Valerie Hobson, Irish-born actress who appears in a number of films during the 1930s, 1940s and 1950s, is born Babette Valerie Louise Hobson in Larne, County Antrim, Northern Ireland on April 14, 1917. Her second husband is John Profumo, 5th Baron Profumo, a government minister who becomes the subject of a sensational sex scandal in 1963.
In 1952 she divorces her first husband, film producer Sir Anthony Havelock-Allan. In 1954, she marries Brigadier John, 5th Baron Profumo, an MP, giving up acting shortly afterwards. Baron Profumo is a prominent politician of Italian descent. Hobson’s last starring role is in the original London production of Rodgers and Hammerstein‘s musical play The King and I, which opens at the Theatre Royal, Drury Lane, on October 8, 1953. She plays Mrs. Anna Leonowens opposite Herbert Lom‘s King. The show runs for 926 performances.
After Profumo’s ministerial career ends in disgrace in 1963, following revelations he had lied to the House of Commons about his affair with Christine Keeler, Hobson stands by him. They worked together for charity for the remainder of her life, though she does miss their more public personas.
Hobson’s eldest son, Simon Anthony Clerveaux Havelock-Allan, is born in May 1944 with Down syndrome. Her middle child, Mark Havelock-Allan, is born on April 4, 1951, and becomes a judge. Her youngest child is the author David Profumo, who writes Bringing the House Down: A Family Memoir (2006) about the scandal. In it, he writes his parents told him nothing of the scandal and that he learned of it from another boy at school.
Valerie Hobson dies on November 13, 1998, at the age of 81 at a Westminster, London Hospital following a heart attack. After her death, her body is cremated in accordance with her wishes. Half her ashes are interred in the family vault in Hersham. The rest are scattered on January 1, 1999, by her sons David Profumo and Mark Havelock-Allan, near the family’s farm in Scotland.
Eight women from Islandmagee, County Antrim, in what is today Northern Ireland, are imprisoned and pilloried on March 31, 1711 for “bewitching” a woman named Mary Dunbar, who has experienced strange fits and visions. The Islandmagee witch trial takes place in 1710–1711 on Islandmagee and is believed to be the last witch trial to take place in Ireland.
In March 1711, in Carrickfergus, County Antrim, eight women are put on trial and found guilty of witchcraft. The women are put in stocks and then jailed for one year. The trial is the result of a claim by Mrs. James Haltridge that 18-year-old Mary Dunbar exhibited signs of demonic possession such as “shouting, swearing, blaspheming, throwing Bibles, going into fits every time a clergyman came near her and vomiting household items such as pins, buttons, nails, glass and wool.” Assisted by local authorities, Dunbar picks out eight women she claims are witches that have attacked her in spectral form.
During the trial, Mary Dunbar is dumb and unable to give evidence. Evidence is given by twenty individuals, of whom four are clergymen of the Presbyterian church. The trial lasts from 6:00 AM until 2:00 PM. For the accused, it is said they are industrious, attend public worship, some having latterly received the sacrament. Judge Upton says, “real witches could not assume or retain the form of religion by frequenting worship. The jury should not find them guilty on the sole testimony of the visionary images of the afflicted person.” Judge Macartney believes they might, from the evidence, bring them in guilty and they do.
According to Andrew Sneddon, history lecturer at University of Ulster, “Mary Dunbar was making up the whole thing.” Sneddon writes that “Mary Dunbar learned the part of a demoniac from accounts about Salem or Scotland, or someone told her about it. Remember, this was a time when people were pouring in from Scotland.”
Records of what happened to Mary Dunbar or those convicted of witchcraft are apparently lost when the Public Records Office in question is burned down in June 1922 during the Battle of Dublin in the Irish Civil War.
A memorial to the eight women convicted is proposed by the author Martina Devlin. However the memorial is objected to by Traditional Unionist Voice (TUV) councillorJack McKee who believes the plaque could become a “shrine to paganism” and furthermore states that he is not convinced the women were not guilty and that he believes the proposal to be “anti-god.”
Queen Victoria is built by Wilson shipbuilders of Glasgow, Scotland in 1838 for The City of Dublin Steam Packet Company. She has a wooden hull, is 150 feet long and is powered by a two-cylinder steam engine.
The Queen Victoria leaves Liverpool on the night of February 14, 1853, with cargo and approximately 100 passengers. As it approaches the Irish coast at Howth it is hit by a snowstorm. It strikes Howth Head around 2:00 AM on February 15. The captain backs the ship away from the Head in hopes of being able to navigate into the harbor. The damage to the ship is more extensive than the captain thinks, and it quickly begins to fill with water. It drifts, dead in the water, and strikes below the Baily Lighthouse. It sinks 100 yards south of the lighthouse within 15 minutes of the second hit. Approximately 83 passengers and crew perish, including the captain. One lifeboat, with 17 passengers, makes it to shore.
A subsequent Board of Trade inquiry blames the ship’s captain and first officer, as well as the lighthouse crew. A fog bell is supposed to have been installed in the lighthouse in 1846, seven years earlier, but is delayed due to costs of other construction projects. The bell is finally installed in April 1853, as a result of the Queen Victoria shipwreck and the subsequent inquiry.
At least one attempt to raise the ship is made afterwards, which fails, and the ship is salvaged where she lay. The wreck is still in place.
Members of the Marlin Sun Aqua Club, Dublin discover the wreck in 1983. They report their discovery to the authorities and are in part responsible for having the first Underwater Preservation Order placed on a shipwreck in Irish waters. They also carry out the first underwater survey on such a wreck. The wreck is the first to be protected by The National Monuments Act (Historic Wreck), when the order is granted in 1984, thanks to representations made by Kevin Crothers, IUART, and the Maritime Institute of Ireland.
(Pictured: PS Queen Victoria’s shipwreck as depicted in The Nation)
The SS Tuscania, a luxury liner of the Cunard Line subsidiary Anchor Line converted for troop use, is torpedoed and sunk on February 5, 1918 off Rathlin Island, north of Ireland by the German U-boatUB-77. The ship is transporting over 2,000 American troops to the war in Europe. Over 200 people lose their lives.
SS Tuscania makes international headlines for rescuing passengers and crew from the burning Greek steamer SS Athinai on September 20, 1915. In 1916, SS Tuscania is refitted and pressed into service as a troopship. She makes the news again in March 1917 by evading a submarine and a suspected Imperial German Navyarmed merchant cruiser.
On January 24, 1918, SS Tuscania departs Hoboken, New Jersey, with 384 crew members and 2,013 United States Army personnel aboard. On the morning of February 5, 1918, she turns south for the North Channel en route to Liverpool. The German submarine UB-77 sights SS Tuscania′s convoy during the day and stalks it until early evening. Under the cover of darkness at about 6:40 PM, the submarine′s commanding officer, Korvettenkapitän Wilhelm Meyer, orders two torpedoes fired at SS Tuscania. The second of these strikes home, sending her to the bottom of the Irish Sea within about four hours. SS Tuscania sinks nearly three years to the day after her maiden voyage as a passenger liner. Approximately 210 of the troops and crew are lost, while many others are rescued by the Royal Navydestroyers HMS Mosquito and HMS Pigeon.
Collins grows up in a middle-class Irish family in Camlough, a small, staunchly Irish republican town in County Armagh. After completing his schooling, he works for a time in the Ministry of Defence in a clerical capacity in London before studying law at Queen’s University Belfast, where he becomes influenced by Marxist political ideology. He eventually drops out of university and, after working in a pub for a period, joins Her Majesty’s Customs & Excise Service, serving in Newry, and goes on to use this internal position within the administrative machinery of the British Government to support IRA operations against Crown Forces personnel.
Collins joins the Provisional IRA during the blanket protest by Long Kesh inmates in the late 1970s and he becomes involved in street demonstrations. He joins the South Down Brigade of the IRA, based around Newry, and is appointed its intelligence officer.
Collins becomes noted within IRA circles for his hard-line views on the continuance of armed campaign and later joins its Internal Security Unit. Around this time, he has a confrontation with Gerry Adams at the funeral of an IRA man killed in a failed bombing over how to deal with the funeral’s policing, where he accuses Adams a being a “Stick.”
Despite his militarist convictions at this time Collins finds the psychological strain caused by his involvement in the terrorist war increasingly difficult to address. His belief in the martial discipline of the IRA’s campaign is seriously undermined by the March 11, 1982, assassination of Norman Hanna, a 28-year-old Newry man, in front of his wife and young daughter. His uneasy state is further augmented by being arrested on two occasions under anti-terrorism laws, the second including a week of detention and intense interrogation.
Collins subsequently states that the strain of the interrogation merely exacerbates increasing doubts that he has already possessed about the moral justification of the IRA’s terrorist paramilitary campaign and his actions within it. These doubts are made worse by the organization’s senior leadership quietly deciding in the early 1980s that the war has failed and now slowly manoeuvering the movement away from a military campaign to allow its political wing, Sinn Féin, to pursue its purposes by another means in what would become the Northern Ireland peace process.
In 1987, after being charged with several counts of murder and attempted murder, Collins is acquitted as the statement in which he admits to involvement in these acts is ruled legally inadmissible by the court. On release from prison, he spends several weeks being counter-interrogated by the IRA’s Internal Security Unit, after which he is exiled by the organization from Ulster, being warned that if he is found north of Drogheda after a certain date he will be executed.
After his exile Collins moves to Dublin and squats for a while in a deserted flat in the impoverished Ballymun area of the city. After several years in Dublin, he subsequently moves to Edinburgh, Scotland for a period, where he runs a youth centre.
In 1995 Collins returns to Newry, a district known for the militancy of its communal support of the IRA, with numerous IRA members in its midst. The IRA order exiling him from Ulster has not been lifted, but with a formal ceasefire from the organization and renunciations of violence by all the paramilitary organizations in the province, he deems it safe to move back in with his wife and children who had never left the town.
Rather than maintaining a low-profile Collins decides to take a prominent role in the ongoing transition of Ulster’s post-war society, using his personal history as a platform in the media to analyze the adverse effects of terrorism. In May 1998 he gives evidence against leading republican Thomas “Slab” Murphy in a libel case Murphy has brought against The Sunday Times, over a 1985 article naming him as the IRA’s Northern Commander. Murphy denies IRA membership, but Collins takes the witness stand against him and testifies that from personal experience he knew that Murphy had been a key military leader in the organization. Murphy subsequently loses the libel case and sustains substantial financial losses in consequence. Collins and his family receive numerous threats after the trial.
Collins is beaten and stabbed to death by one or more unidentified assailants early in the morning of January 27, 1999, while walking his dogs near the Barcroft Park Estate in Newry along a quiet stretch of country lane at Doran’s Hill. His body also bears marks of having been struck by a car moving at speed. The subsequent police investigation and Coroner’s Inquest comment upon the extremity of weaponed violence to Collins’ head and face used during the attack.
Rumoured reasons behind the murder are that he had returned to Ulster in breach of the IRA’s banning order, and further he had detailed IRA activities and publicly criticized in the media a multiplicity of Irish terrorist paramilitary splinter groups that had appeared after the IRA’s 1994 ceasefire, and that he had testified in court against Murphy.
After a traditional Irish wake, with a closed coffin necessitated by the condition of his face, and a funeral service at St. Catherine’s Church in Newry, Collins’ body is buried at the town’s Monkshill Cemetery, not far from the grave of Albert White, a Catholic former Royal Ulster Constabulary Inspector, whose assassination he had helped to organize in 1982.
Petrie is born and grows up in Dublin, living at 21 Great Charles Street, just off Mountjoy Square. He is the son of the portrait and miniature painter James Petrie, a native of Aberdeen, Scotland, who had settled in Dublin. He is interested in art from an early age. He is sent to the Royal Dublin Society‘s schools, being educated as an artist, where he wins the silver medal in 1805 at the age of fourteen.
In the late 1820s and 1830s, Petrie significantly revitalises the Royal Irish Academy‘s antiquities committee. He is responsible for their acquisition of many important Irish manuscripts, including an autograph copy of the Annals of the Four Masters, as well as examples of insular metalwork, including the Cross of Cong. His writings on early Irish archaeology and architecture are of great significance, especially his essay on the Round Towers of Ireland, which appear in his 1845 book titled The Ecclesiastical Architecture of Ireland. He is often called “the father of Irish archaeology.” His survey of the tombs at Carrowmore still informs study of the site today.
From 1833 to 1843 Petrie is employed by Thomas Frederick Colby and Thomas Larcom as head of the Topographical Department of the Irish Ordnance Survey. Amongst his staff are John O’Donovan, one of Ireland’s greatest ever scholars, and Eugene O’Curry. A prizewinning essay submitted to the Royal Irish Academy in 1834 on Irish military architecture is never published, but his seminal essay On the History and Antiquities of Tara Hill is published by the Academy in 1839. During this period Petrie is himself the editor of two popular antiquarian magazines, the Dublin Penny Journal and, later, the Irish Penny Journal.
Another major contribution of Petrie’s to Irish culture is the collection of Irish traditional airs and melodies which he records. William Stokes’s contemporary biography includes detailed accounts of Petrie’s working methods in his collecting of traditional music: “The song having been given, O’Curry wrote the Irish words, when Petrie’s work began. The singer recommenced, stopping at a signal from him at every two or three bars of the melody to permit the writing of the notes, and often repeating the passage until it was correctly taken down …”
As an artist, Petrie’s favourite medium is watercolour which, due to the prejudices of the age, is considered inferior to oil painting. Nonetheless, he can be considered as one of the finest Irish Romantic painters of his era. Some of his best work is in the collections of the National Gallery of Ireland, such as his watercolour painting Gougane Barra Lake with the Hermitage of St. Finbarr, County Cork (1831).
Petrie is awarded the Royal Irish Academy’s prestigious Cunningham Medal three times: firstly in 1831 for his essay on the round towers, secondly in 1834 for the now lost essay on Irish military architecture, and thirdly in 1839 for his essay on the antiquities of Tara Hill.
The closing years of Petrie’s life are devoted to the publication of a portion of his collection of Irish music. He dies at the age of 77 at Rathmines, Dublin, on January 17, 1866. He is buried in Mount Jerome Cemetery.
Aeneas Coffey, Irish inventor and distiller, dies in England on November 26, 1852. He is born in Calais, France, to Irish parents in 1780. He is educated at Trinity College, Dublin, and enters the excise service around 1799–1800 as a gauger. He marries Susanna Logie in 1808, and they have a son, also named Aeneas, who may have been their only child.
According to British customs and excise records, Coffey is a remarkable man with widespread interests and multiple talents who rises quickly through the excise service ranks. He is appointed sub-commissioner of Inland Excise and Taxes for the district of Drogheda in 1813. He is appointed Surveyor of Excise for Clonmel and Wicklow in 1815. In 1816 he is promoted to the same post at Cork. By 1818 he is Acting Inspector General of Excise for the whole of Ireland and within two years is promoted to Inspector General of Excise in Dublin.
Coffey is a strong, determined upholder of the law, but aware of its shortcomings. He survives many nasty skirmishes with illegal distillers and smugglers, particularly in County Donegal in Ulster and in the west of Ireland, where moonshining is most rife. On several occasions he proposes to the government simple, pragmatic solutions to rules and regulations which have hampered legal distillers. Not all of his ideas are accepted. Between 1820 and 1824 he submits reports and gives evidence to Parliamentary Commissions of Inquiry on many aspects of distilling, including formalising the different spellings of Irish whiskey and Scotch whisky. His 1822 report is solidly backed by the Irish distillers. He believes in making it viable to distill legally, and illegal distilling might largely disappear.
He assists the government in the drafting of the 1823 Excise Act which makes it easier to distill legally. It sanctions the distilling of whiskey in return for a licence fee of £10, and a set payment per gallon of proof spirit. It also provides for the appointment of a single Board of Excise, under Treasury control, for the whole of the United Kingdom, replacing the separate excise boards for England, Scotland and Ireland. The 1823 Excise Act also provides for not more than four assistant commissioners of excise to transact current business in Scotland and Ireland, under the control of the board in London. Coffey resigns from government excise service at his own request in 1824.
Between his Dublin education and his work as an excise officer, Coffey has ample opportunity to observe the design and workings of whiskey stills, as Ireland is the world’s leading producer of whiskey in the 19th century, and Dublin is at the center of that global industry. This is how Coffey becomes familiar with a design differing from the traditional copper pot alembic still commonly used in Ireland, the continuous, or column, still. First patented by a Cork County distillery in 1822, the column still remains a relatively inefficient piece of equipment, although it points the way towards a cheaper and more productive way to distill alcohol. It is that last point that captures Coffey’s imagination. He makes his own modifications to existing column still designs, so as to allow a greater portion of the vapors to re-circulate into the still instead of moving into the receiver with the spirit. The result is more efficient, producing a lighter spirit at higher alcohol content. Coffey patents his design in 1830, and it becomes the basis for every column still used ever since.
On his retirement from service, Coffey goes into the Irish distilling business. For a short time he runs the Dodder Bank Distillery, Dublin and Dock Distillery in Grand Canal Street, Dublin, before setting up on his own as Aeneas Coffey Whiskey Company in 1830. The development of the Coffey still makes distillation of his own whiskey much more economical.
Nothing is known of the final years and last resting place of Aeneas Coffey. His only son, also called Aeneas Coffey, emigrates to South Africa and manages a distillery. He marries but his wife dies childless. He returns to England and spends his final years near London.
Threatened by lung trouble in 1879, Plunkett goes to the United States and spends ten years as a cattle rancher in the Bighorn Mountains of Wyoming. He returns to Ireland in 1889 and devotes himself to the agricultural cooperative movement, first organizing creameries and then, in 1894, the Irish Agricultural Organisation Society, a forerunner of similar societies in England, Wales, and Scotland. A moderate Unionist member of Parliament for South County Dublin from 1892 to 1900, he becomes vice president (1899–1907) of the new Department of Agriculture and Technical Instruction for Ireland, which he has been instrumental in creating.
Plunkett’s later experience convinces him of the need for the independence of an Ireland without partition inside the Commonwealth, and he fights strongly for this goal, as chairman of the Irish Convention (1917–18) and, in 1919, as founder of the Irish Dominion League and of the Plunkett Foundation for Cooperative Studies, an agricultural research and information centre. He is appointed to the first Senate of the Irish Free State (1922–23). His house in Dublin is bombed and burned during in the Irish Civil War and he lives in England thereafter. In 1924 the Plunkett Foundation also moves to England. In 1924 he presides over a conference in London on agricultural co-operation in the British Commonwealth and in 1925 he visits South Africa to help the movement there.
Dennis Bell, director of New York gospel choir The New Voices of Freedom, records a demo of a gospel version of “I Still Haven’t Found What I’m Looking For.” While in Glasgow, Scotland in late July during U2’s Joshua Tree Tour, Rob Partridge of Island Records plays the demo for the band. In late September, U2 rehearses with Bell’s choir in a Harlem church, and a few days later they perform the song together at U2’s Madison Square Garden concert.
Footage of the rehearsal is featured in the rockumentaryRattle and Hum, while the Madison Square Garden performance appears on the Rattle and Humalbum, the band’s sixth studio album. After the church rehearsal, U2 walks around the Harlem neighbourhood where they come across blues duo Satan and Adam playing on the street. A 40-second clip of them playing their composition “Freedom for My People” appears on both the movie and the album.
Neilson is born in Ballyroney, County Down, the son of Presbyterian minister Alexander, and Agnes Neilson. He is educated locally. He is the second son in a family of eight sons and five daughters. At the age of 16, he is apprenticed to his elder brother, John, in the business of woolen drapery in Belfast. Eight years later he establishes his own business.
Despite his commercial success, Neilson is naturally drawn to politics and is early on a member of the reformist Irish Volunteers movement. In 1791, inspired by the French Revolution, he suggests to Henry Joy McCracken the idea of a political society of Irishmen of every religious persuasion. He establishes the Society of United Irishmen in Belfast. The following year he launches the newspaper of the United Irishmen, the Northern Star, which effectively throws away his fortune. As its editor he is a high-profile target for the authorities and is prosecuted for libel several times, being twice imprisoned between 1796 and 1798.
Along with several other state prisoners, Neilson is released in February 1798 following several petitions by influential friends, on grounds of bad health. Upon release he immediately involves himself in the United Irishmen aligning with the radicals among the leadership who are pressing for immediate rebellion and oppose the moderates who wish to wait for French assistance before acting.
The United Irishmen are however, severely penetrated by informants who keep Dublin Castle abreast of their plans and discussions. In March 1798, information of a meeting of the United Irish executive at the house of Oliver Bond leads to the arrest of most of the leadership, leaving Neilson and Lord Edward FitzGerald as the only figures of national importance still at liberty. They decide to press ahead as soon as possible and settled on May 23 as the date for the rebellion to begin.
As the date looms closer, the authorities go into overdrive to sweep up the rump leadership and on May 18 Lord Edward is betrayed in his hiding place and critically wounded while resisting capture. Neilson, now with responsibility for finalising plans for the looming rebellion, decides that Fitzgerald is too valuable to do without, and decides to try and rescue him from Newgate Prison in Dublin. Wary of confiding his plans too early for fear of betrayal, Neilson goes on a reconnaissance of the prison but is spotted by chance by one of his former jailers and after a fierce struggle, he is overpowered and dragged into the prison.
Neilson is indicted for high treason and held in Kilmainham Gaol with other state prisoners for the duration of the doomed rebellion outside. After the execution of Oliver Bond, and the brothers John and Henry Sheares, Neilson and the remaining prisoners agree to provide the authorities with details of the organisation of the United Irishmen, plans for the rebellion, etc. in return for exile.
Following the suppression of the rebellion, Neilson is transferred to Fort George in Inverness-shire, Scotland, and in 1802 he is deported to the Netherlands. From there he makes his way to the United States, arriving in December 1802, and settling in Poughkeepsie, New York. He has little time to enjoy his liberty before his sudden death on August 29, 1803, of yellow fever, or possibly a stroke.
Nielson is not idle during his short life in America as he completes plans to start a new evening newspaper in Poughkeepsie and also has plans in the works to establish a version of the Society of United Irishmen in the United States. Since his death, his remains have been moved to three different cemeteries before coming to rest in the Poughkeepsie Rural Cemetery in 1880.
(Photograph: (c) National Museums Northern Ireland; Supplied by The Public Catalogue Foundation)
seamus dubhghaill 