Parnell dies of pneumonia at half-past eleven on the night of October 6 at his residence at 10 Walsingham Terrace, Aldrington, near Brighton, England. He dies in the arms of his wife Katherine whom he had married just five months earlier.
Prior to the funeral, Parnell’s body lay in state for several hours and his death is the primary topic of conversation around Dublin. The belief that his demise would close the chasm in the Irish ranks is no longer tenable. His death makes it too wide even to be bridged. His old opponents may have felt inclined to forget and forgive, but this spirit is crushed almost before it is born, and his old adherents are simply ferocious in their enmity.
The city is astir at an unusually early hour, and there is a crowd of thousands in and around the Westland Row Station before seven o’clock. In front, as a guard of honor, stands a body of the Gaelic Athletic Association, armed with camans, around which are bound crape and green ribbon. It is nearly eight o’clock when Parnell’s body is placed in a hearse drawn by four black horses. The Gaels march in front. Thousands join the cortège, which includes several bands and fife corps.
Though an Anglican, Parnell’s funeral at the Irish National nondenominational Glasnevin Cemetery in Dublin is attended by more than 200,000 people. His notability is such that his gravestone of unhewn Wicklow granite, erected in 1940, reads only “Parnell.”
Parnell is buried amid warring elements and in the presence of an immense assemblage. As a scene of great but suppressed excitement, and of still greater impressiveness, the funeral and its surroundings will never be forgotten by those who witness it, and it will long furnish a landmark in history for Ireland.
In 1939, Fallon leaves Dublin to serve as a Customs official in County Wexford, living in Prospect House, near Wexford with his wife, Dorothea (née Maher) and his six sons. During this time, he becomes a close friend of the painter Tony O’Malley.
Fallon’s early poetry, short stories and literary criticism are published in The Dublin Magazine and The Bell. He is a regular contributor to Raidió Éireann in the 1940s and 1950s, serving variously as a journalist, scriptwriter and literary critic. A number of his short stories and early dramatic pieces are broadcast by the station during the 1940s. The first of his verse plays for radio, Diarmuid and Gráinne, is broadcast by Raidió Éireann in November 1950. This is followed by The Vision of Mac Conglinne (1953), Two Men with a Face (1953), The Poplar (1953), Steeple Jerkin (1954), The Wooing of Étain (1954), A Man in the Window (1955), Outpost (1955), Deirdre’s King (1956), The Five Stations (1957), The Hags of Clough (1957), The Third Bachelor (1958), At the Bridge Inn (1960) and Lighting up Time (1961).
Three plays adapted from Irish mythology, Diarmuid and Gráinne, The Vision of Mac Conglinne and Deirdre’s King, receive particular contemporary critical acclaim. The landscape, mythology and history of Ireland, interwoven with classical themes and religious symbolism, are frequent themes in his poetry and dramatic works. A number of Fallon’s radio plays are later broadcast on BBC Third Programme and, in translation, in Germany, the Netherlands, and Hungary. The play The Seventh Step is staged at The Globe Theatre in Dublin in 1954. A second one, Sweet Love ’till Morn, is staged at the Abbey Theatre in 1971. He also writes dramatic pieces for television such as A Sword of Steel (1966) and The Fenians (1967), the latter produced by James Plunkett. In a number of his plays and radio dramas he cooperates with contemporary composers providing incidental music, an example being The Wooing of Étain (1954) with music by Brian Boydell.
Fallon retires from the Civil Service in 1963, returning to Dublin before moving to Cornwall in 1967 to live with his son, the sculptor Conor Fallon and his daughter-in-law, the artist Nancy Wynne-Jones. He and his wife return to Ireland in 1971. He spends his last years in Kinsale. He is visiting his son Ivan Fallon in Kent at the time of his death.
While Fallon’s poetry had previously appeared in The Dublin Magazine, The Bell, The Irish Times and a number of anthologies, his first volume of collected poetry, Poems, incorporating a number of previously unpublished poems, is not produced until 1974, months before his death. Three volumes of his poetry, edited by his son, the journalist and critic Brian Fallon, are published after his death: Poems and Versions in 1983, Collected Poems in 1990, and A Look in the Mirror and Other Poems in 2003. In 2005, three of his verse plays, The Vision of Mac Conglinne, The Poplar, and The Hags of Clough, are published in a single volume. A selection of his prose writings and criticism edited by Brian Fallon, A Poet’s Journal, is published in the same year.
Walton is the son of a Methodist minister, Rev John Walton (1874–1936), and Anna Sinton (1874–1906). In those days a general clergyman’s family moves once every three years, and this practice carries him and his family, while he is a small child, to Rathkeale, County Limerick, where his mother dies, and to County Monaghan. He attends day schools in counties Down and Tyrone, and at Wesley College in Dublin before becoming a boarder at Methodist College Belfast in 1915, where he excels in science and mathematics. He obtains degrees in mathematics and experimental science from Trinity College Dublin in 1926.
Walton goes to Trinity College, Cambridge in 1927 where he works with Cockcroft in the Cavendish Laboratory under Ernest Rutherford until 1934. In 1928 he attempts two methods of high-energy particle acceleration. Both fail, mainly because the available power sources could not generate the necessary energies, but his methods are later developed and used in the betatron and the linear particle accelerator. In 1929 Cockcroft and Walton devise an accelerator that generates large numbers of particles at lower energies. With this device in 1932 they disintegrate lithium nuclei with protons, the first artificial nuclear reaction not utilizing radioactive substances and so becomes the first person in history to split the atom.
Although he retires from Trinity College Dublin in 1974, he retains his association with the Physics Department at Trinity up to his final illness. His is a familiar face in the tea-room. Shortly before his death he marks his lifelong devotion to Trinity by presenting his Nobel medal and citation to the college. Ernest Walton dies at the age of 91 in Belfast on June 25, 1995. He is buried in Deans Grange Cemetery in Dublin.
(Pictured: Ernest T.S. Walton, 1951, by Nobel foundation)
Eileen Evelyn Greer Garson, motion picture actress best known as Greer Garson, is born on September 29, 1904, in Manor Park, London, England. Her classic beauty and screen persona of elegance, poise, and maternal virtue make her one of the most popular and admired Hollywood stars of the World War II era.
Garson often claims to have been born in County Down, Ireland, where her grandparents lived and which she happily visited as a child, but she is, in fact, born and raised in London. Although she wanted to study acting, she wins a scholarship to the University of London and her practical-minded family encourage her to pursue a teaching career. After graduating with honours, she works briefly for Encyclopædia Britannica and a London advertising firm but continually tries to get her foot into a backstage door.
After suffering through a discouraging first year in Hollywood, Garson returns to England to film the small role of Mrs. Chips in MGM’s Goodbye, Mr. Chips (1939). She receives her first Oscar nomination for the role but loses to Vivien Leigh for Gone with the Wind. Her portrayal of the beloved schoolteacher’s charming wife endears her to the American public and sets her career in motion. It is the first in a series of roles in which she plays women of great loyalty, refinement, and wifely or motherly strength.
Garson’s other significant films of the period include Pride and Prejudice (1940), Blossoms in the Dust (1941), her first appearance with her frequent costar Walter Pidgeon, Random Harvest (1942), and Madame Curie (1943). The film that cements her reputation and image, however, is Mrs. Miniver (1942). Filmed during World War II and tailor-made for the times, Mrs. Miniver extolls the strength and spirit of the British home front and is one of the year’s biggest hits. Her grace-under-pressure portrayal of a courageous wife and mother, the personification of British fortitude, not only wins her an Academy Award but is credited with bolstering American support for the war.
Following the war Garson’s career falters. The public rejects her attempts to reforge her image to that of a more fun-loving, less noble heroine in such films as Adventure (1945) and Julia Misbehaves (1948). During the 1950s she appears in several unexceptional films and television dramas and stars on Broadway in Auntie Mame. Her remarkably convincing portrayal of Eleanor Roosevelt in Sunrise at Campobello (1960) is widely praised and earns her a seventh Oscar nomination, but she performs only occasionally thereafter, devoting most of her time to philanthropic causes, including the endowment of scholarships for theatre students at Southern Methodist University in University Park, Texas and the construction of a campus theatre.
Charles Bianconi, Italo-Irish passenger car entrepreneur, is born Carlo Bianconi in Tregolo, Costa Masnaga, Italy on September 24, 1786.
Bianconi moves from an area poised to fall to Napoleon and travels to Ireland in 1802, by way of England, just four years after the Irish Rebellion of 1798. At the time, British fear of continental invasion results in an acute sense of insecurity and additional restrictions on the admission of foreigners. He is christened Carlo but anglicises his name to Charles when he arrives in Ireland.
Bianconi works as an engraver and printseller in Dublin, near Essex Street, under his sponsor, Andrea Faroni, when he is 16. In 1806 he sets up an engraving and print shop in Carrick-on-Suir, County Tipperary, moving to Clonmel in 1815.
Bianconi eventually becomes famous for his innovations in transport and is twice elected mayor of Clonmel.
Bianconi is the founder of public transportation in Ireland, at a time preceding railways. He establishes regular horse-drawn carriage services on various routes from about 1815 onward. These are known as “Bianconi coaches” and the first service, Clonmel to Cahir, takes five to eight hours by boat but only two hours by Bianconi’s carriage. Travel on one of his carriages cost one penny farthing a mile.
In 1832 Bianconi marries Eliza Hayes, the daughter of a wealthy Dublin stockbroker. They have three children – Charles Thomas Bianconi, Catherine Henrietta Bianconi and Mary Anne Bianconi, who marries Morgan O’Connell and is the mother of his grandson John O’Connell Bianconi.
Bianconi’s transport services continue into the 1850s and later, by which time there are a number of railway services in the country. The Bianconi coaches continue to be well-patronised, by offering connections from various termini, one of the first and few examples of an integrated transport system in Ireland. By 1865 Bianconi’s annual income was about £35,000.
Charles Bianconi dies on September 22, 1875 at Longfield House, Boherlahan, County Tipperary. Having donated land to the parish of Boherlahan for the construction of a parish church, he wishes to be buried on the Church grounds. He, and his family, are buried in a side chapel, separate from the parish church in Boherlahan, approximately 5 miles from Cashel, County Tipperary.
Holwell grows up in London and studies medicine at Guy’s Hospital. He gains employment as a surgeon in the East India Company and is sent to India in 1732. He serves in this capacity until 1749. In 1751, he is appointed as zamindar of the 24 Parganas district of Bengal. He then serves as a member of the Council of Fort William (Calcutta) and defends the settlement against Siraj ud-Daulah in 1756.
In June 1756, Holwell is a survivor of the Black Hole of Calcutta, the incident in which British subjects and others are crammed into a small poorly ventilated chamber overnight, resulting in many deaths. His 1758 account of this incident obtains wide circulation in England and some claim this gains support for the East India Company’s conquest of India. His account of the incident is not publicly questioned during his lifetime nor for more than a century after his death. However, in recent years, his version of the event has been called into question by many historians.
Holwell succeeds Robert Clive as temporary Governor of Bengal in 1760, but is dismissed from the Council in 1761 for remonstrating against the appointment of Henry Vansittart as Governor of Bengal. He is elected Fellow of the Royal Society (FRS) in 1767.
Holwell has also become an important source for modern historians of medicine, as a result of his description of the practice of smallpox variolation in eighteenth-century Bengal, An Account of the Manner of Inoculating for the Small Pox in the East Indies with Some Observations on the Practice and Mode of Treating that Disease in those Parts (London, 1767).
Richard Boyle, 1st Earl of Cork, English-born politician who serves as Lord Treasurer of the Kingdom of Ireland and is also known as the Great Earl of Cork, dies on September 15, 1643 in Youghal, County Cork. He is an important figure in the continuing English colonisation of Ireland in the 16th and 17th centuries, as he acquires large tracts of land in plantations in Munster in southern Ireland.
Boyle goes to Ireland in 1588. He becomes deputy Escheator under Ireland’s Escheator General John Crofton and uses his office to enrich himself, only to lose his property in the Munster rebellion in 1598. Returning to England, he is imprisoned on charges of embezzlement arising from his activities in Ireland. He is acquitted by a royal court, however, and in 1600 Elizabeth I of England appoints him clerk of the council of Munster.
Two years later, Boyle purchases Sir Walter Raleigh’s estates in the Irish counties of Cork, Waterford, and Tipperary. By employing settlers imported from England, he develops his lands and founds ironworks and other industries. The enormous wealth he accumulates brings him honours and political influence. Created Earl of Cork in 1620, he is appointed a Lord Justice of Appeal in 1629 and Lord High Treasurer in 1631. Nevertheless, soon after Sir Thomas Wentworth (afterward Earl of Strafford) goes to Ireland as lord deputy in 1633, Boyle is fined heavily for possessing defective titles to some of his estates. Thereafter his political influence declines.
Boyle dies at Youghal on September 15, 1643, having been chased off his lands in the Irish Rebellion of 1641. His sons, however, recover the family estates after the suppression of the rebellion.
Boyle’s first wife, Joan Apsley, the daughter and co-heiress of William Apsley of Limerick, whom he marries on November 6, 1595, dies at Mallow, County Cork on December 14, 1599 during childbirth. By his second wife, Catherine Fenton, daughter of Sir Geoffrey Fenton, he has eight daughters and seven sons, including the renowned chemist Robert Boyle and the statesman-dramatist Roger Boyle, 1st Earl of Orrery.
Louis MacNeice, British poet and playwright, is born in Belfast on September 12, 1907. He is a member, along with Wystan Hugh Auden, Cecil Day-Lewis, and Stephen Spender, of a group whose low-keyed, unpoetic, socially committed, and topical verse is the “new poetry” of the 1930s. His body of work is widely appreciated by the public during his lifetime, due in part to his relaxed but socially and emotionally aware style.
MacNeice’s first book of poetry, Blind Fireworks, appears in 1929, followed by more than a dozen other volumes, such as Poems (1935), Autumn Journal (1939), Collected Poems, 1925–1948 (1949), and, posthumously, The Burning Perch (1963). An intellectual honesty, Celtic exuberance, and sardonic humour characterize his poetry, which combines a charming natural lyricism with the mundane patterns of colloquial speech. His most characteristic mood is that of the slightly detached, wryly observant, ironic and witty commentator. Among MacNeice’s prose works are Letters from Iceland (with W.H. Auden, 1937) and The Poetry of W.B. Yeats (1941). He is also a skilled translator, particularly of Horace and Aeschylus (The Agamemnon of Aeschylus, 1936).
By the early 1960s, MacNeice is “living on alcohol,” and eating very little, but still writing. In August 1963 he goes caving in Yorkshire to gather sound effects for his final radio play, Persons from Porlock. Caught in a storm on the moors, he does not change out of his wet clothes until he is home in Hertfordshire. Bronchitis evolves into viral pneumonia and he is admitted to hospital in London on August, 27. He dies there on September 3, 1963 at the age of 55. He is buried in Carrowdore churchyard in County Down, alongside his mother.
MacNeice’s final book of poems, The Burning Perch, is published a few days after his funeral. His life-long friend from Oxford, W.H. Auden, who gives a reading at MacNeice’s memorial service, describes the poems of his last two years as “among his very best.”
Christy Brown, Irish writer and painter who has cerebral palsy and is able to write or type only with the toes of one foot, dies on September 7, 1981, in Parbrook, Somerset, England. His most recognized work is his autobiography, My Left Foot (1954).
Brown is born into a working-class Irish family at the Rotunda Hospital in Dublin on June 5, 1932. He is one of 22 siblings of parents Bridget Fagan and Patrick Brown. After his birth, doctors discover that he has severe cerebral palsy, a neurological disorder which leaves him almost entirely spastic in his limbs. Though urged to commit him to a hospital, his parents are unswayed and subsequently determined to raise him at home with their other children. During his adolescence, social worker Katriona Delahunt becomes aware of his story and begins to visit the Brown family regularly. She brings him books and painting materials as, over the years, he has shown a keen interest in the arts and literature. He has also demonstrated extremely impressive physical dexterity since, soon after discovering several household books, he had learned to both write and draw himself with his left leg, the only limb over which he has unequivocal control.
Brown quickly matures into a serious artist. Although he famously receives almost no formal schooling during his youth, he does attend St. Brendan’s School-Clinic in Sandymount intermittently. At St. Brendan’s he comes in contact with Dr. Robert Collis, a noted author. Collis discovers that Brown is also a natural novelist and, later, helps use his own connections to publish My Left Foot, by then a long-gestating autobiographical account of Brown’s struggle with everyday life amidst the vibrant culture of Dublin.
When My Left Foot becomes a literary sensation, one of the many people who write letters to Brown is married American woman Beth Moore. Brown and Moore become regular correspondents and, in 1960, he holidays in North America and stays with Moore at her home in Connecticut. When they meet again in 1965, they began an affair. Brown journeys to Connecticut once more to finish his magnum opus, which he had been developing for years. He finally does so in 1967 with help from Moore, who introduces and administers a strict working regimen, mostly by denying him alcohol until a day’s work is completed. The book, Down All the Days, is published in 1970. It is an ambitious project drawn largely from a playful expansion of My Left Foot. It becomes an international best-seller, translated into fourteen languages. The Irish Times reviewer Bernard Share claims the work is “the most important Irish novel since Ulysses.”
Down All the Days is followed by a series of other novels, including A Shadow on Summer (1972), Wild Grow the Lilies (1976) and A Promising Career (published posthumously in 1982). He also publishes three poetry collections: Come Softly to My Wake, Background Music and Of Snails and Skylarks. All the poems are included in The Collected Poems of Christy Brown.
Brown’s fame continues to spread internationally, and he becomes a prominent celebrity. Upon his return to Ireland, he is able to use proceeds from the sales of his books to design and move into a specially constructed home outside Dublin with his sister’s family. Though he and Beth had planned to marry and live together at the new home, and though Moore had informed her husband of these plans, it is around this time that he begins an affair with Englishwoman Mary Carr, whom he meets at a party in London. He then terminates his affair with Moore and marries Carr at the Registry Office, Dublin, in 1972. They move to Stoney Lane, Rathcoole, County Dublin, to Ballyheigue, County Kerry and then to Somerset. He continues to paint, write novels, poetry and plays. His 1974 novel, A Shadow on Summer, is based on his relationship with Moore, whom he still considers a friend.
Brown’s health deteriorates after marrying Carr. He becomes mainly a recluse in his last years, which is thought to be a direct result of Carr’s influence and perhaps abusive nature. He dies at the age of 49 on September 7, 1981, after choking during a lamb chop dinner. His body is found to have significant bruising, which leads many to believe that Carr had physically abused him. Further suspicions arise after Georgina Hambleton’s biography, The Life That Inspired My Left Foot, reveals a supposedly more accurate and unhealthier version of their relationship. The book portrays Carr as an abusive alcoholic and habitually unfaithful. He is buried in the Glasnevin Cemetery in Dublin.
The Anglo-Irish rock band The Pogues pay tribute to Christy Brown with a song titled “Down All the Days.” It is the seventh track on their 1989 recording Peace and Love. Similarly, U2 releases a song titled “Down All the Days” with the 20th anniversary edition of Achtung Baby. The Men They Couldn’t Hang also writes a song “Down All the Days” which appears on their Silver Town album also released in 1989.
Hely is born in 1724 at Gortroe, Mallow, son of Francis Hely, a gentleman of County Cork. He is educated at Trinity College Dublin (BA 1744) and is called to the Irish bar in 1748. He takes the additional name of Hutchinson upon his marriage in 1751 to Christiana Nixon, heiress of her uncle, Richard Hutchinson.
Hely-Hutchinson is elected member of the Irish House of Commons for the borough of Lanesborough in 1759, but from 1761 to 1790 he represents Cork City. He at first attaches himself to the patriotic party in opposition to the government, and although he afterwards joins the administration, he never abandons his advocacy of popular measures.
After a session or two in parliament he is made a privy councillor and prime Serjeant-at-law. From this time, he gives a general, though by no means invariable, support to the government. In 1767 the ministry contemplates an increase of the army establishment in Ireland from 12,000 to 15,000 men, but the Augmentation Bill meets with strenuous opposition, not only from Henry Flood, John Ponsonby and the habitual opponents of the government, but from the Undertakers, or proprietors of boroughs, on whom the government has hitherto relied on to secure them a majority in the House of Commons.
It therefore becomes necessary for Lord Townshend to turn to other methods for procuring support. Early in 1768 an English Act is passed for the increase of the army, and a message from King George III setting forth the necessity for the measure is laid before the House of Commons in Dublin. An address favourable to the government policy is, however, rejected as Hely-Hutchinson, together with the speaker and the attorney general, do their utmost both in public and private to obstruct the bill. Parliament is dissolved in May 1768, and the lord lieutenant sets about the task of purchasing or otherwise securing a majority in the new parliament. Peerages, pensions and places are bestowed lavishly on those whose support could be thus secured. Hely-Hutchinson is won over by the concession that the Irish army should be established by the authority of an Irish act of parliament instead of an English one.
The Augmentation Bill is carried in the session of 1769 by a large majority. Hely-Hutchinson’s support had been so valuable that he receives as reward an addition of £1,000 a year to the salary of his sinecure of alnager, a major’s commission in a cavalry regiment, and a promise of the Secretaryship of State. He is at this time one of the most brilliant debaters in the Irish parliament and is enjoying an exceedingly lucrative practice at the bar. This income, however, together with his well-salaried sinecure, and his place as prime serjeant, he surrenders in 1774 to become provost of Trinity College, although the statute requiring the provost to be in holy orders has to be dispensed with in his favour.
For this great academic position Hely-Hutchinson is in no way qualified and his appointment to it for purely political service to the government is justly criticised with much asperity. His conduct in using his position as provost to secure the parliamentary representation of the university for his eldest son brings him into conflict with Patrick Duigenan, while a similar attempt on behalf of his second son in 1790 leads to his being accused before a select committee of the House of Commons of impropriety as returning officer. But although without scholarship Hely-Hutchinson is an efficient provost, during whose rule material benefits are conferred on Trinity College.
Hely-Hutchinson continues to occupy a prominent place in parliament, where he advocates free trade, the relief of the Catholics from penal legislation, and the reform of parliament. He is one of the very earliest politicians to recognise the soundness of Adam Smith‘s views on trade and he quotes from the Wealth of Nations, adopting some of its principles, in his Commercial Restraints of Ireland, published in 1779, which William Edward Hartpole Lecky pronounces one of the best specimens of political literature produced in Ireland in the latter half of the 18th century.
In the same year, the economic condition of Ireland being the cause of great anxiety, the government solicits from several leading politicians their opinion on the state of the country with suggestions for a remedy. Hely-Hutchinson’s response is a remarkably able state paper, which also shows clear traces of the influence of Adam Smith. The Commercial Restraints, condemned by the authorities as seditious, goes far to restore Hely-Hutchinson’s popularity which has been damaged by his greed of office. Not less enlightened are his views on the Catholic question. In a speech in parliament on Catholic education in 1782 the provost declares that Catholic students are in fact to be found at Trinity College, but that he desires their presence there to be legalised on the largest scale.
In 1777 Hely-Hutchinson becomes Secretary of State. When Henry Grattan in 1782 moves an address to the king containing a declaration of Irish legislative independence, he supports the attorney general’s motion postponing the question. On April 16, however, after the Easter recess, he reads a message from the Lord Lieutenant, the William Cavendish-Bentinck, 3rd Duke of Portland, giving the king’s permission for the House to take the matter into consideration, and he expresses his personal sympathy with the popular cause which Grattan on the same day brings to a triumphant issue. Hely-Hutchinson supports the opposition on the regency question in 1788, and one of his last votes in the House is in favour of parliamentary reform. In 1790 he exchanges the constituency of Cork for that of Taghmon in County Wexford, for which borough he remains member until his death at Buxton, Derbyshire on September 4, 1794.
(Pictured: Portrait, oil on canvas, of John Hely-Hutchinson (1724–1794) by Sir Joshua Reynolds (1723–1792))
The funeral and burial of Charles Stewart Parnell, Irish nationalist politician who serves from 1875 as Member of Parliament (MP) in the House of Commons of the United Kingdom of Great Britain and Ireland, takes place in Dublin on October 11, 1891.
seamus dubhghaill 