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Birth of Playwright Michael Joseph Molloy

Michael Joseph Molloy, Irish playwright, is born March 3, 1914, in Milltown, County Galway, the son of William Molloy, originally of Glenamaddy, County Galway, who runs a shop at Milltown, and Maria Molloy (née Tucker), a native of Claremorris, County Mayo, and a teacher at Milltown girls’ school.

Molloy is the fifth in a family of five boys and three girls. Two other children die at birth. He is educated at Milltown national school and St. Jarlath’s College, Tuam, County Galway, from 1927 to 1931. His father dies when he is six years old and his uncle, Sonny Tucker, becomes an important influence, encouraging his life-long habit of extensive reading. In 1931 he goes to St. Columba’s Seminary at Dalgan Park, Shrule, County Mayo, but discontinues his studies for the priesthood when he contracts tuberculosis. He undergoes several operations, has to use crutches for three years, and is left with a permanent limp. While under the care of the sanatorium in Newcastle, County Wicklow, in the late 1930s, he is encouraged by a friend to attend a performance of two plays by George Bernard Shaw, Candida and Village Wooing, at the Abbey Theatre, Dublin. He becomes a regular playgoer and is inspired to begin a career as a dramatist.

Having lived in the family home at Milltown until 1955, he takes up residence at a nearby farmhouse on the marriage of his brother Christy. Despite his handicap, he works the small farm for the rest of his life to supplement the irregular income from his plays. He never marries and is attended by his housekeeper, Agnes Johnston. He is a familiar sight as he travels around his local area on the high bicycle he had fitted with one fixed pedal. The purpose of these journeys is to collect folklore, which provides a rich body of material for his plays and which he gathers into a prose volume, though this remains unpublished and privately held.

Molloy has nine of his thirteen plays produced at the Abbey Theatre, from Old Road in 1943 to Petticoat Loose in 1979. His plays reveal him as a folklorist in the line of John Millington Synge and draw on the same mixture of Christian and pagan beliefs, but with a more sympathetic understanding of his characters’ Catholicism. There is also the same strong vein of grotesque physical humour. His accomplished one-act play The Paddy Pedlar (1953) is based on a folk tale about a man carrying the body of his dead mother around in a sack and takes its bearings from an extraordinary amalgam of beliefs about the afterlife.

Molloy’s history plays re-create a world that shows the oppressions of colonialism on a subject race who respond with a wild anarchy mixed with subdued acceptance. His plays with a contemporary setting most often take emigration as their theme and are prophetic of later work by John B. Keane and Brian Friel. He writes in a heightened folk idiom, which only rarely loses touch with natural speech. Old Road wins an Abbey Prize and is staged in 1943 with Cyril Cusack as the young farm labourer trying to decide whether to emigrate to England or to stay in Ireland. Joseph Holloway gives a touching account of the shy author taking his curtain at this first production, who, though his lips move, is unable to say anything. The Visiting House follows in 1946, and dramatises a night of singing, dancing, and storytelling, peopled by a richly diverse cast of characters.

Molloy’s first masterpiece, The King of Friday’s Men, is launched in 1948. It takes the uncompromising theme of the droit du seigneur exercised by an eighteenth-century Anglo-Irish landlord on the most beautiful young women on his estate. His latest prey seeks to evade her fate by enticing the aged faction fighter, Bartley Dowd, to fight the landlord on her behalf. The play recreates that eighteenth-century world with colour, immediacy, and a strong sense of how the colonial system envelops all of the characters save the marginalised Bartley, who in the first production is played by the actor and author Walter Macken.

Molloy’s even greater The Wood of the Whispering follows in 1953 at the Queen’s Theatre, where the Abbey company is now playing. It is his most probing treatment of the effects of emigration, an issue of which Molloy, living in Galway, is only too aware. It is the most Beckettian of Irish plays, with its old tramp, Sanbatch Daly, and a host of older characters who are not so much eccentric as damaged in some profound way. At the play’s close Sanbatch feigns madness to gain entry to the asylum, though he is not in truth far from genuine madness. The various younger couples agree to stay and marry in Ireland rather than go their separate ways back to England. This idea of cultural renewal also underscores the importance Molloy places on the staging of his plays by amateur drama companies.

From the 1960s onwards Molloy’s plays are less readily accepted by the Abbey Theatre and a Dublin audience, but they still find a ready reception in his native place. In later works, such as Daughter from Over the Water (1963), the older characters retain their exuberance, but the younger ones seem beyond his reach. His last play, The Bachelor’s Daughter, is given its first performance by the Tuam Theatre Guild on March 3, 1985. The revival by Galway’s Druid Theatre of The Wood of the Whispering in 1983, which Molloy lives to see, is a revelation, and a reminder to the wider theatrical and academic world of the continuing importance of this playwright, not just as the ‘missing link’ between Synge and Keane but as an original in his own right.

In later years Molloy is a member of Aosdána. He dies of aortic aneurysms at Galway Hospital on May 27, 1994. He remains a committed Catholic all his life and his tombstone reads: “Woe to those who call evil good and who call good evil” (Isaiah, 5: 20).

(From: “Molloy, Michael Joseph” by Anthony Roche, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Birth of Bethel Solomons, Medical Doctor & Rugby Player

Bethel Albert Herbert Solomons, gynaecologist and international rugby player for the Ireland national rugby union team, is born into a prominent Jewish family, one of the oldest continuous Jewish families in Ireland, at 32 Waterloo Road, Dublin, on February 27, 1885. He is also a supporter of the 1916 Easter Rising.

The Solomons come to Ireland from England in 1824. Solomons is the son of Maurice Solomons (1832–1922), an optician whose practice is mentioned in James Joyce‘s Ulysses. His grandmother, Rosa Jacobs Solomons (1833–1926), is born in Hull in England. His elder brother Edwin (1879–1964) is a stockbroker and prominent member of the Dublin Jewish community. His sister Estella Solomons (1882–1968) is a leading artist, and a member of Cumann na mBan during the 1916 Easter Rising. She marries poet and publisher Seumas O’Sullivan. His younger sister Sophie is a trained opera singer.

Solomons attends St. Andrew’s College, Dublin, where he is very interested in rugby. He earns ten international rugby caps for Ireland between 1908 and 1910. He studies medicine at Trinity College, Dublin, becomes a medical doctor, and is Master of the Rotunda Hospital in Dublin from 1926 to 1933, surprising those who felt that a Jew would never hold the post. When his term ends in 1933, his name is intimately linked with that of the hospital when James Joyce writes in Finnegans Wake, “in my bethel of Solyman’s I accouched my rotundaties.” He serves as president of the Royal College of Physicians of Ireland (RCPI) in the late 1940s and practices from No. 30 Lower Baggot Street.

In a biography of Solomons he is described as “World famous obstetrician & gynaecologist, Rugby international, horseman, leader of Liberal Jewry & of Irish literary & artistic renaissance.”

Following a brief courtship, Solomons marries Gertrude Levy, who had studied with his sister Sophie at the Royal Academy of Music, London, in the liberal synagogue in London in 1916. His second son, Dr. Michael Solomons (1919–2007), is a distinguished gynaecologist, a pioneer of family planning in Ireland, and a veteran of the bitter and divisive 1983 constitutional amendment campaign.

Solomons is a friend of the founder of Sinn Féin and TD, Arthur Griffith. He contributes to the purchase of a house for Griffith. He is a founding member and the first president of the Liberal Synagogue in Dublin. He establishes a dispensary for Jewish women with Ada Shillman. In retirement he is inspector of qualifying examinations and visitor of medical schools in midwifery for the general medical council. A volume of memoirs is published in 1956. He is an art collector, including the works of Jean Cooke.

Solomons dies on September 11, 1965, at his home, Laughton Beg, Rochestown Avenue, Dún Laoghaire. The Bethel Solomons medal is awarded annually to an outstanding student in midwifery at the hospital.


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Death of Edmund Pery, 1st Viscount Pery

Edmund Sexton Pery, 1st Viscount Pery, Irish politician who serves as Speaker of the Irish House of Commons between 1771 and 1785, dies on February 24, 1806, at his home at Park Street, London.

Pery is born in Limerick, County Limerick on April 8, 1719, into one of Limerick’s most politically influential families, the elder son of the Rev. Stackpole Pery and Jane Twigge. His maternal grandfather is William Twigge, Archdeacon of Limerick.

A trained barrister, Pery becomes a member of the Irish House of Commons for the Wicklow Borough constituency in 1751. On the dissolution of the house following the death of George II, he is elected for the constituency of Limerick City and serves from 1761 until 1785, becoming Speaker of the House in 1771. In 1783, he stands also for Dungannon, however chooses to sit for Limerick City. He is considered one of the most powerful politicians in Ireland in his time, leading a faction which includes his nephew, the future Earl of Limerick, and his relatives by marriage, the Hartstonges. Following his resignation, he is created Viscount Pery, of Newtown Pery, near the City of Limerick, in the Peerage of Ireland, entitling him to a seat in the Irish House of Lords. As he has no male heirs, his title becomes extinct on his death in 1806.

Pery is also noted for his part in the history of the architecture of Limerick. In 1765, he commissions the engineer Davis Ducart to design a town plan for land that he owns on the southern edge of the existing city, which leads to the construction of the Georgian area of the city later known as Newtown Pery. He is also commemorated in the naming of Pery Square.

Pery marries Patricia (Patty) Martin of Dublin in 1756, who dies a year later, and secondly Elizabeth Vesey, daughter of John Vesey, 1st Baron Knapton, and Elizabeth Brownlow. He and Elizabeth have two daughters:

Pery dies on February 24, 1806, at his home at Park Street, London, and is buried at Furnam, Pelham, Hertfordshire, England.

Pery’s younger brother, William, is a leading figure in the Church of Ireland, becoming Bishop of Killala and Achonry and subsequently Bishop of Limerick, Ardfert and Aghadoe, and also ennobled as Baron Glentworth. William’s son, Edmund, is made Earl of Limerick in 1803 as a result of his support for the Act of Union. Pery’s younger sister is Lucy Hartstonge, the founder of what is now St. John’s Hospital, Limerick.

(Pictured: “Portrait of Edmund Sexton, later 1st Viscount Pery” by Gilbert Stuart, oil on canvas, circa 1790, National Gallery of Ireland)


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Giovanni Battista Rinuccini, Nuncio to Ireland, Returns to Rome

Giovanni Battista Rinuccini, an Italian Roman Catholic archbishop in the mid-seventeenth century, returns to Rome on February 23, 1649, after spending just over three years in Ireland supporting Catholics with arms, money, and diplomacy.

Rinuccini is born in Rome on September 15, 1592. He is educated by the Jesuits in Rome and studies law at the Universities of Bologna and Perugia. In due course, he is ordained a priest, having at the age of twenty-two obtained his doctor’s degree from the University of Pisa. He is named a camariere (chamberlain) by Pope Gregory XV and in 1625 becomes Archbishop of Fermo. In 1631 he carefully refuses an offer to be made Archbishop of Florence.

On September 15, 1644, a new pope, Pope Innocent X, is elected. He decides to step up the help for the Irish Catholic Confederates. He sends Rinuccini as nuncio to Ireland to replace the envoy Friar Pierfrancesco Scarampi, who had been sent to Ireland by his predecessor, Pope Urban VIII, in 1643.

Rinuccini departs France from Saint-Martin-de-Ré near La Rochelle on October 18, 1645, on the frigate San Pietro and arrives in Kenmare, County Kerry, on October 21, 1645, with a retinue of twenty-six Italians, several Irish officers, and the Confederation’s secretary, Richard Bellings. He proceeds to Kilkenny, the Confederate capital, where Richard Butler, 3rd Viscount Mountgarret, the president of the Confederation, receives him at the castle. He speaks Latin to Montgarret, but all the official business of the Confederates is done in English. He asserts in his discourse that the object of his mission is to sustain the King, but above all to help the Catholic people of Ireland in securing the free and public exercise of their religion, and the restoration of the churches and church property to the Catholic Church.

Rinuccini had sent ahead arms and ammunition: 1,000 braces of pistols, 4,000 cartridge belts, 2,000 swords, 500 muskets and 20,000 pounds of gunpowder. He arrives twelve days later with a further two thousand muskets and cartridge-belts, four thousand swords, four hundred braces of pistols, two thousand pike-heads, and twenty thousand pounds of gunpowder, fully equipped soldiers and sailors and 150,658 livres tournois to finance the Irish Catholic war effort. These supplies give him a huge input into the Confederate’s internal politics because he doles out the money and arms for specific military projects, rather than handing them over to the Confederate government, or Supreme Council.

Rinuccini hopes that by doing so he can influence the Confederates’ strategic policy away from making a deal with Charles I and the Royalists in the English Civil War and towards the foundation of an independent Catholic-ruled Ireland. In particular, he wants to ensure that churches and lands taken in the rebellion would remain in Catholic hands. This is consistent with what happened in Catholic-controlled areas during the Thirty Years’ War in Germany. His mission can be seen as part of the Counter-Reformation in Europe. He also has unrealistic hopes of using Ireland as a base to re-establish Catholicism in England. However, apart from some military successes such as the Battle of Benburb on June 5, 1646, the main result of his efforts is to aggravate the infighting between factions within the Confederates.

The Confederates’ Supreme Council is dominated by wealthy landed magnates, predominantly of “Old English” origin, who are anxious to come to a deal with the Stuart monarchy that will guarantee them their land ownership, full civil rights for Catholics, and toleration of Catholicism. They form the moderate faction, which is opposed by those within the Confederation, who want better terms, including self-government for Ireland, a reversal of the land confiscations of the plantations of Ireland and establishment of Catholicism as the state religion. A particularly sore point in the negotiations with the English Royalists is the insistence of some Irish Catholics on keeping in Catholic hands the churches taken in the war. Rinuccini accepts the assurances of the Supreme Council that such concerns will be addressed in the peace treaty negotiated with James Butler, 1st Duke of Ormond, negotiated in 1646, now known as the First Ormond Peace.

However, when the terms are published, they grant only the private practice of Catholicism. Alleging that he had been deliberately deceived, Rinuccini publicly backs the militant faction, which includes most of the Catholic clergy and some Irish military commanders such as Owen Roe O’Neill. On the other side there are the Franciscans Pierre Marchant, and later Raymond Caron. In 1646, when the Supreme Council tries to get the Ormond Peace ratified, Rinuccini excommunicates them and helps to get the Treaty voted down in the Confederate General Assembly. The Assembly has the members of the Supreme Council arrested for treason and elects a new Supreme Council.

However, the following year, the Confederates’ attempts to drive the remaining English (mainly Parliamentarian) armies from Ireland meets with disaster at the battles of Dungan’s Hill on August 8, 1647 and Knocknanuss on November 13, 1647. As a result, the chastened Confederates hastily conclude a new deal with the English Royalists to try to prevent a Parliamentarian conquest of Ireland in 1648. Although the terms of this second deal are better than those of the first one, Rinuccini again tries to overturn the treaty. However, on this occasion, the Catholic clergy are split on whether to accept the deal, as are the Confederate military commanders and the General Assembly. Ultimately, the treaty is accepted by the Confederacy, which then dissolves itself and joins a Royalist coalition. Rinuccini backs Owen Roe O’Neill, who used his Ulster army to fight against his former comrades who had accepted the deal. He tries in vain to repeat his success of 1646 by excommunicating those who support the peace. However, the Irish bishops are split on the issue and so his authority is diluted. Militarily, Owen Roe O’Neill is unable to reverse the political balance.

Despairing of the Catholic cause in Ireland, Rinnuccini leaves the country on February 23, 1649, embarking at Galway on the ship that had brought him to Ireland, the frigate San Pietro. In the same year, Oliver Cromwell leads a Parliamentarian re-conquest of the country, after which Catholicism is thoroughly repressed. Roman Catholic worship is banned, Irish Catholic-owned land is widely confiscated east of the River Shannon, and captured Catholic clergy are executed.

Rinuccini returns to Rome, where he writes an extensive account of his time in Ireland, the Commentarius Rinuccinanus. His account blames personal vainglory and tribal divisions for the Catholic disunity in Ireland. In particular, he blames the Old English for the eventual Catholic defeat. The Gaelic Irish, he writes, despite being less civilised, are more sincere Catholics.

Rinuccini returns to his diocese in Fermo in June 1650 and dies there on December 13, 1653.


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Death of George Derwent Thomson, Philosopher & Scholar of the Irish Language

George Derwent Thomson (Irish: Seoirse Mac Tomáis), English classical scholar, Marxist philosopher, and scholar of the Irish language, dies on February 3, 1987, at his home in Moseley, Birmingham, England.

Thomson is born on August 19, 1903, in West Dulwich, London, the eldest of a family of three sons and two daughters born to William Henry Thomson, an accountant, and his wife Minnie (née Clements). Inheriting an interest in Ireland from his maternal grandfather, an Ulsterman of Orange stock, and his mother, he attends Irish language classes run by the Gaelic League in London while a pupil at Dulwich College (1916–22).

Awarded a scholarship to King’s College, Cambridge, in 1922, Thomson studies classics, where he attains First Class Honours in the Classical Tripos and subsequently wins a scholarship to Trinity College, Dublin (TCD). At TCD he works on his first book, Greek Lyric Metre, and begins visiting the Blasket Islands in the early 1920s. He becomes lecturer and then Professor of Greek at University College Galway.

Thomson moves back to England in 1934, when he returns to King’s College, Cambridge, to lecture in Greek. He becomes a professor at the University of Birmingham in 1936, the year he joins the Communist Party of Great Britain. He pioneers a Marxist interpretation of Greek drama. His Aeschylus and Athens (1941) and Marxism and Poetry (1945) win him international attention. In the latter book he argues a connection between the work song and poetry, and that pre-industrial songs are connected to ritual.

Thomson befriends and is an important influence on Alfred Sohn-Rethel and his theory of the genesis of occidental thought in Ancient Greece through the invention of coining.

Thomson first visits the Blasket Islands off the west coast of Ireland in 1923. Mac Tomáis, as he quickly becomes known to the islanders, had attended rudimentary Irish classes at a branch of Conradh na Gaeilge in London before he went to Cambridge. When he arrives on the island, he immerses himself in the language. In six weeks of walking around, talking with Muiris Ó Súilleabháin and others, he achieves near complete fluency in the language.

Thomson spends several years with the people of the islands studying their language, history and culture. He maintains a special study of the now extinct community in Ireland, in which he perceives elements of surviving cultural resonances with historical society prior to the development of private property as a means of production. He becomes a champion of the Irish language.

Thomson has a role in the publication of the memoirs of Muiris Ó Súilleabháin, Fiche Bliain Ag Fás (Twenty Years Growing) in 1933. The introduction to Ó Súilleabháin’s autobiography by E. M. Forster can also be attributed to Thomson.

When Thomson applies for the new position of lecturer of Greek at the National University of Ireland, Galway, in 1931 he, in the words of Richard Roche, “astonished the interview board with a flow of Blasket Irish” and is awarded the post.

In 1951, Thomson is the only member of the Communist Party’s Executive Committee to vote against the Party’s programme, The British Road to Socialism, because “the dictatorship of the proletariat was missing.” He also serves on the Party’s Cultural Committee.

The Chinese revolution of 1949 has a profound effect on Thomson and leads to differences with the British Communist Party, from which he eventually drifts. He never loses his political beliefs. He is committed to working class education, including giving lectures to factory workers at Birmingham’s Austin car plant. He also maintains a special affection and support for the Morning Star in his later years.

Thomson authors three popular expositions on Marxism published by the China Policy Study Group in the early 1970s. From Marx to Mao Tse-tung: A study in revolutionary dialectics (1971), Capitalism and After: The rise and fall of commodity production (1973), and The Human Essence: The sources of science and art (1974). He is also the author of Marxism and Poetry (1945).


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Birth of Paul “Dingus” Magee, Volunteer in the Provisional Irish Republican Army

Paul “Dingus” Magee, a former volunteer in the Belfast Brigade of the Provisional Irish Republican Army (IRA), is born in the Ballymurphy area of Belfast, Northern Ireland, on January 30, 1948.

Magee joins the Belfast Brigade of the IRA and receives a five-year sentence in 1971 for possession of firearms. He is imprisoned in Long Kesh, where he holds the position of camp adjutant. In the late 1970s and early 1980s he is part of a four-man active service unit, along with Joe Doherty and Angelo Fusco, nicknamed the “M60 gang” due to their use of an M60 general-purpose machine gun. On April 9, 1980, the unit lures the Royal Ulster Constabulary (RUC) into an ambush on Stewartstown Road, killing Constable Stephen Magill and wounding two others. On May 2 the unit is planning another attack and has taken over a house on Antrim Road, when an eight-man patrol from the British Army‘s Special Air Service (SAS) arrives in plain clothes, after being alerted by the RUC. A car carrying three SAS members goes to the rear of the house, and another car carrying five SAS members arrives at the front of the house. As the SAS members at the front of the house exit the car the IRA unit opens fire with the M60 machine gun from an upstairs window, hitting Captain Herbert Westmacott in the head and shoulder. Westmacott is killed instantly and is the highest-ranking member of the SAS killed in Northern Ireland. The remaining SAS members at the front of the house, armed with Colt Commando automatic rifles, submachine guns and Browning pistols, return fire but are forced to withdraw. Magee is apprehended by the SAS members at the rear of the house while attempting to prepare the IRA unit’s escape in a transit van, while the other three IRA members remain inside the house. More members of the security forces are deployed to the scene, and after a brief siege the remaining members of the IRA unit surrender.

The trial of Magee and the other members of the M60 gang begins in early May 1981, with them facing charges including three counts of murder. On June 10 Magee and seven other prisoners, including Joe Doherty, Angelo Fusco and the other member of the IRA unit, take a prison officer hostage at gunpoint in Crumlin Road Jail. After locking the officer in a cell, the eight take other officers and visiting solicitors hostage, also locking them in cells after taking their clothing. Two of the eight wear officer’s uniforms while a third wears clothing taken from a solicitor, and the group moves toward the first of three gates separating them from the outside world. They take the officer on duty at the gate hostage at gunpoint and force him to open the inner gate. An officer at the second gate recognises one of the prisoners and runs into an office and presses an alarm button, and the prisoners run through the second gate towards the outer gate. An officer at the outer gate tries to prevent the escape but is attacked by the prisoners, who escape onto Crumlin Road. As the prisoners are moving toward the car park where two cars are waiting, an unmarked RUC car pulls up across the street outside Crumlin Road Courthouse. The RUC officers open fire, and the prisoners return fire before escaping in the waiting cars. Two days after the escape, Magee is convicted in absentia and sentenced to life imprisonment with a minimum recommended term of thirty years.

Magee escapes across the border into the Republic of Ireland. Eleven days after the escape he appears in public at the Wolfe Tone commemoration in Bodenstown Graveyard, County Kildare, where troops from the Irish Army and the Garda‘s Special Branch attempt to arrest him but fail after the crowd throws missiles and lay down in the road blocking access. He is arrested in January 1982 along with Angelo Fusco and sentenced to ten years imprisonment for the escape under extra-jurisdictional legislation. Shortly before his release from prison in 1989, he is served with an extradition warrant, and he starts a legal battle to avoid being returned to Northern Ireland. In October 1991, the Supreme Court of Ireland in Dublin orders his return to Northern Ireland to serve his sentence for the murder of Captain Westmacott, but Magee jumps bail, and a warrant is issued for his arrest.

Magee flees to England, where he is part of an IRA active service unit. On June 7, 1992, Magee and another IRA member, Michael O’Brien, are traveling in a car on the A64 road between York and Tadcaster, when they are stopped by the police. Magee and O’Brien are questioned by the unarmed police officers, who become suspicious and call for back-up. Magee shoots Special Constable Glenn Goodman, who dies later in hospital, and then shoots the other officer, PC Kelly, four times. Kelly escapes death when a fifth bullet ricochets off the radio he is holding to his ear, and the IRA members drive away. Another police car begins to follow the pair and comes under fire near Burton Salmon. The lives of the officers in the car are in danger, but Magee and O’Brien flee the scene after a member of the public arrives. A manhunt is launched, and hundreds of police officers, many of them armed, search woods and farmland. Magee and O’Brien evade capture for four days by hiding in a culvert, before they are both arrested in separate police operations in the town of Pontefract.

On March 31, 1993, Magee is found guilty of the murder of Special Constable Goodman and the attempted murder of three other police officers and sentenced to life imprisonment. O’Brien is found guilty of attempted murder and receives an eighteen-year sentence. On September 9, 1994, Magee and five other prisoners, including Danny McNamee, escape from HM Prison Whitemoor. The prisoners, in possession of two guns that had been smuggled into the prison, scale the prison walls using knotted sheets. A guard is shot and wounded during the escape, and the prisoners are captured after being chased across fields by guards and the police. In 1996 Magee stages a dirty protest in HM Prison Belmarsh, in protest at glass screens separating prisoners from their relatives during visits. He has refused to accept visits from his wife and five children for two years, prompting Sinn Féin to accuse the British government of maintaining “a worsening regime that is damaging physically and psychologically.”

In January 1997, Magee and the other five escapees from Whitemoor are on trial on charges relating to the escape for a second time, as four months earlier the first trial had been stopped because of prejudicial publicity. Lawyers for the defendants successfully argued that an article in the Evening Standard prejudiced the trial as it contained photographs of Magee and two other defendants and described them as “terrorists,” as an order had been made at the start of the trial preventing any reference to the background and previous convictions of the defendants. Despite the judge saying the evidence against the defendants was “very strong”, he dismisses the case stating, “What I have done is the only thing I can do in the circumstances. The law for these defendants is the same law for everyone else. They are entitled to that, whatever they have done.”

On May 5, 1998, Magee is repatriated to the Republic of Ireland to serve the remainder of his sentence in Portlaoise Prison, along with Liam Quinn and the members of the Balcombe Street Gang. He is released from prison in late 1999 under the terms of the Good Friday Agreement and returns to live with his family in Tralee, County Kerry. On March 8, 2000, he is arrested on the outstanding Supreme Court extradition warrant from 1991 and remanded to Mountjoy Prison. The following day he is granted bail at the High Court in Dublin, after launching a legal challenge to his extradition. In November 2000 the Irish government informs the High Court that it is no longer seeking to return him to Northern Ireland. This follows a statement from Secretary of State for Northern Ireland Peter Mandelson saying that “it is clearly anomalous to pursue the extradition of people who appear to qualify for early release under the Good Friday Agreement scheme, and who would, on making a successful application to the Sentence Review Commissioners, have little if any of their original prison sentence to serve.” In December 2000 Magee and three other IRA members, including two other members of the M60 gang, are granted a Royal Prerogative of Mercy which allows them to return to Northern Ireland without fear of prosecution.


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Premiere of Oliver Goldsmith’s Play “The Good-Natur’d Man”

The Good-Natur’d Man, a play written by Oliver Goldsmith in 1768, is first performed at Central London’s Covent Garden on January 29, 1768. The play is written in the form of a comedy with Mary Bulkley as Miss Richland. It is released at the same time as Hugh Kelly‘s False Delicacy, staged at Drury Lane Theatre. The two plays go head-to-head, with Kelly’s proving the more popular. Goldsmith’s play is a middling success, and the printed version of the play becomes popular with the reading public.

Although his birth date and year and birthplace are not known with any certainty, it is believed that Goldsmith is born on November 10, 1728, in Kilkenny West, County Westmeath. He is an Anglo-Irish essayist, poet, novelist, dramatist, and eccentric, made famous by such works as the series of essays The Citizen of the World, or, Letters from a Chinese Philosopher (1762), the poem The Deserted Village (1770), the novel The Vicar of Wakefield (1766), and the play She Stoops to Conquer (1773).

Goldsmith is the son of an Anglo-Irish clergyman, the Rev. Charles Goldsmith, curate in charge of Kilkenny West. At about the time of his birth, the family moves into a substantial house at nearby Lissoy, where he spends his childhood. Much has been recorded concerning his youth, his unhappy years as an undergraduate at Trinity College Dublin, where he received the BA degree in February 1749, and his many misadventures before he leaves Ireland in the autumn of 1752 to study in the medical school at Edinburgh. By this time his father has died, but several of his relations support him in his pursuit of a medical degree. Later on, in London, he comes to be known as Dr. Goldsmith, Doctor being the courtesy title for one who holds the Bachelor of Medicine, but he takes no degree while at Edinburgh nor, so far as anyone knows, during the two-year period when, despite his meagre funds, which are eventually exhausted, he somehow manages to make his way through Europe. The first period of his life ends with his arrival in London, bedraggled and penniless, early in 1756.

Goldsmith’s rise from total obscurity is a matter of only a few years. He works as an apothecary‘s assistant, school usher, physician, and as a hack writer, reviewing, translating, and compiling. Much of his work is for Ralph Griffiths‘s Monthly Review. It remains amazing that this young Irish vagabond, unknown, uncouth, unlearned, and unreliable, is yet able within a few years to climb from obscurity to mix with aristocrats and the intellectual elite of London. Such a rise is possible because he has one quality, soon noticed by booksellers and the public, that his fellow literary hacks do not possess – the gift of a graceful, lively, and readable style.

Goldsmith’s rise begins with the Enquiry into the Present State of Polite Learning in Europe (1759), a minor work. Soon he emerges as an essayist, in The Bee and other periodicals, and above all in his Chinese Letters. These essays are first published in the journal The Public Ledger and are collected as The Citizen of the World in 1762. The same year brings his The Life of Richard Nash. Already he is acquiring those distinguished and often helpful friends whom he alternately annoys and amuses, shocks and charms – Samuel Johnson, Sir Joshua Reynolds, Thomas Percy, David Garrick, Edmund Burke, and James Boswell.

The obscure drudge of 1759 becomes in 1764 one of the nine founder-members of the famous The Club, a select body, including Reynolds, Johnson, and Burke, which meets weekly for supper and talk. Goldsmith can now afford to live more comfortably, but his extravagance continually runs him into debt, and he is forced to undertake more hack work. He thus produces histories of England and of ancient Rome and Greece, biographies, verse anthologies, translations, and works of popular science.

Goldsmith’s premature death on April 4, 1774, may be partly due to his own misdiagnosis of a kidney infection. He is buried in Temple Church in London. A monument is originally raised to him at the site of his burial, but this is destroyed in an air raid in 1941. A monument to him survives in the centre of Ballymahon, also in Westminster Abbey with an epitaph written by Samuel Johnson.

Among Goldsmith’s papers is found the prospectus of an encyclopedia, to be called the Universal dictionary of the arts and sciences. He wishes this to be the British equivalent of the Encyclopédie and it is to include comprehensive articles by Samuel Johnson, Edmund Burke, Adam Smith, Edward Gibbon, Sir Joshua Reynolds, Sir William Jones, Charles James Fox and Dr. Charles Burney. The project, however, is not realised due to Goldsmith’s death.

(Pictured: “Mr Honeywell introduces the bailiffs to Miss Richland as his friends,”a scene from the play “The Good-Natur’d Man” by Oliver Goldsmith, oil on panel by William Powell Frith)


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Birth of Charlie Kerins, Chief of Staff of the Irish Republican Army

Charlie Kerins, a physical force Irish Republican and Chief of Staff of the Irish Republican Army (IRA), is born in Caherina, Tralee, County Kerry, on January 23, 1918. He is one of six IRA men who are executed by the Irish State between September 1940 and December 1944.

Kerins attends Balloonagh Mercy Convent School and then the CBS, Edward Street. At the age of 13, he wins a Kerry County Council scholarship and completes his secondary education at the Green Christian Brothers and the Jeffers Institute. In 1930, he passes the Intermediate Certificate with honours and the matriculation examination to the National University of Ireland (NUI). He later does a commercial course and takes up employment in a radio business in Tralee.

In 1940, Kerins is sworn into the IRA and is appointed to the GHQ staff in May 1942. At the time, the Fianna Fáil government of Éamon de Valera is determined to preserve Irish neutrality during World War II. Therefore, the IRA’s bombing campaign in England, its attacks against targets in Northern Ireland, and its ties to the intelligence services of Nazi Germany are regarded as severe threats to Ireland’s national security. IRA men who are captured by the Gardaí are interned for the duration of the war by the Irish Army in the Curragh Camp in County Kildare.

On the morning of September 9, 1942, Garda Detective Sergeant Denis O’Brien is leaving his home in Ballyboden, Dublin. He is between his front gate and his car when he is cut down with Thompson submachine guns. O’Brien, an Anti-Treaty veteran of the Irish Civil War, had enlisted in the Garda Síochána in 1933. He is one of the most effective Detectives of the Special Branch division, which has its headquarters at Dublin Castle. The shooting greatly increases public feeling against the IRA, particularly as the murder is carried out in full view of his wife.

Following the arrest of Hugh McAteer in October 1942, Kerins is named Chief of Staff of the IRA. Despite a massive manhunt by Gardaí, he remains at large for two years. He stays at a County Waterford home for two weeks while he is on the run, having given his name as Pat Carney. He is captured several months after he leaves the home.

Kerins had previously left papers and guns hidden at Kathleen Farrell’s house in the Dublin suburb of Rathmines. He telephones the house, as he intends to retrieve them. However, Farrell’s telephone had been tapped by the Gardaí. On June 15, 1944, he is arrested in an early morning raid. He is sleeping when the Gardaí enter his bedroom and does not have an opportunity to reach the Thompson submachine gun which is hidden under his bed.

At a trial before the Special Criminal Court in Collins Barracks, Dublin, Kerins is formally charged on October 2, 1944, for the “shooting at Rathfarnham of Detective Dinny O’Brien.” At the end of his trial, the president of the Military Court delays sentence until later in the day to allow Kerins, if he wishes, to make an application whereby he might avoid a capital sentence. When the court resumes, he says, “You could have adjourned it for six years as far as I am concerned, as my attitude towards this Court will always be the same.” He thus deprives himself of the right to give evidence, to face cross-examination, or to call witnesses.

Despite legal moves initiated by Seán MacBride, public protests, and parliamentary intervention by TDs from Clann na Talmhan, Labour, and Independent Oliver J. Flanagan in Leinster House, the Fianna Fáil government of Éamon de Valera refuses to issue a reprieve. On December 1, 1944, in Mountjoy Prison, Kerins is hanged by British chief executioner Albert Pierrepoint, who is employed by the Irish Government for such occasions.

Kerins is the last IRA member to be executed in the Republic of Ireland. He is buried in the prison yard. In September 1948, his remains are exhumed and released to his family. He is buried in the Republican plot at Rath Cemetery, Tralee, County Kerry.


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Death of George Moore, Novelist, Poet & Critic

George Augustus Moore, novelist, short story writer, poet, art critic, memoirist, and dramatist, dies at his home in London on January 21, 1933. He is considered an innovator in fiction in his day.

Moore is born in Moore Hall, near Lough Carra, County Mayo on February 24, 1852. He comes from a distinguished Catholic family of Irish landholders. When he is 21, he leaves Ireland for Paris to become a painter. His Reminiscences of the Impressionist Painters (1906) vividly describes the Café Nouvelle-Athènes and the circle of Impressionist painters who frequent it. He is particularly friendly with Édouard Manet, who sketches three portraits of him. Another account of the years in Paris, in which he introduces the younger generation in England to his version of fin de siècle decadence, is his first autobiography, Confessions of a Young Man (1888).

Deciding that he has no talent for painting, Moore returns to London in 1882 to write. His first novels, A Modern Lover (1883) and A Mummer’s Wife (1885), introduce a new note of French Naturalism into the English scene, and he later adopts the realistic techniques of Gustave Flaubert and Honoré de Balzac. Esther Waters (1894), his best novel, deals with the plight of a servant girl who has a baby out of wedlock. It is a story of hardship and humiliation illumined by the novelist’s compassion. It is an immediate success, and he follows it with works in a similar vein: Evelyn Innes (1898) and Sister Teresa (1901).

In 1901 Moore moves to Dublin, partly because of his loathing for the South African War and partly because of the Irish Literary Revival spearheaded by his friend, the poet William Butler Yeats. In Dublin he contributes notably to the planning of the Abbey Theatre. He also produces The Untilled Field (1903), a volume of fine short stories reminiscent of Ivan Turgenev’s writing that focuses on the drudgery of Irish rural life, and a short poetic novel, The Lake (1905). The real fruits of his life in Ireland, however, come with the trilogy Hail and Farewell (Ave, 1911; Salve, 1912; Vale, 1914). Discursive, affectionate, and satirical by turns, it reads like a sustained monologue that is both a carefully studied piece of self-revelation and an acute, though not always reliable, portrait gallery of his Irish acquaintance, which included Yeats, George William Russell, and Lady Gregory. Above all it is a perfectly modulated display of the comic spirit.

The increasing narrowness of the Irish mind, politics, and clericalism sends Moore back to England in 1911. After Hail and Farewell, he makes another literary departure. Aiming at epic effect he produces The Brook Kerith (1916), an elaborate and stylish retelling of the Gospel story that is surprisingly effective despite some dull patches. He continues his attempts to find a prose style worthy of epic theme in Héloïse and Abélard (1921). His other works include A Story-Teller’s Holiday (1918), a blend of autobiography, anecdote, Irish legend, and satire, Conversations in Ebury Street (1924), autobiography, The Pastoral Loves of Daphnis and Chloe (1924) and Ulick and Soracha (1926), an Irish legendary romance.

George Moore dies at his home at Ebury Street in the London district of Belgravia on January 21, 1933, leaving a fortune of £70,000. He is cremated in London at a service attended by Ramsay MacDonald among others. An urn containing his ashes is interred on Castle Island in Lough Carra in view of the ruins of Moore Hall, which had been burned by anti-treaty forces in 1923, during the final months of the Irish Civil War.


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Death of Tony O’Malley, One of Ireland’s Leading Painters

Irish artist Tony O’Malley dies at his home in Physicianstown, Callan, County Kilkenny, on January 20, 2003.

O’Malley is born in Callan, County Kilkenny, on September 25, 1913. He is a self-taught artist, having drawn and painted for pleasure from childhood. He works as a bank officìal until contracting tuberculosis in the 1940s. He begins painting in earnest while convalescing and, though he does at first return to bank work, he continues to paint and in 1951 he begins exhibiting his work.

In 1955 O’Malley holidays in St. Ives, Cornwall, England, then an important center of abstract art, and home to the artists Peter Lanyon, Patrick Heron, and Bryan Wynter, who he meets and works with. He returns again in 1957 and in 1958 retires from the bank to paint full-time. Prompted by a mixture of frustration at the indifference shown in Ireland to his work, an attraction to the sense of freedom he feels among the artists in Cornwall, and an engagement with the attempt to represent natural forms current in their abstraction, he settles in St. Ives in 1960. While he is strongly influenced by the St. Ives artistic community, his relationship is one of engagement rather than direct participation. His painting never completely assimilates the rigour and formality of the British abstract painters. It retains a muscular extravagance which is central to his artistic identity. O’Malley explains:

“Not so much abstract as essence. I could not paint for the sake of the pigment of whatever, but I like abstract form in the painting which instills it with meaning and power. Abstraction does enable you to get under the surface, to get beyond appearance, and to express the mind. But abstraction for its own sake does not interest me.”

O’Malley adopts a sombre palette in the second half of the 1960s and many of his paintings are dedicated to the memory of his friend and mentor, Peter Lanyon, who is killed when the glider he is piloting crashes in 1964.

In 1973 O’Malley marries Jane Harris, and through the mid-70s they spend time in the Bahamas and in O’Malley’s native Callan. During this period, his paintings become less sombre and the Bahamas paintings are extremely colourful and vibrant. In 1990 they move back to Ireland. In 1993 he is elected a Saoi of Aosdána.

O’Malley dies at his home in Physicianstown, County Kilkenny, on January 20, 2003. At the time he is regarded as one of Ireland’s leading painters.

The Irish Museum of Modern Art (IMMA) displays a major retrospective of his work in 2005, a selection from which is exhibited at the Tate St. Ives in 2006. The Butler Gallery, Kilkenny, stages posthumous exhibitions of his visual diaries in 2005, and his constructions in 2010.

In 2010 under the guidance of Jane O’Malley the Royal Hibernian Academy (RHA) establishes an artist’s residency in the house where O’Malley grew up in Callan, County Kilkenny. The studio residency is awarded to artists who work primarily in paint. Previous recipients of the Tony O’Malley Studio Residency Award include Magnhild Opdøl, Ciaran Murphy, Ramon Kassan, Mollie Douthit, David Quinn and Paraic Leahy.