Edward Maturin, novelist and poet, is born in Dublin on June 18, 1812. He is naturalised as an American and works as a professor of Greek. His fiction and poetry generally deal with historical themes, while his work as a Gothic novelist often has an Irish background.
The Maturin family is descended from a Huguenot clergyman who fled to Ireland after the revocation of the Edict of Nantes. Edward’s father, Reverend Charles Robert Maturin, is curate of St. Peter’s Church, Dublin, and well known as a preacher, as well as a poet and Gothic novelist. Born the second son, Edward enters Trinity College Dublin at the age of fifteen and graduates at twenty. Immediately afterward he emigrates to the United States in 1832 with letters of introduction from the poet Thomas Moore and other Irish writers. Having studied law under Charles O’Conor, he is called to the bar but later becomes professor of Greek at South Carolina College and applies for American naturalisation in 1837. He marries Harriet Lord Gailiard in 1842 and has three children by her. In 1848, he returns to New York, where for upward of thirty years he fills professorships in Greek, Latin and belles-lettres. His mastery of Greek is such that he is selected in 1850 by the American Bible Union as one of their revisers and works on the gospel of St. Mark.
All of Maturin’s work is written in the United States and for the most part concentrates on historical themes or Irish fantasy. His first book contains the interconnected stories of Sejanus and Other Roman Tales (1839) and is dedicated to Washington Irving. They concern incidents during the reigns of the Roman emperors from Tiberius to Nero. Self-consciously literary, the dialogue is written in an imitation of Shakespearean English. This is followed by the two-volume romance, Montezuma, the Last of the Aztecs (1845) and then two works on Spanish themes. The long series of “Spanish Ballads” that originally appears in The United States Magazine and Democratic Review during 1845 are eventually collected with his other poems in Lyrics of Spain and Erin (1850). They are followed by the romance Benjamin, the Jew of Grenada (1847), a story of the fall of the Moslem empire in Spain.
After his move to New York, Maturin’s prose work becomes more Gothic. It includes The Irish Chieftain, or The Isles of Life and Death (1848) which is later to be dismissed as “a wild story without foundation in history … melodramatic, sentimental, extravagant,” and the two-volume Eva, or the Isles of Life and Death (1848). His later Bianca, a tale of Erin and Italy (1852) is set in more modern times but is equally condemned as “an outlandish story, full of murders, characters – mostly illegitimate – with terrible secrets, a duel between brothers, banshees, mysterious lady-prophetesses, fee-faw-fum.” A final offering is his four-act play Viola (1858).
Maturin dies in New York City on May 25, 1881.
(Pictured: “Montezuma: The Last of the Aztecs” by Edward Maturin, Paine & Burgess, New York, 1845)
A man with an Irish accent telephones the Press Association with a warning given just six minutes before the device explodes. London police say a recognised IRA codeword is given. The bomb explodes in a corner of Westminster Hall at about 8:30 a.m. on June 17, 1974. The IRA in a telephoned warning says it planted the bomb that weighed approximately 20 lbs. (9.1 kg). The explosion is suspected to have damaged a gas main and a fire spreads quickly through the centuries-old hall in one of Britain’s most security-tight buildings. An annex housing a canteen and a number of offices is destroyed, but the great hall itself receives only light damage. The attack signals the start of a renewed IRA bombing campaign in England that is to last until late 1975 and is to claim the lives of dozens of people. The most notorious attacks of the bombing campaign are the Guildford pub bombings on October 5, 1974, that kill five and injure sixty, and the Birmingham pub bombings on November 21, 1974, which kill twenty-one people and injured one hundred eighty.
The year 1974 ends with the IRA killing twenty-eight people (twenty-three civilians and five British soldiers) in bombing operations in England. Twenty-one people are killed in the Birmingham pub bombings and a further seven are killed in the Guildford and Woolwich Pub bombings. Nearly three hundred people are injured from these bombings alone. The IRA calls off their bombing campaign in February 1975 but restarts it on August 27, 1975, with the Caterham Arms pub bombing which injures over thirty people. A week later, the IRA carries out the London Hilton bombing which kills two and injures over sixty.
The senior surviving leader of the 1916 Easter Rising, de Valera is jailed by the British after his death sentence for his participation in the Rising is reduced to life imprisonment. He likes to tell the story that his life was spared because of his American birth, a story he tells the visiting United States presidentJohn F. Kennedy at a State reception in 1963. However, it is most likely that his court-martial is scheduled too late after the public and popular pressure becomes too much on the British Government who call a stop to the executions. British prison authorities are surely glad to see him go. He had led Irish prisoners in acts of defiance in several different prisons.
At Dartmoor Prison, de Valera goes on hunger strike and gets a fellow prisoner off bread and water. When all the Irish prisoners are transferred to Lewes Jail, he organizes a work stoppage and gets another man off bread and water. The exasperated British then split up the Irish prisoners, sending de Valera to Maidstone Prison, whose governor has a reputation for breaking men. De Valera meets him head on, refusing to stand at attention or button his jacket as required in his presence, then piercing his pride by wondering aloud, to the delight of the British prison guards, why a military-age man such as he is not at the front. The governor avoids him after that.
Soon after this, de Valera is transferred to Pentonville Prison for early release. Most of the notable leaders of the 1916 Rising, including Dr. Kathleen Lynn, Thomas Ashe and others, had been released from various British prisons. Before his release, they congregate at Pentonville and say a prayer over the grave of Roger Casement, who had been hanged there.
As a free man, de Valera continues to plague Ireland’s foreign rulers. He is handed a telegram saying that he is going to stand as the Sinn Féin candidate in the East Clare by-election. This is the start of a political career that extends over fifty years.
When Oisín Kelly completes his statue of the union leader James Larkin in 1978, he does not know that it is to be among his final works. He is at the height of his power, the go-to sculptor for public commissions in Ireland.
That Larkin would be commemorated by a monument in Dublin is proposed in 1959 by the Workers’ Union of Ireland (WUI), which Larkin had set up in 1924, after his expulsion from the Irish Transport and General Workers’ Union (ITGWU), which he had also established. But it is 1974, the centenary of Larkin’s birth, before the commemoration gets under way. Larkin had claimed to be two years younger than he was, which results in his centenary celebrations taking place in 1976 and the date of his birth inscribed on the monument having to be corrected to read 1874.
The memorial committee, comprising the great and the good of the union, includes Donal Nevin, who is instrumental in choosing the sculptor. Kelly is an inspired choice, as the resulting statue is one of the most dynamic public works in the centre of Dublin. Only John Henry Foley’s representation of Henry Grattan, from 1876, on College Green, exudes a similar energy. In these two works, emphatic gesture and naturalistic treatment of the men’s clothing create a liveliness in the figures. Foley’s 19th-century concern is to create a contrast with his statues of Oliver Goldsmith and Edmund Burke, positioned opposite, in the grounds of Trinity College Dublin (TCD). Kelly’s 20th-century aspiration is to please both his patron and the public.
Kelly, who had not known Larkin, chooses to use a familiar image of the man. Joseph Cashman had photographed Larkin addressing a crowd in Dublin in 1923. He looked so vital and passionate that the photograph has become iconic.
Once his maquette is approved, Kelly begins work on the plaster model in the backyard of his family home, in Firhouse, outside Dublin. His neighbour Eddie Golden, the actor, poses for the statue. When the full-size model is completed, it is transferred to Dublin Art Foundry, where it is cast in bronze by Leo Higgins and John Behan.
Although ready for unveiling in 1978, a delay ensues while attempts are made to quarry a colossal stone for the pedestal. Larkin’s son Denis is keen that it be carved from a single piece of granite, which proves impossible. Also, PresidentPatrick Hillery’s decision to perform the unveiling necessitates careful consideration of his speech. The writing of several drafts ensures that his language is neither controversial nor ambiguous. The word “comrades,” present in early drafts, does not appear in the final text. The statue is unveiled on June 15, 1979.
The sculpture has a commanding presence on O’Connell Street, where it has become one of the most popular monuments in Dublin. It regularly serves as a site of celebration and demonstration and is often a central motif in photographs of union members and politicians of the left gathering for anniversaries, or of crowds of the aggrieved and dissatisfied marching past.
The quotation on the pedestal, in French, Irish and English, dates back to the French Revolution: “The great appear great because we are on our knees. Let us rise.”
(From: “Modern Ireland in 100 Artworks: 1978 – James Larkin statue, by Oisín Kelly” by Paula Murphy, The Irish Times, http://www.irishtimes.com, January 30, 2016)
D’Arcy is born to a Russian-Jewish mother and an Irish Catholic father. She works in small theatres in Dublin from the age of fifteen and later becomes an actress.
D’Arcy is married in 1957 to English playwright and author John Arden. They write several plays together which are highly critical of the British presence in Ireland. They settle in Galway in 1971 and establish the Galway Theatre Workshop in 1976. The couple has five sons, one of whom predeceases his mother.
The couple writes a number of stage pieces and improvisational works for amateur and student players, including The Happy Haven (1960) and The Workhouse Donkey (1964). She writes and produces many plays, including The Non-Stop Connolly Show (1977).
D’Arcy has also written a number of books, including Tell Them Everything (1981), Awkward Corners (with John Arden, 1988), and Galway’s Pirate Women: A Global Trawl (1996).
As an activist, in 1961, D’Arcy joins the anti-nuclear Committee of 100, led by Bertrand Russell. In 1981, her peace-activism results in her incarceration in Armagh Jail, after defacing a wall at the Ulster Museum. Her book Tell Them Everything (Pluto Press, 1981) tells the story of her time during the Armagh and H-Blockdirty protests and is one of the earliest accounts about the Armagh women, their republicanism and imprisonment.
D’Arcy also directs Yellow Gate Women (2007), a film about the attempts by women of Greenham Common Women’s Peace Camp to outwit the British and United States military at RAF Greenham Common with bolt cutters and legal challenges. Challenging censorship since 1987, she runs a women’s kitchen pirate radio from her home in Galway.
In 2011, D’Arcy refuses to stand for a minute’s silence to honour Police Service of Northern Ireland (PSNI) officer Ronan Kerr, killed by dissident republicans, at an Aosdána meeting. Her actions are deliberate, she tells the media afterwards, which attracts fierce criticism of her perceived support for armed republican groups in Northern Ireland.
Along with Niall Farrell, D’Arcy is arrested in October 2012 for scaling the perimeter fence of Shannon Airport, in protest at the use of the airport as a stopover for U.S. military flights. As a consequence of her trespassing on airport property, she is imprisoned in 2014 after she refuses to sign a bond saying that she will not trespass on non-public parts of Shannon Airport.
Lester is born on September 28, 1888, in Carrickfergus, County Antrim, as John Ernest Lester, the son of a Protestant grocer Robert Lester and his wife, the former Henrietta Ritchie. Although the town of Carrickfergus is strongly Unionist, he joins the Gaelic League as a youth and is won over to the cause of Irish nationalism. As a young man, he joins the Irish Republican Brotherhood (IRB). He works as a journalist for the North Down Herald and a number of other northern papers before he moves to Dublin, where he finds a job at the Freeman’s Journal. By 1919, he has risen to its news editor.
After the Irish War of Independence, a number of Lester’s friends join the new government of the Irish Free State. He is offered and accepts the position as director of publicity.
Lester marries Elizabeth Ruth Tyrrell in 1920 by whom he has three daughters.
In 1923, Lester joins Ireland’s Department of External Affairs. He is sent to Geneva in 1929 to replace Michael MacWhite as Ireland’s Permanent Delegate to the League of Nations. In 1930, he succeeds in organising Ireland’s election to the Council (or executive body) of the League of Nations for three years. He often represents Ireland at Council meetings and stands in for the Minister for External Affairs. He becomes increasingly involved in the work of the League, particularly in its attempts to bring a resolution to two wars in South America. His work brings him to the attention of the League Secretariat and begins his transformation from national to international civil servant.
When Peru and Colombia have a dispute over a town in the headwaters of the Amazon River, Lester presides over the committee that finds an equitable solution. He also presides over the less-successful committee when Bolivia and Paraguay go to war over the Gran Chaco.
In 1933, Lester is seconded to the League’s Secretariat and sent to Danzig (now Gdańsk, Poland), as the League of Nations’ High Commissioner from 1934 to 1937. The Free City of Danzig is the scene of an emerging international crisis between Nazi Germany and the international community over the issue of the Polish Corridor and the Free City’s relationship with the Third Reich. He repeatedly protests to the German government over its persecution and discrimination of Jews and warns the League of the looming disaster for Europe. He is boycotted by the representatives of the German Reich and the representatives of the Nazi Party in Danzig.
Lester returns to Geneva in 1937 to become Deputy Secretary General of the League of Nations. In 1940, he becomes Secretary General of the body, becoming the League’s leader a year after the beginning of World War II which shows that the League has failed its primary purpose. The League has only 100 employees, including guards and janitors, out of the original 700.
Lester remains in Geneva throughout the war and keeps the League’s technical and humanitarian programs in limited operation for the duration of the war. In 1946, he oversees the League’s closure and turns over the League’s assets and functions to the newly established United Nations.
Despite rumours that he would be prepared to stand for election as President of Ireland, Lester seeks no permanent office and retires to Recess, County Galway, in the west of Ireland, where he dies on June 13, 1959. In its obituary, The Times describes him as an “international conciliator and courageous friend of refugees.”
In August 2010, a room in the Gdańsk City Hall, the building that had been Lester’s residence during his stay, is renamed by Mayor Paweł Adamowicz as the Seán Lester Room.
The treaty had been intended to enter into force on January 1, 2009, but has to be delayed following the Irish rejection. However, the Lisbon treaty is approved by Irish voters when the Twenty-eighth Amendment of the Constitution of Ireland is approved in the second Lisbon referendum, held in October 2009.
The Treaty of Lisbon is signed by the member states of the European Union on December 13, 2007. It is in large part a revision of the text of the Treaty establishing a Constitution for Europe (TCE) after its rejection in referendums in France in May 2005 and in the Netherlands in June 2005. The Treaty of Lisbon preserves most of the content of the Constitution, especially the new rules on the functioning of the European Institutions but gives up any symbolic or terminologic reference to a constitution.
Because of the decision of the Supreme Court of Ireland in Crotty v. An Taoiseach (1987), an amendment to the Constitution is required before it can be ratified by Ireland. Ireland is the only one of the then fifteen EU member states to put the Treaty to the people in a referendum. Ratification of the Treaty in all other member states is decided upon by national parliaments alone.
The government parties of Fianna Fáil and the Progressive Democrats are in favour of the treaty, but the other government party, the Green Party, is divided on the issue. At a special convention on January 19, 2008, the leadership of the Green Party fails to secure a two-thirds majority required to make support for the referendum official party policy. As a result, the Green Party itself does not participate in the referendum debate, although individual members are free to be involved in whatever side they chose. All Green Party members of the Oireachtas support the Treaty. The main opposition parties of Fine Gael and the Labour Party are also in favour. Only one party represented in the Oireachtas, Sinn Féin, is opposed to the treaty, while minor parties opposed to it include the Socialist Party, the Workers’ Party and the Socialist Workers Party. Independent TD’s Tony Gregory and Finian McGrath, Independent MEPKathy Sinnott, and Independent members of the Seanad from the universities David Norris, Shane Ross and Rónán Mullen advocate a “No” vote as well.
The Government sends bilingual booklets written in English and Irish, explaining the Treaty, to all 2.5 million Irish households. However, compendiums of the two previous treaties, of which the Lisbon Treaty is intended to be a series of reforms and amendments, remain unavailable in Ireland. Some commentators argue that the treaty remains essentially incomprehensible in the absence of such a compendium.
On March 12, 2008, the Libertas Institute, a lobby group started by businessman Declan Ganley, launches a campaign called Facts, not politics which advocates a “No” vote in the referendum. A month later, the German Chancellor, Angela Merkel, appeals to Irish people to vote “Yes” in the referendum while on a visit to Ireland. The anti-Lisbon Treaty campaign group accuses the government and Fine Gael of a U-turn on their previous policy of discouraging foreign leaders from visiting Ireland during the referendum campaign. The European Commissioner for Internal MarketCharlie McCreevy admits he had not read the Treaty from cover to cover and says, “he would not expect any sane person to do so.”
At the start of May, the Irish Alliance for Europe launches its campaign for a “Yes” vote in the referendum this consists of trade unionists, business people, academics and politicians. Its members include Garret FitzGerald, Ruairi Quinn, Pat Cox and Michael O’Kennedy. The TaoiseachBrian Cowen states that should any member of the Fianna Fáil parliamentary party campaign against the treaty, they will likely be expelled from the party.
On May 21, 2008, the executive council of the Irish Congress of Trade Unions votes to support a “Yes” vote in the referendum. Rank and file members of the individual unions are not balloted, and the Technical, Engineering and Electrical Union (TEEU) advises its 45,000 members to vote “No.” The Irish bishops conference states the Catholic Church‘s declaration that the treaty will not weaken Ireland’s constitutional ban on abortion, however the conference does not advocate either a “Yes” or “No” vote. By the start of June, Fianna Fáil, Fine Gael and the Labour Party have united in their push for a “Yes” vote despite earlier divisions. The two largest farming organisations, the Irish Creamery Milk Suppliers Association (ICMSA) and the Irish Farmers’ Association call for a “Yes” vote, the latter giving its support after assurances from Taoiseach Brian Cowen that Ireland will use its veto in Europe if a deal on World Trade reform is unacceptable.
There were 3,051,278 voters on the electoral register. The vast majority of voting takes place on Thursday, June 12, between 7:00 a.m. and 10:00 p.m. Counting begins at 9:00 a.m. the following morning. Several groups vote before the standard polling day, with some casting postal votes before June 9. These include members of the Irish Defence Forces serving in United Nations peacekeeping missions, Irish diplomats and their spouses abroad, members of the Garda Síochána, those unable to vote in person due to physical illness or disability, those who are unable to vote in person due to their employment (including students) and prisoners.
Votes are counted separately in each Dáil constituency. The overall verdict is formally announced by the Referendum Returning officer in Dublin Castle by accumulating the constituency totals.
(Pictured: Campaign posters in St. Stephen’s Green, Dublin)
Gwynn spends his early childhood in rural County Donegal, which is to shape his later view of Ireland. He attends Brasenose College, Oxford, where, as scholar, in 1884 he is awarded first-class honours in classical moderations and in 1886 literae humaniores. During term holidays he returns to Dublin, where he meets several of the political and literary figures of the day.
After graduating, Gwynn spends ten years from 1886 tutoring as a schoolmaster, for a time in France, which creates a lifelong interest in French culture, as expressed in his Praise of France (1927). By 1896 he has developed an interest in writing, becoming a writer and journalist in London focused on English themes, until he comes into contact with the emerging Irish literary revival, when he serves as secretary of the Irish Literary Society.
This is the beginning of a long and prolific career as a writer covering a wide range of literary genres, from poetry and biographical subjects to general historical works. The eighteenth century is Gwynn’s particular specialism. He writes numerous books on travel and on the topography of his own homeland, as well as on his other interests: wine, eighteenth-century painting and fishing.
Gwynn returns to Ireland in 1904 when he enters politics. In the 1906 Galway Borough by-election he wins a seat for Galway Borough, which he represents as a member of the Irish Parliamentary Party until 1918. During this period, he is active in the Gaelic League and is one of the few Irish MPs to have close links to the Irish literary revival. Along with Joseph Maunsel Hone and George Roberts he founds the Dublin publishing house of Maunsel and Company. He is opposed to the demand for the Irish language to be a compulsory subject for matriculation. He supports the campaign which wins the establishment of a Catholic university when he serves on the Irish University Royal Commission in 1908. During the debate on the third Home Rule Bill, and at the request of his party leader John Redmond, he writes The case for Home Rule (1911) and is in charge of much of the party’s official publicity and its replies to criticism from Sinn Féin.
On the outbreak of World War I in August 1914, Gwynn strongly supports Redmond’s encouragement of Irish nationalists and the Irish National Volunteers to support the Allied and British war effort by enlisting in Irish regiments of the Irish Divisions, especially as a means to ensure the implementation of the suspended Home Rule Act at the end of an expectedly short war. Now over fifty, he enlists in January 1915 with the 7th Leinster Regiment in the 16th (Irish) Division. In July he is commissioned as a captain in the 6th (Service) Battalion, Connaught Rangers and serves with them on the Western Front at Messines, the Somme and elsewhere.
Gwynn is one of five Irish Nationalist MPs who enlist and serve in the army, the others being John L. Esmonde, Willie Redmond, William Redmond and D. D. Sheehan, as well as former MP Tom Kettle. Together with Kettle and William Redmond, he undertakes a recruitment drive for the Irish divisions, co-operating with Kettle on a collection of ballads called Battle Songs for the Irish Brigade (1915). He is made a chevalier of the Legion of Honour in July 1915. In 1916, he is appointed to the Dardanelles Commission.
Recalled to Ireland in late 1917 to participate in the Irish Convention chaired by Sir Horace Plunkett, Gwynn sides with the Redmondite faction of the Irish Party in supporting a compromise with the southern unionists in an attempt to reach consensus on a Home Rule settlement which would avoid partition. On the death of Redmond in March 1918, he takes over as leader of the moderate nationalists in the Convention. He opposes the threat of compulsory military service during the Conscription Crisis of 1918, though as a member of the Irish Recruiting Council he continues to support voluntary recruitment, encountering intense opposition led by Sinn Féin.
Gwynn forms the Irish Centre Party in 1919 and stands unsuccessfully as an Independent Nationalist for Dublin University in the 1918 Irish general election. The party merges with Plunkett’s Irish Dominion League to press for a settlement by consent on the basis of dominion status, but Gwynn subsequently breaks with Plunkett due to his willingness to accept partition as a temporary compromise. The polarities which divide Ireland during the Irish War of Independence and Irish Civil War increasingly sideline his brand of moderate cultural nationalism. Although he supports the newly emergent nation, he equally condemns some of the excesses, such as the burning of houses belonging to Free State senators.
Gwynn’s personal life also becomes complicated at this stage and around 1920. He has a romantic association with married artist Grace Henry who is perhaps the best-known female artist in Ireland at the time. During this period, he and Grace travel in France and Italy and at various stages in his life she painted portraits of him including a very distinguished looking one of him in his late 60s or early 70s. Their relationship contributes significantly to the separation of Henry from her artist husband Paul Henry in 1930.
During the 1920s, Gwynn also devotes himself to writing, covering political events as Irish correspondent to The Observer and The Times. Later in his career, he writes some substantial works, and together with his son Denis Gwynn (The Life of John Redmond, 1932) does much to shape the retrospective image and self-justification of John Redmond. In the mid-1930s he authors three books with a connecting theme of fishing with the artist Roy Beddington serving as illustrator: The Happy Fisherman (1936), From River to River (1937), and Two in a Valley (1938).
Gwynn is awarded an honorary D.Litt. by the National University of Ireland in 1940, and a Litt.D. by the University of Dublin in 1945. The Irish Academy of Letters awards him the Gregory Medal in April 1950. In his literary writings he stands for a humanism and tolerance, which qualities, due to political upheavals, were relatively rare in the Ireland of his day.
Gwynn dies on June 11, 1950, at his home in Terenure, Dublin, and is buried at Tallaght Cemetery, south County Dublin.
Gwynn marries his cousin Mary Louisa (d. 1941), daughter of Rev. James Gwynn. She later converts to Catholicism. They have three sons and two daughters who are brought up in her religion, of whom Aubrey (1892–1983) becomes a Jesuit priest and professor of medieval history at University College Dublin (UCD). Their second son, Denis Rolleston (1893–1971), is professor of modern Irish history at University College Cork (UCC).
Gwynn’s brother Edward John (1868–1941) becomes provost of Trinity College and another brother Robert Malcolm becomes its senior dean. His sister Lucy Gwynn is the first woman registrar of Trinity. A third brother, Charles, has a successful career in the British Army and retires as a Major General. Younger brothers Lucius and Jack are noted cricketers.
Patterson is born on October 5, 1938, in Clonmel, County Tipperary. As a boy Patterson performs with his local parish choir and is involved in maintaining the annual tradition of singing with the “Wrenboys.” He sings in the local St. Mary’s Choral Society and at a production of The Pirates of Penzance performed with both his parents. His interests extend beyond music and as a boy he represents Marlfield GAAhurling club, plays tennis at Hillview and golf at the Mountain Road course. He quits school at an early stage to work in the printing business of his mother’s family. He moves to Dublin in 1961 to enroll at the National Academy of Theatre and Allied Arts where he studies acting while at the same time receiving vocal training from Hans Waldemar Rosen. In 1964, he enters the Feis Ceoil, a nationwide music competition, in which he wins several sections including oratorio, lieder and the German Gold Cup.
Patterson gives classical recitals around Ireland and wins scholarships to study in London, Paris and in the Netherlands. While in Paris, he signs a contract with Philips Records and releases his first record, My Dear Native Land. He works with conductors and some of the most prestigious orchestras in Europe including the London Symphony Orchestra and Orchestre de Paris. He also gains a reputation as a singer of Handel, Mozart, and Bach oratorios and German, Italian and French song. He has a long-running programme on RTÉ titled For Your Pleasure.
In the early 1980s Patterson moves to the United States, making his home in rural Westchester County, New York. A resurgence of interest in Irish culture encourages him to turn towards a more traditional Irish repertoire. He adds hymns, ballads, and traditional as well as more popular tunes to his catalogue. In March 1988, he is featured host in a Saint Patrick’s Day celebration of music and dance at New York City’s famous Radio City Music Hall. He also gives an outdoor performance before an audience of 60,000 on the steps of the United States Capitol in Washington, D.C. with the National Symphony Orchestra.
Patterson is equally at home in more intimate settings. His singing in the role of the Evangelist in Bach’s St. John Passion is given fine reviews. Further recordings follow, of Beethoven arrangements, Irish songs, Berlioz songs, Purcell songs and others, all on the Philips label.
Patterson performs sold-out concerts from London’s Royal Albert Hall to New York’s Carnegie Hall, and with his family he presents two concerts at the White House, for presidents Ronald Reagan in 1982 and Bill Clinton in 1995. He records over thirty albums in six languages, wins silver, gold and platinum discs and is the first Irish singer to host his own show in Radio City Music Hall in New York.
Rising to greater prominence with the new popularity of Celtic music in the 1990s, Patterson sees many of his past recordings reissued for American audiences, and in 1998 he stars in the PBS special Ireland in Song. His last album outsells Pavarotti.
In 1999, Patterson learns he has a brain tumor. He has several operations in the following year and his condition appears to stabilise. He is diagnosed with a recurrence of his illness on May 7, 2000. He briefly recuperates and resumes performing. His last performance is on June 4, 2000, at Regis College in the Boston suburb of Weston, Massachusetts. Shortly thereafter he is admitted to the Memorial Sloan Kettering Cancer Center in New York where he lapses into a coma and dies on June 10, 2000, at the age of 61.
O’Connor is born on June 7, 1874, at Worcester, Massachusetts, the eldest of three sons and two daughters of Andrew O’Connor, a stonecutter from Lanarkshire, Scotland, who becomes a professional sculptor, and Marie Anne O’Connor (née McFadden), of County Antrim. Educated in Worcester public schools, at the age of 14 he becomes apprenticed to his father, helping him to design monuments for cemeteries. He is employed in the early 1890s on sculptural work for the World’s Columbian Exposition (Chicago World’s Fair), being active in the studio of William Ordway Partridge, and assisting Daniel Chester French on his colossal Statue of the Republic, a landmark of the 1893 Columbian exposition.
Moving to London (1894–98), O’Connor works on bas-reliefs in the studio of the painter John Singer Sargent, who uses him as a model for his mural Frieze of Prophets for the Boston Public Library. His first independent work, Sea Dreams, a relief of a head, is exhibited at the Royal Academy of Arts in 1896. Returning to the United States (1898–1903), he becomes a studio assistant of French, through whom he receives his first public commission, for the Vanderbilt Memorial Doors for St. Bartholomew’s Episcopal Church, Manhattan, New York, a project completed in 1902 to wide critical acclaim. He also executes the tympanum and lateral friezes.
Around 1900, O’Connor marries an artist’s model named Nora, by whom he has a daughter. In 1902, he hires as studio model Jessie Phoebe Brown from New Jersey and of County Down parentage. The following year he elopes with her to Paris, where they marry and have four sons, the youngest of whom, Patrick O’Connor, becomes an artist and gallery curator. Jessie continues for many years as his primary model, sitting for the heads of both female and male figures, O’Connor coarsening the features for the latter.
During his years in Paris (1903–14), O’Connor is influenced by the work of Auguste Rodin, whom he befriends. Among his pupils in Paris is the American sculptor and heiress Gloria Vanderbilt Whitney. He continues to fulfil numerous commissions for funerary and public monuments in the United States, an example of the former being the Recuillement in Sleepy Hollow Cemetery, near Tarrytown, New York. From 1906 he exhibits annually at the Salon in Paris, where he is the first foreigner to win a second-class medal, for his bronze statue of Gen. Henry Lawton. Included in his only exhibition at the Royal Hibernian Academy (1907) is a bronze relief of the prophet Nehemiah adapted from a panel of the Vanderbilt doors. The relief is subsequently included in his one-man show at the Galerie Hébrard, Paris in 1909.
In 1909, O’Connor wins a competition open to sculptors of Irish descent to execute a monument to Commodore John Barry, the County Wexford-born “father of the American navy,” for Washington, D.C. His design includes a frieze depicting events in Irish history, flanked by a group of three nude Irish emigrants entitled Exile from Ireland, and another group representing the Genius of Ireland, which includes a female figure of the “Motherland.” Probably owing to opposition from the Barry family to the depiction of their ancestor as a rough-and-ready sailor, the commission is not completed. His marble statue of Gen. Lew Wallace (author of Ben-Hur: A Tale of the Christ), a plaster of which is exhibited at the Salon in Paris in 1909, is placed by the state of Indiana in the National Statuary Hall in the United States Capitol, Washington, D.C. Another marble, Peace by Justice, is commissioned as a gift from the United States to the Peace Palace in The Hague in 1913.
Returning to Paris in the mid-1920s, O’Connor becomes the first foreigner to win a gold medal at the Salon des Artistes in 1928, for the marble sculpture Tristan and Iseult, now held in the Brooklyn Museum, New York. The French government makes him a Chevalier of the National Order of the Legion of Honour in 1929. In 1926 he had exhibited a plaster group, Monument aux morts de la Grande Guerre, at the Salon in Paris. The sculpture is requested in 1932 by the people of Dún Laoghaire, County Dublin, as a memorial to Christ the King, O’Connor obligingly altering the interpretation of his iconography. Imposed on a “Tree of life” are three figures of Christ, representing in turn “Desolation,” “Consolation” and “Triumph.” Cast in bronze, throughout World War II the statue remains hidden in Paris to avoid its being melted down for the valuable metal. Transported to Dún Laoghaire in 1949, due to clerical opposition to its unconventional iconography, it is not at first erected, but for years lay on its side in a garden in Rochestown Avenue until its eventual unveiling in 1978 as Triple Cross in Haigh Terrace, where it stands in Moran Park. His other chief work in Ireland is a bronze statue of Daniel O’Connell in the Bank of Ireland, College Green, Dublin. Inspired by Rodin’s famous Monument to Balzac, the work is executed at his studio in a converted stable at Leixlip Castle, County Kildare in 1931–32.
During the 1930s, O’Connor lives and works in London and Ireland, where he has residences at Glencullen House, County Wicklow, and 77 Merrion Square, Dublin. He dies at the latter address on June 9, 1941, and is buried in Glasnevin Cemetery. His own bronze relief, Le feu sacré, marks the grave. A portrait painting, executed by his son Patrick in 1940, is in Dublin City Gallery The Hugh Lane, which also holds twenty-six sculptures presented by O’Connor late in his life, and posthumously by his family. The collection includes a marble self-portrait bust of 1940, a bronze of the Lafayette cast by the gallery in 1984 from a reduced plaster model presented by the artist, and a bronze group entitled The Victim, on view in Merrion Square Park, from an uncommissioned and uncompleted war memorial conceived by O’Connor under the general title Le Débarquement. The National Gallery of Ireland has the Desolation maquette for the Triple Cross. A centenary exhibition of his work is held at Trinity College Dublin in 1974. His widow dies in Dublin in 1974.
(From: “O’Connor, Andrew” by Lawrence William White and Carmel Doyle, Dictionary of Irish Biography, http://www.dib.ie, October 2009)
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