seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: The New York Times (newspaper)


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Death of Donal McCann, Stage, Film & Television Actor

Donal McCann, Irish stage, film, and television actor, dies from pancreatic cancer in Dublin on July 17, 1999. He is best known for his roles in the works of Brian Friel and for his lead role in John Huston‘s last film, The Dead (1987). In 2020, he is listed as number 45 on The Irish Times list of Ireland’s greatest film actors.

McCann is born on May 7, 1943, in Terenure, Dublin. His father is John J. McCann, a playwright and politician who serves twice as Lord Mayor of Dublin. Although he acts in a production of his father’s Give Me a Bed of Roses at Terenure College in 1962, he briefly studies architecture before taking a job as a trainee sub-editor at the Evening Press which allows him to pursue part-time acting classes at the Abbey School of Acting at the same time. He joins the Abbey Players in the late 1960s.

Among his most important early roles are Cú Chulainn in W. B. Yeats‘s On Baile Strand (1966), and as Estragon in a seminal production of Samuel Beckett‘s Waiting for Godot, partnering with Peter O’Toole as Vladimir (1969).

McCann’s career includes parts in many plays from the Irish literary canon, including Tarry Flynn, The Shaughran, and the Gate Theatre‘s highly acclaimed production of Seán O’Casey‘s classic Juno and the Paycock in the 1980s (McCann plays the “Paycock” (Captain Boyle) opposite Geraldine Plunkett as Juno and John Kavanagh as Joxer Daly) as well as a subsequent production of O’Casey’s The Plough and the Stars.

McCann develops a particularly fruitful relationship with the playwright Brian Friel. He plays the role of Gar O’Donnell, the public figure, in a film adaptation of Philadelphia, Here I Come! in 1970 and, despite popular belief, he never plays either public or private Gar on stage. He gives a landmark performance as Frank Hardy, the title character, in Faith Healer in 1980 (a role he reprised in 1994), continuing his relationship with Friel through productions of Translations (1988) and Wonderful Tennessee (1993).

Friel says that McCann’s work “contains extraordinary characteristics that go beyond acting … it is deeply spiritual.” Perhaps McCann’s most renowned role is as Thomas Dunne in Sebastian Barry‘s The Steward of Christendom. He wins the London Critics’ Circle Theatre Award (Drama Theatre) as best actor for this role in 1995. He reprises this role in a 1996 production at the Gate Theatre, Dublin and, following a twelve-week run at the Brooklyn Academy of Music in 1997, his “performance of unarguable greatness” (The New York Observer) had Newsweek hailing him as “a world-class star,” and The New York Times referring to this “astonishing Irish actor…widely regarded as the finest of them all.”

On the London stage, McCann plays in Prayer for My Daughter opposite Antony Sher (1978), and is Jean to Dame Helen Mirren‘s Julie in Miss Julie (1971). This is filmed for the BBC, and he much later plays Judge Brack with Fiona Shaw in the title role of Henrik Ibsen‘s Hedda Gabler, a production filmed for the BBC in 1993.

McCann begins his film career early, in 1966, in Walt Disney Pictures’s The Fighting Prince of Donegal (this later becomes a TV series). More significant roles include the title character’s father Shamie in Cal and one of the feuding brothers in Thaddeus O’Sullivan‘s December Bride (1990). He works a number of times with Neil Jordan (in Angel, The Miracle and High Spirits).

His best-known film role is as Gabriel Conroy in The Dead (1987), starring opposite Anjelica Huston and directed by her father, John Huston. Significant late roles include Bernardo Bertolucci‘s Stealing Beauty (1996) and in John Turturro‘s Illuminata (released in 1999, after McCann’s death).

McCann’s television work includes the featured role of Phineas Finn in the BBC’s serialised adaptation of Anthony Trollope‘s The Pallisers, Willie Burke in RTÉ‘s Prix Italia drama entry The Burke Enigma (1979) and Barney Mulhall in RTÉ’s Strumpet City (1980), as well as many one-off parts.

McCann plays in Bob Quinn‘s Irish language film Poitín (1979) and in Quinn’s somewhat experimental The Bishop’s Story (1995). After hearing that McCann is ill, Tom Collins asks Quinn to make a TV documentary about McCann for RTÉ called It Must Be Done Right (1999), after a remark by McCann on his craft. The film airs on RTÉ a week before McCann’s death.

In his private life, McCann is a quiet and unassuming man, but he battles both depression and alcoholism all his life. He has many friends in Irish theatre and artistic circles but also across all strata of life. His hobbies include sketching and he is passionate about horse racing.

Remembering McCann on the 25th anniversary of his death, Gerald Smyth writes, “In the melancholy of that life-worn voice could be heard the cadences of a lyric heart.”


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Birth of Mezzo-Soprano Bernadette Greevy

Bernadette Greevy, Irish mezzo-soprano, is born in Clontarf, Dublin, on July 3, 1940. She is founder and artistic director of the Anna Livia Dublin International Opera Festival. She is the first artist-in-residence at the Dublin Institute of Technology‘s Faculty of Applied Arts.

Greevy is one of seven children. She goes to school at the Holy Faith Secondary School, Clontarf and later studies in Dublin with Jean Nolan and at the Guildhall School of Music and Drama in London with Helene Isepp.

Greevy makes her first appearance on the operatic stage at the age of 18 in the role of Siebel in Charles Gounod‘s Faust at Dublin’s Gaiety Theatre. She appeared in Julius Benedict‘s opera, The Lily of Killarney at Dublin’s Olympia Theatre in 1960, alongside Veronica Dunne, John Carolan and Denis Noble with conductor Fr. John O’Brien and the Glasnevin Musical Society. In 1961, she makes her professional operatic debut as Maddalena in the Dublin Grand Opera Society’s production of Giuseppe Verdi‘s Rigoletto. She appears at the Wexford Festival Opera in 1962 as Beppe in Pietro Mascagni‘s L’amico Fritz. She makes her Royal Opera House début in 1982 as Genevieve in Claude Debussy‘s Pelléas et Mélisande.

However, Greevy never develops the acting skills necessary for true operatic success, and makes her musical mark instead in the world of oratorio and song recitals. She is introduced to works such as Edward Elgar‘s The Dream of Gerontius and George Frideric Handel‘s Messiah by Sir John Barbirolli, and later recorded music by Gustav Mahler, Johann Sebastian Bach and Joseph Haydn.

A 1966 review by Howard Klein in The New York Times of Greevy’s recording of Handel arias states: “The voice has the firm, compact resonance of a true contralto. She has endless breath and can move her voice with agility and precision.”

Greevy has a special affinity with Mahler, in particular his orchestral song cycles. In 1966, she performs Kindertotenlieder in London with the then RTÉ National Symphony Orchestra. The Times praises the 26-year-old Greevy’s “full, glowing voice, rich and firm at the bottom, radiant at the top, and gloriously expressive phrasing.” Later, in the 1990s, she performs all Mahler’s vocal works with orchestra over a four-year period in the Teatro Colón, Buenos Aires, Argentina.

Greevy chooses to live in her native Dublin throughout her career rather than be based in one of the world’s major music centres. She maintains confidently that “if you’re good enough you can live where you like.” Nevertheless, this decision undoubtedly curtails her opportunities in the recording studio and on the concert stage.

Greevy dies at the age of 68 on September 26, 2008, following a short illness. She is married to Peter Tattan, who predeceases her in 1983. They have one son, Hugh.


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Birth of Máire Mhac an tSaoi, Diplomat, Poet & Memoirist

Máire Mhac an tSaoi, Irish civil service diplomat, writer of Modernist poetry in the Dingle Peninsula dialect of Munster Irish, a memoirist, and a highly important figure within modern literature in Irish, is born Máire MacEntee in Dublin on April 4, 1922. Along with Seán Ó Ríordáin and Máirtín Ó Direáin, she is, in the words of Louis de Paor, “one of a trinity of poets who revolutionised Irish language poetry in the 1940s and 50s.” She has a lifelong passion for the Irish language and is one of the leading authorities on Munster Irish.

Mhac an tSaoi’s father, Seán MacEntee, is born in Belfast and is a veteran of the Irish Volunteers during the 1916 Easter Rising and the subsequent Irish War of Independence, and of the Anti-Treaty Irish Republican Army (IRA) during the Irish Civil War. He is also a founding member of Fianna Fáil, a long-serving TD and Tánaiste in the Dáil. Her mother, Margaret Browne (or de Brún) of County Tipperary, is also an Irish republican and a distinguished Celticist who teaches courses in Irish literature in the Irish language at Alexandra College and University College Dublin (UCD).

Mhac an tSaoi is influenced by her stays in the Dingle Peninsula in County Kerry with her uncle, Monsignor De Brún, at his parish of Dún Chaoin. Monsignor de Brún, similarly to his sister, is a distinguished linguist and Celticist, the literary translator of Homer, Dante Alighieri, Sophocles, and Jean Racine into Modern Irish, “and one of the most distinguished literary figures of his time.”

Mhac an tSaoi studies Modern Languages and Celtic Studies at UCD, before going to further research at the Dublin Institute for Advanced Studies and at the University of Paris. She writes the famous work of Christian poetry in Munster Irish, Oíche Nollag (“Christmas Eve”), when she is only 15-years of age.

Mhac an tSaoi spends two years studying in post-war Paris (1945–47) before joining the Irish diplomatic service and is working at the Irish embassy in Madrid when she commits herself to writing poetry in Irish following her discovery of the works of Federico García Lorca.

She remains a prolific poet and is credited, along with Seán Ó Ríordáin and Máirtín Ó Direáin, with reintroducing literary modernism into Irish literature in the Irish language, where it had been dormant since the 1916 execution of Patrick Pearse, in the years and decades following World War II. Her poetry draws on the vernacular spoken by the native Irish speakers of the Munster Gaeltacht of West Kerry during the first half of the twentieth century. Formally, she draws on the song metres of the oral tradition and on older models from the earlier literary tradition. In later work, she explores looser verse forms but continues to draw on the remembered dialect of Dún Chaoin and on a scholarly knowledge of the older literature.

Mhac an tSaoi is elected to Aosdána in 1996 but resigns in 1997 after Francis Stuart is elevated to the position of Saoi. She had voted against Stuart because of his role as an Abwehr spy and in radio propaganda broadcasts from Nazi Germany aimed at neutral Ireland during World War II.

In 2001, she publishes an award-winning novel A Bhean Óg Ón… about the relationship between the 17th-century County Kerry poet and Irish clan chief Piaras Feiritéar and Meg Russell, the woman for whom he composed some of the greatest works of love poetry ever written in the Irish language.

Her poems Jack and An Bhean Óg Ón are both featured on the Leaving Certificate Irish course, at both Higher and Ordinary Levels, from 2006 to 2010. Her literary translation of Rainer Maria Rilke‘s Duino Elegies from Austrian German into the Irish language is published in 2013.

Mhac an tSaoi marries Irish politician, writer, and historian Conor Cruise O’Brien in a Roman Catholic wedding Mass in Dublin in 1962. This makes her the stepmother to O’Brien’s children from his 1939 civil marriage. Her mother is deeply embarrassed by the exposure of the relationship and staunchly opposes the match, as she has long been a close friend of O’Brien’s Presbyterian first wife. Despite their subsequent marriage, the exposure of their extramarital relationship ends Mhac an tSaoi’s diplomatic and civil service career. They later adopted two children, Patrick and Margaret.

She then lives with her husband in New York City, where he becomes a professor at New York University (NYU) after the Congo Crisis destroys O’Brien’s diplomatic career. He is long blamed by the United Nations for the escalation of the Congo Crisis.

Mhac an tSaoi and her husband, who is then serving as Albert Schweitzer Professor of the Humanities at NYU, are both staunchly opposed to the Vietnam War. They are both arrested by the New York City Police Department (NYPD), along with Dr. Benjamin Spock and Beat Generation poet Allen Ginsberg, during an allegedly violent protest outside a United States military induction centre in New York City on December 5, 1967. Afterward, during an interview with The New York Times, she accuses the NYPD of using excessive force both during and after her husband’s arrest.

She later returns with O’Brien to live in Dublin, where she attends another protest rally against the Vietnam War along O’Connell Street in 1969.

Mhac an tSaoi dies peacefully at the age of 99 on October 16, 2021, at home where she has been cared for by her daughter Margaret.


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Death of Al Smith, Irish American Four Term Governor of New York

Alfred Emanuel Smith, Irish American politician who serves four terms as the 42nd governor of New York and is the Democratic Party‘s presidential nominee in 1928 United States presidential election, dies on October 4, 1944, in New York City.

Smith is born at 174 South Street, New York City, on December 30, 1873, and raised in the Fourth Ward on the Lower East Side of Manhattan. He resides there for his entire life. His mother, Catherine (née Mulvihill), is the daughter of Maria Marsh and Thomas Mulvihill, who are immigrants from County Westmeath, Ireland. His father, baptised Joseph Alfred Smith in 1839, is a Civil War–veteran and the son of Emanuel Smith, an Italian marinaro.

Although Smith remains personally untarnished by corruption, he — like many other New York Democrats — is linked to the notorious Tammany Hall political machine that controls New York City politics during his era. He serves in the New York State Assembly from 1904 to 1915 and holds the position of Speaker of the Assembly in 1913. He also serves as sheriff of New York County from 1916 to 1917. He is first elected governor of New York in 1918, loses his 1920 bid for re-election, and is elected governor again in 1922, 1924, and 1926. He is the foremost urban leader of the efficiency movement in the United States and is noted for achieving a wide range of reforms as the New York governor in the 1920s.

Smith is the first Roman Catholic to be nominated for president of the United States by a major party. His 1928 presidential candidacy mobilizes both Catholic and anti-Catholic voters. Many Protestants, including German American Lutherans and Southern Baptists, fear his candidacy, believing that the Pope in Rome would dictate his policies. He is also a committed “wet” (i.e., an opponent of Prohibition in the United States) and as New York governor, he repeals the state’s prohibition law. As a “wet,” he attracts voters who want beer, wine and liquor without having to deal with criminal bootleggers, along with voters who are outraged that new criminal gangs have taken over the streets in most large and medium-sized cities. Incumbent Republican Secretary of Commerce Herbert Hoover is aided by national prosperity, the absence of American involvement in war and anti-Catholic bigotry, and he defeats Smith in a landslide in 1928.

Smith then enters business in New York City and becomes involved in the construction and promotion of the Empire State Building. He seeks the 1932 Democratic presidential nomination but is defeated by Franklin D. Roosevelt, his former ally and successor as governor of New York. During the Roosevelt presidency, he becomes an increasingly vocal opponent of Roosevelt’s New Deal.

Smith is an early and vocal critic of the Nazi regime in Germany. He supports the Anti-Nazi boycott of 1933 and addresses a mass-meeting at Madison Square Garden against Nazism in March 1933. His speech is included in the 1934 anthology Nazism: An Assault on Civilization. In 1938, he takes to the airwaves to denounce Nazi brutality in the wake of Kristallnacht. His words are published in The New York Times article “Text of the Catholic Protest Broadcast” of November 17, 1938.

Like most New York City businessmen, Smith enthusiastically supports American military involvement in World War II. Although he is not asked by Roosevelt to play any role in the war effort, he is an active and vocal proponent of FDR’s attempts to amend the Neutrality Act in order to allow “Cash and Carry” sales of war equipment to be made to the British. He speaks on behalf of the policy in October 1939, to which FDR responds directly: “Very many thanks. You were grand.”

In 1939, Smith is appointed a Papal Chamberlain of the Sword and Cape, one of the highest honors which the Papacy bestows on a layman.

Smith dies of a heart attack at the age of 70 at the Rockefeller Institute Hospital on October 4, 1944. He had been broken-hearted over the death of his wife from cancer five months earlier, on May 4, 1944. He is interred at Calvary Cemetery, a Catholic cemetery in Maspeth and Woodside, Queens, New York City.

Smith is memorialized by The Alfred E. Smith Foundation, founded by Cardinal Francis Spellman. Today it is a significant fund raiser for charity. Each election year, presidential candidates are expected to attend, make witty remarks, and profound commentary about Smith. In 2008, then candidate Barack Obama speaks eloquently of “a man who fought for many years to give Americans nothing more than fair shake and a chance to succeed. He touched the lives of millions as a result.”

(Pictured: Official Gubernatorial portrait of Alfred E. “Al” Smith by Douglas Volk)


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The Occupation and Burning of the Custom House

The Custom House in Dublin is occupied and then burned in an operation by the Irish Republican Army (IRA) on May 25, 1921, during the Irish War of Independence. At the time, the Custom House is the headquarters of the Local Government Board for Ireland, an agency of the British administration in Ireland, against which the IRA is fighting in the name of the self-proclaimed Irish Republic. The operation, involving over 100 IRA volunteers, is a propaganda coup for the republicans but a military disaster for the IRA in the Irish capital. A force of British Auxiliaries quickly arrives, and a gun battle erupts. Five IRA volunteers, John Doyle, Edward Dorins, Daniel Head, Captain Patrick and Lieutenant Stephen O’Reilly, are killed, along with three civilians. Approximately 80 volunteers are captured.

The operation is the largest action in Dublin by rebels since the Easter Rising of April 1916.

The Irish War of Independence is a guerrilla campaign by the IRA in support of the Irish Republic. The conflict enters its bloodiest phase in the first six months of 1921. In Dublin, a total of 309 people are killed in the conflict and several hundred more wounded.

Dublin is garrisoned by over 10,000 British troops and 1,600 police including 400 men of the Royal Irish Constabulary (RIC) Auxiliary Division. Most IRA actions in the city consist either of assassinations of selected police, military or administration figures by the Squad, or ambushes on British forces by one of the four Active Service Units (ASU) of the IRA’s Dublin Brigade, together comprising about 100 men. These are usually rapid and fleeting attacks using grenades and handguns, followed by a quick getaway. There are strict orders given to IRA units to avoid prolonged engagements with the better-armed British forces.

However, this policy is reversed after a meeting of the Ministry of Dáil Éireann in May 1921 where the President of the Republic, Éamon de Valera, calls for a spectacular public show of force by the IRA, to reinforce the idea that it is an army representing an Irish government. For this reason, it is decided to attack and burn the Custom House, which, although an important government building, is not defended by the British military. Michael Collins is against the attack but is overruled.

Michael O’Kelly, Lieutenant E Company, 2nd Battalion, Dublin Brigade, recalls plans to “deliver a smashing blow to England.” Two large scale operations – to capture Beggars Bush Barracks, or to destroy the Customs House are initially considered. The Custom House is eventually chosen. IRA member Vincent Byrne says that the operation is “one of many under review.”

In the early afternoon of May 25, 1921, roughly 120 non-uniformed IRA Volunteers begin to gather around the Custom House in groups of two or three. Three quarter of those involved belonged to the 2nd Battalion of the Dublin Brigade under Tom Ennis. Only a minority of them are experienced guerrilla fighters and they are armed only with pistols and a limited amount of ammunition. At 1:00 p.m., they rush the Custom House and overpower the police guard. A lorry pulls up outside the building with tins of petrol and bales of cotton, which are then sprinkled throughout the building. The IRA Volunteers herd all the staff into the main hall. The caretaker of the building, Francis Davis, is shot dead when he tries to call the police.

However, at about 1:10 p.m., a watching policeman notifies British forces and 60 Auxiliaries in three lorries and an armored car quickly arrive on the scene. IRA Volunteers from the 1st, 3rd and 4th battalions are positioned outside the building to stop the enemy from approaching.

Four Auxiliaries are wounded in a gun battle with one of these IRA protection teams outside the building. Other Auxiliaries fire into the building with rifles and Lewis machine guns, exchanging fire with the IRA fighters inside. A number of IRA Volunteers and civilians are killed or wounded by the Auxiliaries. As fighting rages outside, IRA Volunteers inside the building are ordered to set it alight.

The ammunition of the IRA Volunteers quickly runs out and the firefight ends within 30 minutes. Some Volunteers are shot as they try to run away. Tom Ennis, in command of the operation, escapes but is hit twice in the leg. Many others are arrested along with civilians as they come out of the now burning Custom House with their hands up. The Fire Brigade, which had been delayed from responding by other IRA companies in the city, arrives too late to put out the fire.

British military forces composed of units from the Wiltshire Regiment arrive and take over the operation from the Auxiliaries at this point. A total of 111 people are arrested, of whom 70–80 are IRA volunteers.

The Custom House burns for five days and is all but completely destroyed by the fire. With it are destroyed many centuries of local government records. The Irish Bulletin, official gazette of the Irish Republic, reports:

“A detachment of the Dublin Brigade of the Irish Army was ordered to carry out the destruction of the Custom House in accordance with a decision arrived at after due deliberation of the ministry of Dáil Éireann. We in common with the rest of the nation regret the destruction of historical buildings. But the lives of four million people are a more cherished charge than any architectural masterpiece. The Custom House was the seat of an alien tyranny.”

From the republican point of view, the operation is successful for its propaganda value, but it is a heavy blow in terms of the numbers lost, both killed and arrested. Following the operation, the Dublin Brigade and The Squad are amalgamated into the Dublin Guard. However, the operation does not totally impede the IRA’s campaign in Dublin. The Dublin Brigade carries out 107 attacks in the city in May and 93 in June, showing a decline but not a dramatic one.

The memoir of Harry Colley, Adjutant of the Dublin IRA, estimates the numbers in the five Dublin battalions at 1,400 in early 1921.

The armed conflict is brought to an end on July 11, 1921, and negotiations are opened which produces the Anglo-Irish Treaty in December of that year. The Custom House is re-built after the end of the war.

Irish local government records from the 1600s had been brought from rural parts of Ireland to the Custom House for safekeeping, and these are lost in the blaze. At the time, The New York Times subtitles their report on the fire as “Priceless Records Lost.” Some genealogists still lament the loss of these historical records.

(Pictured: The Custom House in flames, taken on May 25, 1921)


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Birth of Martin Sheridan, Three-Time Olympic Gold Medalist

Martin John Sheridan, three-time Olympic Games gold medalist, is born in Bohola, County Mayo, on March 28, 1881. He is part of a group of Irish American athletes known as the “Irish Whales.”

At 6 ft. 3 in. (191 cm) and 194 lbs. (88 kg), Sheridan is the best all-around athlete of the Irish American Athletic Club, and like many of his teammates, serves from 1906 until his death in 1918 with the New York City Police Department. He is so well respected in the NYPD, that he serves as the Governor’s personal bodyguard when the governor is in New York City.

A five-time Olympic gold medalist, with a total of nine Olympic medals, Sheridan is called “one of the greatest figures that ever represented this country in international sport, as well as being one of the most popular who ever attained the championship honor.” He wins the discus throw event at the 1904, 1906, and 1908 Summer Olympics as well as the shot put at the 1906 Olympics and the Greek discus in 1908. At the 1906 Intercalated Games in Athens, Greece, he also wins silver medals in the standing high jump, standing long jump and the stone throw.

In 1907, Sheridan wins the National Amateur Athletic Union (AAU) discus championship and the Canadian championship, and in 1908 he wins the Metropolitan, National and Canadian championships as well as two gold medals in the discus throw and a bronze medal in the standing long jump at the 1908 Olympic Games.

Two of Sheridan’s gold medals from the 1904 Olympic Games in St. Louis, Missouri, and one of his medals from the 1906 Olympic Games in Athens, are currently located in the USA Track & Field‘s Hall of Fame History Gallery, in Washington Heights, Manhattan.

It is often claimed that Sheridan fueled a controversy in London in 1908, when flagbearer Ralph Rose refused to dip the flag to King Edward VII. Sheridan supposedly supports Rose by explaining, “This flag dips to no earthly king,” and it is claimed that his statement exemplified both Irish and American defiance of the British monarchy. However, careful research has shown that this was first reported in 1952. Sheridan himself makes no mention of it in his published reports on the Games and neither does his obituary.

Sheridan dies in St. Vincent’s Hospital in Manhattan, New York, on March 27, 1918, the day before his 37th birthday, a very early casualty of the 1918 flu pandemic. He is buried in Calvary Cemetery, Queens, New York. The inscription on the granite Celtic Cross monument marking his grave says in part: “Devoted to the Institutions of his Country, and the Ideals and Aspirations of his Race. Athlete. Patriot.”

According to his obituary in The New York Times, Sheridan was “one of the greatest athletes the United States has ever known.”

(Pictured: Martin Sheridan from the historical picture collection of Knut Gulbrandsen)


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Death of Christopher Nolan, Irish Poet & Author

Christopher Nolan, Irish poet and author, dies of asphyxiation in Dublin on February 20, 2009.

Nolan is born to parents Joseph and Bernadette Nolan in Mullingar, County Westmeath on September 6, 1965. Due to asphyxiation at birth, he is born with permanent impairment of his nerve-signaling system, a condition now labelled dystonia. Because of these complications, he is born with cerebral palsy and can only move his head and eyes. Due to the severity of the cerebral palsy, he uses a wheelchair. In an interview, his father, Joseph, explains how, at the age of 10, he is placed on medication that “relaxed him so he could use a pointer attached to his head to type.” To write, he uses a special computer and keyboard. In order to help him type, his mother holds his head in her cupped hands while he painstakingly picks out each word, letter by letter, with a pointer attached to his forehead.

Nolan communicates with others by moving his eyes, using a signal system. When he is young, his father tells him stories and reads passages from James Joyce, Samuel Beckett and D. H. Lawrence to keep his mind stimulated. His mother strings up letters of the alphabet in the kitchen, where she keeps up a stream of conversation. His sister, Yvonne, sings songs and acts out skits. His mother states that “he wrote extensively since the age of 11 and went on to write many poems, short stories and two plays, many of which were published.” Many of the writings are compiled for his first publication, the chapbook Dam-Burst of Dreams.

Upon becoming a teenager, Nolan receives his education from the Central Remedial Clinic School, Mount Temple Comprehensive School and at Trinity College, Dublin. His first book is published at the age of fifteen. He is also awarded an Honorary Doctorate of Letters in the UK, the medal of excellence from the United Nations Society of Writers, and a Person of the Year award in Ireland. He writes an account of his childhood, Under the Eye of the Clock, published by St. Martin’s Press, which wins him the UK’s Whitbread Book of the Year Award in 1987 at the age of 21. He soon drops out of Trinity College to write a novel entitled The Banyan Tree (1999).

Nolan spends more than a decade writing The Banyan Tree. According to The New York Times, the book is a multigenerational story of a dairy-farming family in Nolan’s native county of Westmeath. The story is seen through the eyes of the aging mother. It is inspired, he tells Publishers Weekly, by the image of “an old woman holding up her skirts as she made ready to jump a rut in a field.” A review of the book is done in The New York Times by Meghan O’Rourke. She reviews the book and relates it to James Joyce’s A Portrait of the Artist as a Young Man; in the story the protagonist leaves his mother in Ireland while he moves on to travel the world. Nolan, however, gives the reader a version of the mother’s story. “And so, in the end, one suspects that he wants Minnie’s good-natured, commonplace ways to stand as their own achievement, reminding us that life continues in the places left behind.”

At the age of 43, while working on a new novel, Nolan dies in Beaumont Hospital in Dublin at 2:30 a.m. on February 20, 2009. His death is the result of a piece of salmon becoming trapped in his airway. Nothing from the novel he was working on has been released since his death.

Upon hearing the news of Nolan’s death, President of Ireland Mary McAleese says, “Christopher Nolan was a gifted writer who attained deserved success and acclaim throughout the world for his work, his achievements all the more remarkable given his daily battle with cerebral palsy.”


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Death of Alfie Byrne, Politician & Lord Mayor of Dublin

Alfred Byrne, Irish politician who serves as a Member of Parliament (MP), as a Teachta Dála (TD) and as Lord Mayor of Dublin, dies in Dublin on March 13, 1956. He is known as the “Shaking Hand of Dublin.” He holds the distinction of being the only person to serve as Councillor, Alderman, Lord Mayor of Dublin, MP, TD and Senator.

Byrne is born on March 17, 1882, the second of seven children born to Thomas Byrne, an engineer, and Fanny Dowman. His childhood home is at 36 Seville Place, a terraced house with five rooms just off the North Strand in Dublin. He drops out of school at the age of thirteen and is soon juggling jobs as a grocer’s assistant and a bicycle mechanic. Eventually he uses his savings to buy a pub on Talbot Street. He marries Elizabeth Heagney in 1910.

Byrne becomes an Alderman on Dublin Corporation in 1914. He is a member of the Dublin Port and Docks Board, a significant position for a politician from the Dublin Harbour constituency. In the records of the Oireachtas his occupation is given as company director. He is elected as MP for Dublin Harbour as a candidate of the Irish Parliamentary Party (IPP) in a by-election on October 1, 1915, following the death of William Abraham. The Easter Rising in 1916 is followed by the rapid decline of the Irish Parliamentary Party and the rise of Sinn Féin. At the 1918 Irish general election he is defeated by a Sinn Féin candidate, Philip Shanahan.

Byrne is elected as an Independent TD supporting the Anglo-Irish Treaty for the Dublin Mid constituency at the general election to the Third Dáil in 1922. From 1923 to 1928 he represents Dublin City North. In 1928 he is elected for a six-year term as a member of Seanad Éireann. He vacates his Dáil seat on December 4, 1928. He resigns from the Seanad on December 10, 1931, and returns to the Dáil in 1932. He remains a TD until his death in 1956, representing Dublin City North (1932–37) and Dublin North-East (1937–56). In several elections he secures more votes than any other politician in the country.

Byrne is elected as Lord Mayor of Dublin in 1930, serving in the post for nine consecutive years. When cycling or walking around the city he dispenses lollipops to children, who are often seen chasing him down the street. With a handshake and a few words for all, his eternal canvassing soon earns him the first of his nicknames: the Shaking Hand of Dublin. Married with eight children, he treats the people of Dublin as his second family. Every morning, he finds up to fifty people waiting for him in the Mansion House. None have appointments. All are met. He answers 15,000 letters in his first year as Lord Mayor. Many are from Dubliners looking for a job, a house, some advice or a reference. One morning in 1931 a journalist watches the Lord Mayor attend to his correspondence. Within an hour he accepts “seventeen invitations to public dinners, one invitation to a public entertainment and eight invitations to public functions.” Then he dictates forty-three sympathetic letters to men and women looking for employment.

In 1937, children between the ages of eight and eleven years old are being sentenced to spend up to five years in Industrial Schools. Their crime is stealing a few apples from an orchard. When Byrne says such sentences are “savage,” a judge responds with a defence of the Industrial School system, urging an end to “ridiculous Mansion House mummery.” He stands firm: “For the punishment of trifling offences the home of the children is better than any institution.” In 1938, he is favoured by the press for the presidency of Ireland, a ceremonial role created in the new Constitution, but he is outgunned by the political establishment.

When, in 1935, Byrne becomes the first Lord Mayor of Dublin to visit North America in 40 years, he is granted the freedom of Toronto, and The New York Times hails the arrival of a “champion showman.” He often extends a hand of friendship to Britain. He also improves relations between Dublin, until recently the centre of British authority, and the rest of the country. One night Dublin Fire Brigade gets an urgent call for assistance from Clones, County Monaghan. As Lord Mayor, he feels obliged to join the men on top of the fire engine as they set off on the 85-mile journey in the middle of the night.

In August 1936, Byrne addresses the inaugural meeting of the anti-communist Irish Christian Front, some of whose members later express anti-Semitic views. In 1938, as Lord Mayor, he presents a gift of a replica of the Ardagh Chalice to Italian naval cadets visiting Dublin on board two warships, who had been welcomed by the Irish government despite the protests of Dubliners. A photograph exists of Byrne giving a fascist salute along with Eoin O’Duffy, commander of the Blueshirts, around 1933.

In 1954, Byrne is elected as Lord Mayor for a record tenth time. This time he does not live in the Mansion House, but stays in Rathmines with his family, taking the bus to work each morning. He is just as devoted to the job. When flooding damages 20,000 houses in Fairview and North Strand, he rises from his sick bed to organise a relief fund. His final term as Lord Mayor comes to an end in 1955. Shortly afterwards, Trinity College Dublin awards him an honorary Doctor of Law, describing him as a “champion of the poor and needy, and a friend of all men.”

Byrne dies on March 13, 1956. His funeral is the largest seen in Dublin for many years. The Evening Herald reports that “Traffic in O’Connell Street was held up for almost 20 minutes to allow the cortege of over 150 motor cars to pass, and at all the junctions along the route to Glasnevin people silently gathered to pay tribute to one of Dublin’s most famous sons.” The members of the Dáil stand and observe a short silence as a mark of respect. A telegram is sent to his widow from the Mayor of New York City, Robert F. Wagner Jr., expressing deepest sympathy, and stating “that Ald. Byrne had attained high office of Lord Mayor many times, but he never lost contact with the poor and the underprivileged, whose champion he was.”

The by-election caused by Byrne’s death, is won by his son, Patrick Byrne. Two other sons, A. P. Byrne and Thomas Byrne, are also TDs for various Dublin constituencies. Alfie Byrne Road in Clontarf is named after him. The Dublin Bay North branch of Young Fine Gael is renamed “Alfie Byrne YFG.”


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Birth of Conor McPherson, Playwright, Screenwriter & Director

Conor McPherson, Irish playwright, screenwriter and director of stage and film, is born in Dublin on August 6, 1971. In recognition of his contribution to world theatre, he is awarded a Doctor of Literature, Honoris Causa, in June 2013 by the University College Dublin (UCD).

McPherson is educated at University College Dublin and begins writing his first plays there as a member of UCD Dramsoc, the college’s dramatic society, and goes on to found Fly by Night Theatre Company which produces several of his plays. He is considered one of the best contemporary Irish playwrights. His plays attract good reviews and have been performed internationally (notably in the West End and on Broadway).

The Weir opens at the Royal Court Theatre before transferring to the West End and Broadway. It wins the Laurence Olivier Award for Best New Play for 1999.

McPherson’s 2001 play, Port Authority, tells of three interwoven lives. The play is first produced by the Gate Theatre of Dublin but premiers at the New Ambassadors Theatre in London in February 2001, before moving to the Gate Theatre in April of that year. The production is directed by McPherson himself. New York‘s Atlantic Theater Company stages a production of the play in the spring of 2008, starring Brian d’Arcy James, and Tony Award winners John Gallagher, Jr. and Jim Norton. The New York Times critic Ben Brantley says, “I found myself holding on to what these actors had to say as if I were a five-year-old at bedtime being introduced to The Arabian Nights.”

McPherson also directs his play, Dublin Carol, at the Atlantic Theater Company, New York, in 2003.

McPherson’s 2004 play Shining City opens at the Royal Court Theatre and prompts The Daily Telegraph to describe him as “the finest dramatist of his generation.” A meditation on regret, guilt and confusion, the play is set entirely within the Dublin offices of a psychiatrist who himself has psychological secrets. While much of the play takes the form of monologues delivered by a patient, the everyday stories and subtle poignancy and humour make it a riveting experience. It subsequently opens on Broadway in 2006 and is nominated for two Tony Awards, including Best Play.

In September 2006, to great critical acclaim, McPherson makes his Royal National Theatre debut as both author and director with The Seafarer at the Cottesloe Theatre, starring Karl Johnson and Jim Norton, with Ron Cook as their poker-playing, Mephistophelean guest. Norton wins an Olivier Award for his performance while McPherson is nominated for both the Olivier and Evening Standard Theatre Awards for Best Play. In October 2007 The Seafarer opens on Broadway, keeping with it most of its creative team, including McPherson as director and both Jim Norton and Conleth Hill in their respective roles, with David Morse taking over as Sharky, and Ciarán Hinds portraying Mr. Lockhart. The production on Broadway receives some positive reviews including such statements as “McPherson is quite possibly the finest playwright of his generation” from Ben Brantley at The New York Times and “Succinct, startling and eerie, and the funniest McPherson play to date” from The Observer. Norton’s performance as Richard Harkin in The Seafarer at the National Theatre wins the 2007 Best Supporting Actor Laurence Olivier Award, and he wins a Tony Award in 2008 for Best Featured Actor in a play.

McPherson writes and directs a stage adaptation of Daphne du Maurier‘s story The Birds, which opens in September 2009 at the Gate Theatre in Dublin.

In 2011 the Royal National Theatre premiers his play The Veil at the Lyttleton Theatre. Described by The Times as “a cracking fireside tale of haunting and decay,” it is set in 1822 and marks McPherson’s first foray into period drama. This vein continues with a striking new translation of August Strindberg‘s The Dance of Death premiering at the Trafalgar Studios in London at the end of 2012. His version is described as “a profoundly seminal work” by The Guardian which also managed, The Times says, to be “shockingly funny.”

The Donmar Warehouse mounts a season of McPherson’s work in 2013 with a revival of The Weir and the world premiere of The Night Alive. The Weir is hailed once again as “a modern classic” by The Daily Telegraph and “a contemporary classic” by The Guardian while The Night Alive is nominated for the Laurence Olivier Award for Best Play and described as “another triumph” by The Independent on Sunday and “a masterstroke” by Time Out.

The Night Alive transfers to the Atlantic Theatre New York, where it is awarded the New York Drama Critics’ Circle Award for Best Play 2014, and also receives Best Play nominations from the Drama Desk and Lucille Lortell Awards.

McPherson’s play Girl from the North Country, where the dramatic action is broken up by 20 songs by Bob Dylan, opens at London’s The Old Vic on July 26, 2017. The play is set in a hotel in 1934 in Duluth, Minnesota, the birthplace of Dylan. The project begins when Dylan’s office approaches McPherson and suggests creating a play using Dylan songs. The drama receives favorable reviews.

The film of his first screenplay, I Went Down, is critically acclaimed and a great commercial success. His first feature film as a director, Saltwater, wins the CICAE award for Best Film at the Berlin International Film Festival. His second feature film is The Actors, which he wrote and directed.

He is the director and co-writer of The Eclipse, a film which has its world premiere at the 2009 Tribeca Film Festival. It is picked up for distribution by Magnolia Pictures and is released in U.S. cinemas in the spring of 2010. The film subsequently wins the Melies D’Argent Award for Best European Film at the Sitges Film Festival in Spain, the world’s premier horror and fantasy genre festival. At The 2010 Irish Film and television Awards The Eclipse wins the awards for Best Film and Best Screenplay. Ciarán Hinds wins the Best Actor Award at the Tribeca Film Festival for his portrayal of Michael Farr.

In 2013, McPherson writes the last episode of Quirke. In 2020, he co-writes the feature film adaptation of the Artemis Fowl books by Eoin Colfer. In response to the COVID-19 pandemic, it is released digitally worldwide on Disney+ on June 12, 2020.


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Reverend Ian Paisley Elected MP for North Antrim

After having been in prison for unlawful assembly and breach of the peace, the “anti-popery” Reverend Ian Richard Kyle Paisley, loyalist politician and Protestant religious leader from Northern Ireland, is elected to Westminster on July 18, 1970, as an MP for North Antrim.

Paisley is born on April 6, 1926, in Armagh, County Armagh. He becomes a Protestant evangelical minister in 1946 and remains one for the rest of his life. In 1951, he co-founds the fundamentalist Free Presbyterian Church of Ulster and is its leader until 2008. He becomes known for his fiery speeches and regularly preaches and protests against Catholicism, ecumenism and homosexuality. He gains a large group of followers who are referred to as “Paisleyites.”

Paisley becomes involved in Ulster unionist/loyalist politics in the late 1950s. In the mid-late 1960s he leads and instigates loyalist opposition to the Catholic civil rights movement in Northern Ireland. This leads to the outbreak of the Troubles in the late 1960s, a conflict that engulfs Northern Ireland for the next thirty years. In 1970, he becomes Member of Parliament for North Antrim and the following year he founds the Democratic Unionist Party (DUP), which he leads for almost forty years. In 1979, he becomes a Member of the European Parliament.

Throughout the Troubles, Paisley is seen as a firebrand and the face of hard-line unionism. He opposes all attempts to resolve the conflict through power-sharing between unionists and Irish nationalists/republicans, and all attempts to involve the Republic of Ireland in Northern affairs. His efforts help bring down the Sunningdale Agreement of 1974. He also opposes the Anglo-Irish Agreement of 1985, with less success. His attempts to create a paramilitary movement culminate in Ulster Resistance. He and his party also oppose the Northern Ireland peace process and Good Friday Agreement of 1998.

In 2005, Paisley’s DUP becomes the largest unionist party in Northern Ireland, displacing the Ulster Unionist Party (UUP), which has dominated unionist politics since 1905. In 2007, following the St. Andrews Agreement, the DUP finally agrees to share power with republican party Sinn Féin and consent to all-Ireland governance in certain matters. He and Sinn Féin’s Martin McGuinness become First Minister and deputy First Minister respectively in May 2007. He steps down as First Minister and DUP leader in May 2008 and leaves politics in 2011. He is made a life peer in 2010 as Baron Bannside.

In November 2011, Paisley announces to his congregation that he is retiring as a minister. He delivers his final sermon to a packed attendance at the Martyrs’ Memorial Hall on December 18, 2011, and finally retires from his religious ministry on January 27, 2012.

Paisley dies in Belfast on September 12, 2014. He is buried in Ballygowan, County Down on September 15 following a private funeral and a public memorial for 800 invited guests is held in the Ulster Hall on October 19. An obituary in The New York Times reports that late in life Paisley had moderated and softened his stances against Roman Catholics but that “the legacies of fighting and religious hatreds remained.”