McAuley is the youngest of eight children in a family whose forebears had inhabited the Glens for many generations. He pursues painting from an early age, in a rural area when farming is one of the main sources of life and income. He goes on to become one of Ireland’s most celebrated landscape and figurative painters, his work synonymous with the Glens of Antrim.
A key encounter comes in McAuley’s mid-teens, when the artist James Humbert Craig, who is arts adjudicator at the Feis na nGleann, praises several of his youthful paintings, telling him, “You go ahead with this, and you’ll do well.” His paintings depicted the rivers, mountains, seascapes and rural life that surround him. He briefly studies at both the Belfast School of Art and Glasgow School of Art until he returns to his homeland to which he is utterly devoted. He is a member of the Royal Ulster Academy and the Royal Hibernian Academy.
In 1984. McAuley collaborates with his friend, the poetJohn Hewitt, on The Day of the Corncrake, a publication by the Glens of Antrim Historical Society, in which twenty-five colour reproductions of his paintings are coupled with thirty poems about the Glens by Hewitt. In a foreword, Hewitt writes that his “awareness was not merely graphic but demographic. This has made him for me the authentic regional artist, the painter who belongs to and finds his themes in a known place. Nowadays, with the rapid flow of international styles succeeding each other, this is a distinctive title one can seldom confer.”
In a BBC Television film made in the mid-1980s, McAuley remarks that he might have enjoyed more success if he had made a career in the wider world, but that he certainly would not have been happier. “I’ve spent my boyhood and manhood in the Glens. . .and I have no desire to leave them until I die.”
McAuley dies at the age of 89 on September 30, 1999. He is buried in St. Mary’s Roman Catholic Churchyard in Glenarm, County Antrim, Northern Ireland. On his death, BBC Northern Ireland describes him as “one of Ireland’s greatest colourists, but most significantly, a true and modest gentleman.”
The McAuley’s obituary in The Irish Times notes “Charles McAuley could fairly have claimed to be the artist of “the Glens”; for his native knowledge of the local landscape and people brought to the best of his work a special quality of emotion. Yet it is not a claim he would have made for himself, for self-promotion was a trait absent from his personality.”
Many of McAuley’s works are in private collections internationally. There are several of his paintings in public collections, for example at the Ulster Museum and Queen’s University Belfast.
(Pictured: “Bridge Near Cushendall” by Charles McAuley)
McGuckian is the youngest of six children to Brian McGuckian and his wife Pauline (née McKenna). He is named after his uncle, also Alexander Aloysius McGuckian, who dies five month before he is born. Yet another uncle, Daniel McGuckian, is a priest of the Diocese of Down and Connor and serves as parish priest of Cushendun and then Randalstown until his death in 1980. His father is a successful pig farmer who, alongside his brothers, develops the world’s biggest pig farm.
Two of McGuckian’s brothers are also Jesuit priests, while another brother is a businessman. Both of his sisters predecease him.
McGuckian is ordained to the priesthood on June 22, 1984, and makes his final profession on February 15, 1997.
Following ordination, McGuckian spends four years as a teacher in Clongowes Wood College and vocations director for the Jesuits, before undertaking a six month period of spiritual renewal in southern India and serving in a shanty town in Quezon City, Philippines.
McGuckian returns to Ireland in 1992, where he is appointed director of the Jesuit Communication Centre, during which he develops Sacred Space, a website which allows people to pray at their computer, in 1999, and Catholic news service CatholicIreland.net in 2004.
McGuckian also serves as editor of both An Timire and Foilseacháin Ábhair Spioradálta, later translating the autobiography of Ignatius of Loyola into Irish under the title Scéal an Oilithrigh. He also co-authors the drama 1912 – A Hundred Years On with Presbyterian historian Philip Orr in 2011, which looks at the experiences of the Ulster Covenant and the wider Home Rule movement from both nationalist and unionist perspectives.
McGuckian also serves as chaplain to many of the Gaelscoileanna in the Diocese of Down and Connor, and subsequently as chaplain to Ulster University campuses in Belfast and Jordanstown. Following the publication of the Living Church Report, which outlines the findings of a synodal process within the diocese, he is appointed by Noël Treanor in 2012 to set up and lead the Living Church Office, whose aim is to realise the hopes and aspirations expressed in the report and subsequently in the upcoming diocesan pastoral plan.
McGuckian is also appointed diocesan director of formation for the permanent diaconate in 2014, and also works during his directorship of the Living Church Office to establish pastoral communities across the diocese, through fostering a culture of co-responsibility for the mission of the Church between clergy and lay people.
McGuckian is appointed Bishop-elect of Raphoe by Pope Francis on June 9, 2017. His appointment makes him the first member of the Jesuits to be appointed a bishop in Ireland.
In an interview with The Irish Catholic in September 2019, McGuckian says that having a home is as fundamental as the right to life and education, and that the Government must be “pushed” to enshrine a right to housing in the Constitution of Ireland. He also joins a number of church leaders in the West of Ireland on September 16, 2021, in calling on the Irish government to offer reparations to homeowners whose properties are affected by defective concrete blocks.
In an interview with The Irish Catholic in February 2021, McGuckian takes issue with the view held by political leaders that public worship is deemed to be “non-essential” during the COVID-19 pandemic in the Republic of Ireland. Quoting Pope Francis, who states that “the right to worship must be respected, protected and defended by civil authorities like the right to bodily and physical health,” he expresses a need to let political leaders know that public worship is not only central, but also “utterly essential.”
Following a fatal explosion in Creeslough, County Donegal, on October 7, 2022, McGuckian refers to the explosion as “the darkest day in Donegal,” adding that the local community is “living through a nightmare of shock and horror.” He also concelebrates at the Funeral Masses of each of the victims, describing the fact that the parish church would be holding two funerals in the space of three hours as “surreal.”
McGuckian is appointed Bishop of Down and Connor by Pope Francis on February 2, 2024. In his first address following his appointment, he expresses his hope that the restoring of the Northern Ireland Executive will help the most vulnerable in society.
Conor is born on May 9, 1881, in Fortingale Street, Belfast, the third son and fourth child of William Connor, a tinsmith and sheet metal worker, who later becomes a gas fitter, and Mary Connor (née Wallace). He is educated at the Clifton Park central national school, where his artistic abilities are noticed by his music teacher. In 1894, he enrolls at the Belfast government school of design. He is a very successful student, and by 1903 has become an assistant teacher. He completes his studies in 1904, and begins an apprenticeship with the Belfast firm of lithographers, David Allen and Son. Through his work in the poster design department he develops an enthusiasm for using crayons on a textured surface. This becomes a characteristic feature of his later drawings. In these early years he first starts recording images of Belfast life, often sketched from behind a folded newspaper in the street. Influenced by the Gaelic revival, in the years 1907–9 he signs his name in several different ways such as “Liam” and “Liam Conor.” In later years he signs himself simply “Conor.”
Having abandoned his career as a lithographer around 1910, Conor concentrates his efforts on painting professionally. He begins exhibiting with the Belfast Art Society in 1910, and in the period that follows he spends time in Craigavad, County Down, the Blasket Islands in County Kerry, Dublin, and Donegal. During a visit to Paris, which he later recalls as being in 1912 and 1913, he meets the painter André Lhote. After his return to Belfast he is elected to the committee of the Belfast Art Society in 1913. On the outbreak of World War I, he is commissioned by the British government to record the everyday activities of munitions workers and soldiers in Ulster. His pictures mostly show soldiers in training and various scenes from the home front, including the work of women in munitions factories and hospitals. Described as “vigorous and personable, if rather folksy . . . effectively uniformed versions of the tinkers and shipyard workers for which he subsequently became known,” these paintings are exhibited and subsequently, in 1916, auctioned for the Ulster Volunteer Patriotic Fund. His long association with the Royal Hibernian Academy (RHA) begins in 1918 and he shows up to 200 works at the academy over the next forty-nine years.
In 1921, Conor moves to London, where he becomes acquainted with, among others, Sir William Orpen, Sir John Lavery, and Augustus John. He becomes a member of the Chelsea Arts Club, and contributes four paintings to the National Portrait Society as part of its spring exhibition in 1921. His friendship with Lavery is significant. Through him Conor receives a commission to paint the opening of the first Northern Ireland parliament in June 1921. He goes on to exhibit with a variety of influential bodies, including the Royal Academy of Arts, the Société Nationale des Beaux-Arts in Paris, and the Royal Society of Portrait Painters. In 1922, The Twelfth, executed c.1918, is shown in the Galerie Barbazanges in Paris, under the title Le cortège Orangiste à Belfast, as part of the World Congress of the Irish Race. He is represented at the Paris salon in 1923 and the following year he has a successful exhibition at the St. Stephen’s Green Gallery, Dublin.
In 1926, Conor travels to Philadelphia and New York, where, during his nine-month stay, he receives numerous commissions for portraits and has work shown in the Babcock Galleries, the Brooklyn Art Gallery, and the American Irish Historical Society. In 1932, he designs the costumes for the principals in the Pageant of St. Patrick, which marks the 1,500th anniversary of the saint’s coming to Ireland. That year also sees the unveiling of his muralUlster Past and Present at the Belfast Municipal Museum and Art Gallery. Measuring 2.8 by 7.4 metres, it is at the time the largest mural in the country. During World War II he is again appointed an official war artist and his work is represented at the exhibition of war artists at the National Gallery, London, in 1941. His book The Irish Scene is published in 1944, and though it sells well, the subsequent bankruptcy of his publishers mean that Conor receives no royalties. He also provides the illustrations for books by Lynn C. Doyle, the pseudonym of his friend Leslie Montgomery.
Although Conor is best known for his depictions of the everyday life of people in his native Belfast, in which he attempts to capture the “flash of humour which lightens their daily toil,” he also produces landscapes and portraits. His sitters included Douglas Hyde, St. John Greer Ervine, Charles D’Arcy, and Charles Vane-Tempest-Stewart, 7th Marquess of Londonderry. The Council for the Encouragement of Music and the Arts organises several successful Conor exhibitions. Their one-man show of 1945 becomes the first to tour the province, while their exhibition of his work in 1954 has an attendance in excess of 2,800. Conor closes his long-established studio on Stranmillis Road in 1960 but continuea to exhibit, notably with the Bell Gallery in 1964, 1966, and 1967.
(From: “Conor, William” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie, October 2009 | Pictured: “William Conor,” oil on canvas by Gladys Maccabe, Ulster Folk Museum)
Clarke sings in a women’s choir from age 14 and is an outstanding piano pupil at the College of Music (now the DIT Conservatory of Music and Drama), Dublin. She studies music at University College Dublin (UCD), earning a Teacher’s Diploma in 1978 and a BMus in 1980. She teaches at a number of schools in the Dublin area. When she participates in the Ennis Composition Summer School in 1985, she is introduced to the music of continental composers such as Luciano Berio and Witold Lutoslawski, which leaves a lasting impression.
Some of Clarke’s early works receive awards, such as the Six Short Piano Pieces (1982), which wins the composition prize of the Feis Ceoil, and the choral work Suantraí Ghráinne (1983), which wins the Seán Ó Riada Memorial Trophy at the 1984 Cork International Choral Festival. For Sisyphus (1985) for flute, clarinet and string trio she receives the Varming Prize, which is awarded only every four years to an Irish composer under the age of thirty. She completes her first orchestral score in 1991 (A Great Rooted Tree). In 1992, she receives a Ph.D. from Queen’s University Belfast (QUB). She is a lecturer in music at St. Patrick’s College, Dublin City University (DCU).
Clarke receives commissions from RTÉ, the Cork International Choral Festival, Concorde, Music Network and the National Concert Hall, among others. Her work is performed and broadcast throughout Ireland and worldwide. In January 2014, she is the featured composer in the Horizon Series of contemporary music by the Irish national broadcaster RTÉ. For this event, the RTÉ National Symphony Orchestra commissions her orchestral composition SHIFT (2013). Since 2009 she has been collaborating with visual artist Marie Hanlon, including short experimental films with music, live music with visual projections and joint exhibitions, one example being the joint exhibition DIC TAT at the Gallery Draíocht, Blanchardstown, Dublin, July-September 2014.
Clarke is a member of Aosdána, Ireland’s state-sponsored academy of creative artists.
Clarke’s output includes choral, chamber, orchestral and electronic works. Her calm and evocative music in the early Suantraí Ghráinne creates some curiosity at its 1984 performance. Early chamber works such as Sisyphus (1985) and Purple Dust are characterised by wide-spaced harmonic settings of a rather sparse tonal material. Some aleatoric passages alternate with more strictly notated pitches and a rather limited degree of dissonance. In Gloria Deo (1988) for soprano, mixed chorus and orchestra she combines modal influences from Renaissance music with free atonality. Since the early 1990s she has been exploring the possibilities of electroacoustic music, winning an award at the 1992 Dublin Film Festival for her electronic score Whaling Afloat and Ashore. Her recent orchestral score SHIFT reflects her experiences in electroacoustic processes: “Extended techniques, deliberately avoided in previous work, are embraced here using harmonics and noise elements in strings, and bowed, timbral effects on percussion. In a single, fifteen-minute movement, transformations in colour and texture vary from slow and intense in the opening section, to sudden and harsh later in the piece.”
Lyons is a lecturer in history at the University of Hull and then at Trinity College Dublin. He becomes the founding Professor of Modern History at the University of Kent in 1964, serving also as Master of Eliot College from 1969 to 1972.
Lyons principal works include Ireland Since the Famine, the standard university textbook for Irish history from the mid-19th to late-20th century, which The Times calls “the definitive work of modern Irish history” and a biography of Charles Stewart Parnell.
Lyons is critical of Cecil Woodham-Smith‘s much-acclaimed history of the Great Irish Famine and has generally been considered among the “revisionist” historians who reconsiders the role of the British state in events like the Famine.
Lyons marries Jennifer Ann Stuart McAlister in 1954, and has two sons, one of whom, Nicholas, is a former Lord Mayor of London.
On September 15, 1983, Lyons is nominated, unopposed, as chancellor of Queen’s University Belfast (QUB). But less than a week later he is dead, succumbing in Dublin on September 21 to acute pancreatitis, which had struck him in mid-August. He had begun to write the first draft of his W. B. Yeats biography (having accumulated a great archive of material) only a few weeks before. His ashes are buried beside Trinity College chapel.
Daly studies Classics at Queen’s University Belfast (QUB). He earns his BA with Honours and also the Henry Medal in Latin Studies in 1937 and completes his MA the following year. He enters St. Patrick’s College, Maynooth and is ordained to the priesthood on June 22, 1941. He continues studies in theology in Maynooth, from where he obtains a doctorate in divinity (DD) in 1944. His first appointment is as Classics Master in St. Malachy’s College (1944–45).
In 1945, Daly is appointed Lecturer in Scholastic Philosophy at Queen’s University, Belfast, retaining the post for 21 years. In the academic year 1952–53 QUB grants him sabbatical leave, which he spends studying at the Catholic University of Paris where he receives a licentiate in philosophy. He returns to France at many points, particularly for holidays. He persists with his studies well into his retirement. He is a popular figure with the university and fondly remembered by his students. He is named a Canon of the Cathedral Chapter of Diocese of Down and Connor in 1966.
Daly is a peritus, or theological expert, at the Second Vatican Council (1962–65) to Bishop William Philbin during the first session of the Council and to Cardinal William Conway for the rest of the council. He dedicates himself to scholarship for 30 years, and publishes several books seeking to bring about understanding between the warring factions in Northern Ireland.
Daly is appointed Reader in Scholastic Philosophy at QUB in 1963, a post he holds until 1967, when he is appointed Bishop of Ardagh and Clonmacnoise on May 26.
Daly spends 15 years as bishop in Longford and is diligent about parish visitation and confirmations gradually assume a greater national profile. From 1974 onward, he devotes himself especially to ecumenical activities for the Pontifical Council for Promoting Christian Unity. His pastoral letter to Protestants, written in 1979, pleads for Christian unity.
Daly succeeded William Philbin as the 30th Bishop of Down and Connor when he is installed as bishop of his native diocese at a ceremony in St. Peter’s Cathedral, Belfast, on October 17, 1982.
On November 6, 1990, Daly is appointed Archbishop of Armagh and, as such, Primate of All Ireland. His age makes him an unexpected occupant of the post. Despite this it is requested that he stay in the role for three years before usual age of episcopal retirement at 75. Cardinal Daly takes a notably harder line against the Irish Republican Army (IRA) than his predecessor, Cardinal Tomás Ó Fiaich.
Daly is respectful of Protestant rights and opposes integrated education of Catholics and Protestants. This policy is criticised by those who see segregated education as one of the causes of sectarianism in Northern Ireland, but is seen by the Catholic clergy as important for passing on their faith to future generations. He is utterly orthodox in opposing divorce, contraception, abortion, the ordination of women and any idea of dropping clerical celibacy.
Daly is heckled by the audience on live television during a broadcast of The Late Late Show on RTÉ One on the topic of pedophilia in the 1990s. After his retirement in 1996, he makes no public statement on the issue.
Daly retires as Archbishop of Armagh on his 79th birthday, October 1, 1996, and subsequently suffers ill health. Although it is announced that he will attend the funeral of Pope John Paul II, he stays home on the advice of his doctors. His age makes him ineligible to participate in the 2005 conclave that elects Pope Benedict XVI.
Daly is admitted to the coronary unit of Belfast City Hospital on December 28, 2009. His health has already been declining, leading to prayers being ordered for him. He dies in hospital in Belfast on December 31, 2009, aged 92. His family are at his bedside at the time. His death brings to an end a two-year period during which Ireland has, for the first time in its history, three living Cardinals.
Daly lay in state in Belfast and then his remains are taken to Armagh. Pope Benedict XVI pays tribute at this stage. Large numbers of people travel from as far as County Westmeath to attend Mass at Armagh on January 4, at which Monsignor Liam McEntaggart, the former parish priest of Coalisland, says, “When the history of peace making in Ireland comes to be written, the contribution of Cardinal Daly will be accorded a high place.” Monsignor McEntaggart himself dies on August 22, 2010, aged 81, less than eight months after Cardinal Daly’s passing.
Farquhar is assistant priest at Dunsford and Ardglass Parish. He is a hospital chaplain in 1966. He is later assigned to teach Latin at St. MacNissi’s College, Garron Tower, where he stays as a teacher from 1966 to 1970. From 1970 to 1975 he is assistant chaplain, along with Ambrose Macaulay, to Queen’s University Belfast, and finally as Chaplain/Lecturer at the University of Ulster from 1975 to 1983.
On April 6, 1983, aged 42, Farquhar is appointed Titular Bishop of Hermiana and, with Patrick Walsh, as Auxiliary Bishop of Down and Connor. The principal consecrator is the Bishop of Down and Connor, Cahal Daly, (later Cardinal Archbishop of the Archdiocese of Armagh) and principal co-consecrators are Archbishop Gaetano Alibrandi, the Apostolic Nuncio to Ireland and William J. Philbin (Bishop Emeritus of Down and Connor). During the ordination ceremony, the assistant Priests to Bishop Farquhar are his priest uncles, Canon Walter Larkin and Fr. Thomas Aquinas Larkin O.C.D.
Farquhar’s episcopal motto is “Sapientia Proficere” (“to increase in wisdom”) from Luke 2:52. He takes an active and ongoing interest in interchurch relations and serves as Chairman of the Irish Catholic Bishops’ Conference on Ecumenism.
In December 2007, he officiates at the dedication of the new altar in the Church of the Good Shepherd in his native parish of the Most Holy Rosary, Belfast, following the renovation programme.
A book titled Inter-Church Relations: Developments and Perspectives, published by Veritas Communications to mark the 25th anniversary of Farquhar’s ordination as a bishop, contains contributions by a number of people praising Farquhar’s work. Seán Brady notes he was “engaged actively in promoting bonds of friendship and understanding at times when it has been far from easy to do so.”
On December 3, 2015, Pope Francis accepts Farquhar’s resignation on the grounds of age. He is at the time the longest serving bishop in Ireland.
Farquhar dies in Belfast on November 18, 2023, at the age of 83. His funeral requiem mass is celebrated in the Church of the Good Shepherd, Ormeau Road, Belfast, on November 23 followed by interment in the adjoining cemetery.
Pirrie is educated at the Royal Belfast Academical Institution before entering Harland & Wolff shipyard as a gentleman apprentice in 1862. Twelve years later he is made a partner in the firm, and on the death of Sir Edward Harland in 1895, he becomes its chairman, a position he holds until his death. As well as overseeing the world’s largest shipyard, he is elected Lord Mayor of Belfast in 1896, and is re-elected to the office as well as made an Irish Privy Counsellor the following year. He becomes Belfast’s first honorary freeman in 1898, and serves in the same year as High Sheriff of Antrim and subsequently of County Down. In February 1900, he is elected President of the UK Chamber of Shipping, where he had been vice-president the previous year. He helps finance the Liberals in Ulster in the 1906 United Kingdom general election, and that same year, at the height of Harland & Wolff’s success, he is raised to the peerage as Baron Pirrie, of the City of Belfast.
In February 1912, after chairing a famous meeting of the Ulster Liberal Association at which Winston Churchill defends the government’s policy of Home Rule for Ireland, Pirrie is jeered on the streets of Belfast, and assaulted as he boards a steamer in Larne: pelted with rotten eggs, herrings, and bags of flour. In 1910, the Ulster Liberal Association, an overwhelmingly Protestant body, with a weekly newspaper, and branch network throughout Ulster, adopts (in opposition to the Ulster Liberal Unionist Association) an explicitly pro-home rule position.
In the months leading up to the 1912 sinking of the RMS Titanic, Pirrie is questioned about the number of life boats aboard the Olympic-classocean liners. He responds that the great ships are unsinkable and the rafts are to save others. This haunts him for the rest of his life. In April 1912, Pirrie is to travel aboard RMS Titanic, but illness prevents him.
During the war Pirrie is a member of the War Office Supply Board, and in 1918 becomes Comptroller-General of Merchant Shipbuilding, organising British production of merchant ships.
In 1921, Pirrie is elected to the Senate of Northern Ireland, and that same year is created ViscountPirrie of the City of Belfast, in the honours for the opening of the Parliament of Northern Ireland in July 1921, for his war work and charity work. In Belfast he is, on other grounds, already a controversial figure: a Protestant employer associated as a leading Liberal with a policy of Home Rule for Ireland.
Pirrie dies at sea off Cuba on June 7, 1924. His body is embalmed. On June 13, Ebro reaches Pier 42 on the North River in New York City, where Pirrie’s friend Andrew Weir, 1st Baron Inverforth and his wife meet Viscountess Pirrie and her sister. UK ships in the port of New York lower their flags to half-mast, and Pirrie’s body is transferred to Pier 59, where it is embarked on White Star Line‘s RMS Olympic, one of the largest ships Pirrie ever built, to be repatriated to the UK. He is buried in Belfast City Cemetery. The barony and viscountcy die with him. Lady Pirrie dies on June 19, 1935. A memorial to Pirrie in the grounds of Belfast City Hall is unveiled in 2006.
seamus dubhghaill 