Kearney was born on December 12, 1883, at 68 Lower Dorset Street, Dublin, above one of the two grocer’s shops owned by his father, John Kearney, originally from Funshog, Collon, County Louth. His mother, Katie (née McGuinness), is from Rathmaiden, Slane, County Meath. He is educated at the Model School, Schoolhouse Lane and St. Joseph’s Secondary C.B.S. in Fairview. He hears Willie Rooney give nationalist lectures on history in the Mechanics’ Institute. For a short time, he attends Belvedere College. Following the death of his father, he is left to support his mother and five younger siblings. He has various menial jobs for three years before being apprenticed to a house painter.
In 1901, the death of Willie Rooney prompts Kearney to join the Willie Rooney Branch of the Gaelic League. He joins the Irish Republican Brotherhood in 1903. He teaches night classes in Irish and numbers Seán O’Casey among his pupils. He finds work with the National Theatre Society and in 1904 is one of the first to inspect the derelict building that becomes the Abbey Theatre. He assists with props and performs occasional walk-on parts at the Abbey until 1916.
Kearney is a co-founder of the Irish Volunteers in 1913 and takes part in the Howth and Kilcoole gun runnings in 1914. In the Easter Rising of 1916 he fights at Jacob’s biscuit factory under Thomas MacDonagh, abandoning an Abbey Theatre tour in England to take part in the Rising. He escapes before the garrison is taken into custody.
A personal friend of Michael Collins, Kearney at first takes the Free State side in the Irish Civil War but loses faith in the Free State after Collins’s death. He takes no further part in politics, returning to his original trade of house painting.
Kearney’s songs are highly popular with the Irish Volunteers (which later becomes the Irish Republican Army) in the 1913–1922 period. Most popular is “The Soldier’s Song.” He pens the original English lyrics in 1907 and his friend and musical collaborator Patrick Heeney composes the music. The lyrics are published in 1912 and the music in 1916. After 1916 it replaces “God Save Ireland” as the anthem of Irish nationalists. The Irish Free State is established in 1922 and formally adopts the anthem in 1926.
Other well-known songs by Kearney include “Down by the Glenside,” “The Tri-coloured Ribbon,” “Down by the Liffey Side,” “Knockcroghery” (about the village of Knockcroghery) and “Erin Go Bragh” (Erin Go Bragh is the text on the Irish national flag before the adoption of the tricolour).
Peadar Kearney dies in relative poverty in Inchicore on November 24, 1942. He is buried in Glasnevin Cemetery in Dublin.
Fenians William Philip Allen, Michael Larkin, and Michael O’Brien, known as the Manchester Martyrs, are publicly hanged for the murder of a police officer in Manchester, England on November 23, 1867, during an incident that becomes known as the Manchester Outrages.
The three are members of the Irish Republican Brotherhood, also known as the Fenians, an organisation dedicated to ending British rule in Ireland, and are among a group of 30–40 Fenians who attack a horse-drawn police van transporting two arrested leaders of the Brotherhood, Thomas J. Kelly and Timothy Deasy, to Belle Vue Gaol. Police Sergeant Charles Brett, traveling inside with the keys, is shot and killed as the attackers attempt to force the van open by blowing the lock. Kelly and Deasy are released after another prisoner in the van takes the keys from Brett’s body and passes them to the group outside through a ventilation grill. The pair escape and make their way to safety in the United States. They are never recaptured, despite an extensive search.
Two others are also charged and found guilty of Brett’s murder, Thomas Maguire and Edward O’Meagher Condon, but their death sentences are overturned — O’Meagher Condon’s through the intercession of the United States government as he is an American citizen, and Maguire’s because the evidence given against him is considered unsatisfactory. Allen, Larkin, and O’Brien are publicly hanged on a temporary structure built on the wall of Salford Gaol on November 23, 1867, in front of a crowd of 8,000–10,000 people.
The bodies of the three men are buried in the New Bailey Prison graveyard, from which they are transferred to Strangeways Prison cemetery when New Bailey Prison is closed in 1868. In 1991 their remains are cremated and reinterred at Blackley Cemetery in Manchester.
Brett is the first Manchester City Police officer to be killed on duty, and he is memorialised in a monument in St. Ann’s Church. Allen, Larkin, and O’Brien are also memorialised, both in Manchester, where the Irish community makes up more than 10 percent of the population, and in Ireland, where they are regarded by many as inspirational heroes.
(Pictured: Manchester Martyrs monument, Glasnevin Cemetery, Dublin)
Hugh Callaghan, Patrick Hill, Robert Hunter, Noel McIlkenny, William Power, and John Walker, known as the “Birmingham Six,” are arrested on November 22, 1974, in connection with pub bombings which took place earlier in the week.
The Birmingham pub bombings take place on November 21, 1974, and are attributed to the Provisional Irish Republican Army. Explosive devices are placed in two central Birmingham pubs, the Mulberry Bush at the foot of the Rotunda and the Tavern in the Town in New Street. The resulting explosions, at 8:25 PM and 8:27 PM, collectively are the most injurious attacks in England since World War II. Twenty-one people are killed and 182 are injured. A third device, outside a bank in Hagley Road, fails to detonate.
Five of the six arrested are Belfast-born Roman Catholics, while John Walker is a Roman Catholic born in Derry. All six have lived in Birmingham since the 1960s. All the men except for Callaghan leave the city early on the evening of November 21 from New Street Station, shortly before the explosions. They are travelling to Belfast to attend the funeral of James McDade, a Provisional IRA member who had accidentally killed himself on November 14 when his bomb detonates prematurely while he is planting it at a telephone exchange in Coventry.
When they reach Heysham they and others are subject to a Special Branchstop and search. The men do not tell the police of the true purpose of their visit to Belfast, a fact that is later held against them. While the search is in progress the police are informed of the Birmingham bombings. The men agree to be taken to Morecambe police station for forensic tests.
On the morning of November 22, after the forensic tests and questioning at the hands of the Morecambe police, the men are transferred to the custody of West Midlands Serious Crime Squad police unit. Callaghan is taken into custody on the evening of November 22.
The Birmingham Six are charged with murder and conspiracy to cause explosions on May 12, 1975. The trial begins on June 9, 1975, at the Crown Court sitting at Lancaster Castle, before Justice Nigel Bridge and a jury. The jury finds the six men guilty of murder. On August 15, 1975, they are each sentenced to twenty-one life sentences.
On November 28, 1974, the Birmingham Six appear in court for a second time after they had been remanded into custody at HM Prison Winson Green, all showing bruising and other signs of ill-treatment. Fourteen prison officers are charged with assault in June 1975 but are ultimately acquitted. The Six bring a civil claim for damages against the West Midlands Police in 1977, but it is struck out on January 17, 1980, by the Court of Appeal (Civil Division).
In March 1976 the Birmingham Six’s first application for leave to appeal is dismissed by the Court of Appeal, presided over by John Widgery. Their second full appeal, in 1991, is allowed. New evidence of police fabrication and suppression of evidence, the successful attacks on both the confessions and the 1975 forensic evidence causes the Crown to decide not to resist the appeals. The Court of Appeal states that in light of the fresh scientific evidence, the convictions are both unsafe and unsatisfactory. On March 14, 1991, the Birmingham Six are set free.
In 2001, a decade after their release, the six men are awarded compensation ranging from £840,000 to £1.2 million.
Alistair Cooke, British journalist, television personality, and broadcaster, who describes himself as a “Lancastrian Irishman,” is born in Salford, Lancashire, England on November 20, 1908. He is best known for his lively and insightful interpretations of American history and culture.
From the late 1930s, Cooke reports and comments on American affairs for BBC Radio and several major British newspapers. His weekly 15-minute program, Letter from America, broadcast from 1946 to 2004, is one of the longest-running series on radio. The texts of many broadcasts are collected in One Man’s America (1952) and Talk About America (1968). From 1956 to 1961 he hosts and narrates the weekly television “magazine” Omnibus, which wins numerous broadcasting awards.
Cooke’s interpretation of the American experience culminates in his BBC-produced television series America: A Personal History of the United States (1972–1973). In thirteen installments, filmed on location throughout the United States, he surveys some 500 years of American history in an eclectic and personal but highly coherent narrative. Alistair Cooke’s America (1973), the book based on the award-winning program, is a best-seller in the United States. From the 1970s to the early 1990s, as host of Masterpiece Theatre, he serves as an interpreter of British culture through the presentation of BBC dramatic television programming to American audiences.
Cooke’s other works include the critical biography Douglas Fairbanks: The Making of a Screen Actor (1940), Generation on Trial: The USA v. Alger Hiss (1950), based on his coverage of a celebrated Congressional investigation, The Vintage Mencken (1955), The Patient Has the Floor (1986), America Observed (1988), Memories of the Great and the Good (2000) and, with Robert Cameron, The Americans (1977).
On March 2, 2004, at the age of 95, following advice from his doctors, Cooke announces his retirement from Letter from America—after 58 years, the longest-running speech radio show in the world.
Alistair Cooke dies at midnight on March 30, 2004 at his home in New York City. He had been ill with heart disease, but dies of lung cancer, which had spread to his bones. He is cremated and his ashes are clandestinely scattered by his family in New York’s Central Park.
Osborne is born in Limerick, County Limerick. He leaves Ireland for Brussels at the age of eighteen, where he is appointed music instructor for the eldest son of the Dutch king, William of Orange, and becomes friends with Charles de Bériot. With de Bériot he is later to compose more than thirty duos for violin and piano, which enjoy great popularity.
In 1843, Osborne settles permanently in London, although he maintains a home in Paris until 1848, when he encourages a nervous Chopin during the latter’s tour of England in 1848. In London he holds directorships of the Royal Philharmonic Society and the Royal Academy of Music and conducts the Amateur Musical Society from 1852.
Osborne’s compositions are mostly on a small scale and include 83 original piano works, 178 transcriptions and fantasias for piano solo, 24 piano duos, 44 vocal works and 55 chamber music pieces. His unpublished works include two operas and some orchestral overtures, all now lost. Berlioz observes that Osborne’s songs and trios are “lofty in style and spacious in design.” One of his most popular compositions is a piano piece entitled La Pluie de perles (Shower of Pearls), which goes through many editions. Some of his piano music is written to display his own virtuosity, while others are conceived as salon music for domestic entertainment.
George Alexander Osborne dies on November 17, 1893 at his home in Regent’s Park, London, at the age of 87.
Until his sixteenth year, Plunkett’s education is entrusted to his cousin Patrick Plunkett, Abbot of St. Mary’s, Dublin, and brother of Luke Plunkett, the first Earl of Fingall, who later becomes successively Bishop of Ardagh and of Meath. As an aspirant to the priesthood, he sets out for Rome in 1647.
Plunkett is admitted to the Pontifical Irish College in Rome and proves to be an able pupil. He is ordained a priest in 1654 and deputed by the Irish bishops to act as their representative in Rome. Meanwhile, the Cromwellian conquest of Ireland (1649–1653) has defeated the Roman Catholic cause in Ireland. As a result, it is impossible for Plunkett to return to Ireland for many years, so he petitions to remain in Rome. At the Congregation of Propaganda Fide on July 9, 1669, he is appointed Archbishop of Armagh and is consecrated on November 30 at Ghent. He returns to Ireland on March 7, 1670, as the English Restoration of 1660 has begun on a basis of toleration.
Plunkett sets about reorganising the ravaged Roman Church and builds schools both for the young and for clergy. The Penal Laws have been relaxed in line with the Declaration of Breda in 1660 and he is able to establish a Jesuit College in Drogheda in 1670, which becomes the first Catholic-Protestant integrated school in Ireland.
On the enactment of the Test Act in 1673, to which Plunkett does not agree for doctrinal reasons, the college is closed and demolished. Plunkett goes into hiding, travelling only in disguise, and refuses a government edict to register at a seaport to await passage into exile.
In 1678 the so-called Popish Plot, concocted in England by clergyman Titus Oates, leads to further anti-Roman Catholic action. Archbishop Peter Talbot of Dublin is arrested, and Plunkett again goes into hiding. Despite being on the run and with a price on his head, Plunkett refuses to leave his flock.
Plunkett is arrested in Dublin in December 1679 and imprisoned in Dublin Castle. He is tried at Dundalk for conspiring against the state by allegedly plotting to bring 20,000 French soldiers into the country, and for levying a tax on his clergy to support 70,000 men for rebellion. The trial soon collapses as the prosecution witnesses are themselves wanted men and afraid to appear in court. Plunkett is moved to Newgate Prison in London in order to face trial at Westminster Hall. The first grand jury finds no true bill, but he is not released. The second trial is generally regarded as a serious miscarriage of justice as Plunkett is denied defending counsel.
Archbishop Plunkett is found guilty of high treason in June 1681 “for promoting the Roman faith,” and is condemned to death. Plunkett is hanged, drawn, and quartered at Tyburn on July 1, 1681, the last Roman Catholic martyr to die in England. His body is initially buried in two tin boxes in the courtyard of St. Giles in the Fields church. The remains are exhumed in 1683 and moved to the Benedictine monastery at Lamspringe, near Hildesheim in Germany. His head is brought to Rome, and from there to Armagh, and eventually to Drogheda where it has rested in St. Peter’s Church since June 29, 1921. Most of the body is brought to Downside Abbey, England, where the major part is located today, with some parts remaining at Lamspringe.
Sir Oliver Plunkett is canonised in Rome by Pope Paul VI on October 12, 1975, the first new Irish saint in almost seven hundred years, and the first of the Irish martyrs to be beatified. For the canonisation, the customary second miracle is waived.
Butler is the son of Richard and Ellen Butler. The great famine of 1847 and scenes of suffering and eviction are amongst his earliest recollections. He is educated chiefly by the Jesuits at Tullabeg College.
On June 11, 1877, Butler marries Elizabeth Thompson, an accomplished painter of battle scenes, notably The Roll Call (1874), Quatre Bras (1875), Rorke’s Drift (1881), The Camel Corps (1891), and The Dawn of Waterloo (1895). They have six children. His daughter, Elizabeth Butler, marries Lt.-Col. Randolph Albert Fitzhardinge Kingscote (1867-1940) on July 24, 1903.
In 1898 Butler succeeds General William Howley Goodenough as commander-in-chief in South Africa, with the local rank of lieutenant general. For a short period (December 1898 – February 1899), during the absence of Sir Alfred Milner in England, he acts as high commissioner, and as such, and subsequently in his military capacity, he expresses views on the subject of the probabilities of war which are not approved by the home government. He is consequently ordered home to command the Western District and holds this post until 1905. He also holds the Aldershot Command for a brief period from 1900 to 1901. He is promoted to lieutenant general in 1900 and continues to serve, finally leaving the King‘s service in 1905.
In October 1905, having reached the age limit of sixty-seven, Butler is placed on the retired list. The few years of life which remain to him he spends at Bansha Castle in Ireland, devoted chiefly to the cause of education. He is a frequent lecturer both in Dublin and the provinces on historical, social, and economic questions. He is known as a Home Ruler and an admirer of Charles Stewart Parnell. He is a member of the Senate of the National University of Ireland, and a commissioner of the Board of National Education. In June 1906, he is appointed Knight of the Grand Cross of the Order of the Bath, and in 1909 he is made a member of the Privy Council of Ireland.
William Butler dies at Bansha Castle in Bansha, County Tipperary, on June 10, 1910, and is buried at the cemetery of Killaldriffe, a few miles distant and not far from his ancestral home.
Butler had long been known as a descriptive writer, since his publication of The Great Lone Land (1872) and other works and he was the biographer (1899) of Sir George Pomeroy Colley. He had started work on his autobiography a few years before his death but died before it was completed. His youngest daughter, Eileen, Viscountess Gormanston, completes the work and has it published in 1911.
(Pictured: William Francis Butler, Source: Archives of Manitoba, Personalities – Butler, W. F. 1, N10492)
Francis Bacon, Irish-born British figurative painter known for his bold, emotionally charged and raw imagery, is born in Dublin on October 28, 1909.
Bacon is best known for his depictions of popes, crucifixions and portraits of close friends. His abstracted figures are typically isolated in geometrical cage like spaces, set against flat, nondescript backgrounds. Bacon says that he sees images “in series,” and his work typically focuses on a single subject for sustained periods, often in triptych or diptych formats. His output can be broadly described as sequences or variations on a single motif, beginning with the 1930s Pablo Picasso-informed Furies, moving on to the 1940s male heads isolated in rooms or geometric structures, the 1950s screaming popes, and the mid-to-late 1950s animals and lone figures, the 1960s portraits of friends, the nihilistic 1970s self-portraits, and the cooler more technical 1980s late works.
Bacon takes up painting in his late 30s, having drifted as an interior decorator, bon vivant and gambler. He says that his artistic career was delayed because he spent too long looking for subject matter that could sustain his interest. His breakthrough comes with the 1944 triptych Three Studies for Figures at the Base of a Crucifixion, which seals his reputation as a uniquely bleak chronicler of the human condition. From the mid-1960s he mainly produces portraits of friends and drinking companions, either as single or triptych panels. Following the 1971 suicide of his lover, George Dyer, his art becomes more sombre, inward-looking and preoccupied with the passage of time and death. The climax of this later period is marked by masterpieces, including Study for Self-Portrait (1982) and Study for a Self-Portrait—Triptych, 1985–86.
Despite his bleak existentialist outlook, solidified in the public mind through his articulate and vivid series of interviews with David Sylvester, Bacon in person is highly engaging and charismatic, articulate, well-read and unapologetically gay. He is a prolific artist, but nonetheless spends many of the evenings of his middle age eating, drinking and gambling in London‘s Soho with like-minded friends such as Lucian Freud, John Deakin, Muriel Belcher, Henrietta Moraes, Daniel Farson, Tom Baker, and Jeffrey Bernard.
After Dyer’s suicide he largely distances himself from this circle, and while his social life is still active and his passion for gambling and drinking continues, he settles into a platonic and somewhat fatherly relationship with his eventual heir, John Edwards. The art critic Robert Hughes describes him as “the most implacable, lyric artist in late 20th-century England, perhaps in all the world” and along with Willem de Kooning as “the most important painter of the disquieting human figure in the 50’s of the 20th century.” Bacon is the subject of two Tate retrospectives and a major showing in 1971 at the Grand Palais.
While on holiday in Madrid in 1992, Francis Bacon is admitted to the Handmaids of Maria, a private clinic, where he is cared for by Sister Mercedes. His chronic asthma, which has plagued him all his life, has developed into a respiratory condition and he is unable to talk or breathe very well. He dies of a heart attack on April 28, 1992, after attempts to resuscitate him fail.
Bacon bequeaths his estate, then valued at £11 million, to John Edwards and Brian Clark, executors. In 1998 the director of the Hugh Lane Gallery in Dublin secures the donation of the contents of Bacon’s chaotic studio at 7 Reece Mews, South Kensington. The contents of his studio are moved and reconstructed in the gallery. Most of his works remain in the Hugh Lane in Dublin today.
Since his death his reputation and market value have grown steadily, and his work is among the most acclaimed, expensive and sought-after. In the late 1990s a number of major works, previously assumed destroyed, including early 1950s popes and 1960s portraits, reemerge to set record prices at auction. In 2013 his Three Studies of Lucian Freud sets the world record as the most expensive piece of art sold at auction.
Mowlam is a lecturer in the Political Science Department at the University of Wisconsin–Milwaukee in 1977 and at Florida State University in Tallahassee from 1977 to 1979. During her time in Tallahassee, someone breaks into her apartment. She suspects that it is Ted Bundy, the serial killer and rapist who is thought to have murdered at least 35 young women and attacked several others. She returns to England in 1979 to take up an appointment at the University of Newcastle upon Tyne.
Having failed to win selection for the 1983 general election, Mowlam is selected as Labour candidate for the safe seat of Redcar after James Tinn stands down. She takes the seat in the 1987 general election, becoming the Labour spokesperson on Northern Ireland later that year. Together with Shadow Chancellor John Smith, she is one of the architects of Labour’s “Prawn Cocktail Offensive” dedicated to reassuring the UK’s financial sector about Labour’s financial rectitude.
Mowlam joins the Shadow Cabinet when John Smith becomes leader of the Labour Party in 1992, holding the title of Shadow Secretary of State for National Heritage. During this time, she antagonises both monarchists and republicans by calling for Buckingham Palace to be demolished and replaced by a “modern” palace built at public expense. Later, her willingness to speak her mind, often without regard to the consequences, is seen as her greatest strength by her supporters.
Following Smith’s death in 1994, Mowlam, alongside Peter Kilfoyle, becomes a principal organiser of Tony Blair‘s campaign for the Labour leadership. After his victory, Blair makes her Shadow Secretary of State for Northern Ireland. She initially resists being appointed to the position, preferring an economic portfolio, but, after accepting it, she throws her weight into the job.
Mowlam oversees the negotiations which lead to the 1998 Good Friday Agreement. She is successful in helping to restore an Irish Republican Army (IRA) ceasefire and including Sinn Féin in multi-party talks about the future of Northern Ireland. In an attempt to persuade the Ulster loyalists to participate in the peace process, she pays an unprecedented and potentially dangerous visit to loyalist prisoners in HM Prison Maze, meeting convicted murderers face-to-face and unaccompanied.
Mowlam witnesses the Good Friday Agreement signing in 1998, which leads to the temporary establishment of a devolved power-sharing Northern Ireland Assembly. However, an increasingly difficult relationship with Unionist parties means her role in the talks is ultimately taken over by Tony Blair and his staff.
Mowlam’s deteriorating relationship with Unionists is the key reason she is replaced by Peter Mandelson as Northern Ireland Secretary in October 1999. Her move to the relatively lowly position of Minister for the Cabinet Office possibly involves other factors, notably her health and her popularity. On September 4, 2000, she announces her intention to retire from Parliament and relinquishes her seat at the 2001 general election.
Five months before the 1997 general election, Mowlam is diagnosed with a brain tumor, a fact that she tries to keep private. She appears to suffer from balance problems as a result of her radiotherapy. According to her husband, she falls on July 30, 2005, receiving head injuries and never regaining consciousness. Her living will, in which she asks not to be resuscitated, is honoured. On August 12, 2005, Mowlan is moved to Pilgrims Hospice in Canterbury, Kent, where she dies seven days later, on August 19, 2005, aged 55.
Mowlam is an atheist and is cremated in Sittingbourne on September 1, 2005 at a non-religious service conducted by Reverend Richard Coles, formerly of the 1980s band The Communards. Half of her ashes were scattered at Hillsborough Castle, the Secretary of State for Northern Ireland’s official residence, and the other half in her former parliamentary constituency of Redcar.
Parnell dies of pneumonia at half-past eleven on the night of October 6 at his residence at 10 Walsingham Terrace, Aldrington, near Brighton, England. He dies in the arms of his wife Katherine whom he had married just five months earlier.
Prior to the funeral, Parnell’s body lay in state for several hours and his death is the primary topic of conversation around Dublin. The belief that his demise would close the chasm in the Irish ranks is no longer tenable. His death makes it too wide even to be bridged. His old opponents may have felt inclined to forget and forgive, but this spirit is crushed almost before it is born, and his old adherents are simply ferocious in their enmity.
The city is astir at an unusually early hour, and there is a crowd of thousands in and around the Westland Row Station before seven o’clock. In front, as a guard of honor, stands a body of the Gaelic Athletic Association, armed with camans, around which are bound crape and green ribbon. It is nearly eight o’clock when Parnell’s body is placed in a hearse drawn by four black horses. The Gaels march in front. Thousands join the cortège, which includes several bands and fife corps.
Though an Anglican, Parnell’s funeral at the Irish National nondenominational Glasnevin Cemetery in Dublin is attended by more than 200,000 people. His notability is such that his gravestone of unhewn Wicklow granite, erected in 1940, reads only “Parnell.”
Parnell is buried amid warring elements and in the presence of an immense assemblage. As a scene of great but suppressed excitement, and of still greater impressiveness, the funeral and its surroundings will never be forgotten by those who witness it, and it will long furnish a landmark in history for Ireland.
The funeral and burial of 
seamus dubhghaill 