seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Category Archives: Union with Great Britain (1801-1912)


by Leave a comment

Birth of Éamonn Ceannt, Irish Republican

eamonn-ceannt

Éamonn Ceannt, Irish republican mostly known for his role in the Easter Rising of 1916, is born into a very religious Catholic family in the little village of Ballymoe, overlooking the River Suck in County Galway on September 21, 1881.

Ceannt, born Edward Thomas Kent, is the sixth of seven children of James Kent and Joanne Galway. His father is a Royal Irish Constabulary officer stationed in Ballymoe. In 1883 he is promoted and transferred to Ardee, County Louth. When his father retires from the force in 1892, the family moves to Dublin. Here he attends the North Richmond Street Christian Brothers School. Two other leaders from the 1916 rising, Seán Heuston and Con Colbert, are educated at the school. Upon finishing school, he goes on to secure a job with the clerical staff of the City Treasurer and Estates and Finances office. He works as an accountant with the Dublin Corporation from 1901-1916.

In 1907 Ceannt joins the Dublin central branch of Sinn Féin and over the following years becomes increasingly determined to see an Independent Ireland. In 1912 he is sworn to the Irish Republican Brotherhood (IRB) by Seán MacDiarmada. This movement is pledged to achieve Irish independence and to do so by using physical force if necessary.

In May 1915, the IRB Military Council, consisting of Joseph Plunkett and Seán MacDiarmada as well as Ceannt, begin plans for a rebellion. Ceannt is one of the seven men to sign the Proclamation of the Irish Republic and is appointed Director of Communications. He is made commandant of the 4th Battalion of the Volunteers and during the Rising is stationed at the South Dublin Union, with more than 100 men under his command, notably his second-in-command Cathal Brugha, and W. T. Cosgrave. The South Dublin Union controls a large area south of Kilmainham around Dolphin’s Barn.

As 3rd Royal Irish come to Mount Brown, a section of Ceannt’s battalion under section commander John Joyce opens fire, killing a number of soldiers. The British cannot break through to Dublin Castle and so bring up more troops from Kilmainham Barracks. A ceasefire allows casualty retrieval. The Volunteers drive back repeated assaults from determined regimental attacks. Ceannt uses a contingent at the Marrowbone Lane Distillery to enfilade the passing soldiers. On Tuesday, April 25, the British could close off the battle but fail to press home the advantage when the 4th Royal Dublin Fusiliers arrive. Ceannt continues to hold out with 20 times fewer men. On Thursday, April 27, a British battalion comes south as far as the Rialto Bridge when Ceannt’s outposts open fire.

The British are forced to tunnel into the buildings and, as Ceannt’s numbers reduce, it is increasingly involved in close quarter fighting. His unit sees intense fighting at times during the week but surrenders when ordered to do so by his superior officer Patrick Pearse.

After the unconditional surrender of the 1916 fighters, Ceannt, along with the other survivors, are brought to Richmond Barracks to be detained. On Monday, May 1, plain clothes detectives known as the “G-men” identify the leaders of the Rising, Ceannt being one of them. He is tried under court martial as demanded by General John Maxwell. Maxwell is determined to afflict the death penalty upon Ceannt and the other leaders of the Rising. However, he faces legal issues which only allow the death penalty to be used if one is found aiding the enemy, being Germany at this time. Not until Maxwell obtains a letter from Patrick Pearse addressed to his mother regarding the communication with the Germans is he legally obliged to deploy the death penalty. From this point Ceannt and his comrades begin facing the prospect of a firing squad. On Tuesday, May 2, he is sent to Kilmainham Gaol to face trial and execution.

Ceannt is held in Kilmainham Gaol until his execution by firing squad on May 8, 1916, aged 34. He is buried at Arbour Hill Prison in Dublin.


by Leave a comment

Birth of Michael Cusack, Founder of the Gaelic Athletic Association

michael-cusack

Michael Cusack, teacher and founder of the Gaelic Athletic Association, is born to Irish speaking parents on September 20, 1847 in the parish of Carran on the eastern fringe of the Burren, County Clare during the Great Famine.

Cusack becomes a national school teacher, and after teaching in various parts of Ireland becomes a professor in 1874 at Blackrock College, then known as the French College. In 1877, he establishes his own Civil Service Academy, Cusack’s Academy, in Dublin which proves successful in preparing pupils for the civil service examinations.

A romantic nationalist, Cusack is also “reputed” to have been associated with the Fenian movement. He is active in the Gaelic revival as a member of the Society for the Preservation of the Irish Language which is founded in 1876, and later the Conradh na Gaeilge who in 1879 breaks away from the Society. Also in 1879, he meets Pat Nally, who is a member of the Irish Republican Brotherhood and a leading nationalist and athlete. He finds that Nally’s views on the influence of British landlordism on Irish athletics are the same as his. He recalls how both Nally and himself while walking through the Phoenix Park in Dublin seeing only a handful of people playing sports in the park so depressed them that they agreed it was time to “make an effort to preserve the physical strength of [their] race.” Nally organises a National Athletics Sports meeting in County Mayo in September 1879 which is a success, with Cusack organising a similar event which is open to ‘artisans’ in Dublin the following April.

On November 1, 1884, Cusack, together with Maurice Davin of Carrick-on-Suir, County Tipperary, call a meeting in Hayes’ Commercial Hotel, Thurles, County Tipperary, and found the Gaelic Athletic Association (GAA). Davin is elected president and Cusack becomes its first secretary. Later, Archbishop Thomas William Croke (May 28, 1824 – July 22, 1902), Archbishop of Cashel & Emly, Michael Davitt and Charles Stewart Parnell become patrons. Cusack also becomes involved in the Irish language movement, founding The Celtic Times, a weekly newspaper which focuses on “native games” and Irish culture.

Michael Cusack dies in Dublin at the age of 59 on November 27, 1906.


by Leave a comment

Birth of Louis MacNeice, Poet & Playwright

louis-macneice

Louis MacNeice, British poet and playwright, is born in Belfast on September 12, 1907. He is a member, along with Wystan Hugh Auden, Cecil Day-Lewis, and Stephen Spender, of a group whose low-keyed, unpoetic, socially committed, and topical verse is the “new poetry” of the 1930s. His body of work is widely appreciated by the public during his lifetime, due in part to his relaxed but socially and emotionally aware style.

MacNeice is the youngest son of John Frederick MacNeice and Elizabeth Margaret (“Lily”) MacNeice. His father, a Protestant minister, goes go on to become a bishop of the Anglican Church of Ireland. The family moves to Carrickfergus, County Antrim, soon after MacNeice’s birth. His mother dies of tuberculosis in December 1914. In 1917, his father remarries to Georgina Greer and his sister Elizabeth is sent to board at a preparatory school at Sherborne, England. MacNeice joins her at Sherborne Preparatory School later in the year.

After studying at the University of Oxford (1926–30), MacNeice becomes a lecturer in classics at the University of Birmingham (1930–36) and later in the Department of Greek at the Bedford College for Women, London (1936–40). In 1941 he begins to write and produce radio plays for the British Broadcasting Corporation. Foremost among his fine radio verse plays is the dramatic fantasy The Dark Tower (1947), with music by Benjamin Britten.

MacNeice’s first book of poetry, Blind Fireworks, appears in 1929, followed by more than a dozen other volumes, such as Poems (1935), Autumn Journal (1939), Collected Poems, 1925–1948 (1949), and, posthumously, The Burning Perch (1963). An intellectual honesty, Celtic exuberance, and sardonic humour characterize his poetry, which combines a charming natural lyricism with the mundane patterns of colloquial speech. His most characteristic mood is that of the slightly detached, wryly observant, ironic and witty commentator. Among MacNeice’s prose works are Letters from Iceland (with W.H. Auden, 1937) and The Poetry of W.B. Yeats (1941). He is also a skilled translator, particularly of Horace and Aeschylus (The Agamemnon of Aeschylus, 1936).

By the early 1960s, MacNeice is “living on alcohol,” and eating very little, but still writing. In August 1963 he goes caving in Yorkshire to gather sound effects for his final radio play, Persons from Porlock. Caught in a storm on the moors, he does not change out of his wet clothes until he is home in Hertfordshire. Bronchitis evolves into viral pneumonia and he is admitted to hospital in London on August, 27. He dies there on September 3, 1963 at the age of 55. He is buried in Carrowdore churchyard in County Down, alongside his mother.

MacNeice’s final book of poems, The Burning Perch, is published a few days after his funeral. His life-long friend from Oxford, W.H. Auden, who gives a reading at MacNeice’s memorial service, describes the poems of his last two years as “among his very best.”


by Leave a comment

Death of William Paterson, U.S. Senator & New Jersey Governor

william-paterson

William Paterson, Irish-born American jurist, one of the framers of the Constitution of the United States, United States senator (1789–90), and governor of New Jersey (1790–93), dies in Albany, New York on September 9, 1806. He also serves as an Associate Justice of the Supreme Court of the United States from 1793 to 1806.

Paterson is born on December 24, 1745, in County Antrim, to Richard Paterson, an Ulster Protestant. He immigrates with his parents to New Castle, Pennsylvania in 1747, eventually settling in Princeton, New Jersey. At the age of 14, he begins college at the College of New Jersey (now Princeton University), graduating in 1763. After graduating, he studies law with the prominent lawyer Richard Stockton and is admitted to the bar in 1768. He also stays connected to his alma mater and helps found the Cliosophic Society with Aaron Burr.

Paterson serves twice in the Provincial Congress of New Jersey (1775–76), is a delegate to the state constitutional convention (1776), and from 1776 to 1783 is attorney general of New Jersey.

In 1787 Paterson heads the New Jersey delegation to the federal Constitutional Convention, where he plays a leading role in the opposition of the small states to representation according to population in the federal legislature. As an alternative to James Madison‘s large-state Virginia Plan, he submits the small-state New Jersey Plan, also called the Paterson Plan, which advocates an equal vote for all states. The issue is finally resolved with the compromise embodied in the bicameral Congress —representation by population in the House of Representatives, and equality of states in the Senate.

Paterson is instrumental in securing ratification of the final document in New Jersey and is elected one of the state’s first two U.S. senators. He resigns his seat in 1790 and serves as governor of New Jersey until 1793, when he is named an associate justice of the United States Supreme Court.

On September 9, 1806, Paterson, aged 60, dies from the lingering effects of a coach accident suffered in 1803 while on circuit court duty in New Jersey. He is on his way to the spa at Ballston Spa, New York, to “take the waters”, when he dies at the Manor of Rensselaerswyck home of his daughter, Cornelia, and son-in-law, Stephen Van RensselaerStephen Van Rensselaer, in Albany, New York. He is laid to rest in the Van Renssalaer family vault. When the city acquires the property, his remains are relocated to Albany Rural Cemetery in Albany County, New York. Also buried there are Associate Justice Rufus W. Peckham and President Chester A. Arthur.

The city of Paterson, New Jersey and William Paterson University are named for William Paterson.

(Pictured: Portrait of William Paterson (1745–1806) when he was a Supreme Court Justice (1793–1806). This image is from a copy by C. Gregory Stapoko(1913-2006) of the original by James Sharples(1751-1811))


by Leave a comment

Birth of Isaac Butt, Barrister & Politician

File source: http://commons.wikimedia.org/wiki/File:Portrait_of_Isaac_Butt.jpg

Isaac Butt, barrister and politician, is born in Glenfin, County Donegal on September 6, 1813. If not the originator of the term Home Rule, he is the first to make it an effective political slogan. He is the founder (1870) and first chief of the Home Government Association and president (1873–77) of the Home Rule League of Great Britain, but he is superseded in 1878 as head of the Home Rule movement by the younger and more forceful Charles Stewart Parnell.

Butt is the son of a Church of Ireland rector and is descended from the O’Donnells of Tyrconnell, through the Ramsays. He receives his secondary school education at The Royal School in Raphoe, County Donegal, and at Midleton College in County Cork, before going to Trinity College Dublin at the age of fifteen, where he is elected a Scholar. While there he co-founds the Dublin University Magazine and edits it for four years. For much of his life he is a member of the Irish Conservative Party. He becomes Whately Chair of Political Economy at Trinity in 1836 and holds that position until 1841.

Butt is called to the Irish bar in 1838 and the English bar in 1859. Intermittently from 1852 he represents, successively, one English and two Irish constituencies in the House of Commons. In 1848 he undertakes the defense of the Young Ireland leaders, who are charged with high treason for their abortive insurrection that year. From 1865 to 1869 he is the principal defense counsel for the imprisoned leaders of the Fenians (Irish Republican, or Revolutionary, Brotherhood).

Despite his legal work for the Fenians, Butt, who is basically a conservative, fears the consequences of a successful Fenian revolt. Disillusioned, however, by the British government’s failure to relieve the Irish Great Famine of the late 1840s, he becomes convinced that a native parliament is required for Irish land reform and other needs. In May 1870 he calls for an Irish Parliament subordinate to the imperial Parliament at Westminster, and later that year he forms the Home Government Association. From 1871 he quickens the Irish nationalist agitation in the House of Commons but gradually loses his leadership, partly because he disapproves of Parnell’s tactics of obstructing routine parliamentary business.

Butt amasses debts and pursues romances. It is said that at meetings he is occasionally heckled by women with whom he had fathered children. He is also involved in a financial scandal when it is revealed that he had taken money from several Indian princes to represent their interests in parliament.

Isaac Butt dies on May 5, 1879, in Clonskeagh in Dublin. His remains are brought by train to Stranorlar, County Donegal, where he is buried in a corner of the Church of Ireland cemetery beneath a tree by which he used to sit and dream as a boy. His grave has been restored and the memorial now includes a wreath.

Despite his chaotic lifestyle and political limitations, Butt is capable of inspiring deep personal loyalty. Some of his friends, such as John Butler Yeats and the future Catholic Bishop of Limerick, Edward Thomas O’Dwyer, retain a lasting hostility towards Parnell for his role in Butt’s downfall.

In May 2010 the Church of Ireland parishes of Stranorlar, Meenglass and Kilteevogue instigate an annual memorial Service and Lecture in Butt’s honour, inviting members of the professions of law, politics and journalism to reflect aspects of his life. Speakers have included Dr. Joe Mulholland, Senator David Norris, Dr. Chris McGimpsey and Prof. Brian Walker.

(Pictured: Isaac Butt, portrait by John Butler Yeats)


by Leave a comment

General Patrick Cleburne Wounded at Battle of Richmond

Major General Patrick Cleburne, by Louis Guillaume

Irish-born Confederate Brigadier General Patrick Cleburne commands a division at the Battle of Richmond in Kentucky on August 29-30, 1862, where he is wounded.

The battle is a stunning Confederate victory by Major General Edmund Kirby Smith against Union Major General William “Bull” Nelson‘s forces. It is the first major battle in the Confederate Heartland Offensive. The battle takes place on and around what is now the grounds of the Blue Grass Army Depot, outside Richmond, Kentucky.

In the fall of 1862, two Confederate armies move on separate paths into Kentucky, hoping to put the shadow Confederate government of Kentucky of that state into power, threaten Union cities along the Ohio River, and recruit men to join the army. First to move is Kirby Smith, departing Knoxville on August 13, leading the Confederate Army of Kentucky, whose ideas provide the initiative for the offensive. General Braxton Bragg, commanding the Army of Mississippi, leaves Chattanooga on August 27 and moves on a roughly parallel track to the west.

Brigadier General Patrick Cleburne leads Smith’s advance with Colonel John S. Scott’s cavalry out in front. The Confederate cavalry, while moving north from Big Hill on the road to Richmond, Kentucky, on August 29, encounters Union troopers and begin skirmishing. After noon, Union artillery and infantry join the fray, forcing the Confederate cavalry to retreat to Big Hill.

At that time, Brigadier General Mahlon Dickerson Manson, who commands Union forces in the area, orders a brigade to march to Rogersville, toward the rebels. Fighting for the day stops after pursuing Union forces briefly skirmish with Cleburne’s men in the late afternoon. That night, Manson informs his superior, Bull Nelson, of his situation, and he orders another brigade to be ready to march in support, when required.

Kirby Smith orders Cleburne to attack in the morning and promises to hurry reinforcements. Cleburne starts early, marching north, passes through Kingston, disperses Union skirmishers, and approaches Manson’s battle line near Zion Church. As the day progresses, additional troops join both sides. Following an artillery duel, the battle begins, and after a concerted Confederate attack on the Union right, the Union troops give way. Retreating into Rogersville, they make another futile stand at their old bivouac.

By this time, Smith and Nelson arrive and take command of their respective armies. Nelson rallies some troops in the cemetery outside Richmond, but they are routed.

Nelson and some of his men escape, but the Confederates capture over 4,300 Union troops. Total casualties are 5,353 (206 killed, 844 wounded, and 4,303 captured or missing) on the Union side, 451 (78 killed, 372 wounded, and one missing) for the Confederates. The way north towards Lexington and Frankfort is open.

During the battle Cleburne is wounded in the face when a Minié ball pierces his left cheek, smashes several teeth, and exits through his mouth. He recovers in time to re-join Bragg and William Joseph Hardee and participate in the Battle of Perryville.

The Civil War Trust, a division of the American Battlefield Trust, and its partners have acquired and preserved 365 acres of the Richmond Battlefield. The Mt. Zion Christian Church, which served as a hospital during the battle and has cannonballs embedded in its brick walls, is listed on the National Register of Historic Places. Two discontinuous areas totaling 214 acres are listed on the National Register of Historic Places as Battle of Richmond Historic Areas in 1996.

(Pictured: Major General Patrick Ronayne Cleburne, courtesy of Library of Congress)


by Leave a comment

The Capture of Robert Emmet

robert-emmet

Robert Emmet, one of the most famous revolutionaries in Irish history, is captured by the British at the home of a Mrs. Palmer in Harold’s Cross, outside Dublin on August 25, 1803.

Emmet is born at 109 St. Stephen’s Green in Dublin on March 4, 1778. He is the youngest son of Dr. Robert Emmet, a court physician, and his wife Elizabeth Mason. He attends Oswald’s school in Dopping’s-court, off Golden-lane and enters Trinity College, Dublin, in October 1793 at the age of fifteen. In December 1797, he joins the College Historical Society, a debating society.

While he is in college, his brother Thomas and some of his friends become involved in political activism. Emmet becomes secretary of a secret United Irish Committee in college and is expelled in April 1798 as a result. That same year he flees to France to avoid the many British arrests of nationalists that are taking place in Ireland. While in France, he garners the support of Napoleon, who promises to lend support when the upcoming revolution starts.

After the Irish Rebellion of 1798, Emmet is involved in reorganising the defeated Society of United Irishmen. In April 1799, a warrant is issued for his arrest. He escapes and soon after travels to the continent in the hope of securing French military aid. His efforts are unsuccessful, as Napoleon is concentrating his efforts on invading England. He returns to Ireland in October 1802.

In March of the following year, Emmet begins to prepare a new rebellion, with fellow Anglo-Irish revolutionaries Thomas Russell and James Hope. The revolutionaries conceal their preparations, but a premature explosion at one of Emmet’s arms depots kills a man, forcing Emmet to advance the date of the rising before the authorities’ suspicions are aroused.

Despite being unable to secure help from Michael Dwyer‘s Wicklow rebels and many rebels from Kildare turning back due to the scarcity of firearms, the rising begins in Dublin on the evening of July 23, 1803. Failing to seize the lightly defended Dublin Castle, the rising amounts to a large-scale disturbance in the Thomas Street area. Emmet witnesses a dragoon being pulled from his horse and piked to death, the sight of which prompts him to call off the rising to avoid further bloodshed. However, sporadic clashes continue into the night until finally quelled by British military forces.

Emmet flees into hiding, moving from Rathfarnham to Harold’s Cross so that he can be near his sweetheart, Sarah Curran. He is captured on August 25 and taken to Dublin Castle, then later removed to Kilmainham Gaol. Vigorous but ineffectual efforts are made to procure his escape.

Emmet is tried for and found guilty of high treason on September 19, 1803. Chief Justice John Toler, 1st Earl of Norbury sentences Emmet to be hanged, drawn, and quartered, as is customary for conviction of treason. The following day, Emmet is executed in Thomas Street near St. Catherine’s Church. He is hanged and beheaded after his death. Out of fear of being arrested, no one comes forward to claim his remains.

Emmet’s remains are first delivered to Newgate Prison and then returned to Kilmainham Gaol, where the jailer is under instructions to be bury the remains in a nearby hospital’s burial grounds if no one claims them. No remains have been found there and though not confirmed, it appears that he was secretly removed and reinterred in St. Michan’s Church, a Dublin church with strong United Irish associations. There is also speculation that the remains are buried secretly in the vault of a Dublin Anglican church. When inspected in the 1950s, a headless corpse is found in the vault but cannot be identified. The widely accepted theory is that Emmet’s remains are transferred to St. Peter’s Church in Aungier St. under cover of the burial of his sister in 1804. In the 1980s the church is deconsecrated, and all the coffins are removed from the vaults. The church has since been demolished.


by Leave a comment

Death of English Actress Ellen Kean

LEAD Technologies Inc. V1.01

Ellen Kean, one of the finest English actresses of her day, dies in Bayswater, City of Westminster, England on August 20, 1880. She is known as Ellen Tree until her marriage in 1842, after which she is known both privately and professionally as Mrs. Charles Kean and always appears in productions together with her husband.

Kean is born Eleanora Tree in Ireland on December 12, 1805, the third of four daughters of Cornelius Tree, an official of the East India Company in London. Her three sisters become actresses, but, unlike Ellen, retire from the stage when they marry. Her professional stage debut is in a musical version of Twelfth Night in London in 1822 as Olivia alongside her sister Maria as Viola. She gains experience touring in the provinces, and from 1826 is a regular member of the companies at the Theatre Royal, Drury Lane and Theatre Royal Haymarket, making a success in The Wonder and The Youthful Queen. At the Royal Opera House at Covent Garden, she takes on the roles of William Shakespeare‘s Romeo to the Juliet of Fanny Kemble, Françoise de Foix in Francis I, and Lady Townley in The Provoked Husband.

In 1832, by now established as a leading actress, Tree accepts an engagement in Hamburg, Germany, where a junior member of the company is Charles Kean. He had made an undistinguished debut at Drury Lane in 1827, and he and Tree had acted together in 1828 in a play called Lovers’ Vows and later in Othello. In the German season they fall in love but are persuaded by family and friends not to marry in haste. Tree returns to London and resumes her successful West End career, including a considerable success in Ion in another breeches role. At the end of 1836, Tree goes to the United States, where she tours in Shakespeare for more than three years, playing heroines such as Rosalind, Viola and Beatrice, among other roles. By the time of her return to England in 1839, she has made a profit of £12,000 on the tour, equivalent to at least £1 million in modern terms.

By 1841 Charles Kean has established himself as a successful actor, and he and Tree appear together in Romeo and Juliet at the Theatre Royal Haymarket. They are married the next year, and she at once switches her professional name from Ellen Tree to Mrs. Charles Kean. For the next nine years they appear together at the Haymarket, making a joint visit to the United States in 1846. In 1850, Kean takes over the management of the Princess’s Theatre in London. The Times called this “the most important period of Mrs. Kean’s career…. Hitherto she had been the Rosalind and the Viola of the stage; henceforward her name was to be associated with characters of a more matronly type” in roles including Lady Macbeth and Gertrude in Hamlet. The same writer also credits her for “the good taste and artistic completeness” of Kean’s productions. Ellen Terry, who makes her first stage appearance as the boy Mamillius in The Winter’s Tale, remembers Kean “as Hermione wearing a Greek wreath round her head and a crinoline with many layers of petticoats.”

Charles Kean dies in 1868, and his widow retires from the stage, living quietly in Bayswater, in the City of Westminster, where she dies at the age of 73 on August 20, 1880. The Times in its obituary says, “Mrs. Kean is not to be numbered with the greatest votaries of the English stage, but her acting was distinguished by considerable power, tenderness and refinement.” She is buried in a vault alongside her husband at Catherington, Hampshire.

(Pictured: “Charles Kean and Wife Ellen Tree” by Mathew Brady Studio (1844-1894), modern albumen print from wet plate collodion negative, National Portrait Gallery, Smithsonian Institution)


by Leave a comment

Birth of Dan Breen, IRA Volunteer & Fianna Fáil Politician

Irish republican Dan Breen (1967)

Daniel “Dan” Breen, volunteer in the Irish Republican Army (IRA) during the Irish War of Independence and the Irish Civil War, is born in Grange, Donohill parish, County Tipperary, on August 11, 1894. In later years, he is a Fianna Fáil politician.

Breen’s father dies when he is six, leaving the family very poor. He is educated locally before becoming a plasterer and later a linesman on the Great Southern Railways.

Breen is sworn into the Irish Republican Brotherhood in 1912 and the Irish Volunteers in 1914. On January 21, 1919, the day the First Dáil meets in Dublin, Breen takes part in the Soloheadbeg Ambush. The ambush party of eight men, led by Seán Treacy, attacks two Royal Irish Constabulary (RIC) men who are escorting explosives to a quarry. The two policemen, James McDonnell and Patrick O’Connell, are fatally shot during the incident. The ambush is considered to be the first incident of the Irish War of Independence.

During the conflict, the British put a £1,000 price on Breen’s head, which is later increased to £10,000. He quickly establishes himself as a leader within the Irish Republican Army. He is known for his courage. On May 13, 1919 he helps rescue his comrade Seán Hogan at gunpoint from a heavily guarded train at Knocklong station in County Limerick. Breen, who is wounded, remembers how the battalion is “vehemently denounced as a cold-blooded assassins” and roundly condemned by the Catholic Church. After the fight, Treacy, Séumas Robinson, and Breen meet Michael Collins in Dublin, where they are told to make themselves scarce although they do not necessarily agree.

Breen and Sean Treacy shoot their way out through a British military cordon in the northern suburb of Drumcondra (Fernside). They escape, only for Treacy to be killed the next day. Breen is shot at least four times, twice in the lung.

The British reaction is to make Tipperary a “Special Military Area,” with curfews and travel permits. Volunteer GHQ authorises entrerprising attacks on barracks. The British policy forces Breen and Treacy to retreat to Dublin. They join Michael Collins’ Squad of assassins, later known as the Dublin Guard, and Dublin becomes the centre of the war.

Breen is present in December 1919 at the ambush in Ashtown beside Phoenix Park in Dublin where Martin Savage is killed while trying to assassinate the Lord Lieutenant of Ireland, Viscount John French. The IRA hides behind hedges and a dungheap as the convoy of vehicles drives past. They have been instructed to ignore the first car but this contains their target, Lord French. Their roadblock fails as a policeman removes the horse and cart intended to stop the car.

Breen utterly rejects the Anglo-Irish Treaty, which makes him, like many others, angry and embittered. In the June 1922 elections Breen is nominated as a candidate by both the pro- and anti-Treaty sides, but is not elected.

Breen is elected to Dáil Éireann at the 1923 general election as a Republican anti-Treaty Teachta Dála (TD) for the Tipperary constituency. Following the Anglo-Irish Treaty, Breen joins the Anti-Treaty IRA in the civil war, fighting against those of his former comrades in arms who support the Treaty. He is arrested by the National Army of the Irish Free State and interned at Limerick Prison. He spends two months there before going on hunger strike for six days followed by a thirst strike of six days, prompting his release.

Breen writes a best-selling account of his guerrilla days, My Fight for Irish Freedom, in 1924. He represents Tipperary from the fourth Dáil in 1923 as a Republican with Éamon de Valera and Frank Aiken. He is defeated in the June 1927 Irish general election and travels to the United States where he opens a prohibition speakeasy. In 1932 he returns to Ireland and regains his seat as a member of Fianna Fáil in the Dáil at that year’s general election. During World War II he is said to hold largely pro-Axis views. He represents his Tipperary constituency without a break until his retirement at the 1965 election.

Breen dies in Dublin on December 27, 1969 and is buried in Donohill, near his birthplace. His funeral is the largest seen in west Tipperary since that of his close friend and comrade-in-arms Seán Treacy at Kilfeacle in October 1920. An estimated attendance of 10,000 mourners assemble in the tiny hamlet, giving ample testimony to the esteem in which he was held.

Breen is the subject of a 2007 biography Dan Breen and the IRA by Joe Ambrose.


by Leave a comment

Birth of Irish American Painter William Harnett

william-michael-harnett

William Michael Harnett, Irish American painter known for his trompe-l’œil still lifes of ordinary objects, is born in Clonakilty, County Cork on August 10, 1848, during the time of the Great Famine.

Shortly after his birth Harnett’s family emigrates to the United States, settling in Philadelphia. Becoming a United States citizen in 1868, he makes a living as a young man by engraving designs on table silver, while also taking night classes at the Pennsylvania Academy of the Fine Arts and later, in New York City, at Cooper Union and at the National Academy of Design. His first known oil painting, a still life, dates from 1874.

The style of trompe-l’œil painting that Harnett develops is distinctive and inspired many imitators, but it is not without precedent. A number of Dutch Golden Age painters, Pieter Claesz for instance, had specialized in tabletop still life of astonishing verisimilitude. Raphaelle Peale, working in Philadelphia in the early 19th century, pioneers the form in America. What sets Harnett’s work apart, besides his enormous skill, is his interest in depicting objects not usually made the subject of a painting.

Harnett paints musical instruments, hanging game, and tankards, but also paints the unconventional Golden Horseshoe (1886), a single rusted horseshoe shown nailed to a board. He paints a casual jumble of second-hand books set on top of a crate, Job Lot, Cheap (1878), as well as firearms and even paper currency. His works sell well, but they are more likely to be found hanging in a tavern or a business office than in a museum, as they did not conform to contemporary notions of high art.

still-life-violin-and-music

Harnett spent the years 1880–1886 in Europe, staying in Munich from 1881 until early 1885. His best-known paintings, the four versions of After the Hunt, are painted between 1883 and 1885. Each is an imposing composition of hunting equipment and dead game, hanging on a door with ornate hinges at the right and keyhole plate at the left. These paintings, like the horseshoe or currency depictions mentioned earlier, are especially effective as trompe-l’œil because the objects occupy a shallow space, meaning that the illusion is not spoiled by parallax shift if the viewer moves.

Overall, Harnett’s work is most comparable to that of the slightly younger John F. Peto. The two artists know each other, and a comparison can be made between two paintings featuring violins. Harnett’s Music and Good Luck from 1888 shows the violin hanging upright on a door with ornate hinges and with a slightly torn piece of sheet music behind it. The elements are arranged in a stable, deliberate manner. Peto’s 1890 painting shows the violin hanging askew, as well as chipped and worn, with one broken string. The sheet music is dog-eared and torn around the edges and placed haphazardly behind the instrument. The hinges are less ornate, and one is broken. Harnett’s objects show signs of use but are well preserved, while Peto’s more humble objects are nearly used up.

Crippling rheumatism plagues Harnett in his last years, reducing the number but not the quality of his paintings. He dies in New York City on October 29, 1892. Other artists who paint similar compositions in Harnett’s wake include his contemporary John Haberle and successors such as Otis Kaye and Jefferson David Chalfant.

Harnett’s work is in collections in the Albright-Knox Art Gallery (Buffalo, New York), the Amon Carter Museum of American Art (Fort Worth, Texas), the Dallas Museum of Art, the Art Institute of Chicago, the Brooklyn Museum, the Carnegie Museum of Art (Pittsburgh, Pennsylvania), the Cincinnati Art Museum, the Cleveland Museum of Art, the Detroit Institute of Arts, the Fine Arts Museums of San Francisco, Harvard Art Museums, the High Museum of Art (Atlanta, Georgia), the Honolulu Museum of Art, the Joslyn Art Museum (Omaha, Nebraska), the Los Angeles County Museum of Art, the Metropolitan Museum of Art (New York, New York), the National Gallery of Art (Washington D.C.), the National Gallery of Canada (Ottawa, Ontario), the Philadelphia Museum of Art, the San Diego Museum of Art, Thyssen-Bornemisza Museum (Madrid, Spain), the Toledo Museum of Art (Toledo, Ohio), the Wadsworth Atheneum (Hartford, Connecticut), and the Wichita Art Museum (Wichita, Kansas) among others.

(Pictured: Music and Good Luck, oil on canvas by William Michael Harnett, 1888, Metropolitan Museum of Art)