Maolra Seoighe (English: Myles Joyce), is an Irish man who is wrongfully convicted and hanged on December 15, 1882. He is found guilty of the Maumtrasna Murders and is sentenced to death. Though he can only speak Irish, the case is heard in English without any translation service. He is posthumously pardoned in 2018.
Seoighe is the most prominent figure in a controversial trial in 1882 that takes place while Ireland is part of the United Kingdom. Three Irish language speakers are condemned to death for the murder of a local family (John Joyce, his wife Brighid, his mother Mairéad, his daughter Peigí and son Mícheál) in Maumtrasna, on the border between County Mayo and County Galway. It is presumed by the authorities to be a local feud connected to sheep rustling and the Land War. Eight men are convicted on what turns out to be perjured evidence and three of them condemned to death: Maolra Seoighe (a father of five children), Pat Casey and Pat Joyce.
Covering the incident, The Spectator writes the following:
“The Tragedy at Maumtrasna, investigated this week in Dublin, almost unique as it is in the annals of the United Kingdom, brings out in strong relief two facts which Englishmen are too apt to forget. One is the existence in particular districts of Ireland of a class of peasants who are scarcely civilised beings, and approach far nearer to savages than any other white men; and the other is their extraordinary and exceptional gloominess of temper. In remote places of Ireland, especially in Connaught, on a few of the islands, and in one or two mountain districts, dwell cultivators who are in knowledge, in habits, and in the discipline of life no higher than Maories or other Polynesians.”
The court proceedings are carried out in a language the accused do not understand (English), with a solicitor from Trinity College Dublin (TCD), who does not speak Irish. The three are executed in Galway by William Marwood for the crime in 1882. The role of John Spencer, 5th Earl Spencer, who is then Lord Lieutenant of Ireland, is the most controversial aspect of the trial, leading most modern scholars to characterise it as a miscarriage of justice. Research carried out in The National Archives by Seán Ó Cuirreáin, has found that Spencer “compensated” three alleged eyewitnesses to the sum of £1,250, equivalent to €157,000 (by 2016 rates).
As of 2016, nobody has issued an apology or pardon for the executions, though the case has been periodically taken up by various political figures. The then MP for Westmeath, Timothy Harrington, takes up the case, claiming that the Crown Prosecutor for the case George Bolton, had deliberately withheld evidence from the trial. In 2011, two sitting members of the House of Lords, the Liberal Democrat life peers David Alton and Eric Lubbock, request a review of the case. Crispin Blunt, ToryParliamentary Under-Secretary of State for Prisons and Youth Justice, states that Seoighe was “probably an innocent man,” but he does not seek an official pardon.
Seoighe’s final words are: “Feicfidh mé Iosa Críost ar ball beag – crochadh eisean san éagóir chomh maith. … Ara, tá mé ag imeacht … Go bhfóire Dia ar mo bhean agus a cúigear dílleachtaí.” (I will be seeing Jesus Christ soon – he too was also unjustly hanged … I am leaving … the blessings of God on my wife and her five orphans.)
On April 4, 2018, Michael D. Higgins, the President of Ireland, issues a pardon on the advice of the government of Ireland saying “Maolra Seoighe was wrongly convicted of murder and was hanged for a crime that he did not commit”. It is the first presidential pardon relating to an event predating the foundation of the state in 1922 and the second time a pardon has been issued after an execution. Seoighe’s case is not an isolated one, and there are strong similarities with the case of Patrick Walsh who was hanged in the Galway jail on September 22, 1882, just three months before Seoighe for the murders of Martin and John Lydon. The same key players and political factors are active in both cases and his conviction is just as questionable as that of Seoighe.
In September 2009, the story is featured on RTÉ‘s CSI programme under an episode entitled CSI Maamtrasna Massacre. A dramatised Irish language film regarding the affair, entitled Murdair Mhám Trasna, produced by Ciarán Ó Cofaigh is released in 2017.
Plunkett is educated expensively: at a primary school in Nice, making him fluent in French and Italian, then at Clongowes Wood College, and, from 1872, at Trinity College Dublin (TCD), where his generous allowance allows him to study renaissance and medieval art. He enrolls at King’s Inns in 1870 and the Middle Temple in 1874, but is not called to the bar until 1886. While there he befriends Oscar Wilde and Jeremiah O’Donovan Rossa. In 1877, he endows a university gold medal for Irish speakers and publishes a book of poems, God’s Chosen Festival, and the following year he issues a pamphlet, The Early Life of Henry Grattan. He also writes articles for magazines, editing a short-lived one, Hibernia, for eighteen months from 1882. In 1883, he donates funds and property to the nursing order of the Little Company of Mary (Blue Sisters), and on April 4, 1884, Pope Leo XIII makes him a count.
On June 26, 1884, Plunkett marries Mary Josephine Cranny (1858–1944). The couple has seven children: Philomena (Mimi) (b. 1886), Joseph (b. 1887), Mary Josephine (Moya) (b. 1889), Geraldine (b. 1891), George Oliver (b. 1894), Fiona (b. 1896), and Eoin (Jack) (b. 1897).
In 1894, Plunkett part-edits Charles O’Kelly‘s memoir The Jacobite War in Ireland. By 1900, when he publishes the standard biography Sandro Botticelli, he is supplementing his income by renewed artistic studies, which until 1923 finances his lease of Kilternan Abbey, County Dublin. His Pinelli (1908) is followed by Architecture of Dublin, and, in 1911, by his revised edition of Margaret McNair Stokes‘s Early Christian Art in Ireland. In 1907, he becomes director of the National Museum of Ireland, where he increases annual visits from 100 to 3,000.
Joseph Plunkett swears his father into the Irish Republican Brotherhood (IRB) in April 1916, sending him secretly to seek German aid and a papal blessing for the projected Easter rising. After its defeat, Plunkett is sacked by the National Museum of Ireland and deported with the countess to Oxford, and the following January he is expelled by the Royal Dublin Society (RDS). This earns him nomination as the surviving rebels’ candidate in the North Roscommon by-election. He returns to Ireland illegally on January 31, 1917, and wins the seat easily three days later. Pledging abstention from attendance at Westminster in accordance with Sinn Féin policy, he initiates a Republican Liberty League, which coalesces with similar groups such as Sinn Féin. In October this front becomes the new Sinn Féin, committed to Plunkett’s republic rather than to the “king, lords and commons“ of Arthur Griffith. Plunkett and Griffith become the new party’s vice-presidents, under Éamon de Valera.
On May 18, 1918, Plunkett is interned again. Released after Sinn Féin’s general election landslide (in which he is returned unopposed), he presides, Sinn Féin’s oldest MP, at the planning meeting for Dáil Éireann on January 17, 1919, and at its opening session on January 21. On the 22nd he is made foreign affairs minister by Cathal Brugha, an appointment reaffirmed by de Valera on April 10. He criticises his president for advocating a continuing Irish external relationship with Britain, and fails to organise an Irish foreign service. In February 1921, de Valera makes Robert Brennan his departmental secretary and a ministry takes shape, while Plunkett publishes a book of poems, Ariel. After uncontested “southern Irish“ elections to the Second Dáil, de Valera moves his implacable foreign minister from the cabinet to a tailor-made portfolio of fine arts. Plunkett’s Dante sexcentenary commemoration is overshadowed by news of the Anglo–Irish Treaty. Opposing this, Plunkett cites his oath to the republic and its martyrs including his son. He leaves his ministry on January 9, 1922.
Plunkett chairs the anti-treaty Cumann na Poblachta, which loses the June general election, though he is returned again unopposed. In the Irish Civil War the treatyites intern him and the republicans appoint him to their council of state. In the August 1923 Irish general election, his first electoral contest since 1917, the interned count tops the poll in County Roscommon. He is released in December.
When de Valera forms Fianna Fáil in 1926, Plunkett stays with Sinn Féin, and loses his deposit in the June 1927 Irish general election. A year later he publishes his last poetry collection, Eros. He runs for a new Cumann Poblachta na hÉireann in a County Galway by-election in 1936, but loses his deposit again. On December 8, 1938, with the other six surviving abstentionist Second Dáil TDs, he transfers republican sovereignty to the IRA Army Council.
Plunkett is a big man with a black beard which whitens steadily after his fiftieth birthday. He is always formally pleasant and courteous. His oratory is described by M. J. MacManus as “level, cultured tones . . . [more] used to addressing the members of a learned society than to the rough and tumble of the hustings” (The Irish Press, March 15, 1948). Theoretically and practically, he is more scholar than politician. His portrait is on display at the Royal Society of Antiquaries of Ireland (RSAI).
Plunkett dies from cancer on March 12, 1948, and is buried in Glasnevin Cemetery, survived by his children Geraldine (wife of Thomas Dillon), Fiona, and Jack. His grandson Joseph (1928–66), son of George Oliver Plunkett, inherits the title.
(From: “Plunkett, Count George Noble” by D. R. O’Connor Lysaght, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
Power is born to Henry Power, a watchmaker, and Mary (née Atkins), an embroideress. He has one older brother, and one younger sister. He attends a Christian Brothersnational school in North Brunswick Street. As a child he plays in local clay brickyards and sculpts busts of his friends. After finishing his primary school education, he trains with a firm of sculptors run by Edward Smyth. In 1884, he enrolls as an evening pupil at the Dublin Metropolitan School of Art (DMSA), later attending as a full-time student from 1906 to 1911. During his time at the DMSA he is taught and strongly influenced by John Hughes, Oliver Sheppard and William Orpen. He wins a number of prizes during his time at the DMSA, including medals, three scholarships, book prizes, and the national gold medal for the best modeling of a nude figure, in Ireland, Scotland, and the Channel Islands in 1911.
Power marries Agnes Kelly in 1903. The couple has ten children, four daughters and six sons, including May and James who also become sculptors.
Power establishes his own stone-carving business in 1912 from his new home at 18 Geraldine Street, Phibsborough, Dublin. As the firm grows, it moves to premises nearby at 15 Berkeley Street from 1930. He executes a wide range of works, including monuments and architectural features in bronze, marble, and stone. Among his notable works are the figure of “Science” designed by Sheppard from the façade of the new Royal College of Science for Ireland (later Government Buildings) on Merrion Street, Dublin, carved motifs and sphinxes for the Gresham Hotel, O’Connell Street, and four statues on the dome of Christ the King church, Carndonagh, County Donegal.
Power is considered the leading Irish sculptor of the 1920s and 1930s. He is a nationalist and promotes the use of Irish materials such as limestone from Durrow and Connemara marble. He is noted for his academic realist style. He exhibits regularly with the Royal Hibernian Academy from 1906, becoming an associate member in 1911, and a full member in 1919. Among those he models sculptures for are James Stephens (1913), W. B. Yeats (1918), and Lord Dunsany (1920). Among his patrons are Oliver St. John Gogarty, and through Gogarty he is commissioned to model a number of prominent Irish nationalists. Gogarty asks him to carve a portrait of Terence MacSwiney in 1920, while MacSwiney is on hunger strike in HM Prison Brixton, London. Smuggled into the prison to do a thumbnail sketch, Power then carves a portrait in the form of a life mask.
On Gogarty’s recommendation, Power is commissioned by the Irish Free State government to create portraits of a number of leading politicians including Arthur Griffith (1922), Michael Collins (1936), and Austin Stack (1939). He is also privately commissioned to execute a portrait of Éamon de Valera in 1944. Among his monumental works are sculptures of Tom Kettle (1919) at St. Stephen’s Green, Dublin, Christ the King in Gort, County Galway, (1933), Pádraic Ó Conaire (1935) at Eyre Square, Galway, and W. B. Yeats (1939) at Sandymount Green, Dublin. He is one of the artists invited to submit designs for the new coinage of the Irish Free State in 1928.
Power dies in Dublin on July 10, 1945, following complications from a double hernia. His is buried in Glasnevin Cemetery, Dublin.
Concannon is educated by the Loreto nuns in Coleraine, County Londonderry. In 1897, she studies modern languages at the Royal University of Ireland on a three-year scholarship. She studies abroad during these years as in 1899, she travels to Germany and studies German in Berlin University accompanied by her friend, Mary Macken. She then travels to France to study French at Sorbonne University. In 1900, she graduates Bachelor of Arts with first class honours and goes on to study Master of Arts in 1902 at the Royal University of Ireland. She is fortunate to being one of the first generation of educated women.
In 1906, Concannon marries Tomás Bán Ó Conceanainn, who she met in 1900 when he arrived home from the United States. They settle down in County Galway where they share the same love for the Irish language and write many Irish texts. They have no children. In Galway, she is a professor at University College Galway where she teaches history, which mainly involves the history of Irish women. In 1909, she is offered a lectureship at University College Dublin, in Italian, but the offer is then withdrawn before she can accept it, so she decides to pursue a writing career.
Concannon produces over twenty books, including works on religion, the history of Ireland and Irish women’s history. Her works are highly impacted by her political and nationalist views. Her analyses of Irish history is based on Catholicism and patriotism. She is also an advocate of Irish language restoration. Her first writings are love poems to her husband. These poems are ”simple, sensuous and passionate.”
Concannon also produces a number of imaginative historical text for children. She uses her married name for her publications and her first book, entitled A Garden of girls, or the famous schoolgirls of former days, is published in 1914. It is about “school life and education of real little girls” Her next well known piece is the Life of St. Columban in 1915, which is a study about the Irish ancient monastic life and a biography of a sixth-century saint.
Two of Concannon’s books, Daughters of Banba (1922) and St. Patrick (1932), receive the Tailteann Medal for Literature, and The Poor Clares in Ireland (1929) wins the National University Prize, a D.Litt. higher doctorate degree for historical research.
Concannon’s most common publication, Women of ‘Ninety Eight, is dedicated to all the dead women and all the living ones who have given their loved ones. This book emerges on the ideologies of Catholicism and patriotism “praising the devotion of Irish nationalist women while emphasising the centrality of women’s spiritual and domestic role in the home to the well-being of the nation.” As this work is written during the time of the Irish War of Independence, she stresses the importance of women help during the rebellion as “they acted as messengers and intelligence officers,” and in some cases, they fought as any men.
Concerning the Land Purchase (Guarantee Fund) Bill 1935, which according to George Cecil Bennett will negatively impact the rural middle class of which he is a representative, Bennett accuses Concannon and her fellow Dublin men of not caring about the people of the country. Concannon goes on to vote that the Dáil should disagree with the Seanad Éireann-proposed bill with 71 others.
Though Concannon is a TD as a university representative, she votes with her party to remove university representation from the Dáil, leading one TD to say, “I am very much surprised to see such a distinguished scholar and such a great contributor to Irish literature as Deputy Mrs. Concannon voting for the disfranchisement of the University that she has so well and so ably represented.”
Concannon speaks on behalf of Irish women in the Dáil in 1936. She speaks on how Irish women play a fundamental role in Ireland’s agricultural economy and therefore more money should be put toward educating these women.
Concannon is one of the minority voices against the role appointed to women in Éamon de Valera‘s constitution. She does not contest the Dáil election of 1937.
After the adoption of the Constitution of Ireland in 1937, the National University of Ireland constituency is reconstituted in the new Seanad Éireann. The first election takes place in 1938, and Concannon is elected. She is a popular figure and is re-elected each election in the Seanad until she dies in office on February 27, 1952.
Séamus Ennis (Irish: Séamas Mac Aonghusa), Irish musician, singer and Irish music collector, dies in Naul, County Dublin, on October 5, 1982. He is most noted for his uilleann pipe playing and is partly responsible for the revival of the instrument during the twentieth century, having co-founded Na Píobairí Uilleann, a nonprofit organisation dedicated to the promotion of the uilleann pipes and its music. He is recognised for preserving almost 2,000 Irish songs and dance-tunes as part of the work he does with the Irish Folklore Commission. He is widely regarded as one of the greatest uilleann pipers of all time.
Ennis’s father, James, works for the Irish civil service at Naul, County Dublin. In 1908, James Ennis is in a pawn shop in London and purchases a bag containing the pieces of a set of old uilleann pipes. They were made in the mid nineteenth century by Coyne Pipemakers of Thomas Street in Dublin. In 1912, he comes in first in the Oireachtas competition for warpipes and second in the uilleann pipes. He is also a prize-winning dancer. In 1916, he marries Mary Josephine McCabe, an accomplished fiddle player from County Monaghan. They have six children, Angela, Séamus, Barbara, and twins, Cormac and Ursula (Pixie) and Desmond. Séamus is born on May 5, 1919, in Jamestown in Finglas, Dublin. James Ennis is a member of the Fingal trio, which includes Frank O’Higgins on fiddle and John Cawley on flute, and performs regularly with them on the radio. At the age of thirteen, Séamus starts receiving lessons on the pipes from his father. He attends a Gaelscoil, Cholmcille, and a Gaelcholáiste, Coláiste Mhuire, which gives him a knowledge of the Irish language that serves him well in later life. He sits in an exam to become Employment Exchange clerk but is too far down the list to be offered a job. He is twenty and unemployed.
Colm Ó Lochlainn is editor of Irish Street Ballads and a friend of the Ennis family. In 1938, Ennis confides in Colm that he intends to move to England to join the British Army. Colm immediately offers him a job at The Three Candles Press. There Ennis learns all aspects of the printing trade. This includes writing down slow airs for printed scores – a skill which later proves important. Colm is director of an Irish language choir, An Claisceadal, which Ennis joins. In 1942, during The Emergency, shortages and rationing mean that things become difficult in the printing trade. Professor Seamus Ó Duilearge of the Irish Folklore Commission hires the 23-year-old to collect songs. He is given “pen, paper and pushbike” and a salary of three pounds per week. Off he goes to Connemara.
From 1942 to 1947, working for the Irish Folklore Commission, Ennis collects songs in west Munster; counties Galway, Cavan, Mayo, Donegal, Kerry; the Aran Islands and the Scottish Hebrides. His knowledge of Scottish Gaelic enables him to transcribe much of the John Lorne Campbell collection of songs. Elizabeth Cronin of Ballyvourney, County Cork, is so keen to chat to Ennis on his visits that she writes down her own songs and hands them over as he arrives, and then gets down to conversation. He has a natural empathy with the musicians and singers he meets. In August 1947, he starts work as an outside broadcast officer with Raidió Éireann. He is a presenter and records Willie Clancy, Seán Reid and Micho Russell for the first time. There is an air of authority in his voice. In 1951, Alan Lomax and Jean Ritchie arrived from the United States to record Irish songs and tunes. The tables are turned as Ennis becomes the subject of someone else’s collection. There is a photograph from 1952/53 showing Ritchie huddled over the tape recorder while Ennis plays uilleann pipes.
Late in 1951, Ennis joins the BBC. He moves to London to work with producer Brian George. In 1952, he marries Margaret Glynn. They have two children, the organist Catherine Ennis and Christopher. His job is to record the traditional music of England, Scotland, Wales and Ireland and to present it on the BBC Home Service. The programme is called As I Roved Out and runs until 1958. Meeting up with Alan Lomax again, he is largely responsible for the album Folk and Primitive Music (volume on Ireland) on the Columbia Records label.
In 1958, after his contract with the BBC is not renewed, Ennis starts doing freelance work, first in England then back in Ireland, with the new TV station Teilifis Éireann. Soon he is relying totally on his musical ability to make a living. About this time, his marriage breaks down and he returns to Ireland. He suffers from tuberculosis and is ill for some time. In 1964, he performs at the Newport Folk Festival. His father gives him the pipes he had bought in 1908. Although most pipers can be classed as playing in a tight style or an open style, Ennis is in between. He is a master of the slow air, knowing how to decorate long notes with taste and discreet variation.
Two events will live in legend among pipers. The first is in Bettystown, County Meath, in 1968, when the society of Irish pipers, Na Píobairí Uilleann, is formed. Breandán Breathnach is playing a tape of his own piping. Ennis asks, “What year?” Breandán replies, “1948.” Ennis says, “So I thought.” For a couple of hours the younger players perform while Ennis sits in silence. Eventually he is asked to play. Slowly he takes off his coat and rolls up his sleeves. He spends 20 minutes tuning up his 130-year-old pipes. He then asks the gathering whether all the tape recorders are ready and proceeds to play for over an hour. To everyone’s astonishment he then offers his precious pipes to Willie Clancy to play a set. Clancy demurs but eventually gives in. Next, Liam O’Flynn is asked to play them, and so on, round the room. The second unforgettable session is in Dowlings’ Pub in Prosperous, County Kildare. Christy Moore is there, as well as most of the future members of Planxty.
Ennis never runs any school of piping but his enthusiasm infuses everyone he meets. In the early 1970s, he shares a house with Liam O’Flynn for almost three years. Finally, he purchases a piece of land in Naul and lives in a mobile home there. One of his last performances is at the Willie Clancy Summer School in 1982. He dies on October 5, 1982. His pipes are bequeathed to Liam O’Flynn. Radio producer Peter Browne produces a compilation of his performances, called The Return from Fingal, spanning 40 years.
Séamus Ennis Road in his native Finglas is named in his honour. The Séamus Ennis Arts Centre in Naul is opened in his honour, to commemorate his work and to promote the traditional arts. He is also the subject of Christy Moore’s song “The Easter Snow.” This is the title of a slow air Ennis used to play, and one after which he named his final home in Naul.
A serious interest in poetry and literature begins to manifest itself during his years at TCD. In 1900, he makes the acquaintance of W. B. Yeats and George Moore and begins to frequent Dublin literary circles. In 1904 and 1905 he publishes several short poems in the London publication The Venture and in John Eglinton‘s journal Dana. His name also appears in print as the renegade priest Fr. Oliver Gogarty in George Moore’s 1905 novel The Lake.
In 1905, Gogarty becomes one of the founding members of Arthur Griffith‘s Sinn Féin, a non-violent political movement with a plan for Irish autonomy modeled after the Austro-Hungarian dual monarchy.
In July 1907, his first son, Oliver Duane Odysseus Gogarty, is born, and in autumn of that year he leaves for Vienna to finish the practical phase of his medical training. Returning to Dublin in 1908, he secures a post at Richmond Hospital, and shortly afterward purchases a house in Ely Place opposite George Moore. Three years later, he joins the staff of the Meath Hospital and remains there for the remainder of his medical career.
Gogarty maintains close friendships with many of the Dublin literati and continues to write poetry in the midst of his political and professional duties. He also tries his hand at playwriting, producing a slum drama in 1917 under the pseudonym “Alpha and Omega,” and two comedies in 1919 under the pseudonym “Gideon Ouseley,” all three of which are performed at the Abbey Theatre. He devotes less energy to his medical practice and more to his writing during the twenties and thirties.
With the onset of World War II, Gogarty attempts to enlist in the Royal Air Force (RAF) and the Royal Army Medical Corps (RAMC) as a doctor. He is denied on grounds of age. He then departs in September 1939 for an extended lecture tour in the United States, leaving his wife to manage Renvyle House, which has since been rebuilt as a hotel. When his return to Ireland is delayed by the war, he applies for American citizenship and eventually decides to reside permanently in the United States. Though he regularly sends letters, funds, and care-packages to his family and returns home for occasional holiday visits, he never again lives in Ireland for any extended length of time.
Gogarty suffers from heart complaints during the last few years of his life, and in September 1957 he collapses in the street on his way to dinner. He dies on September 22, 1957. His body is flown home to Ireland and buried in Cartron Church, Moyard, near Renvyle, County Galway.
(Pictured: 1911 portrait of Oliver St. John Gogarty painted by Sir William Orpen, currently housed at the Royal College of Surgeons in Ireland)
Before entering politics, Cannon is a planning official for Galway City Council and Dublin City Council, as well as CEO and secretary of the Irish Pilgrimage Trust. In 2002, he is honoured as one of the Galway People of the Year.
Cannon is elected as Leader of the Progressive Democrats in April 2008. He is the first leader of the party to sit as a Senator while serving as leader. At his first press conference as party leader, he states that he believes “there was passion, commitment, talent and knowledge within the PDs’ ranks to stage a big comeback.”
However, after speculation increases that Noel Grealish, one of the two Progressive Democrat TDs, intends to leave the party, Cannon announces in September 2008 that a party conference will be held on November 8, 2008, at which he will recommend that the party disband. The delegates present at the conference vote 201–161 to agree with this recommendation.
On March 24, 2009, Cannon announces his decision to resign the leadership of the Progressive Democrats and joins Fine Gael the same day. At the 2011 Irish general election, he is one of two Fine Gael TDs elected in Galway East.
In 2019, in recognition of his work in education, Cannon is appointed as a UNICEF global champion for education. He is one of seven Generation Unlimited Champions who advocates worldwide for the development of UNICEF’s Gen U programme.
At the 2020 Irish general election, Cannon is elected to the second seat in Galway East. He continues to serve as a minister of state until the formation of a new government on June 27, 2020.
On March 19, 2024, Cannon announces that he will not contest the next general election, blaming a “toxicity in politics.”
Cannon is a musician and songwriter, and recently collaborated with Irish folk singer Seán Keane and others on songwriting projects. One of his co-compositions, “Nature’s Little Symphony,” is performed in Dublin by the RTÉ Concert Orchestra as part of the national Cruinniú celebrations on Easter Monday 2017. Both “Nature’s Little Symphony” and another of his compositions, “Gratitude,” are featured on the album Gratitude recorded by Keane and the RTÉ Concert Orchestra in 2018. On the August 10, 2018, Cannon plays piano with Keane and the RTÉ Concert Orchestra as part of a sold-out performance at the National Concert Hall. In 2019, he composes “An Túr,” a short piano instrumental to celebrate the birthday of W. B. Yeats.
In 2021 Cannon is commissioned to compose the soundtrack to a poem by Emily Cullen as part of the national commemoration of the signing of the Anglo-Irish Treaty in 1921.
In March 2024, Cannon begins presenting The Grey Lake Cafe, a radio show on Loughrea Community Radio featuring his own musical choices, and interviews with public figures who have a passion for music.
Cannon is also an avid cyclist and cycling safety advocate. He specialises in endurance cycling challenges and on June 19, 2021, he cycles Ireland end to end, a distance of 575 km, in 23 hours and 23 minutes, to raise money for charity.
On July 2, 2021, Cannon is involved in a road traffic collision and suffers serious injuries. On July 2, 2022 he marks the first anniversary of the incident by cycling 500 km around the border of County Galway. Marking the same date in 2023, he cycles 935 km (581 mi) in 56 hours, covering all 32 counties of the island of Ireland while fundraising for Hand In Hand, a charity that supports families challenged by childhood cancer.
Rosenstock first comes to the attention of the Irish public playing the role of Dr. David Hanlon in the soap operaGlenroe in the 1990s.
However, he is now best known for the popular Gift Grub segments which have featured on The Ian Dempsey Breakfast Show on Today FM since May 1999 which Rosenstock creates alongside Paul McLoone, a radio presenter with Today FM and frontman of the Northern Irish pop-punk/new-wave band, The Undertones.
Gift Grub is a series of comic sketches, impersonations and parodies that featured Rosenstock assuming the personae of Bertie Ahern, Ronan Keating, Colin Farrell and Roy Keane among many others. He also provides the manic voice of Right Price Tiles radio spokesperson “Daft Dave.”
Rosenstock performs an impersonation of José Mourinho in a parody of a song from the musical Joseph and the Amazing Technicolor Dreamcoat. This spreads like wildfire on Internet message boards and eventually it is played on a Sky Sports broadcast. Mourinho hears the song and enjoys the impersonation so much he asks Rosenstock to perform a private show for him and the Chelsea F.C. squad. Rosenstock later releases, with Mourinho’s blessing, a single version of “José and his Amazing Technicolor Overcoat.” He also releases another song (“I Sign a Little Player or Two“) on the internet with a parody of Mourinho in an interview then breaking into song.
In 2005, Rosenstock achieves the Christmas number one single in the Irish Singles Chart, with a parody of Will Young‘s song Leave Right Now (which itself is a Christmas number-one in 2003). The parody concerned Roy Keane’s controversial departure from Manchester United and his falling-out with Alex Ferguson.
Between December 2007 and May 2009, Rosenstock works on a puppet comedy series entitled Special 1 TV (originally known as I’m on Setanta Sports), which is presented as a parody weekly football talk show hosted by “José Mourinho.” He voices all the puppet characters on the sketch, with the exception of “Rafael Benitez,” who is performed by Keith Burke, including the main character Mourinho, his studio co-hosts “Sven-Göran Eriksson” and “Wayne Rooney,” and regular phone-in callers like “Alex Ferguson,” “Arsène Wenger,” “Roy Keane” and “Mick McCarthy,” as well as the non-football-related characters, Nelson Mandela, Willie Nelson, Barack Obama and Tom Cruise.
Rosenstock receives the Outstanding Achievement Award at the 11th annual PPI (Phonographic Performance Ireland) Radio Awards in 2011.
In November 2012 his new show called The Mario Rosenstock Show starts on RTÉ2. A second series of the show begins to air in September 2013.
Horan is born in Partry, County Mayo, on May 5, 1911. Educated at St. Jarlath’s College, Tuam, he trains for the priesthood in St. Patrick’s College, Maynooth. He is ordained in 1936, and his first post is in Glasgow, where he remains for three years. Having served as chaplain on an ocean liner and briefly in Ballyglunin, County Galway, he becomes curate in Tooreen, a small townland close to Ballyhaunis, County Mayo. While there, he organises the construction of a dance hall, which becomes a popular local amenity. He secures financing for the project by collecting £8,000 on a tour of American cities. After also serving in Cloonfad, County Roscommon, he is transferred to Knock in 1963, where he becomes parish priest in 1967. He is troubled by the struggles of daily life and mass emigration in the west of Ireland, and he works to improve the living standards of the local community.
While stationed at Knock, Horan oversees the building of a new church for Knock Shrine, which is dedicated in 1976. The shrine is the stated goal of Pope John Paul II’s visit in 1979. The pope travels to Knock as part of a state visit to Ireland, marking the centenary of the famous Knock apparitions. Horan works with Judy Coyne to organise the papal visit. He is responsible for the refurbishment of the church grounds, along with the construction of a huge church, with a capacity of 15,000. This newly constructed church is given the status of basilica by the pope. The day after the papal visit, Horan begins his campaign to build an international airport in Barnacuige, a small village near Charlestown, County Mayo.
Critics regard the idea of an airport on a “foggy, boggy site” in Mayo as unrealistic, but funding is approved by then TaoiseachCharles Haughey, who performs the official opening in May 1986, five years after work commenced. Although Horan had secured IR£10,000,000 in funding from Haughey, following the Fianna Fáil party’s defeat in the general election of 1982, his funding is cut, with the airport unfinished. He raises the IR£4,000,000 shortfall by holding a “Jumbo Draw.” This large lottery succeeds in raising the required revenue, but only after a painstaking tour of several countries, including Australia and the United States. This takes its toll on the ageing Horan and leads to his death shortly after the completion of the airport. The airport is originally known as Horan International Airport but is now officially referred to as Ireland West Airport Knock.
Horan dies on August 1, 1986, while on a pilgrimage to Lourdes, just a few months after the official opening of the airport. His remains are flown into Knock, the first funeral to fly into the airport he had campaigned for. He is buried in the grounds of the Knock Basilica. His life and work are chronicled in a musical written by Terry Reilly and local broadcaster Tommy Marren, entitled A Wing and a Prayer. It premières in The Royal Theatre in Castlebar, County Mayo, on November 25, 2010.
Molloy’s father, Michael Edward Molloy, is originally from Ballyhaunis, County Mayo, and runs a successful wholesale drapery business in the city. His mother, Rita Stanley, hails from Clifden, County Galway. He is educated at Coláiste Iognáid and University College Galway. Before entering politics, he works for several years in printing, the clothing industry and his family’s drapery firm.
Molloy’s early political career is marked by his loyalty to Fianna Fáil’s leadership under TaoiseachJack Lynch. He quickly rises through the ranks and is appointed Minister for Local Government in 1970, a position he holds until 1973. His tenure as Minister for Local Government is characterised by his efforts to modernise and streamline local government structures in Ireland. His tenure in Fianna Fáil sees him as a stalwart of the party’s establishment, though tensions with its leadership grow over the years, particularly with Charles Haughey.
In opposition from 1973, Molloy serves as the frontbench spokesman, where he becomes involved in a high-profile dispute with James Tully, the Labour Minister for Local Government, over the controversial redrawing of constituencies, known as the “Tullymander.” Molloy, along with fellow Fianna Fáil member Brendan Crinion, used Dáil privilege to accuse Tully of having an improper commercial relationship with a builder in County Meath. The accusation is strongly denied by Tully and Molloy and Crinion later withdraw the charge. Despite this, Molloy faces severe repercussions, being forced to resign from his frontbench position. He is subsequently condemned by a judicial tribunal and censured by the Dáil for abusing parliamentary privilege.
When Fianna Fáil returns to office in 1977, Molloy becomes Minister for Defence in the final government of Jack Lynch.
In 1986, Molloy resigns from Fianna Fáil and joins the newly formed Progressive Democrats, spearheaded by Haughey’s arch-rival Desmond O’Malley. Molloy’s move is seen as a major break from the political establishment, as the Progressive Democrats advocate for low-tax, market-oriented economic policies and a more liberal economic agenda. His decision is driven by his dissatisfaction with the direction of Fianna Fáil under Haughey’s leadership and his belief that the party has become increasingly alienating.
In 1989, Molloy contests the European Parliament elections but is unsuccessful in his attempt. Following the 1989 Irish general election, Molloy, along with newly elected MEP for MunsterPat Cox, represents the Progressive Democrats in the lengthy negotiations with Fianna Fáil to form a coalition government. Once the negotiations conclude, he is reinstated in the Cabinet as Minister for Energy under Taoiseach Charles Haughey, who had previously caused Molloy’s political humiliation a decade earlier. Over the following three years, Molloy and his Progressive Democrat colleague Desmond O’Malley have a working relationship with their former Fianna Fáil colleagues, though tensions grow due to resentment over their presence in the Cabinet. The issue comes to a head when Molloy and O’Malley make it clear they will not serve in a Cabinet that includes Brian Lenihan Snr, following his controversial remarks during the 1990 Irish presidential election about alleged phone calls to PresidentPatrick Hillery from 1982.
In January 1992, Haughey faces further complications when Seán Doherty reveals information about the phone tapping of journalists dating back to 1982. Despite this, the coalition government ends when Albert Reynolds, Haughey’s successor, calls for a general election after accusing O’Malley of giving “dishonest” evidence to the Beef Tribunal. Molloy strongly denounces Reynolds’ accusation, describing it as “outrageous,” and criticises him for what he perceives as a “lack of generosity” in recent North-South negotiations, in which Molloy had represented the Progressive Democrats in talks with British Unionists.
Molloy stands at the European Parliament elections again in 1994 but is again unsuccessful.
Molloy resigns as a minister and quits politics just before the 2002 Irish general election amid controversy surrounding his involvement in the rape case of Barbara Naughton. The controversy stems from a letter Molloy sent to then Minister for Justice, John O’Donoghue, on behalf of a constituent whose relative had been convicted of rape. The letter, which requests the temporary release of the individual pending an appeal, leads to public criticism. The case is high-profile, involving a Connemara man sentenced to eleven years for the systematic abuse of his young daughter. During the trial, the judge, Philip O’Sullivan, notes that someone acting on Molloy’s behalf had tried to contact him in his chambers to clarify whether he had received certain correspondence from the victim’s sister, which the judge describes as “quite improper.” In response to the backlash, Molloy resigns, describing the letter as a “human error of judgment,” but insisting it was not intended to be dishonest. He retires from politics after the election.
Molloy is a member of Fianna Fáil for over 20 years, but his views are not always in line with the mainstream of the party, particularly under the leadership of Charles Haughey. His decision to leave Fianna Fáil in 1986 and join the Progressive Democrats is motivated by ideological differences, notably the party’s move toward a more conservative, state-controlled economy. Molloy, on the other hand, embraces a platform of fiscal conservatism, with an emphasis on reducing taxes, deregulation, and the liberalisation of the economy.
In terms of social issues, Molloy is ahead of his time in advocating for progressive policies, particularly on women’s rights. In a survey conducted in 1976 by the Women’s Political Association (WPA), Molloy scores among the highest of any member of the Dáil for his progressive stance on issues affecting women. He supports measures such as divorce, contraception, and family law reform, which are seen as highly controversial at the time. His responses to the WPA’s questions reveal that he holds views that are in stark contrast to many of his colleagues within Fianna Fáil. His progressive views on women’s rights are notable, as he is the only member of Jack Lynch’s cabinet who consistently supports reformist policies on issues like family law and the role of women in public life.
In 1972, Molloy marries Phyllis Barry, a Montessori teacher from Foxrock, County Dublin, whose father is a cousin of the executed revolutionary Kevin Barry. The couple meet while campaigning in a by-election in mid-Cork. Together, they have four children: Sinead, Sorcha, Donnacha, and Dara.
seamus dubhghaill 