The mid-19th-century is a difficult time for the Irish. Under British subjugation, and amidst the vice-grip of the Great Famine, Ireland and its people are in desperate need for optimism, and something to bring the nation together.
News of the recent French Revolution has reached Irish ears and there is a growing belief that the path to independence is an achievable one.
During a trip to Paris with an Irish delegation sent to congratulate the French republicans on their successful revolution, Meagher is inspired to create a design for the Irish tricolour, similar to the French flag, with the help of a small group of French women sympathetic to the Irish cause.
The new flag has green, white and orange stripes – the colours symbolising the unification of two traditions into one nation – Catholics (green) and Protestants (orange). Few realise however, that Meagher’s original flag has the orange stripe closest to the staff, a design now used by Ivory Coast.
As Meagher outlines later, “The white in the centre signifies a lasting truce between Orange and Green and I trust that beneath its folds the hands of Irish Protestants and Irish Catholics may be clasped in generous and heroic brotherhood.”
At a meeting in Waterford on March 7, 1848, Meagher first publicly unveils the flag from a second-floor window of the Wolfe Tone Club as he addresses a gathered crowd on the street below who are present to celebrate another revolution that has just taken place in France.
From March of that year the Irish tricolour appears side-by-side with the French tricolour at meetings held all over the country.
On April 14 and 15, the flag is paraded around the country. Political journalistJohn Mitchel says at the time, “I hope to see that flag one day waving, as our national banner.”
During this time, support for Meagher’s design grows, and following the events of the 1916 Easter Rising, it is resurrected by the Irish Volunteers and later by Sinn Féin and is unofficially adopted as the flag of Ireland. With the green stripe closest to the staff, Meagher’s tricolour becomes the official flag of the 26 counties of the Irish Republic.
In 1937, the design achieves constitutional status as the official Irish flag.
Until recently, display of the tricolour flag is illegal in the six occupied counties of Northern Ireland.
(From: “On this day in 1848: Ireland’s new flag is shown to public for first time” by Harry Brent, The Irish Post, http://www.irishpost.com, April 15, 2021)
Mitchell’s family moves to Belfast while he is a child. He receives his formal education at Belfast Academy where he excels in mathematics. He begins to notice that his eyesight is failing. By the age of 16 he can no longer read and by the age of 22 he is completely blind.
Undeterred, Mitchell borrows £100 and starts up a successful business making bricks in the Ballymacarrett area of Belfast. This enables him to start building his own houses and he completes approximately twenty in the city. It is during this period that his talent for inventing comes to the fore and he fabricates several machines for use in brickmaking and the building trade.
Mitchell patents the screw pile in 1833, for which he later gains some fame. The screw-pile is used for the erection of lighthouses and other structures on mudbanks and shifting sands, including bridges and piers. His designs and methods are employed all over the world from the Portland, Mainebreakwater to bridges in Bombay. Initially it is used for the construction of lighthouses on Maplin Sands in the Thames Estuary in 1838, at Fleetwood Lancashire (UK) Morecambe Bay in 1839 and at Belfast Lough where his lighthouse is finished in July 1844.
In May 1851 Mitchell moves to Cobh to lay the foundation for the Spit Bank Lighthouse. The success of these undertakings leads to the use of his invention on the breakwater at Portland, the viaduct and bridges on the Bombay, Baroda and Central India Railway and a broad system of Indian telegraphs.
Mitchell dies at Glen Devis near Belfast on June 25, 1868, and is buried in the old Clifton graveyard in Belfast. His wife and daughter predecease him.
Brewster is the son of William Bagenal Brewster, of Ballinulta, County Wicklow, by his wife Mary, daughter of Thomas Bates. He receives his earlier education at Kilkenny College, then proceeds to Trinity College Dublin (TCD) in 1812, taking his B.A. degree in 1817, and long after, in 1847, his M.A. degree.
Brewster is very active in almost all branches of his profession after his resignation, and his reputation as an advocate may be gathered from the pages of the Irish Law and Equity Reports, and in the later series of the Irish Common Law Reports, the Irish Chancery Reports, and the Irish Jurist, in all of which his name very frequently appears. Among the most important cases in which he takes part are the Mountgarrett case in 1854, involving a peerage and an estate of £10,000 a year, the Carden abduction case in July of the same year, the Yelverton case in 1861, the Egmont will case in 1863, the Marquess of Donegall‘s ejectment action and lastly, the great will cause of Fitzgerald v. Fitzgerald, in which Brewster’s statement for the plaintiff is said to be one of his most successful efforts.
On Edward Smith-Stanley becoming prime minister, Brewster succeeds Francis Blackburne as Lord Justice of Appeal in Ireland in July 1866, and Lord Chancellor of Ireland the following March. As Lord Chancellor, he sits in his court for the last time on December 17, 1868, when Benjamin Disraeli‘s government resigns. He then retires from public life.
There are only three or four judgments delivered by him in print, either in the Court of Appeal or the Court of Chancery (Ireland). His judicial manner is quiet, but with what is called “a touch of serviceable fierceness” which keeps order in Court. He is highly regarded by his colleagues. Even the bitter-tongued Jonathan Christian, who despises most of his fellow judges, defers to Brewster.
Brewster dies at his residence, 26 Merrion Square South, Dublin, on July 26, 1874, and is buried in the family vault at Tullow, County Carlow, on July 30. By his marriage in 1819 with Mary Ann, daughter of Robert Gray of Upton House, County Carlow, who dies in Dublin on November 24, 1862, he has issue one son, Colonel William Bagenal Brewster, and one daughter, Elizabeth Mary, wife of Mr. Henry French, both of whom die in the lifetime of their father. His estates are inherited by Elizabeth’s son, Robert French-Brewster, who adopts his grandfather’s surname. A nephew, Edward Brewster, studies under Abraham Brewster and becomes a lawyer and politician in New South Wales. Edward’s brother, John Grey Brewster, also emigrates to Australia, where he becomes a prosperous grazier and company director, retiring to England in later years where he dies in 1897.
(Pictured: Right Honourable Abraham Brewster photographed by Thomas Cranfield, 1861)
She is born Leslie Mary Price in Dublin on January 9, 1893, to Michael and Mary Price. Her father is a blacksmith, and she is one of six children. She wants to be a teacher and by 1911 has become a Monitress, a common way for girls to get into the teaching profession. Two of her brothers are involved in the Irish Volunteers and she is a member of Cumann na mBan. In advance of the Easter Rising, with the confusion over orders and lack of information, she states that she “did not question anything” as, with all that was happening, there are often odd events in her house. But they all wait for the mobilisation orders for the Rising.
De Barra’s role during the republican rebellion in Ireland, Easter 1916, is to act as a courier carrying messages and ammunition between the main headquarters in the General Post Office (GPO) and other posts. She does her role well during the Rising and gains the respect of many Irish Republicans. On the orders of Seán Mac Diarmada, one of the principal leaders of the rising, she and fellow Cumann na mBan member Bríd Dixon are promoted in the field and treated as officers. She later admits that the job was stressful. She is stationed both in the GPO and in the Hibernian Bank. It is while she is in the bank that she comes closest to death, standing beside Captain Thomas Weafer while he is shot. Another soldier who goes to his aid is also shot. She barely has time to grab Captain Weafer before he dies. She is the person sent to fetch a priest for the dying and wounded soldiers on the Thursday. By Friday evening, she is in the GPO and is with the group evacuated with Louise Gavan Duffy. Once they reach the hospital on Jervis Street, she parts company from Duffy and heads to Jacob’s factory to see how the rebels are getting on there. She is also arrested and held in Broadstone Station but quickly released.
By 1918, de Barra represents West Cork in the Cumann na mBan convention and becomes a member of the executive committee. She leaves her teaching career to focus fully on the organisation required by the republican movement in 1918. She travels the country by train and by bicycle to get women to join the local branches of the Cumann and take part in the activities needed by the movement. She is tasked by the Irish Republican Army’s (IRA) General Headquarters to set up specific lines of communication between Dublin and the Provincial commands. Within the year the organisation has grown from 17 to over 600 branches. She is Director of the organisation during the period up to the end of the war.
De Barra marries Tom Barry on August 22, 1921, in Cork during the Truce period in the lead up to the Anglo-Irish Treaty. At the wedding are men who later end up on opposite sides. Both Éamon de Valera and Michael Collins are guests. Her husband is staunchly Anti-Treaty even though he has been friends with Collins. Although her husband is a staunch republican and a major figure in the Irish War of Independence and the Irish Civil War, while she is serving in the GPO in Dublin during the rising, he is in Mesopotamia serving in the British Army in World War I.
In later years de Barra is central to the Irish Red Cross. Initially she gets involved by organising the care of children orphaned by World War II. She represents the Irish Red Cross at conferences in Toronto, Oslo, Monaco, New Delhi, Geneva, Vienna, The Hague, Athens, Istanbul and Prague. She and her husband handle refugees from Czechoslovakia and Poland. Through the Red Cross she is able to ascertain the status of Irish held by the Spanish during the Spanish Civil War, as officially Ireland remains neutral and cannot get involved. She is Chairman of the Irish Red Cross from 1950 to 1973.
De Barra is instrumental in the setting up of the Voluntary Health Insurance organisation in the late 1950s. In 1962, with the Red Cross she launches the “Freedom from hunger” campaign in Ireland which later becomes the organisation Gorta. She serves as chairman of Gorta also.
In 1956, a memorial to 1916 is unveiled in Limerick. It is designed by Albert Power and the commemoration of the Rising is held in May 1956 and the monument is unveiled by de Barra. In 1963 she is awarded an honorary degree from University College Dublin (UCD) along with Éamon de Valera and others.
In 1971, de Barra is part of a series to look back on the events leading to Irish Independence and her story is broadcast by Raidió Teilifís Eireann. In 1979 she wins the Henry Dunant Medal which is the highest award of the Red Cross Movement.
De Barra and her husband live on St. Patrick’s Street in Cork from the 1940s until his death in 1980. She dies in Cork on April 9, 1984, and is buried with her husband in St. Finbarr’s Cemetery. She is remembered today in the Leslie Bean de Barra Trophy awarded for the Cork Area Carer of the Year.
MacCarthy is born in Lower O’Connell Street, Dublin, on May 26, 1817, and educated there and at St. Patrick’s College, Maynooth. He acquires an intimate knowledge of Spanish from a learned priest, who had spent much time in Spain, which he is later to turn to good advantage. In April 1834, before turning seventeen, he contributes his first verses to the Dublin Satirist. He is one of a coterie of writers whose works appear in The Nation, which is started by Charles Gavan Duffy in 1842. Writing under the pseudonym “Desmond,” most of MacCarthy’s patriotic verse appears in this organ.
In 1846, MacCarthy is called to the Irish bar but never practises. In the same year he edits The Poets and Dramatists of Ireland, which he prefaces with an essay on the early history and religion of his countrymen. About this time, he also edits The Book of Irish Ballads (by various authors), with an introductory essay on ballad poetry in general. His Ballads, Poems, and Lyrics appears in 1850, original and translated. His attention is first directed to Pedro Calderón de la Barca by a passage in one of Percy Bysshe Shelley‘s essays, and from then on, the interpretation of the “Spanish Shakespeare” claims the greater part of his attention.
The first volume of MacCarthy’s translations, containing six plays, appears in 1853, and is followed by further instalments in 1861, 1867, 1870, and 1873. His version of Daybreak in Capacabana is completed only a few months before his death.
Until 1864, MacCarthy resides principally on Killiney Hill, overlooking Dublin Bay. The delicate health of some members of his family then renders a change of climate imperative, and he pays a prolonged visit to continental Europe. On his return, he settles in London in 1871, where he publishes – in addition to his translations – Shelley’s Early Life, which contains an account of that poet’s visit to Dublin in 1812.
MacCarthy’s poems are distinguished by a sense of harmony and sympathy with natural beauty. Such poems as “The Bridal of the Year,” “Summer Longings” (alias “Waiting for the May”), and his long narrative poem, “The Voyage of St. Brendan,” are among his most enduring works. The last-mentioned, which paraphrases the “Ave Maria Stella” as the evening song of the sailors, is also marked by the earnest religious feeling which mark its author throughout life. But it is by his version of Calderon that he is considered to have won a permanent place in English letters. His success is sufficiently testified by George Ticknor, who declares in his History of Spanish Literature that MacCarthy “has succeeded in giving a faithful idea of what is grandest and most effective in [Calderon’s] genius… to a degree which I had previously thought impossible. Nothing, I think, in the English language will give us so true an impression of what is most characteristic of the Spanish drama, and of Spanish poetry generally.”
Kelly is one of five sons and four daughters born to William Kelly, retail and wholesale fruitier, and his wife Margaret (née Maginness). Living off Carlisle Circus in a flashpoint area of north Belfast and close to Crumlin Road Gaol, the Kellys are a strongly republican family, regularly supplying republican inmates with fruit and assisting them on their release.
Kelly joins the IRA in the early 1950s when he is eighteen and takes part in the Border Campaign of 1956–62 but is arrested in December 1956 and imprisoned until 1963. He is a member of the Northern Ireland Civil Rights Association (NICRA) in 1967–69 which leads on to sectarian riots in Belfast. A leader of the newly formed Provisional IRA in 1969, he is involved in the formation of “citizens’ defence groups” to protect nationalist areas of Belfast from loyalist rioters who are largely unhampered by the police.
Kelly is jailed on three occasions for IRA related activity spending a total of fifteen years in prison in Northern Ireland and the Republic of Ireland. His first term is for his activity in the 1956 IRA border campaign. He also serves a six-month term in 1973 in the Republic of Ireland for being a member of the IRA.
Commenting later on the Troubles, Kelly says, “Yes, it was a terrible period. But you can’t turn the clock back. The Irish government did not create the Provisional IRA. What happened was as inevitable as the changing seasons.”
The citizens’ defence groups seek help from the government in Dublin in 1969, then led by Jack Lynch. Several ministers respond and arrange a fund of £100,000 but the planned arms shipment fails. Kelly later says, “These discussions were all about guns. The whole thing was government-sponsored, government-backed and government-related.” The planning includes travel to Britain, Europe, and on to the United States where he meets the founders of NORAID. He is one of the co-defendants in the subsequent Dublin “Arms Trial” with ministers Charles Haughey and Neil Blaney, accused of conspiring to import arms illegally into the Republic of Ireland. The trial eventually collapses from a lack of evidence, as the relevant government files are kept secret, but the Irish government sacks several ministers as a result.
Kelly goes into electoral politics, serving on Magherafelt District Council from 1997. At the 1998 Northern Ireland Assembly election he is elected to the Northern Ireland Assembly as a Sinn Féin member for Mid Ulster. He is deselected before the 2003 election, and criticises the decision by the Sinn Féin leadership to support policing reforms. In January 2006 he co-writes a letter with Brendan Hughes which casts doubt on the claims that dissident republicans have threatened Sinn Féin leaders and claims that the real threats are being made by the Sinn Féin leadership against those who seek a debate on policing. He leaves Sinn Féin which he considers too controlled from the centre, opposing the leadership “deceit and the philosophy of creative ambiguity,” and he retires from politics.
Kelly dies in Maghera following a long battle with cancer on September 5, 2007. Many tributes are paid to him including a minute’s silence before the Derry Senior Football Championship quarter final between St. Patrick’s GAC, Loup, and Dungiven GAC on September 8, 2007, at the home of his local club, Watty Graham GAC, Glen. A Na Piarsaigh Belfast GAC jersey is draped over his coffin before he is interred at Maghera Catholic Graveyard.
Mhac an tSaoi is influenced by her stays in the Dingle Peninsula in County Kerry with her uncle, Monsignor De Brún, at his parish of Dún Chaoin. Monsignor de Brún, similarly to his sister, is a distinguished linguist and Celticist, the literary translator of Homer, Dante Alighieri, Sophocles, and Jean Racine into Modern Irish, “and one of the most distinguished literary figures of his time.”
Mhac an tSaoi studies Modern Languages and Celtic Studies at UCD, before going to further research at the Dublin Institute for Advanced Studies and at the University of Paris. She writes the famous work of Christian poetry in Munster Irish, Oíche Nollag (“Christmas Eve”), when she is only 15-years of age.
Mhac an tSaoi spends two years studying in post-war Paris (1945–47) before joining the Irish diplomatic service and is working at the Irish embassy in Madrid when she commits herself to writing poetry in Irish following her discovery of the works of Federico García Lorca.
She remains a prolific poet and is credited, along with Seán Ó Ríordáin and Máirtín Ó Direáin, with reintroducing literary modernism into Irish literature in the Irish language, where it had been dormant since the 1916 execution of Patrick Pearse, in the years and decades following World War II. Her poetry draws on the vernacular spoken by the native Irish speakers of the Munster Gaeltacht of West Kerry during the first half of the twentieth century. Formally, she draws on the song metres of the oral tradition and on older models from the earlier literary tradition. In later work, she explores looser verse forms but continues to draw on the remembered dialect of Dún Chaoin and on a scholarly knowledge of the older literature.
Mhac an tSaoi is elected to Aosdána in 1996 but resigns in 1997 after Francis Stuart is elevated to the position of Saoi. She had voted against Stuart because of his role as an Abwehr spy and in radio propaganda broadcasts from Nazi Germany aimed at neutral Ireland during World War II.
In 2001, she publishes an award-winning novel A Bhean Óg Ón… about the relationship between the 17th-century County Kerry poet and Irish clan chief Piaras Feiritéar and Meg Russell, the woman for whom he composed some of the greatest works of love poetry ever written in the Irish language.
Her poems Jack and An Bhean Óg Ón are both featured on the Leaving Certificate Irish course, at both Higher and Ordinary Levels, from 2006 to 2010. Her literary translation of Rainer Maria Rilke‘s Duino Elegies from Austrian German into the Irish language is published in 2013.
Mhac an tSaoi marries Irish politician, writer, and historian Conor Cruise O’Brien in a Roman Catholic wedding Mass in Dublin in 1962. This makes her the stepmother to O’Brien’s children from his 1939 civil marriage. Her mother is deeply embarrassed by the exposure of the relationship and staunchly opposes the match, as she has long been a close friend of O’Brien’s Presbyterian first wife. Despite their subsequent marriage, the exposure of their extramarital relationship ends Mhac an tSaoi’s diplomatic and civil service career. They later adopted two children, Patrick and Margaret.
She then lives with her husband in New York City, where he becomes a professor at New York University (NYU) after the Congo Crisis destroys O’Brien’s diplomatic career. He is long blamed by the United Nations for the escalation of the Congo Crisis.
Gaelic footballerBernard Brogan Jnr is born on April 3, 1984, in Castleknock, Dublin. Born into a famous footballing family, he is the son of former All-Ireland winning and All Star player Bernard Brogan Snr and is the brother of former Dublin players Alan and Paul. His uncle Jim is also a former inter-county footballer for Dublin. Alongside most of his family, he attends St. Declan’s College on Navan Road.
Brogan scores his first point for Dublin against Fermanagh in the 2007 National Football League (NFL). He makes his Championship debut for Dublin as a late sub in Dublin’s quarter-final win over Meath. He makes his first start for Dublin in the semi-final against Offaly but is substituted in the 45th minute. He regains his position for the final against Laois at Croke Park, scoring 1–01 in Dublin’s 3–14 to 1-14 Leinster title winning game. Along with brother Alan, he is nominated for an All Star Award in 2007 as half forward.
In 2008, Brogan wins the Dublin AFL Division 1 title with St. Oliver Plunketts/Eoghan Ruadh, scoring 1–05 in the final at Parnell Park. It is the first league title in the club’s history. With Dublin he wins the 2008 O’Byrne Cup by beating Longford in the final.
In 2009, Brogan wins another Leinster title with Dublin, but his season ends with defeat to Kerry in the All-Ireland quarter-final.
After an exceptional season for Dublin on the full forward line in 2010, Brogan is awarded an All Star and is named as 2010 Vodafone Footballer of the Year.
In 2011, Brogan wins an All-Ireland title with Dublin, the team’s first All-Ireland since 1995. He scores six points in the final against Kerry. He later reveals his celebrations were cut short as he had to do a drug test straight after the game. He passes with flying colours and resumes his celebrations.
In 2012, Brogan wins another Leinster title when Dublin beats Meath in the final. Then he misses an absolute sitter in the All-Ireland semi-final against Mayo. The miss haunts Brogan as Dublin loses the game by a narrow margin.
Brogan wins the 2013 NFL with Dublin against Tyrone at Cork. He scores five frees in the game. He then wins another Leinster title against Meath and is part of the Dublin team that wins the 2013 All-Ireland Senior Football Championship Final, defeating Mayo by 2–12 to 1-14. Brogan scores 2–03 in the match, is All-Ireland final man of the match and The Sunday Game names him their man of the match and includes him on their team of the year. He is then awarded an All Star for his performances in 2013.
Brogan wins the 2014 NFL with Dublin, but his season comes to an abrupt end when Donegal defeats Dublin in that year’s All-Ireland semi-final, a momentous result that sends shockwaves through the sport.
On October 24, 2019, Brogan announces his retirement from inter-county football. In total he plays 116 games for Dublin, league and championship, scoring 36 goals and 344 points (452), making him Dublin’s third top scorer of all time, behind Dean Rock (14-419; 461 in 89 games) and Jimmy Keaveney (30-402; 492 in 104 games).
In 2021, Brogan presents an episode of Shoulders of Giants, commissioned by Irish broadcaster RTÉ. In the programme, he charts the life and times of the former Dublin Gaelic footballer, and later manager, Kevin Heffernan, as well as the legacy he left Dublin football. The programme airs on RTÉ on December 12, 2021.
Solomons is born to Maurice Solomons and poet Rosa Jane Jacobs. Her father is an optician whose practice in 19 Nassau Street, Dublin, is mentioned in Ulysses. Her father is also the Vice-Consul of Austria-Hungary. The Solomons family, who came to Dublin from England in 1824, are one of the oldest continuous lines of Jews in Ireland.
Solomons grandmother, Rosa Jacobs Solomons, who is born in Kingston upon Hull in England, is the author of a book called Facts and Fancies (Dublin 1883). Her brother, Bethel Solomons, a renowned physician, a master of the Rotunda Hospital and Irish international rugby player, is mentioned in Finnegans Wake. Her brother Edwin is a stockbroker and prominent member of the Dublin Jewish community. Her younger sister Sophie is a trained opera singer. A portrait of Sophie, by her cousin the printmaker Louise Jacobs, survives in the Estella Solomons archives in the Library of Trinity College Dublin (TCD).
In 1898, at the age of 16, Solomons enters the Dublin Metropolitan School of Art where she wins a significant prize. Her classmates include future Irish artists including Mary Swanzy, Eva Hamilton and William J. Leech. She also attends the Chelsea School of Art from 1903 to 1906. A visit to the tercentenary exhibition of the work of Rembrandt in Amsterdam in 1903 impacts her creative practice and possibly influences her adoption of printmaking as her principal vehicle of expression. She studies under two of Ireland’s leading artists, Walter Osborne, who is another major influence, and William Orpen. With her friends Cissie Beckett (aunt of Samuel Beckett) and Beatrice Elvery, she goes to study in Paris at Académie Colarossi. On her return she exhibits in Leinster Hall, Molesworth Street, with contemporaries such as Beatrice Elvery, Eva Hamilton and Grace Gifford. Her work is also included in joint exhibitions with other artists at Mills Hall and the Arlington Gallery, London. She also exhibits at her Great Brunswick Street studio in December 1926.
Solomons illustrates Padraic Colum‘s The Road Round Ireland (1926) and DL Kelleher’s The Glamour of Dublin in 1928. Originally published after the devastation of the 1916 Easter Rising, the later edition features eight views of familiar locations in the city centre including Merchant’s Arch and King’s Inns. Her etching “A Georgian Doorway” is included in Katherine MacCormack’s Leabhar Ultuin in 1920. This publication features illustrations by several prominent Irish artists and is sold in aid of the new Saint Ultan’s Children’s Hospital in Charlemont Street, Dublin, that had been founded by two prominent members of Cumann na mBan, Dr. Kathleen Lynn and Madeleine ffrench-Mullen.
Solomons is elected an associate of the Royal Hibernian Academy (RHA) in July 1925, but it is not until 1966 that she is elected an honorary member. Her work is included in the Academy’s annual members’ exhibition every year for sixty years.
Solomons is married to poet and publisher Seumas O’Sullivan, whose birth name is James Sullivan Starkey. Her parents oppose the relationship as O’Sullivan is not of the Jewish faith. They marry in 1925, when she is 43 and he 46, after her parents have died. She collaborates with her husband on The Dublin Magazine (1923–58), the renowned literary and art journal, of which O’Sullivan is editor for 35 years. She provides vital financial support to the magazine, particularly in sourcing advertising, which is difficult in the tough economic climate of the new Free State. She is helped in this endeavour by poet and writer, Kathleen Goodfellow, a lifelong friend. When Solomons and O’Sullivan are looking to move from their house in Rathfarnham because of a damp problem, Goodfellow offers them the house beside her own on Morehampton Road for a nominal rent. Two of Solomons’ portraits of Goodfellow are in the Model Arts and Niland Gallery in Sligo.
Solomons joins the Ranelagh branch of Cumann na mBan at the same time as Goodfellow. They are taught first aid, drilling and signaling by Phyllis Ryan. She is active before and during the Irish War of Independence. She conceals ammunition in the family vegetable garden before delivering it to a Sinn Féin agent. Her studio at Great Brunswick Street is used as a safe house by republicanvolunteers. During this time, she paints the portraits of a number of revolutionaries, some of which she has to later destroy to avoid incriminating them. Her work includes a portrait of Frank Aiken when we was chief of staff of the Irish Republican Army (IRA).
Solomons takes up a teaching position at Bolton Street College, Dublin. In 1939, she organises an exhibition in Dublin to help refugee artists from Europe.
Solomons dies on November 2, 1968, and is buried in Woodtown Cemetery, Rathfarnham. Her friend Kathleen Goodfellow gifts the Morehampton Road Wildlife Sanctuary, where Solomons liked to paint, to An Taisce. Two plaques have subsequently been erected there, one in memory of Solomons and one for Goodfellow.
Some of Solomons works are held in the Niland Collection, at The Model gallery in Sligo and in the National Gallery of Ireland. Her archives, which include artwork and photographs (and prints by Louise Jacobs), and the archives of The Dublin Magazine are in the Library of Trinity College Dublin.
Whelan is the fourth of seven children born to John and Elizabeth Whelan. His father is an accomplished centre half-back for Dublin club Brunswick and is instrumental in winning the FAI Junior Shield in 1924. His mother is an avid Shamrock Rovers supporter. His father dies in 1943 when Whelan is just eight years old.
Whelan begins his career at the age of twelve when he joins Home Farm before joining Manchester United as an 18-year-old in 1953. He is capped four times for the Republic of Ireland national football team, including a surprising 4–1 victory against Holland in Rotterdam in 1956, but does not score. His brother John plays for Shamrock Rovers and Drumcondra and his eldest brother Christy plays for Transport.
Whelan makes his first appearance for Manchester United during the 1954–55 season and quickly becomes a regular first-team player. He goes on to make 98 first-team appearances in four seasons at United, scoring 52 goals. He is United’s top scorer in the 1956–57 season, scoring 26 goals in the First Division and 33 in all competitions as United wins their second successive league title and reaches the semi-finals of the 1957-58 European Cup. He also gives a commanding display in the 1957 FA Cup final despite losing 2–1 to Aston Villa. Such is the strength of the competition in the United first team that he is soon being kept out of the side by Bobby Charlton. He is a traveling reserve for United’s ill-fated European Cup match against Red Star Belgrade in Belgrade on February 6, 1958, and is one of eight players to die in the subsequent air crash that destroys Matt Busby‘s young team and claims twenty-three lives. Fellow Irishman Harry Gregg, United’s goalkeeper and a survivor and hero of the Munich air crash, recalls Whelan’s last words as the plane is attempting take-off for the third and final time as “Well, if this is the time, then I’m ready.”
Thousands attend Whelan’s funeral on February 12 in St. Peter’s Church, Phibsborough, Dublin, and line the streets as the funeral procession makes its way to his burial-place in Glasnevin Cemetery. In December 2006 Dublin Corporation unveils a commemorative plaque on a bridge at Faussagh Road, Cabra, which was renamed Liam Whelan Bridge.
Although of a cheerful disposition, Whelan is also modest and shy by nature, and a quietly devout Catholic. He has a particular dislike of swearing and tends to fix a look of pained disappointment on teammates who use bad language. Nobby Stiles admits that he “would rather be caught swearing by the pope than by Billy Whelan.” His religious devotion regularly fuels rumours that he is considering being a priest, although at the time of his death he is engaged to be married to Ruby McCullough.
seamus dubhghaill 