seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Northern Ireland


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Ian Paisley’s Retirement from the Power-Sharing Assembly

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On March 23, 2011, Ian Paisley calls for a new era of sharing and reconciliation in an emotional farewell at his final sitting of the power-sharing Assembly he helped to create at Stormont. Dr. Paisley continues his political career in the House of Lords.

Protestant and Catholic leaders in Northern Ireland‘s unity government celebrate their first full four-year term in power and lauded Paisley, the unlikely peacemaker who made it possible, on his effective retirement day.

Paisley, a stern anti-Catholic evangelist who spent decades rallying pro-British Protestants against compromise, stuns the world in 2007 by agreeing to forge a coalition alongside senior Irish Republican Army (IRA) veterans. Their polar-opposite combination governs Northern Ireland with surprising harmony for the four years leading up to his retirement.

The Northern Ireland Assembly that elects the administration is dissolved on March 14, 2011, in preparation for a May 5 election in the British territory. The 84-year-old Paisley makes his last debate in an elected chamber on March 6, 2011, noting that this local government is not ending in chaos and acrimony, as 1999-2002 attempts at power-sharing repeatedly had done.

At this point, Paisley has already stepped down as a member of the British and European parliaments and as leader of the Democratic Unionists, a party of hard-line Protestant protesters that he founded in 1970 and watched grow over the previous decade into the most popular in Northern Ireland.

Those lauding him include Peter Robinson, who succeeded him in 2008 as leader of both the government and the Democratic Unionists and Sinn Féin‘s Martin McGuinness, the senior Catholic politician who spends decades as a commander of Paisley’s archenemy, the IRA.

The IRA kills nearly 1,800 people in a failed 1970-1997 effort to force Northern Ireland out of the United Kingdom. Northern Ireland remains part of the United Kingdom when the overwhelmingly Catholic rest of Ireland gains its independence in 1922. The outlawed IRA formally renounces violence and disarms in 2005, clearing the way for its allied Sinn Féin party to recognize the legal authority of Northern Ireland and its police.

Still, few observers expected Paisley to agree to a pact so quickly after the IRA-Sinn Féin peace moves or to get along so warmly with McGuinness during their year in partnership.

McGuinness, whose organization once considered Paisley a prime target for assassination, addressing his remarks to the stooped, silver-haired Paisley across the chamber, notes that Ulster wits had christened the two of them “the Chuckle Brothers.” He adds, “And I would like to think that we showed leadership. I think my relationship with him will undoubtedly go down in the history books.”

(From: “Northern Ireland power-sharing marks 1st full term,” the Associated Press and CTV News, March 23, 2011)


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Birth of Painter Sir John Lavery

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Sir John Lavery, Irish painter best known for his portraits and wartime depictions, is born in Belfast on March 20, 1856.

Lavery attends Haldane Academy in Glasgow in the 1870s and the Académie Julian in Paris in the early 1880s. He returns to Glasgow and is associated with the Glasgow School. In 1888 he is commissioned to paint the state visit of Queen Victoria to the Glasgow International Exhibition of Science, Art and Industry. This launches his career as a society painter, and he moves to London soon thereafter. In London he becomes friends with James McNeill Whistler and is clearly influenced by him.

Like William Orpen, Lavery is appointed an official artist in World War I. Ill-health, however, prevents him from travelling to the Western Front. A serious car crash during a Zeppelin bombing raid also keeps him from fulfilling this role as war artist. He remains in Britain and mostly paints boats, aeroplanes, and airships. During the war years he is a close friend of H.H. Asquith‘s family and spends time with them at their Sutton Courtenay Thames-side residence, painting their portraits and idyllic pictures like Summer on the River (Hugh Lane Gallery).

After the war Lavery is knighted and in 1921 he is elected to the Royal Academy of Arts.

During this time, he and his wife, Hazel, are tangentially involved in the Irish War of Independence and the Irish Civil War. They give the use of their London home to the Irish negotiators during the negotiations leading to the Anglo-Irish Treaty. After Michael Collins is assassinated, Lavery paints Michael Collins, Love of Ireland, now in the Hugh Lane Gallery. In 1929, Lavery makes substantial donations of his work to both the Ulster Museum and the Hugh Lane Gallery and in the 1930s he returns to Ireland. He receives honorary degrees from the University of Dublin and Queen’s University Belfast. He is also made a free man of both Dublin and Belfast. A long-standing member of Glasgow Art Club, Lavery exhibits at the club’s annual exhibitions, including its exhibition in 1939 in which his The Lake at Ranelagh is included.

Sir John Lavery dies of natural causes, at the age of 84, in Rossenarra House, Kilmoganny, County Kilkenny on January 10, 1941, and is interred in Putney Vale Cemetery.


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The Funeral of Rosemary Nelson, Human Rights Lawyer

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The funeral of murdered human rights lawyer, Rosemary Nelson, takes place at St. Peter’s Church in Lurgan, County Armagh, Northern Ireland on March 18, 1999.

Rosemary Nelson, née Magee, obtains her law degree at Queens University Belfast. She works with other solicitors for a number of years before opening her own practice. She represents clients in a number of high-profile cases, including Michael Caraher, one of the South Armagh Snipers, as well as a republican paramilitary accused of killing two Royal Ulster Constabulary (RUC) officers. She also represents the Garvaghy Road Residents’ Coalition in nearby Portadown in the long-running Drumcree conflict against the Orange Order and RUC.

Nelson claims she has received death threats from members of the RUC as a result of her legal work. Some RUC officers make abusive and threatening remarks about her to her clients, which become publicly known. In 1998, the United Nations Special Rapporteur on the Independence of Judges and Solicitors, Param Cumaraswamy, notes these threats in his annual report, and states in a television interview that he believes her life could be in danger. He makes recommendations to the British government concerning threats from police against Solicitors, which are not acted upon. Later that year, Nelson testifies before a committee of the United States Congress investigating human rights in Northern Ireland, confirming that death threats have been made against her and her three children.

Nelson is assassinated, at the age of 40, by a car bomb outside her home in Lurgan on March 15, 1999. A loyalist paramilitary group calling itself the Red Hand Defenders claim responsibility for the killing. She is survived by her husband and their three children.

In 2004, the Cory Collusion Inquiry recommends that the UK Government hold an inquiry into the circumstances of Nelson’s death. She is posthumously awarded the Train Foundation‘s Civil Courage Prize, which recognises “extraordinary heroes of conscience.”

The resulting inquiry into her assassination opens at the Craigavon Civic Centre, Craigavon, County Armagh, in April 2005. In September 2006 the British Security Service MI5 announces it would be represented at the inquiry. This move provokes criticism from Nelson’s family, who reportedly express concerns that MI5 would remove sensitive or classified information.

The results of the inquiry are published on May 23, 2011. The inquiry finds no evidence that state agencies (the RUC, British Army and MI5) had “directly facilitated” her murder, but “could not exclude the possibility” that individual members had helped the perpetrators. It finds that state agencies had failed to protect her and that some RUC intelligence about her had been leaked. Both of these, it says, increased the danger to her life. The report also states that RUC officers had publicly abused and assaulted her in 1997, and made threatening remarks about her to her clients, which became publicly known. It concludes that this helped “legitimise her as a target in the eyes of loyalist terrorists.”


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The Milltown Cemetery Attack

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The Milltown Cemetery attack, also known as the Milltown Cemetery killings or the Milltown Massacre, takes place on March 16, 1988 at Milltown Cemetery in Belfast, Northern Ireland.

On March 6, 1988, Provisional Irish Republican Army members Daniel McCann, Seán Savage and Mairéad Farrell are shot dead by the Special Air Service (SAS) in Gibraltar, in Operation Flavius. The three were allegedly preparing a bomb attack on British military personnel there, but their deaths outrage republicans as the three are unarmed and shot without warning. Their bodies arrive in Belfast on March 14 and are taken to their family homes.

The “Gilbraltar Three” are scheduled to be buried in the republican plot at Milltown Cemetery on March 16. For years, republicans had complained about heavy-handed policing of IRA funerals, which had led to violence. In a change from normal procedure, the security forces agree to stay away from the funeral in exchange for guarantees that there will be no three-volley salute by IRA gunmen. The British Army and Royal Ulster Constabulary (RUC) would instead keep watch from the sidelines. This decision is not made public.

Present at the funeral are thousands of mourners and top members of the IRA and Sinn Féin, including Sinn Féin leader Gerry Adams and Martin McGuinness. Two RUC helicopters hover overhead.

Michael Stone, a loyalist and member of the Ulster Defence Association (UDA), learns there are to be no police or armed IRA members at the cemetery. As the third coffin is about to be lowered into the ground, Stone throws two grenades, which have a seven-second delay, toward the republican plot and begins shooting. The first grenade explodes near the crowd and about 20 yards from the grave. There is panic and confusion, and people dive for cover behind gravestones.

As Stone runs towards the nearby motorway, a large crowd begins chasing him and he continues shooting and throwing grenades. Some of the crowd catches Stone and begin beating him, but he is rescued by the police and arrested. Three people are killed and more than 60 wounded in the attack. The “unprecedented, one-man attack” is filmed by television news crews and causes shock around the world.

Three days later, two British Army corporals drive into the funeral procession of one of the Milltown victims. The non-uniformed soldiers are dragged from their car by an angry crowd, beaten and then shot dead by the IRA, in what becomes known as the corporals killings.

In March 1989, Stone is convicted for the three murders at Milltown, for three paramilitary murders before, and for other offences, receiving sentences totaling 682 years. He is released after serving 13 years as a result of the Good Friday Agreement.

(Pictured: The funeral at Milltown Cemetery in Belfast moments before the attack by Michael Stone)


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Killing of PSNI Officer Stephen Carroll

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Stephen Carroll, a Police Service of Northern Ireland (PSNI) officer, is killed by the Continuity Irish Republican Army on March 9, 2009 in Craigavon, County Armagh, Northern Ireland. Carroll’s killing marks the first time a serving police officer has been killed since the Good Friday Agreement in 1998.

Two days prior to the attack the Real Irish Republican Army shoots dead two British soldiers outside the Massereene Barracks in Antrim, County Antrim. This period marks a significant escalation in the campaign by dissident republicans.

The Continuity IRA smashes a window with a brick knowing the PSNI would respond. At about 9:45 PM two police vehicles arrive at the scene. The officers are fired upon as they attempt to exit their vehicles. A gunman shoots Carroll from 50 metres away with an AK-47 while in his patrol car. Carroll is shot in the head.

The Continuity IRA claims responsibility saying their North Armagh Battalion is responsible for the attack and that “As long as there is British involvement in Ireland, these attacks will continue.”

On March 10 there is a one-minute silence in the Northern Ireland Assembly. Prime Minister Gordon Brown states that “These are murderers who are trying to distort, disrupt and destroy a political process that is working for the people of Northern Ireland.” Chief Constable Sir Hugh Orde calls it a “sad day” and says the gunmen are “criminal psychopaths.”

Richard Walsh, the spokesman for Republican Sinn Féin, a party linked to the Continuity IRA, says the killings are “an act of war” rather than murder. “We have always upheld the right of the Irish people to use any level of controlled and disciplined force to drive the British out of Ireland. We make no apology for that.” He also describes the PSNI as “an armed adjunct of the British Army.”

Deputy First Minister of Northern Ireland Martin McGuinness says those responsible are “traitors to the island of Ireland” and that “they have betrayed the political desires, hopes and aspirations of all of the people who live on this island.”


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Birth of Cosslett Quinn, Priest & Linguist

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The Rev. Canon Cosslett Quinn (in Irish Cosslett Ó Cuinn), scholar, linguist, and priest of the Church of Ireland who translates the New Testament into Irish, is born in Derriaghy, County Antrim in what is now Northern Ireland on February 27, 1907.

Quinn is born to Charles Edward Quinn, rector of Derriaghy, and Edith Isobel Wadell. He studies at Campbell College in Belfast, and later at Trinity College Dublin, where he receives his Bachelor of Divinity in Theology in 1940.

Quinn is a poet, theologian, critic, biblical scholar, member of the ecumenical movement, and a scholar of the Irish language. During his studies, he develops a strong interest in Ulster Irish and often visits the Irish-speaking Gola Island and Derrybeg. He also publishes articles in Éigse: A Journal of Irish Studies on the dialects of Irish spoken on Rathlin Island and Kilkenny. He compiles the folklore of native Irish speakers from the islands of Tory and Arranmore off the coast of County Donegal.

While working in Belfast and Inishowen in 1931, Quinn is promoted to the post of deacon. In 1961, he is appointed professor of Biblical Greek at Trinity College and begins work on a new translation of the New Testament. He also translates the Book of Psalms and the Prayer Book of the Church of Ireland into Irish, as well as several Spanish works. Although it is unusual in his lifetime for Protestants to hold leading positions in the Irish language movement, Quinn is for a time President of Oireachtas na Gaeilge. He is made a canon of St. Patrick’s Cathedral in 1966, before retiring from the ministry in 1971.

Cosslett Quinn dies on December 6, 1995.


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Death of Landscape Painter T.P. Flanagan

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Terence Philip “T.P.” Flanagan, one of the finest landscape painters of his generation, passes away in Belfast on February 23, 2011, at the age of eighty. For more than 60 years he shapes the face of landscape painting in Northern Ireland and is known internationally for his rural scenes of his native County Fermanagh and County Sligo. With his stunning watercolours and intricate brush strokes, he is described as one of the most successful artists of his generation. Poet Seamus Heaney, who dedicates his 1969 poem Bogland to Flanagan, pays tribute saying “he was a teacher and a friend whose work held a deep personal significance.”

Flanagan is born in Enniskillen, County Fermanagh in 1929. When he is in his late teens, he learns the art of watercolour painting from the famous local portraitist and landscape artist Kathleen Bridle. Later, he paints her portrait, which now hangs in the Ulster Museum, and interviews her in a film of her life and art, which is produced shortly before her death in 1989.

After his time with Bridle, Flanagan attends Belfast College of Art from 1949-1953. The following year he joins the teaching staff at St. Mary’s College of Education, where he remains for 28 years, eventually becoming Head of the Art Department.

Flanagan spends the majority of his painting career in Ireland, but his landscapes have received wide attention and his work has been recognised both in Ireland and abroad. His first solo exhibition is held at the Council for the Encouragement of Music and the Arts (CEMA), Belfast in 1961. He also shows regularly at the Hendriks Gallery in Dublin and at the Tom Caldwell Gallery in Belfast during the 1970s and 1980s. He participates in many group exhibitions, including “Four Ulster Painters” at the Arnolfini gallery in Bristol (1965), “Two Irish Painters” (with Colin Middleton) at the Herbert Art Gallery & Museum, Coventry, (1968) and is represented in “The Gordon Lambert Collection Exhibitions” held at the Hugh Lane Gallery, Dublin (1972) and the Ulster Museum (1976). In addition, he exhibits at the Royal Hibernian Academy (RHA) in Dublin and at the Royal Ulster Academy Of Arts (RUA) in Belfast.

Abroad, Flanagan’s works are exhibited at the Armstrong Gallery, New York (1986) and the Concept Gallery, Pittsburgh. A retrospective of his painting from the period 1967-1977 is held at the Arts Council of Northern Ireland in 1977. In 1995, the Ulster Museum stages a major retrospective of his paintings (1945-1995). Other retrospectives are held at the Hugh Lane Gallery in Dublin and the Stadsmusueum, Gothenberg, Sweden. His paintings are also included in the show “A Century of Irish Painting” organized by the Hugh Lane Gallery which tours Japanese museums in 1995.

As an artist, Flanagan works in oils as well as his preferred watercolours, although by rapid application of the paint with minimal overworking, even his oils manage to retain the luminous colouring of the watercolourist. He specializes in landscape painting within his native County Fermanagh and the adjoining County Sligo, his methods being ideally suited to capturing the soft atmospheric light of Ireland’s northwest.

Flanagan is elected associate of the RUA in 1960, a full member in 1964, and President 1978-82. During his long career, he receives numerous commissions and other awards for his works, which are represented in the collections of The Arts Councils of Ireland & Northern Ireland, the Ulster Museum, the Hugh Lane Municipal Gallery, Dublin, Irish Museum of Modern Art, and the National Self-Portrait Collection, Limerick.

Flanagan dies suddenly on February 23, 2011. His funeral takes place at St. Brigid’s Church in south Belfast and is buried at St. Michaels’ Church in Enniskillen.

The auction record for a work by T.P. Flanagan is set in 2009, when his landscape painting, entitled Castlecoole From Lough Coole, is sold at Christie’s, London, for £20,000.

(From Encyclopedia of Visual Artists In Ireland, visual-arts-cork.com)


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Birth of William Carleton, Writer & Novelist

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William Carleton, Irish writer and novelist, is born in Clogher, County Tyrone on February 20, 1794. He is best known for his Traits and Stories of the Irish Peasantry, a collection of ethnic sketches of the stereotypical Irishman.

Carleton receives a basic education at various hedge schools. Most of his learning is gained from a curate, Father Keenan, who teaches at a classical school at Donagh, County Monaghan which he attends from 1814 to 1816. He studies for the priesthood at St. Patrick’s Pontifical University, Maynooth, but leaves after two years. Around the age of 19 he undertakes one of the religious pilgrimages then common in Ireland. His experiences as a pilgrim make him give up the thought of entering the church.

Carleton’s vacillating ideas as to a mode of life are determined by reading the picaresque novel Gil Blas by Alain-René Lesage. He decides to try what fortune has in store for him, and he goes to Killanny, County Louth. For six months he serves as tutor to the family of a farmer named Piers Murphy. After some other experiments he sets out for Dublin, arriving with two shillings and sixpence in his pocket.

Carleton first seeks occupation as a bird-stuffer, but a proposal to use potatoes and meal as stuffing fails to recommend him. He then tries to become a soldier, but the colonel of the regiment dissuades him. After staying in a number of cheap lodgings, he eventually finds a place in a house on Francis Street which contains a circulating library. The landlady allows him to read from 12 to 16 hours a day. He obtains some teaching and a clerkship in a Sunday School office, begins to contribute to journals. “The Pilgrimage to Lough Derg,” which is published in the Christian Examiner, attracts great attention.

In 1830 Carleton publishes his first full-length book, Traits and Stories of the Irish Peasantry (2 volumes), which is considered his best achievement. A second series (3 volumes) appears in 1833, and Tales of Ireland in 1834. From that time until a few years prior to his death he writes constantly. “Fardorougha the Miser, or the Convicts of Lisnamona” appears in 1837–1838 in the Dublin University Magazine.

Carleton remained active publishing in Dublin magazines through the 1830s and 1840s writing many ethnic stories often drawn from the south Tyrone locality. He also writes a lot of fiction. During the last months of his life, he begins an autobiography which he brings down to the beginning of his literary career. This forms the first part of The Life of William Carleton by David James O’Donoghue, which contains full information about his life, and a list of his scattered writings.

Carleton’s later years are characterised by drunkenness and poverty. In spite of his considerable literary production, he remains poor but receives a pension in 1848 of £200 a year granted by Lord John Russell in response to a memorial on Carleton’s behalf signed by numbers of distinguished persons in Ireland.

William Carleton dies at his home at Woodville, Sandford Road, in Ranelagh, Dublin on January 30, 1869, and is interred at Mount Jerome Cemetery, Harold’s Cross, Dublin. The house, now demolished, is close to the entrance to the Jesuit residence at Milltown Park. Despite his conversion to Protestantism, Carleton remains on friendly terms with one of the priests there, Reverend Robert Carbery, who offers to give him the Last Rites of the Catholic Church. In the final weeks before his death, Carleton politely declines the offer, stating he had not been a Roman Catholic “for half a century and more.”

(Pictured: Portrait of Irish author William Carleton (1794-1869) by John Slattery (fl. 1850s))


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Birth of Phil Coulter, Songwriter & Producer

phil-coulter

Phil Coulter, musician, songwriter and record producer, is born in Derry, County Londonderry, Northern Ireland on February 19, 1942. He is one of the most eclectic and accomplished arranger/musicians to emerge from Ireland during the 1960s.

Coulter spends his secondary school years at St. Columb’s College. He later studies music and French at the Queen’s University Belfast. During his time at Queen’s he takes up songwriting, composing the hit Foolin’ Time for the Capitol Showband. His talents are swiftly captured by leading entrepreneur Phil Solomon. Initially working with such showbands as the Cadets and Pacific, he continues to compose for the Capitol Showband and even pens their 1965 Eurovision Song Contest entry, Walking the Streets in the Rain. In the meantime, Coulter works on Solomon’s other acts, including Twinkle, who enjoys a major UK hit with the Coulter-arranged Terry. He also contributes to Them’s song catalogue, with the driving I Can Only Give You Everything.

After leaving the Solomon stable in 1967, Coulter, now based in London, forms a partnership with Bill Martin, which becomes one of the most successful of its era. The duo is particularly known for their ability to produce instantly memorable pop hits, and achieve international fame after penning Sandie Shaw’s 1967 Eurovision Song Contest winner, Puppet on a String. They barely miss repeating that feat the following year with Cliff Richard’s stomping Congratulations.

Coulter subsequently leads his own country to victory in the contest by arranging Dana’s 1970 winner, All Kinds of Everything. That same year, Coulter/Martin are commissioned to write Back Home, the official song for the England national football team, which proves a lengthy UK number 1. As well as his pop outings, which include writing My Boy and an album’s worth of material for Richard Harris, he maintains his connection with the Irish folk scene, via his work with another of Solomon’s acts, The Dubliners. He also produces three albums for the groundbreaking Planxty and works with The Fureys.

During the mid-1970s, Coulter and Martin are called in to assist the Bay City Rollers, and subsequently compose a string of hits for the Scottish teenyboppers, including Remember (Sha-La-La), Shang-a-Lang, Summerlove Sensation, Saturday Night, and All Of Me Loves All Of You. During the same period, they enjoy three Top 10 hits with Kenny and reach the top again in 1976 with Slik’s Forever and Ever. He also produces several records by comedian Billy Connolly, including 1975’s UK number 1 D.I.V.O.R.C.E..

After his partnership with Martin ends in the late 1970s, Coulter specializes in orchestral recordings, which prove hugely successful in Irish communities. Albums such as Classic Tranquillity and Sea Of Tranquillity (both 1984), Words And Music (1989), American Tranquillity (1994), Celtic Horizons (1996), and collaborations with flautist James Galway and Roma Downey, also enjoy major international success, and Coulter is a regular fixture in the upper regions of the U.S. New Age album chart.

Coulter’s production credits during the 1990s include work for Sinéad O’Connor and Boyzone. His lengthy career, as producer, arranger, songwriter and performer, is all the more remarkable for encompassing such contrasting musical areas from folk and orchestral to straightforward Tin Pan Alley pop.

Despite his successes, Coulter suffers several family tragedies. His son is born with Down syndrome and dies at the age of three. The song Scorn Not His Simplicity is written in his memory. His brother also dies tragically in a drowning incident in Ireland, which briefly causes him to retreat from the music business. He records the anthemic Home From The Sea with the Lifeboat Chorus as a tribute.

Coulter has received honorary doctorates from the University of Ulster (1988), Dublin Institute of Technology (2006), and the Open University (2018).


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The First Dungannon Convention

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The first Dungannon Convention of the Ulster Volunteers on February 15, 1782, calls for an independent Irish parliament. This is the parliament that Henry Grattan also campaigns for and later becomes known as “Grattan’s parliament.”

The Irish Volunteers are a part-time military force whose original purpose is to guard against invasion and to preserve law and order when regular troops are being sent to America during the American Revolutionary War. Members are mainly drawn from the Protestant urban and rural middle classes and the movement soon begins to take on a political importance.

The first corps of Volunteers is formed in Belfast and the movement spreads rapidly across Ireland. By 1782 there are 40,000 enlisted in the Volunteers, half of them in Ulster. Strongly influenced by American ideas, though loyal to the Crown, the Volunteers demand greater legislative freedom for the Dublin Parliament.

The Dungannon Convention is a key moment in the eventual granting of legislative independence to Ireland.

At the time, all proposed Irish legislation has to be submitted to the Privy Council of the United Kingdom for its approval under the great seal of England before being passed by the Parliament of Ireland. English Acts emphasise the complete dependence of the Irish parliament on its English counterpart and English Houses claim and exercise the power to legislate directly for Ireland, even without the agreement of the parliament in Dublin.

The Ulster Volunteers, who assemble in Dungannon, County Tyrone, demand change. Prior to this, the Volunteers received the thanks of the Irish parliament for their stance but in the House of Commons, the British had ‘won over’ a majority of that assembly, which led to a resistance of further concessions. Thus, the 315 volunteers in Ulster at the Dungannon convention promised “to root out corruption and court influence from the legislative body,” and “to deliberate on the present alarming situation of public affairs.”

The Convention is held in a church and is conducted in a very civil manner. The Volunteers agree, almost unanimously, to resolutions declaring the right of Ireland to legislative and judicial independence, as well as free trade. A week later, Grattan, in a great speech, moves an address of the Commons to His Majesty, asserting the same principles but his motion is defeated. So too is another motion by Henry Flood, declaring the legislative independence of the Irish Parliament.

However, the British soon realise they can resist the agitation no longer. It is through ranks of Volunteers drawn up outside the parliament house in Dublin that Grattan passes on April 16, 1782, amidst unparalleled popular enthusiasm, to move a declaration of the independence of the Irish parliament. After a month of negotiations, legislative independence is granted to Ireland.

(Pictured: The original Irish Parliament Building which now houses the Bank of Ireland, College Green, opposite the main entrance to Trinity College, Dublin)