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Irish Protests of the War in Iraq

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On the evening of March 20, 2003, up to 2,000 people take part in a protest outside the United States Embassy at Ballsbridge in Dublin to voice their opposition to the war in Iraq. This is one of numerous protests held in response to the Irish Anti-War Movement‘s call on Irish citizens to mount mass protests against the U.S.-led war in Iraq. The group says thousands of workers, students and school pupils had taken part in stoppages and walk-outs throughout the day.

Richard Boyd Barrett, the chairman of the IAWM, says, “The complicity of the Irish government in this murderous war through providing facilities for the U.S. military at Shannon Airport is an absolute disgrace. “This war has little support among ordinary people and has provoked a wave of anger and revulsion. We call on the people of Ireland to come out in their thousands at 6:00 PM tonight to their town centre demonstrations to show this carnage is not being mounted in our names.”

Earlier in the day, several hundred protesters gather outside Dáil Éireann to protest the Irish Government‘s decision to continue allowing U.S. military aircraft use Shannon Airport. The Dáil is holding a six-hour debate on a Government motion which, among other topics, contains a clause permitting U.S. forces continued use of Irish airspace and facilities.

A 10-minute work stoppage at noon is observed by thousands of people, the IAWM claims. They say hundreds of students in University College Dublin, Dublin City University, University of Limerick and the Waterford Institute of Technology walked out, as did secondary school students in several schools in Dublin. Up to 1,000 students from second level colleges in Derry take part in an hour-long city centre protest. Around 50 health workers at Connolly Hospital Blanchardstown, staff at the National Museum of Ireland in Kildare Street and Collins Barracks and workers at the Motor Taxation office in Cork also stop work.

The NGO Peace Alliance says it is “extremely disappointed” at the Government’s refusal to condemn the attack on Iraq. “We call upon thousands of Irish people to reject this shameful position by thronging the streets of Dublin and other cities and towns next Saturday” said the alliance’s co-ordinator, Brendan Butler.

SIPTU‘s National Executive Council also interrupts their monthly meeting. “This war is not only unnecessary but illegitimate in the context of international law”, says Joe O’Flynn, SIPTU General Secretary.

The Irish Congress of Trade Unions organises peace vigils on March 21 at the Spire of Dublin and other locations in various town and cities. Weekend anti-war protests take place in Dublin, Cork, Derry, Belfast, Galway, Sligo and Waterford.

(From: “Thousands protest against war at US Embassy” by Kilian Doyle, The Irish Times, March 20, 2003)


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The Battle of Brunswick Street

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The Battle of Brunswick Street occurs in Dublin on March 14, 1921, during the Irish War of Independence.

British authorities hang six Irish Republican Army (IRA) Volunteers in Mountjoy Gaol for crimes of high treason and murder on the morning of March 14, 1921. The Volunteers, including Francis Xavier Flood, Thomas Bryan, Patrick Doyle, Bernard Ryan and Dermot O’Sullivan, had been captured in an ambush at Drumcondra two months earlier.

The gates of Mountjoy Gaol are opened at 8:25 AM and news of the executions is read out to the distraught relatives of the dead. As many as 40,000 people gather outside the prison and many mournfully say the Rosary for the executed men.

By evening, the streets clear rapidly as the British-imposed curfew comes into effect at 9:00 PM each night. During this period, the city is a fearful place, patrolled by regular British troops and the much-feared paramilitary police, the Auxiliary Division, as people scurry home and await IRA retaliation for the hangings, which is not long in coming.

That very evening, IRA captain Peadar O’Meara sends as many as thirty-four IRA men out to attack police or military targets. They are armed with the standard urban guerrilla arms of easily hidden handguns and grenades. One young Volunteer, Sean Dolan, throws a grenade at a police station on nearby Merrion Square, which bounces back before it explodes, blowing off his own leg.

At around 8:00 PM, with the curfew fast approaching, a company of Auxiliaries based in Dublin Castle is sent to the area to investigate the explosion. It consists of one Rolls Royce armoured car and two trucks holding about sixteen men. Apparently, the Auxiliaries have some inside information as they head straight for the local IRA headquarters at 144 Great Brunswick Street, now Pearse Street. One later testifies in court that “I had been notified there were a certain number of gunmen there.”

The IRA is expecting the Auxiliaries. As soon as the Auxiliaries approach the building, fire is opened on them from three sides. What is described in newspapers as a “hail of fire” tears into the Auxiliaries’ vehicles. Five of the eight Auxiliaries in the first truck are hit in the opening fusillade, two of them fatally injured. The IRA fighters, however, are seriously outgunned. The Rolls Royce armoured car is impervious to small arms fire (except its tires, which are shot out) but mounts a Vickers heavy machine gun which sprays the surrounding houses with bullets. The uninjured Auxiliaries also clamber out of their trucks and return fire at the gun flashes from street corners and rooftops.

Civilian passersby fling themselves to the ground to avoid the bullets but four are hit, by which side it is impossible to tell. The British military court of inquiry into the incident finds that the civilians had been killed by persons unknown, if by the IRA then they were “murdered,” if hit by Auxiliaries the shootings were “accidental.”

The gunfire lasts only five minutes but in that time seven people, including the two Auxiliaries, are killed or fatally wounded and at least six more wounded. Three civilians lay dead on the street – Thomas Asquith is a 68-year-old caretaker, David Kelly is a prominent Sinn Féin member and head of the Sinn Féin bank, and Stephen Clarke, aged 22, is an ex-soldier and may have been the individual who tipped off the Auxiliaries about the whereabouts of the IRA meeting house. An internal IRA report notes that he is “under observation, as he was a tout for the enemy.” The wounded are spirited away by sympathetic fire brigade members and members of Cumann na mBan and treated at nearby Mercer’s Hospital.

Two IRA men are captured as they flee the scene. Thomas Traynor, a 40-year-old veteran of the Easter Rising, is carrying an automatic pistol, but claims to have had no part in the ambush itself. He had, he maintains, simply been asked to bring in the weapon to 144 Great Brunswick Street. The other is Joseph Donnelly a youth of just 17 years of age.

As most of the IRA fighters get away through houses, over walls and into backstreets, the Auxiliaries ransack St. Andrew’s Catholic Hall at 144 Great Brunswick Street but find little of value. Regular British Army troops quickly arrive from nearby Beggars Bush Barracks and cordon off the area, but no further arrests are made. Desultory sniping carries on in the city for several hours into the night.

(From: “The Pearse Street Ambush, Dublin, March 14, 1921” by John Dorney, The Irish Story (theirishstory.com), January 26, 2015)


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Birth of William Vincent Wallace, Composer & Musician

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William Vincent Wallace, Irish composer and musician, is born at Colbeck Street, Waterford, County Waterford on March 11, 1812. In his day, he is famous on three continents as a double virtuoso on violin and piano. Nowadays, he is mainly remembered as an opera composer of note, with key works such as Maritana (1845) and Lurline (1847/60), but he also writes a large amount of piano music that is much in vogue in the 19th century.

Wallace’s father, Spencer Wallace of County Mayo, becomes a regimental bandmaster with the North Mayo Militia based in Ballina. William is born while the regiment is stationed for one year in Waterford. The family returns to Ballina in 1816 and he spends his formative years there, taking an active part in his father’s band and already composing pieces by the age of nine for the band recitals.

Under the tuition of his father and uncle, Wallace writes pieces for the bands and orchestras of his native area. He becomes accomplished in playing various band instruments before the family leaves the Army in 1826, moving from Waterford to Dublin, and becoming active in music in the capital. He learns to play several instruments as a boy, including the violin, clarinet, organ, and piano. In 1830, at the age of 18, he becomes organist of the Roman Catholic Cathedral at Thurles, County Tipperary, and teaches music at the Ursuline Convent there. He falls in love with a pupil, Isabella Kelly, whose father consents to their marriage in 1832 on condition that Wallace become a Roman Catholic. The couple soon moves to Dublin where he is employed as a violinist at the Theatre Royal.

Economic conditions in Dublin deteriorate after the Acts of Union 1800 and the whole Wallace family decides to emigrate to Australia in 1835. Wallace’s party first lands at Hobart, Tasmania in late October, where they stay several months before moving on to Sydney in January 1836. The Wallaces open the first Australian music academy in April. Wallace has already given many celebrity concerts in Sydney, and being the first virtuoso to visit the Colony, becomes known as the “Australian Paganini.” He is also active in the business of importing pianos from London, but his main activity involves many recitals in and around Sydney under the patronage of the Governor, General Sir Richard Bourke. The most significant musical events of this period are two large oratorio concerts on behalf of the organ fund at St. Mary’s Cathedral in Sydney in 1836 and 1838, which he directs, and which utilize all the available musical talent of the Colony, including the recently formed Philharmonic [Choral] Society.

In 1838, Wallace separates from his wife and begins a roving career that takes him around the globe. In 1841, he conducts a season of Italian opera in Mexico City. Moving on to the United States, he stays in New Orleans for some years, where he is feted as a virtuoso on violin and piano, before reaching New York City, where he is equally celebrated, and publishes his first compositions (1843–44).

Wallace arrives in London in 1845 and makes various appearances as a pianist. In November of that year, his opera Maritana is performed at the Theatre Royal, Drury Lane with great success, and is later presented internationally. Maritana is followed by Matilda of Hungary (1847), Lurline (1847/60), The Amber Witch (1861), Love’s Triumph (1862) and The Desert Flower (1863). He also publishes numerous compositions for the piano.

In New York in 1843–1844, Wallace is associated with the early concert seasons of the New York Philharmonic Society, and in 1853 is elected an Honorary (Life) Member of the Society. In 1854, he becomes an American citizen after a marriage in New York to German-born pianist Hélène Stoepel, sister of composer Robert Stoepel. In later years, having returned to Europe for the premieres of his later operas, he develops a heart condition for which he receives treatment in Paris in 1864. He dies in poor circumstances at the Château de Bagen, Sauveterre-de-Comminges, in the Haute Garonne on October 12, 1865. He is buried in Kensal Green Cemetery, London.

(Pictured: William Vincent Wallace. Undated portrait by Mathew Brady, New York City, Library of Congress)


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Birth of Dónal Lunny, Irish Folk Musician & Producer

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Dónal Lunny, Irish folk musician and producer, is born on March 10, 1947, in Tullamore, County Offaly. He plays left-handed guitar and bouzouki, as well as keyboards and bodhrán. As a founding member of popular bands Planxty, The Bothy Band, Moving Hearts, Coolfin, Mozaik, LAPD, and Usher’s Island, he has been at the forefront of the renaissance of Irish traditional music for over five decades.

Lunny attends secondary school at Newbridge College and, in 1963, joins the Patrician Brothers’ school for the Intermediate Certificate year. As a teenager, he joins an occasional trio called Rakes of Kildare, with his elder brother Frank and Christy Moore. They play mostly in pubs and are also booked for a couple of gigs, one at Hugh Neeson’s pub in Newbridge for Easter Monday in 1966.

In 1965, Lunny enrolls at Dublin‘s National College of Art & Design where he studies Basic Design and Graphic Design. He also develops an interest in metalwork leading him to become a skilled gold-and-silversmith, although he only practises the craft for a short time before devoting his energies fully to music. During his time in Dublin, he plays in a band called The Parnell Folk, with Mick Moloney, Sean Corcoran, Johnny Morrissey and Dan Maher.

When Moving Hearts breaks up in 1985, Lunny diversifies and becomes a producer. He is closely involved in the establishment of a new Irish record label, Mulligan Records (acquired in 2008 by Compass Records), and produces and plays on many of its early releases.

Lunny is the producer and music director of the soundtrack of Bringing It All Back Home, a BBC Television documentary series charting the influence of Irish music throughout the world. He produces albums for Paul Brady, Elvis Costello, Indigo Girls, Sinéad O’Connor, Clannad, Maurice Lennon, Baaba Maal, and Five Guys Named Moe. He appears on the compilation albums The Gathering (1981) and Common Ground (1996). In 1994, he produces Irish Australian singer/songwriter Mairéid Sullivan’s first recording, Dancer.

Lunny pushes new boundaries with his band Coolfin (1998) which includes uilleann piper John McSherry. He appears at the 2000 Cambridge Folk Festival, and the album that commemorates it. In 2001 he collaborates with Frank Harte on the album My Name is Napoleon Bonaparte. He produces the album Human Child (2007) by Faeroese Eivør Pálsdóttir, which is published in two versions, one English and one Faeroese.

As an arranger, Lunny works for The Waterboys, Fairground Attraction and Eddi Reader. Journey (2000) is a retrospective album. During 2003–2005, he is part of the reunited Planxty concert tour. He also produces Jimmy MacCarthy‘s album entitled Hey-Ho Believe, which is released on November 12, 2010.

Lunny is the brother of musician and producer Manus Lunny. He has a son, Shane, whose mother is singer Sinéad O’Connor.

(Pictured: Dónal Lunny at the Craiceann Bodhrán Festival 2016, Inis Oirr)


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Birth of Novelist & Broadcaster Francis MacManus

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Francis MacManus, Irish novelist and broadcaster is born in Kilkenny, County Kilkenny on March 8, 1909.

MacManus is educated in the local Christian Brothers school and later at St. Patrick’s College, Dublin and University College Dublin. After teaching for eighteen years at the Synge Street CBS in Dublin, he joins the staff of Radio Éireann, precursor to the Irish national broadcasting entity RTÉ, in 1948 as Director of Features.

MacManus begins writing while still teaching, first publishing a trilogy set in Penal times and concerning the life of the Gaelic poet Donncha Rua Mac Conmara comprising the novels Stand and Give Challenge (1934), Candle for the Proud (1936) and Men Withering (1939). A second trilogy follows which turns its attention to contemporary Ireland: This House Was Mine (1937), Flow On, Lovely River (1941), and Watergate (1942). The location is the fictional “Dombridge,” based on Kilkenny, and deals with established themes of Irish rural life including obsessions with land, sexual frustration, and the trials of emigration and return. Other major works include the novel The Greatest of These (1943), concerning religious conflict in nineteenth-century Kilkenny, and the biographies Boccaccio (1947) and Saint Columban (1963). In his last two novels, he descends into the depths of theological debate: The Fire in the Dust (1950) is followed by American Son (1959), a remarkable dialogue between conflicting modes of belief which reveals the strong influence of Roman Catholicism on the author.

Francis MacManus dies of a heart attack at the age of 56 in Dublin on November 27, 1965.

The RTÉ Francis MacManus Short Story Award is established in his memory in 1985. The competition is run by RTÉ, Ireland’s national broadcaster, and is open to entries written in Irish or English from authors born or resident in Ireland. The total prize fund is €6000, out of which the winning author receives €3,000. Sums of €2,000 and €1,000 are awarded to the second and third prize winners.


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Birth of Ollie Campbell, Former Rugby Union Player

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Seamus Oliver “Ollie” Campbell, former rugby union player, is born in Dublin on March 5, 1954. He plays fly-half for the Ireland national rugby union team from 1976 to 1984. He is most well known for his role in orchestrating Ireland’s Triple Crown victory at the 1982 Five Nations Championship, breaking a drought of over 30 years. He has been described as Ireland’s most complete fly-half since Jack Kyle.

Campbell is educated at Belvedere College, a famous Irish rugby school in Dublin, where he is on the teams that win the Leinster Schools Rugby Senior Cup twice in a row in 1971 and 1972. He plays for Old Belvedere R.F.C. at club level and represents Leinster at provincial level, although prior to the professional era. While playing for Old Belvedere, he travels to the United States in 1978, where he plays in New York City against the Old Maroon Rugby Club.

Campbell wins a total of 22 caps for Ireland from 1976–1984, scoring 217 test points. His international career is more brief than this span suggests, however, as he plays only four full seasons for Ireland from 1980–1984. Of his career totals, he wins 22 caps and scores 182 points in the Five Nations tournament. He tours twice with Ireland, to Australia in 1979 and to South Africa in 1981.

Campbell wins his first cap for Ireland at the age of 21 against Australia in 1976, but does not secure another cap with Ireland until 1979 during Ireland’s 1979 tour to Australia. He sets an Irish record on the 1979 tour to Australia when he scors 60 points, 19 of them in Brisbane which is an Irish record for points in a match against Australia.

The defining moment in Campbell’s career comes in 1982, with Campbell as the architect-in-chief of Ireland’s 1982 Triple Crown victory, Ireland’s first since 1949. Ireland enters the tournament winless in its past eight matches. Campbell starts the 1982 Five Nations by scoring eight points in Ireland’s 20–12 win against Wales, and also playing a major hand in all three of Ireland’s tries. He then scores another eight points in the following match, a 16–15 win against England. In Ireland’s third match, he kicks all of Ireland’s 21 points, including a career best 6 penalties, against Scotland at Lansdowne Road to secure the Triple Crown. He is the leading scorer in the 1982 Five Nations with 46 points.

In the 1983 Five Nations Championship, Campbell leads Ireland to a joint Five Nations Championship shared with France. He is again the tournament’s leading scorer with 52 points, and scores 21 points against England to set an Irish record for most points against England in a Five Nations match. He plays his last match for Ireland in 1984 against Wales.

Campbell is also capped seven times for the British & Irish Lions. He earns three caps in the 1980 Lions tour to South Africa, where he is the Lions’ leading scorer in the last two tests with six and five points respectively. He earns another four caps in the 1983 Lions tour to New Zealand, where he is the Lions’ leading scorer in the four test matches with 15 points. He scores 184 points in total for the Lions.

Campbell retires from rugby in 1986 following two years of struggles with hamstring injuries. In 2007 he is presented with the Newbridge RFC Legend in Rugby Award along with the Irish Rugby Squad which won the 1982 Triple Crown and elected an Honorary Life Member of Newbridge RFC. He has worked in the family clothing business since retirement from rugby in 1984.

Old Belvedere’s sportsground on Anglesea Road in Dublin is renamed Ollie Campbell Park in his honour in 2019.


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Birth of Grace Gifford Plunkett, Artist & Irish Republican

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Grace Evelyn Gifford Plunkett, artist and cartoonist who is active in the Republican movement, is born in Rathmines, Dublin on March 4, 1888. She marries her fiancé, Joseph Plunkett, in Kilmainham Gaol only a few hours before he is executed for his part in the 1916 Easter Rising.

Gifford is the second youngest of 12 children born to Frederick Gifford, a solicitor and a Roman Catholic, and Isabella Julia Burton Gifford, a Protestant. The boys are baptised as Catholics and the girls as Protestant, but effectively the children are all raised as Protestants with the girls attending Alexandra College in Earlsfort Terrace.

At the age of 16, Gifford goes to the Dublin Metropolitan School of Art, where she studies under the Irish artist William Orpen. Orpen regards her as one of his most talented pupils. Around this time, her talent for caricature is discovered and developed. In 1907 she attends the course in Fine Art at the Slade School of Fine Art, London.

Gifford returns to Dublin in 1908 and, with great difficulty, tries to earn a living as a caricaturist, publishing her cartoons in The Shanachie, Irish Life, Meadowstreet and The Irish Review, which is edited from 1913 by Joseph Plunkett. She considers emigrating but gives up the idea. Nora Dryhurst, a journalist from London, brings her to the opening of the new bilingual school Scoil Éanna in Ranelagh, Dublin. It is here that she meets Plunkett for the first time. He is a friend of her brother-in-law, another of the future leaders of the 1916 Easter Rising, Thomas MacDonagh, who is married to her sister Muriel.

Gifford’s growing interest in the Roman Catholic religion leads to the deepening of Gifford and Plunkett’s relationship as she begins to discuss Catholic mystical ideas with him. Plunkett proposes to her in 1915, and she accepts and takes formal instruction in Catholic doctrine. She is received into the Catholic Church in April 1916. The couple plans to marry on Easter Sunday that year, in a double wedding with his sister and her fiancé.

After the Rising, Gifford’s brother-in-law Thomas MacDonagh is shot with Patrick Pearse and Thomas Clarke by firing squad on May 3. That day, she hears that Plunkett is to be shot at dawn. She purchases a ring in a jeweler’s shop in Dublin and, with the help of a priest, persuades the military authorities to allow them to marry. She and Joseph are married on the night of May 3 in the chapel of Kilmainham Gaol, a few hours before he is executed.

Grace Plunkett decides to devote herself through her art to the promotion of Sinn Féin policies and resumes her commercial work to earn a living. She is elected to the Sinn Féin executive in 1917.

During the Irish Civil War, Plunkett is arrested with many others in February 1923 and interned at Kilmainham Gaol for three months. She paints pictures on the walls of her cell, including one of the Blessed Virgin and the Christ Child. She is released in May 1923.

When the Civil War ends, Plunkett has no home of her own and little money. Like many Anti-Treaty Republicans, she is the target of social ostracism and has difficulty finding work. Her talent as an artist is her only real asset and her cartoons are published in various newspapers and magazines. She moves from one apartment to another and eats in the city-centre restaurants but has no wish to remarry. Her material circumstances improve in 1932 when she receives a Civil List pension from Éamon de Valera‘s Fianna Fáil government. She lives for many years in a flat in Nassau Street with a balcony overlooking the sports ground of Trinity College.

Plunkett’s in-laws refuse to honour her husband’s will, in which he leaves everything to his widow. Legally, the will is invalid because there is only one witness, rather than the required two, and the marriage takes place after the will is made, automatically revoking it. For years she receives nothing, so she begins legal proceedings against her in-laws in 1934. The Count and Countess Plunkett settle out of court, and she is paid £700, plus costs.

At around this time Plunkett joins the Old Dublin Society, where she meets the noted Irish harpsichord maker Cathal Gannon. When Cathal marries, she gives him and his wife Margaret a present of two single beds and a picture. From the late 1940s onwards, her health declines. In 1950 she is brought to St. Vincent’s Hospital. She convalesces in a nursing home, which she does not like, mainly because it restricts her freedom.

Grace Gifford Plunkett dies suddenly on December 13, 1955, in her apartment in South Richmond Street, Portobello. Her body is removed to St. Kevin’s Church, Harrington Street and among the attendees at her funeral is President Seán T. O’Kelly. She is buried with full military honours close to the republican plot in Glasnevin Cemetery.


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Birth of Cyril Falls, Military Historian & Journalist

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Cyril Bentham Falls, British military historian, journalist and academic, noted for his works on World War I, is born in Dublin on March 2, 1888.

Falls is the eldest son of Sir Charles Falls, an Ulster landowner in County Tyrone. He receives his formal education at the Portora Royal School, Enniskillen, and the University of London. At the age of 27 he publishes his first book, Rudyard Kipling: A Critical Study (1915).

During World War I Falls receives a commission into the British Army as a subaltern in the Royal Inniskilling Fusiliers. He serves as a Staff Officer in the Head Quarters of the 36th (Ulster) Division and the 62nd (2nd West Riding) Division during the conflict. He receives the French Croix de guerre and is discharged from the British Armed Forces with the rank of Captain.

Immediately after leaving the British Army Falls writes a history of one of the Divisions that he had served with during the war, entitled The History of the 36th (Ulster) Division, which is published in 1922.

From 1923 to 1939 Falls is employed by the Historical Section of the United Kingdom Government‘s Committee of Imperial Defence, researching and writing the text of several volumes of the British Government’s official History of the Great War. He serves as the military correspondent for The Times during World War II from 1939 to 1945.

Falls holds the post of Chichele Professor of Military History at All Souls College, Oxford from 1946 to 1953. From the late 1940s through to the end of his life in the early 1970s he is a productive writer of military histories, publishing in-depth detailed studies as well as general works for the commercial market, his final two titles being published posthumously.

The historian Sir Michael Howard later describes Falls’ work The History of the 36th (Ulster) Division (1922) as “containing some of the finest descriptions of conditions on the Western Front to be found anywhere in the literature of the war.”

Cyril Falls dies at the age of 84 in Walton-on-Thames, Surrey, on April 23, 1971.


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Birth of Sculptor Augustus Saint-Gaudens

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Augustus Saint-Gaudens, sculptor of the statue for the Charles Stewart Parnell monument which is installed at the North end of Dublin‘s O’Connell Street in 1911, is born in Dublin on March 1, 1848. He is generally acknowledged to be the foremost American sculptor of the late 19th century, noted for his evocative memorial statues and for the subtle modeling of his low reliefs.

Saint-Gaudens is born to a French father and an Irish mother. His family moves to New York City when he is an infant and at age 13, he is apprenticed to a cameo cutter. He earns his living at this craft, while studying at night at Cooper Union (1861–65) and the National Academy of Design (1865–66) in New York. In 1867 he travels to Paris and is admitted to the École des Beaux-Arts. Along with Olin Levi Warner and Howard Roberts, he is one of the first Americans to study sculpture in Paris. Late in 1870 he sets out for Rome, where, still supporting himself by cameo cutting, he works for two years copying famous antique statues on commission. He also starts to create his first imaginative compositions during this period.

After 1875 Saint-Gaudens settles in New York, where he befriends and collaborates with a circle of men who form the nucleus of an American artistic renaissance. The group includes the architects Henry Hobson Richardson, Stanford White, and Charles Follen McKim and the painter John La Farge. The most important work of Saint-Gaudens’s early career is the monument to Admiral David Farragut (1880, Madison Square Garden, New York), the base of which is designed by White.

From 1880 to 1897 Saint-Gaudens executes most of the well-known works that gain him his great reputation and many honours. Working with La Farge, in 1881 he creates two caryatids for a fireplace in Cornelius Vanderbilt’s residence. In 1887 he begins the Amor Caritas, which, with variations, preoccupies him from about 1880 to 1898, and also a statue of a standing Abraham Lincoln (Lincoln Park, Chicago). The memorial to Marian Hooper Adams (1891) in Rock Creek Cemetery, Washington, D.C., is considered by many to be his greatest work. In 1897 he completes a monument in Boston depicting Robert Gould Shaw, colonel of an African American regiment in the American Civil War. The statue is remarkable for its expression of movement. Shortly thereafter, he leaves for Paris, where, over the next three years, he prepares his final major public sculpture, the Sherman Monument (1903), which is eventually erected in Grand Army Plaza in New York.

Saint-Gaudens also makes many medallions, originally as a diversion from more serious tasks. These works show the influence of Renaissance medals as well as his early cameos. Among them are designs for U.S. coins and a considerable number of portraits. His autobiography, The Reminiscences of Augustus Saint-Gaudens, is published in 1913.

Diagnosed with cancer in 1900, Saint-Gaudens dies at the age of 59 on August 3, 1907, in Cornish, New Hampshire.


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Death of Dermot Morgan, Comedian & Actor

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Dermot John Morgan, Irish comedian and actor who achieves international renown for his role as Father Ted Crilly in the Channel 4 sitcom Father Ted, dies of a heart attack on February 28, 1998, in Hounslow, London, England.

Morgan is born in Dublin on March 31, 1952. Educated at Oatlands College, Stillorgan, and University College, Dublin (UCD), Morgan comes to prominence as part of the team behind the highly successful RTÉ television show The Live Mike. Morgan makes his debut in the media on the Morning Ireland radio show produced by Gene Martin. Between 1979 and 1982 Morgan, who has been a teacher at St. Michael’s College, Ailesbury Road, plays a range of comic characters who appear between segments of the show, including Father Trendy, an unctuous trying-to-be-cool Catholic priest given to drawing ludicrous parallels with non-religious life in two-minute ‘chats’ to camera.

Morgan’s success as Father Trendy and other characters leads him to leave teaching and become a full-time comedian.

Morgan’s biggest Irish broadcasting success occurs in the late 1980s on the Saturday morning radio comedy show Scrap Saturday, which mocks Ireland’s political, business, and media establishment. The show’s treatment of the relationship between the ever-controversial Taoiseach Charles Haughey and his press secretary P.J. Mara prove particularly popular. When RTÉ axes the show in the early 1990s a national outcry ensues. Morgan lashes the decision, calling it “a shameless act of broadcasting cowardice and political subservience.”

Already a celebrity in Ireland, Morgan’s big break comes in Channel 4‘s Irish sitcom Father Ted, which runs for three series from April 21, 1995, until May 1, 1998. Writers Graham Linehan and Arthur Mathews audition many actors for the title role, but Morgan’s enthusiasm wins him the part.

Father Ted centres on three disparate characters. Father Ted Crilly, played by Morgan, lives a frustrated life trapped on the fictional Craggy Island. Irish TV comedy actor Frank Kelly plays Father Jack Hackett, a foul-mouthed and apparently brain-damaged alcoholic, while child-minded Father Dougal McGuire is played by comedian Ardal O’Hanlon. The three priests are looked after by their housekeeper, Mrs. Doyle, played by Pauline McLynn, with whom Morgan had worked on Scrap Saturday. Father Ted enjoys widespread popularity and critical acclaim. In 1998, the show wins a BAFTA award for the best comedy, Morgan wins a BAFTA for best actor, and McLynn is named best actress.

On February 28, 1998, one day after recording the last episode of Father Ted, Morgan has a heart attack while hosting a dinner party at his home in southwest London. He is rushed to hospital but dies soon afterwards. Morgan’s Requiem Mass in St. Therese’s Church in Mount Merrion, south Dublin, is attended by the President of Ireland Mary McAleese, her predecessor, Mary Robinson, and by political and church leaders, many of whom had been the targets of his humour in Scrap Saturday. He is cremated at Glasnevin Cemetery and his ashes are buried in the family plot in Deansgrange Cemetery.