O’Conor is the second of six sons of Denis O’Conor and Catharine O’Conor (neé Browne), who also have six daughters. The O’Conors are Catholic, descendants of a princely family in the west of Ireland. His grandfather is the historian Charles O’Conor, his brother the historian Matthew O’Conor.
O’Conor is educated at the Pontifical Irish College, Rome, from 1779 to 1791 and is appointed parish priest of Kilkeevan, County Roscommon, in 1789. In 1796 he prepares for publication a memoir of his grandfather, the historian Charles O’Connor, which highlights the efforts made by him and other Irish Catholics of substance to obtain the constitutional repeal of the penal laws. The first volume is suppressed as dangerous to the family and the manuscript of the second is burned by O’Conor before reaching the printer. He destroys what he believes to be the whole run of the first volume and ten folios of the second, by casting them into a sewer, which communicates with the River Poddle. However, copies of the first volume survive in Trinity College Dublin (TCD) and the Barrister at Law (BL).
In 1798 O’Conor is invited to become chaplain to Mary Nugent, the Marchioness of Buckingham, and to organize and translate a collection of Gaelic manuscripts at Stowe, Buckinghamshire, England. With him he brings papers of his grandfather to Stowe, including fifty-nine Gaelic manuscripts. There he writes Columbanus ad Hibernos (1810–13), a series of letters supporting the royal veto on Catholic episcopal appointments in Ireland. These are answered by Francis Plowden and see him suspended from duties of parish priest by John Troy, Archbishop of Dublin. In his duties as librarian, he edits the Annals of the Four Masters, and other chronicles from the Stowe Library as Rerum Hibernicarum Scriptores Veteres (1814–26), an edition regarded as unreliable.
O’Conor experiences mental illness and by 1827 is suffering from the delusion that he is deliberately being starved by order of the Marquess of Buckingham. He leaves Stowe on July 4, 1827. The Nation (March 26, 1853) claims that he is thereafter a patient at Dr. Harty’s asylum in Finglas, Dublin, apparently along with John Lanigan, whom he knew in the Irish College. His family twice unavailingly demands that the paper’s editor issue a correction.
O’Conor dies on July 29, 1828, in his family’s house at Bellanagare. He is buried in Ballintober Cemetery, Castlerea, County Roscommon.
Brady is born in 1527, but his parentage is uncertain, as are most of the details of his early life. He is said to be a graduate of the University of Oxford and later a professor of divinity there, but there is no evidence of this in the college registers.
Brady’s first patron is Edmund Grindal, Bishop of London, under whose auspices he secures a prestigious appointment to the rectorship of St. Mary Aldermary, London, in early 1561. Over the next two years he becomes acquainted with a relative and chief advisor of Queen Elizabeth I, William Cecil. He is eager to return to Ireland and is appointed Bishop of Meath on October 21, 1563, while still in England. He is ideally qualified for this role, being a native of the diocese and a skilled preacher fluent in English and Irish. Arriving in Dublin on December 3, 1563, he is consecrated on December 19, being made a member of the Privy Council of Ireland soon thereafter.
On reaching his diocese, Brady is dismayed at its dilapidated state. His diocesan income scarcely exceeds £60 a year, many of the churches are in ruins, his clergy are uneducated and largely pro-Catholic, and the right to appoint clergy to many parish churches is in the hands of Catholic landowners. Further, the rival Catholic Bishop of Meath, William Walsh, is dedicated, capable, and popular. Although Walsh is belatedly arrested in 1565, his willingness to lead by example and suffer persecution for his beliefs stiffens Catholic resistance in Meath.
Brady is always diligent in attendance at Council meetings. He is vigorous in beating off raids on his diocese by Shane O’Neill, the effective ruler of Ulster. He enjoys the friendship of Sir Henry Sidney, the Lord Deputy of Ireland, who praises his sound judgment, hospitality and blameless private life. His good qualities lead Sidney and Adam Loftus, Archbishop of Armagh, to propose Brady as Archbishop of Dublin, after they have lobbied successfully for the recall of Archbishop Hugh Curwen. However, soon after, Brady and Loftus quarrel, and Loftus blocks Brady’s nomination in order to obtain the See of Dublin for himself.
Nonetheless, Brady retains Sidney’s confidence and finds a new ally in 1567 when Robert Weston becomes Lord Chancellor of Ireland. Weston sympathises with his educational and evangelical bent while gaining the respect of the querulous Loftus, thereby defusing the animosity between Ireland’s leading Protestant clergy.
In 1569, Brady’s diocese is amalgamated with the diocese of Clonmacnoise. He now heads a sprawling diocese that includes Gaelic areas where the crown has very little authority. In practice, he appears to have largely ignored Clonmacnoise. In Meath, a government inquiry in 1575 shows that he has made little headway in spreading the Protestant faith or in restoring the fabric and finances of the church. He has found clergy for nearly every church in the diocese, but most are of a poor standard. He contributes to the diocese’s worsening finances by alienating church land to family and associates. The free school he establishes is also forced to close due to a lack of suitable premises.
Following Sidney’s dismissal as Lord Deputy of Ireland in 1578, Protestant hard-liners begin to dominate the Irish government, causing Brady to lose influence. He complains in 1581 that his letters to London are being opened and read by his colleagues and sometimes being suppressed. His influence declines in Meath also as discontent with the government increases. In 1577, his men capture a number of friars at Navan but are attacked by locals and forced to free their captives. Thereafter, local officials and landowners routinely defy his authority. His conciliatory policies totally discredited, he stays away from Dublin and resides mainly at his episcopal palace at Ardbraccan.
From 1582 Brady suffers from ill health, forcing him to curtail his preaching. He dies on February 14, 1584, and is buried near the parish church at Dunboyne.
Brady marries twice, but little is known of his first wife. In 1568, following the death of his first wife, he marries Weston’s daughter Alice. They had at least four children, including Luke, their eldest son, and Nicholas, grandfather of his namesake the poet. After Brady’s death, his widow marries Sir Geoffrey Fenton and has further issue, including Catherine, Countess of Cork. The poet Nicholas Brady is the bishop’s great-grandson. Maziere Brady, Lord Chancellor of Ireland, is a nineteenth-century descendant of the bishop.
MacManus begins writing while still teaching, first publishing a trilogy set in Penal times and concerning the life of the Gaelic poet Donncha Rua Mac Conmara comprising the novels Stand and Give Challenge (1934), Candle for the Proud (1936) and Men Withering (1939). A second trilogy follows which turns its attention to contemporary Ireland: This House Was Mine (1937), Flow On, Lovely River (1941), and Watergate (1942). The location is the fictional “Dombridge,” based on Kilkenny, and deals with established themes of Irish rural life including obsessions with land, sexual frustration, and the trials of emigration and return. Other major works include the novel The Greatest of These (1943), concerning religious conflict in nineteenth-century Kilkenny, and the biographies Boccaccio (1947) and Saint Columban (1963). In his last two novels, he descends into the depths of theological debate: The Fire in the Dust (1950) is followed by American Son (1959), a remarkable dialogue between conflicting modes of belief which reveals the strong influence of Roman Catholicism on the author.
Francis MacManus dies of a heart attack at the age of 56 in Dublin on November 27, 1965.
The RTÉ Francis MacManus Short Story Award is established in his memory in 1985. The competition is run by RTÉ, Ireland’s national broadcaster, and is open to entries written in Irish or English from authors born or resident in Ireland. The total prize fund is €6000, out of which the winning author receives €3,000. Sums of €2,000 and €1,000 are awarded to the second and third prize winners.
The Plantation of Ulster is the organised colonisation, or plantation, of the Irish province of Ulster by people from Great Britain during the reign of King James I. Most of the settlers, or planters, come from southern Scotland and northern England. Their culture differs from that of the native Irish. Small privately funded plantations by wealthy landowners begin in 1606, while the official plantation begins in 1609. Most of the colonised land had been confiscated from the native Gaelic chiefs, several of whom had fled Ireland for mainland Europe in 1607 following the Nine Years’ War against English rule. The official plantation comprises an estimated half a million acres of arable land in counties Armagh, Cavan, Fermanagh, Tyrone, Donegal, and Coleraine. Land in counties Antrim, Down, and Monaghan is privately colonised with the king’s support.
Among those involved in planning and overseeing the plantation are King James, the Lord Deputy of Ireland, Arthur Chichester, and the Attorney-General for Ireland, John Davies. They see the plantation as a means of controlling, anglicising, and “civilising” Ulster. The province is almost wholly Gaelic, Catholic, and rural and has been the region most resistant to English control. The plantation is also meant to sever Gaelic Ulster’s links with the Gaelic Highlands of Scotland. The colonists, or “British tenants,” are required to be English-speaking, Protestant and loyal to the king. Some of the undertakers and settlers, however, are Catholic. The Scottish settlers are mostly PresbyterianLowlanders and the English mostly Anglican Northerners. Although some “loyal” natives are granted land, the native Irish reaction to the plantation is generally hostile, and native writers bewail what they see as the decline of Gaelic society and the influx of foreigners.
The Plantation of Ulster is the biggest of the Plantations of Ireland. It leads to the founding of many of Ulster’s towns and creates a lasting Ulster Protestant community in the province with ties to Britain. It also results in many of the native Irish nobility losing their land and leads to centuries of ethnic and sectarian animosity, which at times spills into conflict, notably in the Irish Rebellion of 1641 and, more recently, the Troubles.
Although born in Dublin, Tynan’s family home is in Johnstown, County Kilkenny. He is born with phocomelia, causing both of his lower legs to be underdeveloped. Although now 6’4″ tall, his legs are unusually short, his feet are splayed outward, and he has three toes on each foot. He is one of a set of twins, his twin brother Edmond dying at 11 months old. At age 20, he has his legs amputated below the knee following a back injury in a car accident. The injury to his back makes it impossible for him to continue using prosthetic legs without the amputation. Within weeks of the accident, he is climbing stairs at his college dormitory on artificial legs. Within a year, he is winning in international competitions in track and field athletics. He represents Ireland in the 1984 and 1988 Summer Paralympics, winning four golds, two silvers, and one bronze medal. Between 1981 and 1984, he wins 18 gold medals from various competitions and sets 14 world records.
In the following years, Tynan becomes the first person with a disability to be admitted to the National College of Physical Education in Limerick. He works for about two years in the prosthetics industry, then goes to Trinity College, Dublin, becomes a physician specialising in Orthopedic Sports Injuries, and graduates in 1993. Encouraged to also study voice by his father Edmund, Tynan wins a series of voice competition awards and joins The Irish Tenors.
Tynan sings for George H. W. Bush at Bush’s Houston home on the day of the president’s death on November 30, 2018. The first song is “Silent Night,” while the second is a Gaelic song. Bush’s friend and former aide James Baker says that while Tynan is singing “Silent Night,” “believe it or not, the president was mouthing the words.”
While a real estate agent and prospective buyer Dr. Gabrielle Gold-von Simson are looking at an apartment in Tynan’s building on Manhattan‘s East Side, Tynan makes what is construed to be an anti-semitic remark. Shortly after this, the New York Yankees cancel Tynan’s performance of “God Bless America” for Game 1 of the 2009 American League Championship Series on October 16, 2009 because of the incident.
According to Tynan’s version of the event, two Jewish women came to view an apartment in his building. Some time afterwards, another real estate agent shows up with a potential client. The agent jokes to Tynan “at least they’re not (Boston) Red Sox fans.” Tynan replies, “As long as they’re not Jewish,” referring to the exacting women he had met earlier. The prospective client, Jewish pediatrician Dr. Gabrielle Gold-Von Simson, takes umbrage and says, “Why would you say that?” Tynan replies, “That would be scary,” and laughs, referring to the previous incident. He subsequently apologises for his remark. The Anti-Defamation League (ADL) accepts his apology. He performs at an ADL event in Manhattan soon thereafter.
Only July 4, 2010 Tynan performs “God Bless America” for the Boston Red Sox at Fenway Park with the support of some in the local Jewish community.
Clarke is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English. Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, he says, “I load myself down with chains and try to wriggle free.”
Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.
Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verses plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time, and this has significant consequences for his later poetry.
Clarke returns to publishing poetry with the 1955 collection Ancient Lights and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.
Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.
In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.
In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.
Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by CouncillorBernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.
Austin Clarke, considered at his death to be the greatest poet of his generation after W. B. Yeats, is born in 83 Manor Street, Stoneybatter, Dublin, on May 9, 1896. He also writes plays, novels and memoirs. His main contribution to Irish poetry is the rigour with which he uses technical means borrowed from classical Irish language poetry when writing in English.
Effectively, this means writing English verse based not so much on metre as on complex patterns of assonance, consonance, and half rhyme. Describing his technique to Robert Frost, Clarke says, “I load myself down with chains and try to wriggle free.”
Clarke’s early poetry clearly shows the influence of Yeats. His first book, The Vengeance of Fionn, is a long narrative poem retelling an Ossianic legend. It meets with critical acclaim and, unusually for a first book of poetry, goes to a second edition. Between this and the 1938 volume Night and Morning, he publishes a number of collections, all of which, to one extent or another, can be seen as being written in the shadow of Yeats. There is, however, one significant difference. Unlike the older poet, Clarke is a Catholic, and themes of guilt and repentance run through this early work.
Between 1938 and 1955, Clarke publishes no new lyric or narrative poetry. He is co-founder of the Lyric Theatre, Dublin and writes a number of verse plays for them. He also works as a journalist and has a weekly poetry programme on RTÉ radio. It seems likely that he also experiences some kind of personal crisis during this time, and this has significant consequences for his later poetry.
Clarke returns to publishing poetry with the 1955 collection Ancient Lights and is to continue writing and publishing prolifically for the remainder of his life. Although he continues to use the same Gaelic-derived techniques, this late poetry is markedly different from his earlier work. Many of the later poems are satires of the Irish church and state, while others are sensual celebrations of human sexuality, free of the guilt of the earlier poems. He also publishes the intensely personal Mnemosyne Lay in Dust, which is a poem sequence detailing the fictional Maurice Devanes’s nervous breakdown and subsequent recovery.
Clarke also comes to admire the work of more avant-garde poets like Ezra Pound and Pablo Neruda, both of whom he writes poems about. A number of the late long poems, such as, for instance, the 1971 Tiresias, show the effects of studying these poets and their looser formal structures. He sets up the Bridge Press to publish his own work, which allows him the freedom to publish work that many mainstream Irish publishers of the time might have been reluctant to handle. His Collected Poems is published in 1974 and a Selected Poems in 1976.
In addition to some twenty volumes of poetry and numerous plays, Clarke publishes three novels: The Bright Temptation (1932), The Singing Men at Cashel (1936), and The Sun Dances at Easter (1952). All of these are banned by the Censorship of Publications Board (Ireland). He also publishes two volumes of memoirs, Twice Round the Black Church (1962) and A Penny in the Clouds (1968), and a number of scattered critical essays and book reviews. While all of these prose writings are of interest, his reputation rests firmly on his poetry.
In 1920 Clarke marries Cornelia (Lia) Cummins. The marriage effectively lasts only a few days, and he spends several months in St. Patrick’s Hospital recovering from it, but they do not divorce before Cummins dies in 1943. He meets, has three sons with, and later marries (1945) Norah Esmerelda Patricia Walker (1900–1985), granddaughter of Matthew Harris, MP for East Galway from 1885 to 1890.
Clarke lives in Bridge House beside Templeogue Bridge which spans the River Dodder in the south Dublin suburb of Templeogue. After his death on March 19, 1974, there is a proposal to preserve the house and his library of 6,500 books as a memorial. This is not possible owing to long-term plans to demolish the house and widen the road. The old Templeogue Bridge, built in 1800, and Bridge House are removed. A new bridge is opened by CouncillorBernie Malone, Chairman Dublin City Council, on December 11, 1984, which is renamed Austin Clarke Bridge in his honour.
Bourke serves as an aide to GeneralGeorge Crook in the Apache Wars from 1872 to 1883. As Crook’s aide, he has the opportunity to witness every facet of life in the Old West — the battles, wildlife, the internal squabbling among the military, the Indian Agency, settlers, and Native Americans.
During his time as aide to General Crook during the Apache Wars, Bourke keeps journals of his observations that are later published as On the Border with Crook. This book is considered one of the best firsthand accounts of frontier army life, as Bourke gives equal time to both the soldier and the Native American. Within it, he describes the landscape, Army life on long campaigns, and his observations of the Native Americans. His passages recount General Crook’s meetings with Sitting Bull, Crazy Horse, and Geronimo as the General attempts to sign peace treaties and relocate tribes to reservations. He provides considerable detail of towns and their citizens in the Southwest, specifically the Arizona Territory.
In 1881 Bourke is a guest of the Zuni tribe, where he is allowed to attend the ceremony of a Newekwe priest. His report of this experience is published in 1888 as The use of human odure and human urine in rites of a religious or semi religious character among various nations.
Bourke marries Mary F. Horbach of Omaha, Nebraska, on July 25, 1883. They have three daughters together.
John Bourke dies in the Polyclinic Hospital in Philadelphia on June 8, 1896, and is buried at Arlington National Cemetery. His wife is buried beside him after her death.
Charles is the eldest son of James Francis Edward Stuart, the exiled Stuart claimant to the British throne. Believing there is support for a Stuart restoration in both Scotland and England, he lands in Scotland in July 1745. The Jacobite Army is often assumed to have been largely composed of Gaelic-speaking Catholic Highlanders. In reality nearly a quarter of the rank and file are recruited in Aberdeenshire, Forfarshire and Banffshire, with another 20% from Perthshire. Although the army is predominantly Scots it contains a few English recruits plus significant numbers of Irish, Scottish and French professionals in French service with the Irish Brigade and Garde Écossaise.
After amassing his army of Scots Jacobite supporters, Charles takes Edinburgh by September and defeats a British government force at Prestonpans. The government recalls 12,000 troops from the Continent to deal with the rising. A Jacobite invasion of England reaches as far as Derby before turning back, having attracted relatively few English recruits.
The Jacobites, with limited French military support, attempt to consolidate their control of Scotland, whereby early 1746 they are opposed by a substantial government army. A scrambled Jacobite victory at Falkirk fails to change the strategic situation. With supplies and pay running short and with the government troops resupplied and reorganised under the Duke of Cumberland, son of British monarch George II, the Jacobite leadership has few options left other than to stand and fight. The two armies eventually meet at Culloden, on terrain that gives Cumberland’s larger, well-rested force the advantage.
The battle lasts only an hour, with the Jacobites suffering a bloody defeat with between 1,500 and 2,000 killed or wounded. Approximately 300 government soldiers are killed or wounded. While perhaps as many as 6,000 Jacobites remain in arms in Scotland, the leadership takes the decision to disperse, effectively ending the rising. The men of the combined Irish regiments, under the command of Brigadier Walter Stapleton, are the last off the field, covering the retreat of Prince Charles and the remnants of his army. The Irish had given their blood to the cause of a Stuart King for the last time. Most of the surviving Irish surrender at Inverness. The prince himself eventually manages to make his escape to France.
Culloden and its aftermath continue to arouse strong feelings. The University of Glasgow awards the Duke of Cumberland an honorary doctorate, but many modern commentators allege that the aftermath of the battle and subsequent crackdown on Jacobite sympathisers were brutal, earning Cumberland the sobriquet “Butcher.” Efforts are subsequently made to further integrate the comparatively undeveloped Scottish Highlands into the Kingdom of Great Britain. Civil penalties are introduced to undermine the Scottish clan system, which had provided the Jacobites with the means to rapidly mobilise an army.
Today, a visitor centre is located near the site of the battle. This centre is first opened in December 2007, with the intention of preserving the battlefield in a condition similar to how it was on April 16, 1746. One difference is that it currently is covered in shrubs and heather. During the 18th century, however, the area was used as common grazing ground, mainly for tenants of the Culloden estate. Those visiting can walk the site by way of footpaths on the ground and can also enjoy a view from above on a raised platform. Possibly the most recognisable feature of the battlefield today is the 20-foot-tall memorial cairn, erected by Duncan Forbes in 1881. In the same year Forbes also erects headstones to mark the mass graves of the clans.
MacManus begins writing while still teaching, first publishing a trilogy set in Penal times and concerning the life of the Gaelic poet Donncha Rua Mac Conmara comprising the novels Stand and Give Challenge (1934), Candle for the Proud (1936) and Men Withering (1939). A second trilogy follows which turns its attention to contemporary Ireland: This House Was Mine (1937), Flow On, Lovely River (1941), and Watergate (1942). The location is the fictional “Dombridge,” based on Kilkenny, and deals with established themes of Irish rural life including obsessions with land, sexual frustration, and the trials of emigration and return. Other major works include the novel The Greatest of These (1943), concerning religious conflict in nineteenth-century Kilkenny, and the biographies Boccaccio (1947) and Saint Columban (1963). In his last two novels, he descends into the depths of theological debate: The Fire in the Dust (1950) is followed by American Son (1959), a remarkable dialogue between conflicting modes of belief which reveals the strong influence of Roman Catholicism on the author.
Francis MacManus dies of a heart attack at the age of 56 in Dublin on November 27, 1965.
The RTÉ Francis MacManus Short Story Award is established in his memory in 1985. The competition is run by RTÉ, Ireland’s national broadcaster, and is open to entries written in Irish or English from authors born or resident in Ireland. The total prize fund is €6000, out of which the winning author receives €3,000. Sums of €2,000 and €1,000 are awarded to the second and third prize winners.