Patrick J. Killoran, Irish traditional fiddle player, bandleader and recording artist is born on September 21, 1903, in Emlaghgissan (also spelled “Emlagation”), a townland in the civil parish of Emlaghfad near the town of Ballymote, County Sligo. He is regarded, along with James Morrison and Michael Coleman, as one of the finest exponents of the south Sligo fiddle style in the “golden age” of the ethnic recording industry of the 1920s and 1930s.
Killoran’s father Patrick plays the flute and his mother Mary the concertina, but he is also influenced by local fiddle master Philip O’Beirne, who had earlier tutored Michael Coleman. As a teenager, he is a volunteer with the Ballymote-based 3rd Battalion of the south Sligo Brigade of the Irish Republican Army (IRA) during the Irish War of Independence.
In 1925, Killoran emigrates to New York City, arriving on May 19 on the Cunard liner Scythia. Within a few months, he officially declares his intention to become a citizen of the United States, listing his address as 227 East 126th Street in east Harlem and his occupation as “laborer.” He later lodges with fellow Sligo fiddler James Morrison in a Columbus Avenue apartment on Manhattan‘s Upper West Side. A 1927 newspaper ad for “Morrison’s Orchestra” offers “Irish music by P. Killoran and J. Morrison, celebrated violinists,” giving 507 West 133d Street in west Harlem as the contact address. He soon launches his own career as a soloist and bandleader. A publicity photo of his quartet c. 1928 includes button accordionist D. Casey, tenor banjo player Richard Curran and second fiddler Denis Murphy. By the next year, he is performing on a weekly radio program sponsored by the Pride of Erin Ballrooms, located at the corner of Bedford and Atlantic Avenues in Brooklyn. He also tries another side occupation as his 1931 naturalization petition lists his occupation as “Music store owner.”
At the Pride of Erin, and later at the Sligo Ballroom at 125th Street and St. Nicholas Avenue in Harlem, Killoran’s “Irish Orchestra” provides music for Irish dancing, while Jack Healy, another Ballymote native, leads a group for “American” dancing. Healy, as a singer and tenor saxophone player, also performs and records with Killoran’s group, the membership of which over the course of the 1930s includes fiddler Paddy Sweeney, another Sligo native, fiddle and clarinet player Paul Ryan, Ryan’s brother Jim on the C Melody saxophone, pianists Eileen O’Shea, Edmund Tucker and Jim McGinn, drummer Mickey Murphy, button accordionists Tommy Flanagan and William McElligott and tenor banjo/tenor guitar player Michael “Whitey” Andrews.
Killoran’s band is variously billed as his “Pride of Erin Orchestra,” “Radio Dance Orchestra,” “Sligo Ballroom Orchestra,” “Lakes of Sligo Orchestra” and “Irish Barn Dance Boys.” The group is a popular choice for county association functions, particularly those of Sligo and Roscommon. In 1932, he leads a band that accompanies CardinalWilliam Henry O’Connell of Boston to the Eucharistic Congress in Ireland and briefly bills his group as the “Pride of Erin Eucharistic Congress Orchestra.” He regularly performs at Irish beach resorts on the Rockaway peninsula and in East Durham in the Catskill Mountains.
Uniquely among the major New York Irish musicians of the pre-World War II era, Killoran continues his musical career through the 1950s. He issues new recordings, including duets with flute player Mike Flynn and some fiddle-and-viola sides with Paul Ryan, and leads an active dance band. Age and illness eventually force him to retire, and in 1962 he turns over leadership of the band, a fixture at the City Center Ballroom, to button accordionist Joe Madden, father of Cherish the Ladies flute player Joanie Madden.
In 1956, Killoran is a co-founder of the Dublin Recording Company, later better known simply as Dublin Records, which is organized to record new Irish discs in New York.
Killoran is a founding member of the Emerald Irish Musicians Benevolent Society, a group that stages “Night of Shamrocks” concerts to raise money for the benefit of sick and deceased Irish musicians in New York. He is also a member of the Irish Musicians Association of America, and a New York branch of that organization, which later merges with Comhaltas Ceoltóirí Eireann, is named for him.
In addition to the 1932 trip to the Eucharistic Congress, Killoran returns to Ireland at least twice. In 1949, he plays on a Radio Éireann program hosted by piper and folklorist Séamus Ennis. Some selections from that broadcast are recorded on a private disc and are later released on CD. On a 1960 visit, he visits Sligo and Clare and performs at a concert in County Longford.
Killoran is married twice. His first wife, Anna Gorman, a native of County Roscommon, dies in 1935. His second wife is Betty (Bridget) Hayes, an immigrant from Shanaway West, County Clare, who survives him. He dies in New York City on April 24, 1965.
A “Paddy Killoran Traditional Festival” is celebrated in the third week of June in Ballymote, where a monument in Killoran’s honor is erected in 2012.
Patterson is born on October 5, 1938, in Clonmel, County Tipperary. As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAAhurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.
Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.
In the early 1980s Patterson moves to the United States, making his home in rural Westchester County, New York. A resurgence of interest in Irish culture encourages him to turn towards a more traditional Irish repertoire. He adds hymns, ballads, and traditional as well as more popular tunes to his catalogue. In March 1988, he is featured host in a Saint Patrick’s Day celebration of music and dance at New York City’s famous Radio City Music Hall. He also gives an outdoor performance before an audience of 60,000 on the steps of the United States Capitol in Washington, D.C. with the National Symphony Orchestra.
Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.
Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.
Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.
In 1999, Patterson learns he has a brain tumor. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000, at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000, at the age of 61.
Born John Gerard Smyth, upon joining the Norbertine Roman Catholic religious order in 1945, he changes his name to Brendan. The Norbertines, also known as the “Premonstratensians,” are aware of Smyth’s crimes as early as the late 1970s, yet they do not report him to either the Garda Síochána or the Royal Ulster Constabulary (RUC). He is moved from parish to parish and between dioceses and countries whenever allegations are made. In some cases, the order does not inform the diocesan bishop that Smyth has a history of sexual abuse and should be kept away from children. He abuses children in parishes in Rhode Island and North Dakota and at one time works in Boston and is suspected of similar actions while on pastoral work in Wales and Italy. Norbertine Father Bruno Mulvihill makes several attempts to alert church authorities about the abuse committed by Smyth.
Smyth’s first conviction follows the reporting to police of his abuse of four siblings in Belfast’s Falls Road. After his arrest in 1991, he flees to the Republic of Ireland, where he spends the next three years on the run, staying mostly at Kilnacrott Abbey. This leads to the collapse of the Fianna Fáil–Labour Party coalition government in December 1994 when the poor handling of an extradition request from the RUC by the Irish Attorney General‘s office leads to a further delay of Smyth’s trial. An award-winning UTVCounterpoint programme on the scandal by journalist Chris Moore, followed by a book, accuses the head of the Norbertines and the Archbishop of Armagh of mishandling the case, and the Norbertines of negligence and a failure to tell others of Smyth’s crimes, enabling him to sexually abuse large numbers of children for 40 years.
Smyth dies in prison of a heart attack at the age of 70 on August 22, 1997, after collapsing in the exercise yard, one month into a 12-year prison sentence. The Norbertines hold his funeral before dawn and cover his grave with concrete to deter vandalism. He is buried in Kilnacrott Abbey, which is later put up for sale with 44 acres of land, including the grave.
On October 27, 2005, the title “Reverend” is removed from his gravestone following a campaign by one of Smyth’s victims.
Reviewers of the case differ as to whether there is a deliberate plot to conceal Smyth’s behaviour, incompetence by his superiors at Kilnacrott Abbey, or some combination of factors. Cahal Daly, both as Bishop of Down and Connor, a diocese where some of the abuse takes place, and later as Cardinal Archbishop of Armagh, is recorded as having been privately furious at the Norbertine “incompetence.” Smyth’s activities are investigated by the Northern Ireland Historical Institutional Abuse Inquiry, finding that: “…despite knowing his history of abusing children, the Norbertine religious order moved Smyth to different dioceses where he abused more children…”
In 2010, Daly’s successor as Roman Catholic Archbishop of Armagh, Cardinal Seán Brady, faces “huge pressure to resign” after he admits that in 1975, he witnessed two teenage boys sign oaths of silence after testifying in a Church inquiry against Smyth. Survivor groups see this as evidence of collusion, but Brady says he “did not have the authority” to turn Smyth in. On March 17, 2010, the Deputy First Minister of Northern Ireland, Martin McGuinness, calls for Brady to resign.
In 2013, some of Smyth’s alleged Rhode Island victims between 1965 and 1968, both male and female, call for the Diocese of Providence to investigate Smyth. As of 2019, he is among those listed by the Diocese of Providence as being “credibly accused” of committing sex abuse.
Module 6 of the 2014-2016 Northern Ireland Historical Institutional Abuse Inquiry is dedicated to Smyth’s crimes in Northern Ireland.
A two-part dramatisation of the Smyth case, Brendan Smyth: Betrayal of Trust, is broadcast by the BBC on March 13, 2011, with Ian Beattie in the title role and Richard Dormer as Chris Moore.
(Pictured: Father Brendan Smyth, Our Lady of Mercy, East Greenwich, Rhode Island, USA, c. 1965)
On May 11, 2015, Alexion Pharmaceuticals announces plans to significantly expand its operations in Ireland by constructing the company’s first ever biologics manufacturing facility outside the United States. The new 20,000 sq. metre plant will manufacture biologic drugs for treatment of rare and severe diseases.
Alexion Pharmaceuticals, a subsidiary of AstraZeneca, is a pharmaceutical company headquartered in Boston, Massachusetts, that specializes in orphan drugs to treat rare diseases. With costs that can reach as much as $2 million per year, the drugs manufactured by Alexion are some of the most expensive drugs worldwide.
The four-year project, which will be constructed at Alexion’s College Park site in Blanchardstown, is expected to create approximately 200 additional full-time jobs on completion, which will bring Alexion’s total workforce in Ireland to almost 500 employees.
Since first entering Ireland in 2013, Alexion has invested €130m in two facilities – a vialfill and finish facility in Athlone and a global supply chain facility at College Park. Phase one of the College Park facility, comprising Global Supply Chain HQ, laboratories, packaging and warehousing operations is expected to be operational by year end. Approximately 560 construction workers are involved in the development of the current Athlone and College Park projects, and the planned expansion of College Park will also create over 800 construction jobs.
Alexion has worked closely with the Department of Jobs and IDA Ireland on the development of its operations in Ireland.
Julie O’Neill, EVP Global Operations, states, “Alexion is pleased to progress the development of our College Park facility with a significant expansion that will now include our first biologics manufacturing facility outside the United States. This project further underscores our commitment to Ireland and is enabled by our ability to recruit highly competent and professional personnel to support the production and distribution of our medicine, Soliris (Eculizumab), and our strong pipeline of biologics medicines. Alexion has a unique mission to develop life-transforming therapies for patients with severe and life-threatening ultra-rare disorders. We are already serving the very few patients in Ireland suffering from two very rare and devastating diseases; with this major expansion, our Irish operations, comprising biologics manufacturing, vial fill-finish and global supply chain, will be at the forefront of this vital work globally.”
Welcoming the announcement, Tánaiste and Minister for Social ProtectionJoan BurtonTD says, “Alexion’s latest expansion is an extremely strong endorsement for Ireland, and Dublin West in particular, as an attractive location for high-end investment from the pharmaceutical industry. It underlines the jobs-led recovery that is underway, with 90,000 jobs created and the Live Register down by a third since the peak of the crisis. We are determined to maintain this progress into the future. As Tánaiste and Social Protection Minister, my Department stands ready to assist Alexion with their recruitment needs, in particular through our Employer Engagement Unit.”
Speaking at College Park, the Minister for Jobs, Enterprise and InnovationRichard Bruton TD adds, “Biopharma is a sector which we have specifically targeted as part of the Action Plan for Jobs, due to the large potential for employment growth which it offers Ireland, and we have taken a number of steps to support the growth of this sector in Ireland. Today’s announcement by Alexion is a huge boost for west Dublin and the whole country, and huge credit is owed to Julie and her team as well as the IDA. Employment will be provided for 1,000 extra people, and the knock-on impact of this massive €450m investment for the wider economy will be enormous. We are developing a powerful cluster of biopharma plants in Ireland which I am determined now to build on.”
Dowling is born in Kimmage, Dublin, on September 7, 1929, the sixth of four sons and three daughters of William Dowling, a ship’s captain, and his wife Mary (née Kelly). His father is violent toward the family and leaves when he is a toddler. Helped by money provided by a priest, the Dowlings move in 1934 from the basement of his maternal uncle’s flat in Merrion Square, Dublin, to a house in Mount Merrion, County Dublin. In 1942, financial necessity forces the family’s move to a smaller residence in Marlborough Road, Donnybrook, Dublin.
Dowling is educated at St. Mary’s College in Rathmines, Dublin, having previously attended KilmacudNational School and CBS Dún Laoghaire, both in County Dublin. He is a bright student, but with his fees in arrears, the dean of studies induces him to leave school early in September 1945 for a clerkship with the Standard Life Assurance Company. A few years later, he finds his vocation when he accompanies a girlfriend to the academy of acting run by Brendan Smith. He signs up in 1948 for a two-year course during which he performs in and stage-manages academy plays and stage-manages for Smith’s professional company. Upon quitting Standard Life in June 1950, he spends a year touring Ireland with Smith’s company, both as an actor and the touring group’s manager.
Dowling comes to prominence in the 1950s for his role as Christy Kennedy in the long-running radio soap opera, The Kennedys of Castleross, and as a member of the Abbey Theatre company. He returns to the Abbey as artistic director from 1987 to 1990.
Following two months in the United States in 1969 lecturing and directing at Loyola University Chicago, he spends periods during 1972–74 directing for the Missouri Repertory Theatre and lecturing and directing at the University of Missouri – Kansas City. On extended leave from the Abbey, he directs in various American theatres throughout 1975, the year he married Olwen O’Herlihy, daughter of the Irish actor Dan O’Herlihy. After his request for six months leave each year is refused, he quits the Abbey in 1976, having done over a hundred major roles for the company.
Dowling marries actress Brenda Doyle in 1952. They have four daughters, including actress Bairbre Dowling, before divorcing in 1975. In 1975, he marries Olwen O’Herlihy, with whom he has a son.
Politician Richard Boyd Barrett is the biological son of Dowling and recording artist and actress Sinéad Cusack from a 1966 relationship while both are at the Abbey Theatre. Boyd Barrett is adopted as an infant. Dowling contacts Boyd Barrett after his connection with Cusack is publicly revealed in 2007. Their relationship is made known after his death.
Dowling dies on May 10, 2013, in Massachusetts General Hospital due to complications arising from surgery. Following a funeral service at the First Congregational Church of Chester, his remains are interred in the nearby cemetery.
Dowling receives honorary doctorates from Westfield State University in Massachusetts, and from Kent State University, John Carroll University and the College of Wooster, all in Ohio. His papers, from 1976 onward, are housed at the Kent State University and John Carroll University libraries.
O’Hegarty comes from a family with strong nationalist roots. His parents are John, a plasterer and stucco worker, and Katherine (née Hallahan) Hegarty. His elder brother is Patrick Sarsfield O’Hegarty, the writer. His parents’ families emigrated to the United States after the Great Famine, and his parents married in Boston. His father is a member of the Irish Republican Brotherhood (IRB). In 1888, his father dies of tuberculosis at the age of 42, and his mother has to work to support the family.
O’Hegarty is educated at the Christian BrothersNorth Monastery school in Cork. By 1902, he has left school to work as a sorter in the local post office, rising to post office clerk. He is a supporter of the Gaelic revival, Irish traditional music, and Gaelic games. A committed sportsman, in his twenties he is captain of the Post Office HQ’s hurling team. He follows his brother Patrick into Conradh na Gaeilge and eventually the Irish Volunteers and the Irish Republican Brotherhood. He is a member of the Celtic Literary Society by 1905 and founds the Growney branch of Conradh na Gaeilge in 1907. A puritanical character by nature, he is a non-smoker and never drinks.
O’Hegarty is a founder of the local branch of the Irish Volunteers in Cork in December 1913. In June of the following year, he is appointed to the Cork section of the Volunteer Executive, and then to the Military Council. In October, the Dublin government discovers his illegal activities, and he is dismissed. Excluded from Cork under the Defence of the Realm Act (DORA) regulations, he moves to Ballingeary, where he works as a labourer. From there he moves to Enniscorthy, County Wexford, where he lives with Larry de Lacy. On February 24, 1915, he is arrested and tried under the Defence of the Realm Act for putting up seditious posters. But for this and a second charge of “possession of explosives” he is discharged. The explosives belonged to de Lacy.
The Volunteers appoint O’Hegarty as Commandant of Ballingeary and Bandon. During the Easter Rising, he is stationed in Ballingeary when visited by Michael McCarthy of Dunmanway to propose an attack on a Royal Irish Constabulary (RIC) post at Macroom. But their strength is fatally weakened and, having no reserves, they call off the attempt. In 1917, he becomes Vice-commandant of No.1 Cork Brigade. He works as a storekeeper at the workhouse but is intimidating, and clashes with the Poor Law Guardians.
During the Irish War of Independence, O’Hegarty is one of the most active in County Cork. Like others, he is exasperated with Tomás Mac Curtain’s inactivity and refusal to be more bellicose. One such is battalion commander Richard Langford, who joins with O’Hegarty’s unit to make an unauthorized raid on the RIC post at Macroom. Langford is court-martialed, but O’Hegarty continues to rise in the ranks. When a RIC Inspector is murdered, Mac Curtain condemns the shootings and calls for their end. On March 19, 1920, Mac Curtain is shot and killed in his home in Cork. The coroner blames the British establishment in Dublin, but the police never make any attempt to investigate the killings. Shortly after these events General Hugh Tudor begins the policy of official reprisals.
In January 1920, an inquiry is held into corruption alleged against “Hegarty’s Mob” or “Hegarty’s Crowd” running Cork City. O’Hegarty blames the former mayors for the charges of incompetence but remains on good terms with them.
In a raid on Cork City Hall on August 12, 1920, the British manage to net all the top brass of the IRA in Cork. In an incredible failure of intelligence, they do not identify the leadership as their prisoners. They are all released, including Liam Lynch, and O’Hegarty. Only Terence MacSwiney, the new Lord Mayor of Cork, is kept in custody and sent to England.
On February 25, 1921, the Coolavokig ambush is carried out by the 1st Cork Brigade under O’Hegarty at Ballyvourney village, on the road between Macroom and Ballyvourney. The IRA suffers no casualties; however, the number of British casualties has been disputed to this day.
The brigade commanders in the southern division retain a residual lingering resentment of Dublin GHQ’s lack of leadership and supplies. Seán Moylan, commandant of No. 2 Cork Brigade, thinks good communications with No.1 Brigade are to be vital, but little of this is seen via the organizer, Ernie O’Malley, at GHQ. At a meeting set up for April 26, 1921, when the manual of Infantry Training 1914 is produced, the document raises great anger. The meeting ends in uproar when O’Hegarty, who is “a master of invective, tore the communication and its authors to ribbons.”
O’Malley and Liam Lynch, the general, meet with O’Hegarty in the mountains of West Cork, near a deserted farmhouse, just off the main road. In the retreat that follows, the Irish take heavy casualties and leave their wounded to the good care of the British. These are the “Round-ups” in which the Irish sleep outside in order to avoid being at home when the Army calls. They are told by the Brigade to learn the national anthem of England to avoid arrest.
In East Cork brigade, O’Hegarty uncovers a spy ring. He is ruthless in the treatment of Georgina Lindsay and her chauffeur, who give away information to the Catholic clergy, but is remarkably lenient on brigade traitors within. He is allegedly not too bothered about evidence but is reminded that all executions of a traitor have to be approved by Dublin first.
O’Hegarty becomes more and more aggressive toward the establishment, using tough language to impose his will over the area. He attempts to force the civilian Teachtai Dála (TDs) for Cork to stand down, to give way to military candidates, telling the Dáil in December 1921, that any TD voting for the treaty will be guilty of treason. But Éamon de Valera is decided and overrules any interference with the Civil Government. Like the commanders, de Valera rejects the treaty but has already been defeated in the Dáil on a vote by W. T. Cosgrave‘s majority.
On February 1, 1922, O’Hegarty marries Maghdalen Ni Laoghaire, a prominent member of Cumann na mBan.
O’Hegarty is on the IRA’s Executive Council, but when there is a meeting on April 9, 1922, it is proposed that the Army should oppose the elections by force. As a result, Florence O’Donoghue and Tom Hales join him in resigning. In May, he and Dan Breen enter into negotiations with Free Stater Richard Mulcahy. A statement is published in the press asking for unity and acceptance of the Treaty. During this time, the republicans become very demoralized and ill-disciplined, but they have to gain strength before announcing independence from Dublin. The debate amongst the anti-Treaty IRA command is increasingly rancorous.
The bitter divisions split the anti-treatyites into two camps. Two motions are debated at the Army Convention on June 18, 1922. At first, the motion to oppose the treaty by force is passed. These men include Tom Barry, Liam Mellows, and Rory O’Connor, who are all in favour of continuing the fight until the British are driven out of Ireland altogether. However, one brigade’s votes have to be recounted, and then the motion is narrowly defeated. Joe McKelvey is appointed the new chief of staff, but the IRA is in chaos. While he strongly opposes the Anglo-Irish Treaty, O’Hegarty takes a neutral role in the Irish Civil War and tries to avert hostilities breaking out into full-scale civil war. He emerges as a leader of the “Neutral IRA” with O’Donoghue. This is a “loose” confederation of 20,000 men who have taken part in the pre-truce wars but have remained neutral during the Civil War from January 1923. Over 150 persons attend its convention in Dublin on February 4, 1923. By April 1923, O’Malley is imprisoned in Mountjoy Prison. In a letter to Seamus O’Donovan on April 7, he blames Hegarty for all this compromise and “peace talk.”
It has been alleged by the author Gerard Murphy that O’Hegarty had a role in the assassination of the Commander-in-Chief, Michael Collins, in August 1922, along with Florrie O’Donoghue and Joe O’Connor. It is alleged that as members of the 1st Southern Division Cork, they are actually feigning claims of neutrality but remain part of the IRB in order to set up talks towards peace and the cessation of hostilities at the start of the Irish Civil War.
Although probably an atheist during the Irish War of Independence, O’Hegarty returns to the Catholic church later in life. On forming the Neutral Group of the IRA in December 1922, he tries to unify differences in the volunteers between Republicans and the Free Staters. He communicates with the Papal Nuncio during the inter-war years in an attempt to have Bishop of CorkDaniel Cohalan‘s excommunication bill lifted. Instead, he turns to commemoration as a way to earn favour in Rome, with the dedication of a Catholic church at St. Finbarr’s Cemetery. After his wife’s passing, he becomes a close friend with Florence O’Donoghue until his own death.
In June 1919, de Valera arrives in the United States for what is to be an 18-month visit. He has recently escaped from Lincoln Gaol in England in sensational fashion, after a duplicate key is smuggled into the jail in a cake and he escapes dressed as a woman. A few months later he is a stowaway aboard the SS Lapland from Liverpool bound for America.
De Valera’s plan is to secure recognition for the emerging Irish nation, tap into the huge Irish American community for funds, and to pressurize the U.S. government to take a stance on Irish independence. Playing on his mind is the upcoming Versailles conference where the nascent League of Nations is preparing to guarantee “existing international borders” – a provision that will imply Ireland remaining within the United Kingdom.
De Valera also has a challenge in winning over PresidentWoodrow Wilson, who is less than sympathetic to Ireland’s cause.
De Valera’s interest in America is of course personal. He is born in New York City on October 14, 1882, and his U.S. citizenship is one of the reasons he is spared execution after the 1916 Easter Rising.
At first de Valera keeps a low profile in America. Though he is greeted by Harry Boland and others when he docks in New York City, he first goes to Philadelphia and stays with Joseph McGarrity, the County Tyrone-born leader of Clan na Gael and a well-known figure in Irish America. He also quietly pays a visit to his mother in Rochester, New York.
De Valera’s first major engagement is on June 23, 1919, when he is unveiled to the American public at a press conference in the Waldorf-Astoria hotel in New York City. Crowds throng the streets around the hotel, and de Valera proclaims, “I am in America as the official head of the Republic established by the will of the Irish people in accordance with the principle of self-determination.”
De Valera then embarks upon a tour across America. Vast crowds turn out to see the self-proclaimed “president of the Irish republic.” In Boston an estimated crowd of 70,000 people hear him talk in Fenway Park. In San Francisco he unveils a statute of Irish revolutionary hero Robert Emmet in Golden Gate Park.
Later in the year, de Valera holds a huge rally in Philadelphia, where he is welcomed by the mayor at Independence Hall. He also visits smaller towns and cities across the United States, and his trip garners huge press coverage – an invaluable boon for his campaign to heighten awareness of the Irish issue in America.
But difficulties soon emerged during de Valera’s visit. He becomes embroiled in a bitter split among Irish Americans. He finds himself at odds with Judge Daniel Cohalan and John Devoy, central figures in the Friends of Irish Freedom (FOIF) association. Part of the dispute centers around money. De Valera had settled on an idea for a bond sale as a way of raising money for the cause – investors would be given bond certificates that would be exchangeable for bonds of the Irish Republic once it gets international recognition. But Cohalan and Devoy, who have already raised thousands through the Friends of Irish Freedom, are opposed, concerned about the scheme’s legality for one.
De Valera’s claim in an interview that Irish-British relations can be analogous to the relationship between Cuba and America also enrages the Cohalan-Devoy camp, who accuse him of surrendering the idea of full Irish sovereignty.
De Valera’s increasingly acrimonious relationship with Cohalan and Devoy spills over into the 1920 Republican and Democratic conventions. Against the advice of Cohalan and Devoy, he advances a resolution about Irish independence which is rejected 12-1 at the Republican convention in June of that year. A rival resolution by Cohalan squeezes through but ultimately is overturned. Similarly, he fails to secure the inclusion of the Irish issue in the Democratic Party’s policy platform during the Democrats’ convention in San Francisco.
De Valera leaves the United States in December 1920 with mixed results. Though he has raised millions of dollars through the bond sale, he has made little progress in co-opting official America to Ireland’s cause. Much as division is to characterise the next chapter of his political career in Ireland, de Valera’s sojourn in America leaves Irish America more divided than it has ever been.
(From: “Éamon de Valera’s US trip that left Irish America divided” by Suzanne Lynch, The Irish Times, http://www.irishtimes.com, June 1, 2019 | Pictured: Éamon de Valera (center) in New York with Friends of Irish Freedom’s Judge Daniel Cohalan and John Devoy in July 1919, Topical Press Agency/Getty)
Browne is an important and outspoken member of the Irish hierarchy. His time as Bishop has been described by the historian James S. Donnelly Jr. as “far-reaching and … controversial,” while the historian of Irish CatholicismJohn Henry Whyte claims that Browne’s “readiness to put forward his views bluntly is welcome at least to the historian.”
On August 6, 1937, at the relatively young age of 41, Browne is appointed Bishop of Galway and Kilmacduagh by Pope Pius XI, receiving his episcopal consecration from Archbishop Thomas Gilmartin on the following August 10. He supports TaoiseachÉamon de Valera‘s defence of arrests and police searches for cached Irish Republican Army (IRA) arms, declaring, “Any Irishman who assists any foreign power to attack the legitimate authority of his own land is guilty of the most terrible crime against God’s law, and there can be no excuse for that crime – not even the pretext of solving partition or of securing unity.”
In 1939, Browne is selected by Éamon de Valera to chair the Commission on Vocational Organisation.
Browne is attentive to the state of public morality in the diocese, and James S. Donnelly Jr. has noted his role in directing episcopal and clerical censorship of newsagents and county librarians. He is also concerned about public intoxication and other misconduct at the Galway Races, controversies over dancing and the commercial dance halls, as well as immodesty in dress and the closely related issue of so-called “mixed bathing” in Galway and Salthill.
In 1957, in response to a growing tension between Catholics and Protestants at Fethard-on-Sea, including the Fethard-on-Sea boycott, Browne says, “non-Catholics do not protest against the crime of conspiring to steal the children of a Catholic father, but they try to make political capital when a Catholic people make a peaceful and moderate protest.”
The most enduring monument or physical legacy of Browne’s time as Bishop is the Cathedral of Our Lady Assumed into Heaven and St Nicholas, commonly known as Galway Cathedral, which is dedicated in 1965 by CardinalRichard James Cushing of Boston, Massachusetts. The site of the old jail had come into the possession of the diocese in 1941 and Browne leads the campaign to construct a new Cathedral. This includes a 1957 audience with Pope Pius XII where the plans are approved.
Browne attends the Second Vatican Council from 1962 to 1965 and retires in 1976. He dies four years later, at the age of 84, on February 24, 1980.
Browne is parodied in Breandán Ó hÉithir`s novel Lig Sinn i gCathu, which fictionalises late 1940s Galway as “Baile an Chaisil” and Browne as “An tEaspag Ó Maoláin.”
The Irish cabinet minister Noël Browne (no known relation) in his 1986 memoir Against the Tide describes the physical attributes of his episcopal namesake:
“The bishop had a round soft baby face with shimmering clear cornflower-blue eyes, but his mouth was small and mean. Around his great neck was an elegant glinting gold episcopal chain with a simple pectoral gold cross. He wore a ruby ring on his plump finger and wore a slightly ridiculous tiny scullcap on his noble head. The well-filled semi-circular scarlet silk cummerbund and sash neatly divided the lordly prince into two.”
Raised in Dublin, Manning goes to school in Morehampton House and Alexandra College, Dublin. She gets her theatre training in Sara Allgood‘s teaching class in the Abbey Theatre.
Prior to her career as a writer and filmmaker, Manning works as a film critic throughout the 1920s and 30s. She works as a film critic for TheIrish Statesman for a year during that time until it goes out of business. She is known to disapprove of Hollywood‘s “unimaginable stories and its stereotypical portrayal of Ireland and the Irish.” She also works as a writer for the Gate Theatre. She adapts the short story “Guests of the Nation” for a film directed by Denis Johnston. She also helps found the Dublin Film Society in 1930 and co-founds the Gate Theatre arts magazine Motley in 1932.
From 1914 to 1926, Ireland experiences a surge of new film styles being produced, consisting of historical melodramas and romantic comedies. Following this, 1930 to 1935 births a second wave of industry produced silent films that are intended to be less cliche compared to the first wave. The films produced under the second wave are much more experimental and deal less with the commercial appeals of the first wave. There’s minimal information on how Manning specifically contributed to the second wave, however, it is stated that she plays an important role producing five out of the six films to come out of that wave.
Manning is a founder of the Poets’ Theatre in Cambridge, Massachusetts, and works as drama director at Radcliffe College during World War II. She marries Faneuil Adams of Boston, Massachusetts, in 1980.
Manning dies at the age of 93 on June 27, 1999, at Mt. Auburn Hospital in Cambridge, Massachusetts.
Gleeson is the daughter of Irish-born Edward Moloney Gleeson, a medical doctor, and Harriet (née Simpson), from Bolton, Lancashire. Her father has a practice in Knutsford but on a trip to Ireland he is struck by the poverty and unemployment and, with the advice of his brother-in-law, a textile manufacturer in Lancashire, he founds the Athlone Woollen Mills in 1859, investing all his money in the project. The family moves to Athlone in 1863, but Gleeson is educated in England, where she trains as a teacher. She later studies portraiture in London at the Atelier Ludovici from 1890–92. She goes on to study design with Alexander Millar, a follower of William Morris, who believes she has an exceptional aptitude for colour-blending. Many of her designs are bought by the exclusive Templeton Carpets of Glasgow.
Gleeson takes a keen interest in Irish affairs and, as a member of the Gaelic League and the Irish Literary Society, mixes with the Yeats family and the Irish artistic circle in London and is inspired by the Gaelic revival in art and literature. She is also involved in the suffrage movement and is chairwoman of the Pioneer Club, a women’s club in London. In 1900, an opportunity arises to make a practical contribution to the Irish renaissance and the emancipation of Irish women. She is suffering from ill-health, but her friend Augustine Henry, botanist and linguist, suggests she move away from the London smog to Ireland and open a craft centre with his financial assistance. She seizes the opportunity and discusses her plans with her friends the Yeats sisters, Elizabeth and Lily, who are talented craftswomen and have direct contact with William Morris and his followers. They have no money to contribute to the venture but are enthusiastic and can offer their skills and provide contacts. She seeks advice from W. B. and Jack Yeats, from Henry, who loans her £500, and from her cousin, T. P. Gill, secretary of the Department of Agriculture and Technical Instruction.
During the summer of 1902 Gleeson finds a suitable house in Dundrum, County Dublin, ten minutes from the railway station. The house, originally called Runnymede, is renamed Dun Emer, after the wife of Cú-Chulainn, renowned for her craft skills. The printing press arrives in November 1902, and soon three craft industries are in operation. Lily Yeats runs the embroidery section, since she had trained with Morris’s daughter May. Elizabeth Yeats operates the press, having learned printing at the Women’s Printing Society in London. Gleeson manages the weaving and tapestry and looks after the financial affairs of the industries. W. B. Yeats acts as literary adviser, an arrangement that often causes friction, and Gleeson’s sister, Constance McCormack, is also involved.
Local girls are employed and trained, and the industries seek to use the best of Irish materials to make beautiful, high-quality, lasting products of original design. Church patronage accounts for most of their orders and, in 1902–03, Loughrea cathedral commissions twenty-four embroidered banners portraying Irish saints. They also make vestments, traditional dresses, drapes, cushions and other items, all beautifully crafted and mostly employing Celtic design. The first book published is In the Seven Woods (1903), by W. B. Yeats, cased in full Irish linen.
Gleeson is in demand as an adjudicator in craft competitions around the country and at Feis na nGleann in 1904 she praises the workmanship of the entries but is critical of the lack of teaching in design. She gives lectures and tries to raise the status of craftwork from household occupation to competitive industry. There are tensions with the Yeats sisters, who complain that she is bad-tempered and arrogant. In truth she had taken on too much of a financial burden, even with the support of grants, and she is anxious to repay her debt to Augustine Henry, which he is prepared to forego. The sisters snub her and omit her name in an interview about Dun Emer in the magazine House Beautiful. Millar, her design teacher in London, likens the omission to Hamlet without the prince. In 1904, it is decided to split the industries on a cooperative basis: Dun Emer Guild Ltd. under Gleeson and Dun Emer Industries Ltd. under the Yeats sisters.
Work continues, and the guild and industries exhibit separately at the Royal Dublin Society (RDS) and other craft competitions. In 1907, the National Museum of Ireland commissions a copy of a Flemish tapestry. It takes far longer than anticipated to complete, but the result is beautiful and is exhibited at the Arts and Crafts Society of Ireland in 1910. The guild wins a silver medal at the Milan International exhibition in 1906. The guild and industries both show work at the New York exhibition of 1908. The guild alone shows work in Boston. By now cooperation has turned to rivalry, and there is a final split as the Yeats sisters leave, taking the printing press with them to their house in Churchtown, Dublin. Gleeson writes off a debt of £185 owed to her, on condition that they do not use the name Dun Emer.
The business thrives at Dundrum, with her niece Katherine (Kitty) MacCormack and Augustine Henry’s niece, May Kerley, assisting with design. Later they move the workshops to Hardwicke Street, Dublin. In 1909, Gleeson becomes one of the first members of the Guild of Irish Art Workers and is made master in 1917. The Irish Women Workers’ Union commissions a banner from her about 1919, and, among numerous other notable successes, a Dun Emer carpet is presented to Pope Pius XI in 1932, the year of the Eucharistic Congress of Dublin.
Gleeson dies at the age of 89 at Dun Emer on February 20, 1944, with Kitty carrying on the Guild after her death. The final home of Dun Emer is a shop on Harcourt Street, Dublin, which finally closes in 1964.
(From: “Gleeson, Evelyn” by Ruth Devine, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
seamus dubhghaill 