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Category Archives: Northern Ireland


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Birth of Gearóid Ó Cuinneagáin, Political Activist & Publisher

Gearóid Seán Caoimhín Ó Cuinneagáin, political activist and publisher, is born John Gerald Cunningham in Belfast on January 2, 1910.

Ó Cuinneagáin Is the third child of Sean Cunningham and his wife Caitlín. He is educated in Belfast, at St. Brigid’s school, Malone Road, and the St. Patrick’s Christian Brothers school on Donegall Street. His political views are permanently influenced by memories of the sectarian violence of 1920–22. In 1927, he enters the Irish civil service as a tax clerk, stationed first at Athlone and then at Castlebar. He is promoted to junior executive officer in the Department of Defence, but resigns in July 1932 after his superiors refuse to allow him six months unpaid leave to study the Irish language in the Donegal Gaeltacht. He turns down a promotion to the Department of Finance, a decision partly motivated by disillusion with Fianna Fáil. He subsequently works as an accountant and lives in the south Dublin suburbs. In 1934, he establishes his own publishing company, Nuachtáin Teoranta, which he boasts is the first company to be registered in the Irish language, and he also contributes to an Irish language socialist paper, An t-Éireannach, under the pen name “Bruinneal gan Smal.”

In 1940–41, Ó Cuinneagáin is active in the Friends of Germany, a pro-Nazi organisation which disintegrates after some of its leading members are interned. On September 26, 1940, he founds Craobh na h-Aiséirighe, a branch of the Gaelic League aimed at attracting dynamic young enthusiasts frustrated by the older activists who dominate established branches. It makes a point of using modern publicity methods to get its message across, a trait which is carried over into Ailtirí na hAiséirghe (Architects of Resurrection), a political movement made up of branch members, which Ó Cuinneagáin founds in 1942. This move leads to the expulsion of Craobh na h-Aiséirighe from the Gaelic League and the establishment of Glún na Buaidhe by branch members who disapprove of his political ambitions and wish to concentrate on the promotion of the Irish language.

Members of Ailtirí wear an informal uniform of a green shirt, tweed suit, and báinín jacket. In private Ó Cuinneagáin reveals that the organisation is modeled on the Hitler Youth. His own title of “ceannaire” (leader) equates with “Führer” and “duce.” Features of the movement copied from Nazism include an emphasis on propaganda based on a few simple concepts and phrases. The claim that party politics allow statesmen to evade individual responsibility, whereas a single leader is necessarily more responsive to public opinion; and the belief that all difficulties can be overcome through willpower.

Ó Cuinneagáin takes to extremes contemporary Catholic advocacy of a corporate state based on vocational principles as the solution to the problems of modernity. While venerating António de Oliveira Salazar‘s Portugal as a role model, he believes that Ireland can surpass it and create a Catholic social model that will redeem the whole world. He takes a quasi-racial view of Irishness and comes close to saying that the only true Irish Catholics are of Gaelic race. When Seán Ó’Faoláin comments acidly in The Bell on the paradox of “Celtophiles” who bear such Celtic names as Blackham and Cunningham, Ó Cuinneagáin protests that he can prove his pure Gaelic descent. The Ailtirí state forces all male citizens to undertake a year’s compulsory military service, which is also used as a means of Gaelicisation, and the resulting citizen army of 250,000 would mount a lightning invasion of Northern Ireland, modeled on the blitzkrieg, with a favourite slogan being “Six Counties, Six Divisions, Sixty Minutes.” In 1943, the Stormont government excludes Ó Cuinneagáin from Northern Ireland.

Ailtirí attracts considerable attention. Its leaders address numerous meetings around the country, attracting large crowds to demonstrations at Dublin and Cork. Ó Cuinneagáin, who is by no means unintelligent, is capable of shrewd observations on the restrictions imposed on most Irish-language bodies by government subsidies, and the impact of the snobbery shown toward the poor by their middle class co-religionists. Several of his lieutenants are academics or engineers. In the 1970s he praises modernist architecture as breaking with the hated Georgian past, and denounces conservationists who oppose plans to build an oil refinery in Dublin Bay. Bilingual pamphlets produced by the group sell thousands of copies. Ó Cuinneagáin is the author of several, including Ireland’s twentieth century destiny (1942), Aiséirí says . . .(1943), Partition: a positive policy (1945), and Aiséirí for the worker (1947). Hus attempts to launch a party paper are stifled until the end of the war. Some of the interest attracted by the group is derived from curiosity or amusement. It also functions to some extent as a front organisation for the banned Irish Republican Army (IRA), with Ó Cuinneagáin declaring that Jews and freemasons should be locked up instead of IRA men. Aiséirí members are involved in the bombing of the Gough memorial in Phoenix Park in July 1957, with the stolen head concealed for a time in the party’s offices.

The party runs four candidates, including Ó Cuinneagáin in Dublin North-West, in the 1943 Irish general election and seven in 1944, but all lose their deposits. Ó Cuinneagáin does not actually vote for himself. Throughout his life he demands Irish language ballot papers. When given English language ones he tears them up, claiming that they disenfranchise him and that this invalidates the election. In 1946, Ailtirí na h-Aiséirí elects eight members to local bodies in counties Louth and Cork. This helps to bring about the decline of the party, as the Cork activists rebell against the rigid Führerprinzip upheld by the electorally unsuccessful ceannaire and his Dublin acolytes. Most of the party’s local support is absorbed by Clann na Poblachta. Ó Cuinneagáin retains a small group of followers centred on his newspaper Aiséirighe.

Ó Cuinneagáin keeps himself in the public gaze by driving around the country in a van painted with slogans, and by regularly appearing in court for refusing to respond to official documents (rates demands, car insurance, court summonses) unless they are supplied in Irish. He enjoys some success in securing the provision of Irish language versions of such documents, and he contrasts the state’s niggardliness on this point with its professed commitment to the revival of Irish. In 1954, he founds an Irish language women’s artistic and social paper, Deirdre, which operates successfully for over a decade without government subsidy.

Ó Cuinneagáin continues to write sympathetically about IRA activities, at one point offering a £1,000 reward for the capture of the Prime Minister of Northern Ireland, Basil Brooke. He maintains surprisingly extensive international neo-fascist contacts. He regularly reprints in Aiséirighe material by the American antisemite and racial segregationist Gerald L. K. Smith. He cites praise for Aiséirighe from Der Stahlhelm, a far-right German veterans’ paper, and notes Oswald Mosley‘s support for Irish reunification. He denounces Hugh Trevor-Roper‘s Last days of Hitler as typical British slander of a fallen enemy. He compares the sacrificial ideology of the Hungarian Nazi collaborator Ferenc Szálasi to that of Patrick Pearse. He praises Juan Perón as a model whom Ireland should imitate and he follows the electoral fortunes of Italian neo-fascism with interest. He also maintains contacts with the radical right-wing fringes of Breton, Scottish, and Welsh nationalism. He declares that Ireland’s grievance is against England alone and bemoans the Dublin government’s failure to encourage the break-up of the United Kingdom.

Ó Cuinneagáin denounces the Soviet Union and United States alike as controlled by Zionists and freemasons. He points to illegitimacy and divorce rates in the United States as proof of the folly of those who regard “progressive” American education as superior to the sound Irish teaching methods embodied by the Christian Brothers, and bemoans the increasing flow of “immoral” American comics and paperback books into Ireland. While noting with pride that he has been described as “Ireland’s foremost Jew-baiter,” He claims that his frequent diatribes against Robert Briscoe and the state of Israel are merely anti-Zionist, and that he has nothing against Jews, whom he defines as ultra-Orthodox anti-Zionists. He hopes that a Europe united on national–Christian principles might fend off the influence of the super powers. He echoes Mosleyite calls for European unity and is an early and determined advocate of Irish membership of the European Community. However, he dissents from the Mosleyite view that such a union should be based on African empire. He is generally anti-imperialist, though somewhat more lenient toward Portuguese than British imperialism, and from 1956 the President of Egypt, Gamal Abdel Nasser, becomes one of his heroes. While supporting European unity as a defensive strategy, he also warns that unless Ireland adopts mass conscription the country might be conquered by a regiment of Russian paratroopers landing on Dollymount Strand. Throughout the 1950s and 1960s he regularly calls for the Irish Army to mount a military coup, hinting that it should install him as leader in the same way that the Portuguese army had installed Salazar.

Ó Cuinneagáin gives up contesting elections but regularly cites those who do not vote in elections as indicating the extent of political support for Ailtirí na hAiséirghe. He regularly laments that the safety valve of emigration had taken the steam out of radical politics. In his later years he notes the growth of anti-clericalism and the beginnings of a permissive society in Dublin. He attributes this to the church’s failure to implement its own social teaching and its encouragement of West British snobbery at the expense of the truly Catholic traditions of the Gael.

On April 4, 1945, Ó Cuinneagáin marries Sile Ní Chochláin. They have four sons and two daughters, some of whom become active in left-wing politics. He dies on June 13, 1991. He tends to be remembered as a figure of fun, but this view demands some qualification. He possesses genuine abilities and dedication. His fantasies are an extreme development of the official ideology of the state, and part of his appeal stems from his ability to point out the hypocrisy involved in paying it lip service while failing to push it to its logical conclusion. The blindness and cruelty involved in imposing his world view at a personal level has their counterparts in the institutions of official Ireland. Ailtirí na hAiséirghe may have been a marginal millennial cult, but in Europe during the 1940s such groups were often raised to power by circumstances. Had the World War II taken a different direction after 1940, he might be remembered not as a parody of Pearse but as an Irish Szálasi.

(From: “Ó Cuinneagáin, Gearóid Seán Caoimhín” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.e, October 2009)


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Birth of James McAlinden, Irish Footballer

James McAlinden, Irish footballer who plays as a forward for several clubs, most notably, Belfast Celtic, Portsmouth, Shamrock Rovers and Southend United, is born in Belfast on December 27, 1917. As an international, he also plays for both Ireland teams – the IFA XI and the FAI XI. After retiring as a player, he goes on to manage Glenavon, Lisburn Distillery and Drogheda United.

In 1934, aged 16, McAlinden is playing for Glentoran Reserves, when after a game against their reserves, he is offered a professional contract by Belfast Celtic. Together with Jackie Vernon, Tommy Breen, Billy McMillan and Charlie Tully, he subsequently becomes a prominent member of the Celtic team managed by Elisha Scott. This team dominates the Irish League in the era before and during World War II. Among his most notable contributions is scoring in the 2–1 win against Bangor in the 1938 Irish Cup final.

In December 1938, McAlinden signs for Portsmouth for a fee of £7.500. He makes his debut for the club against Chelsea and goes on to become a regular in the side. Within six months of his arrival at the club, he helps them win the 1939 FA Cup final, beating Wolverhampton Wanderers 4–1. After the outbreak of World War II, he plays three times for Portsmouth in wartime regional leagues, but his first spell with the club ends when he then returns to Belfast Celtic in 1939. He returns to Portsmouth for a second stint in 1946. In September 1947, he leaves Portsmouth once again and joins Stoke City for a fee of £7,000.

Following the end of his second stint with Belfast Celtic and before he rejoins Portsmouth, McAlinden signs for Shamrock Rovers in September 1945. He makes his debut against Shelbourne at Glenmalure Park on September 16. While playing for Rovers his teammates include Paddy Coad, Peter Farrell and Tommy Eglington. During his one season with Rovers, he helps the club reach the 1946 FAI Cup final. However Rovers lose 3–1 to Drumcondra.

McAlinden joins Stoke City in September 1947 for a then club record fee of £7,000. He becomes regular inside forward under manager Bob McGrory in 1947–48, playing in 33 matches scoring just twice against Aston Villa and Huddersfield Town. His lack of goals sees him fall out of favour at the Victoria Ground and he is sold to Third Division South side Southend United in October 1948.

In 1948, Southend United signs McAlinden from Stoke City for a fee of £8,000. He continues to play for United until 1954 and during his time with the club he serves as club captain. He also becomes something of a cult hero among the club’s fans and is remembered as being possibly the best player ever to play for the club. In 1950, he is caught up in controversy after it is alleged that he received illegal payments during his second spell with Portsmouth. As a result, he is suspended for the first two months of the 1950–51 season. In April 1954, he makes his last home appearance for United in a 4–1 win over Queens Park Rangers.

When McAlinden begins his international career in 1937 there are in effect, two Ireland teams, chosen by two rival associations. Both associations, the Northern Ireland–based Irish Football Association (IFA) and the Irish Free State–based Football Association of Ireland (FAI), claim jurisdiction over the whole of Ireland and select players from the whole island. As a result, several notable Irish players from this era, including McAlinden play for both teams.

Between 1937 and 1948, McAlinden makes five appearances for the IFA XI, making his international debut in a 1–1 draw with Scotland at Pittodrie Stadium on November 10, 1937. His IFA XI appearances also include the 8–4 defeat against a Combined Services XI at Windsor Park on September 9, 1944. This team is basically a Great Britain XI and features, among others, Matt Busby, Stanley Matthews, Tommy Lawton and Stan Mortensen. He also plays against England in 7–2 defeat at Windsor Park on September 9, 1946. He makes his last appearance for the IFA XI on October 10, 1948, in a 6–2 defeat to England at Windsor Park. He makes his first three appearances for the IFA XI while with Belfast Celtic, his fourth while at Portsmouth and his fifth while at Southend United.

In 1946, while with Portsmouth, McAlinden also makes two appearances for the FAI XI. He is one of several players born in Northern Ireland who benefits from the FAI’s attempts to establish their all-Ireland influence. In June 1946, when the FAI organises an Iberian tour, he, together with Jackie Vernon, Billy McMillan and Paddy Sloan, is one of four Northern Irish players called up. He subsequently plays in both the 3–1 defeat to Portugal on June 16 and then helps Ireland gain a surprise 1–0 victory against Spain on June 23, 1946.

In 1955, McAlinden becomes player/manager of Glenavon. He continues playing for an additional year before finally retiring as a player to concentrate on management. During a thirteen-year stint with Glenavon, he guides them two Irish League titles, three Irish Cup victories and one Gold Cup. After leaving Glenavon, works as a full-time scout for Coventry City before taking charge at Lisburn Distillery in 1969. He subsequently guides a Distillery team that includes a young Martin O’Neill to a win in the 1971 Irish Cup. Later in his first season with Drogheda United, he guides them to the 1976 FAI Cup final, only to lose 1–0 to Bohemian.

McAlinden dies at the age of 75 on November 15, 1993.


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Birth of Jeremy Henderson, Anglo-Irish Artist & Painter

Jeremy Henderson, an Anglo-Irish artist and painter, is born at Lisbellaw, County Fermanagh, Northern Ireland, on December 25, 1952. He was Artist-in-Residence at Kingston University, with art exhibited at the Royal Academy of Arts and National Art Collections.

Henderson is born to James Douglas Alexander Henderson, who manages the family business of Henderson & Eadie, and Doris Josephine (née Watson). He attends Portora Royal School in Enniskillen, where the art master, Angus Bryson, spots him as an exceptional student.

From 1972 to 1973 Henderson studies an Arts Foundation course at Ulster University. From 1973 to 1976 he studies Fine Art at Kingston University, London, achieving a Bachelor of Arts first class honours degree under the tutelage of Terry Jones, returning in 1977 as Artist-in-Residence. In the same year he becomes the first recipient of the Stanley Picker Fellowship Award in Painting. Between 1978 and 1979 he completes a MA postgraduate in Fine Art at Chelsea School of Art under the tutelage of the artist John Hoyland.

In 1980, Henderson starts his professional artistic journey, developing abstract techniques, creating large canvases with complex layers of overlaid and inter-worked paint. He lives and paints in London for twenty years before relocating back to Ireland. In the mid-1980s he works in a studio adjacent to the house he shares with his partner, Jenni Stone, with whom he has a daughter named Emerald.

During the mid-1980s Henderson’s work becomes recognised by private and public collectors, including Bono, leader of the Irish rock band U2. During this period he sells his first work to the National Art Collection (1986). Cuilcagh Under A Renaissance Sky is purchased for Fermanagh County Museum with a grant from the Arts Council of Northern Ireland during his first solo exhibition “Around a Border” in Ireland. This is followed by three more acquisitions via the Arts Council during the 1980s, who continue to support his work into the new millennium acquiring If Hobbema had Seen Ireland (1989) in 2004 via Art Fund with support from the Esmée Fairbairn Foundation. His work is exhibited by Arts Council England.

In 1990 Henderson moves to the Cooperage Studio, Brick Lane, London, sharing the top floor with sculptor David Fusco and artist Bryan Benge, a friend from Kingston University. Benge says “Every summer the studios in the East End became part of the open studios programme. . . . . He was an intelligent and incredibly accomplished Painter.” It is here, separated from his partner and virtually penniless, he devotes himself entirely to his work, living in a tent, donated by Benge’s parents, inside the studio.

Henderson begins Palinurus in Soho in 1991, a series of twelve paintings depicting night time rooftop scenes across London, painted from an attic in Kingly Street. Exhibited at the Anna Bornholt Gallery in 1992, ten of the series are acquired by a single private collector.

Around 2000, Henderson becomes more influenced by Greek and Irish symbolism, in particular White Island, the Book of Kells and Sheela na gig, reflected in much of the art produced from this time onward. In 2001, he creates a set of enamel manuscripts for The Clinton Centre in Enniskillen, inaugurated by U.S. President Bill Clinton in 2002, in commemoration of the Remembrance Day bombing of 1987. He is interested in enameling because of the possibilities that it offers to him as a colourist and in the behaviour of gestural mark-making. The process is made possible when he is introduced to Andrew Morley, the authority on enamel sign making.

Henderson’s artistic influences include Hans Hofmann, Barnett Newman, Mark Rothko, and John Hoyland. Frequently associated with Samuel Beckett and Jack Butler Yeats, he is influenced by his homeland; his early environment, growing up around weaving, yarns and dyeing, the regions political turmoil, symbolism, and in later life his chronic illness, expressed in his more sombre paintings.

John Hutchinson, critic and director of the Douglas Hyde Gallery writes in the Sunday Independent that Henderson’s paintings “demonstrate the fruitfulness of the no man’s land between abstraction and representation,” and “His images deliberately evoke the picturesque and romantic landscape conventions that originated in the late 18th century…..as well as the expressionist subjectivity of painters such as Jack B. Yeats.” Due to Henderson’s disinterest in the commercialisation of his work, he is sometimes referred to as Ireland’s Invisible Genius.

Henderson describes the evolution of his work, after returning to Ireland in 1993, saying, “Since returning to Ireland my work has become less concerned with resting landscape painting in a cultural context more appropriate to our times, but has come full circle towards an internalised organic abstraction which characterised my more intuitive approach until the early eighties.”

Henderson is married once, in 1995 to the actress Patricia Martinelli with whom he subsequently has a daughter in 1997, Bella-Lucia. He remains married, living in the remote village of Boho, County Fermanagh, Northern Ireland, until his death, brought on by a brain tumour, on April 28, 2009. He remains a prolific artist throughout his life.

Henderson’s work is held in the private collection of the entrepreneur Vincent Ferguson, owner of Fitzwilton and Independent News & Media PLC. His work is also held in the Smurfit Art Collection of Smurfit Kappa Group.


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The 1978 Crossmaglen Ambush

On December 21, 1978, three British soldiers are shot dead when the Provisional Irish Republican Army‘s South Armagh Brigade ambushes an eight-man British Army foot patrol in Crossmaglen, County Armagh, Northern Ireland.

Since the Troubles began, the South Armagh area—especially around Crossmaglen and other similar republican strongholds—is one of the most dangerous places for the British security forces, and the IRA’s South Armagh brigade carries out numerous ambushes on the British Army and Royal Ulster Constabulary (RUC). This includes the 1975 Drummuckavall ambush and the 1978 downing of a British Army Gazelle helicopter which leads to the death of one British soldier and four others being seriously injured.

A number of British security force members are killed in Crossmaglen during 1978. On March 4, British soldier Nicholas Smith (20), 7 Platoon, B Company, 2nd Royal Green Jackets, is killed by an IRA booby trap bomb while attempting to remove an Irish flag from a telegraph pole in Crossmaglen. On June 17, William Turbitt (42) and Hugh McConnell (32), both Protestant RUC officers, are shot by the IRA while on mobile patrol near Crossmaglen. McConnell is killed at the scene, but Turbitt is kidnapped. The next day, a Catholic priest, Fr. Hugh Murphy, is kidnapped in retaliation but later released after appeals from Protestant clergy. The body of Turbitt is found on July 10, 1978.

On December 21, 1978, when the patrol is near Rio’s Bar coming around a bend, a red Royal Mail-type van is spotted by the patrols commander Sergeant Richard Garmory. The van is fitted with armor plating and is facing away from the patrol. Garmory believes the van is in a suspicious place on the other side of the street. He notes what appear to be boxes in the back of the van, which actually provide cover for the IRA Volunteers. IRA members open fire from the back of the van with an M60 machine gun which is fitted down onto the floor in the back of the van. Three other IRA volunteers armed with AR-15-style rifles and another Volunteer with an AK-47 open up on the patrol. The British soldiers on patrol return fire but do not claim any hits. A handful of Christmas shoppers scramble for cover. Three soldiers at the front of the patrol are fatally wounded. They are treated by staff at a nearby health center and then taken to Musgrave Park Hospital but are declared dead on arrival. The soldiers killed are Graham Duggan (22), Kevin Johnson (20) and Glen Ling (18). All are members of the British Armies Grenadier Guards regiment. The patrol commander, Richard Garmory, says of the ambush:

On coming round the bend near the Rio Bar, I saw 40 yards away what looked like a British Rail parcel delivery van parked partly on the pavement on the left facing away from us. It had an 18-inch tailboard with a roll shutter that could be pulled down. The van immediately struck me as highly suspicious because I saw what looked like cardboard boxes piled to the top in the back, all flush with the tailboard so they would fall out if the van moved off fast. I instantaneously put my magnifying sight to my to my eye and saw four firing slits, two above the other two, among the boxes. I immediately opened fire.

Four months later the South Armagh brigade strikes again at British security forces, this time near Bessbrook which is several miles from Crossmaglen. Four RUC officers are killed in the 1979 Bessbrook bombing, when a 1,000 lb. land mine is detonated when the RUC patrol is passing by the bomb, killing all the officers outright.

(Pictured: South Armagh Brigade, Provisional Irish Republican Army, manning a temporary checkpoint close to Crossmaglen, 1978)


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Donnelly’s Bar and Kay’s Tavern Attacks

During the evening of December 19, 1975, two coordinated attacks are carried out by the Ulster Volunteer Force (UVF) in pubs on either side of the Irish border. The first attack, a car bombing, takes place outside Kay’s Tavern, a pub along Crowe Street in Dundalk, County Louth, Republic of Ireland – close to the border. The second, a gun and bomb attack, takes place at Donnelly’s Bar & Filling Station in Silverbridge, County Armagh, just across the border inside Northern Ireland.

The attacks are linked to the Glenanne gang, a group of loyalist militants who are either members of the UVF, the Ulster Defence Regiment (UDR), the Royal Ulster Constabulary (RUC) and the closely linked UVF paramilitary the Red Hand Commando (RHC). Some of the Glenanne gang are members of two of these organisations at the same time, such as gang leaders Billy Hanna, who is in both the UVF and the UDR and who fights for the British Army during the Korean War, and John Weir from County Monaghan, who is in the UVF and is a sergeant in the RUC. At least 25 UDR men and police officers are named as members of the gang. The Red Hand Commando claim to have carried out both attacks.

According to journalist Joe Tiernan, the attacks are planned and led by Robert McConnell and Robin “The Jackal” Jackson who are both alleged to have carried out dozens of sectarian murders during The Troubles, mainly from 1974 to 1977, mostly in south County Armagh – which in 1975 is virtually lawless. Loyalist paramilitaries and the Provisional Irish Republican Army roam the streets and countryside and can set up bogus military checkpoints freely.

The attacks are planned at the Glenanne farm of RUC reserve officer James Mitchell which is where most terrorist acts are planned by the gang and the farm also acts as a UVF arms dump and bomb-making site. After the attacks are finished everyone involved in both attacks is to meet at Mitchell’s farm. Then if there is any heat, Mitchell can claim the bombers and shooters were with him when the attacks happened.

The first phase of the plan starts at around 6:15 p.m. along Crowe Street in Dundalk when a 100-pound no-warning bomb explodes in a Ford sports car just outside Kay’s Tavern. The blast kills Hugh Watters, who is a tailor and has just dropped into the pub to deliver some clothes he has altered for the pub’s owner, almost instantly. Jack Rooney, who is walking past the town hall on the opposite side of the street, is struck in the head by flying shrapnel and dies three days later. A further 20 people are injured in the explosion, several of them very seriously. The car bomb is fitted with fake southern registration plates and placed in one of the busiest streets in Dundalk in the hope of causing maximum death and injury. According to Joe Tiernan, UVF commander Robin Jackson plants the bomb and along with other members of his unit escapes across the border in a blue Hillman Hunter around the time the bomb goes off.

At around 9:00 p.m., about three hours after the Dundalk bombing, the second phase of the coordinated plan begins. It is led by McConnell and takes place at Donnelly’s Bar & Filling Station in the small Armagh village Silverbridge, close to Crossmaglen.

The unit arrives in two cars and come unusually fast toward the pub. The publican’s son, Michael Donnelly (14), is serving petrol to a customer. He notices the strange speed of the cars. He tries to run toward the pub, but McConnell jumps out of one of the cars and shoots the teenage boy dead with a Sten gun. McConnell then shoots the man Michael Donnelly had been serving petrol to in the head. Although the man survives the shooting, he is maimed for life.

Then a second gunman, believed to be Billy McCaughey, a UVF volunteer and member of the RUC Special Patrol Group, shoots dead a second person, local man Patrick Donnelly (no relation to the pub owner’s family) who has been waiting for petrol. McConnell then goes inside the pub and sprays the bar with his Sten SMG, killing a third man, Trevor Bracknell, and seriously injuring three more people.

As McConnell withdraws to his car, two other members of the unit carry a 25-pound cylinder bomb inside the pub. As McConnell’s unit flees back to Mitchell’s farm, the bomb detonates inside the pub. However, by this time most of the people have already fled.

(Pictured: Photograph of the destruction at Kay’s Tavern after the loyalist car bomb explosion on December 19, 1975. Members of the Garda and Dundalk fire service are seen in the foreground. Also present are a number of visiting government ministers from Dublin.)


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The Dungannon Land Mine Attack

The Provisional Irish Republican Army (IRA) ambushes two British Army Land Rovers with an improvised land mine outside Dungannon, County Tyrone, Northern Ireland, on December 16, 1979. Four British soldiers are killed in the attack.

Since the beginning of its campaign in 1970, the Provisional IRA has carried out many improvised land mine and roadside bomb attacks on British forces in the region. In September 1972, three British soldiers are killed when their armoured vehicle is blown up by an IRA land mine at Sanaghanroe, near Dungannon. In March 1974, two IRA members are killed on the Aughnacloy Road near Dungannon when a land mine they are planting explodes prematurely.

The Dungannon attack occurs just months after the Warrenpoint ambush on August 27, 1979, where the IRA kills eighteen British soldiers with roadside bombs in south County Down — the deadliest single attack on British forces during The Troubles.

On December 16, 1979, two armoured British Army Land Rovers are driving along Ballygawley Road, about two miles outside Dungannon. A unit of the IRA had planted a 600–1,000-pound (270–450 kg) improvised land mine in a culvert under the road at Glenadush. When the second vehicle reaches the culvert, the land mine is detonated by remote control from a concealed location, showcasing their evolving tactics in guerrilla warfare and ambush strategy. The blast is powerful enough to launch the armoured Land Rover into the air and killing four soldiers from the Royal Regiment of Artillery outright: William Beck (23), Keith Richards (22), Simon Evans (19), and Allan Ayrton (23).


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Birth of Billy Simpson, Northern Irish Footballer

William Joseph Simpson, a Northern Ireland international footballer, is born in Belfast, Northern Ireland, on December 12, 1929. During his fifteen year playing career he plays for Linfield, Rangers, Stirling Albion, Partick Thistle and Oxford United.

Simpson signs for Rangers from Linfield for a sum of £11,500 in 1950. He spends nine years (1950–59) at Rangers making 239 appearances and scoring 163 goals. He wins three championship medals and a Scottish Cup winners medal with Rangers to add to the two Northern Ireland Football League and two Irish Cups he wins with Linfield. He leaves Ibrox Stadium in 1959 and spends the last couple of years of his career with Stirling Albion, Partick Thistle and (then non-league) Oxford United.

As an illustration of his popularity, in the fictional song “A Trip to Ibrox,” Simpson is credited with scoring twice in a “Ne’erday” Old Firm Derby at Ibrox. Whereby Rangers are 1-0 down at halftime, and Simpson inspires his team to a second half comeback after Willie Waddell has scored an equaliser.

In recognition of his service to that club, Simpson is made a member of the Rangers F.C. Hall of Fame.

Simpson makes his debut for Northern Ireland in 1951 against Wales, scoring in the process. He represents his country twelve times in total between 1951 and 1958, scoring five goals. He is selected in Northern Ireland’s squad for the 1958 FIFA World Cup in Sweden but a late injury ensures he does not play at all during the finals.

In April 2015, the feature-length documentary Spirit of ’58 is screened as part of the Belfast Film Festival. It features Simpson prominently alongside the other surviving players (Billy Bingham, Peter McParland, Jimmy McIlroy and Harry Gregg) as it tells the story of Northern Ireland’s journey throughout the 1950s under the managership of Peter Doherty, culminating in the 1958 World Cup.

Simpson dies in Glasgow, Scotland, on January 27, 2017.


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Death of Danny Blanchflower, Northern Ireland Footballer

Robert Dennis “Danny” Blanchflower, former Northern Ireland international footballer and football manager, dies of pneumonia in Staines-upon-Thames, Surrey, England, on December 9, 1993.

Blanchflower is born on February 10, 1926, in the Bloomfield district of Belfast, the first of five children born to John and Selina Blanchflower. He is educated at Ravenscroft public elementary school and is awarded a scholarship to Belfast College of Technology. He leaves school early to become an apprentice electrician at Gallaher’s cigarette factory in Belfast. He also joins the Air Raid Precautions (ARP) and, in 1943, joins the Royal Air Force after lying about his age. By 1946, after a trainee navigator course at the University of St. Andrews in Scotland and further training in Canada, he is back at Gallaher’s in Belfast and building a reputation as an outstanding footballer.

Blanchflower signs with Glentoran F.C. in 1946 before crossing the Irish Sea and signing with Barnsley F.C. for £6000 in 1949 at the age of 23. He transfers from Barnsley to Aston Villa F.C. for a fee of £15,000 and makes his First Division debut in March 1951. He makes 155 senior appearances for Villa before being bought by Tottenham Hotspur F.C. in 1954 for a fee of £30,000. During his ten years playing at White Hart Lane he makes 337 League appearances and 382 total appearances.

The highlight of Blanchflower’s time with the Spurs comes in the 1960–61 season, while serving as captain, the Spurs win their first 11 games and eventually win the league by 8 points. They beat Leicester City F.C. in the final of the FA Cup, becoming the first team in the 20th century to win the League and Cup double and a feat not achieved since Aston Villa in 1897.

In 1962, Blanchflower again captains the Spurs team to victory in the FA Cup in 1962, narrowly missing out on a second double when they finish a close third in the league behind Ipswich Town F.C. and Burnley F.C. In 1963, he captains the team to victory over Atlético Madrid in the final of the European Cup Winners’ Cup, making Spurs the first English team to win a European trophy.

Between 1949 and 1963, Blanchflower earns 56 caps for Northern Ireland, often playing alongside his brother Jackie until the younger Blanchflower’s playing career is cut short as a result of injuries sustained in the Munich air disaster of February 1958. In 1958, he captains his country when they reached the quarter-finals of the FIFA World Cup.

On December 4, 1957, Blanchflower captains the Northern Ireland team against Italy in Belfast in a bad tempered game that comes to be known as the “Battle of Belfast.” He attempts to keep the peace as the game turns nasty.

Blanchflower announces his retirement as a player on April 5, 1964, having played nearly 400 games in all competitions for the Spurs and captains them to four major trophies.

Following his retirement as a player, Blanchflower coachs for the Spurs for a number of years. Manager Bill Nicholson intends for Blanchflower to be his successor but, when Nicholson resigns in 1974, Blanchflower is passed over in favour of Terry Neill. He leaves the Spurs and becomes manager of Northern Ireland for a brief spell in 1978 before being appointed boss of Chelsea F.C. The team wins only three of fifteen games under his charge and he leaves the team in September 1979.

On May 1, 1990, Tottenham holds a testimonial match for Blanchflower at White Hart Lane, but at this point he is in the early stages of what is later diagnosed as Alzheimer’s disease and Parkinson’s disease. He is eventually placed in a nursing home in Staines-upon-Thames where he dies as a result of pneumonia on December 9, 1993, at the age of 67.

Blanchflower’s hometown of Belfast has honoured him with an Ulster History Circle plaque, located at his childhood home at 49 Grace Avenue, recognising the late sportsman as one of the greatest players in the history of Tottenham Hotspur FC.


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Founding of Traditional Unionist Voice

The Traditional Unionist Voice (TUV), a unionist political party in Northern Ireland, is founded on December 7, 2007, by Jim Allister after he and others had resigned from the Democratic Unionist Party (DUP) in March of that year. In common with all other Northern Irish unionist parties, the TUV’s political programme has as its sine qua non the preservation of Northern Ireland’s place within the United Kingdom. A founding precept of the party is that “nothing which is morally wrong can be politically right.”

At the time of his resignation, Allister is a prominent figure in the DUP and holds the position of Member of the European Parliament (MEP) for the party having been elected to the European Parliament in 2004. The reason for the split is DUP leader Ian Paisley’s March 2007 consent to the St. Andrews Agreement and his willingness to become First Minister of Northern Ireland alongside a deputy First Minister from the Irish republican party Sinn Féin.

Prior to the St. Andrews Agreement, the DUP presents itself as an “anti-Agreement” unionist party opposed to numerous aspects of the Good Friday Agreement, e.g., the release of paramilitary prisoners before the end of their jail sentences, and the participation of Sinn Féin in the Northern Ireland government without complete decommissioning of Provisional Irish Republican Army (IRA) weapons and cessation of all IRA activity. The TUV has been an exception among Northern Irish unionist parties in consistently opposing the presence of Sinn Féin in the Northern Ireland government. After Allister’s resignation from the DUP, he continues to occupy his European Parliament seat, sitting as an Independent MEP until the 2009 European Parliament election in the United Kingdom, when he is not re-elected.

In terms of electoral success and financial income, Traditional Unionist Voice is the third largest unionist party in Northern Ireland, behind the Democratic Unionist Party and the Ulster Unionist Party (UUP). It is usually considered by political commentators to be a small party and characterised as being more hardline than other Northern Irish unionist parties.

Since 2011, the TUV has occupied one seat in the Northern Ireland Assembly. In 2024, they win their first seat in the United Kingdom House of Commons. The party also holds some seats on local councils in Northern Ireland. Its most prominent elected representative and best-known figure remains Jim Allister whose North Antrim constituency is the heartland of the party.

Since 2008, the party president has been former East Londonderry Westminster MP William Ross.

In March 2024, the party forms an electoral pact with Reform UK, stating that the two parties will stand mutually agreed candidates in Northern Ireland constituencies in the 2024 United Kingdom general election. In this election, the party wins its first Westminster Member of Parliament (MP), electing Jim Allister as MP for North Antrim.

An opinion poll, released by LucidTalk in August 2025, shows the TUV as the third most popular party for the first time, coming ahead of both the Alliance Party and Ulster Unionists, with 13%.


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Birth of David Hammond, Singer & Folklorist

David Andrew (Davy) Hammond, singer, folklorist, television producer and documentary maker, is born on December 5, 1928, in Miss Kell’s nursing home on the Castlereagh Road in Belfast, Northern Ireland.

Hammond is the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.

After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.

Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.

On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.

Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focusand Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song(1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.

The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House(1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.

In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.

Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.

Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St. Finnian’s Church is a major cultural event, where friends sing, play and speak in his honour.

In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”

(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)