seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: Washington D.C.


by Leave a comment

Éamon de Valera Visits Butte, Montana During His American Tour

President Éamon de Valera visits Butte, Montana, on July 25, 1919, during his American Tour of 1919-20. Montana Lieutenant Governor W. W. McDowell meets his train and rides with de Valera through the streets to where de Valera then addresses over 10,000 people who have come out to hear him. The next day, de Valera addresses a joint session of the Montana State Legislature.

De Valera’s eventful 1919 begins in Lincoln Jail and ends in New York City’s Waldorf Astoria, the largest and most luxurious hotel in the world. Smuggled aboard the SS Lapland in Liverpool in June, he sails for the United States during the closing stages of the Paris Peace Conference. As London’s Sunday Express complains in August 1919, “there is more Irish blood in America than in Ireland,” making the United States the obvious destination for a sustained propaganda and fundraising mission.

After his highly-publicised American debut at New York’s Waldorf Astoria, the self-styled “President of the Irish Republic” embarks on the first leg of what is to be an eighteen-month tour of the United States. The purpose of his mission is twofold: to gain formal recognition of the Irish Republic and to raise funds via a bond issue to support the independence movement and the newly established Dáil Éireann.

Between July and August 1919, de Valera and his entourage travel over 6,000 miles from New York to San Francisco, addressing enormous crowds at dozens of venues. He fills Madison Square Garden to capacity and receives a thirty-minute standing ovation from 25,000 people in Chicago’s Wrigley Field. Twice as many people fill Boston’s Fenway Park on June 29, cheering the arrival of the “Irish Lincoln.” The Sinn Féin envoys also visit less obvious Irish communities of the period, such as Scranton, Savannah, New Orleans and Kansas City. For de Valera’s personal secretary, Seán Nunan, the public meeting in Butte, Montana is like “an election meeting at home – there were so many first-generation Irishmen working on the mines – mainly from around Allihies in West Cork.” In San Francisco de Valera dedicates a statue of Robert Emmet by Irish-born sculptor Jerome Connor in Golden Gate Park, a replica of which stands sentinel in St. Stephen’s Green in Dublin. This is one of many symbolic gestures linking the American and Irish struggles for independence played out before the flashing bulbs of the ubiquitous press photographers. On August 15, The Cork Examiner notes that the enthusiastic American exchanges “indicate that few public missionaries from other lands – possibly only Mr. Parnell – have ever had such receptions as were accorded to the Sinn Féin leader.”

De Valera’s team deserves credit for the incredible logistical triumph that is the U.S. tour. As chief organiser, Liam Mellows travels ahead to each city, ensuring a suitable reception is prepared and a venue secured for a mass meeting. Seán Nunan is de Valera’s fastidious personal secretary and Harry Boland, Sinn Féin TD for South Roscommon and Irish Republican Brotherhood (IRB) envoy, is at his side troubleshooting, speechmaking and shaking hands. As the tour progresses, de Valera’s supporting cast expands to include Kerry-born Kathleen O’Connell who becomes de Valera’s full-time personal secretary from 1919.

The next stage of de Valera’s American odyssey begins on October 1, 1919, in Philadelphia, a city with a rich Irish heritage and rife with symbolism of America’s struggle for independence. Over the next three weeks, de Valera and his team travel from the Atlantic to the Pacific seaboard and back again, delivering seventeen major public speeches and a host of smaller ones to aggregate crowds of over half a million.

The pace is relentless as the Irish team makes its way through middle America. De Valera is received as a visiting dignitary at multiple state legislatures and presented with honorary degrees from six American universities. In line with his secondary objective to foster the interest of “wealthy men of the race in the industrial development of Ireland,” he addresses the Chambers of Commerce in a number of cities and arranges a personal meeting with Henry Ford, the son of an Irish emigrant, during his visit to Detroit in October. In the same month in Wisconsin, he is made a Chief of the Chippewa Nation, an honour he later says meant more to him than all the freedoms of all the cites he was ever given. It is not surprising that by the time they reach Denver on October 30, The Irish World reports that “the President looked tired.” Still, he musters the energy to make high profile visits to Portland, Los Angeles and San Diego before beginning the return journey to New York at the end of November.

After a short break for Christmas, the Irish team prepares for the launch of the Bond Certificate Drive. A week-long frenzy of publicity kicks off on January 17 at New York City Hall where Mayor John F. Hylan presents de Valera with the Freedom of the City. During the spring of 1920, de Valera addresses the Maryland General Assembly at Annapolis before making the swing through the southern states of America.

It is not all plain sailing for the Sinn Féin representatives in America. The tour of the west coast in late 1919 sees increasing tensions with American patriotic bodies who are critical of de Valera’s perceived pro-German stance during World War I. He is heckled during a speech in Seattle and a tricolour is ripped from his car in Portland by members of the American Legion. The trip through the southern states in the spring of 1920 coincides with rising American anti-immigration and anti-Catholic nativism. A small number of counter demonstrations are organised by right-wing Americans. Most notably, members of the Ku Klux Klan make unwelcome appearances at several rallies in the American south, making clear their opposition to de Valera’s presence.

The Irish envoys also contend with antagonism from the leaders of Friends of Irish Freedom (FOIF), the broad-based popular front of Clan na Gael headed by veteran Fenian John Devoy and Judge Daniel Cohalan. The FOIF uses its significant resources to finance de Valera’s tour and facilitate the Bond Certificate Drive, but behind the scenes there are significant personality clashes and tensions over tactics.

The increasingly public dispute comes to a head in a row over strategies at the Republican National Convention in Chicago in June 1920. Drawing on his influential political contacts, Cohalan persuades the Republican Party to include Irish self-determination in their election platform. However, much to Cohalan’s fury, de Valera leads a separate delegation to the Convention and insists on a resolution calling for recognition of the Irish Republic. The result is that two resolutions are submitted to the Platform Committee, which indicates dissension in the Irish ranks and gives the Committee the excuse to include neither in the final platform. After de Valera also fails to secure the endorsement of the Democratic convention in San Francisco in June, it is clear that the Irish question will not be a significant factor in the ensuing presidential election. Relations between the FOIF and de Valera reach a new low. In November 1920, de Valera makes the final break with the FOIF and sets up a new organisation, the American Association for the Recognition of the Irish Republic.

De Valera is in Washington, D.C. on October 25 when Terence MacSwiney dies after 74 days on hunger strike. Six days later, at the last great meeting of the American tour, 40,000 people fill New York’s Polo Grounds to commemorate MacSwiney’s death. By late November, de Valera knows that it is time to return to Ireland. Smuggled aboard SS Celtic in New York harbour on December 10, he prepares for the nine-day journey home. He had failed to obtain the recognition of the United States Government for the Republic, but his cross-continental tour and associated press coverage raised international awareness and over $5 million for the Irish cause.

(From: An article by Helene O’Keeffe that was first published in the Irish Examiner on March 24, 2020 | Photo: Eamon de Valera, center, president of the Provisional Government of the Irish Republic, in Butte, Montana, in 1919 to encourage support for Ireland’s fight for independence. Courtesy of Butte-Silver Bow Public Archives)


by Leave a comment

Assassination of Sir Richard Sykes, British Ambassador to the Netherlands

Sir Richard Adam Sykes, KCMG, MC, the British Ambassador to the Netherlands, is assassinated by two members of the Irish Republican Army (IRA) outside his residence in The Hague on March 22, 1979.

Sykes is born on May 8, 1920, to Brigadier A. C. Sykes. For his schooling he attends Wellington College before going up to the University of Oxford, where he attends Christ Church.

During World War II, Sykes serves in the British Army with the Royal Signals from 1940 to 1946. During his service he attains the rank of major. In 1945 he is awarded the Military Cross as well as the Croix de Guerre by France.

Sykes joined HM Foreign Service in 1947 and serves at the Foreign Office from 1947 to 1948. He then serves in Nanjing (1948–50), Peking (1950–52) and returns to the UK to serve at the Foreign Office (1952–56). His next overseas postings take him to Brussels (1956–59), Santiago (1959–62) and Athens (1963–66), before returning to the Foreign Office (1967–69).

Sykes’ first posting as an ambassador comes with a posting to Havana (1970–72) before moving to be a Minister at the British Embassy in Washington D.C. (1972–1975). From there he returns to the Foreign Office as Department Under-Secretary between 1975 and 1977. He is then appointed as Ambassador to the Netherlands in 1977.

Sykes is leaving his residence in The Hague at 9:00 a.m. on March 22, 1979, and is getting into his silver Rolls-Royce limousine when he is shot. He is sitting next to Alyson Bailes. The car door is held by Karel Straub, a 19-year-old Dutch national who works at the embassy. Straub is also shot in the attack. The chauffeur, Jack Wilson, is uninjured and drives Sykes to Westeinde Hospital, where he dies two hours later. Straub is transported by ambulance to the same hospital, where he also dies.

Police report that the shots came from around 10 yards away by two assailants wearing business suits, who escaped on foot following the attack. Suspects for the assassination are Palestinians or Iraqis, although no evidence is ever put forward. It is ultimately confirmed that the IRA had carried out the killings.

The IRA claims responsibility for the assassination in February 1980. In a statement they say of Sykes, “[he was] not just a Brit propagandist, as are all British ambassadors, but because he had been engaged in intelligence operations against our organisation.”

The ‘intelligence operations’ mentioned in the statement relate to a government report written by Sykes following the assassination of Christopher Ewart-Biggs. Ewart-Biggs was the British Ambassador to the Republic of Ireland and was killed by the IRA in 1976. Sykes produces diplomatic security guidelines as part of his report.

Sykes’ position as Ambassador to the Netherlands had been strained due to certain Dutch groups, which were sympathetic to the IRA, and consequent arms smuggling activities.

There is a memorial plaque to Sykes in St. Michael’s Church, Wilsford, Wiltshire.

(Pictured: “Sir Richard Sykes” by Bassano Ltd., half-plate film negative, 20 January 1966, National Portrait Gallery, London)


by Leave a comment

Birth of Leo Varadkar, Fine Gael Politician & Taoiseach

Leo Eric Varadkar, Irish Fine Gael politician who is serving since June 2020 as Tánaiste and Minister for Enterprise, Trade and Employment, is born on January 18, 1979, in the Rotunda Hospital, Dublin.

Varadkar is the third child and only son of Ashok and Miriam (née Howell) Varadkar. His father was born in Bombay (now Mumbai), India, and moved to the United Kingdom in the 1960s to work as a doctor. His mother, born in Dungarvan, County Waterford, meets her future husband while working as a nurse in Slough, Berkshire, England. He is educated at the St. Francis Xavier national school in Blanchardstown, Dublin, and then The King’s Hospital, a Church of Ireland secondary school in Palmerstown. During his secondary schooling, he joins Young Fine Gael. He is admitted to Trinity College Dublin (TCD), where he briefly reads law before switching to its School of Medicine. At TCD, he is active in the university’s Young Fine Gael branch and serves as Vice-President of the Youth of the European People’s Party, the youth wing of the European People’s Party, of which Fine Gael is a member. He is selected for the Washington Ireland Program for Service and Leadership (WIP), a half-year personal and professional development program in Washington, D.C., for students from Ireland.

Varadkar graduates in 2003, after completing his internship at King Edward Memorial Hospital in Mumbai. He then spends several years working as a non-consultant hospital doctor in St. James’s Hospital, Dublin, and Connolly Hospital, Blanchardstown, before specialising as a general practitioner in 2010.

In 2004, Varadkar joins Fine Gael and becomes a member of Fingal County Council and later serves as Deputy Mayor of Fingal. He is elected to Dáil Éireann for the first time in 2007. During the campaign for the 2015 same-sex marriage referendum, he comes out as gay, becoming the first serving Irish minister to do so.

Varadkar is elected a Teachta Dála (TD) for the Dublin West constituency in 2007. He serves under Taoiseach Enda Kenny as Minister for Transport, Tourism and Sport from 2011 to 2014, Minister for Health from 2014 to 2016, and Minister for Social Protection from 2016 to 2017.

In May 2017, Kenny announces that he is planning to resign as Taoiseach and Fine Gael leader. Varadkar stands in the leadership election to replace him. Although more party members vote for his opponent, Simon Coveney, he wins by a significant margin among Fine Gael members of the Oireachtas and is elected leader on June 2. Twelve days later, he is appointed Taoiseach, and at 38 years of age becomes the youngest person to hold the office. He is Ireland’s first, and the world’s fourth, openly gay head of government and the first Taoiseach of Indian heritage.

In 2020, Varadkar calls a general election to be held in February. While polls in 2019 have suggested a favourable result for Fine Gael, they ultimately come in third in terms of seats and votes, behind Fianna Fáil and Sinn Féin, with 35 seats, a loss of 15 seats for the party from the previous general election, when it had finished in first position. He resigns and is succeeded by Micheál Martin as Taoiseach. He is subsequently appointed Tánaiste and Minister for Enterprise, Trade and Employment as part of a three-party coalition composed of Fianna Fáil, Fine Gael and the Green Party.


by 2 Comments

Death of Civil War Photographer Mathew Benjamin Brady

Mathew Benjamin Brady, one of the earliest photographers in American history and best known for his scenes of the American Civil War, dies in New York City on January 15, 1896.

Brady leaves little record of his life before photography. Speaking to the press in the last years of his life, he states that he was born between 1822 and 1824 in Warren County, New York, near Lake George. He is the youngest of three children to Irish immigrant parents, Andrew and Samantha Julia Brady. In official documents before and during the war, however, he claims to have been born in Ireland.

At age 16, Brady moves to Saratoga, New York, where he meets portrait painter William Page and becomes Page’s student. In 1839, the two travel to Albany, New York, and then to New York City, where he continues to study painting with Page, and also with Page’s former teacher, Samuel F. B. Morse. Morse had met Louis-Jacques-Mandé Daguerre in France in 1839 and returned to the United States to enthusiastically push the new daguerreotype invention of capturing images. At first, Brady’s involvement was limited to manufacturing leather cases that hold daguerreotypes. But soon he becomes the center of the New York artistic colony that wishes to study photography. Morse opens a studio and offers classes. Brady is one of the first students.

In 1844, Brady opens his own photography studio at the corner of Broadway and Fulton Street in New York, and by 1845, he begins to exhibit his portraits of famous Americans, including the likes of Senator Daniel Webster and poet Edgar Allan Poe. In 1849, he opens a studio at 625 Pennsylvania Avenue in Washington, D.C., where he meets Juliet Handy, whom he marries in 1850 and lives with on Staten Island. His early images are daguerreotypes, and he wins many awards for his work. In the 1850s ambrotype photography becomes popular, which gives way to the albumen print, a paper photograph produced from large glass negatives most commonly used in American Civil War photography.

In 1850, Brady produces The Gallery of Illustrious Americans, a portrait collection of prominent contemporary figures. The album, which features noteworthy images including the elderly Andrew Jackson at the Hermitage, is not financially rewarding but invites increased attention to his work and artistry. In 1854, Parisian photographer André-Adolphe-Eugène Disdéri popularizes the carte de visite and these small pictures rapidly become a popular novelty, with thousands being created and sold in the United States and Europe.

At first, the effect of the American Civil War on Brady’s business is a brisk increase in sales of cartes de visite to departing soldiers. He readily markets to parents the idea of capturing their young soldiers’ images before they might be lost to war by running an ad in The New York Daily Tribune. However, he is soon taken with the idea of documenting the war itself. He first applies to an old friend, General Winfield Scott, for permission to have his photographers travel to the battle sites, and eventually, he makes his application to President Abraham Lincoln himself. Lincoln grants permission in 1861, with the proviso that Brady finances the project himself.

His efforts to document the American Civil War on a grand scale by bringing his photographic studio onto the battlefields earns Brady his place in history. His first popular photographs of the conflict are at the First Battle of Bull Run, in which he gets so close to the action that he barely avoids capture. While most of the time the battle has ceased before pictures are taken, he comes under direct fire at the First Battle of Bull Run, Petersburg, and Fredericksburg.

Brady also employs Alexander Gardner, James Gardner, Timothy H. O’Sullivan, William Pywell, George N. Barnard, Thomas C. Roche, and seventeen other men, each of whom is given a traveling darkroom, to go out and photograph scenes from the American Civil War. He generally stays in Washington, D.C., organizing his assistants and rarely visiting battlefields personally.

This may be due, at least in part, to the fact that Brady’s eyesight has begun to deteriorate in the 1850s. Many of the images in Brady’s collection are, in reality, thought to be the work of his assistants. He is criticized for failing to document the work, though it is unclear whether it is intentional or due simply to a lack of inclination to document the photographer of a specific image. Because so much of his photography is missing information, it is difficult to know not only who took the picture, but also exactly when or where it was taken.

In October 1862 Brady opens an exhibition of photographs from the Battle of Antietam in his New York gallery, titled The Dead of Antietam. Many images in this presentation are graphic photographs of corpses, a presentation new to America. This is the first time that many Americans see the realities of war in photographs, as distinct from previous “artists’ impressions.”

Brady, through his many paid assistants, takes thousands of photos of American Civil War scenes. Much of the popular understanding of the Civil War comes from these photos. There are thousands of photos in the U.S. National Archives and Records Administration and the Library of Congress taken by him and his associates. The photographs include Lincoln, Ulysses S. Grant, and soldiers in camps and battlefields. The images provide a pictorial cross reference of American Civil War history. He is not able to photograph actual battle scenes, as the photographic equipment in the day is still in the infancy of its technical development and requires that a subject be still for a clear photo to be produced.

Following the conflict, a war-weary public loses interest in seeing photos of the war, and Brady’s popularity and practice decline drastically.

During the war, Brady spends over $100,000 (equivalent to $1,691,000 in 2020) to create over 10,000 plates. He expects the U.S. government to buy the photographs when the war ends. When the government refuses to do so he is forced to sell his New York City studio and go into bankruptcy. The United States Congress grants Brady $25,000 in 1875, but he remains deeply in debt. The public was unwilling to dwell on the gruesomeness of the war after it has ended, and so private collectors are scarce.

Depressed by his financial situation and loss of eyesight and devastated by the death of his wife in 1887, Brady dies penniless in the charity ward of Presbyterian Hospital in New York City on January 15, 1896, from complications following a streetcar accident. His funeral is financed by veterans of the 7th New York Infantry Regiment. He is buried in the Congressional Cemetery, which is located in Barney Circle, a neighborhood in the Southeast quadrant of Washington, D.C.

Brady photographs 18 of the 19 American presidents from John Quincy Adams to William McKinley. The exception is the 9th President, William Henry Harrison, who dies in office three years before Brady starts his photographic collection. He photographs Abraham Lincoln on many occasions. His Lincoln photographs have been used for the $5 bill and the Lincoln penny. One of his Lincoln photos is used by the National Bank Note Company as a model for the engraving on the 90c Lincoln Postage issue of 1869.

(Pictured: “Mathew B. Brady,” oil on canvas by Charles Loring Elliott, 1857, Metropolitan Museum of Art, New York)


by Leave a comment

Birth of Stephen Clegg Rowan, Vice Admiral in the U.S. Navy

Stephen Clegg Rowan, a vice admiral in the United States Navy, who serves during the Mexican–American War and the American Civil War, is born in Dublin on December 25, 1808. He has a 63-year career, which is one of the longest in the history of the United States Navy.

Rowan comes to the United States at the age of ten and lives in Piqua, Ohio. He is a graduate of Miami University and is appointed as a midshipman in the U.S. Navy on February 1, 1826, at the age of seventeen. Later, he takes an active role in the Mexican–American War, serving as executive officer of the sloop-of-war USS Cyane during the capture of Monterey, California on July 7, 1846, and in the occupation of both San Diego and Los Angeles. In January 1847 he leads a provisional battalion, with the nominal rank of major, of seven companies of naval infantry (along with a company of artillery and a company of sappers and miners) for the recapture of Los Angeles.

Captain of the steam sloop USS Pawnee at the outbreak of the American Civil War, he attempts to relieve Fort Sumter and burn the Norfolk Naval Shipyard. In the fall of 1861, he assists in the capture of the forts at Hatteras Inlet. Then, taking command of a flotilla in the North Carolina sounds, he cooperates in the capture of Roanoke Island in February 1862. Promoted simultaneously to captain and commodore for gallantry, he then supports the capture of Elizabeth City, Edenton, and New Bern. During the summer of 1863, he commands the broadside ironclad USS New Ironsides on blockade duty off Charleston, South Carolina and the following August assumes command of Federal forces in the North Carolina sounds. During this time the rebel semi-submersible CSS David attacks the USS New Ironsides with a spar torpedo. In the ensuing explosion, one man is killed, and a large hole is torn into the ironclad, but she continues her blockading duties.

Commissioned rear admiral on July 25, 1866, Rowan serves as commandant of the Norfolk Naval Shipyard until 1867, when he assumes command of the Asiatic Squadron. Returning in 1870, he is appointed vice admiral, following the death of Admiral David Farragut and the promotion of Vice Admiral David Dixon Porter in August of that year. In December 1870 he reaches the mandatory retirement age of 62 but, like admirals Farragut and Porter before him, he is allowed to remain on active duty.

Rowan serves as commandant of the New York Navy Yard from 1872 to 1876, as governor of the Philadelphia Naval Asylum at Philadelphia, Pennsylvania, in 1881, and as superintendent of the United States Naval Observatory, Washington, D.C., from 1882 until his retirement in 1889.

In 1882 Rowan is elected as a First Class Companion of the District of Columbia Commander of the Military Order of the Loyal Legion of the United States (MOLLUS). He is assigned MOLLUS insignia number 2510. His son, Hamilton Rowan, an officer in the United States Army, is elected as a Second Class Companion of MOLLUS and becomes a First Class Companion upon his father’s death.

Rowan dies at the age of 81 in Washington, D.C. on March 31, 1890.


by 1 Comment

Birth of Nancy Wynne-Jones, Welsh & Irish Landscape Artist

Nancy Wynne-Jones HRHA, Welsh and Irish artist, is born Mary Esperance Wynne-Jones on December 10, 1922, in Penmaenucha, Dolgellau, Wales.

Wynne-Jones is born to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset, England. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.

Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor, and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra and continues in Aberystwyth after the start of World War II. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.

After the war Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London (1951-52) and the Chelsea School of Art (1952–55). She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.

Wynne-Jones begins study in Cornwall in 1957 and remains there for fifteen years. Her first public exhibition is in a group show (1957) at the Pasmore Edwards Gallery, Newlyn. Other group shows are Jefferson Place Gallery, Washington, D.C., (1959), and in Falmouth, Cornwall (1960). Her solo exhibitions are at the New Vision Centre, London (1962 and 1965), Florence (1963) and Dolgellau (1964). From the 1960s through the 1990s she exhibits in Great Britain, Italy, Belgium, Germany, Ireland, Spain, Holland, South Africa, and the United States.

In 1962 Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon, and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Galleries, run by John and Patrick Taylor. She is elected honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well known in Irish art circles as an eminent Irish landscape artist.

Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however it is the death of her mentor Peter Lanyon that devastates her. She meets the sculptor Conor Fallon through their mutual friend Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by Wynne-Jones. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972 she moves with her family to Kinsale, County Cork. It is in this area that a number of her paintings are created. She moves to Ballard House, near Rathdrum, County Wicklow in 1987. There she paints the mountain visible from her home.

Wynne-Jones dies at the age of 83 on November 9, 2006. She is buried in Ballinatone (Church of Ireland), Rathdrum.

(Pictured: “Klein Constantia with Table Mountain” by Nancy Wynne-Jones, acrylic on paper, 16 1/2″ x 23″)


by Leave a comment

Sinn Féin Holds First Formal Talks with the British Government in Over 70 Years

On December 9, 1994, Sinn Féin, the political wing of the Irish Republican Army (IRA), holds its first formal talks with the British Government in over 70 years. The negotiations take place in Belfast, almost one year after Britain and Ireland began an uncertain program to try to resolve the conflict in Northern Ireland. The first session is held at Stormont, a gigantic, columned edifice on top of a hill on the outskirts of Belfast that houses the old Northern Ireland parliament.

Although the announcement of the negotiations is not a surprise, it still sets off an exciting ripple that history is in the making. British officials have conducted secret talks with Sinn Féin leaders in the past, but never before have they sat down openly at the same table with them.

In both a letter to the Sinn Féin leader, Gerry Adams, and in a three-paragraph statement, Downing Street pointedly refers to the meeting as “exploratory dialogue.” This is in keeping with London‘s position that it is simply joining in “talks about talks,” not a full negotiating session, which must involve all parties to the conflict.

For 25 years the IRA has been fighting in the name of the Roman Catholic minority of 650,000 in Northern Ireland. It wants to link Ulster, the six counties of Northern Ireland that remain British after partition, to the Irish Republic, a move opposed by most of the province’s 950,000 Protestants.

The announcement of talks evoke a predictable pattern of responses across Northern Ireland’s political spectrum. Adams, who works to persuade the IRA to go along with a unilateral cease-fire that was declared on September 1, welcomes it. “The opportunity to realize a lasting peace, which will benefit all of the people of Ireland, has never been greater,” he says in a statement. Adams had been accusing London of foot-dragging on the peace effort. Now, he says, it is time to move on to “the next phase of dialogue — multilateral talks led by both Governments.”

The Ulster Unionist Party (UUP), the main Protestant political group in Northern Ireland, is skeptically accepting, as it has been all along. John Taylor, a Unionist Member of Parliament, says the talks will at least establish whether “Sinn Féin really is to become a normal political party.”

The Rev. Ian Paisley, a Member of Parliament whose Democratic Unionist Party (DUP) has become a rejectionist front, continues to oppose talks or any move smacking of compromise. He tells the House of Commons that “a vast majority of people” resent the decision to talk to “the men of blood.”

Sinn Féin is represented at the talks by Martin McGuinness, a veteran IRA political leader who took part in secret contacts that broke up the previous year. In 1972, together with Adams, he was flown to London for a meeting with William Whitelaw, who was then Secretary of State for Northern Ireland. Those talks eventually failed.

Adams is in Washington, D.C. on Wednesday, December 7. He attends a meeting at the White House, his first one there, with Anthony Lake, President Bill Clinton‘s National Security Advisor. Seven weeks earlier, Britain protests vigorously at the thought of Adams visiting the White House. But events moved so swiftly that he gains a kind of legitimacy that is hard for Whitehall to deny. His visa to the United States, good for three months, allows several visits.

The Government team of civil servants, in contrast to higher-level ministers, are led by Quentin Thomas, deputy secretary of the British administration called the Northern Ireland Office.

Going into the negotiations, the key question is what will be discussed. On the British side, the top of the agenda is how to get the IRA to turn over its considerable stash of 100 tons of arms and explosives. There is nothing, of course, that Sinn Féin is less likely to agree to at the outset. So should the British make this a condition for multilateral talks to begin, the two sides will meet an obstacle right away.

McGuinness says that the issue of IRA weapons has to be considered “in the context of us removing the causes of conflict, the reason why people use armed force in our society.”

From its side, Adams says Sinn Féin wants to discuss being treated with “a parity of esteem” with the other parties, and “the release of all political prisoners.”

The British Government says that it will soon hold talks with the so-called loyalist paramilitaries on the Protestant side. And it indicates it will have no objection if elected Sinn Féin councillors attend a major international investment conference in Belfast on December 13 and 14.

(From: “Britain and I.R.A. Group to Begin Talks in Northern Ireland” by John Darnton, The New York Times, December 2, 1994 | Pictured: Gerry Adams and Martin McGuinness lead a Republican parade in Belfast, commemorating 25 years of British troops on the streets of Northern Ireland in 1994)


by Leave a comment

Birth of Michael Kelly Lawler, United States Army Officer

Michael Kelly Lawler, a volunteer militia soldier in the Black Hawk War (1831–32), an officer in the United States Army in both the Mexican–American War and the American Civil War, is born on November 16, 1814, in Monasterevin, County Kildare. As a brigadier general in the American Civil War, he commands a brigade of infantry in the Western Theater and serves in several battles.

Born to John Lawler and Elizabeth Kelly, they move to the United States four years later and settle initially in Frederick County, Maryland. In 1819, they move to rural Gallatin County, Illinois. On December 20, 1837, Lawler marries Elizabeth Crenshaw. He receives an appointment as a captain in the Mexican-American War and commands two companies in separate deployments to Mexico. He first leads a company from Shawneetown, Illinois that guards the supply route from Veracruz to General Winfield Scott‘s army. After the fall of Veracruz his company is discharged. He makes a visit to Washington after which he is asked by Illinois Governor Thomas Ford to organize a company of riflemen. He serves in the campaign to take Matamoros, Tamaulipas.

Lawler then returns to his farm in Illinois, where he is residing at the outbreak of the American Civil War. He establishes a thriving mercantile business, dealing in hardware, dry goods, and shoes. He studies law, passes his bar exam, and uses his legal license to help the claims of Mexican War veterans.

In May 1861 Lawler recruits the 18th Illinois Volunteer Infantry Regiment and is appointed as its first colonel. His time in command of the regiment in Kentucky and Tennessee is controversial and an “ordeal.” He is wounded during the Battle of Fort Donelson. In November 1862 he is commissioned as a brigadier general, and commands a brigade in the Second Division of the XIII Corps. He fights with distinction in the Vicksburg campaign in 1863. He leads his men in the battles of Port Gibson, Champion Hill, Big Black River Bridge, and the May 22, 1863, general assault on Vicksburg, Mississippi, where troops under his command are the only Union forces to enter the Confederate works at the Railroad Redoubt where they plant the United States flag.

Following the surrender of Jackson, Mississippi, the XIII Corps is split up and divided among other operations in the Western Theater. For the rest of the war, Lawler serves as commander of the 1st Division, XIII Corps in Louisiana in the Department of the Gulf, taking command of the division during the disastrous Red River campaign and leading it on an expedition in June 1864 to secure a crossing of the Atchafalaya River used by Confederate forces.

In the omnibus promotions at the end of the American Civil War, Lawler receives a promotion for distinguished service to major general in the Union army backdated from March 13, 1865. After mustering out of the army in 1866, he returns home and resumes his legal practice and farming near Shawneetown, Illinois.

Lawler dies in Shawneetown on July 22, 1882, and is buried in the Lawler Family Cemetery near Equality, Illinois, at the rear of the Old Slave House property.

A memorial to Lawler stands in Equality, Illinois. He also is honored with a marble bust in Vicksburg National Military Park in Vicksburg, Mississippi. Chicago renames a street to Lawler Avenue in his memory.


by Leave a comment

The Battle of Chantilly

The predominately Irish 6th Louisiana Infantry Regiment fights at the Battle of Chantilly (or Ox Hill, the Confederate name), which takes place on September 1, 1862, in Fairfax County, Virginia, as the concluding battle of the northern Virginia campaign of the American Civil War. Thomas J. “Stonewall” Jackson‘s corps of the Army of Northern Virginia attempts to cut off the line of retreat of the Union Army of Virginia following the Second Battle of Bull Run but is attacked by two Union divisions. During the ensuing battle, Union division commanders Isaac Stevens and Philip Kearny are both killed, but the Union attack halts Jackson’s advance.

On the morning of September 1, 1862, Union Maj. Gen. John Pope orders Maj. Gen. Edwin Vose Sumner of the II Corps, Army of the Potomac, to send a brigade north to reconnoiter. The army’s cavalry is too exhausted for the mission. But at the same time, he continues his movement in the direction of Washington, D.C., sending Maj. Gen. Irvin McDowell‘s III Corps to Germantown (on the western border of modern-day Fairfax, Virginia), where it can protect the important intersection of Warrenton Pike and Little River Turnpike that the army needs for the retreat. He also sends two brigades from Maj. Gen. Jesse L. Reno‘s IX Corps, under the command of Brig. Gen. Isaac Stevens, to block Jackson. Maj. Gen. Philip Kearny’s division from the III Corps follows later that afternoon.

Jackson resumes his march to the south, but his troops are tired and hungry and make poor progress as the rain continues. They march only three miles and occupy Ox Hill, southeast of Chantilly Plantation, and halt, while Jackson himself takes a nap. All during the morning, Confederate cavalry skirmish with Union infantry and cavalry. At about 3:00 PM, Stevens’s division arrives at Ox Hill. Despite being outnumbered, Stevens chooses to attack across a grassy field against Brig. Gen. Alexander Lawton‘s division in the Confederate center. The Union attack is initially successful, routing the brigade of Colonel Henry Strong and driving in the flank of Captain William Brown, with Brown killed during the fighting. The Union division is driven back following a counterattack by Brig. Gen. Jubal Early‘s brigade. Stevens is killed during this attack at about 5:00 PM by a shot through his temple.

A severe thunderstorm erupts about this time, resulting in limited visibility and an increased dependence on the bayonet, as the rain soaks the ammunition of the infantry and makes it useless. Kearny arrives about this time with his division to find Stevens’s units disorganized. Perceiving a gap in the line he deploys Brig. Gen. David B. Birney‘s brigade on Stevens’s left, ordering it to attack across the field. Birney manages to maneuver close to the Confederate line but his attack stalls in hand-to-hand combat with Maj. Gen. A.P. Hill‘s division. Kearny mistakenly rides into the Confederate lines during the battle and is killed. As Kearny’s other two brigades arrive on the field, Birney uses the reinforcements as a rear guard as he withdraws the remainder of the Union force to the southern side of the farm fields, ending the battle.

That night, Maj. Gen. James Longstreet arrives to relieve Jackson’s troops and to renew the battle the following morning. The lines are so close that some soldiers accidentally stumble into the camps of the opposing army. The Union army withdraws to Germantown and Fairfax Court House that night, followed over the next few days by retreating to the defenses of Washington D.C. The Confederate cavalry attempts a pursuit but fails to cause significant damage to the Union army.

The fighting is tactically inconclusive. Although Jackson’s turning movement is foiled and he is unable to block the Union retreat or destroy Pope’s army, National Park Service historians count Chantilly as a strategic Confederate victory because it neutralizes any threat from Pope’s army and clears the way for Lee to begin his Maryland campaign. The Confederates claim a tactical victory as well because they hold the field after the battle. Two Union generals are killed, while one Confederate brigade commander is killed. Pope, recognizing the attack as an indication of continued danger to his army, continues his retreat to the fortifications around Washington, D.C. Lee begins the Maryland Campaign, which culminates in the Battle of Antietam, after Pope retreats from Virginia. The Army of the Potomac, under Maj. Gen. George B. McClellan, absorbs the forces of Pope’s Army of Virginia, which is disbanded as a separate army.

The site of the battle, once rural farmland, is now surrounded by suburban development in Fairfax County. A 4.8-acre (19,000 m²) memorial park, the Ox Hill Battlefield Park, is located off of State Route 608 (West Ox Road) and lies adjacent to the Fairfax Towne Center shopping area and includes most of the Gen. Isaac Stevens portion of the battle, about 1.5% of the total ground. The park is under the jurisdiction of the Fairfax County Park Authority. In January 2005, the Authority approves a General Management Plan and Conceptual Development Plan that sets forth a detailed history and future management framework for the site.

A small yard located within the nearby Fairfax Towne Center has been preserved to mark the area crossed by Confederate troops to get to the Ox Hill battlefield.

(Pictured: Color lithograph “General Kearney’s gallant charge,” published by John Smith, 804 Market St., Philadelphia. From the Library of Congress.)


by Leave a comment

Birth of Sean Scully, Painter, Printmaker, Sculptor & Photographer

Sean Scully, Irish-born American-based artist working as a painter, printmaker, sculptor and photographer, is born in Dublin on June 30, 1945. His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee.

Four years after his birth, Scully’s family moves to London where they live in a working-class part of South London, moving from lodging to lodging for a number of years. By the age of 9, he knows he wants to become an artist. From the age of 15 until he is 17, he is apprenticed at a commercial printing shop in London as a typesetter, an experience that greatly influences his future artwork.

Scully studies at Croydon School of Art between 1965-67 and at Newcastle University between 1967-71. He is awarded the Frank Knox Memorial Fellowship in 1972 to attend Harvard University. It is during this first stay in the United States that he begins to experiment with new techniques such as tape and spray paint. In 1975 he is awarded a Harkness Fellowship and establishes a studio in New York, where he settles, becoming an American citizen in 1983.

Over the years, Scully develops and refines his own recognisable style of geometric abstraction and most notably his characteristic motif of the ‘stripe.’ Although he is predominately known for his monumental paintings, he is also a gifted printmaker who has made a notable body of woodcuts and etchings.

Scully has his first solo exhibition at the Rowan Gallery, London in 1973. He has his first retrospective at the Ikon Gallery in Brindleyplace, Birmingham, in 1981, which travels throughout the United Kingdom. In 1989 his first solo exhibition in a European museum travels from the Whitechapel Gallery in London to Palacio Velázquez in Madrid and Städtische Galerie im Lenbachhaus in Munich. He has further solo exhibitions at Kunstsammlung Nordrhein Westfalen in Düsseldorf (2001) which travels to Haus der Kunst in Munich and the Institut Valencià d’Art Modern in Valencia; The Phillips Collection in Washington, D.C. (2005) travels to the Modern Art Museum of Fort Worth in Texas, the Cincinnati Art Museum in Ohio and finally the Metropolitan Museum of Art in New York City. A major retrospective tours multiple venues in China between 2015 and 2017.

Scully’s paintings and prints are held in the collections of Tate in London, the Albertina in Vienna, Museo Nacional Centro de Arte Reina Sofía in Madrid, Instituto Valencia d’Arte Modern in Valencia, the Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York City, the National Gallery of Art in Washington D.C., Modern Art Museum of Fort Worth in Texas, Guangzhou Museum of Art in Guangzhou, China, and the Central Academy of Fine Arts in Beijing, China.

Scully has held teaching positions at Chelsea College of Arts and Goldsmith’s College of Art and Design, both in London, Princeton University in New Jersey, Parsons School of Design in New York, and most recently at the Akademie der Bildenden Künste in Munich. He is shortlisted for the Turner Prize in 1989 and in 1993, and is elected a Royal Academician in 2013. He participates for the first time at the Venice Biennale in 2014.

Sean Scully lives and works in New York and in Bavaria, Germany.