Following the sudden death of his father in 1918, Bell is brought at the age of seven to live near Raffery in the Strangford Lough area of County Down. He lives with his mother and two brothers in a cottage with no electricity or running water. This is the setting of his acclaimed novel of Ulster rural life, December Bride (1951). He moves to Belfast in 1921, where he works at a variety of manual jobs before securing a post with the BBC in 1945. He is a co-founder of the left-leaning literary journal, Lagan, in 1943.
Bel’s first collection of short stories, Summer Loanen and Other Stories, is published in 1943. His novels include December Bride (1951), The Hollow Ball (1961), A Man Flourishing (1973) and Across the Narrow Sea (1987).
Bell is recruited to the BBC in 1946, along with fellow writer, W. R. Rodgers, by poet and radio producer, Louis MacNeice. Some of his work as a radio producer is highly innovative. This is Northern Ireland, An Ulster Journey (1949) is a classic radio feature incorporating actuality, poetry, music and narration. In later work, Bell incorporates the voices of “ordinary people” in his attempt to paint a picture of Ulster as rooted in the lives and traditions of its people. His collaboration with W. R. Rodgers, The Return Room (1955), is one of the most important post-war Irish radio features and shows the influence of Dylan Thomas on Rodgers, the poet.
In 1977, Bell is honoured with an MBE in recognition of his contribution to the cultural life of Northern Ireland.
December Bride is made into an acclaimed film in 1990. Reviewing the film, The Irish Times columnist and literary critic Fintan O’Toole says it is “not just a remarkable artistic achievement, but also a remarkable political one…restoring a richness and complexity to a history that has been deliberately narrowed.” In April 1999, December Bride is selected by award-winning novelist and critic Colm Tóibín and publisher, writer and critic Dame Carmen Callil, for inclusion in The Modern Library: The 200 Best Novels in English Since 1950 (Picador).
Bell dies on February 9, 1990, at 190 King’s Road, Knock, Belfast, aged 80, shortly before the premiere of the film of December Bride. On October 15, 2009, the eve of what would have been Bell’s centenary, a blue plaque is unveiled by Northern Ireland Minister of Culture, Arts and Leisure Nelson McCausland on the Belfast house where Bell had written December Bride. Such plaques are erected to commemorate and honour notable people.
The Battle of Glentaisie is fought in the north of Ulster on May 2, 1565. The result is a victory for Shane O’Neill over the Clan MacDonald of Dunnyveg. The conflict is a part of the political and military struggle for control of the north of Ireland, involving the English and occasionally the Scots. Although the MacDonalds are a Scottish family, based principally on the island of Islay in the Hebrides, they have long been associated with the Gaelic polity rather than the Kingdom of Scotland.
O’Neill assembles his army for the attack on the MacDonnells at the tower house of Feadan, at Fathom Mountain, near Newry. Traditionally, he “kept Easter” at Feadan, and an assembly of his clan would be unremarked until its size draws notice.
The MacDonnells expect O’Neill’s sizeable army to take some weeks to reach their territory on the Antrim coast. They start gathering as many warriors in the Highlands and Islands as they can muster. However, O’Neill advances with unprecedented speed. Within a week his army arrives at Edenduffcarrick.
Sorley Boy MacDonnell gathers a small holding force at a forward base at Cloughdonaghy. He attempts to stop O’Neill’s advancing army at Knockboy, a wooded pass in the hills above Broughshane. O’Neill sweeps Sorley’s ambush away, takes Cloughdonaghy and sends a force of cavalry to seize James MacDonald of Dunnyveg’s recently constructed Red Bay Castle. With the landing beaches at Waterfoot and Cushendall now controlled by O’Neill’s army, the first several hundred of MacDonnell’s men are compelled to land farther north. They land at Ballycastle beach to await the locally raised MacDonnnell army. Their plan is to await the arrival of their brother Alexander, the MacDonnell seneschal of Cantyre, who is assembling a second army composed from late comers to James of Dunnyveg’s army.
O’Neill does not permit the MacDonnells any time for their reinforcement to arrive. His advance guard continues to press the retreating MacDonnell army, who fall back from the beach through Ballycastle. They are driven past the area of the modern Diamond and well away from the river Tow, denying them the necessary water supply for a sizeable army.
Both armies set up camp for the night. O’Neill’s army occupies land at the centre of modern Ballycastle, between the modern Diamond and the river Tow, giving them full access to water. The combined MacDonnell army of around five hundred men occupy the exposed higher ground at Ramon, the ridge at the head of modern Castle Street, Ballycastle, where the Presbyterian Church now stands, with only a small well for their needs.
At very first light, O’Neill attacks uphill with a sudden onslaught led by his heavy Gallowglassinfantry. By forgoing the customary exchange of spears, darts, and arrows by the light infantry kernagh and Scots archers that customarily precede the usually decisive deployment of the Gallowglass corrughadh, or battalions, O’Neill surprises the MacDonnell army. The MacDonnell leaders try to rally their men, but after a violent interlude of some confusion, they break and flee over Knocklayd mountain in the direction of Glenshesk, heading back toward the beach at Cushendun. James of Dunnyveg is seriously wounded in the early fighting and his brother Angus MacDonnell is killed.
The attempt to flee by the old mountain road between Greenan and Ballypatrick Forest in an attempt to reach a possible landing place for their birlinns at Cushendun beach is finally stopped at a hollow at Legacapple. Sorley Boy and James are both taken prisoner. James dies of his wounds two months later at Castle Crocke, near Strabane. Their brother Alistair Og MacDonnell had landed at Rathlin, with the final levies raised in the Highlands and Islands, reputed to be nine hundred men. However, in the immediate aftermath of O’Neill’s decisive victory, Alistair can achieve nothing without a base on the mainland. O’Neill marches on along the north coast to mop up the MacDonnell garrisons and deny Alistair any foothold from which to launch a MacDonnell recovery. Dunseverick and Dunluce fall within a few days, and Alistair returns to Scotland.
Linda Martin, Northern Irish singer and television presenter, is born in Belfast, Northern Ireland on March 27, 1952. She is best known as the winner of the 1992 Eurovision Song Contest during which she represents Ireland with the song “Why Me?,” the first of a record three consecutive wins by Ireland. She is also known within Ireland as a member of the band Chips.
Martin is of Irish, Scottish and Italian ancestry. Her father’s family’s surname is originally Martini. Her paternal great-grandfather, Francis Martini, is born in Dublin to immigrants from Saronno, north of Milan, Italy. Two of her maternal great-grandparents, William Green and Elizabeth Nangle, have a coal-mining background and transferred to Belfast from Larkhall, Scotland.
Martin begins her musical career when she joins the band Chips in Omagh in 1969. They quickly become one of the top bands in Ireland on the live circuit, and release hit singles “Love Matters,” “Twice a Week” and “Goodbye Goodbye” during the mid-to-late 1970s. In 1972, she leaves Chips to be a vocalist with the new group Lyttle People but rejoins her former bandmates the following year.
The group appears on Opportunity Knocks in 1974 and appears a number of times on British television promoting their singles, but never scores a UK hit. With multiple entries to the Irish National finals of the Eurovision Song Contest, the band carries on into the 1980s. They score a final Irish hit in 1982 with “David’s Song (Who’ll Come With Me),” after which Martin leaves when she wins the Castlebar Song Contest with “Edge of the Universe” in 1983. From this point, she concentrates on a solo career as well as occasional live appearances with Chips until they recruit a new lead singer, Valerie Roe, in the late 1980s.
Martin participates in the National Song Contest four times as a member of Chips; however, they do not score successfully. She participates another four times in the contest as a soloist and once more as part of the group “Linda Martin and Friends.” With nine participations, she has been the most frequent entrant in the National Song Contest’s history. She wins the contest twice, going on to represent Ireland twice at the Eurovision Song Contest.
The first of these victories is in 1984 with the song “Terminal 3,” written by Johnny Logan. The song comes in second in the final, being beaten by eight points. “Terminal 3” reaches No. 7 in the Irish charts. The second victory is in 1992 when her song “Why Me?,” also written by Logan, goes on to win the final in Sweden. This becomes Ireland’s fourth victory in the Eurovision Song Contest, and the song reaches No. 1 in the Irish chart as well as becoming a hit in many European countries.
Martin is, at the time, one of only three artists to finish both first and second at Eurovision, behind Lys Assia and Gigliola Cinquetti. Since then, only Elisabeth Andreassen and Dima Bilan have achieved this, raising the number to five.
Martin is one of the hosts on the RTÉquiz showThe Lyrics Board and also serves as one of Louis Walsh‘s behind-the-scenes team on the first series of ITV‘s The X Factor. She also serves as a judge on the first, second and fourth seasons of RTÉ’s You’re a Star and on Charity You’re a Star in 2005 and 2006. While she is dismissed from later seasons, speaking on Saturday Night with Miriam on RTÉ television on July 28, 2007, she says that she is “open” to being invited back to the show. She does not rule out a return to Eurovision following Ireland’s dismal performance in the 2007 contest, finishing last with only five points.
During the interval of Eurovision 2013, the host Petra Mede presents a light-hearted history of the contest, during which she explains to viewers that Johnny Logan had won the competition three times, in 1980, 1987 and 1992. Appearing alongside Linda Martin in some vintage footage she jokes that he had won the third time disguised as a woman, saying, “I recognise a drag queen when I see one.” The joke proves controversial, particularly in the Irish media. However, on June 1, 2013, during an appearance on RTÉ’s The Saturday Night Show Martin says that she has actually benefited from all the publicity. On the same show she performs a cover of the song “Get Lucky” by Daft Punk.
Martin also appears in pantomime, in Dublin. She stars in Cinderella as the Wicked Stepmother, Snow White as the Evil Queen and Robin Hood as herself, at the Olympia Theatre. She tours Menopause The Musical with Irish entertainer Twink. While on tour, Twink describes Martin as a “cunt” during a tirade in May 2010. The two had been friends for 30 years but both say afterwards that they have no plans to speak to each other again.
The agreement on January 28, 1610, between the Crown and the Irish Society of London to carry out the plantation of Derry, Coleraine, and part of Tyrone refers to a significant historical event known as the Plantation of Ulster. This event takes place in the early 17th century and is part of the broader policy of the English and later British colonization of Ireland.
The Plantation of Ulster is a process initiated by the English Crown, primarily under King James I, to colonize the province of Ulster in the north of Ireland with English and ScottishProtestant settlers to defend against a future attack from within or without. This follows the Flight of the Earls in 1607, when several Gaelic Irish lords leave Ireland, leading to the confiscation of their lands by the Crown.
In his survey, James I finds that the town of Derry (renamed Londonderry) can become either a great asset as a control over the River Foyle and Lough Swilly, or it can become an inviting back door if the people of the area are against him. He pressures the guilds of the City of London to fund the resettlement of the area, including the building of a new walled city.
The Irish Society is formed by the City of London in response to James I’s royal request to participate in the plantation. The Society is a consortium of Londonlivery companies, which are trade associations and guilds.
The Crown grants the Irish Society lands in Ulster, particularly in modern-day County Londonderry (then including what is now County Tyrone), to establish new settlements. The key areas are the city of Derry and the town of Coleraine.
The primary objective is to settle Ulster with loyal Protestant subjects, thus consolidating English influence in Ireland. The plantation aims to bring about economic development and to establish control over what is considered a rebellious and unruly region.
The livery companies of London undertake the establishment of new towns, fortifications, and the settlement of the land with tenants. However, the implementation faces various challenges, including resistance from the native Irish population, logistical difficulties, and issues of mismanagement.
The Plantation of Ulster has profound and lasting demographic, social, and political impacts. It leads to significant changes in land ownership and contributes to the religious and cultural diversification of the region. The plantation is also a root cause of the sectarian divide in Northern Ireland, contributing to centuries of conflict between the Protestant and Catholic communities.
The agreement between the Crown and the Irish Society of London to carry out the Plantation of Ulster is a pivotal event in Irish history. It plays a crucial role in shaping the historical trajectory of Ireland, particularly Northern Ireland, and its effects are still felt in the region’s complex socio-political landscape.
The Plantation of Ulster remains a subject of historical analysis and debate, reflecting the complex interplay of colonization, cultural identity, and conflict in Irish history.
(From: “The Crown and the Irish Society of London, Agree to Carry Out the Plantation of Derry, Coleraine and Part of Tyrone,” McManus Family History, http://www.mcmanusfamilyhistory.com | Pictured: The crest of the Irish Society of London)
Henry is born Emily Grace Mitchell at Kirktown St. Fergus, near Peterhead, Aberdeenshire, Scotland, on February 10, 1868. She is the ninth of ten children of the Rev. John Mitchell and Jane Mitchell (née Gardner). Lord Byron is a cousin of her maternal grandmother. She is educated at home, spending time at the family’s home in Piccadilly, where she experiences London society. After the death of her father, and the reduced circumstances she finds herself in, she leaves home in 1895 to pursue a career as an artist. The first record of her work being exhibited is with the Aberdeen Artists Society in 1896 and 1898. These paintings have not been traced since. In 1899, she leaves Scotland for the continent, visiting Holland and Belgium, studying at the Blanc‐Guerrins Academy in Brussels. She goes on to attend the Delacluze Academy in Paris. While in Paris, she meets Paul Henry, an Irish artist. The couple marries in September 1903 in London.
The Henrys live at a few different residences outside London until 1910. A small number of her works are known from this time, such as The Girl in White, which is in the collections of the Hugh Lane Gallery. This piece shows the influence of fellow artist James Abbott McNeill Whistler, whom she meets in Paris through her husband. The couple travels to Achill Island for the first time in 1910, intending to stay two-weeks, but going on to live there until 1919. During this time, she paints numerous night scenes, including Achill Cottages (Hugh Lane Gallery). One of her well-known works is Top of the Hill, on display in the Limerick City Gallery of Art, which shows a group of island women. The period spent on the island places a strain on the Henrys marriage, as she is not as happy living there.
The couple returns to Dublin in 1919 and are founding members of the Society of Dublin Painters in 1920 alongside Letitia Marion Hamilton, Mary Swanzy, and Jack Butler Yeats. The Society offers an outlet for younger Irish artists to exhibit. Five of Henry’s works are featured at the Irish Exhibition in Paris in 1922, and at a similar exhibition in Brussels in 1930.
Around 1920, Henry has a romantic association with Stephen Gwynn who is an important political, cultural and literary figure from the lost world of late-nineteenth and early-twentieth century Ireland. During this period, she travels with Gwynn in France and Italy and later paints a number of portraits of him. Invariably, during this time, the Henrys’ marriage continues to have problems, with the couple breaking up in 1924. Her affair with Gwynn, who she depicts in two known oil paintings including The Orange Man (Limerick City Gallery of Art) and Portrait of a Man, which depicts a much more distinguished Gwynn in later life, contribute to the breakup. The couple legally separates in 1930.
Henry develops her own style through the 1920s and 1930s, spending time in France and Italy. From 1924 to 1925, she studies with André Lhote, a cubist painter who also works with Mainie Jellett, Evie Hone, and Mary Swanzy. She goes on to display little of his influence in her work. She paints in Venice and in the environs of the Italian lakes, painting with the fauvist style, with free brushwork and vibrant colours. She also experiments with expressionism, which can be seen in Spring in Winter. Upon the outbreak of World War II, she returns to Ireland. She does not have a permanent residence during this period, instead stayed with friends or living in hotels. She also experiences periods of melancholy during these later years, though she continues to exhibit. Her work is regularly displayed at the Royal Hibernian Academy (RHA), and she has solo shows at the Waddington and Dawson galleries. She is made an honorary member of the RHA in 1949.
Henry dies in Dublin on August 11, 1953, and is buried at Mount Jerome Cemetery. During her career, and for a number of years after her death, she is largely overshadowed by her husband, sometimes being referred to as “Mrs. Paul Henry.” She is even omitted from Paul Henry’s two-volume autobiography. Her body of work is re-examined in the 1970s, which leads to wider public recognition and her inclusion in a number of exhibitions such as The Paintings of Paul and Grace Henry at the Hugh Lane Gallery in 1991. She is deemed to be a much bolder painter than her husband, incorporating more elements of the modernist movement, as evident in The Long Grey Road of Disting (1915). Her popularity has been growing since her rediscovery.
(Pictured: “Road to Destiny,” oil on board by Grace Henry)
Tone is born Martha Witherington in Dublin on June 17, 1769. She is the eldest daughter of merchant William Witherington and his wife Catherine (née Fanning). Her father is listed as a woolen draper on Grafton Street, Dublin, from 1768 to 1784, as a wine merchant from 1784 to 1788, and finally as a merchant from 1788 to 1793. It is claimed that he is a lieutenant in the Royal Navy and sits on the merchants’ guild on Dublin’s common council from 1777 to 1783. Her mother is a housekeeper to her father after he is widowed.
Tone receives a good education and maintains an interest in drama and literature throughout her life. Katherine Wilmot visits her in Paris in 1802 and comments on the books she has by French, Italian and English authors. When she is fifteen years old, she gets to know Wolfe Tone through her older brother. He is still a student in Trinity College Dublin, and it is he that renames her Matilda. They marry when she is just sixteen, on July 21, 1785, in St. Ann’s Church, Dublin, honeymooning in Maynooth. Upon their return they live with the Witheringtons, though they are not on good terms, and then with Wolfe Tone’s parents in Bodenstown, County Kildare.
The Tone’s first child, Maria, is born before October 1786. She is followed by a son, Richard, who is named for their neighbour Richard Griffith, who dies in infancy. Tone stays with her husband’s family while he is studying for the bar in London from 1787 to 1788. When he returns, the couple has two more sons: William Theobald Wolfe Tone, born on April 29, 1791, and Francis Rawdon Tone, born on June 23, 1793. Francis is known as Frank and is named after Francis Rawdon-Hastings. William is born in Dublin and Frank is probably born in Bodenstown. By this time, the family has a cottage in Bodenstown which Wolfe Tone had inherited from his uncle Jonathan Tone, which the family jokingly refers to as Château Boue. They live there until May 1795, when they leave for Princeton, New Jersey, due to political reasons.
Tone and her children come back to Europe to join Wolfe Tone in France eighteen months later. The family settles in Paris, at first living with Colonel Henry Shee at Nanterre, later moving to the suburb, Chaillot. She educates her children at home. Very few of her letters survive, but many of her husband’s letters and diaries are addressed or intended for her. From these and her letter to her friend Eliza Fletcher, it is clear she shares her husband’s interest in politics. Following her husband’s death in November 1798, she moves to a small apartment at 51 Rue Saint-Jacques in the Latin Quarter of Paris. This is to be close to her son William, who is attending Lycée Louis-le-Grand. She is awarded a pension of 1,200 francs for herself and 400 for each of her children after the expiration of the Treaty of Amiens on May 1, 1803.
Tone’s daughter Maria dies in April 1803, and then her son Frank dies in 1807, both of tuberculosis. William is displaying symptoms of the disease as well, which prompts her to move to the United States in 1807. From there, they attempt to sort out her husband’s affairs, which had been entrusted to James Reynolds. They retrieve only a few of Wolfe Tone’s pre-1795 diaries, and all of the post-1795 letters and diaries, which they add to the autobiography she already has in her possession. When William enters the Cavalry School at Saint-Germain-en-Laye in November 1810 as a cadet, she moves to be close to him, living at the Hôtel de la Surintendance. By approaching Napoleon in 1811, who knew Wolfe Tone, she ensures that her son receives French citizenship and the privileged status of “élève du gouvernement.” In January 1813, when William begins his service, she returns to Paris to live on the Rue de Lille and later moves to the Latin Quarter.
Following the defeat of Napoleon in June 1815, William is refused entry to Ireland or to visit Britain. This leads to both mother and son returning to the United States. Before she leaves Paris, she marries her old friend Thomas Wilson on August 19, 1816. Wilson is a Scottish businessman and advocate who has taken care of her financial affairs after the death of her husband. The couple visit Scotland, and then move to New York City in 1817, and finally to Georgetown, District of Columbia, around 1820. She lives there until her death and calls herself Matilda Tone-Wilson.
Starting in 1824, The New Monthly Magazine begins the unauthorised publication of extracts from Wolfe Tone’s autobiography. In response, Tone decides to publish all of Wolfe Tone’s papers and writing, including the autobiography, pamphlets and diaries, edited by their son William. What results is two large volumes entitled the Life of Theobald Wolfe Tone, published in May 1826. She adds a memoir of her own life in Paris following his death in 1798. The book is a best-seller, and ensures the legacy of Wolfe Tone, as well as being an important contemporary document of both Irish and French revolutionary politics.
William Tone dies in 1828, after which Tone lives more privately. She dies in Georgetown on March 18, 1849. Thomas Wilson predeceases her in 1824. Just two weeks prior to her death she is interviewed by a Young Irelander, Charles Hart. She is initially buried near William Tone at Marbury burying-ground, Georgetown. After that cemetery is sold, she is reinterred in Green-Wood Cemetery, Brooklyn, New York, on October 31, 1891, by her great-grandchildren. A new monument is dedicated to her, which is later restored in 1996.
Hume does not complete his clerical studies but does obtain an M.A. degree in French and history from the college in 1958. He then returns home to his native Derry, where he becomes a teacher at his alma mater, St. Columb’s College. He is a founding member of the Credit Union movement in the city and is chair of the University for Derry Committee in 1965, an unsuccessful fight to have Northern Ireland’s second university established in Derry in the mid-1960s.
Hume becomes the youngest ever President of the Irish League of Credit Unions at age 27. He serves in the role from 1964 to 1968. He once says that “all the things I’ve been doing, it’s the thing I’m proudest of because no movement has done more good for the people of Ireland, north and south, than the credit union movement.”
Hume becomes a leading figure in the civil rights movement in the late 1960s along with people such as Hugh Logue. He is a prominent figure in the Derry Citizens’ Action Committee. The DCAC is set up in the wake of the October 5, 1968, march through Derry which had caused much attention to be drawn towards the situation in Northern Ireland. The purpose of the DCAC is to make use of the publicity surrounding recent events to bring to light grievances in Derry that had been suppressed by the Unionist Government for years. The DCAC, unlike the Northern Ireland Civil Rights Association (NICRA), is aimed specifically at a local campaign, improving the situation in Derry for everyone, and maintaining a peaceful stance. The committee also has a Stewards Association that is there to prevent any violence at marches or sit-downs.
In October 1971, Hume joins four Westminster MPs in a 48-hour hunger strike to protest at the internment without trial of hundreds of suspected Irish republicans. State papers that have been released under the 30-year rule that an Irish diplomat eight years later in 1979 believes Hume supported the return of internment.
Hume is directly involved in secret talks with the British government and Sinn Féin, in an effort to bring Sinn Féin to the discussion table openly. The talks are speculated to lead directly to the Anglo-Irish Agreement in 1985.
The vast majority of unionists reject the agreement and stage a massive and peaceful public rally in Belfast City Centre to demonstrate their distaste. Many Republicans and nationalists also reject it, as they see it as not going far enough. Hume, however, continues dialogue with both governments and Sinn Féin. The “Hume–Adams process” eventually delivers the 1994 Irish Republican Army (IRA) ceasefire which ultimately provides the relatively peaceful backdrop against which the Good Friday agreement is brokered.
In 2015, Hume is diagnosed with Alzheimer’s disease, of which he had first displayed symptoms in the late 1990s. He dies in the early hours of August 3, 2020, at a nursing home in Derry, at the age of 83. On his death, former Labour Party leader and prime ministerTony Blair says, “John Hume was a political titan; a visionary who refused to believe the future had to be the same as the past.” The Dalai Lama says on Twitter, “John Hume’s deep conviction in the power of dialogue and negotiations to resolve conflict was unwavering… It was his leadership and his faith in the power of negotiations that enabled the 1998 Good Friday Agreement to be reached. His steady persistence set an example for us all to follow.”
(Pictured: John Hume with U.S. President Bill Clinton in 1995)
Rafferty is the third son of Irish miner and lorry driver Joseph Rafferty and his Scottish wife Mary Skeffington. His abusive alcoholic father dies when Gerry is only sixteen years old. He grows up in a council house on the town’s Glenburn estate and attends St. Mirin’s Academy. Inspired by his Scottish mother, who teaches him both Irish and Scottish folk songs, and the music of Bob Dylan and the Beatles, he starts writing his own material. In 1963 he leaves St. Mirin’s Academy and works in a butcher’s shop and as a civil service clerk while also playing with the local group Maverix on weekends.
In the mid-1960s Rafferty earns money busking on the London Underground. In 1966 he meets fellow musician Joe Egan and they are both members of the pop band the Fifth Column. In 1969 he becomes the third member of the folk-pop outfit the Humblebums, which also features comedian Billy Connolly and Tam Harvey. He and Connelly record two well-received albums on the Transatlantic Records label as a duo.
Rafferty releases his first solo album, Can I Have My Money Back?, in 1972. That same year he and Egan form the group Stealers Wheel. Stealers Wheel has a huge hit with the jaunty and witty song “Stuck in the Middle with You,” which peaks at #6 on the Billboard pop charts. Stealers Wheel has a lesser Top 40 hit with “Star” ten months later and eventually breaks up in 1975.
In 1978 Rafferty hits pay dirt with his second solo album, City to City, which soars to #1 on the Billboard album charts and sells over five million copies worldwide. The album also begets the hit song “Baker Street.” This haunting and poetic ballad is an international smash that goes to #2 in the United States, #3 in the United Kingdom, #1 in Australia, and #9 in the Netherlands.
Rafferty’s third album, Night Owl, likewise does well. Moreover, he has additional impressive chart successes with the songs “Right Down the Line,” “Home and Dry,” “Days Gone Down,” and “Get It Right Next Time.” Alas, a handful of albums he records throughout the 1980s and 1990s all prove to be commercial flops. He sings the vocal on the song “The Way It Always Starts” for the soundtrack of the movie Local Hero.
Rafferty is married to Carla Ventilla from 1970 to 1990. He records his last album, Another World, in 2000 and releases the compilation CD, Life Goes On, in 2009.
Rafferty has problems with alcoholism that directly contributes to his untimely death. In November 2010, he is admitted to the Royal Bournemouth Hospital where he is put on a life support machine and treated for multiple organ failure. After being taken off life support, he rallies for a short time, and doctors believe he might recover. He dies, however, of liver failure at the home of his daughter Martha in Stroud, Gloucestershire, on January 4, 2011.
John Joseph “Rinty” Monaghan, world flyweightboxing champion from Belfast, is born on August 21, 1918. He becomes famous in the post-war period, eventually rising to become undisputed world champion and a hero to many people in his home city.
Born in Lancaster Street in north Belfast, Monaghan attends St. Patrick’s Christian Brothers’ School in Donegall Street. A noted fighter at boys’ level, he entereds the paid ranks in his mid-teens. After a short period of wartime service, he resumes his career and his burgeoning reputation draws huge crowds from all parts of Belfast. In particular, bouts at Belfast’s King’s Hall are the highlight with that venue normally packed to the rafters.
In October 1947, the National Boxing Association world crown becomes Monaghan’s after outpointing American Salvador “Dado” Marino at Harringay Stadium for the vacant title. The mantle of undisputed champion of the world rests on his shoulders after he defeats the tough Scottish fighter Jackie Paterson on March 23, 1948. Paterson is to prove one of his major adversaries.
By the time that a long-standing chest complaint forces his retirement as champion in 1950, Monaghan’s trophy cabinet contains the British, European, Commonwealth and World crowns. Of the 66 official bouts he fights during his illustrious career, he wins 51, draws 6 and loses 9. He endears himself to his supporters after his fights by singing “When Irish Eyes Are Smiling” to the King’s Hall audience, which joins in the singing.
Monaghan’s nickname “Rinty” comes from his fondness for dogs. According to his daughter Martha, he brought home injured dogs so often that his grandmother called him Rin Tin Tin, after the film dog, and shortened it to Rinty.
Monaghan marries Frances Thompson in 1938 and moves to nearby Sailortown. He has three daughters, Martha, Rosetta and Collette, and one son, Sean. In later life he has a variety of jobs but remains true to his working-class roots and stays in Belfast. He dies at his home in Little Corporation St. on March 3, 1984, at the relatively young age of 65. He is buried in Belfast City Cemetery.
To mark the influence of this “home-town hero”, the Ulster History Circle and Belfast City Council provide a plaque in Monaghan’s honour at the King’s Hall that is unveiled, in the presence of many of his family circle and friends, on May 3, 2007.
Belfast City Council erects a statue to Monaghan at Cathedral Gardens on August 20, 2015. The 10-foot high bronze statue on a granite plinth is designed by Alan Beattie Herriot and features Monaghan holding a microphone and singing “When Irish Eyes Are Smiling.”
McCracken’s father is Captain John McCracken, a Presbyterian of Scottish descent and a prominent shipowner. Her mother, Ann Joy, comes from a French ProtestantHuguenot family, which made its money in the linen trade and founded the Belfast News Letter. Her liberal and far-sighted parents send her to David Manson‘s progressive co-educational school, where ‘young ladies’ received the same education as the boys. She excels at mathematics.
As an adult, McCracken manages a successful muslin business in Belfast, which pioneers the production of patterned and checked muslin. She runs the business together with her sister and has at least one agent in Dublin.
McCracken is the sister of Henry Joy McCracken, one of the founding members of the Society of United Irishmen. In the aftermath of her brother’s defeat at the Battle of Antrim on June 7, 1798, she helps Henry Joy and some colleagues hide in the hills of south Antrim, bringing them clothes and money. She is arranging for a ship to take him to the United States when he is recognised by three Carrickfergus soldiers and arrested there on July 7, 1798.
McCracken shares her brother’s interest in reviving the oral-music tradition of Ireland and is a founding member of the Belfast Harp Society (1808–1813). She supports Edward Bunting in his collecting of traditional music, introducing him to people who can help, acting as his unofficial secretary and contributes anonymously to the second volume of his work The Ancient Music of Ireland in 1809. Bunting lives with the McCrackens for thirty-five years, before moving to Dublin 1819 and thereafter corresponds regularly with McCracken.
McCracken, like her brother, holds radical beliefs and these extend not just to the politics of the time, but to many social issues, such as poverty and slavery. She is dedicated to the poor of Belfast and from her earliest childhood she works to raise funds and provide clothes for the children of the Belfast Poorhouse, now known as Clifton House, Belfast. Following a visit from Elizabeth Fry she forms the Ladies Committee of the Belfast Charitable Society and is chair from 1832–1855. Thanks to the efforts of the committee a school, and later a nursery, is set up to educate the orphans of Belfast. She takes particular pains to find a suitable teacher, displaying a high level of dedication and compassion for her cause. The committee also inspects the homes where children of the poorhouse are apprenticed out.
McCracken leads the Women’s Abolitionary Ccmmittee in Belfast during the height of the anti-slavery movement and continues to promote the cause long after the spirit of radicalism had died in Belfast. By the 1850s, the liberality of the 1790s had largely evaporated in the aftermath of the failure of the Irish Rebellion of 1798, and the subsequent executions or exile of the leading protagonists.
At the age of 88, McCracken is to be seen at the Belfast docks, handing out anti-slavery leaflets to those boarding ships bound for the United States, where slavery is still practised. Her continued campaign long after the deaths of her counterparts serves to demonstrate the strength of radicalism that exists in certain circles of Belfast society at the close of the eighteenth century.
After her brother’s execution in Belfast, McCracken takes over the care of his illegitimate daughter, Maria, which is not universally accepted in her wider family. She lives with Maria and her family until her death at the age of 96 on July 26, 1866. She is buried in grave number 35 at Clifton Street Cemetery.
A blue plaque has been placed by the Ulster History Circle on the house at 62 Donegall Pass, Belfast, where McCracken lived for much of her later life.
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