Mahony is born to Martin Mahony and Mary Reynolds. He is educated at the JesuitClongowes Wood College, in County Kildare, and later in the Abbey of Saint-Acheul, a similar school in Amiens, France and then at Rue de Sèvres, Paris, and later in Rome. He begins teaching at the Jesuit school of Clongowes as master of rhetoric but is soon after expelled. He then goes to London and becomes a leading contributor to Fraser’s Magazine, under the signature of “Father Prout” (the original Father Prout, whom Mahony knew in his youth, born in 1757, was parish priest of Watergrasshill, County Cork). At one point he is director of this magazine.
Mahony is witty and learned in many languages. One form which his humour takes is the professed discovery of the originals in Latin, Greek, or mediaeval French of popular modern poems and songs. Many of these jeux d’esprit are collected as Reliques of Father Prout. He pretends that these poems had been found in Fr. Prout’s trunk after his death. He wittily describes himself as “an Irish potato seasoned with Attic salt.” Later he acts as foreign correspondent to various newspapers, and during the last eight years of his life his articles form a main attraction of The Globe.
In his native Cork Mahoney is best remembered for his poem “The Bells of Shandon” and his penname is synonymous with the city and the Church of St. Anne, Shandon.
Mahony spends the last two years of his life in a monastery and dies on May 18, 1866, in Paris reconciled to the Church.
The Reliques of Father Prout originally appear in two volumes in 1836 with illustrations by Maclise. They are reissued in Henry George Bohn‘s Bohn’s Libraries in 1860. Another volume, Final Reliques, is edited by Douglas Jerrold and published in 1876. The Works of Father Prout, edited by Charles Kent, is published in 1881. Facts and Figures from Italy (1847) is made from his Rome letters to London’s The Daily News.
Former Commando Pat Gillen, one of the last surviving Irish D-Day veterans, dies at the age of 89 at his home in Cork, County Cork on December 27, 2014. He is among the first wave of troops to land on Sword Beach in Normandy on June 6, 1944.
A rifleman in the 6 Commando unit charged with securing the strategically important Pegasus Bridge near Caen, Gillen is never injured despite making a six-mile trek through marshland from the beach to Caen and spending weeks in the trenches at Saulnier. More than half his brigade falls in the face of vicious fire from German forces.
On his return to Ireland, Gillen applies for a job as a male stenographer with Ford Motor Company in Cork, where the company’s first plant outside the United States employs thousands of workers in the 1930s. Having studied Pitman shorthand, typing and bookkeeping at school, he is called for an interview that includes a shorthand test in which the only word “I could just not get right was carburetor.”
Not alone does Gillen land the job with the U.S. car and tractor firm, he also meets Rita, the daughter of his B&B landlady, whom he marries two years later. Blessed with a lively sense of humour, he has a natural flair for getting on with people and is assigned to Ford’s public relations division.
Gillen’s ease when dealing with journalists is an attribute that serves him well during an 11-year spell as Ford’s press officer, especially in the turbulent times leading up to its decision to close the Cork manufacturing plant in 1984, when he also retires after 38 years with the company.
A witty, unassuming man, Gillen’s abiding interests are gardening, his twelve grandchildren, the FCA, and letter-writing to wartime comrades, a practice he keeps up until weeks before his death.
On December 8, 2014, just over two weeks before his death and surrounded by his family in an emotional ceremony at the Mercy University Hospital in Cork, Gillen is presented with the Chevalier de la Légion d’honneur by the French ambassador to Ireland, Jean-Pierre Thébault, in recognition of his courage and gallantry in the liberation of France. It is the highest French honour.
With characteristic generosity, Gillen dedicates the medal to fellow countrymen, including two cousins who fought in but did not survive World War II. “This award is as much theirs as mine,” he said. “By the grace of God, I survived to be here today while many of my friends sleep in the fields of France.”
At the time of his passing Gillen is surrounded by his family. Predeceased by Rita, he is survived by their four children, Robin, Mary, Patricia, and Gerard, his sister, Mary, and brothers Michael (“Chick”), Liam and Bobby. His sister Angela Scully also predeceases him.
(From: D-Day veteran who became Ford’s PR man in Cork, The Irish Times, January 17, 2015)
Within one year of becoming Director of the School of Irish Studies in the Dublin Institute for Advanced Studies, Bergin resigns both the senior professorship and his office of director. The reason for his resignation is never made public.
Bergin, who never uses the name Joseph except when signing with his initials, does not seem to have felt the need of institutional religion, and during his lifetime, he rarely attends religious services. He develops Irish nationalist sympathies and remains a firm nationalist all his life but without party affiliations. From the number of Irish speakers living in Cork, he quickly masters the spoken Irish of West Munster. By 1897, his knowledge of spoken and literary Modern Irish is so strong that he is appointed lecturer in Celtic in Queen’s College, Cork. It is during this time that he becomes an active member of the Gaelic League.
Bergin publishes extensively in the journal for Irish scholarship, Ériu. He is best known for his discovery of Bergin’s Law, which states that while the normal order of a sentence in Old Irish is verb-subject-object, it is permissible for the verb, in the conjunct form, to be placed at the end of the sentence. His friend Frank O’Connor writes humorously that while he discovers the law “he never really believed in it.” He writes poetry in Irish and makes a number of well-received translations of Old Irish love poetry.
Bergin is celebrated in Brian O’Nolan‘s poem Binchy and Bergin and Best, originally printed in the Cruiskeen Lawn column in The Irish Times and now included in The Best of Myles. He is noted for his feuds with George Moore and William Butler Yeats, but he enjoys a lifelong friendship with George William Russell. Frank O’Connor describes Bergin’s eccentricities affectionately in his memoir My Father’s Son.
Osborn Bergin dies in a nursing home in Dublin at the age of 76 on October 6, 1950, having never married.
As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.
While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.
Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.
In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.
Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.
Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.
Micheál Mac Liammóir dies at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.
Lynch is born on August 15, 1917, in Blackpool, on the north side of Cork, County Cork. He is educated at St. Vincent’s Convent on Peacock Lane, and later at the North MonasteryChristian Brothers School. He sits his Leaving Certificate in 1936, after which he moves to Dublin and works with the Dublin District Milk Board, before returning to Cork to take up a position in the Circuit Court Office.
Lemass’s retirement in 1966 causes an internal party conflict over the succession that leads to Lynch’s selection as a compromise candidate, a position he reluctantly accepts. In November of that year, he becomes leader of Fianna Fáil and Taoiseach. In June 1969 he becomes the only Fianna Fáil leader other than de Valera to win an overall majority in a general election. In 1969–1973 Lynch plays an important role when civil unrest leads to the collapse of the government of Northern Ireland and poses a threat to the stability of the Irish state. He fires two cabinet ministers who are suspected of involvement in smuggling arms to the Provisional Irish Republican Army (IRA). He also creates a consensus in Irish party politics on a policy of conciliation and cooperation with the British government in seeking a solution to the Northern Ireland problem based on establishing power-sharing between the unionist majority and the Roman Catholic minority.
In 1972 Lynch wins an 83 percent majority in a referendum on Ireland’s entry into the European Economic Community. On January 1, 1973, Ireland becomes a member. Although he is defeated in the 1973 elections, he again demonstrates his remarkable popularity at the polls in 1977 when Fianna Fáil wins their largest and their last overall majority. In December 1979, however, discouraged by challenges to his authority from party colleagues, he resigns his leadership and soon after retires from politics. He serves on a number of corporate boards after his retirement.
In 1992 Lynch suffers a severe health setback, and in 1993 suffers a stroke in which he nearly loses his sight. Following this he withdraws from public life, preferring to remain at his home with his wife Máirín where he continues to be dogged by ill-health.
Lynch dies in the Royal Hospital, Donnybrook, Dublin on October 20, 1999, at the age of 82. He is honoured with a state funeral which is attended by the President of IrelandMary McAleese, Taoiseach Bertie Ahern, former Taoisigh John Bruton, Albert Reynolds and Charles Haughey, and various political persons from all parties. The coffin is then flown from Dublin to Cork where a procession through the streets of the city draws some of the biggest crowds in the city’s history. After the Requiem Mass celebrated in his home parish of the Cathedral of St. Mary and St. Anne, Lynch’s friend and political ally, Desmond O’Malley, delivers the graveside oration, paying tribute to Lynch’s sense of decency. He is buried in St. Finbarr’s Cemetery in Cork.
Kent is executed after a gun battle with members of the Royal Irish Constabulary (RIC) who come to arrest him and his brothers on May 2, 1916, during the aftermath of the Easter Rising. During the ensuing fight, head constable William Rowe is killed, and Kent’s brother Richard later dies of his wounds. He is executed by firing squad on May 9, 1916, in the Military Detention Barracks, Cork and is buried in an unmarked grave on the grounds.
Apart from Roger Casement, Kent is the only one of the sixteen men executed after the Easter Rising to be executed outside Dublin. In June 2015, his remains are exhumed, and DNA testing confirms their identity.
A ripple of applause breaks through the crowd when the funeral cortege arrives at the church near where Kent was born and raised. The church is unable to accommodate all the visitors, so a marquee is set up on the grounds of the church.
Kent’s funeral “writes the final chapter in a long ordeal for the Kent family,” the Bishop of CloyneWilliam Crean tells the congregation. Delivering the funeral eulogy, Cmdt. Gerry White says Thomas Kent was once known only for being the man who gave his name to Kent Station in Cork. “Today, however, all that is changed. Today, because of the recent discovery of his remains, Thomas Kent has once again become someone who is very much in the present. Today, members of Óglaigh na hÉireann, the Irish Defence Forces, will render the military honours that were denied him 99 years ago. Today, he will no longer be the ‘Forgotten Volunteer.’ Today, after 99 years, Thomas Kent is finally coming home.”
Thomas Kent’s life is represented by a picture of the family home, rosary beads, a pioneer pin and a leabhair gaeilge representing his interests in life. He is buried in the graveyard at Castlelyons. Taoiseach Enda Kenny gives the funeral oration.
(From: “State funeral for executed 1916 rebel Thomas Kent” by Ronan McGreevy and Éanna Ó Caollaí, The Irish Times, September 18, 2015 | Pictured: The remains of Thomas Kent as they are carried into St. Nicholas’ Church, Castlelyons, County Cork, photograph by Alan Betson)
Cantwell plays as a full-back for Western Rovers, Cork Athletic F.C., West Ham United F.C. and Manchester United F.C. While at West Ham, he features in the London XI side that competes in the 1955–58 Inter-Cities Fairs Cup final on May 1, 1958. He captains the Hammers to winning the Division Two championship in the 1957–58 season and thereby leads the club into the topflight for the first time since 1932.
In November 1960, Cantwell joins Manchester United for £29,500 which at the time is a record for a full-back. He helps the club win the 1965 and 1967 league titles and captains United when winning the 1963 FA Cup Final, just as his fellow countryman Johnny Carey had done in United’s previous FA Cup win 15 years earlier. He also serves as Chairman of the Professional Footballers’ Association.
Cantwell wins 36 full International caps for the Republic of Ireland national football team, typically playing at left full-back and on several occasions at centre-forward. He makes his debut against Luxembourg in October 1953 with his final appearance coming away to Turkey in February 1967. He scores 14 goals including 5 from penalties and also captains the Republic on several occasions including a match against England at Wembley Stadium.
In his first managerial role at Coventry City F.C. he has the onerous task of following Jimmy Hill who had taken the club into the Football League First Division for the first time in their history. He narrowly keeps the Sky Blues in the top in his first two seasons before taking them to a sixth-place finish in 1969–70, earning them qualification for the Inter-Cities Fairs Cup, a year before it was replaced by the UEFA Cup.
Cantwell departs from Highfield Road on March 12, 1972, to take charge of the New England Tea Men in the United States, but within seven months is back in English football as manager of Peterborough United F.C. He helps Peterborough win the Football League Fourth Division title in his first full season as manager, before leaving on May 10, 1977, for a second spell with the Tea Men. This time he spends a year in the United States.
Cantwell returns to Peterborough on November 19, 1986, for a second spell as manager, remaining in this role until he becomes general manager on July 12, 1988. He is general manager at London Road for a year until he quits football to become licensee of the New Inn at Peterborough, where he remains for 10 years until he retires in 1999. He also is landlord of the Bull and Swan in Stamford, Lincolnshire.
Cantwell also plays cricket for Cork Bohemians Cricket Club and Ireland as a left-handed batsman and a right-arm medium bowler. He plays five times for Ireland making his debut in what is his sole first-class match versus Scotland at Edinburgh in 1956, scoring 31 and 17. His last match for Ireland is against Lancashire in July 1959.
Cantwell dies on September 8, 2005, from cancer at the age of 73, leaving a widow and two children. His former teams each hold a minute of silence for him before their next matches.
Hincks is educated at home by his father and at Midleton College before entering Trinity College Dublin. He is elected a Scholar of the College in 1810, and in 1812 wins the Gold Medal and Bishop Law‘s Prize for Mathematics. He is elected a Fellow of the College in 1813 and four years later takes his M.A. In 1819, following the death of Thomas Meredith, he is presented to the Rectory of Ardtrea in County Tyrone. Though Ardtrea is a valuable and highly prized Rectory, it is also isolated for a young bachelor, and he resigns the position in 1826, taking up the Rectory in nearby Killyleagh, County Down, an office he holds for the remainder of his life.
The undemanding nature of his clerical duties leave him with more than enough time to pursue his interest in ancient languages. His first love is for the hieroglyphic writing of ancient Egypt. His greatest achievement is the decipherment of the ancient language and writing of Babylon and Assyria: Akkadian cuneiform.
Hincks deduces correctly that cuneiform writing had been invented by one of the earliest civilisations of Mesopotamia, who then bequeathed it to later states such as Babylon, Assyria and Elam. In 1848 he is awarded the Cunningham Medal of the Royal Irish Academy for his achievements.
By 1850 Hincks comes to a number of important conclusions regarding the nature of Assyro-Babylonian cuneiform. He also discovers that cuneiform characters are “polyphonic,” by which he means that a single sign can have several different readings depending on the context in which it occurs. However, not everyone is convinced by the claims being made by the Irishman and his distinguished colleagues. Some philologists even suggest that they are simply inventing multiple readings of the signs to suit their own translations.
In 1857 the versatile English Orientalist William Henry Fox Talbot suggests that an undeciphered cuneiform text be given to several different Assyriologists to translate. If, working independently of one another, they come up with reasonably similar translations, it will surely dispel the doubts surrounding their claims.
As it happens, Talbot, Hincks, Rawlinson and Oppert, are in London in 1857. Edwin Norris, secretary of the Royal Asiatic Society, gives each of them a copy of a recently discovered inscription from the reign of the Assyrian emperor Tiglath-Pileser I. A jury of experts is impaneled to examine the resulting translations and assess their accuracy.
In all essential points the translations produced by the four scholars are found to be in close agreement with one another. There are of course some slight discrepancies. The inexperienced Talbot makes a number of mistakes, and Oppert’s translation contains a few doubtful passages due to his unfamiliarity with the English language. But Hincks’ and Rawlinson’s versions are virtually identical. The jury declares itself satisfied, and the decipherment of cuneiform is adjudged a fait accompli.
Hincks devotes the remaining years of his life to the study of cuneiform and makes further significant contributions to its decipherment. He dies at his rectory in Killyleagh on December 3, 1866, at the age of 74. He is survived by a wife and four daughters.
Holland, the second of four siblings, all boys, is born on February 24, 1841 in a coastguard cottage in Liscannor, County Clare, where his father, John Philip Holland, Sr., is a member of the British Coastguard Service. His mother, a native Irish speaker from Liscannor, Máire Ní Scannláin, is John Holland’s second wife. His first wife, Anne Foley Holland, believed to be a native of Kilkee, dies in 1835. The area is heavily Irish-speaking and Holland learns English properly only when he attends the local English-speaking St. Macreehy’s National School, and from 1858, in the Christian Brothers in Ennistymon.
Holland joins the Irish Christian Brothers in Limerick and teaches in CBS Sexton Street in Limerick and many other centres in the country, including North Monastery CBS in Cork, St. Joseph’s CBS in Drogheda, and as the first Mathematics teacher in Coláiste Rís in Dundalk. Due to ill health, he leaves the Christian Brothers in 1873 and emigrates to the United States. Initially working for an engineering firm, he returns to teaching again for an additional six years in St. John’s Catholic school in Paterson, New Jersey.
While a teacher in Cork, Holland reads an account of the battle between the ironclads USS Monitor and USS Merrimack in the Battle of Hampton Roads during the American Civil War. He realizes that the best way to attack such ships would be through an attack beneath the waterline. He draws a design, but when he attempts to obtain funding, he is turned away. After his arrival in the United States, Holland slips and falls on an icy Boston street and breaks a leg. While recuperating from the injury in a hospital, he uses his time to refine his submarine designs and is encouraged by a priest, Isaac Whelan.
In 1875, his first submarine designs are submitted for consideration by the U.S. Navy, but are turned down as unworkable. The Fenians, however, continue to fund Holland’s research and development expenses at a level that allows him to resign from his teaching post. In 1881, Fenian Ram is launched, but soon after, Holland and the Fenians part company on bad terms over the issue of payment within the Fenian organization, and between the Fenians and Holland. The submarine is now preserved at Paterson Museum in New Jersey.
Holland continues to improve his designs and works on several experimental boats, prior to his successful efforts with a privately built type, launched on May 17, 1897. This is the first submarine having power to run submerged for any considerable distance, and the first to combine electric motors for submerged travel and gasoline engines for use on the surface. The submarine is purchased by the U.S. Navy on April 11, 1900, after rigorous tests and is commissioned on October 12, 1900 as USS Holland (SS-1). Six more of her type are ordered and built at the Crescent Shipyard in Elizabeth, New Jersey. The company that emerges from under these developments is called The Electric Boat Company, founded on February 7, 1899. Isaac Leopold Rice becomes the company’s first President with Elihu B. Frost acting as vice president and chief financial officer. The company eventually evolves into the major defense contractor General Dynamics.
The USS Holland design is also adopted by others, including the Royal Navy in developing the Holland-class submarine. The Imperial Japanese Navy employs a modified version of the basic design for their first five submarines, although these submarines are at least 10 feet longer at about 63 feet. These submarines are also developed at the Fore River Ship and Engine Company in Quincy, Massachusetts. Holland also designs the Holland II and Holland III prototypes. The Royal Navy ‘Holland 1’ is on display at the Submarine Museum in Gosport, England.
O’Neil of the Glen, the first production released by the Film Company of Ireland (FCOI), premieres at Dublin’s Bohemian Picture Theatre on August 7, 1916. The film is adapted by W.J. Lysaght from a book by the acclaimed Irish novelist, Mrs. M. T. Pender. The film is a romantic tale which features two well-known Abbey Theatre members, as well as a host of rising stars.
Formed in March 1916 by James Mark Sullivan and Henry Fitzgibbon, the FCOI becomes the most important indigenous fiction film producer of the 1910s.
On 29 June, FCOI announces a “trial exhibition,” or what would now be called a test screening, of their first completed production, O’Neil of the Glen, at Dublin’s Carlton Cinema. Addressing a lunch for the press at the Gresham Hotel following the screening, Fitzgibbon claims that FCOI “had started an industry which would eventually be a source of great revenue in Ireland.” For his part, Sullivan argues that the film showed that Irish productions – taking advantage of Irish “imagination, ideals, and artistic temperament and beautiful scenery” – could compete with those anywhere.
The Bohemian is one of Dublin’s biggest and most luxurious cinemas, and Frederick A. Sparling’s commitment to a run that is twice the usual three days “speaks well for the film and the undoubted drawing powers such a production will have for Irish audiences.” In the event, Sparling also includes an unplanned Sunday show to take advantage of the phenomenal level of interest.
In the following weeks and months, O’Neil of the Glen is exhibited around the country. Following substantial runs in Dublin and Belfast it is announced for a three-day runs at Galway’s Victoria Cinema Theatre on September 11-13 and Cork’s Coliseum Theatre on September 14-16.
seamus dubhghaill 