seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Death of Teresa Brayton, Irish Republican & Poet

Teresa Brayton, an Irish republican and poet who uses the pen name T. B. Kilbrook, dies in Kilbrook, a small village near Kilcock, County Kildare, on August 19, 1943.

Brayton is born Teresa Coca Boulanger in Kilbrook, the youngest daughter and fifth child of Hugh Boylan and Elizabeth Boylan (née Downes). Her family are long-time nationalists, with her great grandfather previously leading a battalion of pikesmen at the Battle of Prosperous.

Brayton later becomes a notable member of Irish national parties, the United Irish League and Cumann na mBan. She is described as “a patriot, but never in the vulgar sense a politician” in The Irish Times. She is closely associated with leaders of the 1916 Easter Rising, and writes poems in honour of Irish patriots including Charles Stewart Parnell, Roger Casement and Patrick Pearse.

Brayton is educated from the age of 5 in Newtown National School. She writes her first poem at the age of twelve, and soon after wins her first literary award. Later on, she trains to be a teacher, and then becomes an assistant teacher to her older sister Elizabeth in the same school she received her education.

Brayton’s father is a tenant farmer, and from a young age she witnesses the effects of the land wars in Ireland. She is a supporter of Parnell, the Irish National Land League and the Irish Home Rule movement. Her work is largely influenced by her family history and Irish nationalism.

In September 1895, Brayton emigrates to the United States at the age of 27. She first lives in Boston, Chicago, and later moves to New York City. She meets Richard H. Brayton, a French-Canadian who works as an executive in the Municipal Revenue Department, who she then marries. She looks after their home and focuses on her career as a freelance journalist. She lives in the United States for 40 years and becomes well known in Irish American circles as a prominent figure in the Celtic Fellowship. It was in the United States that her reputation is established.

In the 1880s, Brayton begins her career as a poet, writing poetry for both national and provincial Irish newspapers, including Young Ireland and the King’s County Chronicle. She uses the pseudonym “T. B. Kilbrook” while contributing to these papers.

Brayton continues writing under the pseudonym until moving to the United States, where she becomes an acclaimed writer and continues to contribute to papers including the Boston newspaper The Pilot, New York Monitor and Rosary Magazine. Her target audience is the Irish immigrant population of the United States. After establishing herself she releases her poetry in collections including Songs of Dawn (1913) and The Flame of Ireland (1926).

Brayton makes return trips to Ireland regularly and develops a relationship with nationalist peers, and the leaders of the Easter Rising. Upon returning to the United States, she becomes an activist for the Irish Republic and participates in organising the distribution of information to the Irish population through pamphlets and public speaking. Her contribution is acknowledged by Constance Markievicz. Her patriotism to Ireland admit her to the Celtic Fellowship in America, where she shares her poetry at events.

Brayton’s best-known poem is “The Old Bog Road,” which is later set to music by Madeline King O’Farrelly. It has since been recorded and released by many Irish musicians including Finbar Furey, Daniel O’Donnell and Eileen Donaghy, among many others. Many more of her best-known ballads include, The Cuckoo’s Call, By the Old Fireside and Takin’ Tea in Reilly’s.

Brayton makes her permanent return to Ireland at the age of 64 following the death of her husband in 1932 and continues her career as a journalist writing for Irish newspapers and publishes religious poetry in the volume Christmas Verses in 1934. A short story called The New Lodger written by Brayton is published by the Catholic Trust Society in 1933. She dedicates much of her work to the exiled Irish living in the United States, incorporating themes of nostalgia, the familiarity of home and religion throughout her poetry.

Initially upon moving back to Ireland, she lives for a few years with her sister in Bray, County Wicklow. She then moves to Waterloo Avenue, North Strand, County Dublin. Here, she witnesses the bombing of the North Strand on May 31, 1941 during World War II. Shortly after the bombing, she eventually settles back in Kilbrook, where she was born, and lives there for the rest of her life. She spends a brief period of time in the Edenderry Hospital before her death. During her stay there she becomes a good friend with Padraig O’Kennedy, the “Leinster Leader,” who is able to reveal to her something that is linked to a family member of his. A copy of her The Old Bog Road which had been set to music and autographed by her while she was living in the United States. She had it sent to O’Kennedy’s eldest son and on it she wrote the words: “To the boy who sings the Old Bog Road so sweetly.”

Two years after her return to Kilbrook, on August 19, 1943, Brayton dies in the same room where her mother had given birth to her over 75 years previously. She is buried at the Cloncurry cemetery in County Kildare. Her funeral is attended by many, including the then Taoiseach, Éamon de Valera.

From the vivid imagery she speaks of in her poetry, Brayton, both a poet and a novelist, is described by some as “the poet of the homes of Ireland.” Such scenes include the vivid imagery of the fireside chats, the sound of her latch lifting as neighbours in to visit at night from her poem “The Old Boreen” and about her home cooking and work from “When the Leaves Begin to Fall.” Such images can be compared to most Irish households and can depict a vivid picture to those reading her poetry.

Brayton’s poetry leaves a lasting sense of Irish beauty and community. This can be seen in such poems as “A Christmas Blessing” where she speaks of “taking and giving in friendship” during Christmas. Since her passing she has continued to keep an audience from overseas from Boston and New York primarily, this as a result of the reminder her poems give to Irish exiles of Irish traditions and music which was close to them. While her poems are more often serious, some portray an almost comical undertone tone. In an article in The Irish Times, her poetry is also said to have a racy feel to them.


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Birth of Sidney Hatch, Member of the Irish American Athletic Club

Sidney Herbert Hatch, an American athlete and a member of the Irish American Athletic Club, is born in River Forest, Illinois, on August 18, 1883. He competes for the United States in the 1904 Summer Olympics held in St. Louis, Missouri, in the 4-mile team where he wins the silver medal with his teammates Jim Lightbody, Frank Verner, Lacey Hearn and Frenchman Albert Corey.

Hatch is also a well-known marathon runner. From 1904 through 1922 he runs more than 45 marathons with a score of victories including the Chicago Marathon in 1909 and the Yonkers Marathon in 1911, competing as a member of the Illinois State Gaelic Athletic Association (GAA). In 1910, he finishes in 5th place in the Yonkers Marathon, competing as a member of the Chicago Irish American Athletic Club.

Hatch never fails to finish a marathon. He is a six-time (1906, 1907, 1908, 1911, 1914, and 1915) winner of the Missouri Athletic Club‘s All Western Marathon in St. Louis including the 1908 marathon that qualifies him for the 1908 Summer Olympics in London. He competes in the marathon in two Olympics, placing 8th in 1904 at St. Louis and 14th in 1908 in London. He wins a silver medal in the 1904 Olympics Four-Mile team event.

On January 8, 1909, Hatch finishes third behind Matthew Maloney and James Crowley in an indoor marathon before 5,000 “wildly cheering” spectators held within the second Madison Square Garden with a time of 3:03:29.4. Maloney is reported to have set a new indoor record for the event (2:54:45.4).

On November 27, 1909, Hatch finishes sixth in the third edition of the Yonkers Marathon with a time of 3:00:24. In July of the same year, he wins a 100-mile race in Chicago, Illinois.

In March 1912, Hatch is one of “twenty of the best distance runners in the middle west” scheduled to participate in a 20-mile indoor marathon at Riverview Rink in Chicago. He also qualifies for the 1912 Summer Olympics but does not compete. He places in the top 10 in the Boston Marathon several times with a second-placed finish in 1917. He finishes third in the Boston Marathon in 1915 and 1916. In October 1916, he sets a record in the 96-mile Milwaukee to Chicago Run, completing the race in 14 hours, 50 minutes and 30 seconds.

Hatch serves as a U.S. Army messenger in World War I and is decorated for “extraordinary heroism” under fire near Brieulles, France, October 11, 1918. He is awarded the Purple Heart and Distinguished Service Cross as well as the French Croix de Guerre. After World War I, he returns to run two more Boston Marathons before retiring from marathon running. He is a letter carrier in River Forest, Illinois, from 1923 to 1953, retiring at age 70. He and Gertrude Morris are married in 1921 and have three children, Herbert, and twin girls June and Jane.

Hatch dies in Maywood, Illinois, on October 17, 1966. He is buried at the Chapel Hills Gardens West Cemetery, Oak Brook Terrace, Illinois.


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The Royal Irish Constabulary is Disbanded

The Royal Irish Constabulary (RIC), the police force in Ireland from 1822 until 1922, when all of the island was part of the United Kingdom, is disbanded on August 17, 1922, and replaced by the Garda Síochána.

A separate civic police force, the unarmed Dublin Metropolitan Police (DMP), patrols the capital and parts of County Wicklow, while the cities of Derry and Belfast, originally with their own police forces, later have special divisions within the RIC. For most of its history, the ethnic and religious makeup of the RIC broadly matches that of the Irish population, although Anglo-Irish Protestants are overrepresented among its senior officers.

The first organised police forces in Ireland come about through Dublin Police Act 1786, which is a slightly modified version of the failed London and Westminster Police Bill 1785 drafted by John Reeves at the request of Home Secretary Thomas Townshend, 1st Viscount Sydney, following the Gordon Riots of 1780. The force is viewed as oppressive by local elites and becomes a strain on the city budget. The arguably excessive budget is used as a pretext by Irish nationalist MP Henry Grattan and short-lived Lord Lieutenant of Ireland William Fitzwilliam, 4th Earl Fitzwilliam, to essentially abolish the Dublin Police in 1795 and even temporarily move it under Dublin Corporation.

The Peace Preservation Act 1814, for which Sir Robert Peel is largely responsible, and the Irish Constabulary Act 1822 forms the provincial constabularies. The 1822 act establishes a force in each province with chief constables and inspectors general under the United Kingdom civil administration for Ireland controlled by the Dublin Castle administration.

The RIC’s existence is increasingly troubled by the rise of the Home Rule campaign in the early twentieth century period prior to World War I.

In January 1922, the British and Irish delegations agree to disband the RIC. Phased disbandments begin within a few weeks with RIC personnel both regular and auxiliary being withdrawn to six centres in southern Ireland. On April 2, 1922, the force formally ceases to exist, although the actual process is not completed until August 17. The RIC is replaced by the Civic Guard (renamed as the Garda Síochána the following year) in the Irish Free State and by the Royal Ulster Constabulary (RUC) in Northern Ireland.

According to a parliamentary answer in October 1922, 1,330 ex-RIC men join the new RUC in Northern Ireland. This results in an RUC force that is 21% Roman Catholic at its inception in 1922. As the former RIC members retire over the subsequent years, this proportion steadily falls.

Just thirteen men transfer to the Garda Síochána. These include men who had earlier assisted Irish Republican Army (IRA) operations in various ways. Some retire, and the Irish Free State pays their pensions as provided for in the terms of the Anglo-Irish Treaty agreement. Others, still faced with threats of violent reprisals, emigrate with their families to Great Britain or other parts of the British Empire, most often to join police forces in Canada, Australia, New Zealand, South Africa and Southern Rhodesia. A number of these men join the Palestine Police Force, which is recruiting in the UK at the time.


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Birth of Peter Farrell, Irish Footballer

Peter Desmond Farrell, Irish footballer who plays as a right-half for, among others, Shamrock Rovers, Everton and Tranmere Rovers, is born in Dalkey, County Dublin, on August 16, 1922. As an international, he also plays for both Ireland teams – the FAI XI and the IFA XI. His playing career follows a similar path to that of Tommy Eglington. As well as teaming up at international level, they also play together at three clubs.

Farrell is born and raised in the Convent Road area of Dalkey and is educated at Harold Boy’s National School and the Christian Brothers in Dún Laoghaire, from which he wins a scholarship. He is playing football with Cabinteely Schoolboys when spotted by a Shamrock Rovers scout and subsequently joins Rovers on his 17th birthday in August 1939. Among his early teammates is the veteran Jimmy Dunne. With a team that also includes Jimmy Kelly, Tommy Eglington, Jimmy McAlinden and Paddy Coad, he later helps Rovers reach three successive FAI Cup finals. They win the competition in 1944 and 1945 and finish as runners up in 1946.

In July 1946, together with Tommy Eglington, Farrell signs for Everton. In eleven seasons with the club, he plays 421 league games and scores 14 goals. He also plays a further 31 games in the FA Cup and scores an additional four goals. In 1951 he is appointed Everton captain and during the 1953–54 season leads them to the runners up place in the Second Division, thus gaining promotion to the First Division. During his time with the club his teammates, apart from Eglington, also include Alex Stevenson, Peter Corr, Harry Catterick, Wally Fielding, Tommy E. Jones, Brian Labone and Dave Hickson. He is never sent off during his time at Goodison Park.

Farrell leaves Everton in October 1957 and follows Tommy Eglington to Tranmere Rovers where he becomes player-manager. He plays 114 league games for Tranmere, before leaving in December 1960. After a time as manager at Sligo Rovers, he becomes manager of Holyhead Town and, helped by a number of former Everton and Tranmere players, guides them to the Welsh Football League (North) title.

In September 1967, Farrell signs a one-year contract to manage St. Patrick’s Athletic F.C. He manages the Pats in their 1967–68 Inter-Cities Fairs Cup ties against FC Girondins de Bordeaux but resigns in March 1968.

When Farrell begins his international career in 1946 there are, in effect, two Ireland teams, chosen by two rival associations. Both associations, the Northern Ireland–based IFA and the Ireland–based FAI claim jurisdiction over the whole of Ireland and select players from the entire island. As a result, several notable Irish players from this era, including Farrell, play for both teams.

Farrell makes 28 appearances and scores three goals for the FAI XI. While still at Shamrock Rovers, he captains the FAI XI on his international debut on June 16, 1946, against Portugal. On September 21, 1949, together with Johnny Carey and Con Martin, he is a member of the FAI XI that defeats England 2–0 at Goodison Park, becoming the first non-UK team to beat England at home. After Martin puts the FAI XI ahead with a penalty in the 33rd minute, Farrell makes victory certain in the 85th minute. Tommy O’Connor slips the ball to Farrell and as the English goalkeeper Bert Williams advances, he lofts the ball into the unguarded net. He scores his second goal for the FAI XI on October 9, 1949, a in 1–1 draw with Finland, a qualifier for the 1950 FIFA World Cup. His third goal comes on May 30, 1951, as Farrell scores the opening goal in a 3–2 win against Norway.

Farrell also makes seven appearances for the IFA XI between 1946 and 1949. On November 27, 1946, he makes his debut for the IFA XI in a 0–0 draw with Scotland. Together with Johnny Carey, Con Martin, Bill Gorman, Tommy Eglington, Alex Stevenson and Davy Walsh, he is one of seven players born in the Irish Free State to play for the IFA XI on that day. The draw helps the team finish as runners-up in the 1946-47 British Home Championship. He also helps the IFA XI gain some other respectable results, including a 2–0 win against Scotland on October 4, 1947, and a 2–2 draw with England at Goodison Park on November 5, 1947.

After returning to Ireland following his retirement, Farrell settles in Dublin and follows his father into the insurance business. He dies on March 16, 1999, following a long illness. He is buried in Dean’s Grange Cemetery in Deansgrange, Dún Laoghaire–Rathdown, County Dublin.


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Death of Leslie Daiken, Copywriter, Editor & Writer

Leslie Herbert Daiken, an Irish advertising copywriter, editor, and writer on children’s toys and games, dies in London on August 15, 1964.

Born Leslie Yodaiken into a Russian–Jewish family in Portobello, Dublin, Daiken is the son of Samuel and Rosa Yodaiken. His father is a dealer in rubber and scrap metal, with premises in Dublin and Glasgow, and he is educated at two independent fee-paying schools, St. Andrew’s College and Wesley College, and then in 1930 he enters Trinity College Dublin. In his first year, one of his lecturers in French literature was Samuel Beckett. He is an active member of the Dublin University Socialist Society and a founding member of the college’s Gaelic Society.

In 1932, and again in 1933, as Yodaiken he wins the Vice-Chancellor’s Prize for English Prose, and while at Trinity, he publishes short stories and verse in Choice, The Dublin Magazine, and The New English Weekly.

In 1933, Daiken is present at the house of Charlotte Despard in Eccles Street, Dublin, also used as a Workers’ College, when it is attacked by a mob of Blueshirts. He leads the immediate defence of the building, which is saved on that occasion by the intervention of Irish Republican Army (IRA) men posing as the police.

In 1934, as Yodaiken, he graduates with a BA from Trinity in English and French Literature, with a Second Class degree. After graduating, Daiken works briefly as a schoolteacher in Dublin. In April 1935, his short story “Angela” is published in The New English Weekly under the pen name of Ned Kiernan. That year, he migrates to London.

Soon after his arrival in London, Daiken is one of the three founders of a duplicated publication called Irish Front, together with two other poets, Charles Donnelly and Ewart Milne.

In England, Daiken starts to shorten his surname from Yodaiken to Daiken, for his publications, but he does not make this change formally until doing so by deed poll in 1943.

In December 1935, The Irish Times reviews a production in Camden Town of Ireland Unfree, a stage version by Daiken of Patrick Pearse’s poem “The Rebel.” It states that “Mr. Daiken carries Pearse’s theme beyond his idealistic conclusion to the revolutionary viewpoint of the Irish workers.”

Daiken keeps up his links with leftist Irish writers and dissidents and edits the collection of working-class political verse Goodbye Twilight: songs of the struggle in Ireland (1936), illustrated by Harry Kernoff. The Irish Press describes this as “forty young poets with blazing eyes and clenched fists.” In another review, Louis MacNeice calls the book a “collection of proletarian poems – some communist, some Irish republican, and all written in a defiant spirit of opposition … a violent reaction against Yeats and all that he stood for.”

Daiken does not go to fight in the Spanish Civil War, although his Irish Front colleague Charles Donnelly does, and is killed; but he is active in fundraising for the Connolly Column, the Irish section of the International Brigades. He is also a contributor to the branch of Republican Congress in London, an Irish republican and Marxist-Leninist pressure group which aims to engage Irish emigrants working in the city on socialist issues.

In 1939, Mairin Mitchell is highly critical of the Irish leftists, and in particular Daiken, for their views on the Molotov–Ribbentrop Pact, and writes to Desmond Ryan in September, “Brian O’Neill, Bloomsbury, and Daiken will sing Russia right or wrong.”

In October 1939, at the time of the wartime National Registration Act, Daiken is living in a studio at Old Castle Wharf, Twickenham, and describes himself as “Script-writer and advertising copywriter.”

During World War II, Daiken enlists in the Corps of Signals of the Irish Army, a neutral force, and also works for Reuters as a correspondent on education. In 1944, he edits They Go, the Irish, a collection of essays, including one from Seán O’Casey. In 1945, a collection of his verse is published under the title Signatures of All Things. In the summer of that year, Samuel Beckett gives Daiken his unpublished novel Watt, in the hope that he can find a publisher for it, but he fails to do so. They continue to write to each other and meet in London and Paris in the 1950s. He also keeps up with another friend from Trinity, Con Leventhal.

After he becomes a father in 1945, Daiken’s main interest moves on from political activism to children’s games and toys, and by 1951 the basement of his London home has become a toy museum. He writes on the subject and makes television and radio programmes for the BBC about it. His film One potato, two potato, a compilation of children’s street rhymes, wins the Festival Mondial du Film prize in 1958. His radio play The Circular Road is about a Jewish-Irish child.

In the 1950s Daiken founds the National Toy Museum and Institute of Play, today part of the Toy Collection at Hove Museum of Creativity.

Daiken returns to Ireland many times as a visitor. In the early 1960s he completes a radio play about the Jewish community of Dublin in the 1920s, which is broadcast on RTÉ.

In October 1963, Conor Cruise O’Brien, Vice Chancellor of the University of Ghana, recruits Daiken as a lecturer in education, and not long before his death he makes a film called The Piano about teaching white and black children in a school in Africa. He dies on August 15, 1964, while spending the summer vacation at home in London, leaving an estate valued at £3,865. He is cremated. His widow survives him until 1981.

In a tribute to Daiken, his 1930s communist associate Brian O’Neill writes, “He was always busy, always with a half dozen irons in the fire, always trying to give a hand to some Irish writer who needed it.”

In the early 1990s, Katrina Goldstone interviews Daiken’s brother, Aubrey Yodaiken, and later reports: “I was left with a faint sense of melancholy, as my interviewee had become distressed speaking about his brother, Leslie Daiken, and recalling his irrepressible and exasperating personality, his many projects, half-started novels…”

Aubrey Yodaiken is distressed by the lack of appreciation of his brother’s many cultural efforts and by the fact that his “scattershot literary endeavours” seem to have come to naught.

The National Library of Ireland holds a collection of Daiken’s papers, in particular his publications and correspondence, presented to it in 1995 by his elder daughter, by then Melanie Cuming, and his younger brother, Aubrey Yodaiken. The papers are mostly in English, French, German, Dutch, Italian, Hebrew, and Irish.


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Land Purchase (Ireland) Act 1903 Enacted

The Land Purchase (Ireland) Act 1903, also known as the Wyndham Land Act, is enacted on August 14, 1903, and allows for entire estates to be purchased by the occupying tenantry, subsidized by the state.

Under pressure from both government, United Irish League (UIL) and Irish Parliamentary Party (IPP), the Chief Secretary for Ireland, George Wyndham, gives his backing to a Land Conference in December 1902, comprising four moderate landlord representatives led by Windham Wyndham-Quin, 4th Earl of Dunraven and Mount-Earl and four tenant representatives led by William O’Brien, the others John Redmond, T. W. Russell (who speaks for Ulster tenant farmers) and Timothy Harrington. They work out a new scheme for tenant land purchase, in which sale is to be made not compulsory, but attractive to both parties, based on the government paying the difference between the price offered by tenants and that demanded by landlords. This is the basis of the “Wyndham Act” – the Land Purchase (Ireland) Act 1903 – which O’Brien orchestrates through Parliament.

It differs from earlier legislation which initially advanced to tenants the sum necessary to purchase their holdings, repayable over a period of years on terms determined by an independent commission, while the Wyndham Act finishes off absentee landlords‘ control over tenants and makes it easier for tenants to purchase land, facilitating the transfer of about 9 million acres (36,000 km2) up to 1914. By then, 75% of occupiers are buying out their landlords under the 1903 Act and the later Irish Land Act 1909 of Augustine Birrell, which extends the 1903 act by allowing for the compulsory purchase of tenanted farmland by the Land Commission, but falls far short in its financial provisions. In all, under these pre-1921 Land Acts over 316,000 tenants purchase their holdings amounting to 11.5 million acres (47,000 km2) out of a total of 20 million acres (81,000 km2) in the country.

The Acts provide Irish tenant farmers with more rights than tenant farmers in the rest of the United Kingdom. Munster tenants avail of land purchase in exceptionally high numbers, encouraged by their Irish Land and Labour Association‘s leader D. D. Sheehan after he and O’Brien establish an Advisory Committee to mediate between landlords and tenants on purchase terms which produce a higher take-up of land purchase than in any other province.

Historian Robert K. Webb gives most of the credit for the Wyndham Act to Conservative leader Arthur Balfour. He says the Act is “a complete success. By the time the Irish Free State was created in 1922, the system of peasant proprietorship had become universal… A land problem more than a century old had been solved, though it had taken more than 30 years of educating Parliament and landlords to do it. The scheme was intended as well to ‘kill Home Rule by kindness.’”


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The Copley Street Riot

The Copley Street riot occurs on August 13, 1934, at the Copley Street Repository, Cork, County Cork, after Blueshirts opposed to the collection of annuities from auctioned cattle ram a truck through the gate of an ongoing cattle auction. The Broy Harriers open fire and one man, 22 year old Michael Lynch, is killed and several others injured.

Following the Irish War of Independence (1919–21), Britain relinquishes its control over much of Ireland. However, aspects of the Anglo-Irish Treaty, which had marked the end of the war, lead to the Irish Civil War (1922–23). The aftermath leaves Ireland with damaged infrastructure and hinders its early development.

Éamon de Valera, who had voted against the Anglo-Irish treaty and headed the Anti-Treaty movement during the civil war, comes to power following the 1932 Irish general election and is re-elected in 1933. While the treaty stipulates that the Irish Free State should pay £3.1 million in land annuities to Great Britain, and despite advice that an economic war with Britain could have catastrophic consequences for Ireland (as 96% of exports are to Britain), de Valera’s new Irish government refuses to pay these annuities – though they continue to collect and retain them in the Irish exchequer.

This refusal leads to the Anglo-Irish trade war (also known as the “Economic War”), which persists until 1935, when a new treaty, the Anglo-Irish Trade Agreement, is negotiated in 1938. During this period, a 20% duty is imposed on animals and agricultural goods, resulting in significant losses for Ireland. Specifically, poultry trade declines by 80%, butter trade by 50% and cattle prices drop by 50%. Some farmers are forced to kill and bury animals because they cannot afford to maintain them.

In 1933, Fine Gael emerges as a political party—a merger of Cumann na nGaedheal and the National Centre Party. Fine Gael garners substantial support from rural farmers who are particularly affected by the Economic War. They strongly object to the collection of land annuities by the Fianna Fáil government. The Blueshirts, a paramilitary organisation founded as the Army Comrades Association in 1932 and led by former Garda Commissioner Eoin O’Duffy, transforms into an agrarian protest organisation, mobilising against seizures, cattle auctions, and those tasked with collecting annuities.

O’Duffy, a key figure in Irish politics, encourages farmers to withhold payment of land annuities to the government. Arising from this stance, Gardaí start to seize animals and farm equipment, auctioning them to recover the outstanding funds. While seized cattle are auctioned, local farmers rarely participate. Instead, Northern Ireland dealers, often associated with the name O’Neill, are the primary buyers. These auctions are protected by the Broy Harriers, an armed auxiliary group linked to the police.

By 1934, tensions escalate, and a series of anti-establishment incidents are attributed to the Blueshirts. These incidents range from minor acts of violence, such as breaking windows, to more serious offenses like assault and shootings.

On August 13, 1934, an auction takes place at Marsh’s Yard on Copley Street in Cork, featuring cattle seized from farms in Bishopstown and Ballincollig. The police establish a cordon by 10:00 a.m., with 300 officers on duty. Lorries arrived at 11:00 a.m.

Around noon, three thousand protestors assemble. Within twenty-five minutes, an attempt is made to breach the yard gate by ramming it with a truck. According to Oireachtas records, there are approximately 20 men in the truck which they run against the gate. The Minister for Justice P. J. Ruttledge, says that the truck “with those people in it charged through those cordons of Guards; that several Guards jumped on to the lorry and tried to divert the driver by catching hold of the steering wheel and trying to twist it.” Some contemporary news sources suggest that the ramming truck knocked down the surrounding police cordon “like ninepins and crush[ed] a police inspector against a gate.” Later sources suggest that the senior officer (a superintendent) was injured in a fall, while attempting to avoid being struck, rather than being hit directly by the truck.

A man named Michael Lynch, wearing the distinctive blue shirt, and approximately 20 others reportedly manage to enter the yard. As soon as they enter the yard they are fired upon by armed “special branch” police detectives who are in the yard. Lynch later succumbs to his injuries at the South Infirmary. Thirty-six others are wounded. Despite the violence, the auction proceeds after a one-hour delay.

Following the shooting, a riot ensues, but when news of Lynch’s death reaches the participants, they cease rioting, kneel, and recited a Rosary.

The funeral of Michael Lynch occurs on August 15, 1934. The funeral procession is planned to depart from Saints Peter and Paul’s Church, Cork at 2:30 PM.

The occasion allows for a significant show of force for Eoin O’Duffy and the Blueshirts, and features Roman salutes and military drills. Farmers in Munster reportedly stop work for an hour, and Blueshirt members ask shopkeepers to close their businesses, as a show of respect for the “martyr.” Lynch is afforded a “full Blueshirt burial,” and the coffin is adorned with the flag of the Blueshirts (the Army Comrades Association).

According to the  Minister for Justice, at the funeral W. T. Cosgrave stands beside O’Duffy as the Blueshirt leader gives an oration saying, “We are going to carry on until our mission is accomplished […] those 20 brave men, whose deed will live for ever, not only in Cork but in every county in Ireland, broke through in the lorry […] all Blueshirts should try to emulate his bravery and nobleness. Every Blueshirt is prepared to go the way of Michael for his principles.”

The court grants the family £300 in 1935. This is appealed to the High Court, followed by the Supreme Court, which dismisses the case. In the Supreme Court, Henry Hanna describes the Broy Harriers as “an excrescence” upon the Garda Síochána.

When the matter is discussed in the Seanad in September 1934, and before a vote is taken to “[condemn] the action of the members of the special branch of the Gárda Síochána […] on Monday, the 13th August 1934,” the senators who support Éamon de Valera’s government walk out.

In August 1940, a memorial is unveiled on the tomb of Lynch in Dunbulloge Cemetery in Carrignavar, County Cork, consisting of a limestone Celtic cross and pedestal. The pedestal is engraved with a quote from the American orator, William Jennings Bryan: “The humblest citizen of all the land, when clad in the armour of a righteous cause is stronger than all the hosts of error.”

(Pictured: Aftermath of the ramming of Marsh’s Yard, Copley Street, that leads to the death of Michael Lynch and the Copley Street Riot on August 13, 1934)


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Death of Liam Ó Briain, Irish Language Expert & Political Activist

Liam Ó Briain, Irish language expert and political activist, dies on August 12, 1974, in Cabinteely, County Dublin.

Christened as William O’Brien, Ó Briain is born at 10 Church Street, North Wall, Dublin, on September 16, 1888, the seventh child of Arthur O’Brien, clerk, and Mary O’Brien (née Christie), who is from County Meath. He takes an interest in the Irish language from an early age and begins learning Irish by himself from a grammar book, as it is not encouraged by his teachers at the Christian Brothers’ O’Connell School nor spoken by his parents. While still at the O’Connell School, he starts using the Irish version of his name. He also attends meetings of the Gaelic League, then attends University College Dublin (UCD) on a scholarship, where he studies French, English and Irish, receiving a BA (1909) and an MA (1910).

UCD decides to start awarding one annual scholarship for overseas travel in 1911, and Ó Briain wins the first one, using it to visit Germany and study under Kuno Meyer and Rudolf Thurneysen. After three years, he returns home, where he rejoins the Gaelic League and begins teaching French at UCD. He also joins the Irish Volunteers then, the following year, Seán T. O’Kelly convinces him to join the Irish Republican Brotherhood (IRB).

During the 1916 Easter Rising, Ó Briain sees action with the Irish Citizen Army. He comes into conflict with his commander, Michael Mallin, as he wants to pursue a strategy without the Dublin brigade being “cooped up in the city.” However, Mallin overrules him and insists they should focus on taking Dublin Castle. He spends two months in Wandsworth Prison in London and six months in Frongoch internment camp in Wales before being released to discover that he has been fired from his job. However, he quickly obtains a professorship in Romance languages at University College Galway (UCG).

Around this time, Ó Briain joins Sinn Féin, and he stands unsuccessfully for the party in Mid Armagh at the 1918 United Kingdom general election in Ireland, taking 5,689 votes. His campaign leads, indirectly, to his arrest and three months in jail in Belfast. In 1920, following his release, he is appointed a judge in the then-illegal republican court system in Galway, and visits both France and Italy to try to source weapons for the Irish Republican Army (IRA). In November 1920, he is arrested in the UCG dining room by Black and Tans, and is imprisoned for thirteen months, first in Galway and then in the Curragh camp in County Kildare, thereby missing the conclusion of the Irish War of Independence. By the time he is released, the Anglo-Irish Treaty has been signed. He supports the treaty and takes no further part in militant activity.

In the newly independent Ireland, Ó Briain remains a professor at Galway. He also stands in the 1925 Seanad election, although he is not successful. He is the founding secretary of the Taibhdhearc na Gaillimhe theatre, also acting in many of its productions, and spends much time translating works from English and the Romance languages into Irish. He stands to become president of UCG in 1945, but is not elected, and in the 1940s and 1950s is best known for his many appearances on television and radio.

From his retirement in 1959, Ó Briain lives in Dublin. In 1974, the National University of Ireland (NUI) confers an honorary doctorate on him. He dies on August 12, 1974, at St. Gabriel’s Hospital, Cabinteely, County Dublin. His funeral to Glasnevin Cemetery is almost a state occasion, with a huge attendance of public figures, and a military firing party at the graveside, where the oration is given by Micheál Mac Líammóir and a lesson is read by Siobhán McKenna. For days after his death, the newspapers carry tributes to his many-sided career and personality. On the one hundredth anniversary of his birth, Proinsias Mac Aonghusa and Art Ó Beoláin write commemorative articles in Feasta.

On September 1, 1921, Ó Briain marries Helen Lawlor, of Dublin, who dies two years before him. The couple’s only child is Eibhlín Ní Bhriain, who is a journalist for The Irish Times and other periodicals.


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Death of Kathleen Mills, Senior Camogie Player

Kathleen “Kay” Mills-Hill, a sportsperson who plays senior camogie with Dublin from 1941 until 1961, dies at her home in Dublin on August 11, 1996. She is regarded as one of the greatest players of all-time, winning fifteen All-Ireland Senior Medals.

Mills is born in 31 South Square, Inchicore, Dublin, on October 8, 1923. Her mother, Winifred (née Wills), is from Inchicore and her father, Thomas, is from Glanmire, County Cork. Her father works for Great Southern Railways. She has three siblings, Gertrude, Ada and Robert. Her mother dies when she is just eighteen months old, leaving her to be raised by her maternal grandmother, Charlotte Wills, who lives at 1 Abercorn Terrace, Inchicore. She is educated at St. Vincent’s Industrial School, Goldenbridge, where she plays table tennis and association football as well as doing gymnastics. However, camogie is her first love, which she starts playing at age five. She leaves school at a young age, and goes to work in Lamb’s jam factory.

Through her father, Mills is able to participate in and avail of the sporting activities in the GSR Athletic Union. Two pence per week are deducted from the worker’s wages to go toward the financing of the sports activities in the Railway. In 1947, she marries George Hill. They run the Red Seal Handbag Company from the North Circular Road, and later Hill Street. Later they become vintners, running the Seventh Lock public house on the Grand Canal, Ballyfermot.

Mills makes her camogie debut with the Great Southern Railways club in Dublin in 1938 at the age of fourteen, and is promoted to the senior team for her second match. Three years later she makes her debut for Dublin while still sixteen and plays in Dublin’s unsuccessful 1941 All-Ireland Senor Camogie Championship final against Cork, winning her first All-Ireland medal after a replay against Cork a year later in the 1942 All-Ireland Senior Camogie Championship final.

In 1943, the same counties meet in the All-Ireland final for the third consecutive year. Once again Mills ends up claiming an All-Ireland medal, her goal from fifty yards range being described as the highlight of the match. The following year, 1944, brings a third All-Ireland medal. In 1945 and 1946, a dispute in the camogie association keeps Dublin out of the All-Ireland championship in spite of being Leinster champions in both years. In 1948, Dublin is back on form and Mills captures a fourth All-Ireland medal. She takes no part in the 1949 championship, however, the 1950s brings much success to Mills.

From 1950 to 1955, Mills captures six consecutive All-Ireland titles. In 1956, “the Dubs” surrender their crown to Antrim but it is soon reclaimed in 1957. In 1958, she is appointed captain of the Dublin camogie team. Led by her, Dublin defeats Tipperary to capture yet another All-Ireland title. She captures three more All-Ireland medals in 1959, 1960 and 1961. The occasion of the 1961 final is special as it is her 38th birthday and her last outing in a Dublin jersey.

In her playing days Mills is regarded as one of the all-time greats. She is regarded as camogie’s first superstar she has often been described as the Christy Ring, Mick Mackey, Nicky Rackard and Lory Meagher of the camogie world. With a haul of fifteen senior All-Ireland medals, she is the most decorated player in the history of Gaelic games at the time of her retirement. Since then Rena Buckley and Briege Corkery have won more than Mills.

Mills-Hill dies on August 11, 1996, from undisclosed causes, at her home on the Naas Road, Dublin. She is buried in Palmerstown Cemetery. In 2010, the camogie trophy for the annual inter-county All-Ireland Junior Camogie Championship is named in her honour. The Kay Mills Cup is a replica of the O’Duffy Cup. A plaque to Mills is erected at her former home, 1 Abercorn Terrace, Inchicore.


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Death of Wilhelmina Geddes, Stained Glass Artist

Wilhelmina Geddes, Irish stained glass artist who is an important figure within the Irish Arts and Crafts movement and also the twentieth-century British stained glass revival, dies in London, England, on August 10, 1955. Her notable works include windows at St. Bartholomew’s Anglican Church (Ottawa, Canada), St. Peter’s Church (Lampeter, Wales), and the King Albert Memorial Window, St. Martin’s Cathedral (Ypres, Belgium).

Geddes is born on her maternal grandparent’s farm at Drumreilly Cottage in Leitrim, County Leitrim, on May 25, 1887. She is the eldest of four children, three girls and a boy, of William Geddes and his wife Eliza Jane Stafford. The family, who migrates to Ireland from Scotland, has mainly been farmers. Her father, a Methodist, who is born near his father’s farm at Tandragee, County Armagh, emigrates to the United States as a young man, working as a labourer for the railway construction business. This serves a useful purpose as he had worked as a site engineer at the Cavan, Leitrim and Roscommon Railway Company. When she is still an infant her parents move to their native home in Belfast, so her father can set up in business as a building contractor.

Geddes begins drawing subjects from life and nature from the age of four. She learns first how to draw from the school mistress in Ayrshire, where her father occasionally goes shooting. She begins her studies at Methodist College Belfast along with her three younger sisters. She later moves to the Belfast School of Art. She is encouraged by Rosamond Praeger, a sculptor from County Down, to continue with her studies. She is accepted as a student to study at the Belfast School of Art, Ulster University. This is where she adapts and improves her style and is introduced to a professional standard of art work.

While still studying at the Belfast School of Art, Geddes takes part in the Arts and Crafts Society of Ireland‘s fourth exhibition. For this exhibition, she contributes a glowingly coloured illustration of the book Cinderella Dressing the Ugly Sister (Dublin City Gallery), which she had created. It is at this exhibition that her work is spotted by Sarah Purser, a well established painter seeking newly trained students to introduce to stained glass artistry. Purser, who goes on to be her lifelong mentor, invites the young Geddes to join her in Dublin, working under the established stained glass artist William Orpen.

Geddes contributes a watercolour illustration of a Ballad Seller with the Belfast Art Society in 1907. She is elected as an Associate of the Belfast Art Society’s successor, the Ulster Academy of Arts, in 1933 before promotion to Honorary Academician in 1935. She shows five illustrations in the 1911 Oireachtas Exhibition. It is some twenty-one years before she returns to the Oireachtas when she exhibits three cartoons and three sketches for stained glass in 1932.

Geddes joins Purser at the acclaimed stained glass workshop called An Túr Gloine in 1910. The workshop is held in Dublin’s Metropolitan School of Art. It is here that she discovers her passion for the craftsmanship of stained glass artistry and creates her most important works.

During her early years at An Túr Gloine, Geddes’s originality shines, and important commissions come from St. Ann’s Church, Dawson Street, Dublin and the Presbyterian church in Rathgar. Dogged by illness, she returns to Belfast before 1916 and lives between there and Dublin until moving in 1925, as she has long wanted, to work in London at The Glass House, Fulham. While working at The Glass House, she instructs the Irish painter and stained glass artist Evie Hone.

Geddes’s work is considered pioneering and represents a rejection of the Late Victorian approach. She creates a new view of men in stained glass windows, portraying them with close-shaven crew cuts. The muscularity and tension of her portraiture is matched by the radical design of her constructions. Ambitious large-scale projects, as at the cathedral in Ypres, are equalled by the drama of smaller-scale work at Wallasey (Lancashire) and Wallsend (Northumberland), or war memorial windows in obscure country churches.

Despite the hardships of living in London during World War II, poverty, and ill health, Geddes designs seventeen full-scale stained glass masterpieces, sixteen of which she completes.

Geddes dies on August 10, 1955 in London of a pulmonary embolism. She is buried in Carnmoney Cemetery, County Antrim, along with her mother and sister Ethel. Even after moving to London, she claims that her native identity never wavered as she says she was always “a Belfast woman.”