Maureen Toal, stage and television actress whose professional career lasts for more than sixty years, dies on August 24, 2012.
Toal is born in Fairview, Dublin on September 7, 1930. She begins performing at the Abbey Theatre in Dublin in 1946, when she is just sixteen years old. She becomes a fixture at the theater, portraying some of the strongest roles on the stage including Bessie Burgess in The Plough and the Stars and the Widow Quinn in The Playboy of the Western World. She also appears in several one woman shows, including Baglady, which is written by Irish playwrightFrank McGuinness.
In 1952, Toal marries fellow Irish actor Milo O’Shea. They divorce in 1974.
Playwright John B. Keane writes the role of Mame Fadden in his play The Change in Mame Fadden specifically for Toal. Hugh Leonard also pens characters in his plays A Life and Great Big Blonde with the intention of casting Toal in the roles. Toal is best known to Irish television audiences for her role as Teasy McDaid on RTÉ One‘s Glenroe during the 1990s.
In 2010, Toal is awarded an honorary doctorate in literature at University College Dublin for which McGuinness delivers the citation, describing her as “our greatest actress.” He also praises her performances including Maggie in Arthur Miller‘s After the Fall and particularly her lead roles in his own plays, The Factory Girls and Baglady, where, he says, she tells the toughest of stories with devastating honesty. “Hers is the look out of which were fashioned the masks of comedy and tragedy.”
Maureen Toal dies in her sleep at her home in Sandycove, Dublin, on August 24, 2012, two weeks before her 82nd birthday. She is survived by her son, Colm O’Shea, two sisters, one brother, and three grandchildren.
Nimy Bridge is being defended by a single company of the 4th Royal Fusiliers and a machine-gun section with Dease in command. The gunfire is intense and the casualties very heavy, but the lieutenant continues to fire in spite of his wounds, until he is hit for the fifth time and is carried away.
Dease wins the first Victoria Cross to be awarded in the Great War and he receives it on the first day of the first significant British encounter in that war.
When Lieutenant Dease has been mortally wounded, Private Sidney Godley offers to defend the Railway Bridge while the rest of the section retreats and is also awarded the Victoria Cross. He is taken prisoner of war.
Denis Devlin, one of the major figures and influences of modern and modernist Irish poetry, dies in Dublin on August 21, 1959. Along with Samuel Beckett and Brian Coffey, he is one of the generation of Irish modernist poets to emerge at the end of the 1920s. He is also a career diplomat.
Devlin is born in Greenock, Scotland of Irish parents on April 15, 1908. His family returns to live in Dublin in 1918. He studies at Belvedere College and, from 1926, as a seminarian for the Roman Catholicpriesthood at Clonliffe College. As part of his studies, he attends a degree course in modern languages at University College Dublin (UCD), where he meets and befriends Brian Coffey. Together they publish a joint collection, Poems, in 1930.
Devlin joins the Irish Diplomatic Service in 1935 and spends a number of years in Rome, New York and Washington, D.C. During this time, he meets the French poet Saint-John Perse, and the Americans Allen Tate and Robert Penn Warren. He goes on to publish a translation of Exile and Other Poems by Saint-John Perse, and Tate and Warren edit his posthumous Selected Poems.
Denis Devlin dies suddenly at the age of 51 in Dublin on August 21, 1959. Since his death, there have been two Collected Poems published; the first in 1964 is edited by Coffey and the second in 1989 by J.C.C. Mays.
Caulfeild, the son of the 3rd Viscount Charlemont, succeeds his father as 4th Viscount in 1734. The title of Charlemont descends from Sir Toby Caulfeild, 1st Baron Caulfeild (1565–1627) of Oxfordshire, England, who is given lands in Ireland, and creates Baron Charlemont (the name of a fort on the Blackwater), for his services to King James I in 1620. The 1st Viscount is the 5th Baron (d. 1671), who is advanced by Charles II.
Lord Charlemont is well known for his love of Classical art and culture and spends nine years on the Grand Tour in Italy, Greece, Turkey and Egypt. He returns to Dublin and employs the Scottish architect Sir William Chambers to remodel his main residence Marino House, to design his town house Charlemont House and the unique Neoclassical Garden pavilion building, the Casino at Marino.
Lord Charlemont is historically interesting for his political connection with Henry Flood and Henry Grattan. He is a cultivated man with literary and artistic tastes, and both in Dublin and in London he has considerable social influence. He is the first President of the Royal Irish Academy and is a member of the Royal Dublin Society. He is appointed Custos Rotulorum of County Armagh for life in 1760. For various early services in Ireland, he is made an earl in 1763, but he disregards court favours and cordially joins Grattan in 1780 in the assertion of Irish independence. In 1783 he is made a founding Knight of the Order of St. Patrick.
Lord Charlemont is president of the volunteer convention in Dublin in November 1783, having taken a leading part in the formation of the Irish Volunteers, and he is a strong opponent of the proposals for the Acts of Union 1800. His eldest son, who succeeds him, is subsequently created an English Baron in 1837.
Lord Charlemont dies on August 4, 1799.
(Pictured: Charlemont as painted by Pompeo Batoni, c. 1753-56)
Drew is most recognised for his lead vocals on the singles “Seven Drunken Nights” and “The Irish Rover,” both charting in the UK top 10 and then performed on Top of the Pops. He is recognisable for his long beard and his voice, which was once described by Nathan Joseph as being “like the sound of coke being crushed under a door.”
Drew is born in Dún Laoghaire, County Dublin on September 16, 1934, and is educated at CBS Eblana. Despite his aversion to education, he is considered the most intelligent in his class by schoolfriend and future Irish film censor, Sheamus Smith. Drew also sings as a boy soprano before his voice breaks.
In the 1950s, Drew moves to Spain to teach English and learn Spanish and flamenco guitar. His interest in folk music begins at the age of nineteen. When he returns to Ireland, he performs in the Gate Theatre with John Molloy and soon goes into the music business full-time, after holding a number of short-term jobs.
In 1962, he founds the Ronnie Drew Group with Luke Kelly, Barney McKenna and Ciarán Bourke. They soon change their name to The Dubliners, with John Sheahan joining shortly afterwards to form the definitive line-up and quickly become one of the best-known Irish folk groups. They play at first in O’Donoghue’s Pub in Merrion Row, Dublin where they are often accompanied by Mary Jordan on the spoons and vocalist Ann Mulqueen, a friend of McKenna’s. Mary Jordan’s mother, Peggy Jordan, introduces them to the Abbey Tavern in Howth, which becomes a regular Monday night venue for the emerging group. They also play across the road in the Royal Hotel, at all-night parties in Peggy’s large house in Kenilworth Square in Rathgar, and in John Molloy’s flat at Ely Place.
Drew leaves the Dubliners in 1974, goes to Norway in 1978 and records two songs with the Norwegian group Bergeners. He rejoins The Dubliners in 1979 and leaves for good in 1995, though he does reunite with the group in 2002 for a 40th anniversary celebration. He makes several television appearances with the group between 2002 and 2005.
He fronts a campaign to encourage the use of Dublin’s light-rail infrastructure (the DART) and, before that, the “My Dublin” ads for radio stations 98FM and FM104. He narrates a retelling of the great Irish Myths and Legends over a six CD set in 2006. He also narrates the stories of Oscar Wilde in his distinctive voice for a series released on CD by the News of the World newspaper. Both were re-released as CD box sets in 2010.
On August 22, 2006, Drew is honoured in a ceremony where his handprints are added to the “Walk of Fame” outside Dublin‘s Gaiety Theatre.
In September 2006, Drew is reported to be in ill-health after being admitted to St. Vincent’s University Hospital, Dublin, to undergo tests for suspected throat cancer. On October 25, 2007, Drew, now bald and beardless, appears on Ryan Confidential on RTÉ One to give an interview about his role in The Dubliners, his life since leaving the band and being diagnosed with throat cancer. Later in 2007, he appears on The Late Late Show, where he speaks about the death of his wife and his ongoing treatment for cancer.
Ronnie Drew dies in St. Vincent’s University Hospital, Dublin, on August 16, 2008, following his long illness. He is buried three days later in Redford Cemetery in Greystones.
In 1920, the family moves from Dromore to Omagh. After living for a short time in Castle Street and Drumragh, the family finally settles in St. Patrick’s Terrace in the Gallows Hill area of Omagh. This area is to be a lasting inspiration for Kiely.
Kiely begins to feel the urge to become a writer during his teenage years. He has a keen interest in the work of George Bernard Shaw, H. G. Wells and Jonathan Swift. In 1936, after completing his education at Mount St. Columba Christian Brothers School in Omagh, he goes to work as a sorting clerk in the Omagh Post Office.
However, Kiely soon realises that the post office will not provide him with the life of the scholar which he so desires. In the spring of 1937, he leaves Omagh and begins a new life in Emo Park, Portarlington, County Laois, where he decides to train as a Jesuit priest. His life as a Jesuit is not meant to be for, exactly a year later, in the spring of 1938, he suffers a serious spinal injury, which results in a lengthy stay in Cappagh National Orthopaedic Hospital in Finglas, Dublin. During his hospitalisation, he is given plenty of time to think about the course his life has already taken, and about a course it might take. He also realises that he lacks a vocation to the priesthood and abandons his training as a Jesuit.
When Kiely gets out of hospital in 1939, he returns to Omagh to recover from his back problem. The following year, he begins working as a part-time journalist in the weekly Catholic Standard newspaper. In 1943, he graduates from National University of Ireland with a B.A. in History and Letters.
In 1945, Kiely begins working for the Irish Independent, where he is employed as a journalist and critic. In 1950, he joins The Irish Press as a literary editor. In 1964, he moves to the United States where, over a period of four years, he is a Writer-in-Residence at Emory University, visiting professor at the University of Oregon, and Writer-in-Residence at Hollins College (Virginia). In 1968, he returns to Ireland. In the spring of 1976, he is Distinguished Visiting Professor at the University of Delaware. He continues to receive acclaim for his writing and journalism, a career which spans over six decades, receiving the Award for Literature from the Irish Academy of Letters. By now, he is one of Ireland’s best-known writers. In 1996, he is named Saoi of Aosdána, the highest honour given by the Arts Council of Ireland.
Kiely visits Omagh in 2001 which is marked by the unveiling of a plaque outside his childhood home on Gallows Hill by Omagh’s Plain Speaking Community Arts group. Every September an event is held in Omagh called The Benedict Kiely Literary Weekend to celebrate his many achievements.
Ferguson is born in Belfast on March 10, 1810. He lives at a number of addresses, including Glenwhirry, where he acquires the love of nature that informs his later work. He is educated at the Belfast Academy and the Belfast Academical Institution and then moves to Dublin to study law at Trinity College, obtaining his bachelor’s degree in 1826 and his master’s degree in 1832.
Because his father has exhausted the family property, Ferguson is forced to support himself through his student years. He turns to writing and is a regular contributor to Blackwood’s Magazine by the age of 22. He is called to the bar in 1838, but continues to write and publish, both in Blackwood’s and in the newly established Dublin University Magazine.
In addition to his poetry, Ferguson contributes a number of articles on topics of Irish interest to antiquarian journals. In 1863, he travels in Brittany, Ireland, Wales, England, and Scotland to study megaliths and other archaeological sites. These studies are important to his major antiquarian work, Ogham Inscriptions in Ireland, Wales and Scotland, which is edited after his death by his widow and published in 1887.
His collected poems, Lays of the Western Gael is published in 1865, resulting in the award of a degree LL.D. honoris causa from Trinity College. He writes many of his poems in both Irish and English translations. In 1867, Ferguson retires from the bar to take up the newly created post of Deputy Keeper of the Public Records in Ireland. As reward for his services, he receives a knighthood in 1878.
Ferguson’s major work, the long poem Congal is published in 1872 and a third volume, Poems, in 1880. In 1882, he is elected President of the Royal Irish Academy, an organisation dedicated to the advancement of science, literature, and antiquarian studies. His house in North Great George’s St., Dublin, is open to everyone interested in art, literature or music.
By 1647, The Irish Catholic Confederation controls all of Ireland except for Parliamentarian enclaves around Dublin and Cork and a Scottish outpost in Ulster. The previous year they had rejected a treaty with the English Royalists in favour of eliminating the remaining British forces in Ireland.
In August 1647, the Confederate Leinster army under Thomas Preston is attempting to take Dublin from the English Parliamentarian garrison under Michael Jones, when it is intercepted by the Roundheads and forced to give battle. Jones had marched to Trim to relieve the Parliamentarian outpost there at Trim Castle. Preston, who had been shadowing Jones’ movements, attempts to march on Dublin before Jones’ army returns there, but covers only 12 of the 40 miles before being caught at Dungan’s Hill, where the Confederate forces have to form up for battle.
From a Parliamentarian point of view, victory in this battle is presented to them by the incompetence of the Irish commander. Preston is a veteran of the Thirty Years’ War, where he had been a commander of the Spanish garrison at Leuven, but has no experience in open warfare or handling cavalry. Jones, by contrast, had been a cavalry officer in the English Civil War. As a result, Preston tries to move his cavalry along a narrow covered lane where they are trapped and subjected to enemy fire without being able to respond. Even worse, Preston has placed a large number of his troops in wheat fields over seven feet tall. As a result these troops are unable to see the Parliamentarians until it is too late. With the Confederate army spread out and in confusion, Jones’ troops fall in amongst them causing the demoralised Irish cavalry to flee the field, leaving the remainder of Preston’s infantry unsupported.
The Confederate army’s infantry are primarily equipped with pikes and heavy muskets and trained to stand in tercios in the Spanish manner. This means they are difficult to break, but also highly immobile, without cavalry to cover their cumbersome formation when it moves. What is worse, Preston has positioned them in a large walled field, so that when their cavalry has run away, the Parliamentarians can surround and trap them. Some of the Irish infantry, Scottish Highlanders brought to Ireland by Alasdair Mac Colla, manage to charge and break through Jones’ men and escape into a nearby bog, where the English cavalry could not follow. Preston and 2,000 to 3,000 of his regular infantry manage to follow the Highlanders to safety, but the remainder are trapped.
What happens next is disputed. The Irish infantry manages to hold off several assaults on their position, before trying to follow their comrades into the safety of the bog. This makes them lose their formation and the Parliamentarians get in amongst them and then surround them in the bogland. Parliamentarian accounts simply say that the Irish force is then destroyed. Irish accounts, however, claim that the Confederate troops surrender and are then massacred. One account, by a Catholic friar named O Meallain, says that the corpses of the Irish foot soldiers are found with their hands tied. A recent study suggests that the Irishmen probably tried to surrender, but that, according to the conventions of 17th century warfare, this had to be accepted before it entitled them to safety. In this case, it was not accepted and the infantrymen were butchered.
Around 3,000 Confederate troops and a small number of Parliamentarians die at Dungan’s Hill. One of the English regimental commanders, Colonel Anthony Hungerford, is shot in the mouth, a wound that invalids him out of the English Army. Most of the dead are Irish infantrymen killed in the last stage of the battle. Those prisoners who are taken are mainly officers, whom the Parliamentarians can either ransom or exchange for prisoners of their own. Richard Talbot, a junior cavalry officer but later Earl of Tyrconnell and Lord Deputy of Ireland, is among the Confederate prisoners.
In the immediate aftermath of the battle, Owen Roe O’Neill‘s Ulster Army marches through the pass of Portlester Mill to mount an effective rearguard action, routing Jones’ advanced brigade and enabling the survivors of the Leinster army to escape. Jones, fearing O’Neills army, does not continue the pursuit and returns to Dublin. O’Neill and his Ulstermen return four months later to bury the dead Confederates.
As of June 1900, the world record for the long jump is held by Myer Prinstein of Syracuse University, at 24′ 7-1/4″. In 1900 and 1901, competing with the Irish Amateur Athletic Association (IAAA), a rival association to the GAA, O’Connor sets several unofficial world records in the long jump. He sets an officially recognised world record of 24′ 9″ at the Royal Dublin Society’s grounds in Dublin on May 27, 1901. On August 5, 1901 he jumps 24′ 11-3/4″ in Dublin. This is the first IAAF-recognised long jump world record. It causes a sensation at the time, being only a fraction short of the 25-foot barrier, and remains unbeaten for 20 years, a longevity surpassed only by Jesse Owens‘s 25-year record and Bob Beamon‘s 23-year record. It remains an Irish record for a remarkable 89 years.
In 1906 O’Connor and two other athletes, Con Leahy and John Daly, are entered for the Intercalated Games in Athens by the IAAA and GAA, representing Ireland. However, the rules of the games are changed so that only athletes nominated by National Olympic Committees are eligible. Ireland does not have an Olympic Committee, and the British Olympic Council claims the three. On registering for the Games, O’Connor and his fellow athletes find that they are listed as Great Britain, not Irish, team members.
In the long jump competition, O’Connor finally meets Myer Prinstein of the Irish American Athletic Club who is competing for the U.S. team and whose world record O’Connor had broken five years previously. The only judge for the competition is Matthew Halpin, who is manager of the American team. O’Connor protests, fearing bias, but is overruled. He continues to protest Halpin’s decisions through the remainder of the competition. When the distances are announced at the end of the competition, Prinstein is declared the winner, with O’Connor in Silver Medal position.
At the flag-raising ceremony, in protest of the flying of the Union Flag for his second place, O’Connor scales a flagpole in the middle of the field and waves the Irish flag, while the pole is guarded by Con Leahy.
In the hop, step and jump competition two days later, O’Connor beats his fellow countryman, Con Leahy, to win the Gold Medal. At 34 he is the oldest ever Gold Medal winner in this event. Prinstein, the champion in 1900 and 1904, did not medal.
O’Connor wins no more titles after 1906. He remains involved in athletics all his life. He is a founder member and first Vice-President of Waterford Athletic Club, and attends later Olympics both as judge and spectator. He practises as a solicitor in Waterford and is married with nine children. He dies in Waterford on November 9, 1957.
Hamilton is the fourth of nine children born to Sarah Hutton (1780–1817) and Archibald Hamilton (1778–1819). He is part of a small but well-regarded school of mathematicians associated with Trinity College, Dublin, which he enters at age eighteen. He is said to have shown immense talent at a very early age. Astronomer Bishop Dr. John Brinkley remarks of the 18-year-old Hamilton, “This young man, I do not say will be, but is, the first mathematician of his age.”
Trinity College awards him two Optimes, or off-the-chart grades. He studies both classics and mathematics, and is appointed Professor of Astronomy just prior to his graduation. He then takes up residence at Dunsink Observatory where he spends the rest of his life.
Although Hamilton regards himself as a pure mathematician rather than a physicist, his work is of major importance to physics, particularly his reformulation of Newtonian mechanics, now called Hamiltonian mechanics. This work has proven central to the modern study of classical field theories such as electromagnetism, and to the development of quantum mechanics. In pure mathematics, he is best known as the inventor of quaternions.
Hamilton’s scientific career includes the study of geometrical optics, classical mechanics, adaptation of dynamic methods in optical systems, applying quaternion and vector methods to problems in mechanics and in geometry, development of theories of conjugate algebraic couple functions, solvability of polynomial equations and general quintic polynomial solvable by radicals, the analysis on Fluctuating Functions, linear operators on quaternions and proving a result for linear operators on the space of quaternions, which is a special case of the general theorem which today is known as the Cayley–Hamilton theorem. He also invents Icosian calculus, which he uses to investigate closed edge paths on a dodecahedron that visit each vertex exactly once.
Hamilton retains his faculties unimpaired to the very last, and steadily continues the task of finishing the Elements of Quaternions which occupies the last six years of his life. He dies on September 2, 1865, following a severe attack of gout precipitated by excessive drinking and overeating. He is buried in Mount Jerome Cemetery in Dublin.
seamus dubhghaill 