An intelligence officer with the 4th Battalion of the Dublin Brigade of the IRA in the Ranelagh area, Fovargue is captured by the British Army in Dublin. Under interrogation, he allegedly leaks information that results in the arrest of the other members of his unit a few days later. In return for this information, the Intelligence Corps allegedly allows him to escape during a staged ambush in Dublin’s South Circular Road.
This attempted ruse however does not go unnoticed by Michael Collins‘s many moles inside the Crown’s security forces. On the night of the escape, Detective ConstableDavid Neligan of the Dublin Metropolitan Police‘s G Division is on duty in Dublin Castle when a telephone message on a police form is passed to him. The message, issued by the British Military Headquarters, states that a “Sinn Féin” suspect named Fovargue has escaped from three Intelligence Corps officers in a car while en route to prison. It gives a description of his appearance and asks that the British Army be notified in the event of his recapture by the Dublin Metropolitan Police.
Joe Kinsella is the I/O of the 4th Battalion. He is temporarily transferred to take care of munitions under Seán Russell for a few weeks and Fovargue is put in his place. From Joe Kinsella’s own statement to the Irish Bureau of Military History:
“From the outset I personally did not place a lot of trust in him, because on the morning that he took over from me he appeared to me, to be too inquisitive about the movements of Michael Collins and the G.H.Q. staff generally. He wanted to know where they could be located at any time. He said that he had big things in view, and that it would be to the advantage of the movement generally if he was in a position to get in touch with the principal men with the least possible delay. From his attitude I there and then formed the opinion, rightly or wrongly, that he was inclined to overstep his position. I did not feel too happy about him and I discussed him with Sean Dowling. It transpired that my impressions of this man were correct. I told him of two meeting places of Intelligence staff, one of Company Intelligence held at Rathmines Road and one of Brigade Intelligence held at Saville Place. A short time after giving him this information both these places were raided…I was now confirmed in my suspicions that Fovargue was giving away information. He was later shot in England by the IRA.”
Neither was Neligan fooled by this, as he explains:
“Now if they had said that this man (who was completely unknown to both of us) had escaped from one I.O. it might have sounded reasonable enough. But to tell us that an unarmed man had escaped out of a motorcar in the presence of three presumably armed men was imposing a strain on our credulity. Both of us thought this story too good to be true.”
The two men retype the message and pass it to Collins the following day. Meanwhile, Fovargue has been sent to England where he adopts the alias of Richard Staunton. He has in fact been sent to England by Intelligence Corps Colonel Ormonde Winter to infiltrate the IRA in Britain.
Sean Kavanagh, a Kilkenny IRA man, claims that Fovargue is put in a cell with him in Kilmainham Gaol in 1921 in order to try to extract information from him.
On April 2, 1921, a boy walking on the golf links of the Ashford Manor Golf Club in Ashford, Middlesex discovers the body of Fovargue, who had been shot through the chest. Discovered near the corpse is a small piece of paper on which has been scribbled in blue pencil the words “Let spies and traitors beware – IRA.”
(Pictured: Dublin Brigade IRA officer’s cap badge in white metal, “FF” (Fianna Fáil) at centre, surrounded by a garter bearing the motto “Drong Átha Cliath” (Dublin Brigade), all on an eight-pointed rayed star)
Colonel Frederick Hugh Crawford, CBE, JP, an officer in the British Army, is born in Belfast on August 21, 1861. A staunch Ulster loyalist, he is one of the lesser-known figures in Ulster Unionist history but one who is hugely influential because of his involvement in what is known as the Larne gun-running incident, when he is responsible for smuggling over 25,000 guns and ammunition into the North on the night of April 24, 1914. This makes him a hero for Northern Ireland‘s unionists.
According to the 1911 census for Ireland, Crawford is living in Marlborough Park, Belfast, with his wife of 15 years, Helen, and four of their five children: Helen Nannie, Marjorie Doreen, Ethel Bethea and Malcolm Adair Alexander. His other child, Stuart Wright Knox, is recorded as a pupil at Ballycloghan National School, Belfast. Stuart would become a lieutenant colonel in the British Army, before being invalided in 1944. Malcolm, after being a member of the Colonial Police, joins the Royal Ulster Constabulary (RUC), advancing to District Inspector. In 1931, Malcolm becomes a Justice of the Peace for Singapore.
Crawford works as an engineer for White Star Line in the 1880s, before returning from Australia in 1892. In 1894, he enlists with the Mid-Ulster Artillery regiment of the British Army, before being transferred to the Donegal Artillery, with which he serves during the Boer Wars, earning himself the rank of major.
In 1898, Crawford is appointed governor of Campbell College, Belfast. Two of his children, Stuart Wright Knox and Malcolm Adair Alexander, both attend Campbell College.
In 1911, Crawford becomes a member of the Ulster Unionist Council. On September 28, 1912, he is in charge of the 2,500 well-dressed stewards and marshals that escort Sir Edward Carson and the Ulster Unionist leadership from the Ulster Hall in central Belfast to the nearby City Hall on Donegall Square for the signing of the Ulster Covenant, which he allegedly signs in his own blood. With the formation of the Ulster Volunteers in 1913, he is made their Director of Ordnance.
With regard to Irish Home Rule, Crawford is strongly partisan and backs armed resistance to it, being contemptuous of those who use political bluffing. His advocation of armed resistance is evident when he remarks, at a meeting of the Ulster Unionist Council, that his heart “rejoiced” when he heard talk of looking into using physical force. At another meeting he even goes as far as asking some attendees to step into another room where he has fixed bayonets, rifles and cartridges laid out.
In 1910, the Ulster Unionist Council plans for the creation of an army to oppose Home Rule and approaches Crawford to act as their agent in securing weapons and ammunition. He tries several times to smuggle arms into Ulster, however, vigilant customs officials seize many of them at the docks. Despite this, the meticulously planned and audacious Larne gun-running of April 1914, devised and carried out by Crawford, is successful in bringing in enough arms to equip the Ulster Volunteer Force.
By the 1920s Crawford remains as stoic in his beliefs, remarking in a letter in 1920 that “I am ashamed to call myself an Irishman. Thank God I am not one. I am an Ulsterman, a very different breed.” In March 1920, he begins to reorganize the UVF and in May 1920 he appeals to Carson and James Craig for official government recognition. He states, “We in Ulster will not be able to hold our men in hand much longer…we will have the Protestants…killing a lot of the well-known Sinn Féin leaders and hanging half a dozen priests.” In 1921, he attempts to create an organisation intended to be a “Detective Reserve,” but called the “Ulster Brotherhood,” the aims of which are to uphold the Protestant religion and political and religious freedom, as well as use all means to “destroy and wipe out the Sinn Féin conspiracy of murder, assassination and outrage.” This organisation only lasts for a few months after failing to gain acceptance from the political authorities.
In 1921, Crawford is included in the Royal Honours List and appointed a CBE. In 1934, he writes his memoirs, titled Guns for Ulster.
Crawford dies on November 5, 1952, and is buried in the City Cemetery, Falls Road, Belfast. Upon news of his death, he is described by the then Prime Minister of Northern Ireland, Sir Basil Brooke, as being “as a fearless fighter in the historic fight to keep Ulster British.”
An earlier “Fianna” is organised “to serve as a Junior Hurling League to promote the study of the Irish Language” on June 26, 1902, at the Catholic Boys’ Hall, Falls Road, in West Belfast, the brainchild of Bulmer Hobson. Hobson, a Quaker influenced by suffragism and nationalism, joins the Irish Republican Brotherhood in 1904 and is an early member of Sinn Féin during its monarchist-nationalist period, alongside Arthur Griffith and Constance Markievicz. Hobson later relocates to Dublin and the Fianna organisation collapses in Belfast. Markievicz, inspired by the rapid growth of Robert Baden-Powell‘s Boy Scouts, forms sometime before July 1909 the Red Branch Knights, a Dublin branch of Irish National Boy Scouts. After discussions involving Hobson, Markievicz, suffragist and labour activist Helena Molony and Seán McGarry, the Irish National Boy Scouts change their name to Na Fianna Éireann at a meeting in 34 Lower Camden Street, Dublin, on August 16, 1909, at which Hobson is elected as president, thus ensuring a strong IRB influence, Markievicz as vice-president and Pádraig Ó Riain as secretary. Seán Heuston is the leader of the Fianna on Dublin’s north side, while Cornelius “Con” Colbert is the leader on the south side. The Fianna forms as a Nationalist alternative to Powell’s Scouts with the aim to achieve the full independence of Ireland by training and teaching scouting and military exercises, Irish history, and the Irish language.
The Fianna finds its first years difficult and by 1912 has barely 1,000 members and a skeleton structure outside of the cities of Dublin, Cork, Belfast and Galway. But in the next couple of years the momentum of events carries the Fianna forward. It is involved in initiating the militarisation of the IRB, the launch of the Irish Volunteers and showing solidarity with the striking Irish Transport and General Workers’ Union (ITGWU). It is also crucial to the success of the Howth and Kilcoole gun-running operations. Alongside these headline-grabbing activities, the Fianna continues with classes, drilling, camps and protests and reaps the benefits of an expanding membership and structure. When the fighting starts, the Fianna are not found wanting either. In 1916, Na Fianna members are present in all areas that mobilise and fight alongside all the other Republican organisations. They continue to fight throughout the Irish War of Independence and Irish Civil War. Seeing comrades being killed in action or executed or suffering imprisonment does not dim their enthusiasm for the fight. In Na Fianna Éireann’s March 1922 Árd Fheis, the 187 delegates representing 30,000 members vote unanimously to reject the Anglo-Irish Treaty.
The Fianna are declared an illegal organisation by the government of the Irish Free State in 1931. This is reversed when Fianna Fáil comes to power in 1932 but re-introduced in 1938. During the splits in the Republican movement of the later part of the 20th century, the Fianna and Cumann na mBan support Provisional Sinn Féin in 1969 and Republican Sinn Féin in 1986. The Fianna have been a proscribed organisation in Northern Ireland since 1920.
While the events in which the Fianna members are involved over the revolutionary years have a special place in Irish history, the specific role of the Fianna is absent from most written histories. This, allied with the failure to adequately commemorate the organisation’s centenary, marks a kind of revisionism of omission.
Hayes-McCoy is born to Thomas Hayes-McCoy and Mary Kathleen Hayes-McCoy (née Wallace). His grandfather, Thomas Hayes-McCoy, is a Dubliner who as a child came to Galway in 1834 and is later a well-known Parnellite. His maternal grandfather, Thomas Burke, is a Galway artist. He grows up on Eyre Square where his father runs a gentleman’s hairdressing business. His two older siblings are Ignatius and Marguerite. The latter receives a PhD-degree in History at University College Galway (UCG), and later teaches at the Galway Technical School.
Hayes-McCoy receives his early education from the Patrician Brothers, Galway. His earliest notebook of 1927 and a manuscript history of Poland of the same year, now at the National Library of Ireland (NLI), testify to an early interest in history and heritage. From 1928 to 1932 he is a student scholarship holder at University College Galway, graduating in 1932 with a Bachelor of Commerce, and a Bachelor of Arts, with first-class honours in both, and a specialisation in “History, Ethics, Politics” for the latter. Mary Donovan O’Sullivan is one of his professors of history, and Liam Ó Briain, professor of Romance languages, is a stimulating influence. At this time, Hayes-McCoy is a member of the Republican Club, a committee member of the Literary and Debating Society, and in 1931 he is one of the founding members of a new Irish Students’ Association.
Hayes-McCoy pursues his PhD at the University of Edinburgh, and then spends two years at the Institute of Historical Research, London, in the Tudor seminar of J. E. Neale, rewriting his PhD and eventually publishing it as Scots mercenary forces in Ireland, 1565–1603 (Dublin and London, 1937), with a foreword by Eoin MacNeill. This is characterised by meticulous archival research, and it anticipates by sixty years the much-vaunted New British History of the late twentieth century by tracing the interconnections between events in England, Ireland, and Scotland.
In the absence of an academic post, Hayes-McCoy becomes an assistant keeper in the Art and Industrial Division at the National Museum of Ireland (1939–1959), with a responsibility for the Military History, and the Irish War of Independence collections. One of his first tasks is to prepare a standing exhibition on Irish history before 1916. His research, long-standing personal interest in the military, and his curatorial experience, helps form an expert knowledge of historical Irish warfare. This leads to his role in co-founding The Military History Society of Ireland in 1949 whose journal, The Irish Sword, he edits. He describes the vagaries of setting up such a body, its reception, and the historiographical considerations attendant on it, in a paper published posthumously in The Irish Sword.
On August 19, 1941, Hayes-McCoy marries Mary Margaret “May” O’Connor, daughter of C.J. and M.B. O’Connor of New Ross/Enniscorthy. They have three daughters and two sons: Mary, Ann, Ian, Robert, Felicity. The family home is in Dublin.
Earning high reputation by continued research and by publishing leads to Hayes-McCoy’s receipt of the D.Litt. degree from the National University, and to his membership in the Royal Irish Academy in 1950. In his professional career, apart from the broad spectrum of press publications, he publishes prolifically. The works that are judged most influential, are his Scots mercenary forces in Ireland 1565–1603 (1937), the papers “The early history of guns in Ireland” (1938–1939), “Strategy and tactics in Irish warfare, 1593–1601” (1941), “The army of Ulster, 1593–1601” (1951), the controversial “Gaelic society in Ireland in the late sixteenth century” (1963), and the monographs “Irish battles” (London 1969), and “A history of Irish flags from earliest times” (Dublin 1979). A member of the Irish Manuscripts Commission, his most notable contribution is the publication “Ulster and other Irish maps, c.1600” (Dublin 1964).
In 1946, Hayes-McCoy is appointed to a committee of eight historians to advise on setting up the Bureau of Military History, a body established for the creation and compilation of material on the history of the Irish movements for independence, 1913–1921, specifically from witness statements. The committee is also to further offer guidance and oversee progress of the Bureau in coordination with the Ministry of Defence. It subsequently expresses concerns about the state’s role and methods in the collection of statements.
Having begun writing for the press at an early stage, Hayes-McCoy’s public position at the Museum encourages him to go further. He has broad involvement with local history groups to whom he presents papers, and also works for newspapers and for radio and television. To the national and Galway press he usually contributes articles on military aspects of Irish history, as well as book reviews, but he also uses them as a platform to engage with what he sees are flaws in the education of history in Ireland which during his lifetime is constrained by a certain degree of political and cultural state control.
During the 1940s and 1950s, Hayes-McCoy becomes involved in a number of paratheatrical events of national significance one of which – the “Pageant of St.Patrick” for which he writes the script (An Tóstal 1954) – is realised on an immense scale. He scripts these works to begin with and is later principally engaged as historical consultant. In that capacity, he collaborates in 1955 and 1956 with Micheál Mac Liammóir and Denis Johnston on their scripts for pageants on St. Patrick and on the Táin Bó Cuailgne, at times finding it difficult to square the historical liberties taken by these artists with his own role.
On Irish radio and television Hayes-McCoy is most active in the mid-1960s, editing and contributing to Thomas Davis lectures series, writing scripts for a series of thirty children’s programmes on all aspects of Irish history, and preparing/contributing on air to the television series “Irish battles” and “The long winter.” As well as writing for RTÉ, Ireland’s national broadcaster, he contributes scripts to BBC Northern Ireland‘s schools radio programmes.
In 1959, Hayes-McCoy succeeds to the chair of his former history professor at UCG with the full remit of lecturing, administering examinations to undergraduates, and supervising postgraduate theses. Among his students who continue in the field of history are Nicholas Canny, Martin Coen, Patrick Melvin, Peter Toner, Tony Claffey, and Breandán Ó Bric. After his appointment to UCG, the family home remains in Dublin, and he commutes to Galway weekly during term time.
In the early 1960s, Hayes-McCoy becomes a spokesperson for the movement rekindled by the Old Galway Society to preserve the landmark “Lion’s Tower” in the city. The ultimate failure of the campaign informs his regret, expressed a year later, that Ireland is forgetful about its past and that “we don’t bother to find out about it or to maintain our ancient heritage,” and, on a perceived spirit of conformity, “take my own city of Galway, it is now more prosperous than it was, but it is no longer distinctive. I do not believe that it is essential for progress that we should lose our heritage.”
While at one time member and secretary of the London Sinn Féin office and informed by a pride of country and place, Hayes-McCoy’s professional and private outlook are marked by a distrust of nationalism or of any antagonising national agendas compromising genuine scholarship. In a paper drafted on tendencies in modern historical studies, he criticises the two historiographical extremes, each to be avoided, each unfortunately characteristic of the moment – extreme de-bunking and extreme “adding for effect.” “A history is a record of fact; to add pseudo-facts is as grave a sin as to leave out real facts that may change the colour of the whole.”
Hayes-McCoy’s abiding pastime is drawing. Among his papers in the James Hardiman Library, NUI Galway are approximately 40 items with predominantly maritime subjects, and he has a special regard for the history of ships, and a romantic liking of the sea. He also has a lifelong interest in Robert Louis Stevenson, Sir Walter Scott, and their works, and in the Pre-Raphaelite movement.
Hayes-McCoy’s middle age is marked by intermittent ill health. He dies on November 27, 1975, in his room at the Great Southern Hotel, Eyre Square, Galway.
Hayes-McCoy’s papers are held at the James Hardiman Library, National University of Ireland, Galway.
Scriven is born on September 10, 1819, of prosperous parents in Banbridge, County Down. He graduates with a degree from Trinity College Dublin in 1842. His fiancée accidentally drowns in 1843, the night before they are to be married. In 1844, at the age of 25, he leaves his native country and migrates to Canada, settling in Woodstock, Ontario. He leaves his country feeling a spiritual calling to serve the Lord in his Plymouth Brethren faith. He remains in Canada only briefly after becoming ill but returns for good in 1847.
For two or three years Scriven conducts a private school at Brantford. In 1855, while staying with James Sackville in Bewdley, Ontario, north of Port Hope, he receives news from Ireland of his mother being terribly ill. He writes a poem to comfort his mother called “Pray Without Ceasing.” It is later set to music and renamed by Charles Crozat Converse, becoming the hymn “What a Friend We Have in Jesus.” Scriven does not have any intentions nor dream that his poem would be published in the newspaper and later become a favorite hymn among the millions of Christians around the world.
About 1857, Scriven moves near to Port Hope, Ontario. Here he again falls in love and is due to be married, but in August 1860 his fiancée becomes ill with pneumonia and dies. He then devotes the rest of his life to tutoring, preaching and helping others.
In 1869, Scriven publishes a collection of 115 hymns entitled Hymns and other verses which does not include “What a Friend We Have in Jesus.”
Scriven drowns at age 66 on August 10, 1886. At the time of his death, he is very ill with fever and has been brought to a friend’s home to recover. It is a very hot night, and he goes outside possibly to cool down or to get a drink of cold water from the spring. His friend reports, “We left him about midnight. I withdrew to an adjoining room to watch and pray. You may imagine my surprise and dismay when upon visiting his room I found it empty. All search failed to find a trace of the missing man, until a little after noon his body was discovered in the nearby river, lifeless and cold in death.” To this day, no one knows for certain if his death is an accident or a suicide. He is buried next to his second fiancée in her family cemetery, Pengelley Family Cemetery, at Pengelly Landing, Peterborough County, Ontario, Canada.
A tall obelisk is built upon his grave with the words from the song and the following inscription:
“This monument was erected to the memory of Joseph M. Scriven, B.A., by lovers of his hymn, which is engraved hereon, and is his best memorial. Born at Seapatrick, Co. Down, Ireland, 10 Sept. 1819, emigrated to Canada 1844. Entered into rest at Bewdley, Rice Lake, 10 August 1886, and buried here. Blessed are the pure in heart for they shall see God.“
A plaque can be found on the Port Hope-Peterborough Highway with the following inscription:
“Four miles north, in the family Pengelley Cemetery, lies the philanthropist and author of this great masterpiece, written at Port Hope, 1857. The composer of the music, Charles C. Converse, was a well-educated versatile and successful Christian, whose talents ranged from law to professional music. Under the pen name of Karl Reden, he wrote numerous scholarly articles on many subjects. Though he was an excellent musician and composer with many of his works performed by the leading American orchestras and choirs of his day, his life is best remembered for this simple music so well suited to Scriven’s text.“
Lukas Media LLC releases the full-length documentaryFriends in Jesus, The stories and Hymns of Cecil Frances Alexander and Joseph Scriven in 2011. The 45-minute documentary movie details the life of Scriven and his influence on popular hymns.
Wilmer is born to Major Harold Gordon Wilmer and Alice Violet McEntire. Her father is killed at Gallipoli when she is four years old. She has a younger brother, Harold, who follows in the family military tradition and is killed in 1942. She learns her skills in the Royal Hibernian Academy (RHA) schools in Dublin, starting in 1926, where she wins a number of awards for her art. She is trained by Lilian Davidson who is working out of her studio in Earlsfort Terrace in Dublin. She wins the Taylor Scholarship in 1933 which sends her to the Slade School of Fine Art in London.
In 1936, Wilmer marries Dr. Brendan O’Brien, a Dublin surgeon and son of Dermod O’Brien. She and her husband settle in Dublin after working abroad for a few years. They have two sons, Dermod and Anthony, who is also an artist. Another artistic relative is Geraldine O’Brien.
In the period from the 1940s and 1950s O’Brien exhibits in Dublin with Brigid Ganly, RHA, her sister-in-law, as well as submitting works to the Society of Dublin Painters, the Royal Hibernian Academy and the Water Colour Society of Ireland. She exhibits annually in the Irish Living Art Exhibition and the Oireachtas Art Exhibition. O’Brien is elected a member of the Royal Hibernian Academy in 1976. She is president of the Water Colour Society of Ireland from 1962 to 1981.
Hamilton is the daughter of Charles Robert Hamilton and Louisa Caroline Elizabeth Brooke. She attends Alexandra College. She and her sister Eva are great-granddaughters of the artist Marianne-Caroline Hamilton, and cousins of watercolouristRose Maynard Barton. The sisters’ father can only afford one dowry, so the sisters remain unmarried, with their artistic careers helping to support the household. Both she and her sister study at the Dublin Metropolitan School of Art under William Orpen. She studies enameling there also, winning a silver medal in 1912 by both the School and the Board of Education National Commission. Her work shows elements of Art Nouveau, foreshadowing her later modernist leanings. She also studies in Belgium with Frank Brangwyn and the Slade School of Fine Art.
Hamilton first exhibits in 1902 and goes go on to become a prolific painter of the Irish countryside, exhibiting more than 200 paintings at the Royal Hibernian Academy (RHA). Both sisters travel widely in Europe, with Letitia being influenced by modern European artistic trends of the early 20th-century. She is internationally exhibited, Royal Academy of Arts, Burlington Gallery and Kensington Art Gallery in London, in Scotland, and Paris. Her exposure to impressionism comes from studying with Anne St. John Partridge in France. Her style matures in the 1920s. That year, she is one of the founding members of the Society of Dublin Painters, along with Paul Henry, Grace Henry, Mary Swanzy, and Jack Butler Yeats. It is around this time that she changes her signature from MH (May Hamilton) to LMH, reflecting her full name. She works on small oil sketches, which later develop into finished works. Her style is rapid, with loose, fluid brush strokes. In the early 1920s, she travels to Venice, painting on a gondola studio loaned to her by artist and friend Ada Longfield. The works from this trip are considered among her best, with her exploring light effects, pastel shades, and strong outlines. She later employs these elements into her works on Irish landscapes.
Hamilton becomes a member of the Royal Hibernian Academy in 1943. In 1948, she becomes the last person to win a bronze medal at the art competitions at the London Olympic Games. She serves as president of the Society of Dublin Painters in the late 1950s. Despite her failing eyesight later in life, she continues to paint, mounting her final exhibition in 1963, a year before her death at the age of 86 in Dublin on August 11, 1964. She is also a committee member of the Water Colour Society of Ireland.
The 1916 Easter Rising is a watershed in O’Donoghue’s life. In December 1916, he joins the Cork branch of the Irish Volunteers. In early 1917, he is elected unanimously First Lieutenant of the Cyclist Company and as a result devotes all his spare time to Volunteer work. He begins writing weekly for two years for TheIrish World newspaper. By May 1917, he is sworn into the Irish Republican Brotherhood (IRB) and in October, Tomás Mac Curtain appoints him head of communications of the Cork Brigade. He replaces Pat Higgins as Brigade Adjutant in February 1917. He is a key organiser in the sensational jailbreak of Captain Donnchadh Mac Niallghuis on Armistice Day 1918 and takes personal responsibility for his protection. Michael Collins is the last officer from Volunteers General Headquarters to visit Cork shortly after Christmas 1919, until the truce in 1921.
O’Donoghue builds up an intelligence network and agents which includes his future wife, Josephine Marchment. She is head female clerk at the 6th Division Headquarters at Victoria Barracks, Cork, and passes on secret British Army correspondence to him. He recruits people to open letters, tap phone lines and intercept telegrams. The Irish Republican Army has 2,000 active members in Cork which are also used for intelligence gathering. By March 1920, after killing a Royal Irish Constabulary (RIC) Inspector, he is on the run and serving full-time in the IRA. In November of that year, the Cork Brigade kills six British Army officers and executes five Cork civilians on suspicion of spying.
After two and a half years of fighting, a truce is agreed upon on July 11, 1921. When the Dáil approves the Anglo-Irish Treaty, in January 1922, the IRA splits into pro- and anti-Treaty camps. Over the coming months and after being elected to the army’s executive as Adjutant General, O’Donoghue warns of the dangers of an Irish Civil War. In June 1922, he resigns from the army’s national executive and a month later, on July 3, 1922, from the army. Civil war does break out on June 28, 1922, between pro- and anti-Treaty factions, much to his dismay.
During the Irish Civil War, O’Donoghue remains neutral and tries to organise a truce to end the fighting. In December 1922, he forms a group called the “Neutral IRA”, along with Seán O’Hegarty, composed of pro-truce IRA men. He claims he has 20,000 members in this group. He campaigns for a month’s truce between the two sides, so that a political compromise could be reached. However, his efforts come to nothing and in March 1923, he winds up the “Neutral IRA,” judging that its objectives cannot be achieved. The Irish Civil War ends on May 24, 1923.
O’Donoghue serves as major in the Irish Army from 1939-1946. He forms a Supplementary Intelligence Service that is to remain behind enemy lines in the event of an invasion. He also teaches guerrilla warfare tactics to new army recruits.
O’Donoghue marries Josephine Brown (née Marchment) in April 1921, and they have four children. The couple also adopts two children from Josephine’s first marriage, including Reggie Brown, whom O’Donoghue kidnaps from his grandparents in Wales in 1920. He becomes a rate collector and remains outside politics.
In later years O’Donoghue becomes a respected historian. While in the army he edits An Cosantóir, the Irish Army’s magazine. He convinces Éamon de Valera to establish the Bureau of Military History to record personal accounts from the Irish War of Independence. He is a recording officer until 1948. His most famous work is his biography on Liam Lynch, entitled No Other Law.
Beresford employs Lewis Nockalls Cottingham, one of the most skilled architects of the time, to restore St. Patrick’s Cathedral, Armagh. Cottingham removes the old, stunted spire and shores up the belfry stages while he rebuilds the piers and arches under it. The arcade walls which had fallen away as much as 21 inches from the perpendicular on the south side and 7 inches on the north side, are straightened by means of heated irons, and the clerestory windows which had long been concealed, are opened out and filled with tracery.
Beresford dies on July 18, 1862, at Woburn, Bedfordshire, England, the home of his niece, in the parish of Donaghadee and is buried in the cathedral. There is a memorial to him in the south aisle at St. Patrick’s Cathedral, Armagh.
Keating is the youngest of six surviving children of Michael Keating, baker, and his wife Johanna, a native of County Kerry. He was educated at a local school and was an active member of the Gaelic Athletic Association (GAA), playing football and hurling. After the 1916 Easter Rising, he leaves school at the age of thirteen to join the Irish Volunteers, which later becomes the IRA, serving in the 4th Cork Brigade. He is arrested by British troops in November 1920 and badly beaten. He spends a month in the Cork jail and is then interned for a year in Ballykinlar internment camp until December 1921. While interned he participates in several hunger strikes and makes several escape attempts. Following his release, he opposes the Anglo-Irish Treaty and serves in the Fianna Cork 4th Brigade on the Republican side under Seán Moylan during the Irish Civil War.
Keating emigrates to New York City in 1927 and becomes involved in Irish cultural organizations and Democratic party politics. He is a founder of American Friends of Irish Neutrality, which opposes Irish involvement in World War II, ostensibly fearing it will result in British re-occupation of Ireland.
Following World War II, Keating is chairman of the executive council of the 1947 Irish Race Convention and president of the American League for an Undivided Ireland, lobbying in support of the Fogarty Amendment, which unsuccessfully attempts to tie the release of Marshall Plan funds to British withdrawal from Northern Ireland.
Between the 1940s and 1960s, Keating serves as president of the County Corkmen Association, president of the United Irish Counties Association, and president of the Irish Institute. In 1956, he serves as Grand Marshal of the New York City St. Patrick’s Day Parade.
Keating serves in various positions under New York City mayors William O’Dwyer, Vincent R. Impellitteri, and Robert F. Wagner, Jr., rising to the position of Deputy Mayor, under Wagner. He is reportedly the first to publicly introduce future President Kennedy as “the next President of the United States” at an Irish Institute event in 1957. He is appointed Regional Director of the United States Postal Service by President Kennedy and serves in that position from 1961 until his retirement in 1966.
In retirement, Keating returns to Kanturk and continues to advocate for the reunification of Ireland. Keating dies at his home in Kanturk on July 2, 1976, and is buried in a local cemetery with military honors. He represents an emigrant political and social milieu which is often treated dismissively by later, more cosmopolitan Irish commentators, but his career reflects not only his own considerable talents but the ways in which this milieu sustains a generation of immigrants, and the contribution of Irish America to Irish development in the post-war decades.
seamus dubhghaill 