seamus dubhghaill

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Death of Basil Maturin, Catholic Priest & Writer

Basil William Maturin, Irish-born Anglican priest, preacher and writer who later converts to Catholicism, dies aboard the RMS Lusitania after it is torpedoed by a German U-boat and sinks on May 7, 1915.

Maturin is born on February 15, 1847, at All Saints’ vicarage, Grangegorman, Dublin, the third of the ten children of the Rev. William Basil Maturin and his wife, Jane Cooke (née Beatty). The Maturins, a prominent Anglo-Irish family of Huguenot ancestry, have produced many influential Church of Ireland clergymen over the generations, the most notable being Maturin’s grandfather, the writer Charles Robert Maturin. His own father, whose tractarian convictions are considered too “high church” for many in Dublin, is a somewhat controversial figure in the church. Religion plays a huge part in the Maturin children’s lives. Two of his brothers enter the church and two sisters become nuns. As a young man, he assists in training the choir and playing the organ at his father’s church. Educated at home and at a Dublin day school, he goes on to attend Trinity College Dublin (TCD), from where he graduates BA in 1870.

Though he initially intends to make a career in the army as an engineer, a severe attack of scarlet fever around 1868, and the death of his brother Arthur, changes his outlook on life, and he decides to become a clergyman. He is ordained a deacon in 1870 and later that year goes as a curate to Peterstow, Herefordshire, England, where his father’s friend Dr. John Jebb is rector. He subsequently joins the Society of St. John the Evangelist, entering the novitiate at Cowley, Oxford, in February 1873. As a Cowley father he is sent in 1876 to establish a mission in Philadelphia, Pennsylvania, where he works as an assistant priest and, from 1881, as rector of Saint Clement’s Church. Though he proves to be an effective clergyman and popular preacher, his growing religious doubts and increasing interest in Catholicism results in his returning to Oxford in 1888. Then follows a six-month visit in 1889–90 to a society house in Cape Town, South Africa. He returns to Britain, where he preaches, and conducts retreats around the country and occasionally on the continent. In 1896 he produces the first in a series of religious publications, Some Principles and Practices of Spiritual Life.

Maturin’s continuing religious anxieties eventually lead to his conversion to Catholicism on March 5, 1897, at the Jesuit Beaumont College outside London. He then studies theology at the Canadian College, Rome, and is ordained there in 1898. Following his return to England he lives initially at Archbishop’s House, Westminster, and undertakes missionary work. He then serves at St. Mary’s, Cadogan Street, in 1901. He becomes parish priest of Pimlico and, in 1905, having joined the newly established Society of Westminster Diocesan Missionaries, organises the opening of St. Margaret’s chapel on St. Leonard’s Street, where huge crowds come to hear his sermons. As a Catholic priest, he returns to Ireland on several occasions, and frequently preaches at the Carmelite church, Clarendon Street, Dublin. His attempt, at the age of sixty-three, to enter into monastic life at the Benedictine monastery at Downside, in 1910, proves unsuccessful. He returns to London and begins working in St. James’s, Spanish Place, while maintaining his preaching commitments. He continues to write, publishing Self-Knowledge and Self-Discipline (1905), Laws of the Spiritual Life (1907) and his autobiographical The Price of Unity (1912), in which he traces his gradual move toward Catholicism. His sermons, like his approach when hearing confessions, are said to have much appeal for their integrity. Despite his influence as a preacher, he seems often feel that his life and vocation lack real purpose and at times he suffers from depression.

After a brief visit to the United States in 1913, Maturin accepts the post of Catholic chaplain at the University of Oxford in 1914. He travels to New York in 1915 and, after preaching there throughout the spring, boards the RMS Lusitania in May to return to England. The liner is torpedoed and sinks on May 7, 1915, off the southern coast of Ireland. He assists his fellow passengers in the last minutes, and it is presumed that he refuses a life jacket, as they are in short supply. His body washes ashore. A service is held for him at Westminster Cathedral.

Maturin’s friend Wilfrid Philip Ward edits a collection of his spiritual writings, Sermons and Sermon Notes, in 1916.

(From: “Maturin, Basil William” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009)


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Paul Muldoon Wins the Pulitzer Prize for Poetry

Irish poet Paul Muldoon wins the Pulitzer Prize for Poetry on April 8, 2003, for his work Moy Sand and Gravel (2002). Additionally, he has published more than thirty collections and won the T. S. Eliot Prize. At Princeton University he has been both the Howard G. B. Clark ’21 University Professor in the Humanities and Founding Chair of the Lewis Center for the Arts. He holds the post of Professor of Poetry at the University of Oxford from 1999 to 2004 and has also served as president of The Poetry Society (UK) and poetry editor at The New Yorker.

Muldoon, the eldest of three children, is born on June 20, 1951, on a farm in County Armagh, Northern Ireland, outside The Moy, near the boundary with County Tyrone. His father works as a farmer (among other jobs) and his mother is a school mistress. In 2001, Muldoon says of the Moy:

“It’s a beautiful part of the world. It’s still the place that’s ‘burned into the retina,’ and although I haven’t been back there since I left for university 30 years ago, it’s the place I consider to be my home. We were a fairly non-political household; my parents were nationalists, of course, but it was not something, as I recall, that was a major area of discussion. But there were patrols; an army presence; movements of troops; and a sectarian divide. And that particular area was a nationalist enclave, while next door was the parish where the Orange Order was founded; we’d hear the drums on summer evenings. But I think my mother, in particular, may have tried to shelter us from it all. Besides, we didn’t really socialise a great deal. We were ‘blow-ins’ – arrivistes – new to the area, and didn’t have a lot of connections.”

Talking of his home life, Muldoon continues, “I’m astonished to think that, apart from some Catholic Truth Society pamphlets, some books on saints, there were, essentially, no books in the house, except one set, the Junior World Encyclopedia, which I certainly read again and again. People would say, I suppose that it might account for my interest in a wide range of arcane bits of information. At some level, I was self-educated.” He is a “Troubles poet” from the beginning.

In 1969, Muldoon reads English at Queen’s University Belfast (QUB), where he meets Seamus Heaney and becomes close to the Belfast Group of poets which include Michael Longley, Ciaran Carson, Medbh McGuckian and Frank Ormsby. He says of the experience, “I think it was fairly significant, certainly to me. It was exciting. But then I was 19, 20 years old, and at university, so everything was exciting, really.” He is not a strong student at QUB. He recalls, “I had stopped. Really, I should have dropped out. I’d basically lost interest halfway through. Not because there weren’t great people teaching me, but I’d stopped going to lectures, and rather than doing the decent thing, I just hung around.” During his time at QUB, his first collection New Weather (1973) is published by Faber & Faber. He meets his first wife, fellow student Anne-Marie Conway, and they are married after their graduation in 1973. The marriage breaks up in 1977.

For thirteen years (1973–86), Muldoon works as an arts producer for the BBC in Belfast. In this time, which sees the most bitter period of the Troubles, he published the collections Why Brownlee Left (1980) and Quoof (1983). After leaving the BBC, he teaches English and Creative Writing at the University of East Anglia and at Gonville and Caius College and Fitzwilliam College, Cambridge, where his students include Lee Hall (Billy Elliot) and Giles Foden (The Last King of Scotland). In 1987, he emigrates to the United States, where he teaches in the creative writing program at Princeton University. He is Professor of Poetry at Oxford University for the five-year term 1999–2004, and is an Honorary Fellow of Hertford College, Oxford.

Muldoon has been awarded fellowships in the Royal Society of Literature and the American Academy of Arts and Sciences, the 1994 T. S. Eliot Prize, the 1997 The Irish Times Literature Prize for Poetry, and the 2003 Griffin International Prize for Excellence in Poetry. He is also shortlisted for the 2007 Poetry Now Award. His poems have been collected into four books: Selected Poems 1968–1986 (1986), New Selected Poems: 1968–1994 (1996), Poems 1968–1998 (2001) and Selected Poems 1968–2014 (2016). In September 2007, he is hired as poetry editor of The New Yorker.

Muldoon is married to novelist Jean Hanff Korelitz, whom he meets at an Arvon Foundation writing course. He has two children, Dorothy and Asher, and lives primarily in New York City.

(Pictured: Paul Muldoon in Tepoztlán, Morelos, Mexico, 2018. Photograph by Alejandro Arras.)


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Birth of James Rosenberger, Irish American Track & Field Athlete

James Maher Rosenberger, Irish American track and field athlete and a member of the Irish American Athletic Club is born in New York City on April 6, 1887.

In 1909, at the Amateur Athletic Union (AAU) metropolitan senior championships, held at Travers Island, New York, Rosenberger takes first place in the 100- and 220-yard dash. The following week, he is part of the Irish American Athletic Club’s four-man relay team that breaks the world record for the one-mile relay with a time of 3 minutes, 20 2/5 seconds. The other three men on the record-breaking team are C. S. Cassara, Melvin Sheppard, and William Robbins.

On April 9, 1911, Rosenberger anchors the Irish American Athletic Club 4×440-yard relay team that breaks the world record at Celtic Park, Queens, New York City and sets the first International Amateur Athletic Federation– recognized world record for 4×440-yard or 4×400-meter relay race, in time of 3 minutes and 18.2 seconds. The other members of the world record-setting team are Harry Gissing, Melvin Sheppard and Harry Schaaf.

Rosenberger participates in the 1912 Summer Olympics in Stockholm but is eliminated in a 400 metres semifinal. The following year he competes in Australia with the AAU team, and in 1915, he becomes the coach for the Long Island Athletic Club.

Following his retirement from track and field, Rosenberger later works as an auditor and is a track coach at St. John’s University.

Rosenberger dies in Brooklyn, New York, on January 1, 1946. He is buried at Calvary Cemetery, Woodside, Queens, New York.


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Birth of Máire Mhac an tSaoi, Diplomat, Poet & Memoirist

Máire Mhac an tSaoi, Irish civil service diplomat, writer of Modernist poetry in the Dingle Peninsula dialect of Munster Irish, a memoirist, and a highly important figure within modern literature in Irish, is born Máire MacEntee in Dublin on April 4, 1922. Along with Seán Ó Ríordáin and Máirtín Ó Direáin, she is, in the words of Louis de Paor, “one of a trinity of poets who revolutionised Irish language poetry in the 1940s and 50s.” She has a lifelong passion for the Irish language and is one of the leading authorities on Munster Irish.

Mhac an tSaoi’s father, Seán MacEntee, is born in Belfast and is a veteran of the Irish Volunteers during the 1916 Easter Rising and the subsequent Irish War of Independence, and of the Anti-Treaty Irish Republican Army (IRA) during the Irish Civil War. He is also a founding member of Fianna Fáil, a long-serving TD and Tánaiste in the Dáil. Her mother, Margaret Browne (or de Brún) of County Tipperary, is also an Irish republican and a distinguished Celticist who teaches courses in Irish literature in the Irish language at Alexandra College and University College Dublin (UCD).

Mhac an tSaoi is influenced by her stays in the Dingle Peninsula in County Kerry with her uncle, Monsignor De Brún, at his parish of Dún Chaoin. Monsignor de Brún, similarly to his sister, is a distinguished linguist and Celticist, the literary translator of Homer, Dante Alighieri, Sophocles, and Jean Racine into Modern Irish, “and one of the most distinguished literary figures of his time.”

Mhac an tSaoi studies Modern Languages and Celtic Studies at UCD, before going to further research at the Dublin Institute for Advanced Studies and at the University of Paris. She writes the famous work of Christian poetry in Munster Irish, Oíche Nollag (“Christmas Eve”), when she is only 15-years of age.

Mhac an tSaoi spends two years studying in post-war Paris (1945–47) before joining the Irish diplomatic service and is working at the Irish embassy in Madrid when she commits herself to writing poetry in Irish following her discovery of the works of Federico García Lorca.

She remains a prolific poet and is credited, along with Seán Ó Ríordáin and Máirtín Ó Direáin, with reintroducing literary modernism into Irish literature in the Irish language, where it had been dormant since the 1916 execution of Patrick Pearse, in the years and decades following World War II. Her poetry draws on the vernacular spoken by the native Irish speakers of the Munster Gaeltacht of West Kerry during the first half of the twentieth century. Formally, she draws on the song metres of the oral tradition and on older models from the earlier literary tradition. In later work, she explores looser verse forms but continues to draw on the remembered dialect of Dún Chaoin and on a scholarly knowledge of the older literature.

Mhac an tSaoi is elected to Aosdána in 1996 but resigns in 1997 after Francis Stuart is elevated to the position of Saoi. She had voted against Stuart because of his role as an Abwehr spy and in radio propaganda broadcasts from Nazi Germany aimed at neutral Ireland during World War II.

In 2001, she publishes an award-winning novel A Bhean Óg Ón… about the relationship between the 17th-century County Kerry poet and Irish clan chief Piaras Feiritéar and Meg Russell, the woman for whom he composed some of the greatest works of love poetry ever written in the Irish language.

Her poems Jack and An Bhean Óg Ón are both featured on the Leaving Certificate Irish course, at both Higher and Ordinary Levels, from 2006 to 2010. Her literary translation of Rainer Maria Rilke‘s Duino Elegies from Austrian German into the Irish language is published in 2013.

Mhac an tSaoi marries Irish politician, writer, and historian Conor Cruise O’Brien in a Roman Catholic wedding Mass in Dublin in 1962. This makes her the stepmother to O’Brien’s children from his 1939 civil marriage. Her mother is deeply embarrassed by the exposure of the relationship and staunchly opposes the match, as she has long been a close friend of O’Brien’s Presbyterian first wife. Despite their subsequent marriage, the exposure of their extramarital relationship ends Mhac an tSaoi’s diplomatic and civil service career. They later adopted two children, Patrick and Margaret.

She then lives with her husband in New York City, where he becomes a professor at New York University (NYU) after the Congo Crisis destroys O’Brien’s diplomatic career. He is long blamed by the United Nations for the escalation of the Congo Crisis.

Mhac an tSaoi and her husband, who is then serving as Albert Schweitzer Professor of the Humanities at NYU, are both staunchly opposed to the Vietnam War. They are both arrested by the New York City Police Department (NYPD), along with Dr. Benjamin Spock and Beat Generation poet Allen Ginsberg, during an allegedly violent protest outside a United States military induction centre in New York City on December 5, 1967. Afterward, during an interview with The New York Times, she accuses the NYPD of using excessive force both during and after her husband’s arrest.

She later returns with O’Brien to live in Dublin, where she attends another protest rally against the Vietnam War along O’Connell Street in 1969.

Mhac an tSaoi dies peacefully at the age of 99 on October 16, 2021, at home where she has been cared for by her daughter Margaret.


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Founding of the Friendly Sons of St. Patrick

The Friendly Sons of St. Patrick, later the Friends Sons and Daughters of St. Patrick, officially The Society of The Friendly Sons of St. Patrick for the Relief of Emigrants from Ireland, an American charitable and social organization for Irish Americans is founded in Philadelphia, Pennsylvania, on Saint Patrick’s Day, March 17, 1771.

Among the founders are General Stephen Moylan, aide to George Washington and cavalry commander in the American Revolutionary War, and Thomas Fitzsimons, representative of Pennsylvania in the Continental Congress and signatory of the Constitution of the United States, both of whom were born in Ireland. Other founding members include Thomas Barclay, John Nixon, William West and George Meade. Other early members include John Leamy, Tench Francis, Jr., Commodore John Barry, General Anthony Wayne, General John Cadwalader, General William Irvine, General Richard Butler and General William Thompson. George Washington becomes an honorary member in 1782. Other honorary members include Robert Morris, Richard Bache and John Dickinson.

Originally founded as a charitable organization with the intent of aiding migrants from Ireland, the organization has since developed a focus on encouraging “greater interest in ties of friendship between America and Ireland,” in addition to sponsoring scholarships, cultural events, charity activities, and educational endowments.

On March 17, 1784, a group of New York City‘s Irish officers who had served in the Continental Army form the Society of the Friendly Sons of St. Patrick in the City of New York. Its founder and first president is Daniel McCormick, a merchant who is one of the first directors of the Bank of New York.

Branches of the Society have also been founded in cities such as Cincinnati, Detroit, Providence, San Diego and Spokane. The Cincinnati branch has an active glee club which has performed hundreds of benefit and goodwill performances for over 25 years.

Each branch operates independently. Originally all-male, the Philadelphia branch first admits women in 2016. The New York branch admits women to its annual pre-St. Patrick’s Day fundraising dinner for the first time in 2018, and votes to amend its by-laws on January 10, 2020, in order to permit women to apply for membership.


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Death of Playwright T. C. Murray

Thomas Cornelius Murray, Irish dramatist who is closely associated with the Abbey Theatre, dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia.

Murray is born in Macroom, County Cork on January 17, 1873, the seventh of the eleven children of Cornelius Murray and Honora Murray (née Kelleher). He is educated at St. Patrick’s Teacher Training College in Drumcondra, Dublin. He works as a schoolteacher and in 1900 is appointed headmaster of the national school in Rathduff, County Cork. His first play, The Wheel of Fortune, is produced in 1909 by the Little Theatre in Cork, a theatre he co-founded with Daniel Corkery, Con O’Leary and Terence MacSwiney. The play is revised and renamed Sovereign Love in 1913. In 1915, he moves to Dublin as headmaster of the Model Schools at Inchicore, where he remains until his retirement from teaching in 1932.

Murray’s play Birthright is performed in the Abbey Theatre in 1910 and establishes him as a writer of force. In all, he writes fifteen plays, all of which are produced by the Abbey. His two most highly regarded works are Maurice Harte (1912) and Autumn Fire (1924). Both of these and Birthright are performed in New York City on Broadway, with Autumn Fire having a run of 71 performances. He also writes an autobiographical novel Spring Horizon (1937).

It has been stated both by A. DeGiacomo and by R. Allen Cave that, in the Art competitions at the 1924 Summer Olympics in Paris, France, Murray is awarded a bronze medal for his play Birthright. However, according to the official record for the games, although Murray is a participant in the literature category with this play and also with Maurice Harte, he does not win a medal.

In his later years, Murray holds a number of significant positions: director of the Authors’ Guild of Ireland, vice-president of the Irish Academy of Letters and president of the Irish Playwrights’ Association. He is awarded an honorary Doctor of Letters (D.Litt.) by the National University of Ireland in 1949. He dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia, his wife having predeceased him by fifteen years. His extensive papers, containing scripts of almost all of his fifteen plays, correspondence, clippings, reviews, and other material, are held in the National Library of Ireland (NLI).


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Birth of Nuala O’Faolain, Journalist, TV Producer, Teacher & Writer

Nuala O’Faolain, Irish journalist, television producer, book reviewer, teacher and writer, is born in Clontarf, Dublin on March 1, 1940. She becomes well known after the publication of her memoirs Are You Somebody? and Almost There. She also writes a biography of Irish criminal Chicago May and two novels.

O’Faolain is the second eldest of nine children. Her father, known as ‘TerryO’ is a well-known Irish journalist, writing the “Dubliners Diary” social column under the pen name Terry O’Sullivan for the Evening Press. She is educated at University College Dublin (UCD), the University of Hull, and the University of Oxford. She teaches for a time at Morley College in London and works as a television producer for the BBC and Raidió Teilifís Éireann.

O’Faolain describes her early life as growing up in a Catholic country which, in her view, fears sexuality and forbids her even information about her body. In her writings she often discusses her frustration at the sexism and rigidity of roles in Catholic Ireland that expect her to marry and have children, neither of which she does.

O’Faolain becomes internationally well known for her two volumes of memoir, Are You Somebody? and Almost There; a novel, My Dream of You; and a history with commentary, The Story of Chicago May. The first three are all featured on The New York Times Best Seller list. Her posthumous novel Best Love, Rosie is published in 2009.

O’Faolain’s formative years coincide with the emergence of the women’s movement, and her ability to expose misogyny in all its forms is formidable, forensic and unremitting. However, her feminism stems from a fundamental belief in social justice. Unlike most commentators, who maintain a detached, lofty tone, she places herself at the centre of things, a high-risk strategy that works because of her broad range of erudition, worn lightly, her courage and a truthfulness that sometimes borders on the self-destructive.

O’Faolain is engaged at least once but never marries. In Are You Somebody? she speaks candidly about her fifteen-year relationship with the journalist Nell McCafferty, who publishes her own memoir, Nell. From 2002 until her death, she lives much of the time with Brooklyn-based attorney John Low-Beer and his daughter Anna. They are registered as domestic partners in 2003.

O’Faolain splits her time between Ireland and New York City. She is diagnosed with metastatic cancer and is interviewed on the Marian Finucane radio show on RTÉ Radio 1 on April 12, 2008, in relation to her terminal illness. She tells Finucane, “I don’t want more time. As soon as I heard I was going to die, the goodness went from life.”

In a last attempt to grasp as much of life as she can, O’Faolain holidays with family members in Sicily and visits Berlin with a group of friends to hear music and see art. She previously tended to avoid Berlin because, through contact with Jewish friends and lovers, she associated it with the Holocaust. She dies at the Blackrock Hospice, Dublin, on May 9, 2008.

O’Faolain wins a Jacob’s Award in 1985 for her work as the producer of the RTÉ One television programme Plain Tales. In 2006, she wins the Prix Femina étranger, a French literary award, for The Story of Chicago May.

O’Faolain is the subject of a film documentary, Nuala: A Life and Death (2011), directed by Patrick Farrelly and Kate O’Callaghan, and produced and narrated by Marian Finucane. Hugo Hamilton‘s novel Every Single Minute (2014) is based on his experiences when accompanying O’Faolain to Berlin shortly before her death.


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Birth of Patrick “Patsy” Touhey

Patrick “Patsy” J. Touhey, a celebrated player of the uilleann pipes, is born on February 26, 1865, in Cahertinny, Bullaun, Loughrea, County Galway. His innovative technique and phrasing, his travels back and forth across the United States to play on the variety and vaudeville stage, and his recordings make his style influential among Irish American pipers. He can be seen as the greatest contributor to a distinctive American piping style.

According to Chief Francis O’Neill of the Chicago Police Department, in his seminal work O’Neill’s Irish Minstrels and Musicians, Touhey is the third generation of accomplished pipers stemming from his grandfather, Michael Twohill (the original spelling, b. ca. 1800), his father James and his uncle Martin, who are considered accomplished players. The family arrives in Boston around 1868, and his father arranges for his instruction from Bartley Murphy of County Mayo. However, at the age of ten Patsy loses his father and later lays the pipes aside.

In his late teens Touhey strays into a Bowery music hall where John Eagan, the “White Piper” of Galway, is engaged. Enthralled by Eagan’s virtuosity, he takes up the pipes again, and under the instruction of Eagan and Billy Taylor of Philadelphia soon becomes a master.

Touhey and Eagan tour the northeastern United States with “Harrigan’s Double Hibernian Co., Irish and American Tourists” in 1885 and 1886. This is his apparent introduction to theatrical life. Harrigan’s company stars Jeremiah “Jere” Cohan, the father of George M. Cohan, later a famous songwriter and showman. Despite a persistent legend, there is no evidence that Touhey plays publicly for the step-dancing of George M. Cohan, who is seven or eight years old at the time. Between 1886 and 1895 he appears in several theatre productions including “Inshavogue” and “The Ivy Leaf.” At the 1893 World’s Columbian Exposition in Chicago, he plays at the Irish Village, one of two rival Irish pavilions, and is later engaged for the 1904 World’s Fair in St. Louis (Louisiana Purchase Exposition). From about 1896 until 1921 he plays in vaudeville skits, trading jokes with his wife, Mary, and their on and off partner Charles Henry Burke. The shows include slapstick, low-brow gags, Irish nostalgia, and a piping finale to which Mary Touhey dances.

Chicago Police Chief Francis O’Neill, a prominent compiler of Irish dance tunes, calls Touhey “the genial wizard of the Irish pipers . . . A stranger to jealousy, his comments are never sarcastic or unkind, neither does he display any tendency to monopolize attention in company when other musicians are present.”

Touhey lives on Bristow Street in the Bronx, New York City, from at least 1900 until 1908. He and Mary live in rural East Haddam, Connecticut from 1908 to 1919, then in Freeport, New York from 1919 to 1922. In 1922 he moves back to the Bronx. He dies suddenly in his home at 1175 Concourse, New York, on January 10, 1923. He is buried in Saint Raymond’s Cemetery in the Bronx.

A statue of Patsy Touhey is unveiled in 2008 in Loughrea, near the place where he was born. It is a bronze sculpture by James MacCarthy that shows Touhey sitting on a limestone block and playing his pipes. Behind him, on the wall, there are three plaques with portraits of Peter and Vincent Broderick, two other local musicians, and Touhey himself. The statue is a tribute to the musical heritage of Loughrea and Galway, and a reminder of the connection between Ireland and its diaspora.

Recordings made of Tuohy in the 1900s have been digitised and made available on the website of the Irish Traditional Music Archive (ITMA), Dublin.


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Death of Richard Robert Madden, Abolitionist & United Irishmen Historian

Richard Robert Madden, Irish doctor, writer, abolitionist and historian of the United Irishmen, dies at his home in Booterstown, a coastal suburb of Dublin, on February 5, 1886. He takes an active role in trying to impose anti-slavery rules in Jamaica on behalf of the British government.

Madden is born at Wormwood Gate, Dublin, on August 22, 1798, to Edward Madden, a silk manufacturer, and his wife Elizabeth (née Corey). His father marries twice and fathers twenty-one children.

Madden attends private schools and is found a medical apprenticeship in Athboy, County Meath. He studies medicine in Paris, Italy, and St. George’s Hospital, London. While in Naples he becomes acquainted with Marguerite Gardiner, Countess of Blessington, and her circle. From 1824 to 1827 he is in the Levant as a journalist and later publishes accounts of his travels.

In 1828, Madden marries Harriet Elmslie, daughter of John Elmslie of Jamaica, a slave-owner. He then practises medicine in Mayfair, London, for the next five years.

Madden becomes a recruit to the abolitionist cause. The transatlantic slave trade has been illegal in the British Empire since 1807, but slavery itself remains legal.

From 1833, Madden is employed in the British civil service, first as a justice of the peace in Jamaica, where he is one of six Special Magistrates sent to oversee the eventual liberation of Jamaica’s slave population, according to the terms of the Slavery Abolition Act 1833. From 1835 he is Superintendent of the freed Africans in Havana, Cuba. In 1839 he leaves Cuba for New York, where he provides important evidence for the defense of the former slaves who had taken over the slave ship La Amistad.

In 1840 Madden becomes Her Majesty’s Special Commissioner of Inquiry into the British Settlements on the West Coast of Africa. His task is to investigate how the slave trade is continuing to operate on the west coast of Africa, despite the shipping of African slaves across the Atlantic Ocean now being illegal. He finds that London-based merchants (including Whig MP Matthew Forster) are actively helping the slave traders, and that crudely disguised forms of slavery exist in all the coast settlements. He particularly condemns the actions of George Maclean, the Governor of Gold Coast.

In 1847 Madden becomes the Colonial Secretary of Western Australia and arrives in the colony in 1848. After receiving news of their oldest son’s death back in Ireland, he and Harriet return to Dublin in 1849. In 1850 he is named secretary of the Office for Loan Funds in Dublin.

Madden also campaigns against slavery in Cuba, speaking to the General Anti-Slavery Convention in London on the topic of slavery in Cuba.

Madden dies at his home in Booterstown, just south of Dublin, on February 5, 1886, and is interred in Donnybrook Cemetery.

Besides several travel diaries (Travels in Turkey, Egypt etc. in 1824–27, 1829, and others (1833)), his works include the historically significant book The United Irishmen, their lives and times (1842-1860, 11 Vols.), which contains numerous details on the Irish Rebellion of 1798, including testimonies collected from veteran rebels and from family members of deceased United Irishmen.


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Death of Gordon Lambert, Businessman, Senator & Art Collector

Charles Gordon Lambert, Irish businessman, senator and art collector, dies in a Dublin hospital on January 27, 2005.

Lambert is born on April 9, 1919, in the family home at Highfield Road, Rathmines, Dublin, the youngest of four sons of Robert James Hamilton Lambert, a veterinarian and renowned cricketer, and his wife Nora (née Mitchell). His eldest brother, Noel Hamilton “Ham” Lambert, is a versatile sportsman and noted veterinary practitioner.

Lambert is educated at Sandford Park School, Dublin, and at Rossall School, Lancashire. He is steered by his mother toward a career in accountancy for which he prepares by studying commerce at Trinity College Dublin (TCD). Graduating in 1940, he joins the accounting firm Stokes Brothers and Pim, qualifying Associate Chartered Accountant in 1943. In 1944, after auditing biscuit manufacturers W. & R. Jacob and Co. Ltd, one of Ireland’s largest and most prestigious industrial companies, he is offered and accepts a £300 a year job at Jacob’s as assistant accountant.

In 1953, Lambert becomes Jacob’s chief accountant as the management grooms him for an executive career. During 1948–56, Jacob’s suffers from profit and price controls, lack of capital investment and complacency brought about by the absence of competition. The entry of Boland’s Bakery into the Irish biscuit market in 1957 is exploited by Lambert who urges the alarmed board, which has long regarded advertising as vulgar, to market its products more vigorously. This assertiveness yields his advancement to the position of commercial manager in 1958. A year later he becomes the first non-member of the Bewley and Jacob families to be appointed to the board.

Between 1959 and 1970, biscuit consumption in Ireland doubles for which Lambert can claim much credit. Recognising that the advent of self-service stores means that manufacturers can no longer rely on retailers to sell their products, he pioneers advanced promotional techniques in Ireland, particularly the use of marketing surveys and of mass advertising in newspapers, on radio and on the emerging medium of television. To further accord with retailers’ preferences, Jacob’s drives the widespread packaging of biscuits in airtight packets rather than tins and also introduces a striking red flash logo for its packets. His interest in contemporary art enables him to contribute directly to Jacob’s packaging designs.

Lambert is appointed to the board of the Electricity Supply Board (ESB) in 1964, a position he holds until 1977, and serves as president of the National Agricultural and Industrial Development Association (NAIDA) in 1964–65, spearheading a “Buy Irish” campaign. His involvement with NAIDA dates to the mid-1950s and leads to his friendship with Jack Lynch, Minister for Industry and Commerce. This relationship and his admiration for Seán Lemass incline him toward Fianna Fáil. He also believes the party is the one most likely to deliver economic growth.

In 1977, Lambert is appointed to Seanad Éireann by Taoiseach Jack Lynch. He sits as an independent but assures Lynch he will broadly support the government. Dismayed by Ireland’s economic uncompetitiveness, he uses this platform to bemoan the state’s financial profligacy and failure to control inflation, and the indifference of Irish politicians towards the business community, contending that Irish industrialists suffer and need to learn from the expert lobbying of the indigenous agricultural sector and of large multi-national companies based in Ireland. He also articulates his social liberalism, desire for peaceful reconciliation in Northern Ireland and support for cultural and environmental causes. But his commitment to the Seanad wanes as he grasps its irrelevance. When Lynch resigns in December 1979, Lambert joins the Fianna Fáil party in a futile bid to preserve his political influence.

Following Jacob’s takeover of Boland’s Bakery in 1966, Lambert becomes joint managing director of a new entity, Irish Biscuits Ltd, the manufacturing and trading company for the Boland’s and Jacob’s biscuits operations. W. & R. Jacob and Co. Ltd becomes a holding company. In 1968, he becomes the sole managing director. From 1977 he begins withdrawing from the active administration of the company, relinquishing his managing directorship in 1979 to become chairman.

Initially, Lambert views art as a hobby but he comes to see it as a calling, drawing inspiration from Sir William Basil Goulding, his predecessor as Ireland’s leading collector and advocate of modern art. From the late 1970s he serves as head of the Contemporary Irish Art Society (CIAS) and on the Arts Council of Northern Ireland, the advisory committee of the Dublin Municipal Gallery, the board of the National Gallery of Ireland, the editorial board of the Irish Arts Review and the international council of the Museum of Modern Art (MoMA) in New York City.

The Irish Museum of Modern Art (IMMA) opens in 1991 and receives through the medium of the Gordon Lambert Trust some 212 works, which form the centerpiece of its collection. Thereafter Lambert gifts another 100 works to IMMA. He sits on IMMA’s board from 1991, and the west wing of the museum is named after him in 1999.

Despite being diagnosed with Parkinson’s disease in 1988, Lambert remains relatively active and plays golf into his 80s. In 1999 he receives an honorary LLD from TCD. From 1997, he relies increasingly on Anthony Lyons, an acquaintance of longstanding, to care for him. His last years are overshadowed by the collapse in autumn 2002 of his close but complex relationship with his family. Thereafter he shuns his relations and changes his will, granting Lyons a substantial portion of his estate while curtailing the amount to be received by his family. He dies in a Dublin hospital on January 27, 2005. Relatives challenge his final will in the High Court in 2009, but it is upheld.

(Pictured: Photograph of director of Jacob’s Biscuits, Gordon Lambert, speaking from a podium at the first Jacob’s Television Awards. The Lord Mayor of Dublin, James O’Keefe, is sitting behind Lambert. The awards ceremony takes place at the Bishop Street factory, Dublin.)