seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Death of J.P. Donleavy, Novelist & Playwright

jp-donleavy

James Patrick Donleavy, Irish American novelist and playwright, dies in Mullingar, County Westmeath on September 11, 2017. His best-known work is the novel The Ginger Man, which is initially banned for obscenity.

Born in New York City on April 23, 1926, to Irish immigrants Margaret and Patrick Donleavy, Donleavy receives his education at various schools in the United States. He declares himself to be an atheist at the age of 14. He serves in the United States Navy during World War II. After the war ends, he moves to Ireland. In 1946 he begins studying at Trinity College, Dublin, but leaves in 1949 before taking a degree. Also in 1946, he marries Valerie Heron, and the couple has two children: Philip (born 1951) and Karen (born 1955). They divorce in 1969 and he remarries in 1970 to Mary Wilson Price. That union also ends in divorce in 1989.

Donleavy’s first published work is a short story entitled A Party on Saturday Afternoon, which appears in the Dublin literary periodical, Envoy, A Review of Literature and Art in 1950. He gains critical acclaim with his first novel, The Ginger Man (1955), which is one of the Modern Library 100 best novels. The novel, of which his friend and fellow writer Brendan Behan is the first person to read the completed manuscript, is banned in Ireland and the United States by reason of obscenity. Lead character Sebastian Dangerfield is in part based on Trinity College companion Gainor Crist, an American Navy veteran also studying at Trinity College on the G.I. Bill, whom Donleavy once describes in an interview as a “saint,” though of a Rabelaisian kind.

Correctly or incorrectly, his initial works are sometimes grouped with the Kitchen Sink artists as well as the “angry young men.” Another novel, A Fairy Tale of New York, provides the title of The Pogues hit song “Fairytale of New York.”

In March 2007, Donleavy is the castaway on BBC Radio 4‘s Desert Island Discs. In 2015, he is the recipient of the Bob Hughes Lifetime Achievement Award at the Bord Gáis Energy Irish Book Awards.

In 2011, it is reported that Donleavy had not fathered his two children with Mary Wilson Price. A DNA test in the early 1990s confirms that Rebecca is the daughter of brewing scion Kieran Guinness, and Rory is the son of Kieran’s older brother Finn, whom Price marries after her divorce from Donleavy. “My interest is only to look after the welfare of the child,” Donleavy tells The Times, “And after a certain stage, you can’t worry about their parentage.”

J.P. Donleavy dies of an apparent stroke in Mullingar, County Westmeath on September 11, 2017, at the aged of 91.


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Opening of the National Concert Hall

national-concert-hall-dublin

The National Concert Hall is opened in Dublin on September 9, 1981. It is a concert hall located on Earlsfort Terrace, close to St. Stephen’s Green, and is the principal national venue for classical music concerts in Ireland.

Originally built for the Dublin International Exhibition of Arts and Manufactures of 1865, the structure is converted into the central building of University College Dublin (UCD) at the foundation of the National University of Ireland in 1908. When UCD begins to relocate to a new campus at Belfield in the 1960s, part of the building is converted, and reopened as the National Concert Hall in 1981. Since then, the structure has been shared with UCD. In 2005 it is announced that UCD is to relocate all of its faculties to Belfield in the near term, allowing the NCH to develop a major expansion plan on the entire site, bringing it in line with international peers.

Today the National Concert Hall is one of Ireland’s National Cultural Institutions, under the aegis of the Irish Government‘s Department of Culture, Heritage and the Gaeltacht and, as such, is grant-aided by the Irish Government. The National Concert Hall is a statutory corporate body, with a management team, and a Government-appointed Board.

Although its facade is quite impressive, the venue’s architectural acoustics have been criticized. It is also unsuitable for large-scale opera stagings, lacking full stage facilities. Consequently, calls for a purpose-built venue are made from time to time.

Due to its central location, lunchtime concerts and recitals are common and attended by many workers from nearby office buildings. During the summer, outdoor recitals are given in the adjacent Iveagh Gardens. The resident orchestra is the RTÉ National Symphony Orchestra. Other regular performances are made from the rest of the RTÉ Performing Groups.

The National Concert Hall generally makes a small surplus, unlike most of Ireland’s National Cultural Institutions. This is despite the fact that although it has a high level of attendance, it has only a small public funding element, especially compared to the Abbey Theatre.


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Birth of Thomas Burke, Irish Dominican Preacher

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Thomas Nicholas Burke, Irish Dominican preacher, is born in Galway, County Galway on September 8, 1830.

Burke’s parents, though in moderate circumstances, gave him a good education. He studies at first under the care of the Patrician Brothers and is afterwards sent to a private school. An attack of typhoid fever when he is fourteen years old, and the famine year of 1847 have a sobering effect. Toward the end of that year, he asks to be received into the Order of Preachers and is sent to Perugia in Italy to make his novitiate. On December 29, he is clothed there in the habit of St. Dominic and receives the name of Thomas.

Shortly afterward Burke is sent to Rome to begin his studies at the College of St. Thomas, the future Pontifical University of Saint Thomas Aquinas, where he is a student of philosophy and theology. He passes thence to the Roman convent of Santa Sabina. His superiors send him, while yet a student, as novice-master to Woodchester, the novitiate of the resuscitated English Province. He is ordained into the priesthood on March 26, 1853. On August 3, 1854, he defends publicly the theses in universâ theologiâ. He is made lector at the College of St. Thomas in 1854.

Early in the following year Burke is recalled to Ireland to found the novitiate of the Irish Province at Tallaght, near Dublin. In 1859 he preaches his first notable sermon on “Church Music.” It immediately lifts him into fame.

Elected Prior of Tallaght in 1863, Burke goes to Rome the following year as Rector of the Dominican Convent of San Clemente and attracts great attention by his preaching. He returns to Ireland in 1867 and delivers his oration on Daniel O’Connell at Glasnevin before fifty thousand people.

Bishop Leahy takes him as his theologian to the First Vatican Council in 1870, and the following year he is sent as Visitor to the Dominican convents in America. He is besieged with invitations to preach and lecture. The seats are filled hours before he appears, and his audiences overflow the churches and halls in which he lectures. In New York City he delivers the discourses in refutation of the English historian James Anthony Froude.

In an eighteen-month period Burke gives four hundred lectures, exclusive of sermons, with the proceeds amounting to nearly $400,000. His mission is a triumph, but the triumph is dearly won. When he arrives in Ireland on March 7, 1873, he is spent and broken.

During the next decade Burke preaches in Ireland, England, and Scotland. He begins the erection of the church in Tallaght in 1883, and the following May preaches a series of sermons in the new Dominican church, London. In June he returns to Tallaght in a dying condition and preaches his last sermon in the Jesuit church, Dublin, in aid of the starving children of Donegal. A few days afterwards, on July 2, 1882, he dies. He is buried in the church of Tallaght, now a memorial to him.

(Pictured: Statue of Thomas Nicholas Burke by John Francis Kavanagh by Nimmo’s Pier in Galway)


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First Edition of the “Irish Press” Published

irish-press-may-25-1995

The first edition of the Irish Press, a Dublin daily newspaper founded by Éamon de Valera as a platform for Fianna Fáil, is published on September 5, 1931.

Irish Press Ltd. is officially registered on September 4, 1928, three years before the paper is first published, to create a newspaper independent of the existing media where the Independent Newspapers group is seen as supporting Cumann na nGaedheal/Fine Gael, and The Irish Times being pro-union, and with a mainly middle-class or Protestant readership.

The paper’s first issue is published on the eve of the 1931 All-Ireland Senior Hurling Championship Final between Cork and Kilkenny. Other newspapers do not cover GAA sports in any detail at the time. Margaret Pearse, the mother of Patrick and Willie Pearse, presses the button to start the printing presses. The initial aim of its publisher is to achieve a circulation of 100,000 which it quickly accomplishes. It goes on to list 200,000 subscribers at its peak.

The money to launch the Irish Press is raised in the United States during the Irish War of Independence by a bond drive to finance the First Dáil. Five million dollars is raised; however, 60 percent of this money is left in various banks in New York City. No one knows why de Valera ordered the bulk of the money to be left in New York when he returned to Ireland in late 1920.

In 1927, as a result of legal action between the Irish Free State government and de Valera, a court in New York orders that the bond holders be paid back outstanding money due to them. However, de Valera’s legal team has anticipated the ruling and has prepared for the outcome. A number of circulars are sent to the bond holders asking them to sign over their holdings to de Valera. The bond holders are paid 58 cents to the dollar. This money is then used as startup capital to launch the Irish Press. Following the 1933 Irish General Election, de Valera uses his Dáil Éireann majority to pass a measure allowing the bond holders to be paid the remaining 42 percent of the money still owed.

In December 1931, editor Frank Gallagher is prosecuted by an Irish Free State military tribunal for publishing articles alleging that Garda Síochána had mistreated the Anti-Treaty republicans of the Irish Free State government. This is facilitated by Amendment 17 of the Constitution of the Irish Free State and Gallagher is convicted and fined £50. An example of animosity from those who support Independent Newspapers and the Free State government is that the Irish Press is excluded from the special train which delivers newspapers from Dublin to the countryside. As a result, it is circulated throughout Ireland by a specially rented train.

The Irish Press sustains itself with its own resources until The Sunday Press is founded in 1949. In its heyday, the Irish Press has a number of first-rate reporters and columnists. One notable section, New Irish Writing is edited by David Marcus.

In the 1970s, the Minister for Posts and Telegraphs, Conor Cruise O’Brien, tries to use and amend The Emergency Powers Act and Section 31 of the Broadcasting Authority Act, to censor coverage of the Troubles in Northern Ireland. The Irish Press editor, Tim Pat Coogan, publishes editorials attacking the Bill. The Fine Gael/Labour Coalition Government tries to prosecute the Irish Press for its coverage of the maltreatment of republican prisoners by the Garda “Heavy Gang,” with the paper winning the case.

The Irish Press starts two further newspapers, the Evening Press (1954), and The Sunday Press. The Evening Press is aimed at an urban readership and achieves a daily circulation of 100,000. The new newspapers subsidise the Irish Press when its circulation sags. Its adoption of a tabloid format does not rescue its declining circulation.

The final issue of the Irish Press and Evening Press is on Thursday, May 25, 1995. The newspapers close because of a bizarre industrial dispute over the sacking of the group business editor, Colm Rapple. The group has not been in a healthy financial state for several years. When it eventually closes, with indebtedness of £20 million, 600 people lose their jobs.

(Pictured: Cover of last ever edition of the Irish Press from May 25, 1995)


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Birth of James Hanley, Novelist & Playwright

james-hanley

James (Joseph) Hanley, British novelist, short story writer, and playwright of Irish descent, is born in Kirkdale, Liverpool, Lancashire on September 3, 1897. He publishes his first novel, Drift, in 1930. The novels and short stories about seamen and their families that he writes in the 1930s and 1940s include Boy (1931), the subject of an obscenity trial. He comes from a seafaring family and spends two years at sea himself. After World War II there is less emphasis on the sea in his works. While frequently praised by critics, his novels do not sell well. In the late 1950s, 1960s, and early 1970s he writes plays, mainly for the BBC, for radio and then for television, and also for the theatre. He returns to the novel in the 1970s. His last novel, A Kingdom, is published in 1978, when he is 80 years old.

Hanley is born to a working class family. Both his parents are born in Ireland, his father Edward Hanley around 1865, in Dublin, and his mother, Bridget Roache, in Queenstown, County Cork, around 1867. Both are well established in Liverpool by 1891, when they are married. Hanley’s father works most of his life as a stoker, particularly on Cunard Line liners, and other relatives have also gone to sea. He grows up living close to the docks. He leaves school in the summer of 1910 and works for four years in an accountants’ office. Then early in 1915 at the age of 17, he goes to sea for the first time. Thus life at sea is a formative influence and much of his early writing is about seamen.

In April 1917, Hanley jumps ship in Saint John, New Brunswick, Canada, and shortly thereafter joins the Canadian Expeditionary Force in Fredericton, New Brunswick. He fights in France in the summer of 1918, but is invalided out shortly thereafter. After the war he works as a railway porter in Bootle and devotes himself to a prodiguous range of autodidactic, high cultural activities – learning the piano, regularly attending concerts, reading voraciously and, above all, writing. However, it is not until 1930 that his novel Drift is accepted.

Hanley moves from Liverpool to near Corwen, North Wales in 1931, where he meets Dorothy Enid “Timothy” Thomas, neé Heathcote, a descendant of Lincolnshire nobility. They live together and have a child, Liam Powys Hanley, in 1933, but do not marry until 1947. In July 1939, as World War II is approaching, he moves to London to write documentaries and plays for the BBC. He moves back to Wales during the early years of the war, settling in Llanfechain on the other side of the Berwyn range from Corwen. In 1963, the Hanleys move to North London to be close to their son.

In 1937 Hanley publishes an autobiographical work, Broken Water: An Autobiographical Excursion, and while this generally presents a true overall picture of his life, it is seriously flawed, incomplete and inaccurate. Chris Gostick describes it as “a teasing palimpsest of truth and imagination.”

Hanley’s brother is the novelist Gerald Hanley and his nephew is the American novelist and playwright William Hanley. Hanley’s wife also publishes three novels, as Timothy Hanley. She dies in 1980. James Hanley himself dies in London on November 11, 1985 and is buried in Llanfechain, Wales.


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Death of Mick Lally, Stage, Film & Television Actor

mick-lally

Michael “Mick” Lally, Irish stage, film and television actor, dies in Dublin on August 31, 2010. He departs from a teaching career for acting during the 1970s. Though best known in Ireland for his role as Miley Byrne in the television soap Glenroe, his stage career spans several decades, and he is involved in feature films such as Alexander and the Academy Award-nominated The Secret of Kells. Many reports cite him as one of Ireland’s finest and most recognisable actors.

Born on November 10, 1945, and reared in the Gaeltacht village of Toormakeady, County Mayo, Lally is the eldest of a family of seven children. He goes to the local national school in Toormakeady and then to St. Mary’s College, Galway. After studying at University College Galway, he teaches history and Irish for six years in Archbishop McHale College in Tuam from 1969 to 1975 but quits teaching to pursue his career as a stage actor.

Lally begins his acting career with Taibhdhearc na Gaillimhe, Ireland’s national Irish language theatre, and is a founding member of the Druid Theatre Company. He receives an Irish Times/ESB Theatre Award Nomination for Best Actor for his role in Druid’s production of The Dead School. He also becomes a member of the Field Day Theatre Company, and stars in the company’s 1980 premiere of Brian Friel‘s play Translations. He first plays at the Abbey Theatre in 1977 in a production of Wild Oats and goes on to perform in many other Abbey productions.

In 1982, Lally stars in the TV series The Ballroom of Romance alongside Brenda Fricker. From 1983 he plays the role of Miley Byrne in the RTÉ soap Glenroe, reprising the character that he played earlier in Bracken in 1978. In 1979, he wins a Jacob’s Award for his performance as Miley in Bracken. He also has some musical success when “The By-road to Glenroe” goes to the top of the Irish charts in 1990. He is also involved in voice-over work, including a noted advertisement for Kilmeaden Cheese during the 1990s. Other TV appearances include roles in Tales of Kinvarna, The Year of the French and Ballykissangel.

In 1994, Lally plays the character Hugh in The Secret of Roan Inish, and in 1995 portrays Dan Hogan in the film adaptation of Maeve Binchy‘s Circle of Friends. Other film roles included Poitín, Our Boys, The Outcasts, A Man of No Importance and others. In later years, he provides the voice of Brother Aidan in the Academy Award-nominated The Secret of Kells, an animated film directed by Tomm Moore.

Lally appears in several TV advertisements encouraging elderly people to “release the equity tied up in their homes” during the Celtic Tiger.

Mick Lally dies on the morning of August 31, 2010, after a short stay in the hospital. The cause of death is reported as heart failure, arising from an underlying emphysema condition. His funeral takes place in Dublin on September 2, 2010. The Irish Examiner comments that the “nation has lost one of its favourite uncles.” Personalities from TV, film, theatre and politics attend, while President of Ireland Mary McAleese sends a letter and Lally receives a standing ovation at the end.


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Birth of Professional Poker Player Donnacha “The Don” O’Dea

donnacha-odeaDonnacha “The Don” O’Dea, professional poker player, is born on August 30, 1948 in Dublin. In his youth, he is a swimmer and represents Ireland in the 1968 Summer Olympics. He is also the first Irish swimmer to swim 100m in less than one minute. His parents are actors Denis O’Dea and Siobhán McKenna.

O’Dea comes close to winning a World Series of Poker (WSOP) bracelet in 1983 in the $1,000 Limit Hold ’em event, finishing runner-up to Tom McEvoy. He makes the final table of the WSOP Main Event in 1983 where he finishes in sixth place behind McEvoy, the eventual winner. He finishes ninth in 1991 in the event won by Brad Daugherty. He also cashes in the Main Event in 1990 (32nd), 1994 (27th), 1996 (25th), and 2007 (171st).

In 1998, O’Dea wins a WSOP bracelet in Pot Limit Omaha Hold ’em with rebuys event, defeating two-time world champion, Johnny Chan in heads-up play.

O’Dea first appears on the Late Night Poker television programme in series 4, finishing fifth in a heat won by Robin Keston. He returns to the show in series 6, winning his heat and going on to finish fourth in the Grand Final.

In 2004, O’Dea wins the Poker Million tournament, overcoming Dave “The Devilfish” Ulliott in the eventual heads-up confrontation. The following year, he makes the final table again and finishes in fifth place.

O’Dea is the first member of the European Poker Players Hall of Fame. As of 2009, his total live tournament winnings exceed $1,000,000. His 23 cashes as the WSOP account for $471,687 of those winnings.

His son, Eoghan O’Dea, is also a poker player who competes primarily online under the moniker “intruder123.” In December 2008 he follows up a $300,000 online win with a 2nd-place finish in the Poker Million for $260,000. In 2011, he makes a deep run at the Main Event of 2011 World Series of Poker earning his place in the November Nine.


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Death of Sculptor John Henry Foley

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John Henry Foley, Irish sculptor often referred to as J. H. Foley, dies in London on August 27, 1874. He is best known for his statues of Daniel O’Connell in Dublin and of Prince Albert for the Albert Memorial in London.

Foley is born May 24, 1818, at 6 Montgomery Street, Dublin, in what is then the city’s artists’ quarter. The street has since been renamed Foley Street in his honour. His father is a glassblower and his step-grandfather Benjamin Schrowder is a sculptor. At the age of thirteen he begins to study drawing and modelling at the Royal Dublin Society, where he takes several first-class prizes. In 1835 he is admitted as a student in the schools of the Royal Academy of Arts in London. He exhibits there for the first time in 1839, and comes to fame in 1844 with his Youth at a Stream. Thereafter commissions provide a steady career for the rest of his life. In 1849 he is made an associate, and in 1858 a full member of the Royal Academy of Arts.

In 1851, inspired by the recently closed Great Exhibition, the Corporation of London votes a sum of £10,000 to be spent on sculpture to decorate the Egyptian Hall in the Mansion House. Foley is commissioned to make sculptures of Caractacus and Egeria.

In 1864 Foley is chosen to sculpt one of the four large stone groups, each representing a continent, at the corners of George Gilbert Scott‘s Albert Memorial in Kensington Gardens. His design for Asia is approved in December of that year. In 1868, he is also asked to make the bronze statue of Prince Albert himself, to be placed at the centre of the memorial, following the death of Carlo Marochetti, who had originally received the commission but had struggled to produce an acceptable version.

Foley exhibits at the Royal Academy of Arts between 1839 and 1861. Further works are shown posthumously in 1875. His address is given in the catalogues as 57, George St., Euston Square, London until 1845, and 19, Osnaburgh Street from 1847.

John Henry Foley dies at Hampstead, north London on August 27, 1874, and is buried in St. Paul’s Cathedral on September 4. He leaves his models to the Royal Dublin Society, where he had his early artistic education, and a large part of his property to the Artists’ Benevolent Fund. He does not see the Albert Memorial completed before his death. A statue of Foley himself, on the front of the Victoria and Albert Museum, depicts him as a rather gaunt figure with a moustache, wearing a floppy cap.

Foley’s pupil Thomas Brock brings several of Foley’s works to completion after his death, including his statue of Prince Albert for the Albert Memorial. Foley’s articled pupil and later studio assistant Francis John Williamson becomes a successful sculptor in his own right, reputed to have been Queen Victoria‘s favourite. Other pupils and assistants are Charles Bell Birch, Samuel Ferris Lynn, Charles Lawes, and Richard Belt.

Following the creation of the Irish Free State in 1922, a number of Foley’s works are removed, or destroyed without notice, because the persons portrayed are considered hostile to the process of Irish independence. They include those of George Howard, 7th Earl of Carlisle, Ulick de Burgh, 1st Marquess of Clanricarde in Galway and Hugh Gough, 1st Viscount Gough in the Phoenix Park. The statue of Ulick de Burgh is decapitated and dumped in the river as one of the first acts of the short-lived “Galway Soviet” of 1922.


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Killing of Bernard Daly, Seán Cole & Alf Colley

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Fianna Éireann members Seán Cole and Alf Colley and Anti-Treaty Irish Republican Army (IRA) member Bernard Daly, are abducted and killed in Dublin on August 26, 1922 by the Criminal Investigation Department (CID) police unit based in Oriel House allegedly in revenge for Michael Collins‘ assassination four days earlier, although possibly in retaliation for the death of a CID man the previous day.

By the middle of August, the Provisional Government of the Irish Free State under Collins has control of Dublin. Collins himself has established a Criminal Investigation Department based at Oriel House, Westland Row. These former IRA Volunteers, turned Free Staters, acquire a ruthless reputation and become known to republicans as the Oriel House Gang. They are plain-clothed and heavily armed and Oriel House is notorious for ill-treatment of republican prisoners held there. Accounts of the killings of August 26 indicate that the Oriel House Gang is responsible.

The day after Collins is assassinated, Richard Mulcahy, Chief of Staff of the Free State Army, sends a message to his soldiers. He urges them to “stand calmly by your posts” and says, “Let no cruel act of reprisal blemish your bright honour.” Yet in Dublin, within days of that message, and as the body of Collins lay in state in City Hall, Free State forces carry out atrocities which have been almost totally forgotten.

Following the assassination at Béal na mBláth on August 22, Collins’s body is brought to Dublin and lay in state in City Hall. On August 26, a short distance away from City Hall where crowds are still filing past the coffin, Bernard Daly is working as a bartender in Hogan’s licensed premises in Suffolk Street. At about 3:30 PM three armed men enter the pub and arrest Daly at gunpoint. He is dragged to the cellar and then taken away in a Ford car.

Daly’s body is brought to the City Morgue that evening by Free State troops who claim to have found it. Daly had been shot dead near St. Doulagh’s Church on the Malahide Road in what is then rural North County Dublin.

Plain-clothed, armed men travelling in a large Ford car, possibly some or all of the same individuals, are responsible for the second summary execution of August 26. Seán Cole of Lower Buckingham Street and Alf Colley of Parnell Street are officers of Fianna Éireann, the republican youth organisation. They are arrested at Annesley Bridge and taken to Yellow Lane, Whitehall. They suffer the same fate as Bernard Daly, only this time there are witnesses.

The Irish News reports that soon after 6:00 PM, a group of children and young people playing on the road are surprised when a large Ford car comes to a sharp halt. There are five or six men inside – Cole and Colley and their abductors. The two Fianna members are forced out of the car while the crowd is held back at gunpoint. One of the Free Staters tries to open a gate to a field, which is presumably to be the site of the executions, but the gate is locked.

Cole and Colley are placed with their backs to the gate, held in position and killed with revolver shots to the body and head. Their killers then drive away from the scene.

The sites of the executions of Bernard Daly, Seán Cole and Alf Colley are marked by small memorials.

(Pictured: Seán Cole and Alf Colley – summarily executed in revenge for death of Michael Collins)


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Birth of James Hope, United Irishmen Leader

james-hope

James “Jemmy” Hope, Society of United Irishmen leader who fights in the Irish Rebellions of 1798 and 1803 against British rule in Ireland, is born in Templepatrick, County Antrim on August 25, 1764.

Hope is born to a Presbyterian family originally of Covenanter stock. He is apprenticed as a linen weaver but attends night school in his spare time. Influenced by the American Revolution, he joins the Irish Volunteers, but upon the demise of that organisation and further influenced by the French Revolution, he joins the Society of the United Irishmen in 1795.

Hope quickly establishes himself as a prominent organiser and is elected to the central committee in Belfast, becoming close to leaders such as Samuel Neilson, Thomas Russell, and Henry Joy McCracken. He is almost alone among the United Irish leaders in targeting manufacturers as well as landowners as the enemies of all radicals. In 1796, he is sent to Dublin to assist the United Irish organisation there to mobilise support among the working classes, and he is successful in establishing several branches throughout the city and especially in The Liberties area. He also travels to counties in Ulster and Connacht, disseminating literature and organizing localities.

Upon the outbreak of the 1798 rebellion in Leinster, Hope is sent on a failed mission to Belfast by Henry Joy McCracken to brief the leader of the County Down United Irishmen, Rev. William Steel Dickson, with news of the planned rising in County Antrim, unaware that Dickson had been arrested only a couple of days before. He manages to escape from Belfast in time to take part in the Battle of Antrim where he plays a skillful and courageous role with his “Spartan Band,” in covering the retreat of the fleeing rebels after their defeat.

Hope manages to rejoin McCracken and his remaining forces after the battle at their camp upon Slemish mountain, but the camp gradually disperses, and the dwindling band of insurgents are then forced to go on the run. He successfully eludes capture, but his friend McCracken is captured and executed on July 17. Upon the collapse of the general rising, he refuses to avail of the terms of an amnesty offered by Charles Cornwallis, 1st Marquess Cornwallis on the grounds that to do so would be “not only a recantation of one’s principles, but a tacit acquiescence in the justice of the punishment which had been inflicted on thousands of my unfortunate associates.”

Hope lives the years following 1798 on the move between counties Dublin, Meath and Westmeath but is finally forced to flee Dublin following the failure of Robert Emmet‘s rebellion in 1803. He returns to the north and evades the authorities attentions in the ensuing repression by securing employment with a sympathetic friend from England. He is today regarded as the most egalitarian and socialist of all the United Irish leadership.

James Hope dies in 1846 and is buried in the Mallusk cemetery, Newtownabbey. His gravestone features the outline of a large dog, which supposedly brought provisions to him and his compatriots when they were hiding following the Battle of Antrim.