the weapon but rather that it was an excuse to appear in a public setting to place them away from the incident.
At the time of her murder, Traynor is seeking a High Court order against Guerin to prevent her from publishing a book about his involvement in organised crime. Guerin is killed two days before she is due to speak at a Freedom Forum conference in London.
Guerin’s funeral is attended by Ireland’s TaoiseachJohn Bruton, and the head of the armed forces. It is covered live by Raidió Teilifís Éireann. On July 4, labour unions across Ireland call for a moment of silence in her memory, which is duly observed by people around the country. Guerin is buried in Dardistown Cemetery, County Dublin.
Holland originally works in fashion for Vogue magazine and then The Observer. She comes to prominence as one of the first Irish journalists to report on the rise of the Northern Ireland Civil Rights Association and becomes an increasingly prominent commentator on the affairs of the region.
In 1977 Conor Cruise O’Brien is appointed editor-in-chief of The Observer. He is a writer and politician who serves as a government minister in the Irish Parliament, Oireachtas. He is often criticized for his uncompromising opposition to “physical force Irish republicanism,” and his actions to that end during Liam Cosgrave‘s tenure as Taoiseach are labelled as censorship by some. Shortly after starting as editor, he sends a memo to Holland:
“It is a very serious weakness of your coverage of Irish affairs that you are a very poor judge of Irish Catholics. That gifted and talkative community includes some of the most expert conmen and conwomen in the world and I believe you have been conned.”
Ryan emigrates to the United States in 1947 to work for Time, where he reports on the postwar tests of atomic weapons carried out by the United States in the Pacific. He then reports for Time on the Arab-Israeli war in 1948. This is followed by work for other magazines, including Collier’s Weekly and Reader’s Digest.
Ryan marries Kathryn Morgan, a novelist, and becomes a naturalized citizen of the United States in 1951.
On a trip to Normandy in 1949 Ryan becomes interested in telling a more complete story of Operation Overlord than has been produced to date. He begins compiling information and conducting over 1,000 interviews as he gathers stories from both the Allies and the Germans, as well as the French civilians.
In 1956 Ryan begins to write down his World War II notes for The Longest Day: 6 June 1944 D-Day, which tells the story of the D-Day Invasion of Normandy, published three years later in 1959. It is an instant success, and he assists in the writing of the screenplay for the 1962 film of the same name. Darryl F. Zanuck pays the author U.S.$175,000 for the screen rights to the book.
Ryan’s 1957 book One Minute to Ditch! is about the successful ocean ditching of a Pan AmericanBoeing 377 Stratocruiser. He had written an article about the ditching for Collier’s in their December 21, 1956, issue and then expanded it into the book.
Ryan’s next work is The Last Battle (1966), about the Battle of Berlin. The book contains detailed accounts from all perspectives: civilian, American, British, Russian and German. It deals with the fraught military and political situation in the spring of 1945, when the forces of the western allies and the Soviet Union contend for the chance to liberate Berlin and to carve up the remains of Germany.
This work was followed by A Bridge Too Far (1974), which tells the story of Operation Market Garden, the ill-fated assault by allied airborne forces on the Netherlands culminating in the Battle of Arnhem. It is made into a major 1977 film of the same name.
Ryan is awarded the French Legion of Honour and an honorary Doctor of Literature degree from Ohio University, where the Cornelius Ryan Collection is housed in the Alden Library. He is diagnosed with prostate cancer in 1970 and struggles to finish A Bridge Too Far during his illness. He dies in Manhattan on November 23, 1974, while on tour promoting the book, only two months after publication. He is buried in the Ridgebury Cemetery in northern Ridgefield, Connecticut.
Four years after his death, Ryan’s struggle with prostate cancer is detailed in A Private Battle, written by his widow, from notes he had secretly left behind for that purpose.
Trained as he was in the graphic side of newspaper production, Arthur Griffith has both a professional interest in and a profound understanding of visual culture. He is also very much aware of how visual discourses can be used to defend the Irish nation against cultural Anglicisation. In his newspaper propaganda he continually promotes the use of such discourses to develop a strong brand awareness for the Irish nation.
The most important graphic element of the Sinn Féin newspaper is the Déanta i nÉirinn symbol. This distinctive logo is created by the Irish Industrial Development Association (IIDA). The text in Irish means “Made in Ireland.” From the autumn of 1909, Griffith’s newspapers displays it proudly and very prominently on their front page between the words ‘sinn’ and ‘féin’ in the title-piece. It can also frequently be seen in advertisements and cartoons throughout. Both a trade description and a statement of Sinn Féin‘s industrial politics, this mark plays a fundamental role in the newspaper propaganda published by the SFPP.
For the first few years of its existence the circulation of Sinn Féin is limited. From January 1909 onwards, however, Griffith attempts to attract new readers by publishing a daily newspaper, the Sinn Féin Daily, with sensational articles from overseas, a fashion column aimed at women readers, and a new graphic approach. The daily newspaper is abandoned by the SFPP when it plunges the company into enormous debt.
Thanks to the purchase of two brand new Linotype machines, the newspaper becomes more attractive from a typographical point of view and easier to read. The addition of images give Sinn Féin a far less austere look and at the same time significantly improve its commercial appeal, with sales reaching a peak of 64,000 in September 1909. Foremost among these images are the large political cartoons which regularly appear on the front page. This user-friendly graphic discourse translates the National question into a series of emotionally charged life and death struggles set against familiar mythical and literary backdrops. At the same time, it illustrates Griffith’s instructions to the individual Sinn Féiner, indicating the path to follow and the dangers to avoid.
The man responsible for these cartoons is the Dublin-born designer, illustrator, and stained glass artisan Austin V. Molloy. At the age of twenty-two Molloy is hired by the SFPP to provide cartoons at a rate of 1 shilling and 6 pence per week. His work appears in the newspaper between August 1909 and April 1911. As is the case for many of the contributors to Sinn Féin, Molloy uses the Irish version of his name, Maolmhuidhe, to sign his contributions. His cartoons provide a snapshot of the issues preoccupying Sinn Féin’s propagandists between 1909 and 1911, namely the status of the Irish language, the development of Irish industry and the prevention of emigration.
Through The United Irishman and Sinn Féin Griffith demonstrates the need to arrogate legislature from the hands of the British by transferring Irish Parliament back to Dublin. However, Irish Parliamentary parties quite clearly cannot agree to Griffith’s urgings, as such a move would undermine the foundation of their existence in Westminster. Sinn Féin thus serves as conduit for Griffith’s opposition to the Acts of Union 1800.
The Sinn Féin weekly and the SFPP both come to an end when they are suppressed by the British Government in 1914.
Clare Boylan, Irish author, journalist and critic for newspapers, magazines and many international broadcast media, is born in Dublin on April 21, 1948.
After leaving St. Louis convent, Boylan takes a job as a sales assistant in a bookshop before beginning her career as a journalist at The Irish Press, now defunct. In 1974 she wins the Journalist of the Year award when working in the city for the Evening Press. Later in her career she edits the glossy magazine Image, before largely giving up journalism to focus on a career as an author.
Boylan’s novels are Holy Pictures (1983), Last Resorts (1984), Black Baby (1988), Home Rule (1992), Beloved Stranger (1999), Room for a Single Lady (1997), which wins the Spirit of Light Award and is optioned for a film, and Emma Brown (2003). The latter work is a continuation of a 20-page fragment written by Charlotte Brontë before her death.
Boylan’s short stories are collected in A Nail on the Head (1983), Concerning Virgins (1990) and That Bad Woman (1995). The film Making Waves, based on her short story “Some Ladies on a Tour”, is nominated for an Oscar in 1988.
Boylan’s non-fiction includes The Agony and the Ego (1994) and The Literary Companion to Cats (1994). She writes introductions to the novels of Kate O’Brien and Molly Keane and adapts Keane’s novel Good Behaviour as the classic serial for BBC Radio 4 (2004). Her work has been translated as far afield as Russia and Hong Kong.
In later life, Boylan lives in County Wicklow with her husband Alan Wilkes. When she is diagnosed with ovarian cancer, she faces her illness with characteristic strength. She takes up kickboxing and spends time in France, shopping, cooking and entertaining friends. She succumbs to cancer at the age of 58 on May 16, 2006.
The first issue of 
seamus dubhghaill 