Following his local education, Lanyon becomes an apprentice civil engineer with Jacob Owen in Portsmouth. When Owen is made senior Engineer and Architect of the Irish Board of Works and moves to Dublin, Lanyon follows. In 1835 he marries Owen’s daughter, Elizabeth Helen. They have ten children, including Sir William Owen Lanyon, an army officer and future administrator of the Transvaal in southern Africa.
Lanyon is county surveyor in County Kildare briefly, a post he exchanges for its equivalent in County Antrim, based in Belfast, when the incumbent, Thomas Jackson Woodhouse, resigns in 1836. By 1842, he has built the Antrim coast road between Larne and Portrush, through spectacular natural surroundings. He designs the lofty three-arched Glendunviaduct on this route near Cushendun, an early example of his versatile talent for monumental display as well as the Ormeau Bridge over the River Lagan. He remains county surveyor of Antrim until 1861 when he resigns from the post to concentrate on private work and other interests.
Lanyon’s other business interests include being director of the Blackstaff Flax Spinning Company and chairman of several railway companies. He is made director of the Northern Counties Railway in 1870 but resigns in 1887 because of ill-health. Alongside his business activities he is an active Freemason and serves as Provincial Deputy Grand Master of Belfast and North Down between 1863 and 1868, Provincial Deputy Grand Master of Antrim between 1868 and 1883 and Provincial Grand Master of Antrim between 1883 and 1889.
Lanyon lives at The Abbey, a grand house in Whiteabbey, County Antrim, which eventually becomes a sanitorium during World War I and is now part of Whiteabbey Hospital. His wife dies in 1858, and his son William dies from cancer at the age of 44 in 1887. He dies at The Abbey on May 31, 1889, and is buried in Knockbreda Cemetery, Belfast, in a tomb also of his design.
Dickson is born on December 25, 1744, the eldest son of John Dickson, a tenant farmer of Ballycraigy, in the parish of Carnmoney, County Antrim. His mother is Jane Steel and, on the death of his uncle, William Steel, on May 13, 1747, the family adds his mother’s maiden name to their own.
In his boyhood, Dickson is educated by Robert White, a Presbyterian minister from Templepatrick and enters University of Glasgow in November 1761. Following graduation, he is apparently employed for a time in teaching, and in 1771 he is ordained as a Presbyterian minister. Until the outbreak of the American Revolutionary War, he occupies himself mainly with parochial and domestic duties. His political career begins in 1776, when he speaks and preaches against the “unnatural, impolitic and unprincipled” war with the American colonies, denouncing it as a “mad crusade.” On two government fast-days his sermons on “the advantages of national repentance” (December 13, 1776), and on “the ruinous effects of civil war” (February 27, 1778) create considerable excitement when published. Government loyalists denounce Dickson as a traitor.
Political differences are probably at the root of a secession from his congregation in 1777. The seceders form a new congregation at Kircubbin, County Down, in defiance of the authority of the general synod.
In 1771 Dickson marries Isabella Gamble, a woman of some means, who dies on July 15, 1819. They have at least eight children, but he outlives them all. One of his sons is in the Royal Navy and dies in 1798.
Dickson enters with zest into the volunteer movement of 1778, being warmly in favour of the admission of Roman Catholics to the ranks. This is resisted “through the greater part of Ulster, if not the whole.” In a sermon to the Echlinville volunteers on March 28, 1779, he advocates the enrolment of Catholics and though induced to modify his language in printing the discourse, he offends “all the Protestant and Presbyterian bigots in the country.” He is accused of being a papist at heart, “for the very substantial reason, among others, that the maiden name of the parish priest’s mother was Dickson.”
Though the contrary has been stated, Dickson is not a member of the Volunteer conventions at Dungannon in 1782 and 1783. He throws himself heart and soul into the famous election for County Down in August 1783, when the families of Hill and Stewart, compete for the county seat in Parliament. He, with his forty-shilling freeholders, fails to secure the election of Robert Stewart. But in 1790 he successfully campaigns for the election of Stewart’s son, better known as Lord Castlereagh. Castlereagh proves his gratitude by referring at a later date to Dickson’s popularity in 1790, as proof that he was “a very dangerous person to leave at liberty.”
In December 1791, Dickson joins Robert White’s son, John Campbell White, taking the “test” of the first Society of United Irishmen, organised in October in Belfast following a meeting held with Theobald Wolfe Tone, Protestant secretary of the Catholic Committee in Dublin. According to Dickson himself, he attends no further meetings of the Society but devotes himself to spreading its principles among the volunteer associations, in opposition to the “demi-patriotic” views of the Whig Club.
At a great volunteer meeting in Belfast on July 14, 1792, Dickson opposes a resolution for the gradual removal of Catholic disabilities and assists in obtaining a unanimous pledge in favour of total and immediate emancipation. Parish and county meetings are held throughout Ulster, culminating in a provincial convention at Dungannon on February 15, 1793. He is a leading spirit at many of the preliminary meetings, and, as a delegate from the Barony of Ards, he has a chief hand in the preparation of the Dungannon resolutions. Their avowed object is to strengthen the throne and give vitality to the constitution by “a complete and radical reform.” He is nominated on a committee of thirty to summon a national convention. The Irish parliament goes no further in the direction of emancipation than the Roman Catholic Relief Act 1793, which receives the royal assent on April 9, and remains unextended until 1829. While the passing of Lord Clare‘s Convention Act, still in force, makes illegal all future assemblies of delegates “purporting to represent the people, or any description of the people.”
In March and April 1798, Dickson is in Scotland arranging some family affairs. During his absence plans are made for an insurrection in Ulster, and soon after his return he agrees to take the place of Thomas Russell, who had been arrested, as adjutant-general of the United Irish forces for County Down. A few days before the county is to rise, he is himself arrested at Ballynahinch.
Dickson is conveyed to Belfast and lodged in the “black hole” and other prisons until August 12 when he is removed to a prison ship with William Tennant, Robert Hunter, Robert Simms, David Bailie Warden and Thomas Ledlie Birch, and detained there amid considerable discomfort. On March 25, 1799, Dickson, Tennant, Hunter, and Simms join the United Irish “State Prisoners” on a ship bound for Fort George, Highland prison in Scotland. This group, which includes Samuel Neilson, Arthur O’Connor, Thomas Russell, William James MacNeven, and Thomas Addis Emmet, arrives in Scotland on April 9, 1799. He spends two years there.
Unlike the more high-profile prisoners like O’Connor and MacNeven who are not released until June 1802, Tennant, Dickson, and Simms are permitted to return to Belfast in January 1802.
Dickson returns to liberty and misfortune. His wife has long been a helpless invalid, his eldest son is dead, his prospects are ruined. His congregation at Portaferry had been declared vacant on November 28, 1799. William Moreland, who had been ordained as his successor on June 16, 1800, at once offers to resign, but Dickson will not hear of this. He has thoughts of emigration but decides to stand his ground. At length, he is chosen by a seceding minority from the congregation of Keady, County Armagh, and installed minister on March 4, 1803.
Dickson’s political engagement ends with his attendance on September 9, 1811, of a Catholic meeting in Armagh, on returning from which he is cruelly beaten by Orangemen. In 1815 he resigns his charge in broken health and henceforth subsists on charity. Joseph Wright, an Episcopalian lawyer, gives him a cottage rent-free in the suburbs of Belfast, and some of his old friends make him a weekly allowance. His last appearance in the pulpit is early in 1824. He dies on December 27, 1824, having just passed his eightieth year, and is buried “in a pauper’s grave” at Clifton Street Cemetery, Belfast.
Cunningham is born in 1728 or 1729 at Ballymacilhoyle in the parish of Killead, County Antrim, the youngest son in the large family of John Cunningham and his wife, Jane, daughter of James Waddell of Islandderry, a townland in the parish of Dromore, County Down. The extended families of Cunningham and Waddell have interests in farming, linen, provisioning, and overseas trade. By 1752, no doubt with support from his family, Cunningham is in New York City trading near the meal market. Just as the Seven Years’ War is beginning in May 1757, he becomes the local partner of a Belfast merchant, Thomas Greg. While carrying on a wide range of commercial activities, the firm of Greg & Cunningham specialises in the flaxseed trade with Ireland and becomes “the most successful Irish American transatlantic trading partnership of the colonial period.” He amasses a large fortune from trade, some of it illicit, during the war, and becomes one of the largest shipowners in the American port. This enables the partners to purchase a 150-acre estate, which they rename “Belfast,” on the West Indies island of Dominica, just as it is passing, by the Treaty of Paris (1763), from French to British rule. It is possible that the estate is managed by Greg’s brother, John.
Sometime after suffering imprisonment for assaulting a fellow merchant (July–August 1763), Cunningham returns to Ireland, leaving the firm in the charge of junior partners until its dissolution in 1775. In Belfast he enters into a second partnership with Greg in May 1765 comprising all their business activities other than those in New York. In November 1765, he also marries Greg’s sister-in-law Margaret, second daughter of a Belfast merchant, Samuel Hyde. He lives in a large house in Hercules Street, later renamed Royal Avenue, which serves also as the premises for his many business interests, commercial, financial, industrial, and agricultural. In 1767, he and Greg start the manufacture of vitriol at a factory by the River Lagan at Lisburn, 12 km from Belfast. They open up fisheries in Donegal and Sligo, exporting herring to the West Indies as food for slaves. They also trade Irish horses and mules for West Indian sugar and American tobacco, the sugar being processed by them at the New Sugar House in Waring Street, Belfast. During the American Revolutionary War (1775–83), he illegally ships linen uniforms to the insurgent colonists. He becomes a middleman on the estate of Arthur Chichester, 5th Earl of Donegall, by obtaining leases of land in the Templepatrick district of County Antrim, a venture that involves him in disputes with tenant farmers resulting in an attack by the Hearts of Steel on Belfast and the destruction by fire of his home on December 23, 1771.
Despite this setback, Cunningham becomes the foremost Belfast merchant. As well as those mentioned, he has interests in shipping, brewing, glass manufacture and flour milling. When a chamber of commerce is set up in 1783, he is elected president, a position he holds until 1790. In the 1780s, in partnership with William Brown, John Campbell and Charles Ranken, he opens a bank. Known as Cunningham’s Bank, it closes on December 31, 1793, likely as a result of the recession brought on by the outbreak of war between England and France.
A prominent Volunteer, Cunningham joins the movement as a lieutenant in 1778 and is captain of the 1st Belfast company from 1780 until the dissolution of the Volunteers in 1793. Entering politics, he fails to be nominated as a parliamentary candidate for Belfast by its patron, Lord Donegall, at the general election of 1783, but stands for Carrickfergus at a February 1784 by-election on a platform of parliamentary reform and is returned – a rare distinction for a Presbyterian – by 474 votes to 289. A petition against his return is lodged successfully, but he remains an MP until March 1785, when he is defeated in a new election. It is during this period that he, probably the wealthiest, most enterprising merchant in Belfast and having, as he does, Caribbean interests, proposes in December 1784 fitting out a ship to engage in the Atlantic slave trade. The proposal comes to nothing but is the subject of intense debate in the 1920s between two rival Belfast local historians, Francis Joseph Bigger and Samuel Shannon Millin.
Cunningham plays a prominent role on several Belfast boards – those of White Linen Hall, the harbour, poorhouse, and dispensary. He gives money to the first Catholic chapel, St. Mary’s, opened in the town in 1784, and to the First Belfast Presbyterian congregation, as well as providing a site for a meeting house for his own congregation, Second Belfast, in 1767. Staunch in his advocacy of the reform of parliament, he becomes a member of the Northern Whig Club in 1790. He is cautious, however, about Catholic relief, for he fears its possible consequences. On July 14, 1792, an organiser of a Volunteer display to mark the third anniversary of the fall of the Bastille, he balks even at a very moderately worded resolution in favour of the Catholics. Thereafter he becomes increasingly ill-disposed toward reform and when the Belfast yeoman infantry is formed in 1797, he becomes captain of the 4th company.
Cunningham dies on December 15, 1797, at his restored house in Hercules Street. He and his wife have no children. His property in Ireland (worth £60,000) passes to James Douglas, youngest son of his sister Jane, who had married their first cousin, Cunningham’s personal clerk Robert Douglas. His name had already passed to Thomas Greg’s son, Cunningham Greg, who takes over Greg’s business after his death. Cunningham’s portrait is painted by Robert Home. A mausoleum is built over the Cunningham vault at Knockbreda Church cemetery overlooking Belfast.
(From: “Cunningham, Waddell” by C. J. Woods, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Campbell is the eldest son of Thomas Campbell and Jane Campbell (née Corneigle), who marry in 1787 and later have four daughters and two younger sons. His father, the son of soldier Archibald Campbell and his wife Alice McNally, is born on February 1, 1763, at Sheepbridge, near Newry, County Down. The Presbyterian minister William Campbell may have been a relation.
Archibald Campbell is born Catholic but joins the Church of Ireland, while his son joins the seceding branch of the Presbyterian church and studies at the University of Glasgow, graduating with a Master of Arts degree in 1786, although he does not appear in the published records of the university. He becomes a teacher but is determined to become a minister, and studies in the Anti-Burgher Divinity Hall in Whitburn, West Lothian (or the Seceder Theological Seminary in Whithorn, Wigtownshire, according to another source) for two months each year for five years. He is ordained a minister in the seceding congregation of Ahorey, County Armagh, probably in 1798. Although at first a member of the Anti-Burgher party in his church, Thomas Campbell begins to believe that divisions between and within denominations are prejudicial to true Christianity. He writes a report in 1804 suggesting that Burgher and Anti-Burgher Presbyterians in Ireland should unite. When this is vetoed in 1805 by the General Associate Synod of Scotland, Thomas Campbell, then moderator of the Irish Seceding Synod, initiates an unsuccessful move to seek independence from Scottish control. His experiences with church authorities undoubtedly increase his belief in the need to rediscover the scriptural basis of religion, freed from man-made creeds.
In 1804, Thomas Campbell sets up an academy at Richhill, County Armagh. In 1798, he is one of the founders of the Evangelical Society of Ulster in which clergymen from differing sects cooperate but resigns when this enterprise is frowned on by seceding authorities.
In poor health in 1806, Thomas Campbell resigns from Ahorey, and goes to the United States in 1807, where he preaches in small congregations around Washington, Pennsylvania. He is soon accused of doctrinal unsoundness, of disciplinary laxity and of administering the sacraments to non-Presbyterians. His appeal to the Associate Synod of North America is unsuccessful, and in 1809 he ceases to be a minister of the seceder church. His liberal views on Christian unity and on the paramount importance of the Bible attract supporters, and in 1809 they found the Christian Association of Washington. He publishes a declaration and address in which he sets out the principles of this body. His followers claim it represents a “second reformation” or a “restoration.” It forms the basis of the doctrine of what becomes America’s most important indigenous religious development, and is regarded as significant in the history of the wider ecumenical movement. He publishes a great many other tracts and articles. Thomas Campbell dies in Bethany, West Virginia, on January 4, 1854.
Thomas had married Jane Corneigle in 1787 and their eldest son Alexander is born on September 12, 1788, in Broughshane, County Antrim, where his father is teaching. His parents intend him for the ministry, and he receives a good education, partly from his father, and religious training from both parents. He is greatly influenced by his strongminded and pious mother. In October 1808 his family sets sail for America to join his father. The ship is wrecked on the island of Islay, off Scotland. All on board are saved, partly thanks to Alexander’s strength and leadership. Rather than continuing the voyage by other means, Alexander spends eight months in the University of Glasgow to prepare himself for the ministry.
In the summer of 1809, the family finally arrives in Pennsylvania, among many emigrants from Ulster. On January 1, 1812, Campbell is ordained as a minister by his father’s Brush Run Church, and quickly takes over the leadership of the fledgling church. By 1812, most of their followers, thenceforth often called Campbellites, have undergone baptism by immersion; a union with the Baptist denomination results, but does not survive after 1830, by which date Campbell’s work on a translation of the Greek New Testament has convinced him that baptism is unscriptural. Controversy between the two groups continues for many years.
A very able preacher and debater, whose public discussions attract much attention, Campbell attacks the creeds and governance of established churches. In 1823, he founds the journal the Christian Baptist. Subsequently in 1830, after the break with the Baptists, he starts the Millennial Harbinger. Both periodicals are largely written by Campbell and his father, Thomas, and are widely influential. He is convinced that church unity will usher in a millennial age of peace and harmony. Primitive Christianity is thus to bring about a utopian future. His book Christianity Restored (1835) is widely read, in Britain as well as in the United States. In 1826, a translation of the Greek New Testament is printed by Campbell’s press in Bethany, West Virginia. Largely based on recent translations by others, it nonetheless contains variant readings by Campbell and furthers his aim of providing followers with authoritative texts on which to base their beliefs. In 1841, he founds Bethany College, West Virginia, and is its president until his death in Bethany on March 4, 1866, when he leaves it $10,000 and a large library.
In 1832, several fledgling churches join the Campbellites, and form a new body called the Christian Church, or Disciples of Christ, which today has over 3,000 congregations in the United States. The two guiding principles of the lifelong beliefs of the Campbells are in the end irreconcilable. An emphasis on the literal interpretation of scripture allows believers to form beliefs at variance from those of co-religionists, and neither Alexander Campbell’s great authority in the denomination nor Thomas Campbell’s emphasis on the need for church unity are enough to prevent the fissions inevitable in a church that so strongly opposes man-made creeds. There are now at least six major divisions of the Church of Christ, one of several alternative names.
On March 2, 1811, Campbell marries Margaret Brown, and thenceforth derives his income from the large farm that had belonged to her family. They have eight children, who all die in their father’s lifetime. Margaret Brown Campbell dies on October 22, 1827. On July 31, 1828, in fulfilment of his wife’s dying request, the widower marries the English-born Selina Huntington Bakewell, and has six children with her. Four of those children survive him. Selina Campbell writes a memoir of her husband, published in 1882, and lives until 1897.
(From: “Campbell, Alexander” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, last revised May 2021)
Hammond is born on December 5, 1928, in Miss Kells’s nursing home on the Castlereagh Road in Belfast, the son of Leslie Hammond, a tram driver, and his wife Annie (née Lamont). His parents are not city people; his mother grew up near Ballybogy in the Ballymoney area of County Antrim, and his father, though from a family with roots in south County Londonderry, had lived in Ballymoney as a boy, and had been apprenticed to a blacksmith there. Both have a strong sense of their rural identity and maintain the Ulster Scots dialect of their childhood. They are never quite at home in the Belfast suburb of Cregagh, and in particular do not share the sectarian attitudes that are much more present in 1930s Belfast than they had been in north Antrim, one of the last strongholds of Presbyterian radicalism. Even as a boy, Hammond is interested in the old songs that his mother sang and realises that the traditions in which his parents had been nurtured are disappearing quickly in an increasingly urbanising and modernising world. When he encounters the work of Emyr Estyn Evans in the early 1940s, he is encouraged to document both rural tradition and the street life of the city, and he and a couple of friends, though still just teenagers, ride off on their bicycles to look for folklore in the hinterland of Belfast.
After primary school, Hammond wins a scholarship in 1941 to Methodist College Belfast, where he does well in examinations, and then goes to Stranmillis University College to train as a teacher. In his first job, in Harding Memorial primary school in east Belfast, he proves to be a popular, idealistic teacher, and is remembered by his pupils fifty years later as a fine singer and a teller of ghost stories, who had taken the class on memorable youth-hosteling trips to the Mourne Mountains. Youth hosteling and folklore collecting increases his awareness and understanding of the rich traditions of the whole community in the north of Ireland, and he is never constrained by political or religious barriers. His early career mirrors closely that of James Hawthorne, and their paths are to cross in later life.
Hammond is friendly with many others active in the cultural life of Northern Ireland and makes a name for himself as a song collector and eventually as an expert on all aspects of traditional singing. In 1956, he is awarded a scholarship to travel in the United States to meet the important pioneers of folk-music collecting and performance there. He records his first LP record of Ulster songs, I Am The Wee Falorie Man (1958), in the United States, and becomes friends with Pete Seeger, the Appalachian singer Jean Ritchie, with old blues singers, and notably with Liam Clancy, one of the three Clancy brothers who as a quartet with Tommy Makem are to popularise Irish folk music in the United States and elsewhere.
On returning to Belfast, Hammond takes a job in 1958 in Orangefield secondary school in the east of the city, where the highly regarded headmaster John Malone encourages new approaches to education. Among his pupils at Orangefield is George Ivan “Van” Morrison, who credits him with inspiring his interest in Irish traditional music. Hammond enjoys teaching but is increasingly drawn to folk-song performance and recording. He appears regularly on radio programmes of the BBC and Radio Éireann, and in 1964 joins the school’s department in BBC Northern Ireland. There, with colleagues like Sam Hanna Bell, James Hawthorne and others, he works on programmes such as Today and Yesterday in Northern Ireland, which for the first time introduces pupils (and many adults) to local history and to aspects of tradition. In 1968, with two friends, the poets Seamus Heaney and Michael Longley, he puts on poetry and traditional music events in schools all over the province. The Arts Council funds the Room to Rhyme project, which is immensely influential and inspiring, and is still talked about many years later by those who attended as children.
Hammond is creatively involved with hundreds of hours of broadcasting, in television as well as radio, and eventually for adults as well as children. He writes scripts, produces documentary series such as Ulster in Focus and Explorations, and brings an artistic sensibility to filming, as well as working sympathetically with traditional singers and craftspeople. Dusty Bluebells, a sensitively made film of Belfast children’s street games, wins the prestigious Golden Harp award in 1972. After he leaves the BBC to work as a freelance, and founds Flying Fox Films in 1986, he continues making documentaries on many aspects of Ulster life and heritage. His film called Steel Chest, Nail in the Boot and the Barking Dog (1986), about working in the Belfast shipyards, also wins a Golden Harp award. A companion book of the same name is published. Another book is Belfast, City of Song (1989), with Maurice Leyden. In 1979, he edits a volume of the songs of Thomas Moore. His documentary programmes include films about singers from Boho, County Fermanagh, and about the big houses of the gentry in Ireland. The Magic Fiddle (1991/2) examines the role of the instrument in the folk music of Ireland, Scandinavia, Canada, and the American south, while Another Kind of Freedom (1993) is about the experiences of a former Orangefield pupil, the Beirut hostage Brian Keenan. He also produces and directs the films Something to Write Home About (1998), Where Are You Now? (1999), and Bogland (1999), all of which explore Seamus Heaney’s home region and experiences.
The first poem in Heaney’s collection Wintering Out (1972) is entitled “For David Hammond and Michael Longley.” Their lifelong friendship leads to several other creative collaborations. In particular, after a distressing evening in 1972 when Hammond, affected by the despair and terror unleashed by Irish Republican Army (IRA) bombing of his city, is for once unable to sing, Heaney meditates on the experience in an essay and in an important poem, “The singer’s house” (subsequently included in his 1979 Field Work collection). The poem urges the singer to keep singing, to defend the values of art and friendship in a hostile time. Hammond collaborates with Dónal Lunny and other traditional musicians to bring out an LP also called The Singer’s House (1978), which includes Heaney’s poem on the album sleeve, and features some of the songs that he had made famous, such as “My Aunt Jane” and “Bonny Woodgreen,” from his vast repertoire of songs from Ulster. The album is reissued in 1980.
In 1995, Hammond is one of Heaney’s personal guests at the award of his Nobel prize in Stockholm, characteristically wearing his usual, mustard-yellow, cattle-dealer boots with evening dress. On another formal occasion, when he is awarded an honorary doctorate by Dublin City University in November 2003, he surprises the audience by standing up in his academic robes to sing “My Lagan love,” instead of giving an address. His unique, light mellow voice is an ideal vehicle for the traditional ballads which he knows so well. He records a number of records in the 1960s, including Belfast Street Songs, and publishes the book Songs of Belfast (1978). He also encourages traditional musicians like Arty McGlynn, and collaborates with them on various recording projects. He is well known for live and often impromptu performances at festivals and venues in Ireland and the United States. He also performs at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Hammond is also a notable collaborator with poets and dramatists, especially in the important Field Day Theatre Company project, of which he is a director, along with Seamus Heaney, Tom Paulin, Seamus Deane, Thomas Kilroy, and the project’s founders, Brian Friel and Stephen Rea. He supports the Field Day search for a “fifth province,” where history and community and culture can intersect, believing that to speak unthinkingly of “two traditions” is to perpetuate superficial political divisions. As he says in an interview in The Irish Times on July 4, 1998, songs can “take you out of yourself” and become bridges to unite people.
Hammond receives many honours. In 1994, he receives the Estyn Evans award for his contribution to mutual understanding, and his work is featured in several major events in his honour: in the University of North Florida (1999), in the Celtic Film Festival in Belfast (2003), and in Belfast’s Linen Hall Library (2005). A Time to Dream, a film about his life and work, is broadcast on BBC Northern Ireland in December 2008.
Hammond dies in hospital in Belfast, after a long illness, on August 25, 2008, survived by his wife Eileen (née Hambleton), whom he marries on July 19, 1954, and by their son and three daughters. His funeral in St Finnian’s church is a major cultural event, where friends sing, play and speak in his honour.
In Seamus Heaney’s last collection of poetry, Human Chain (2010), he includes a poignant farewell to Hammond. The poet imagines (or perhaps dreams) of another visit to the singer’s house, but this time “The door was open, and the house was dark.”
(From: “Hammond, David Andrew (‘Davy’)” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, December 2014)
John Havelock Nelson, composer and conductor, dies in Belfast, Northern Ireland, on August 5, 1996. He makes an immense contribution to the development of the cultural life of the province – and beyond – over the second half of the 20th century.
Nelson is born of middle-class parents in Cork, County Cork, on May 25, 1917, his distinctive forename being taken from a cousin of his mother who lost his life in World War I. Despite his birthplace, both his parents’ ancestral roots lie firmly in Northern Ireland.
Nelson’s father Robert comes from Larne, County Antrim, where he was raised. However, the early years of his mother Grace are quite eventful. She is born in the Belgian Congo on account of her father’s placement there as a missionary in the latter years of the 19th century (his family hail from Tobermore, County Londonderry). She is eventually sent home at an early age, due to the threat of malaria, and is raised in Belfast by an aunt and uncle who have no family of their own. It appears that Nelson inherits his musical genes from both parents. Although his father is trained as a chartered accountant, he is a capable baritone singer who studies in the early 1900s with C. J. Brennan, later to become the organist and choirmaster at St. Anne’s Cathedral, Belfast). Meanwhile, his mother shows talent as a pianist during her upbringing in her adopted city and by her early 20s is offering her services as an accompanist.
By chance, this is how his parents meet. They marry in 1916, shortly before their arrival in Cork where Robert takes up his first accountancy job. Within a month of Nelson’s birth, the family moves to Dublin where his father has secured a better post, eventually settling near Dún Laoghaire, just south of the capital city. From the age of five, now the eldest of four brothers born a year apart, he starts piano lessons and makes such rapid progress that, by the age of ten, he is able to play in a piano trio and to accompany his father in informal concerts. By the age of twelve, he wins a scholarship to the Royal Irish Academy of Music, Dublin, giving him the opportunity to study piano and theory and helping him to establish his core musical skills. Soon he adds conducting and organ lessons to his study programme.
As far as Nelson’s general education is concerned, this is completed at St. Andrew’s College, Dublin, where he excels in English, history and the sciences. By his late teens, he is determined to pursue a professional career as a musician. His father, however, exercises caution in this regard, advising him to take a science degree in the first instance. Consequently, he gains entry to Trinity College Dublin (TCD) in 1935 to read Natural Science, then makes a decision the following year to change to Medical Science. By 1939, he completes his primary degree in Medical Science, leading to doctoral research in bacteriology. At the same time, he begins a 4-year music degree at TCD while remaining musically active outside the university in relation to his piano studies, and also co-founds and conducts the Dublin Orchestral Players, a body that continues to provide an invaluable platform for amateur performers. He completes his university studies in 1943, graduating with a PhD in Medical Science and a primary Music degree. Seven years later he also completes a doctorate in Music from the same university.
His university career now behind him, like many fellow Irishmen, Nelson feels a desire to contribute to the World War II effort and applies for a commission in the medical branch of the Royal Air Force (RAF) in 1944. Eventually, he is called up and located at RAF Halton, Buckinghamshire, where he remains until after the end of the War, only returning to Dublin for his marriage in 1945. By nature, an outgoing, sociable person, he wastes no time in immersing himself in music-making activities when off duty, both inside and outside his RAF base. It is during this immediate post-war period that he becomes convinced that he wants to pursue a career in music. By chance, his attention is drawn to a BBC advertisement regarding a number of regional posts for staff accompanists, including Northern Ireland. His application is successful, and he reports for duty at BBC Northern Ireland in March 1947, where he remains for the next 30 years. In his new post, his main role is to play and accompany on the piano. To this end, he becomes involved in a number of new radio programmes, notably Children’s Hour. Elsewhere, he composes and arranges music for adult dramas and serials, the best known being The McCooeys. Another responsibility is to assist in auditioning local musicians for broadcasting opportunities, a process that uncovers much local talent, including a young James Galway. While his activities revolve around radio work in the 1950s, the next 20 years embrace opportunities arising from the new medium of television, including the popular Songs of Praise which involve him as conductor.
Nelson’s decision to retire from the BBC in 1977 enables him to focus fully on his free-lance career which had been running parallel, up until then, with his broadcasting work. In this capacity he is able to give full rein to his diverse range of musical skills as choral and orchestral conductor, chamber musician, music-festival adjudicator, composer and arranger. One should not overlook his role as animateur in founding the Studio Symphony Orchestra (1947) and the Studio Opera Group (1950). Both became integral parts of the local cultural scene during Nelson’s lifetime. His contribution as a festival adjudicator is an important activity, notably when undertaking tours abroad, including to Canada and the Caribbean. His visits to the latter area lead him to form the Trinidad and Tobago Opera Company shortly after his BBC retirement. In his busy lifestyle, he makes time to satisfy his creative energy as a composer and arranger. In total he publishes over 100 pieces, many inspired by his love of Irish traditional song and are of short duration and scored for a variety of vocal combinations. His enjoyment of his reputation as a piano accompanist of international standing is confirmed by his association with some of the leading Irish and British professional singers of the period, including Bernadette Greevy (soprano), Margaret Marshall (soprano), Peter Pears (tenor) and Ian Wallace (bass-baritone).
During his lifetime, Nelson’s outstanding services to music, both inside and outside the province, are recognised by a number of awards. The first of these is an OBE in 1966, followed in the latter part of his life by four honorary doctorates, three from local universities. A gifted and versatile musician, his personality is described by one colleague as “magnetic”- he has the unique ability to reach out to everybody irrespective of their age, status and position in life in whatever role he performs. In his best-known role as a conductor, a critic says of him that, “Dr. Nelson has a remarkable touch in getting people to do what he wants in the pleasantest way possible.” His vision and determination help to establish a vibrant music culture throughout Northern Ireland, an achievement that will remain his lasting legacy.
Nelson is survived by his three children and eight grandchildren; his wife Hazel having predeceased him in 1983.
Lester is born on September 28, 1888, in Carrickfergus, County Antrim, as John Ernest Lester, the son of a Protestant grocer Robert Lester and his wife, the former Henrietta Ritchie. Although the town of Carrickfergus is strongly Unionist, he joins the Gaelic League as a youth and is won over to the cause of Irish nationalism. As a young man, he joins the Irish Republican Brotherhood (IRB). He works as a journalist for the North Down Herald and a number of other northern papers before he moves to Dublin, where he finds a job at the Freeman’s Journal. By 1919, he has risen to its news editor.
After the Irish War of Independence, a number of Lester’s friends join the new government of the Irish Free State. He is offered and accepts the position as director of publicity.
Lester marries Elizabeth Ruth Tyrrell in 1920 by whom he has three daughters.
In 1923, Lester joins Ireland’s Department of External Affairs. He is sent to Geneva in 1929 to replace Michael MacWhite as Ireland’s Permanent Delegate to the League of Nations. In 1930, he succeeds in organising Ireland’s election to the Council (or executive body) of the League of Nations for three years. He often represents Ireland at Council meetings and stands in for the Minister for External Affairs. He becomes increasingly involved in the work of the League, particularly in its attempts to bring a resolution to two wars in South America. His work brings him to the attention of the League Secretariat and begins his transformation from national to international civil servant.
When Peru and Colombia have a dispute over a town in the headwaters of the Amazon River, Lester presides over the committee that finds an equitable solution. He also presides over the less-successful committee when Bolivia and Paraguay go to war over the Gran Chaco.
In 1933, Lester is seconded to the League’s Secretariat and sent to Danzig (now Gdańsk, Poland), as the League of Nations’ High Commissioner from 1934 to 1937. The Free City of Danzig is the scene of an emerging international crisis between Nazi Germany and the international community over the issue of the Polish Corridor and the Free City’s relationship with the Third Reich. He repeatedly protests to the German government over its persecution and discrimination of Jews and warns the League of the looming disaster for Europe. He is boycotted by the representatives of the German Reich and the representatives of the Nazi Party in Danzig.
Lester returns to Geneva in 1937 to become Deputy Secretary General of the League of Nations. In 1940, he becomes Secretary General of the body, becoming the League’s leader a year after the beginning of World War II which shows that the League has failed its primary purpose. The League has only 100 employees, including guards and janitors, out of the original 700.
Lester remains in Geneva throughout the war and keeps the League’s technical and humanitarian programs in limited operation for the duration of the war. In 1946, he oversees the League’s closure and turns over the League’s assets and functions to the newly established United Nations.
Despite rumours that he would be prepared to stand for election as President of Ireland, Lester seeks no permanent office and retires to Recess, County Galway, in the west of Ireland, where he dies on June 13, 1959. In its obituary, The Times describes him as an “international conciliator and courageous friend of refugees.”
In August 2010, a room in the Gdańsk City Hall, the building that had been Lester’s residence during his stay, is renamed by Mayor Paweł Adamowicz as the Seán Lester Room.
O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.
Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.
Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.
During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.
In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.
Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.
During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.
(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
The Battle of Ballymore-Eustace is one of the events in the United Irishrebellion of 1798. It takes place on May 24, 1798, after the stationing of the 9th Dragoons, and members of the Tyrone, Antrim and ArmaghMilitias at Ballymore-Eustace in County Kildare near the border with County Wicklow on May 10. The town has been recently garrisoned by almost 200 soldiers and militia who have been sent to repress sedition in the area. The troops have been dispersed in billets among the populace as per counter-insurgency practice of “free-quarters” where responsibility for the provisioning and sheltering of militia is foisted onto the populace. During this time a quantity of arms are surrendered and letters of protection issued.
On May 23, one hundred twenty soldiers are recalled, leaving a garrison of around 80 men. At around 1:00 a.m. on May 24, the rebel force of approximately 200 attack the town. As in the attacks on Naas and Prosperous, the rebels seek to surprise and overwhelm the garrison by coordinated attacks before it can react and rally against them. The houses containing troops of the 9th Dragoons and the Tyrone Militia are to be attacked simultaneously.
However, the attack on garrison headquarters is miscarried due to lack of coordination and numbers so that the building becomes a rallying point for the Government troops. Captain Beevor is attacked in his own bedchamber by two rebels. Lieutenant Parkinson and some dragoons come to his aid and both rebels are slain. Other isolated billets are attacked but some units manage to cut themselves free and fight their way through the streets to the headquarters. A number of properties, including the Protestant church, are set on fire.
For two hours, the rebels attack the strongpoint but, without artillery, are unable to take the building and lose many men in the process. The momentum has by now slipped away from the rebels and they draw off their attack leaving behind around 50 dead but at a cost to the garrison of at least 12 dead and 5 wounded.
Shane O’Neill had, in the previous 20 years, eliminated his rivals within the O’Neills and asserted his authority over neighbouring clans (or “septs“) the MacDonnells of Antrim in battle and O’Donnells by kidnapping the O’Donnell leader Calvagh, in Donegal. In 1566, the English Lord Deputy of Ireland, Henry Sidney, gives support to the O’Donnells by ransoming the long tortured Calvagh O’Donnell, against O’Neill who is regarded as a destabilising and anti-English power in the north of Ireland. O’Neill forces out these English troops, but the new O’Donnell chieftain, Hugh O’Donnell, who takes over after the long tortured Calvagh dies, takes the opportunity to assert his independence and raids O’Neill’s lands at Strabane. In response, O’Neill musters his armed forces and marches into O’Donnell territory.
O’Neill crosses into Tir Connell (O’Donnell territory) the traditional way by crossing the River Swilly at an Fearsaid mhór (known as Porterfields today), about 3 km (2 miles) east of the modern town of Letterkenny. O’Donnell has advance warning of this impending incursion so has prepared for the forthcoming attack by dispatching messengers to all his people. Both sides are not equal in size. O’Neills army is estimated at 2,000 men and are composed of cavalry (Nobility), Gallowglass, kearn and a small body of English soldiers who have deserted to him to provide modern weapon skills to his host. O’Donnell’s initial force is only about 40-foot and 80 horse (his personal guard).
O’Donnell’s horsemen harass O’Neill’s men immediately after his fording of the river, leaving O’Donnell a short breathing space to locate his small force in a more defensible position, at Magherennan (near today’s entrance to the Letterkenny Rugby club). When their lord is in position the O’Donnell cavalry withdraws and there O’Donnell awaits his reinforcements. While his opponent waits, O’Neill sets up his camp in Cluain Aire beside the river to cover the ford. When O’Donnell’s troops finally arrive, they number 400 Gallowglass from all the MacSweeney septs. With this virtual parity in the usually decisive heavy infantry, the O’Donnell host proceeds to advance on O’Neill’s camp. When first perceiving their attack, Shane says, “It is very wonderful and amazing to me that those people should not find it easier to make full concessions to us, and submit to our awards, than thus come forward to us to be immediately slaughtered and destroyed.”
This statement, made just as the armies meet, is possibly a late attempt to put heart into his own surprised army. Significantly, the main O’Donnell war host has employed rising ground to successfully cover their advance until it is far too late for O’Neill to deploy his own Gallowglass spars into proper line of battle to hold the enemy while the O’Neill horse mount up. The O’Neill army are caught utterly unprepared, in much the same way as O’Neill himself had taken a MacDonnell host by surprise at Glentaisie in 1565. Despite the element of surprise and O’Neill’s lack of manoeuvre room, the resistance of the surprised O’Neill Gallowglass in this encounter battle is at first successful for the Four Masters state that the action lasted “for a long time.” Eventually, with their loose protective screen of Gallowglass cut down, a panicked rout of Shane’s force ensues. The O’Donnell pressure of attack continues so fiercely that the broken O’Neill host is forced back on the ford and attempts to recross the Swilly. As the tide is now coming in, many of them drown in the speeding rush of waters. O’Neill’s losses are estimated by their enemies at 1,400 men killed and no prisoners are mentioned, although the English sources note a more credible total of 680 dead. With many of his most senior commanders and advisors killed amid the chaos of the first onslaught, O’Neill himself escapes the final slaughter with the timely aid of a party of the Gallaghers. They guide him to Ath an Tairsi (Ford of protection), near Crieve Smith in Oldtown today, where they escort him to his own territory and relative safety.
Many of the Donnelleys, Shane’s foster family and the source of his strongest support, defend him to the last and are decimated at Farsetmore. Abandoned by his tanisté and all of his Urríthe, literally under-kings, and with the destruction of his army, the “most powerful force Gaelic Ireland had yet witnessed,” Shane begins looking for a mercenary force to sustain him until he can make good his losses. With all other options closed, he turns to a warband hired to fight against him the previous winter by William Piers from among the MacDonald’s of Dunnyveg. He arrives at their camp at Cushendun with a small retinue and during their negotiations an altercation occurs, in which Shane is killed. Despite being engineered by Piers, this assassination has gone down in history as retribution for Shane’s military action against the MacDonalds in 1565. Shane is buried in a place called CrossSkern Church at Ballyterrim townland in the hills above Cushendun. Later his remains are exhumed with his head then being sent to Dublin.
(Pictured: An artist’s impression of an O’Donnell gallowglass dispatching an O’Neill kern in the waters of the Swilly, with Glebe Hill in the background, May 8, 1567)
seamus dubhghaill 