seamus dubhghaill

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Death of James Orr, Weaver, Radical & Poet

James Orr, weaver, radical, and poet, dies on April 24, 1816.

Orr is the son of James Orr, who farms a few acres and is a linen weaver. His mother’s name is unknown. They live in the small village of Ballycarry, in the parish of Broadisland, County Antrim. He is an only child, born when his parents are middle-aged. They are unwilling to risk sending him to school, so they carefully educate him at home, his father having been very well educated. A near-contemporary source George Pepper (1829), claims that the youngster is something of a prodigy, able to read Spectator essays at the age of six. Later in life, partly thanks to membership of a local reading society, he is remarkably well read. Handloom weavers are reputedly one of the most literate and politically radical groups in the period, and he certainly fits the stereotype. Pepper also claims that William Orr is James Orr’s uncle, and that the younger man lives for three years with William Orr and his family, where his literary talents are nurtured and where he develops an interest in radical politics. Other sources do not support this account, but if there is a relationship it might explain an almost morbid interest in assizes, executions, and gallows, evident in several poems. This also might have been prompted by witnessing William Orr’s trial and execution.

Pepper “heard from good authority” that Orr in 1797 is secretary to the Antrim Association, of which William Orr is president; presumably this means the Society of United Irishmen. He sings a patriotic song called “The Irishman,” one of his most celebrated compositions, at a meeting of that body. The earliest publications traced are poems published pseudonymously (1796–97) in the Northern Star newspaper. This paper, edited by Samuel Neilson, is sympathetic to United Irish views, and it is clear that Orr, like many of his neighbours, is actively involved in the 1798 rebellion. Several poems dealing with the events of June 1798, provide a rare participant’s perspective. He takes part in the skirmish at Donegore, and flees after the defeat at the Battle of Antrim. Local sources record his successful efforts to prevent cruelty and looting by his colleagues. He goes into hiding in an Irish-speaking area, perhaps in the Glens of Antrim or in the Sperrin Mountains. After a short time, he escapes to the United States, but unlike many of his former comrades he finds himself unable to settle there, and very soon returns home to Ballycarry, and thenceforth makes his living as a weaver. In 1800, he seeks to join the militia set up to counter a feared Napoleonic invasion, but the local gentry in command rejects his application because of his United Irish associations.

Orr’s first verses are composed at meetings of a local singing school, where rival versifiers produce impromptu verses for the company to sing to the psalm tunes being practised, and he later writes songs for masonic meetings. He publishes poems in the Belfast newspapers. A few carefully written essays on morality and education, signed “Censor, Ballycarry,” are apparently also his work. A collection of poems is published in 1804, with almost 400 subscribers, and another selection is published in 1817 after his death by his friend Archibald McDowell. Orr had requested that the proceeds should go to help the poor of Ballycarry. His poems are an excellent source of information about the life and concerns of a fairly humble stratum of late eighteenth-century Ulster society.

Many of Orr’s best poems deal with subjects of interest to his community – weaving, social life, and farming – and are written in the Scots language still widely spoken in the area. He expertly uses Scots stanza forms, and joyously participates in the almost competitive composition of verse typical of the Scots tradition. Several of his poems rework themes found in Robert Burns or other earlier writers. His An Irish Cottier’s Death and Burial is derived from a Burns poem, The Cottier’s Saturday Night, but later critics acknowledge that the Orr poem is much more successful. He and his friend Samuel Thomson are pioneers in the use of written Scots in Ulster and are regarded as the two most skillful Scots poets in Ulster. Both are celebrated in their day, and their work in Scots has been rediscovered in the twentieth-century revival of interest in the traditional literature and history of the north of Ireland.

Orr’s verse in standard English is equally competent, even more ambitious and almost as interesting. The best of his work, particularly in Scots, is characterised by pleasing cadences and assured control of tone and technique. His novel and generally impressive experiments with soliloquies, verse epistles, and versified direct speech, in English and Scots, parallel his interest in extending the registers in which he could use the vernacular Scots language. He seems not to have known of William Wordsworth‘s poetry, but, apparently independently and arguably more successfully, produces verse written in “the language really used by men” (Wordsworth, preface to Lyrical Ballads (1798)). As well as fascinating foreshadowings of romanticism, his work more often reveals the influence of the enlightenment and of New Light presbyterianism. He is a member of the congregation of the Rev. John Bankhead, whose theological views are decidedly liberal, tending even towards unitarianism. His poems provide a great deal of evidence on his reading, interests, radical aspirations and convictions; and in them and in the prose essays, the reader encounters a humane and generous personality. Like many other United Irishmen, he is an enthusiastic freemason, and believes that freemasonry and education will help to usher in a peaceful millennium. His poetry reveals humanitarian concerns, not yet common in the period. He opposess slavery and cruelty to animals and children and expresses support for a contemporary popular rising in Haiti. In 1812, he signs a petition in favour of Catholic emancipation.

Orr never marries. His friend McDowell believes that the resulting lack of domestic comforts drives the poet to socialise in taverns, and it is said that local fame and popularity encourages his excessive drinking. He suffers from ill health in later life. A neglected cold in 1815 leads to tuberculosis. He dies on April 24, 1816, and is buried in the old Templecorran graveyard at Ballycarry. Some years later, freemasons erect an impressive monument over the grave.

Orr’s poems are republished by a group of local enthusiasts in 1935. Another selection appears in 1992. A plaque put up by the local district council commemorates “the bard of Ballycarry,” probably the most significant eighteenth-century English-language poet in Ulster.

(From: “Orr, James” by Linde Lunney, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Roger Casement’s Efforts to Gain German Military Aid Ends

During World War I, Roger Casement makes efforts to gain German military aid for the 1916 Easter Rising. His journey on the German submarine SM U-19 comes to an end on April 21, 1916.

In April 1916, Germany offers the Irish 20,000 Mosin–Nagant 1891 rifles, ten machine guns and accompanying ammunition, but no German officers. It is a fraction of the quantity of the arms Casement had hoped for, with no military expertise on offer. The weapons leave Germany bound for Ireland on a German cargo vessel named the SS Libau, disguised as a Norwegian vessel, Aud-Norge.

Casement confides his personal papers to Dr. Charles Curry, with whom he has stayed at Riederau on the Ammersee, before leaving Germany. He departs with Robert Monteith and Sergeant Daniel Beverley (Bailey) of the Irish Brigade in a submarine, initially the SM U-20, which develops engine trouble, and then the SM U-19, shortly after the Aud sails. According to Monteith, Casement believes the Germans are toying with him from the start and providing inadequate aid that will doom a rising to failure. He wants to reach Ireland before the shipment of arms and to convince Eoin MacNeill, who he believes is still in control, to cancel the rising.

Casement sends John McGoey, a recently arrived Irish American, through Denmark to Dublin, ostensibly to advise what military aid is coming from Germany and when, but with Casement’s orders “to get the Heads in Ireland to call off the rising and merely try to land the arms and distribute them.” McGoey does not reach Dublin, nor does his message. His fate is unknown until recently. Evidently abandoning the Irish Nationalist cause, he joins the Royal Navy in 1916, survives the war, and later returns to the United States, where he dies in an accident on a building site in 1925.

About 2:00 a.m. on the morning of April 21, 1916, three days before the rising begins, Robert Monteith, Daniel Bailey (calling himself Beverly), and Casement climb into a small boat for the trip to shore at Banna Strand in Tralee Bay, County Kerry. Their boat, now in the Imperial War Museum in London, capsizes before they reach shore.

Monteith helps an exhausted Casement to safety on shore. Casement is convinced that the Rising cannot be successful without a large number of German troops, and the best he has been able to obtain is one boatload of arms. Suffering from a recurrence of the malaria that had plagued him since his days in the Congo, and too weak to travel, Monteith and Bailey leave Casement at the ruins of McKenna’s Fort, an ancient ring fort in Rahoneen, Ardfert, now renamed Casement’s Fort, and head for Tralee.

About 1:30 p.m., Casement is discovered by two Royal Irish Constabulary (RIC) officers. He nearly talks his way out of being arrested, but a 12-year-old boy at the scene points out a piece of paper Casement had tossed away as the police approach. On that paper is a German code list. He is arrested on charges of high treason, sabotage and espionage against the Crown. He manages to send word to Dublin about the inadequate German assistance.

The Kerry Brigade of the Irish Volunteers might have tried to rescue Casement over the next three days, but its leadership in Dublin holds that not a shot is to be fired in Ireland before the Easter Rising is in train and therefore orders the Brigade to “do nothing.” A subsequent internal inquiry attaches “no blame whatsoever” to the local Volunteers for failing to attempt a rescue. Casement is taken to Brixton Prison and placed under special observation for fear of an attempt of suicide as there is no staff at the Tower of London to guard suicidal cases.

Casement’s trial at bar opens at the Royal Courts of Justice on June 26, 1916, before the Lord Chief Justice (Viscount Reading), Justice Horace Avory, and Justice Thomas Horridge. Refusing to agree to a “guilty but insane” plea, he is subsequently found guilty and sentenced to be hanged. He unsuccessfully appeals against his conviction and death sentence.

On the day of his execution by hanging at Pentonville Prison, August 3, 1916, Casement is received into the Catholic Church at his request. He is attended by two Catholic priests, Dean Timothy Ring and Father James Carey, from the East London parish of SS Mary and Michael. The latter, also known as James McCarroll, says of Casement that he was “a saint … we should be praying to him [Casement] instead of for him.” At the time of his death he is 51 years old.

Casement’s body is buried in quicklime in the prison cemetery at the rear of Pentonville Prison, though his last wish was to be buried at Murlough Bay on the north coast of County Antrim, in present-day Northern Ireland. Finally, in 1965, his remains are repatriated to Ireland. His remains lay in state at the Garrison Church, Arbour Hill (now Arbour Hill Prison) in Dublin for five days, close to the graves of other leaders of the 1916 Easter Rising, although he would not be buried beside them. After a state funeral, the remains are buried with full military honours in the republican plot in Glasnevin Cemetery in Dublin, alongside other Irish republicans and nationalists. The President of Ireland, Éamon de Valera, who is then in his mid-eighties and the last surviving leader of the Easter Rising, attends the ceremony, along with an estimated 30,000 others.


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Birth of Sir Edward Carson, Politician, Barrister & Judge

Edward Henry Carson, Baron Carson, Irish unionist politician, barrister and judge, known as the “uncrowned king of Ulster,” is born on February 9, 1854, at 4 Harcourt Street, in Dublin. He serves as the Attorney General and Solicitor General for England, Wales and Ireland as well as the First Lord of the Admiralty for the British Royal Navy.

Although Carson is to become the champion of the northern province, he is born into a Protestant family in southern Ireland. He is educated at Portarlington School, Wesley College, Dublin, and Trinity College Dublin, where he reads law and is an active member of the College Historical Society. He graduates BA and MA.

From 1877, early in his Irish legal career, he comes to mistrust the Irish nationalists. As senior Crown prosecutor, he sternly enforces the Criminal Law and Procedure (Ireland) Act 1887, securing numerous convictions for violence against Irish estates owned by English absentee landlords. He is appointed Solicitor-General for Ireland and elected to the British House of Commons in 1892, is called to the English bar at Middle Temple on April 21, 1893, and serves as Solicitor General for England and Wales from 1900 to 1905. During these years he achieves his greatest success as a barrister. In 1895, his cross-examination of Oscar Wilde largely secures the Irish writer’s conviction for homosexuality.

On February 21, 1910, Carson accepts the parliamentary leadership of the anti-Home Rule Irish Unionists and, forfeiting his chance to lead the British Conservative Party, devotes himself entirely to the Ulster cause. His dislike of southern Irish separatism is reinforced by his belief that the heavy industry of Belfast is necessary to the economic survival of Ireland. The Liberal government (1908–16) under H. H. Asquith, which in 1912 decides to prepare a Home Rule bill, cannot overcome the effect of his extra-parliamentary opposition. The Solemn League and Covenant of resistance to Home Rule, signed by Carson and other leaders in Belfast on September 28, 1912, and afterward by thousands of Ulstermen, is followed by his establishment of a provisional government in Belfast in September 1913. Early in that year he recruits a private Ulster army, the Ulster Volunteer Force, that openly drills for fighting in the event that the Home Rule Bill is enacted. In preparation for a full-scale civil war, he successfully organizes the landing of a large supply of weapons from Germany at Larne, County Antrim, on April 24, 1914. The British government, however, begins to make concessions to Ulster unionists, and on the outbreak of World War I he agrees to a compromise whereby the Home Rule Bill is enacted but its operation suspended until the end of the war on the understanding that Ulster’s exclusion will then be reconsidered.

Appointed Attorney General for England in Asquith’s wartime coalition ministry on May 25, 1915, Carson resigns on October 19 because of his dissatisfaction with the conduct of the war. In David Lloyd George’s coalition ministry (1916–22) he is First Lord of the Admiralty from December 10, 1916, to July 17, 1917, and then a member of the war cabinet as minister without portfolio until January 21, 1918.

Disillusioned by the Government of Ireland Act 1920 that partitions Ireland and establishes what is essentially a Home Rule parliament in Belfast, Carson declines an invitation to head the Northern Ireland government and resigns as Ulster Unionist Party leader in February 1921. Accepting a life peerage, he serves from 1921 to 1929 as Lord of Appeal in Ordinary and takes the title Baron Carson of Duncairn.

Carson retires in October 1929. In July 1932, during his last visit to Northern Ireland, he witnesses the unveiling of a large statue of himself in front of Parliament Buildings at Stormont. The statue is sculpted by Leonard Stanford Merrifield, cast in bronze and placed upon a plinth. The inscription on the base reads “By the loyalists of Ulster as an expression of their love and admiration for its subject.” It is unveiled by James Craig, 1st Viscount Craigavon, in the presence of more than 40,000 people.

Carson lives at Cleve Court, a Queen Anne house near Minster-in-Thanet in the Isle of Thanet, Kent, bought in 1921. It is here that he dies peacefully on October 22, 1935. A warship brings his body to Belfast for the funeral. Thousands of shipworkers stop work and bow their heads as HMS Broke steams slowly up Belfast Lough, with his flag-draped coffin sitting on the quarterdeck. Britain gives him a state funeral on Saturday, October 26, 1935, which takes place in Belfast’s St. Anne’s Cathedral. He remains the only person to have been buried there. From a silver bowl, soil from each of the six counties of Northern Ireland is scattered onto his coffin, which had earlier been covered by the Union Jack. At his funeral service the choir sings his own favourite hymn, “I Vow to Thee, My Country.”


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Death of John McKeague, Northern Irish Loyalist

John Dunlop McKeague, a Northern Irish loyalist and one of the founding members of the paramilitary group the Red Hand Commando (RHC) in 1970, is killed by the Irish National Liberation Army (INLA) in Belfast, Northern Ireland, on January 29, 1982.

McKeague is born in 1930 at Messines Cottage, Bushmills, County Antrim, Northern Ireland, one of six children of Thomas McKeague and his wife, Isabella. The family operates a guesthouse in Portrush before moving to Belfast, where they open a stationer’s shop on Albertbridge Road. It is inherited by McKeague and in the late 1970s it becomes a confectioner’s shop and café.

In the late 1960s, McKeague is active in Ian Paisley‘s Free Presbyterian Church of Ulster and the Willowfield branch of the Ulster Protestant Volunteers (UPV). He is linked to William McGrath and the revived Ulster Volunteer Force (UVF) of the mid-1960s, and he publicises the claims of Gusty Spence that the police had framed him for the murder of a Catholic barman. On November 30, 1968, he participates in a banned demonstration by supporters of Ian Paisley against a civil rights march in Armagh city. Throughout the late 1960s and early 1970s he publishes a magazine, Loyalist News, full of anti-Catholic rhetoric and gossip, sectarian rhymes, Protestant religious material, and illustrated lessons in the use of firearms. He takes part in the bombing campaign of 1969 which leads to the downfall of Prime Minister of Northern Ireland Terence O’Neill and stands unsuccessfully for Belfast Corporation in 1969 as a Protestant Unionist Party (PUP) candidate. McKeague, who never marries, is a promiscuous homosexual. His paramilitary recruitment of young men has homoerotic overtones, and his violence contains elements of sexual perversion.

In 1969, McKeague and his associates take over the nascent Shankill Defence Association (SDA), which had been formed to oppose a destructive redevelopment scheme. He becomes its chairman and, despite his outsider status and eccentricities, is given to strutting around wearing a helmet and brandishing a stick, often seen as offering communal defence against a perceived Catholic threat. The organisation acquires 1,000 members. In August 1969, he orchestrates mob attacks on Catholic enclaves in Belfast, including Bombay Street. He boasts of these activities, becoming a figure of hate for Catholics. In October 1969, he is arrested and charged with conspiracy to cause an explosion but is cleared in February 1970. The sentence is reduced to three months on appeal. He testifies before Justice Leslie Scarman‘s tribunal, appointed to inquire into the unrest. In the course of his evidence, he exults over the August 1969 riots and the tribunal’s report condemns him by name. He later further enrages Catholics by calling the events of Bloody Sunday in January 1972 “Good Sunday” in a television interview.

McKeague seeks publicity and power, but his eccentricity and unwillingness to participate where he cannot command dooms his political ambitions. In the 1970 United Kingdom general election he wins only 441 votes in Belfast North. He is expelled from the UPV after being prosecuted in February–March 1970 over the loyalist bombing campaign of 1969, even though he is acquitted. He and Ian Paisley exchange bitter invective and he subsequently supports William Craig‘s Vanguard movement. In 1971, he and two associates are prosecuted under the new Incitement to Hatred Act for publishing a Loyalist song book, which includes verses, probably composed by McKeague, reveling in the murder of Catholics. The defendants plead that the book is purely a historical record, and their acquittal vitiates the act. After he quarrels with the newly formed Ulster Defence Association (UDA), which is created by a federation of the SDA with other local vigilante groups, his elderly mother is burned alive when the UDA petrol-bombs the family shop on May 9, 1971.

Early in 1972 McKeague is expelled from the SDA. He founds the Red Hand Commandos (RHC), centered on east Belfast and north Down, which perpetrates numerous sectarian murders. As RHC leader, he allegedly participates in murders involving torture and mutilation. He aligns the RHC with the UVF in 1972 and in February 1973 he is one of the first loyalist internees. He is subsequently imprisoned for three years for armed robbery, although he always asserts his innocence of this charge. During his imprisonment he assumes a leadership role among loyalist prisoners, undertaking two short hunger strikes in protest against the Special Powers Act and prison conditions. Later, in December 1981, he acts as an intermediary during a loyalist prison protest. On his release in 1975, the RHC splits and thereafter he denies any connection with the organisation, threatening to sue newspapers that link him with it. Until his death he is co-chair of the Ulster Loyalist Central Co-ordinating Committee (ULCCC), a paramilitary umbrella group established in 1974. On October 6, 1975, a Catholic customer is killed and McKeague’s sister severely injured when his shop is bombed by the Irish Republican Army (IRA).

From the mid-1970s McKeague advocates negotiated independence for Northern Ireland, arguing that this can accommodate republican anti-British feeling and unionist fears of a united Ireland. “The days of the Orange card are gone forever,” he says (Sunday World, January 31, 1982). He is a founder and deputy leader of the minuscule Ulster Independence Association and suggests that the “Londonderry Air” become Ulster‘s national anthem. In talks with nationalists and republicans, he tells the Catholic priest Des Wilson that a united Ireland would be acceptable to Protestants, provided “we enter as a free people, even if we’re only independent for five minutes.” However, his record is an insuperable barrier to these initiatives.

In his last years, McKeague is chairman of the Frank Street–Cluan Place–Stormont Street Housing Association. He lobbies for a security wall to shield this Protestant district of Belfast from the Catholic Short Strand on which it borders. Construction of the wall begins just before his death. He is shot dead by the INLA at his shop on Albertbridge Road on January 29, 1982. Shortly before his death, he is linked to the rape and prostitution of teenage boys at Kincora Boys’ Home in east Belfast. He had apparently been an informer to the security forces, and it is sometimes suggested that his murder is part of an official cover-up. He is buried in Bushmills, with Church of Ireland rites.

McKeague exemplifies the social deviant who can gain prominence during political instability, projecting and legitimising his hatreds and obsessions through extremist politics. In his last years, he accepts that he will die violently. He says that if loyalists kill him, “I want . . . to be left in the Republican area so that they’re blamed” (Sunday World, January 31, 1972).

(From: “McKeague, John Dunlop” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Arthur Armstrong, Northern Irish Painter

Arthur Armstrong, painter who often works in a Cubist style and produces landscape and still life works, dies in Dublin on January 13, 1996.

Armstrong is born on January 12, 1924, at Carrickfergus, County Antrim, Northern Ireland, one of three sons among six children of James Charlton Armstrong, housepainter and decorator, and his wife Margaret (née Howard). Soon after his birth the family moves to Belfast. He attends Strandtown Primary School. He attends Queen’s University Belfast (QUB) in the early 1940s, where he initially studies political science and later architecture. Having an interest in art, which had been fostered by his father, he takes classes for a short time in the early 1940s at the Belfast School of Art. It is there he meets Gerard Dillon, who introduces him to George Campbell and Daniel O’Neill. He is largely self-taught as an artist. It is his close association with Dillon and Campbell, both some years his senior, that proves to be the most important factor in his development. In Belfast in the early 1940s they associate with the Russian artist Daniel Nietzche, who emphasises to them the importance of personal expression.

After leaving university Armstrong works at the Belfast Gas Office. At this point he is the main support for his widowed mother. Having saved some money, he leaves his job in 1946 to attempt to fulfil his ambition to paint full-time, producing a set of etchings with George Campbell, which are published by Walsh Studios. The following year he takes work as a designer for Ulster Laces in Portadown, County Armagh. In 1957, he leaves for London in the hopes of finding greater opportunities as an artist. His friends Campbell and Dillon are already living there, and he takes lodgings with Dillon’s sister at Abbey Road, north London. Though he continues to paint, he is unable to earn a living and so again has to take other work, this time in a Labour Exchange office. However, he is beginning to gain recognition. In 1957, he is awarded a traveling scholarship by the Council for the Encouragement of Music and the Arts (CEMA), which enables him to travel to Spain. He continues to visit Spain throughout the 1960s, often to see Campbell, who spends much time there.

In 1961 he has his first solo exhibition at the CEMA gallery in Belfast. He comes to live in Dublin in 1962, his work having already been exhibited there at the Irish Exhibition of Living Art in 1957 and 1958. He continues to exhibit there annually from 1961 to 1965. During the 1960s and early 1970s his work is regularly included in the Oireachtas exhibition, at which he is awarded the Douglas Hyde Gold Medal in 1968. He also shows his work with the Ritchie Hendriks Gallery and the Tom Caldwell Gallery in Dublin. Ultimately, he is to have over seventy solo exhibitions throughout his career. By 1969, when he is elected an associate member of the Royal Hibernian Academy (RHA), he has established himself as one of the leading landscape painters in Ireland. In 1972 he becomes a full member of the RHA. He exhibits there regularly until 1977.

It is during this period that some of Armstrong’s best work is produced. While landscape is his predominant theme, he never sees himself as a painter of particular views, rather he responds to the abstract qualities of a scene. He sees elements such as the sea, rocks or sky as a series of interlocking textures to be rendered expressively in oil paint. The western coastline of Ireland is a vital source of inspiration for him. Roundstone, County Galway, is a favoured base for painting trips in the company of Dillon and Campbell, who by this time are also living in Dublin.

In 1981, a retrospective exhibition of Armstrong’s work is organised by the Arts Council of Northern Ireland. He is represented in many major public and corporate collections in Ireland. From 1971 he lives at 28 Chelmsford Avenue, Ranelagh, Dublin, in a house he shares with Gerard Dillon.

Armstrong dies unmarried on January 13, 1996, in Dublin. The contents of his studio are sold on February 3, 1998.

(From: “Armstrong, Arthur” by Rebecca Minch, Dictionary of Irish Biography, http://www.dib.ie, October 2009, revised November 2013 | Pictured: “Near Ballyhubbock,” oil on board by Arthur Armstrong RHA)


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Death of Robert Holmes, Lawyer & Nationalist

Robert Holmes, Irish lawyer and nationalist, dies in London on October 7, 1859.

Holmes, the son of parents who are natives of Antrim, County Antrim, and settled in Belfast, is born during a visit by his parents to Dublin in 1765. He enters Trinity College, Dublin in 1782, and graduates B.A. in 1787. He at first devotes himself to medicine, but he soon turns his attention to the law. In 1795, he is called to the bar. He spends a substantial period of his professional life travelling the northeast circuit in Ireland, where he gains a reputation for great ability and legal skill.

Holmes studies law and becomes one of the best-known defenders of the Nationalist leaders in Ireland. He speaks in 1846 in defence of Charles Gavan Duffy, editor of The Nation. Duffy had been indicted over an article written by John Mitchel, which comes to be known as the “Railway Article.” His defence proves successful and his speech on behalf of his client is described by Lord Chief Justice Edward Pennefather as “the most eloquent ever heard in a court of Justice.”

In 1798, during a parade of the lawyer’s corps of yeomanry, of which he is a member, Holmes throws down his arms on learning that the corps is to be placed under the military authorities, dreading that he might have to act against the populace. To one Joy, a barrister, who had used insulting language to him respecting this circumstance, he sends a challenge, for which he suffers three months’ imprisonment. In 1799, he publishes a satirical pamphlet on the projected Acts of Union, entitled A Demonstration of the Necessity of the Legislative Union of Great Britain and Ireland. With the rising of his brother-in-law, Robert Emmet, on July 23, 1803, he has no connection, although he is arrested on suspicion and imprisoned for some months. This retards his advancement. He declines to receive any favours from the government, refusing in succession the offices of Crown prosecutor, King’s Counsel, and Solicitor-General, and to the last he remains a member of the outer bar.

Holmes has for many years the largest practice of any member of the Irish courts, and is listened to with attention by judges, although he is not always very civil to them. His law arguments form an important set of articles in the Irish Law Reports, and he is an impressive advocate, notably in his speeches in Watson v. Dill, in defence of The Nation newspaper, and his oration on behalf of John Mitchel, tried for treason-felony on May 24, 1848. During the course of his practice he makes over £100,000.

Holmes marries, firstly, Mary Anne Emmet, daughter of Dr. Robert Emmet. She is the sister of Robert Emmet, who leads an unsuccessful rebellion in 1803, and whose brother, Thomas Addis Emmet, is a leading member, with Theobald Wolfe Tone, of the Society of United Irishmen. Both take part in the Irish Rebellion of 1798. The marriage produces one surviving child, a daughter, who later marries George William Lenox-Conyngham, chief clerk of the Foreign Office, and in turn has an only daughter who in 1861 marries Viscount Doneraile.

Holmes marries in 1810 at Childwall, Liverpool, as his second wife, the English educator and writer Eliza Lawrence. She dies in 1811.

After his retirement in 1852, Holmes resides in London with his only child Elizabeth. He dies at the age of 94 at her home, 37 Eaton Place, Belgrave Square, London, on October 7, 1859.

During the course of his life, Holmes is the author of three published works. The first, published in 1799, is entitled A Demonstration of the Necessity of the Legislative Union of Great Britain and Ireland, a satirical pamphlet ridiculing the arguments of its supporters. The next is An Address to the Yeomanry of Ireland, demonstrating the necessity of their declaring their opinions upon Political Subjects. His most important work however, according to Peter Aloysius Sillard, is The Case of Ireland Stated, which apparently goes through six editions, the last in 1847.

(Pictured: Image of Robert Holmes from Michael Doheny’s “The Felon’s Track”)


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Death of Playwright George Shiels

George Shiels, playwright, dies following a lengthy illness in Carnlough, County Antrim, Northern Ireland, on September 19, 1949.

Shiels is born on June 24, 1881, in Milltown, Ballybrakes, near Ballymoney, County Antrim, one of seven sons of Robert Shiels, a railway worker, and Eliza Shiels (née Sweeney), who also has one daughter. The family soon moves to Castle Street, Ballymoney, where he attends the local Roman Catholic national school. His elder brothers emigrate to the United States when young. With there being no chance of further schooling even if he wanted it, he leaves Ireland when he is 19 years old. He works as a casual labourer in many places in western North America: as a farmworker and miner in Idaho and Montana, and as a lumber camp worker in British Columbia, Canada. In 1904 he is employed by the Canadian Pacific Railway to supervise a gang of workers who are building a stretch of railway in Saskatchewan. In a serious accident, he is badly injured. Despite surgery on his back, he is never able to walk again, and he receives a disability pension from the railway company.

After a long convalescence in Canada, Shiels returns to his mother’s house in Ballymoney around 1908. He sets up in business in Main Street as a shipping agent and as an agent for the Canadian Pacific Railway, taking bookings from intending emigrants. He is encouraged by his parish priest, Fr. John Hasson, by a local solicitor, Jack Pinkerton, and by James Pettigrew, a teacher, to write short stories. To try to preserve anonymity in a small community, he at first uses the pseudonym “George Morshiel,” and is successful with Western stories and other short fiction. His friends urge him to try writing dramas, and in 1918 Away from the Moss is produced by the Ulster Literary Theatre in Belfast.

After further success there with two short plays in which Shiels is learning his craft, the Abbey Theatre in Dublin accepts a one-act play, Bedmates, which is performed in January 1921. With great regularity for the next twenty years, he writes twenty-two plays for the Abbey Theatre. His work forms the basis of the repertoire in the 1920s and 1930s and attracts large audiences. Plays such as The New Gossoon (1930) provide Dublin theatregoers with entertainment, but also help form the style of acting and production which for many years characterises the Abbey and its actors. Three of his plays, Paul Twyning (1922), Professor Tim (1925) and The New Gossoon, are later performed in theatres in London and are also published in a 1945 volume, which is twice reprinted. Professor Tim, produced by the touring Abbey Theatre, receives enthusiastic reviews in Philadelphia, and The New Gossoon appears successfully on Broadway in New York City in 1932, 1934, and 1937.

Shiels’s earlier work is perhaps easiest for audiences to enjoy. Comedies such as Moodie in Manitoba (1918) portray characters so realistic that north Antrim people believe with some alarm that it might be possible to identify who Shiels had in mind when he created them, and he is at first somewhat less than popular in Ballymoney. He superbly reproduces local language and thoroughly understands the local way of life. Plays he writes late in his career are first performed by the Group Theatre in Belfast, and in these productions (and in the radio versions broadcast by the BBC) his work becomes widely known, almost beloved, in the north of Ireland. During the first half of the twentieth century amateur drama groups throughout Ireland are much more important in local life than they have been since the advent of television. Probably all such societies have at some time staged a Shiels play, and this tradition continues. His plays contain amusing dialogue, carefully crafted plots, and usually more or less happy endings.

However, Shiels’s later works, notably The Passing Day (1936), first broadcast as a radio play, and The Rugged Path (1940), which breaks all records at the Abbey Theatre in a run of three months, tackle darker subject matter and feature characters still less sympathetic even than the rogues and hypocrites of the earlier work. In The Rugged Path and its sequel, The Summit (1941), he explores the moral crisis facing Ireland after the political changes of the 1920s. One critic sees in it an allegory for the contemporary struggle against Adolf Hitler. His view of life in the small towns and farms of Ireland is never in the slightest rosy-tinted, but in the symbolism of The Passing Day, he achieves “bitter intensity” (The Irish Times review, quoted by Casey).

Shiels’s modesty leads him to refuse an honorary doctorate from Queen’s University Belfast (QUB), in 1931. He is reticent about his experiences and beliefs and does little to foster his own reputation. In one early interview he expresses the belief that Ulster theatre needs dramatic material that reflects the psychology and setting of the region. His own work, at its best, achieves this and more. The very qualities which make his work popular in the north of Ireland permit some metropolitan literary critics to dismiss his plays as “kitchen comedies.” However, with the passage of time, his importance as a chronicler of a vanishing way of life can be set alongside the recognition due to him as a prolific and gifted dramatist.

Shiels suffers from a lengthy illness, and though he undergoes an operation in Ballymoney in 1949, dies soon afterwards at his house, New Lodge, in Carnlough, County Antrim, on September 19, 1949. He is buried in the graveyard of Our Lady and St. Patrick in Ballymoney. In the month that he dies, the Group Theatre and Garvagh Young Farmers’ Club are both rehearsing Shiels plays, and there have since been many productions of his plays in the north and elsewhere. Ballymoney Drama Festival presents a portrait of Shiels to the Abbey Theatre, and a new production of The Passing Day is staged there to celebrate his centenary in 1981.


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Preparations Commence for the Plantation of Ulster

On July 19, 1608, preparations commence for the plantation of six Ulster counties of Armagh, Cavan, Coleraine, Donegal, Fermanagh, and Tyrone.

The Plantation of Ulster is the organised colonisation, or plantation, of the Irish province of Ulster by people from Great Britain during the reign of King James I. Most of the settlers, or planters, come from southern Scotland and northern England. Their culture differs from that of the native Irish. Small privately funded plantations by wealthy landowners begin in 1606, while the official plantation begins in 1609. Most of the colonised land had been confiscated from the native Gaelic chiefs, several of whom had fled Ireland for mainland Europe in 1607 following the Nine Years’ War against English rule. The official plantation comprises an estimated half a million acres of arable land in counties Armagh, Cavan, Fermanagh, Tyrone, Donegal, and Coleraine. Land in counties Antrim, Down, and Monaghan is privately colonised with the king’s support.

Among those involved in planning and overseeing the plantation are King James, the Lord Deputy of Ireland, Arthur Chichester, and the Attorney-General for Ireland, John Davies. They see the plantation as a means of controlling, anglicising, and “civilising” Ulster. The province is almost wholly Gaelic, Catholic, and rural and has been the region most resistant to English control. The plantation is also meant to sever Gaelic Ulster’s links with the Gaelic Highlands of Scotland. The colonists, or “British tenants,” are required to be English-speaking, Protestant and loyal to the king. Some of the undertakers and settlers, however, are Catholic. The Scottish settlers are mostly Presbyterian Lowlanders and the English mostly Anglican Northerners. Although some “loyal” natives are granted land, the native Irish reaction to the plantation is generally hostile, and native writers bewail what they see as the decline of Gaelic society and the influx of foreigners.

The Plantation of Ulster is the biggest of the Plantations of Ireland. It leads to the founding of many of Ulster’s towns and creates a lasting Ulster Protestant community in the province with ties to Britain. It also results in many of the native Irish nobility losing their land and leads to centuries of ethnic and sectarian animosity, which at times spills into conflict, notably in the Irish Rebellion of 1641 and, more recently, the Troubles.


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Edward Bruce Proclaimed Last High King of Ireland

Edward Bruce is proclaimed the last High King of Ireland on June 29, 1315. He is crowned in 1316. He reigns between 1315 and 1318. The English colonists in Ireland vehemently oppose him.

Bruce, the brother of the King of Scots, Robert the Bruce, leads a three-year military campaign, known as the Bruce campaign, against the Anglo-Norman lordship of Ireland. This invasion, which lasts from 1315 to 1318, ultimately gives rise to the two nations we recognize now as Ireland and Scotland.

In May 1315, a Scots army of up to six thousand soldiers lands on the Antrim coast. That June, near Carrickfergus, many Gaelic lords led by Donnell O’Neill of Ulster join Bruce. “All the Gaels of Ireland agreed to grant him lordship and they called him King of Ireland,” declares the Irish annals.

The invasion coincides with the Great European Famine (1315-1317), which brings hardship and disillusionment among Bruce’s followers. The annals ruefully comment, “falsehood and famine and homicide filled the country, and undoubtedly men ate each other in Ireland.”

In February 1317, Dublin, the capital of the English royal administration in Ireland, comes close to being captured by the Bruce brothers. The brothers encamp at Castleknock within sight of the city walls. The panicking Dubliners burn the suburbs of the city. In order to re-fortify the city walls, they dismantle the Dominican priory north of the River Liffey and tear down the bridge across the river. The Bruce brothers do not lay siege to the city and instead move south to Munster.

In 1318, the invasion is brought to an end when, after marching south from Ulster for one last push, Bruce risks an open battle with an English army north of Dundalk at Faughart and is killed. His corpse is dismembered, and portions of it hung over the gates of various Irish towns. His decapitated head is brought to King Edward II of England by the victor, John de Bermingham, a minor Anglo-Irish baron who is elevated to the status of “Earl of Louth” for bringing the Bruce campaign in Ireland to an end.

A conference at Trinity College Dublin, in 2015, entitled The Irish-Scottish World in the Middle Ages, explores this key moment in the history of Ireland and Scotland. “The Bruce Invasion was a watershed moment in that story,” says Seán Duffy, Professor of Medieval Irish History and one of the organizers of the conference.

“Although Edward Bruce was defeated and killed in 1318, the effect of the invasion was far-reaching. The tide of Anglo-Norman expansion in Ireland turned back and the late Middle Ages saw the flowering of a Gaelic literary and cultural revival. Scotland, meanwhile, was galvanized by its victory over the English at Bannockburn which secured its path to independent nationhood.”

“Few peoples have as much in common as the Irish and the Scots. The very name Scotland is an ever-present reminder of that connection, because, in the Latin of the early Middle Ages, a Scotus was an Irishman, and the homeland of the Scoti was Ireland. That the name came to be applied to the northern part of Britain is testament to the strength of Irish influence on what we now know today as Scotland.”

(From: “On This Day: Edward Bruce, the last High King of Ireland, dies in 1318” by IrishCentral Staff, http://www.irishcentral.com, October 2022 | Pictured: Grave of Edward de Bruce, High King of Ireland, in Faughart Cemetery, County Louth)


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Execution of James Dickey, Member of the Society of United Irishmen

James Dickey, a young barrister from a Presbyterian family in Crumlin, County Antrim, in the north of Ireland, is hanged at Corn Market, Belfast, on June 26, 1798. He is active in the Society of United Irishmen and is hanged with Henry Joy McCracken for leading rebels at the Battle of Antrim.

The Society of United Irishmen is formed in October 1791 by leading citizens in Belfast who seek a representative government in Ireland based on principles they believe have been modelled by the American and French Revolutions. At their first meeting they embrace the argument of Theobald Wolfe Tone for a “brotherhood of affection” between Irishmen of all religious persuasions. Tone argues that in Ireland the landed Anglican Ascendancy and the English appointed Irish executive employ division between Protestants and Catholics to balance “the one party by the other, plunder and laugh at the defeat of both.”

Despairing of reform, and in the hope of French assistance, in May 1798, the United Irishmen take up arms against the Dublin government and the British Crown. Beginning in Kildare, the insurrection spreads to other counties in Leinster before finally reaching the Presbyterian districts surrounding Belfast. On June 5, the Antrim societies of United Irishmen meet in Templepatrick where they elect textile manufacturer Henry Joy McCracken as their General. The next day McCracken issues a proclamation calling for the United army of Ulster to rise. The initial plan meets with success, as the towns of Larne, Ballymena, Maghera and Randalstown are taken and the bridge at Toome is damaged to prevent the government rushing reinforcements into Antrim from west of the River Bann.

According to the memoirs of James Burns from Templepatrick, Dickey commands the insurgents at Randalstown and kills Samuel Parker, a “traitor, with his own hands, while standing at his own door, where he went for the purpose.”

McCracken leads a body of about 6,000 rebels in an attack on Antrim town. As promised, Catholic Defenders turn out, but in the march upon the town tensions with the Presbyterian United Irish causes some desertions and a delay in McCracken’s planned assault. McCracken’s men are defeated, and his army melts away. On June 15, Dickey, together with McCracken, James Hope, James Orr and about fifty other rebel survivors from Antrim, arrive at Slemish, near Ballymena. There they set up camp for three weeks before leaving under threat of attack from Colonel Green of the Tay Fencibles.

Dickey is captured by the Sutherland fencibles on Divis, a hill northwest of Belfast. He is court-martialed and hanged at Corn Market, Belfast on June 26, 1798. Famously, before his hanging he refuses to wear a black hood saying to the hangman, “Sir, don’t cover my face!” According to local legend he shouts, “Don’t think gentlemen, I am ashamed to show my face among you, I am dying for my country!” However, a loyalist source hostile to the United Irish cause, Henry Joy of the Belfast News Letter, has Dickey on the scaffold recanting his commitment to the “brotherhood of affection” between Catholic and Protestant. He supposedly warned the assembled that had “the Presbyterians of the north succeeded in their [republican] designs, they would ultimately have had to contend with the Roman Catholics.” It is testament to the sentiment that in the north is to largely expunge the memory of his, and McCracken’s, sacrifice.

Dickey is 22 years old at the time of his execution. His head is placed on a spike outside the Market House on Belfast’s High Street.

Dickey’s brother, John Dickey of Crumlin, is also implicated in the rebellion. He is informed on by neighbours who had noticed that he was making pikes and attending secret meetings of the United Irishmen late at night. Arrested and court-martialed, he refuses the terms granted by the government to the “State Prisoners” in Dublin. He is transported to the West Indies for penal servitude but manages to escape and makes his way to the United States.