O’Brien is the eldest child of a Roman Catholic church musician. In 1885, he first appears in a public piano recital and, later in the year, becomes the organist of Rathmines parish church, a position he holds until 1888. He holds another organist’s position at the Dublin Carmelite church from 1897 to 1899 but is chiefly known as organist and choir director of Dublin’s largest Roman Catholic Church, St. Mary’s Pro-Cathedral, between 1903 and 1946. In 1898, he is the founder and first director of the Palestrina Choir, originally all-male, which is still active, and which is financed for many years by Edward Martyn.
O’Brien studies with Robert Prescott Stewart at the Royal Irish Academy of Music (1888-90), where he is the first winner of the Coulson Scholarship and frequently performs as both tenor singer, piano accompanist, and organist in many public concerts during the 1890s. As a church musician, he becomes particularly involved in the Cecilian Movement, conducting works by Michael Haller and others, and also pursuing their artistic ideals in his own sacred choral compositions.
O’Brien is the founding conductor of the Dublin Oratorio Society (1906), the Brisan Opera Company (1916) and conducts at many ad hoc events. In 1925, he becomes the first music director of Radio Éireann (originally called 2RN), a position he holds until 1941. He singles out his work as music director for the 31st International Eucharistic Congress in Dublin (1932) as his most prized personal achievement. As late as 1945, he founds Our Lady’s Choral Society, a large oratorio choir still in existence, which originally is recruited mainly from the various Roman Catholic church choirs in Dublin.
Among his teaching positions, O’Brien teaches at the diocesan seminary at Holy Cross College, is Professor of Gregorian Chant at the missionary seminary of All Hallows College from 1903, and Professor of Music at the Ladies’ Teacher-Training College at Carysfort Park, Blackrock, County Dublin, from 1908 until his death in Dublin on June 21, 1948. As a much-demanded vocal coach, he teaches at his home, his best-known pupils including John McCormack, Margaret Burke Sheridan and James Joyce. He performs the piano accompaniments for McCormack’s first gramophone recordings and accompanies him during his 1913–14 Australasian tour of 60 performances in three months, during which he also gives organ recitals at the Irish-dominated Catholic cathedrals of Sydney and Melbourne.
Of his two sons, Oliver O’Brien (1922–2001) largely follows in his father’s footsteps, as organist and director of the Palestrina Choir, of Our Lady’s Choral Society, music teacher at Carysfort College and as teacher in various Dublin schools. His other son, Colum O’Brien, is organist in the Pro-Cathedral.
Before his work for the Palestrina Choir, O’Brien’s musical interests are very broad, culminating in 1893 in the composition of the full-scale opera Hester. As a church music composer, he follows Cecilian ideals, with a number of hymns, motets and other choral works. He also composes a number of songs for voice and piano, with The Fairy Tree (1930) being a particular favourite of John McCormack’s.
Máire Nic Shiubhlaigh, Irish actress and republican activist, is born Mary Elizabeth Walker in Charlemont Street, Dublin, on May 8, 1883. She starts acting in her teens and appears in the first Irish language play performed in Ireland. She is a founder-member of the Abbey Theatre and is leading lady on its opening night in 1904, when she plays the title role in W. B. Yeats‘s Cathleen ni Houlihan. She later joins the Theatre of Ireland, which she helps to found.
Nic Shiubhlaigh is born into a nationalist and Irish-speaking family. Her father, Matthew, comes from County Carlow and is a printer and publisher who becomes proprietor of the Gaelic Press. Her mother, Mary, is a dressmaker from Dublin. She grows up in 56 High Street in the Dublin Liberties.
Nic Shiubhlaigh joins the Gaelic League about 1898 and comes into contact with Arthur Griffith and William Rooney. She joins the cultural and revolutionary women’s group Inghinidhe na hÉireann in 1900. With the help of drama enthusiasts William and Frank Fay, she starts acting with the drama group of Inghinidhe na hÉireann. In 1901, the drama group takes part in a feis with two plays, Tobar Draoidheachta by Patrick S. Dinneen and Red Hugh by Alice Milligan. George Russell and W.B. Yeats, who are in attendance at the performance, are moved by the dedication of the amateur players. Russell, who had already offered the Fays his mythic play Deirdre, persuades Yeats to offer them his patriotic play, Cathleen ni Houlihan.
In 1902, Nic Shiubhlaigh joins W. G. Fay’s Irish National Dramatic Company, along with others such as Maire Quinn, Brian Callender, Charles Caulfield, James H. Cousins, P. J. Kelly, Dudley Digges and Frederick Ryan. Their first production of the two one-act plays, Cathleen ni Houlihan, with Maud Gonne in the lead role, and Deirdre, is on April 2, 1902. The company, which has no funds to speak of, acquires a couple of bare rooms at 34 Lower Camden Street, which with the help of friends from Irish-revival societies, they turn into a tiny theatre. They rehearse at the Coffee Palace and also use the Molesworth Hall for productions. In March 1903, with other members of her family, she appears in the first production of Yeats’ morality play, The Hour-Glass, in which she plays the part of the Angel.
In 1903, the playwrights and most of the actors and staff from these productions go on to form the Irish National Theatre Society, which has its registered offices in the Camden Street theatre. Nic Shiubhlaigh is a founder member and on the management committee of the society. Yeats is president, while Russell, Maud Gonne and Douglas Hyde are vice-presidents. William Fay is stage manager. The society founds the Abbey Theatre.
Nic Shiubhlaigh acts in the Abbey Theatre from the time of its founding. On its opening night on December 27, 1904, she plays the name part in Cathleen ni Houlihan. Her portrait is painted by John Butler Yeats for the occasion and hangs in the vestibule. She is the principal actress of the company after Máire Quinn’s departure to the United States, and when she leaves, the burden of the chief women’s rôles falls upon Sara Allgood.
In September 1905, the Abbey administrator and financial backer, an English theatre impresario called Annie Horniman, in hopes of improving the artistic quality of the productions at the Abbey, offers to guarantee salaries (a sum of £500 per year) for the actors and for Willie Fay as producer. To her mind, this will allow the actors and Fay to dispense with their day jobs and concentrate wholly upon their acting. The more nationally-minded members of the staff disagree. Nic Shiubhlaigh writes, “It was pointed out that the old Irish National Theatre Society had been founded in 1902 on the understanding that its independence as a national movement was to be secured only through the efforts of its members. It would be contrary to these ideals to accept a subsidy from an independent source.” For them it would mean a choice between a national theatre and an artistic theatre. At a meeting of the society, supported by Yeats, Gregory and Synge, the motion to accept Miss Horniman’s proposition is passed by a majority of shareholdings rather than a majority of votes. Nic Shiubhlaigh along with others resign, but they agree to remain until the end of the year, as part of an upcoming tour of England.
Nic Shiubhlaigh remains with the Abbey until December 1905, when along with Honor Lavelle (also known as Helen Laird), Emma Vernon, Máire Garvey, Frank Walker, Seumas O’Sullivan, Padraic Colum and George Roberts, she leaves. She joins the Theatre of Ireland, which she helps to found. This is formed in June 1906 with aims similar to the Irish National Theatre Society. She returns to the Abbey in 1910.
At the time of the 1916 Easter Rising, Nic Shiubhlaigh is living in Glasthule, a suburb of Dublin. She cycles into the city and, along with other members of Cumann na mBan, makes her way to Jacob’s Biscuit Factory, whose garrison under the command of Thomas MacDonagh guards the city against the troops of Portobello Barracks, and acts as an information and supplies hub for other garrisons around the city. She commands the women of the garrison. They remain there until the surrender, cooking and rendering first aid to the garrison, and bringing despatches through the city.
Nic Shiubhlaigh had retired from professional acting in 1912, and seldom works in professional theatre again. In 1929, she marries former IRA Director of Organisation, Major General Eamon “Bob” Price, and they move to Laytown, County Meath.
Nic Shiubhlaigh’s last stage appearance, alongside her sister Gypsy, is in a production of Gaol Gate at the Olympia Theatre, Dublin, on November 21, 1948, staged to mark the 150th anniversary of the death of Theobald Wolfe Tone.
Nic Shiubhlaigh dies on September 9, 1958, in the Drogheda cottage hospital.
Her book, The Splendid Years, written with the help of her nephew Edward Kenny, recalls the years of the national revival and the Easter Rising.
Frederick Edward McWilliamCBERA, Northern Irish surrealistsculptor, is born in Banbridge, County Down, on April 30, 1909. He works chiefly in stone, wood and bronze. His style of work consists of sculptures of the human form contorted into strange positions, often described as modern and surreal.
McWilliam is the son of Dr. William McWilliam, a local general practitioner. Growing up in Banbridge has a great influence on his work. He makes references to furniture makers such as Carson the Cooper and Proctors in his letters to his friend, Marjorie Burnett.
McWilliam attends Campbell College in Belfast and later attends Belfast College of Art from 1926. After 1928, he continues to study at the Slade School of Fine Art in London. He originally intends to become a painter, but influenced by Alfred Horace Gerrard, head of the sculpture department at the Slade, and by Henry Moore whom he meets there, he turns to sculpture. He receives the Robert Ross Leaving Scholarship which enables him and his wife, Beth (née Crowther), to travel to Paris where he visits the studio of Constantin Brâncuși.
During the first year of World War II, he joins the Royal Air Force and is stationed in England for four years where he is engaged in interpreting aerial reconnaissance photographs. He is then posted to India. While there he teaches art in the Hindu Art School in New Delhi.
After his return from India, McWilliam teaches for a year at the Chelsea School of Art. He is then invited by A. H. Gerrard to teach sculpture at the Slade. He continues in this post until 1968.
During the Northern IrelandTroubles McWilliam produces a series of bronzes in 1972 and 1973 known as Women of Belfast in response to the bombing at the Abercorn Tea-Rooms.
In 1964 McWilliam is awarded an Honorary Doctor of Letters from Queen’s University Belfast. In 1966 he is appointed CBE and in 1971 he wins the Oireachtas Gold Medal. He is represented in many public collections, including the Museum of Modern Art in New York City and Tate Britain in London. In 1984 the National Self-Portrait Gallery purchases a McWilliam self-portrait amongst acquisitions from fellow Northerners Brian Ballard, Brian Ferran and T. P. Flanagan.
Boland is the son of Irish Republican Brotherhood member James Boland and Kate Woods. He was active in GAA circles in early life and referees the 1914 All-Ireland Senior Football Championship Final. He joins the IRB at the same time as his older brother Gerald in 1904, following in the footsteps of his father, uncle and probably grandfather. He is educated at the Synge Street CBS, but hads a personality clash with one of the brothers so he refuses to carry on his attendance at the school. He then goes to De la Salle College, County Laois, as a novice.
Boland later joins the Irish Volunteers along with Gerry and his younger brother Ned. They take an active part in the Easter Rising of 1916.
At the 1918 Irish general election, Boland is elected as an MP for South Roscommon. In line with all the Sinn Féin MPs elected at that election, he does not take his seat in the British House of Commons but withdraws to sit in the declared independent Dáil Éireann (the First Dáil) and is named by Éamon de Valera as special envoy to the United States, a role his uncle Jack had played 25 years earlier. He leaves Ireland for the United States along with de Valera as part of a campaign to raise awareness and support for their cause in America. He negotiates a loan of $20,000 from the Irish Republic to the Russian Soviet Federative Socialist Republic through the head of the Soviet Bureau, Ludwig Martens, using some Russian jewelry as collateral. These jewels are transferred to Ireland when he returns. His sister Kathleen and her mother are entrusted with the safekeeping of jewels.
In the 1922 Irish general election, Boland is re-elected to the Dáil representing Mayo South–Roscommon South. Six weeks later, on July 31, he is shot by soldiers of the National Army when they attempt to arrest him at the Skerries Grand Hotel. Two officers enter his room and, although unarmed, he is shot and mortally wounded during a struggle.
Boland’s death affects Collins and possibly spurs him toward peace negotiations with Éamon de Valera.
Boland’s brother, Gerald Boland, is a prominent member of Fianna Fáil and later serves as Minister for Justice. His nephew, Kevin Boland, serves as a Minister until he resigns in solidarity with the two ministers, Charles Haughey and Neil Blaney, who are sacked from the government in May 1970 during the Arms Crisis. Kevin Boland’s resignation from Fianna Fáil and the subsequent loss of his seat marks the end of an era for the Boland political dynasty.
In the 1991 TV movie The Treaty, Boland is portrayed by Malcolm Douglas. In the 1996 film Michael Collins, he is portrayed by American actor Aidan Quinn. The film is criticised for fictionalising both Boland’s death and Collins’ life.
Cooney is the second of three children of John Cooney and Mary Ann Cooney (née Gleeson), middling farmers. While his grandfather, Patrick Cooney, from nearby Garrykennedy, is reputed to have been a member of the Irish Republican Brotherhood (IRB) and an Irish National Land League activist, his father does not have any inclination towards radical politics. He is educated at Lissenhall national school and St. Joseph’s CBS, Nenagh. In October 1916, he commences studies in medicine at University College Dublin (UCD) just as the Irish War of Independence is getting underway. He plays briefly with the College’s hurling club.
In 1917, Cooney joins the Third Battalion of the Dublin Brigade of the Irish Republican Army (IRA). A year later he is jailed for two months in Mountjoy Prison and Crumlin Road Gaol, Belfast, for illegal drilling. Joining the IRB at the end of 1918, he assists in the December 1918 election by protecting candidates and acts as a guard at sittings of the First Dáil. On June 26, 1920, he plays a major role in the attack on BorrisokaneRoyal Irish Constabulary (RIC) barracks. He takes part in the Bloody Sunday operations of November 21, 1920, at 28 Upper Pembroke Street where a number of British agents are killed and attends Croke Park afterwards. He then goes on the run as a full-time Volunteer and serves with the Dublin Brigade active service unit (ASU).
After the Anglo-Irish truce of July 1921, Cooney is appointed Officer Commanding (O/C) of the 1st Kerry Brigade, IRA, reorganising it and forming a flying column. Opposing the Anglo-Irish Treaty of 1921, he does not immediately break with GHQ, who sends him to organise the 1st Eastern Division. Later in January 1922, the Chief of Staff, Eoin O’Duffy, asks him to become O/C of the 3rd Eastern Division, but later rescinds the appointment. In March 1922 he is appointed O/C of the 1st Eastern Division of the anti-Treaty IRA during the Irish Civil War.
That same year he is captured by Free State forces and interned in Mountjoy Prison, where he becomes O/C of the prisoners in C Wing. He accepts responsibility for an attempted escape bid on October 10, 1922, in which a fellow prisoner, Peadar Breslin, is killed and another man is wounded. After sojourns in Newbridge and Arbour Hill Prison, he is moved with the other leaders to Kilmainham Gaol, where he spends forty-one days on hunger strike. Removed to Harepark Camp, the Curragh, on January 1, 1924, he is among the last to be released on May 29, 1924.
Cooney succeeds Frank Aiken as Chief of Staff of the IRA on November 18, 1925. Central to the reorganisation scheme he puts in place is the need to secure American funds for the IRA and to combat Frank Aiken’s fundraising work in the United States since December 1925 on behalf of the embryo Fianna Fáil organisation. Receiving permission on April 21, 1926, he departs on a fund-raising trip to the United States but returns to Ireland in October. He resigns as chief of staff in favour of Maurice Twomey but retains his position as chairman of the IRA executive until November 21, 1927, when he obtains leave to complete his medical studies.
After internship in the Mater Hospital, Dublin, Cooney finds temporary employment in London, but remains in touch with GHQ. On September 27, 1929, he marries the German-educated Frances (‘Frank’) Brady, daughter of a wealthy Belfast linen family and former Cumann na mBan activist and hunger-striker. The marriage is not a success. Failing to secure employment due to police harassment and the loyalty test then in force, he and his wife are obliged to emigrate to London, where he practises as a GP, still maintaining his IRA links. Their only child, Seán, is born there in 1931. He returns to Ireland in August 1932, after Fianna Fáil’s accession to power.
An intimate friend of Maurice Twomey, who is still Chief of Staff, Cooney remains in the upper echelons of the IRA and attends its conventions. Signifying his standing in republican circles, he is chosen to unveil, inter alia, the Fenian memorial in Glasnevin Cemetery and the Seán Treacy plaque in Talbot Street, Dublin, and is a regular speaker at commemorations. In March 1940, he attempts to intercede with Éamon de Valera on behalf of hunger-striking republicans, and is later arrested, but released.
After the discovery of a German spy ring in the hospitals commission’s subsidiary, the Dublin Hospitals Bureau, Cooney is forced to resign in April 1942 on refusing to take a loyalty pledge to the state. He returns to private practice. He becomes active in the unsuccessful campaign to save Charlie Kerins, Chief of Staff, from being hanged in 1944. In anticipation of emigrating, he finally resigns from the IRA in 1944, though military and police surveillance continue until March 1945.
In August 1945, Cooney joins the United Nations Relief and Rehabilitation Administration, working with displaced persons in the American zone in Germany, and gains rapid promotion. After joining the International Refugee Organisation (UNRRA’s successor) on July 1, 1947, he becomes the chief medical officer of an area including the American sector of Berlin and containing 150,000 displaced persons. He later holds a similar post in Bavaria.
Appointed a part-time member of the hospitals commission by the inter-party government in September 1949 and in severe financial straits, Cooney emigrates alone to the United States on December 2, 1950, and never returns. While employed in a tuberculosissanatorium in New Jersey, he obtains by examination his licence to practise medicine in Maryland on January 14, 1954. Admitted a member of the American College of Chest Physicians, again by examination, on November 23, 1954, he secures, at the age of 57, his first ever permanent post in medicine, in a similar hospital in Pikesville, Maryland. His republican activities continue through Clan na Gael during his U.S. years, and he is a frequent speaker at commemorative events.
(Pictured: Liam Lynch with some of his Divisional Staff and Officers of the Brigades, including the 1st Southern Division, who attend as delegates to the Army Convention at the Mansion House, Dublin, on April 9, 1922. Cooney is first on the right in the 3rd row back.)
Wilde is born in March 1815 at Kilkeevin, near Castlerea, County Roscommon, the youngest of the three sons and two daughters of a prominent local medical practitioner, Thomas Wills Wilde, and his wife, Amelia Flynne. His family are members of the Church of Ireland, and he is descended from a Dutchman, Colonel de Wilde, who came to Ireland with King William of Orange‘s invading army in 1690, and numerous Anglo-Irish ancestors. He receives his initial education at the Elphin Diocesan School in Elphin, County Roscommon. In 1832, he is bound as an apprentice to Abraham Colles, the pre-eminent Irish surgeon of the day, at Dr. Steevens’ Hospital in Dublin. He is also taught by the surgeons James Cusack and Sir Philip Crampton and the physician Sir Henry Marsh. He also studies at the private and highly respected school of anatomy, medicine, and surgery in Park Street (later Lincoln Place), Dublin. In 1837, he earns his medical degree from the Royal College of Surgeons in Ireland. In the same year, he embarks on an eight-month-cruise to the Holy Land with a recovering patient, visiting various cities and islands throughout the Mediterranean. Porpoises are flung on board the ship, Crusader, and Wilde dissects them. Taking notes, he eventually composes a two-volume book on the nursing habits of the creatures. Among the places he visits on this tour is Egypt. In a tomb he finds the mummified remains of a dwarf and salvages the torso to bring back to Ireland. He also collects embalmed ibises.
Wilde runs his own hospital, St. Mark’s Ophthalmic Hospital for Diseases of the Eye and Ear, in Dublin and is appointed to serve as Oculist-in-ordinary to Queen Victoria. At one point, he performs surgery on the father of another famous Irish dramatist, George Bernard Shaw.
Wilde had a very successful medical practice and is assisted in it by his natural son, Henry Wilson, who had been trained in Dublin, Vienna, Heidelberg, Berlin, and Paris. Wilson’s presence enables him to travel, and he visits Scandinavia, where he receives an honorary degree from Uppsala University, and is welcomed in Stockholm by Anders Retzius, among others. King Charles XV of Sweden confers on him the Nordstjärneorden (Order of the Polar Star). In 1853, he is appointed Surgeon Occulist in Ordinary to the Queen in Ireland, the first position of its kind, probably created for him.
Wilde is awarded a knighthood in a ceremony at Dublin Castle on January 28, 1864, more for his involvement with the Irish census than for his medical contributions, although he had been appointed medical commissioner to the Irish census in 1841. In 1845, he becomes editor of the Dublin Journal of Medical & Chemical Science, to which he contributes many articles.
Wilde marries the poet Jane Francesca Agnes Elgee on November 12, 1851, who writes and publishes under the pen name of Speranza. The couple has two sons, William (Willie) and Oscar, and a daughter, Isola Francesca, who dies in childhood.
In addition to his children with his wife, Wilde is the father of three children born out of wedlock before his marriage: Henry Wilson, born in 1838, and Emily and Mary Wilde, born in 1847 and 1849, respectively, of different parentage to Henry. He acknowledges paternity of his illegitimate children and provides for their education, but they are reared by his relatives rather than with his wife and legitimate children. Emily and Mary both die in 1871 following a Halloween party at which their dresses accidentally catch fire.
From 1855 until his death in 1876, Wilde lives at 1 Merrion Square, now the headquarters of American College Dublin. The building is named Oscar Wilde House after William Wilde’s son, who also lives at the address from 1855 until 1878. There is a plaque at 1 Merrion Square dedicated to him.
Wilde’s reputation suffers when Mary Travers, a long-term patient of his and the daughter of a colleague, claims that he had seduced her two years earlier. She writes a pamphlet crudely parodying Wilde and Lady Wilde as Dr. and Mrs. Quilp, and portraying Dr. Quilp as the rapist of a female patient anaesthetised under chloroform. She distributes the pamphlets outside the building where Wilde is about to give a public lecture. Lady Wilde complains to Mary’s father, Robert Travers, which results in Mary bringing a libel case against her. Mary Travers wins her case but is awarded a mere farthing in damages by the jury. Legal costs of £2,000 are awarded against Lady Wilde. The case is the talk of all Dublin, and Wilde’s refusal to enter the witness box during the trial is widely held against him as ungentlemanly behaviour.
From this time onwards, Wilde begins to withdraw from Dublin to the west of Ireland, where he had started in 1864 to build what becomes Moytura, his house overlooking Lough Corrib in Connemara, County Galway. His health deteriorates in 1875. He dies, likely of cancer, at the age of 61 on April 19, 1876. He is buried in Mount Jerome Cemetery in Dublin.
(Pictured: Sketch of William Wilde by J.H. Maguire, 1847)
Richard Valentine Williams, who writes poetry, plays and stories under the pseudonym of Richard Rowley, is born on April 2, 1877, at 79 Dublin Road in Belfast, in what is now Northern Ireland.
At the age of sixteen, Rowley enters the family firm, McBride and Williams, which manufactures cotton handkerchiefs and eventually becomes its managing director. After the collapse of the company in 1931 he is Chairman of the Northern Ireland Unemployment Assistance Board. His early poems, in The City of Refuge and Other Poems (1917), are rhetorical celebrations of industry. His next volume, City Songs and Others (1918), includes his most quoted poem, The Islandmen, and is regarded as containing his most original work: “Browning-like monologues straight from the mouths of Belfast’s working-class.”
In 1918, Rowley goes to live in the Mourne country, residing in Brook Cottage, Bryansford Rd., Newcastle, County Down. He writes short stories, including Tales of Mourne (1937), as well as at least one highly successful play, Apollo In Mourne (1926). During World War II, he founds, and runs from his Newcastle home, the short-lived Mourne Press. He publishes first collections of Sam Hanna Bell and Michael McLaverty, but the press fails in 1942.
In 1946, Rowley sells Brook Cottage, which has since been demolished, and moves with his wife, the former Margaret Pollock, to Drumilly, Loughgall, County Armagh, as paying guests of their friends, Mr. and Mrs. Ralph Cope. He dies there on April 25, 1947.
George MacCann and Jack Loudan presents a commemoration of Rowley’s life on the radio in 1952. The programme uses recordings of his friends Lady Mabel Annesley, who illustrated several of his publications, along with the poet John Irvine, the playwright Thomas Carnduff and William Conor. In Newcastle, Rowley’s name is remembered through the Rowley Meadows housing development and the Rowley Path, which runs along the southern boundary of the Islands Park.
(Pictured: Blue plaque at Richard Rowley’s birthplace in Belfast, Northern Ireland)
Hales is born John Hales, eldest child of five sons and four daughters of Robert Hales, a farmer, and Margaret (née Fitzgerald) Hales. He is educated at Ballinadee national school and Warner’s Lane school, Bandon. After leaving school he goes to work on his father’s farm. He plays hurling with Valley Rovers GAA club and is the Munster champion in the 56-lb. weight-throwing competition. From an early age he follows in his father’s footsteps and becomes involved in the republican movement.
Hales joins the Irish Volunteers in 1915 and becomes captain of the Ballinadee company in 1916. Arrested under the Defence of the Realm Act after the 1916 Easter Rising, he is imprisoned in Frongoch internment camp in Wales. After his release, in April 1917 he becomes executive of the short-lived Liberty League promoted by Count George Plunkett. When the League merges with Sinn Féin, he helps reorganise the Volunteers. With his brothers, Tom, William, and Donal, he continues his father’s fight on behalf of evicted tenants and becomes involved with the anti-British Bandon People’s Food Committee and the anti-landlord Unpurchased Tenants’ Association. He helps in the Sinn Féin takeover of The Southern Star newspaper and is a member of the new board of directors. In 1919 he becomes battalion commander of the first (Bandon) battalion 3rd Cork Brigade of the Irish Republican Army, the name by which the Irish Volunteers increasingly became known. He leads the attack on TimoleagueRoyal Irish Constabulary (RIC) barracks in February 1920, and the ambush of an Essex Regiment patrol at Brinny in August 1920. The military patrol at Brinny manages to surprise the ambushers and Lieutenant Tim Fitzgerald of Bandon is the first Volunteer to be killed in action in west Cork. Hales then commands the assault on two truckloads of British troops at Newcestown Cross in which a British officer is killed and several soldiers are wounded.
Hales is appointed section commander of the west Cork flying column in 1920 and takes part in the major action at Crossbarry on March 19, 1921. In retaliation for the burning of the Hales home in March 1921, he leads a contingent of Volunteers and burns Castle Bernard, the residence of the Earl of Bandon. The occupant, Lord Bandon, is held hostage until General Strickland, the British OC in Cork, guarantees he will not execute Volunteers in Cork prison. The British authorities yield and there is an end to the policy of executing prisoners of war in the Cork area.
At the 1922 Irish general election, Hales is elected to the Third Dáil as a pro-Treaty Sinn Féin Teachta Dála (TD) for the same constituency. He receives 4,374 first preference votes (7.9%). Shortly afterward, the Irish Civil War breaks out between the pro-Treaty faction, who are in favour of setting up the Irish Free State and the anti-Treaty faction, who would not accept the abolition of the Irish Republic.
On December 7, 1922, Hales is killed by anti-Treaty IRA men as he leaves the Dáil. Another TD, Pádraic Ó Máille, is also shot and badly wounded in the incident. His killing is in reprisal for the Free State’s execution of anti-treaty prisoners. In revenge for Hales’ killing, four republican leaders, Joe McKelvey, Rory O’Connor, Liam Mellows and Richard Barrett, are executed the following day, December 8, 1922.
Hales is given a military funeral to the family burial place at St. Patrick’s Cemetery, Bandon.
According to information passed on to playwrightUlick O’Connor, an anti-Treaty IRA volunteer named Owen Donnelly of Glasnevin is responsible for the killing of Hales. Seán Caffrey, an anti-treaty intelligence officer told O’Connor that Donnelly had not been ordered to kill Hales specifically but was following the general order issued by Liam Lynch to shoot all deputies and senators they could who had voted for the Public Safety Act (September 28, 1922) which established military courts with the power to impose the death penalty.
A commemorative statue of Hayes is unveiled at Bank Place in Bandon in 1930.
References to Stephens’s early life, according to one of his biographers, Desmond Ryan, are obscure and limited to Stephens’s own vague autobiographical recollections. He is born at Lilac Cottage, Blackmill Street, Kilkenny, County Kilkenny, on January 26, 1825, and spends his childhood there. No birth records have ever been located, but a baptismal record from St. Mary’s Parish is dated July 29, 1825. There is reason to believe that he is born out of wedlock in late July 1825. However, according to Stephens, his exact date of birth is January 26. He is educated at St. Kieran’s College, Kilkenny, for at least one quarter in 1838. He is later apprenticed to a civil engineer, and from 1844 onwards works for the Waterford–Limerick Railway Company.
When the Young Irelanders split from Daniel O’Connell‘s Repeal Association and found the Irish Confederation in January 1847, Stephens becomes involved in the activities of the Kilkenny Confederate clubs. After the government suspends habeas corpus and issues warrants of arrest against the Confederate leaders, William Smith O’Brien appears in Kilkenny on July 23, 1848, seeking support for a popular insurrection, and two days later Stephens joins him. For four days he follows O’Brien’s wanderings and takes part in all his encounters with government forces, including the affray at the home of Widow McCormack on July 29 when O’Brien’s followers besiege a party of policemen in a house near Ballingarry, County Tipperary. They are finally dispersed by gunfire and the arrival of reinforcements, thus ending O’Brien’s revolutionary efforts. Stephens reportedly receives two bullet wounds but manages to hide and evade arrest.
Three days later, Stephens proceeds to Ballyneale, near Carrick-on-Suir, County Tipperary, in search of John O’Mahony. He accompanies O’Mahony to meet Michael Doheny, and for six weeks Stephens and Doheny avoid arrest by roaming around the south of Ireland, an adventure that Doheny records in The Felon’s Track (1849). On September 12, Stephens is smuggled out of Ireland by the family of the Skibbereen attorney McCarthy Downing, and four days later manages to reach Paris. O’Mahony and Doheny join him shortly afterwards, although Doheny soon emigrates to the United States.
From their exile Stephens and O’Mahony watch the failure of the ’49 conspiracy of James Fintan Lalor and Philip Gray and witness the barricades against Louis Napoleon’s coup d’état in 1851. Stephens later claims to have joined the French republican insurgents, but according to O’Mahony this is merely a frustrated intention. Equally without foundation is the rumour that Stephens and O’Mahony at this time join a republican secret society as a training ground for their future Irish enterprise.
Stephens remains in Paris from 1848 to 1855, supporting himself by teaching English. He attends Sorbonne University and has plans to obtain a professorship that never materialises. Towards the close of his exile, he is employed by the Le Moniteur Universel, for which he allegedly translates Charles Dickens‘s Martin Chuzzlewit. Late in 1855 he returns to Ireland and undertakes a series of tours throughout the island. He later magnifies the venture as “the 3,000 miles’ walk” and reformulates it as an attempt to measure the country’s nationalist temperature. However, his primary intention at the time is to collect information for a book he is planning to write. The following autumn he returns to Dublin, becomes tutor of French to the children of several well-to-do families including that of the Young Irelander John Blake Dillon, and joins the nationalist circle of Thomas Clarke Luby, Philip Gray, and other veterans of the ’49 conspiracy.
When Gray dies in January 1857, Stephens asks O’Mahony, then living in New York, to collect funds for a funeral monument. This evidence of nationalist activity, coupled with the prospect of “England’s difficulty” awakened by the recent Crimean War and the insurrection in India, give life to O’Mahony’s and Doheny’s Emmet Monument Association (EMA). That autumn the EMA sends an envoy to Ireland with a proposal for Stephens to prepare the country for the arrival of a military expedition. Stephens offers to organise 10,000 men in three months, provided he is given at least £80 a month and absolute authority over the enterprise. On March 17, 1858, Saint Patrick’s Day, he receives the first installment and his appointment as “chief executive” of the Irish movement. The same day he and his associates take an oath to make Ireland “an independent democratic republic.” The nameless secret society thereby inaugurated eventually becomes known as the Irish Republican Brotherhood (IRB). It is organised in cells, each led by a “centre” with Stephens being known as the “head centre.”
The EMA’s failure to send a second installment prompts Stephens to travel to New York in October 1858. While in America he attempts, and fails, to engage the support of the Young Irelanders John Mitchel and Thomas Francis Meagher, but succeeds in establishing a solid partnership with Irish nationalists based in New York. Late in 1858 the surviving members of the EMA reorganise themselves into a modified replica of the IRB, and under John O’Mahony’s inspiration adopt the name of the Fenian Brotherhood (FB). Eventually the label “Fenian” comes to be applied to the members of both organisations. As part of the new arrangements, Stephens obtains a new appointment as head of the movement “at home and abroad.”
Despite Stephens’s success, his labours in America and the secrecy of his own activities in Ireland are almost spoiled in December by the arrest of Jeremiah O’Donovan Rossa and other members of the Phoenix National and Literary Society of Skibbereen, which had been incorporated into the IRB the previous May. On his return from America in March 1859 Stephens takes refuge in Paris and delegates management of the organisation to Luby. He only returns to Dublin in April 1861 when O’Mahony, then on a tour of inspection, suggests establishing an executive council to share Stephens’s power. Stephens succeeds in frustrating this plan, but from the time of O’Mahony’s visit the tension between the two leaders never subsides.
In the autumn of 1861 Stephens takes lodgings on Charlemont Street at the house of John and Rossanna Hopper, owners of a small tailoring establishment, and soon falls in love with their daughter Jane, almost twenty years his junior. The two are married on January 24, 1864, at the church of SS Michael and John, Exchange Street. The marriage produces no children.
The first success for Stephens’s IRB comes on November 10, 1861, when the IRB-dominated National Brotherhood of Saint Patrick stages the funeral for the Young Irelander Terence MacManus after an intense tug-of-war with both the Catholic church and constitutional nationalism. Stephens plays a central role in promoting IRB control of the funeral arrangements and although the event lacks the mythical nationalist significance claimed by Fenian apologists, it serves to boost Fenian self-assertion and hasten the divorce between middle-class nationalist elites and a new militant republican working class which has different interests at stake in an independent Ireland.
Despite the McManus funeral success, the IRB continues to endure financial difficulties throughout 1862. In 1863, Stephens resolves to address these difficulties and consolidate the movement’s position by founding a newspaper. The Irish People is first issued on November 28, 1863. He contributes leading articles to its first three numbers but finally abandons his literary efforts in favour of Luby, John O’Leary, and Charles J. Kickham, thereafter the paper’s leading writers and guiding spirits.
In the meantime, the relationship between Stephens and O’Mahony continues to deteriorate. In November 1863 O’Mahony has turned the tables and persuaded the FB to acknowledge Stephens merely as “its representative in Europe.” In March 1864 Stephens again travels to the United States in order to stimulate the flow of funds towards the IRB and regain some hold on the FB. As part of his new policies, he makes the sensational announcement that 1865, at latest, is to be the movement’s “year of action.” After the end of the American Civil War in April 1865, Fenian activity increases spectacularly, and demobilised soldiers travel to Ireland. However, on September 15, 1865, the government takes action, suppresses The Irish People, and arrests most of Stephens’s closest collaborators, including Luby, O’Leary and O’Donovan Rossa. Stephens himself is arrested on November 11 but, in a daring operation that proves a propaganda coup for the Fenians, is rescued from Richmond Bridewell penitentiary thirteen days later and eventually makes his way to America via Britain and France. By the time he arrives in the United States, the FB has split into two “wings,” the partisans of John O’Mahony and those of William R. Roberts, the president of the Fenian “senate,” who advocate shifting military efforts towards invading Canada. The split ends Stephens’s already slender chances of launching a successful rising before the end of December, and he calls a postponement.
On February 17, 1866, the government suspends habeas corpus in Ireland and arrests multiply. Stephens braves the members’ impatience, calls a new postponement, and in May travels to New York in order to try and solve the American crisis in the IRB’s favour. He accepts O’Mahony’s resignation, takes control of his wing, and starts an intensive campaign of propaganda and fund-raising. Again, he proclaims 1866 as the “year of action,” but by December the movement is weaker than ever, and he tries to call a new postponement. This time his lieutenants, led by Col. Thomas J. Kelly, lose patience, depose him from leadership and prepare to launch the insurrection themselves. The result is the ill-fated Fenian Rising of March 5-6, 1867.
After his deposition, Stephens spends most of his remaining years in France, in dire financial distress, but still hoping against hope to regain his position at the head of the movement. However, the IRB is now under the control of the anti-Stephens supreme council, and the FB is quickly losing its influence to the newly emerged Clan na Gael. His reputation, always tainted by his controversial personality and autocratic management, had been ruined forever by the 1866 events and his repeated failure to order the rising. With the exception of a small core of diehard partisans, the majority of his former associates and followers have grown resentful of his leadership and are vehemently opposed to his return.
Apart from occasional English tutoring and a ruinous venture as a wine merchant that takes him to the United States from 1871 to 1874, Stephens’s post-Fenian years are mainly spent in poverty while awaiting the next opportunity to resume leadership of the IRB. In 1880, after a last unsuccessful trip to the United States and a crushing defeat by John Devoy and Clan na Gael, he gives up hope, returns to Paris, and settles down to earn a living as an occasional newspaper contributor. In 1885 he is expelled from France under the unfounded suspicion of involvement in dynamiting activities with his cousins Joseph and Patrick Casey and the journalist Eugene Davis. He then takes up residence in Brussels but is able to return to Paris two years later. Finally, through Charles Stewart Parnell‘s intervention in 1891, he is allowed to return to Ireland. He moves into a cottage in Sutton, near Howth, and settles into retirement. After his wife’s death in 1895 he moves to the house of his in-laws in Blackrock, County Dublin, where he dies on March 29, 1901. Two days later he is given a solemn nationalist funeral and is interred in Glasnevin Cemetery.
Stephens’s controversial historical reputation never accords him a comfortable place in the post-independence nationalist pantheon. His egotism and defects as a leader overshadow the credit he is given as a founder and organiser. Yet his notorious personality is arguably the key to his success and ultimate historical significance. His obsessive self-confidence and single-mindedness turn the EMA’s half-matured proposal into a solid partnership that inaugurates an enduring pattern of American involvement in Irish nationalism. At the same time, by impressing the IRB with his own assertiveness he enables it to break the tacit monopoly of the middle classes on Irish political life. By the time of his downfall, Irish republicanism has acquired a definite shape and a marginal but stable position in the Irish political scene.
Stephens’s name has been incorporated into Kilkenny local heritage in institutions as diverse as a swimming pool, a military barracks, and a hurling team. In 1967 a plaque is unveiled at the site of his childhood home on Blackmill Street. The main collections of his documents are the James Stephens papers, MSS 10491–2, in the National Library of Ireland, and the Michael Davitt papers addenda, MS 9659d, in Trinity College Dublin.
(From: “Stephens, James” by Marta Ramón, Dictionary of Irish Biography, http://www.dib.ie, last revised March 2021)
Lynch’s father, who is a committed, non-violent Fenian, dies when she is young. Her mother, Anna Theresa Calderwood, is married twice. She grows up in a cultivated, literary, very female household with her mother and ten sisters and half-sisters. Her stepfather is James Cantwell, also a Fenian, who runs the Star and Garter Hotel. From her early childhood she is familiar with many leading political agitators and writers in Dublin. Having been educated at a convent school in France, she considers training as a doctor and later as a concert pianist. However, economic circumstances lead to her to work as a sub-editor for a provincial paper and as a governess in Europe.
A nationalist like her father and stepfather, Lynch is an executive member of the Ladies’ Land League and as a result closely associates with Fanny Parnell. She writes extensively, producing short stories and satirical sketches, as well as Land War fiction, travel writing, translations and literary criticism. Her satirical pieces include “A Dublin Literary Coterie Sketched by a Non-Pretentious Observer” (1888) and “My Friend Arcanieva” (1895). She publishes William O’Brien‘s paper United Ireland from France, after it is suppressed in Ireland. She disagrees with William Butler Yeats on the literary merit of Emily Lawless, calling her work “highly polished literary stories.”
Lynch also writes fiction on the subject of political and cultural affairs in Ireland, sometimes meeting controversy. Her first novel, Through Troubled Waters (1885), is a fictionalised version of a real-life incident in Galway in which the daughters of a prosperous landowning family are murdered to make way for the sons to inherit the land. The novel also depicts the rural clergy as complicit, by denouncing the victims from the pulpit. The newspaper United Ireland strongly criticises the novel, claiming it peddles in anti-Irish stereotypes for a British audience. She responds by stating that she had intended the book for an Irish publisher and audience, and that she should not be asked “to prove my patriotism at the expense of truth.”
Lynch publishes across Ireland, the United Kingdom and from Paris. Her political work eventually leads to a breakdown in her health, after which she spends a period recuperating on the Isle of Wight. By 1896, she has settled in Paris, having also lived in both Spain and Greece. She speaks Greek and French. She then returns to lecture in Ireland and is a part of the salons of Paris in the Belle Époque as well as the Irish Literary Revival in Dublin. She is friends with the historian, biographer and literary critic Arvède Barine (pseudonym of Louise-Cécile Vincens), the writers Mabel and Mary Robinson, and the medievalist Gaston Paris. Her work however does not bring significant income, and she is forced to apply to the Royal Literary Fund for help on multiple occasions. Eventually it takes a toll on her health. She spends time in hospital in Margate, England in 1903.
Lynch dies at 60 Rue de Breteuil in Paris on January 9, 1904, where she spends much of her working life.
seamus dubhghaill 