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Death of Andrew O’Connor, American Irish Sculptor

Andrew O’Connor, American Irish sculptor whose work is represented in museums in the United States, Ireland, Britain and France, dies in Dublin on June 9, 1941.

O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.

Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.

Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.

During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.

In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.

O’Connor returns with his family to the United States on the outbreak of World War I, and sets up a studio in Paxton, Massachusetts. In 1918, his standing statue of the youthful Abraham Lincoln is placed outside the Illinois State Capitol at Springfield, Illinois. He later presents a marble head of Lincoln to the American ambassador’s residence, Phoenix Park, Dublin. His memorial in Chicago to President Theodore Roosevelt (1919) is commissioned as a tribute to Roosevelt’s associations with the Boy Scouts of America. The design of four standing scouts, modelled on O’Connor’s sons, is exhibited at the Philadelphia Art Alliance in 1920. He becomes an associate of the National Academy of Design, New York in 1919. In the early 1920s he executes an equestrian statue of the Marquis de Lafayette for South Park, at Mount Vernon, Baltimore, Maryland.

Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.

During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.

(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Brendan Smyth, Priest & Convicted Sex Offender

Brendan Smyth, O.Praem, a Catholic priest and convicted sex offender, is born on June 8, 1927, in Belfast, Northern Ireland. He becomes notorious as a child molester, using his position in the Catholic Church to obtain access to his victims. During a period of over 40 years, he sexually abuses and indecently assaults at least 143 children in parishes in Belfast, Dublin and the United States. His actions are frequently hidden from police and the public by Roman Catholic officials. Controversy surrounding his case contributes to the downfall of the government of the Republic of Ireland in December 1994.

Born John Gerard Smyth, upon joining the Norbertine Roman Catholic religious order in 1945, he changes his name to Brendan. The Norbertines, also known as the “Premonstratensians,” are aware of Smyth’s crimes as early as the late 1970s, yet they do not report him to either the Garda Síochána or the Royal Ulster Constabulary (RUC). He is moved from parish to parish and between dioceses and countries whenever allegations are made. In some cases, the order does not inform the diocesan bishop that Smyth has a history of sexual abuse and should be kept away from children. He abuses children in parishes in Rhode Island and North Dakota and at one time works in Boston and is suspected of similar actions while on pastoral work in Wales and Italy. Norbertine Father Bruno Mulvihill makes several attempts to alert church authorities about the abuse committed by Smyth.

Smyth’s first conviction follows the reporting to police of his abuse of four siblings in Belfast’s Falls Road. After his arrest in 1991, he flees to the Republic of Ireland, where he spends the next three years on the run, staying mostly at Kilnacrott Abbey. This leads to the collapse of the Fianna Fáil–Labour Party coalition government in December 1994 when the poor handling of an extradition request from the RUC by the Irish Attorney General‘s office leads to a further delay of Smyth’s trial. An award-winning UTV Counterpoint programme on the scandal by journalist Chris Moore, followed by a book, accuses the head of the Norbertines and the Archbishop of Armagh of mishandling the case, and the Norbertines of negligence and a failure to tell others of Smyth’s crimes, enabling him to sexually abuse large numbers of children for 40 years.

Smyth dies in prison of a heart attack at the age of 70 on August 22, 1997, after collapsing in the exercise yard, one month into a 12-year prison sentence. The Norbertines hold his funeral before dawn and cover his grave with concrete to deter vandalism. He is buried in Kilnacrott Abbey, which is later put up for sale with 44 acres of land, including the grave.

On October 27, 2005, the title “Reverend” is removed from his gravestone following a campaign by one of Smyth’s victims.

Reviewers of the case differ as to whether there is a deliberate plot to conceal Smyth’s behaviour, incompetence by his superiors at Kilnacrott Abbey, or some combination of factors. Cahal Daly, both as Bishop of Down and Connor, a diocese where some of the abuse takes place, and later as Cardinal Archbishop of Armagh, is recorded as having been privately furious at the Norbertine “incompetence.” Smyth’s activities are investigated by the Northern Ireland Historical Institutional Abuse Inquiry, finding that: “…despite knowing his history of abusing children, the Norbertine religious order moved Smyth to different dioceses where he abused more children…”

In 2010, Daly’s successor as Roman Catholic Archbishop of Armagh, Cardinal Seán Brady, faces “huge pressure to resign” after he admits that in 1975, he witnessed two teenage boys sign oaths of silence after testifying in a Church inquiry against Smyth. Survivor groups see this as evidence of collusion, but Brady says he “did not have the authority” to turn Smyth in. On March 17, 2010, the Deputy First Minister of Northern Ireland, Martin McGuinness, calls for Brady to resign.

In 2013, some of Smyth’s alleged Rhode Island victims between 1965 and 1968, both male and female, call for the Diocese of Providence to investigate Smyth. As of 2019, he is among those listed by the Diocese of Providence as being “credibly accused” of committing sex abuse.

Module 6 of the 2014-2016 Northern Ireland Historical Institutional Abuse Inquiry is dedicated to Smyth’s crimes in Northern Ireland.

A two-part dramatisation of the Smyth case, Brendan Smyth: Betrayal of Trust, is broadcast by the BBC on March 13, 2011, with Ian Beattie in the title role and Richard Dormer as Chris Moore.

(Pictured: Father Brendan Smyth, Our Lady of Mercy, East Greenwich, Rhode Island, USA, c. 1965)


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Death of Matt Talbot

Matthew Talbot, an Irish ascetic revered by many Catholics for his piety, charity and mortification of the flesh, suddenly dies on a Dublin street on June 7, 1925. Though he has not yet been formally recognized as a saint, he has been declared Venerable and is considered a patron of those struggling with alcoholism. He is commemorated on 19 June.

Talbot is born on May 2, 1856, at 13 Aldborough Court, Dublin, the second eldest of twelve children of Charles and Elizabeth Talbot, a poor family in the North Strand area. He is baptized in St. Mary’s Pro-Cathedral on May 5. His father and all but the oldest of his brothers is heavy drinkers. In 1868, he leaves school at the age of twelve and goes to work in a wine merchant’s store. He very soon begins “sampling their wares,” and is considered a hopeless alcoholic by age thirteen. He then goes to the Port & Docks Board where he works in the whiskey stores. He frequents pubs in the city with his brothers and friends, spending most or all of his wages and running up debts. When his wages are spent, he borrows and scrounges for money. He pawns his clothes and boots to get money for alcohol. On one occasion, he steals a fiddle from a street entertainer and sells it to buy drink.

One evening in 1884, 28-year-old Talbot, who is penniless and out of credit, waits outside a pub in the hope that somebody will invite him in for a drink. After several friends had passed him without offering to treat him, he goes home in disgust and announces to his mother that he is going to “take the pledge” (renounce drink). He goes to Holy Cross College, Clonliffe, where he takes the pledge for three months. At the end of the three months, he takes the pledge for six months, then for life.

Having drunk excessively for 16 years, Talbot maintains sobriety for the following forty years of his life. There is evidence that his first seven years after taking the pledge are especially difficult. He finds strength in prayer, begins to attend daily Mass, and reads religious books and pamphlets. He repays all his debts scrupulously. Having searched for the fiddler whose instrument he had stolen, and having failed to find him, he gives the money to the church to have Mass said for him.

Even when his drinking is at its worst, Talbot is a hard worker. When he joins Pembertons, the building contractors, as a hod-carrier, his work-rate is such that he is put first on the line of hodmen to set the pace. Later, in Martin’s timber yard, he takes on the meanest and hardest jobs. He is respectful to his bosses but not obsequious, and on occasion stands up for a fellow worker. On September 22, 1911, he joins the builder’s labourers branch of the Irish Transport and General Workers Union (ITGWU). When the Dublin Lockout of 1913 leads to sympathy strikes throughout the city, the men of Martin’s, including Talbot, come out. At first, he refuses his strike pay, saying that he had not earned it. Later he accepts it but asks that it be shared out among the other strikers. After his death a rumour is put about that he was a strike-breaker in 1913, but all the evidence contradicts this.

From being an indifferent Catholic in his drinking days, Talbot becomes increasingly devout. He lives a life of prayer, fasting, and service, trying to model himself on the sixth century Irish monks. He is guided for most of his life by Michael Hickey, Professor of Philosophy at Holy Cross College. Under Hickey’s guidance his reading becomes wider. He laboriously reads scripture, the lives of saints, the Confessions of Saint Augustine, and the writings of Francis de Sales and others. When he finds a part difficult to understand, he asks a priest to clarify it.

Hickey also gives Talbot a light chain, much like a clock chain, to wear as a form of penance. He becomes a Third Order Franciscan in 1890 and is a member of several other associations and sodalities. He is a generous man. Although poor himself, he gives unstintingly to neighbours and fellow workers, to charitable institutions and the Church. He eats very little. After his mother’s death in 1915, he lives in a small flat with very little furniture. He sleeps on a plank bed with a piece of timber for a pillow. He rises at 5:00 a.m. every day so as to attend Mass before work. At work, whenever he has spare time, he finds a quiet place to pray. He spends most of every evening on his knees. On Sundays he attends several Masses. He walks quickly, with his head down, so that he appears to be hurrying from one Mass to another.

Talbot is on his way to Mass on Trinity Sunday, June 7, 1925, when he collapses and dies of heart failure on Granby Lane in Dublin. Nobody at the scene is able to identify him. His body is taken to Jervis Street Hospital, where he is undressed, revealing the extent of his austerities. A chain had been wound around his waist, with more chains around an arm and a leg, and cords around the other arm and leg. The chains found on his body at death are not some extreme penitential regimes but a symbol of his devotion to Mary, Mother of God, that he wished to give himself to her totally as a slave. His story quickly filters through the community, and there are many spectators when his funeral takes place at Glasnevin Cemetery on June 11, 1925. In 1972, his remains are removed to a tomb in Our Lady of Lourdes Church in Seán McDermott Street, Dublin, in the area where he spent his life.

As word of Talbot spreads, he rapidly becomes an icon for Ireland’s Catholic temperance movement, the Pioneer Total Abstinence Association. His story soon becomes known to the large Irish diaspora communities. Many addiction clinics, youth hostels and statues have been named after him throughout the world. One of Dublin’s main bridges is also named after him. A statue of Talbot is erected at Sir John Rogerson’s Quay in 1988. Pope John Paul II, as a young man, wrote a paper on him.

There is a small plaque in Granby Lane at the site of Talbot’s death. Prior to the current plaque on the Eastern side of the lane, a small brass cross was inlaid in a stone wall on the Western side of the lane.

In August 1971, Archbishop of Dublin John Charles McQuaid unveils a plaque to Talbot at a block of flats known as “Matt Talbot Court” due to it being on the same site as one of Talbot’s residences. President Éamon de Valera and Fine Gael leader Liam Cosgrave attend the ceremony.

(Pictured: Portrait of Matt Talbot, near the end of his life, taken from the only photograph known to exist)


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Death of Irish Language Writer Diarmaid Ó Súilleabháin

Diarmaid Ó Súilleabháin, Irish language writer whose chosen theme is contemporary urban life, dies on June 5, 1985. He is acknowledged as an important Irish language modernist. He is also active in the Irish republican movement and a member of Sinn Féin.

Ó Súilleabháin is born on the Beara Peninsula in County Cork on July 29, 1932. His mother, Máire Áine Ní Dhrisceoil, is a primary school teacher and his father, John O’Sullivan, is a small farmer. He marries Úna Ní Chléirigh on October 28, 1954, and they have two sons and three daughters.

Ó Súilleabháin is awarded a scholarship to Coláiste Íosagáin, a Catholic secondary school in Ballyvourney, where he is influenced by Friar Peadar Ó Loingsigh, and qualifies as a primary teacher in St. Patrick’s College, Drumcondra. He devotes his life to teaching. He settles in Gorey, County Wexford, and works there as a primary teacher for the Christian Brothers school.

Best known now for his literary work, Ó Súilleabháin writes ten novels, two of them for teenagers. Maeldún (1972) is a pioneering Irish novel that explores sexuality. He writes seven unpublished plays but most of them are shown in Damer Hall and the Peacock Theatre. Three plays that he writes include Bior, Ontos and Macalla and he writes a collection of short stories, Muintir (1970). A story from Muintir called ‘D’ is translated into English and adapted for the stage by Vivian McAlister and is performed by the Dublin University Players in May 1977.

Like Eoghan Ó Tuairisc, Ó Súilleabháin “challenged the critical orthodoxy by openly proclaiming that their standards could not be those of the Gaeltacht and by demanding a creative freedom that would acknowledge hybridity and reject the strictures of the linguistic purists.” He and Máirtín Ó Cadhain are considered the two most innovative Irish language authors to emerge in the 1960s. He often writes in a stream of consciousness, and his style influences younger writers. His writing “explores the problem of recovering idealism and cultural wholeness in an increasingly shallow and materialistic Irish society.” He is elected as a member of the Irish Academy of Letters and wins more literary prizes than any other living Irish author.

Ó Súilleabháin writes a collection of poetry, Cosa Gréine, which is published and launched in Dublin in 2013, twenty-eight years after his death.

Ó Súilleabháin is an active Irish republican, particularly in publicizing the republican struggle, and is a member of Sinn Féin’s ruling body beginning in 1971. He spends short periods in prison because of activities related to his political beliefs.


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Birth of Robert Mallet, the Father of Seismology

Robert Mallet, geophysicist, civil engineer, and inventor who distinguishes himself in research on earthquakes and is sometimes called the Father of Seismology, is born in Dublin on June 3, 1810.

Mallet is the son of factory owner John Mallet. He is educated at Trinity College, Dublin, entering it at the age of 16 and graduating in science and mathematics in 1830 at the age of 20.

Following his graduation, Mallet joins his father’s iron foundry business and helps build the firm into one of the most important engineering works in Ireland, supplying ironwork for railway companies, the Fastnet Rock lighthouse, and a swing bridge over the River Shannon at Athlone. He also helps manufacture the characteristic iron railings that surround Trinity College, and which bear his family name at the base.

Mallet is elected to the Royal Irish Academy in 1832 at the early age of 22. He also enrolls in the British Association for the Advancement of Science in 1835 which helps finance much of his research in seismology.

In 1838 Mallet becomes a life member of the Royal Geological Society of Ireland and serves as its President from 1846–1848. From 1848–1849 he constructs the Fastnet Rock lighthouse, southwest of Cape Clear.

On February 9, 1846, Mallet presents to the Royal Irish Academy his paper On the Dynamics of Earthquakes, which is considered to be one of the foundations of modern seismology. He is also credited with coining the word “seismology” and other related words which he uses in his research. He also coins the term epicentre.

From 1852 to 1858, Mallet is engaged in the preparation of his work, The Earthquake Catalogue of the British Association (1858) and carries out blasting experiments to determine the speed of seismic propagation in sand and solid rock.

On December 16, 1857, the area around Padula, Italy is devastated by the Great Neapolitan earthquake which causes 11,000 deaths. At the time it is the third largest known earthquake in the world and has been estimated to have been of magnitude 6.9 on the Richter Scale. Mallet, with letters of support from Charles Lyell and Charles Darwin, petitions the Royal Society of London and receives a grant of £150 to go to Padula and record at first hand the devastation. The resulting report is presented to the Royal Society as the Report on the Great Neapolitan Earthquake of 1857. It is a major scientific work and makes great use of the then new research tool of photography to record the devastation caused by the earthquake. In 1862, he publishes the Great Neapolitan Earthquake of 1857: The First Principles of Observational Seismology in two volumes. He brings forward evidence to show that the depth below the Earth’s surface, from where the impulse of the Neapolitan earthquake originated, is about 8–9 geographical miles.

One of Mallet’s papers is Volcanic Energy: An Attempt to develop its True Origin and Cosmical Relations, in which he seeks to show that volcanic heat may be attributed to the effects of crushing, contortion, and other disturbances in the crust of the earth. The disturbances leading to the formation of lines of fracture, more or less vertical, down which water would find its way, and if the temperature generated be sufficient volcanic eruptions of steam or lava would follow.

Mallet is elected Fellow of the Royal Society in 1854, and in 1861 moves to London, where he becomes a consulting engineer and edits The Practical Mechanic’s Journal. He is awarded the Telford Medal by the Institution of Civil Engineers in 1859, followed by the Cunningham Medal of the Royal Irish Academy for his research into the theory of earthquakes in 1862, and the Wollaston Medal of the Geological Society of London in 1877, the Geological Society’s highest award.

Blind for the last seven years of his life, Robert Mallet dies at Stockwell, London, on November 5, 1881, and is buried at West Norwood Cemetery.


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Birth of Cathal O’Byrne, Antiquarian, Writer & Entertainer

Cathal O’Byrne, an antiquarian, writer, and entertainer, is born on June 1, 1876, in Kilkeel, County Down.

O’Byrne is the son of James Burns, a farmer, and his wife Isabella (née Arnett). His biographer states that his parents came from County Wicklow, which would imply that their name had been anglicised from the form “O’Byrne,” which their son readopts. He never marries and spends most of his life living with his unmarried sister Teresa. He has other siblings, as he is survived by four nieces and two nephews.

O’Byrne’s childhood is spent in the Balmoral district of south Belfast in a comfortable but slightly precarious middle-class Catholic environment. Although sparse in direct autobiographical references, his writings contain references to excursions around the Malone and Stranmillis areas, with particular reference to the Botanic Gardens. He is educated at St. Malachy’s College. After leaving school, he manages a spirit grocery on the Beersbridge Road in east Belfast and is active in the Sexton Debating Society, named after Thomas Sexton, then home rule MP for Belfast West, and led by Joseph Devlin, who remains a lifelong friend despite their later political differences. He also studiess music with Carl Hardebeck, acquiring an extensive knowledge of Irish folk music and becoming an accomplished singer of Irish tunes in Hardebeck’s arrangements.

O’Byrne subsequently joins the Belfast Gaelic League, becoming a leading member, though he never masters the Irish language. He moves in the literary and antiquarian circles around Francis Joseph Bigger, whose friendship becomes central to his career and self-definition. He is a regular participant in Bigger’s soirées and establishes friendships with many prominent political and cultural figures, among them Roger Casement and Alice Milligan. Although he is usually seen as a specifically northern writer, he draws extensively on a wider Irish tradition of defensively self-glorifying Catholic-nationalist antiquarianism, including the works of W. H. Grattan Flood and Archbishop of Tuam, John Healy, a major source for his later pamphlet on Saint Patrick and for the descriptions of Ulster monasteries in As I Roved Out: A Book of the North (1946).

In 1900, O’Byrne publishes a collection of verses, A Jug of Punch, of which no copies are known to survive, and in 1905 collaborates with Cahir Healy on another collection, The Lane of the Thrushes, which applies Celtic revival imagery to rural Ulster. He publishes another collection, The Grey Feet of the Wind, in 1917. The manuscript of his unpublished Collected Poems (1951) is in the Public Record Office of Northern Ireland.

In 1902, O’Byrne gives up the spirit grocery to work full time as a journalist, singer, and storyteller. He appears at a wide variety of concerts, where he cuts a striking figure in Gaelic dress with saffron kilt. He provides musical interludes at productions by the Ulster Literary Theatre, and his recitation of Eleanor Alexander’s humorous piece on the battle of Scarva inspires Harry Morrow’s celebrated satirical play Thompson in Tir-na-nOg (1912). In 1913, he founds and manages the Celtic Players, a theatre company which stages some plays of his own composition, including The Dream of Bredyeen Dara, possibly a nativity story incorporating Saint Brigid of Kildare.

During World War I O’Byrne achieves immense cross-community success with a weekly dialect column in the Unionist paper Ireland’s Saturday Night, describing the domestic activities of “Mrs. Twigglety” and her working-class friends. At the same time, he has abandoned his earlier support for Devlin’s home rule politics to embrace physical-force republicanism under the influence of Denis McCullough. During Casement’s imprisonment and trial, he carries on an intense correspondence with him, comforting him, urging him to convert to Catholicism, and sending him religious icons. Some commentators have detected homoerotic undertones in their exchanges, though this is a matter of opinion.

After the Easter Rising of 1916, O’Byrne is active in the reconstituted Irish Republican Army (IRA), and in 1919–20 he smuggles arms from Belfast to Dublin. In August 1920, he emigrates to the United States, where he goes on a six-month lecture tour to raise funds for victims of the Belfast pogroms. He allegedly raises $100,000 and funds the construction of Amcomri Street in west Belfast. He spends the next eight years in the United States as a speaker and entertainer, contributing to American Catholic publications. He develops an abiding fondness for Chicago and considers applying for American citizenship. At one point he corresponds with the film star Rudolph Valentino, who admires his verses on Italian themes.

O’Byrne returns to Belfast in September 1928 with the intention of opening a bookshop in Dublin, but this has to be abandoned after the loss of his savings in the Wall Street crash of October 1929. He settles into respectable semi-poverty in Cavendish Street, off the Falls Road, and remains a presence on the fringes of Belfast literary life. In 1930, he founds the Cathal O’Byrne Comedy Company, which performs plays of his own composition, notably the slight comedies The Returned Swank and The Burden, drawing on The Drone, by Samuel Waddell. In 1932, he sings at a concert in the Dublin Mansion House held to mark the Eucharistic Congress. He writes extensively for Catholic publications in Ireland and elsewhere, in particular the Capuchin Annual, Irish Monthly, and Irish Rosary, and publishes several pamphlets with the Catholic Truth Society (CTS). The sensibility displayed in these writings has much in common with that of Brian O’Higgins, Aodh de Blácam, Daniel Corkery and Gearoid Ó Cuinneagáin.

O’Byrne also publishes The Gaelic Source of the Brontë Genius (1932), Pilgrim in Italy (1930), and the story collection From Far Green Hills (1935), which retells gospel episodes in the style of an Irish storyteller with elements of Wildean orientalist exoticism. Pilgrim in Italy is published by the Three Candles Press of Colm Ó Lochlainn, an old friend through the Bigger circle, as is his last story collection, Ashes on the Hearth (1948), a series of slight reveries in which the narrator, wandering the back streets of Dublin, relives such resonant moments as the last days of James Clarence Mangan.

O’Byrne is best remembered, however, for As I Roved Out (1946), a collection of 128 articles on Belfast history originally published from the late 1930s in the Belfast Irish News. It displays considerable knowledge of Belfast history, drawn from lifelong reading and from conversations with Bigger, and can be seen as at once the summation of and a lament for the northern branch of the Irish revival associated with such figures as Bigger and Alice Milligan. The pieces, moving out from central Belfast to surrounding rural districts are held together by the storyteller surveying the landscape. Surveys of Belfast by journalistic flâneurs are not unprecedented, O’Byrne dismisses the mercantile and unionist establishment of Belfast as hopelessly materialistic and oppressive, casting himself and, by implication, his Catholic/nationalist readers as internal exiles forced into the side streets of history, treasuring a martyred religious faith and gazing back wistfully to the bright and fleeting hope represented by the Society of United Irishmen and the cultural revival. The book is punctuated by expressions of anger against the whole heritage of the Ulster plantation. The economic success of the planters is attributed solely to their plunder of the natives. The textile industry is discussed solely in terms of exploitation and starvation wages. Shipbuilding is dismissed with a remark that ships were built in Ulster long before the planters arrived. Finally, the history of Belfast is summed up in the confrontation between the Belfast merchant, ancestor of the unionist “establishment,” and would-be slave-trader Waddell Cunningham and the United Irishman and self-declared “Irish slave” William Putnam McCabe.

There are numerous contemptuous references to the Sabbatarianism and respectable dullness of late Victorian Belfast, contrasted with the lively artistic activities of the volunteer period. The book is reprinted three times in O’Byrne’s lifetime and is seen by nationalists as an underground classic. Its image of Belfast layered with fragmentary and hidden memories has been drawn on by authors as diverse as Ciaran Carson and Gerry Adams, and in the early twenty-first century O’Byrne is commemorated as one of the city’s significant writers. A plaque is placed on his Cavendish Street house in 2004. It is ironic that his reputation should rest on his memorialisation of Belfast, for he denounced it as “interminable miles of mean streets . . . one of the ugliest cities in the world.”

O’Byrne is believed by some, though not all, of his acquaintances to be homosexual. This view is supported by references to the descriptions of male beauty (based on Gaelic saga models) which recur in his writings and by the expressions of longing which permeate his work (which might also reflect a wider sense of loneliness or cultural displacement). His last years, 1954–57, are spent in the Nazareth Nursing Home in Ormeau Road, Belfast, where he dies on August 1, 1957, a month after suffering a stroke. His funeral is crowded, and his gravestone describes him as “singer, poet and writer who brought joy into the lives of others.”

(From: “O’Byrne, Cathal” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Death of Alexander McCabe, Teacher, Revolutionary & Politician

Alexander McCabe (Irish: Alasdar Mac Cába), teacher, revolutionary, Sinn Féin politician, and founder of the Educational Building Society (EBS), dies in Dublin on May 31, 1972.

McCabe is born in Keash, County Sligo, on June 5, 1886. He is educated at Summerhill College, Sligo. He wins a scholarship to St. Patrick’s College of Education, Drumcondra, Dublin, and later obtains a diploma from University College Dublin (UCD). He is appointed headmaster of Drumnagranchy national school, County Sligo, in 1907. He joins the Irish Republican Brotherhood (IRB) in 1913.

McCabe is elected as a Sinn Féin MP for the South Sligo constituency at the 1918 Irish general election. In January 1919, Sinn Féin MPs refuse to recognise the Parliament of the United Kingdom and instead assemble at the Mansion House in Dublin as a revolutionary parliament called Dáil Éireann, though McCabe does not attend as he is in prison in Lincoln Gaol.

At the 1921 Irish elections, McCabe is re-elected for Sligo–Mayo East. He supports the Anglo-Irish Treaty and votes in favour of it. He is again re-elected for Sligo–Mayo East at the 1922 Irish general election, this time as pro-Treaty Sinn Féin Teachta Dála (TD). During the Treaty debate, he asserts that the counties of Ulster which comprise “Northern Ireland” can never be incorporated into an Irish Republic while the British Empire is what it is.

At the 1923 Irish general election, McCabe is elected as a Cumann na nGaedheal TD for Leitrim–Sligo. He resigns from Cumann na nGaedheal in 1924 because of dissatisfaction with government attitude to certain army officers and joins the National Party led by Joseph McGrath.

McCabe resigns his Dáil seat on October 30, 1924, along with several other TDs, and the resulting by-election on March 11, 1925, is won by the Cumann na nGaedheal candidate Martin Roddy. He does not stand for public office again and returns to his post as a schoolteacher.

In the 1930s McCabe is involved with the short-lived but widely followed Irish Christian Front (ICF), serving as the organisation’s secretary and announcing its creation to the public on August 22, 1936. He is also a member of the Blueshirts during this period and later the Irish Friends of Germany (later known as the “National Club”) during World War II, a would-be Nazi Collaborator group in the event Germany were to invade Ireland. He chairs their meetings, denies the group is a fifth column and expresses the belief that a German victory will lead to a United Ireland. He is interned in 1940–41 because of his pro-German sympathies, which he claims resulted from the desire to “see the very lifeblood squeezed out of England.”

In 1935, McCabe co-founds the Educational Building Society with Thomas J. O’Connell. He retires from teaching in the 1940s and becomes the full-time managing director of the EBS.

McCabe dies in Dublin on May 31, 1972, leaving his wife, son, and three daughters. There is a bronze bust of him in the headquarters of the Educational Building Society, Westmoreland Street, Dublin.


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Birth of Patrick Bedford, Stage & Television Actor

Patrick Alexander Bedford, Irish stage and television actor, is born in Dublin on May 30, 1932.

Bedford begins his career in the 1950s at the Gate Theatre in Dublin then under the direction of Hilton Edwards and Micheál Mac Liammóir, including productions of Anton Chekhov, George Bernard Shaw and William Shakespeare. He later works on the stage and in television in England. In London, he appears on stage and television in Edgar Wallace Mysteries and in several plays adapted for television.

Bedford is in the original stage production of Brian Friel‘s Philadelphia, Here I Come! at the Gaiety Theatre in Dublin in September 1964, in the London West End transfer at the Criterion Theatre, and in the Broadway New York City transfer. His performance earns him a 1965 Tony Award for Best Actor in a Play nomination, along with Donal Donnelly, and an Outer Critics Circle Award.

Bedford is a key figure in episode four, “A Death in England,” of the ABC Weekend TV sci-fi drama Undermind on UK television in 1965. He has a small part in Orson Welles‘s film Chimes at Midnight (1965) and a starring role with Sandy Dennis in the 1967 film Up the Down Staircase about life in a New York City high school and is in The Next Man (1976).

Bedford then mainly works in theatre in the United States, on both coasts, but mainly in New York City both on and off Broadway. He is in the premiere of Tennessee Williams‘s last play Small Craft Warnings at the New Theatre in New York in 1972. Other stage appearances include Brian Friel’s The Mundy Scheme in New York in 1969 and as John Adams in the nationwide tour of the musical 1776. He appears in over 200 stage productions throughout his career.

Bedford dies at the age of 67 on November 20, 1999, in Manhattan, New York City, of cancer six weeks after entering the hospital.


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Death of Helen Maybury Roe, Librarian & Antiquarian

Helen Maybury Roe, Irish librarian and antiquarian and a champion of medieval Irish art and iconography, dies on May 28, 1988, at Grove Nursing Home in Killiney, County Dublin.

Born on December 18, 1895, Roe is the daughter of William Ernest Roe and Anne Lambert Sheilds of Mountrath, County Laois. Her grandfather is Francis Henry Sheilds of Parsonstown (now Birr, County Offaly), owner of the King’s County Chronicle. She is sent first to the local primary school and then to the Preston School in Abbeyleix. Although she attends Trinity College Dublin (TCD), she does not begin her career due to the outbreak of World War I. She joins the St. John’s Ambulance Brigade and serves at the Cambridge Military Hospital and at Aldershot Barracks. In the immediate aftermath, she continues her medical career with the Military Hospital in Bray, County Wicklow. She also spends time touring in Europe visiting museums and beginning her appreciation for medieval art. She is raised Protestant and has done her duty as part of the aristocracy by serving in the war. But the soldiers treat her as Irish and abuse her especially during the Easter Rising of 1916. The result is that she supports nationalism from that point forward. She goes back to TCD and completes her degree in modern languages in 1921. She finally completes her MA in 1924 and begins a teaching career. She spends time working in the Royal School, Dungannon, and Alexandra College, Milltown, Dublin.

In 1926, Roe’s parents need her, and she returns home. She then becomes the County Librarian in Laois. While working as a librarian she is able to study further and, as a rare person with a car, she tours sites and visits schools. One result of her presentations to schools is to inspire Ireland’s first female archaeologist, Ellen Prendergast. In 1940, she retires from the library and moves to Dublin where she is able to buy a house and garden. Apart from her antiquarian work, she is a regular supporter of charities and is honorary secretary of The Queen’s County Protestant Orphan’s Society and actively involved in The Dublin University Mission to Chota Nagpur, India.

Roe becomes a regular contributor to various journals and newspapers including Journal of the Royal Society of Antiquaries of Ireland, An Leabharlann, Béaloideas, Seanchas Ard Mhacha, Carloviana, the The Irish Press and the Leinster Express. From 1965 until 1968 she serves as the president of the Royal Society of Antiquaries of Ireland, the first woman to be elected to the position. She is elected to be a member of the Royal Irish Academy in 1984. She continues touring and lecturing into her nineties.

Roe lives at Santry, Dublin, and later at Oak House, Sussex Road, Dublin. She dies on May 28, 1988, at Grove Nursing Home, Killiney, County Dublin, and is buried beside her parents at St. Peter’s Churchyard, Mountrath, County Laois.

The Royal Society of Antiquaries of Ireland have an annual lecture in her honour and have named one of their lecture rooms after her.


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Death of Joseph Brenan, Poet, Journalist & Author

Joseph Brenan (also Brennan), poet, journalist and author, and leading member of the Young Irelanders and Irish Confederation, dies on May 27, 1857, in New Orleans, Louisiana.

Brenan is born in Cork, County Cork, on November 17, 1828. He begins to write verse at an early age and is one of the genuine poets of the Young Ireland movement. His earlier poems are published under the initials “J. B., Cork,” or “J. B—n,” and some of his American verses under the pseudonym “Gondalez.” He is also an able prose writer.

Brenan is an active member of the Cork Historical Society, and is one of the editors of the Cork Magazine, which appears in November 1847, and continues to be published until the end of 1848, when the journal ceases publication. Some of its contributors, who include Frazer, Martin MacDermott, Fitz James O’Brien, Mulchinock and Mary Savage, later either end up in jail or in exile.

In January 1848, John Mitchel visits Cork and, according to Michael Cavanagh, who publishes a sketch of Brenan’s life in Young Ireland, Dublin, in June and July 1885, Brenan for the first time “beheld the man he most admired on earth, and with whose future destiny, whether for weal or woe, he felt his own was bound up. Never had the archenemy of England a more faithful or earnest follower.”

Brenan contributes to the Mitchel’s United Irishman and sells his rifle to obtain train fare so he can take up his residence in Dublin, the headquarters of the revolutionary movement. He later publishes articles in John Martin‘s The Irish Felon urging the Confederate Clubs members, many of whom have arms, to be in readiness for action. “The sooner you realise the fact,” he writes in a letter addressed to the Members of the Provincial Confederate Clubs, “that the Confederation was got up for the purpose of doing something, the better for us all. Just think what it undertook to do. It undertook to defeat the strongest Government and to liberate the most degraded country that ever existed. It undertook to give – to a province—to strike the chains off millions of slaves and, if necessary, to wash out the iron moulds in blood.”

In another letter to “the Young Men of Ireland” on July 22, 1848, he writes, “On you I principally rely. You realise that you are very ‘rash,’ rather inclined to be ‘violent,’ and have exceedingly little prudence to spare. Brothers, let your watchword be ‘Now or never—now and forever’ rashly.”

Brenan is associated with John Savage and John O’Mahony while Savage is operating on the slopes of the Comeragh Mountains. He is arrested and kept in prison for seven months alternately in Newgate Prison, Carrickfergus and Kilmainham Gaols. During his confinement he writes some fine poems, according to T. F. O’Sullivan, one, entitled Yearnings, evidently addressed to Mary Savage, sister of John.

After his release without trial in March 1849, Brenan becomes editor of the Irishman which had been started in Dublin by Bernard Fulham, and for six months attempts to rekindle the insurrectionary flame in the country. He is implicated in the attack on the Cappoquin police barracks on September 16, 1848, and in October escapes to the United States.

In America Brenan becomes associated with a number of journals, including Horace Greeley‘s New-York Tribune, Devin Reilly’s People, The Enquirer of Newark, New Jersey, and the New Orleans Delta in which he writes a series of papers under the pen-name Ben Fox. On August 27, 1851, he marries Mary Savage, in her parents’ house, on Thirteenth Street, New York.

Brenan writes some articles and poems for John Mitchel’s Irish Citizen in 1854. He is an enthusiastic supporter of the Southern cause and founds the New Orleans Times.

Brenan dies on May 27, 1857, at the early age of twenty-nine and is buried in the old French cemetery of New Orleans. During the last year of his life, he is almost totally blind. He is attended in his last illness by Dr. Dalton Williams. There are seven children of his and Mary’s marriage, only one of whom, Florence, survives their parents. She possesses her father’s literary ability but devotes her life to religion as a member of the Mercy Order.

Brenan’s best-known poem, “Come to Me, Dearest,” is addressed to Mary Savage before their marriage. The love story of Brenan and Mary is told in the sketch by Ellen Mary Patrick Downing, afterwards Sister Mary Alphonsus.