Born in Newry, County Down, on February 24, 1921, Hall receives little more than a primary education as he leaves school at the age of twelve to work in a local shop. He later works as a waiter in London before moving to Dublin. On his return he joins the art department of the Irish Independent. He subsequently works with the Evening Herald where he writes a column on dance bands.
After that, Hall moves to RTÉ where he works in the newsroom. From 1964 to 1971 he presents Newsbeat, a regional news programme. He also presents The Late Late Show for the opening of the 1964 season, but his lack of success in that seat leads to the return of the previous presenter, Gay Byrne. When Newsbeat ends, he starts writing and presenting Hall’s Pictorial Weekly, a political satire show that runs for over 250 episodes until 1980. A successor show, Hall and Company, runs from 1980 until his retirement from television in 1986. He serves as spokesperson for the Irish jury in the Eurovision Song Contest 1965 and 1966.
Hall wins two Jacob’s Awards, in 1966 and 1975, for his work on Newsbeat and Hall’s Pictorial Weekly respectively.
In 1978, Hall is appointed Ireland’s national film censor. During his period as censor, he is known for his strict application of Irish censorship and his defence of family values. Among the films banned by him is Monty Python’s Life of Brian, which he describes as “offensive to Christians and to Jews as well, because it made them appear a terrible load of gobshites.”
Hall has a long running affair with a young colleague from RTÉ, though married to Aideen Kearney at the time. It is also widely accepted that he has a daughter in 1956 with RTÉ presenter Frankie Byrne, although this is disputed at the time by his family members. His relationship with Frankie Byrne is placed in the public domain in a Mint Productions programme, Dear Frankie, screened on RTÉ in January 2006. In 2010, a play written by Niamh Gleeson, also entitled Dear Frankie, opens in the Liberty Hall theatre. Later in 2012, it opens again in the Gaiety Theatre, going on to play in theatres across the country.
Hall dies of a heart attack in Dublin on September 21, 1995. He is buried in Dardistown Cemetery in Northside, Dublin.
O’Grady’s father is the Reverend Thomas O’Grady, the scholarly Church of Ireland minister of Castletown Berehaven, County Cork, and his mother Susanna Doe (or Dowe). The Glebe, his childhood home, lies a mile west of Castletownbere near a famine mass grave and ruined Roman Catholic chapel. He is a cousin of Standish Hayes O’Grady, another noted figure in Celtic literature, and of Standish O’Grady, 1st Viscount Guillamore. After a rather severe education at Tipperary Grammar School, he follows his father to Trinity College, Dublin, where he wins several prize medals and distinguishes himself in several sports.
O’Grady is a paradox for his times, proud of his Gaelic heritage, he is also a member of the Church of Ireland, a champion of aristocratic virtues (particularly decrying bourgeois values and the uprooting cosmopolitanism of modernity) and at one point advocates a revitalised Irish people taking over the British Empire and renaming it the Anglo-Irish Empire.
O’Grady proves too unconventional of mind to settle into a career in the church, and takes a job as a schoolmaster at Midleton College, then in a period of expansion. He also qualifies as a barrister, while earning much of his living by writing for the Irish newspapers. Reading Sylvester O’Halloran’s A general history of Ireland (1778) sparks an interest in early Irish history. After an initial lukewarm response to his writing on the legendary past in History of Ireland: The Heroic Period (1878) and Early Bardic Literature of Ireland (1879), he realises that the public wants romance, and so follows the example of James Macpherson in recasting Irish legends in literary form, producing historical novels including Finn and his Companions (1891), The Coming of Cuculain (1894), The Chain of Gold (1895), Ulrick the Ready (1896) and The Flight of the Eagle (1897), and The Departure of Dermot (1913).
O’Grady also studies Irish history of the Elizabethan period, presenting in his edition of Sir Thomas Stafford‘s Pacata Hibernia (1896) the view that the Irish people had made the Tudors into kings of Ireland to overthrow their unpopular landlords, the Irish chieftains. His The Story of Ireland (1894) is not well received, as it sheds too positive a light on the rule of Oliver Cromwell for the taste of many Irish readers. He is also active in social and political campaigns in connection with such issues as unemployment and taxation.
Until 1898, O’Grady works as a journalist for the Daily Express of Dublin, but in that year, finding Dublin journalism in decline, he moves to Kilkenny to become editor of the Kilkenny Moderator, which is printed at 28 High Street. It is here he becomes involved with Ellen Cuffe, Countess of Desart, and Captain Otway Cuffe. He engages in the revival of the local woolen and woodworking industries. In 1900 he founds the All-Ireland Review and returns to Dublin to manage it until it ceases publication in 1908. He also contributes to James Larkins‘ The Irish Worker paper.
O’Grady’s influence crosses the divide of the Anglo-Irish and Irish-Ireland traditions in literature. His influence is explicitly stated by the Abbey Theatre set with Lady Gregory, W. B. Yeats and George William Russell attributing their interest in the Fenian Cycle of Gaelic tradition in part to him. This leads to him being known as the “Father of the Celtic Revival.” Some of the figures associated with the political party Sinn Féin, including its founder Arthur Griffith, have positive things to say about his efforts in helping to retrieve from the past the Gaelic heroic outlook.
O’Grady marries Margaret Allen Fisher, daughter of William Allen Fisher, and they have three sons. Advised to move away from Ireland for the sake of his health, they leave Ireland in 1918. After living in the north of France and Northamptonshire, they move to the Isle of Wight. He is working on a final exposition of his ideas when he dies suddenly on May 18, 1928.
A knee injury during a night training exercise in Omagh makes McDowell ineligible for active military service and he becomes a weapons instructor. The accident also leads to him meeting his future wife, Margaret Telfer, the physiotherapist who treats him in hospital in Bangor, County Down.
McDowell rises to the rank of major and is part of the Allied forces in occupied Austria following the end of the war, taking part in joint patrols in Vienna with Russian, American and French officers. In the post-war period, he is given two years to finish his college course and spends a summer studying law with a tutor before passing the English bar and returning to the British Army.
After a further military posting to Edinburgh, McDowell’s legal qualification brings him to the army legal service in the War Office in London. With little prospect of further promotion and every chance of being posted abroad without his young family, he decides to leave the army. He is offered a job as legal adviser in London to James North Ltd, a company which makes protective clothing. With no experience of industry, he asks to be given a managerial role at first. The company suggests a managing position in its operations in Dublin. He slots easily into the city’s old business establishment, joining the Kildare Street Club, becoming a director of Pim’s department store, and setting his career firmly on a commercial rather than a legal path.
McDowell’s involvement with newspapers comes about through the recognition of his business acumen. He is asked by some acquaintances to take a look at the financial troubles of the Evening Mail, which is bought subsequently by The Irish Times, adding to the latter’s own financial difficulties.
McDowell is asked later by The Irish Times to see if Roy Thomson, the Canadian-born British press baron whom he had met while they both looked separately at the Evening Mail, might be interested in taking it over. Thomson passes and the company then asks McDowell himself to take charge as chief executive in 1962. Among his first actions are to close the Evening Mail and the Sunday Review, a short-lived tabloid that is ahead of its time. A year later, another problem is resolved when Douglas Gageby, who had been hired as managing director of The Irish Times shortly before McDowell’s arrival, takes over as editor.
Thus, what had begun as a slightly awkward relationship, turns into a highly successful partnership as Gageby sets about broadening the newspaper’s editorial appeal and McDowell sets it on a successful commercial course. McDowell always credits Gageby and his successors as editor with the success of the newspaper. Although he has a close relationship with editors, especially Gageby, he does not interfere in the editorial running of the newspaper.
By the early 1970s, the circulation of The Irish Times has almost doubled in a decade to 60,000 and it is making money. Some of the directors indicate an interest in selling the company. McDowell proposes instead that it be turned into a trust. It is a period when several newspapers in Ireland and Britain have changed hands or are seen as being vulnerable to takeovers. His aims are to protect the newspaper’s independence, make it as difficult as possible for anyone to take over, and formalise its aims in a guiding trust.
McDowell works on the trust document for many months, going through 28 drafts before he is satisfied with the result. The five directors of the company, including McDowell and Gageby, transfer their shares in the company to a solicitor in the autumn of 1973 in anticipation of announcing the trust at the end of that year. Further delays in finalising the trust terms result in its announcement in April 1974, on the eve of the introduction of capital gains tax. The timing gives rise to suggestions that the directors are taking their cash (£325,000 each) out of the company before the new tax takes effect. McDowell always denies that this is the case, maintaining that the timing is coincidental. He is also adamant that the motivation behind the formation of the trust itself is altruistic.
The formation of the trust leaves the newspaper with a large bank debt, used to buy out the directors/shareholders, at what turns out to be a difficult economic period after the first oil crisis hits the western world in the autumn of 1974. McDowell successfully guides The Irish Times‘ financial fortunes through the subsequent recession and into further periods of growth throughout the 1980s and 1990s.
McDowell stands down as chief executive of the company in 1997 and retires from the chairmanship of The Irish Times Trust in 2001. He is given the title President for Life in recognition of his huge contribution to the newspaper.
McDowell is a private person and never seeks or exploits the public status or limelight that goes with being a newspaper publisher. During his visit to the new The Irish Times offices on Tara Street in June 2008 for the unveiling of a portrait of him by Andrew Festing, he describes the newspaper and his family as the two loves of his life.
McDowell dies unexpectedly at the age of 87 on September 9, 2009. His funeral takes place in Whitechurch Parish Church, Rathfarnham, followed by burial in the adjoining churchyard.
On the foundation of the Sunday Tribune in 1980, Kennedy joins it as the paper’s political correspondent. The paper’s publisher, John Mulcahy, had become familiar with Kennedy when she had contributed to his journal, The Hibernia Magazine. When the Tribune briefly ceases production, she moves to the Sunday Press.
In 1982, Kennedy’s telephone, along with those of two other journalists, is tapped by former Minister for JusticeSeán Doherty. Early in 1987, she successfully sues the incumbent Charles Haughey-led Fianna Fáil government for illegally tapping her phone. The revelation in 1992 that Charles Haughey had personally ordered the phone taps leads to Haughey’s resignation as Taoiseach.
Kennedy stands in the 1987 Irish general election as a candidate for the newly formed Progressive Democrats party in Dún Laoghaire. She comes in third in the poll, winning 9.4% of the first-preference vote. She is one of fourteen Progressive Democrat TDs elected to Dáil Éireann in that election, a feat the party never achieves again. She is appointed the party’s spokesperson for foreign affairs.
She stands again in the 1989 Irish general election and wins 9% of the first-preference vote but fails to retain her seat.
Following her election defeat, Kennedy returns to The Irish Times, then edited by Conor Brady, whom she had worked with at the Tribune when he was the editor. She avoids party-political journalism for several years, but she returns to covering politics in the early 1990s and becomes the political editor of The Irish Times in 1999. She becomes the newspaper’s first female editor upon the departure of Brady in late 2002. One of her rivals for the editor’s chair is the paper’s high-profile columnist, Fintan O’Toole.
Kennedy is paid more than the editor of Britain’s top non-tabloid newspaper The Daily Telegraph, which has a circulation of about nine times that of The Irish Times. Later columnist Fintan O’Toole tells the Sunday Independent, “We as a paper are not shy of preaching about corporate pay and fat cats but with this there is a sense of excess. Some of the sums mentioned are disturbing. This is not an attack on Ms. Kennedy, it is an attack on the executive level of pay. There is double standard of seeking more job cuts while paying these vast salaries.”
In September 2006, Kennedy approves the publication of an article in The Irish Times giving confidential details of investigations being made into payments purported to have been made in 1993 to Taoiseach Bertie Ahern. She refuses, upon request of the investigating Mahon Tribunal, to provide details of the source of the printed information. She responds that the documents have since been destroyed. Her refusal causes the Tribunal to seek High Court orders compelling her to provide details of the source. On October 23, 2007, the High Court grants the orders compelling her to go before the Tribunal and answer all questions. In its judgment, the High Court, criticising her decision to destroy the documents, says it was an “astounding and flagrant disregard of the rule of law.” In 2009, however, the Supreme Court of Ireland overturns this ruling, holding that the High Court had not struck the correct balance between the journalists’ right to protect their source and the tribunal’s right to confidentiality.
Kennedy announces on March 12, 2011, her intention to retire from The Irish Times by September, after a nine-year term as editor. She actually retires in June and is succeeded by news editor Kevin O’Sullivan on June 23, 2011.
In August 2012, Kennedy is appointed Adjunct Professor of Journalism at the University of Limerick. She has been awarded five honorary doctorates from Irish universities.
Ryan attributes to Pearse the saying “[G]ive me a hundred men and I will free Ireland!” He becomes part of a group of former students lodging in St. Enda’s while they go to university who join the Irish Republican Brotherhood (IRB). They meet in a safe house at Rathfarnham in 1911. The men take the tram from Rathfarnham to Nelson’s Pillar in central Dublin. Pearse once told his friend, “Let them talk! I am the most dangerous revolutionary of the whole lot of them!” In 1911, the Dungannon Clubs revive the Volunteers Militia movement. These clubs are not initially successful in Dublin but are more so in Belfast amongst nationalists. One of the northern members is the Dubliner Oscar Traynor, in his youth a professional footballer with Belfast Celtic F.C., later a war hero and later again a politician and Minister for Posts and Telegraphs.
Eoin MacNeill is appointed leader of the Irish Volunteers. Ryan writes that Pearse, a risk-taker and idealist, tells him MacNeill is “too tactful.” MacNeill is prepared to entertain the Irish Parliamentary Party with negotiations. Ryan quotes Pearse as saying, “[MacNeill] has the reputation of being tactful, but his tact consists in bowing to the will of the Redmondites every time. He never makes a fight except when they assail his personal honour, when he bridles up at once… very delicate position… he is weak, hopelessly weak.”
Pearse tells Ryan that MacNeill is “a Grattan come to life again.” Henry Grattan is a constitutional orator and MP in the Protestant-only 18th-century Irish House of Commons, but one of those who fiercely opposes the notorious Acts of Union 1800, secured by massive bribery (which is then repaid out of Irish taxes), making Ireland part of the United Kingdom. Moreover, MacNeill is an “inconclusive ditherer.” He wants the Irish Volunteers to be apolitical.
The Easter Rising is preceded by the revelation of the “Castle Document,” a plan by the British government to arrest the leaders of the Irish Volunteers and Irish Citizen Army and other radicals. Ryan claims that this document, presented to MacNeill on the Wednesday before the Rising and said to have been stolen from high-ranking British staff in Dublin Castle, is a forgery. Some claim that it is concocted by Joseph Plunkett with the implicit approval of Catholic Archbishop Cullen of Dublin, a sympathiser with Dublin Castle and Redmond’s war stratagem. “Forgery is a strong word,” Ryan says, “but that in its final form the document was a forgery no doubt can exist whatever.” Modern interpretation from Charles Townshend has judged the document to be genuine, and the opinion attributed to the Archbishop’s Palace as circumstantial. Grace Gifford, Plunkett’s widow, says that she was with Plunkett when he deciphered it at Larkfield House. Prior to his execution, Seán Mac Diarmada is met by a priest, and makes the assumptive response that it is a fraudulent document.
Ryan fights through the Easter Rising from April 24, 1916, in the General Post Office (GPO) under murderous artillery fire and describes the battle vividly in his witness statement to the Bureau of Military History. He describes the garrison retreating to Moore Street and quotes Pearse’s sculptor brother Willie Pearse, who is executed a few days later, as saying “Connolly has been asked out to negotiate. They have decided to go to save the men from slaughter, for slaughter it is.”
Ryan fights in the Irish War of Independence and afterwards writes about his experiences. However, the Irish Civil War which follows from June 1922 to April 1923 repels him. He cannot accept that Irishmen would fight Irishmen.
Ryan marries Sarah Hartley in 1933. In 1939 they return to Ireland, where he edits the Torch, a Labour paper. Finding his views at odds with the Labour Party‘s official line, publication ceases in 1944. He and his wife then move to Swords in north County Dublin, where they operate a poultry farm.
Anne Harris, the former editor of the Sunday Independent, is born on August 25, 1947. She is the former wife of Eoghan Harris who was an opinion columnist for the newspaper. Her daughter, Constance Harris, writes for the newspaper as a fashion writer.
In 1972, Harris writes a controversial article defending the 1972 Aldershot Bombing, an article she later expresses regret for. She also works for The Irish Press, as well as the political magazine Hibernia and the fashion magazine Image.
Harris lives with Sunday Independent editor Aengus Fanning until his death on January 17, 2012. On February 5, 2012, the Sunday Independent announces that she will succeed Fanning as the publication’s editor.
On the evening of Saturday, July 19, 2014, group editor of INM newspaper publishers, Stephen Rae, orders the presses to be stopped to amend a column written by Harris, the Sunday Independent editor, which features references to Denis O’Brien. Copies of the original article do however appear, allowing comparisons between the two. Harris originally writes: “Denis O’Brien is the major shareholder in INM. In theory, with 29% of the shares, he does not control it. In practice, he does.” Rae has the last sentence deleted. She also writes: “The question is whether he understands newspapers. In order to confront the truths in our society, we must have a free press. With the restrictive charter for journalists proposed last year, and some garrotive (sic) new structures, Denis O’Brien does not make this easy.” This is changed to: “The question is whether he understands newspapers. In order to confront the truths in our society, we must have a free press. If the restrictive charter for journalists proposed last year, along with some other structural changes, are anything to go by, it might be instructive for him to listen to journalists, troublesome and all as they are.“
Harris leaves the newspaper some months later, with The Irish Times noting her departing speech to staff as follows: “She is understood to have spoken only about journalists and journalism and not about newspapers and their owners, a subject matter she has previously addressed in several columns.”
Mac Thomáis comes from a staunch Republican family. He is born Edward Patrick Thomas in the Dublin suburb of Rathmines on January 13, 1927. His father, a fire-brigade officer, dies when he is five years old and his family moves to Goldenbridge, Inchicore. He leaves school at thirteen to work as delivery boy for White Heather Laundry, learning Dublin neighbourhoods with great thoroughness. He says he found work to help his mother pay the rent. He later works as a clerk and is appointed credit controller for an engineering firm.
At the November 1959 Ardfheis Mac Thomáis is elected to the Ardchomhairle of Sinn Féin and edits and contributes to the Sinn Féin newspaper United Irishman. He is a close friend of Tomás Mac Giolla and is deeply affected by the 1970 split in Sinn Féin. He takes the Provisional side, opposing Mac Giolla.
Mac Thomáis takes over as editor of An Phoblacht in 1972. In July 1973, he is arrested and charged with IRA membership at the Special Criminal Court in Dublin. He refuses to recognise the court, but he gives a lengthy address from the dock. The following month he is sentenced to 15-months imprisonment. Within two months of completing his sentence he is again before the court on the same charge and again receives a 15-month sentence. Editors of six left-wing and Irish-language journals call for his release, as do a number of writers, and hundreds attend protest meetings – to no avail. He serves his full sentence.
Tim Pat Coogan, editor of The Irish Press, claims the charges against Mac Thomáis are politically motivated to a large degree as his activities are confined strictly to the newspaper An Phoblacht. Under Section 31 of the Broadcasting Act, due to his membership in Sinn Féin in the 1970s he is removed from his position in making some of the RTÉ historical programmes. As a historian he makes numerous contributions to various historical publications such as the Dublin Historical Review.
From 1974 Mac Thomáis writes a number of books on old Dublin. They sell well and remain in print for over 20 years. He also starts a number of walking tours of Dublin, which prove very popular.
Raised in Dublin, Manning goes to school in Morehampton House and Alexandra College, Dublin. She gets her theatre training in Sara Allgood‘s teaching class in the Abbey Theatre.
Prior to her career as a writer and filmmaker, Manning works as a film critic throughout the 1920s and 30s. She works as a film critic for TheIrish Statesman for a year during that time until it goes out of business. She is known to disapprove of Hollywood‘s “unimaginable stories and its stereotypical portrayal of Ireland and the Irish.” She also works as a writer for the Gate Theatre. She adapts the short story “Guests of the Nation” for a film directed by Denis Johnston. She also helps found the Dublin Film Society in 1930 and co-founds the Gate Theatre arts magazine Motley in 1932.
From 1914 to 1926, Ireland experiences a surge of new film styles being produced, consisting of historical melodramas and romantic comedies. Following this, 1930 to 1935 births a second wave of industry produced silent films that are intended to be less cliche compared to the first wave. The films produced under the second wave are much more experimental and deal less with the commercial appeals of the first wave. There’s minimal information on how Manning specifically contributed to the second wave, however, it is stated that she plays an important role producing five out of the six films to come out of that wave.
Manning is a founder of the Poets’ Theatre in Cambridge, Massachusetts, and works as drama director at Radcliffe College during World War II. She marries Faneuil Adams of Boston, Massachusetts, in 1980.
Manning dies at the age of 93 on June 27, 1999, at Mt. Auburn Hospital in Cambridge, Massachusetts.
McIntyre is involved with the Boston College oral history project on the Troubles entitled the Belfast Project, conducting interviews with former Provisional IRA members who, like himself, had become disillusioned with the direction the republican movement had taken, such as Brendan Hughes and Dolours Price, and former Ulster loyalistparamilitaries such as David Ervine. The interviews are the basis for the book Voices from the Grave: Two Men’s War in Ireland by Ed Moloney.
In 2011, McIntyre becomes embroiled in controversy when transcripts of the interviews, held by Boston College, are subpoenaed by the Police Service of Northern Ireland (PSNI) in relation to an investigation of the 1972 abduction and killing of Jean McConville. In March 2014, the PSNI announces that it is seeking to question McIntyre over newly released Belfast Project recordings, specifically in reference to the alleged role of Gerry Adams in the kidnapping and murder of Jean McConville.
McIntyre is a prominent critic of modern-day Sinn Féin and its leadership. He has spoken at Republican Sinn Féin party events. He is a co-founder of The Blanket, a journal which casts a critical eye on the Northern Ireland peace process.
(Robert John) Douglas Gageby, one of the pre-eminent Irish newspaper editors of his generation, dies on June 24, 2004, following a lengthy illness. His life is well documented and a book of essays about him, Bright Brilliant Days: Douglas Gageby and the Irish Times, written by many of his colleagues, some of whom had attained fame for their literary achievements, is published in 2006.
Gageby is educated at Belfast Royal Academy and Trinity College Dublin, where he is elected a scholar in Modern Languages (French and German) in 1940. He is also actively involved with the student newspaper, Trinity News. He enlists in the Irish Army as a private soldier at the outbreak of World War II. He is commissioned later, and he serves as an intelligence officer. He reports from post-war Germany for The Irish Press and goes on to work under Conor Cruise O’Brien in the Irish News Agency. In 1954 he is the first editor of the Evening Press. In 1963 he becomes editor of The Irish Times, a post he holds until 1986, having been brought back from a short retirement in 1974. He is credited with moving The Irish Times from a Unionist organ into a successful Irish journal of record.
In 2003 it is revealed that a director, and later Chairman, of The Irish Times, Major Thomas Bleakley McDowell, had referred to Gageby as a “white nigger” for his views and role in the paper during the Northern Ireland civil rights movement‘s campaign in the 1960s. The comment appears in a letter from the British Ambassador to Dublin, Sir Andrew Gilchrist, to Kelvin White, head of the Irish Section of the British Foreign Office and is dated October 2, 1969. Gilchrist is referring to conversations which he had with McDowell where the latter professes himself to be fully behind the British government in the North and hostile to Gageby’s coverage of the civil rights movement. However, historian Mark O’Brien notes, “Despite his contacts with London, McDowell’s actions did not interfere with Gageby’s editorials on Northern Ireland”, due to the fact McDowell believes in editorial independence (even though McDowell strongly disagrees with Gageby’s nationalist views), and because Gageby is making the newspaper commercially successful. Under the 30 year rule, this letter is made available to newspapers on December 22 and 23, 1999, but no newspaper publishes it at that time.
The communiqué is later discovered by the historian Jack Lane and published in the Irish Political Review, a small magazine strongly antagonistic to The Irish Times, in January 2003. He brings it to the attention of The Irish Times editor, Geraldine Kennedy, on January 10, 2003, and she replies on January 15, 2003 saying she is “unable to confirm the veracity of it” and does not publish it. When, on January 26, 2003, the Sunday Independent (Ireland) publishes the story, The Irish Times finally follows the next day, January 27. Nonetheless, on April 24, 2004, Kennedy defends her position by saying, “The contents of the letter in question were published on January 27, 2003, as soon as its existence was drawn to my attention.”
Gageby dies on June 24, 2004, following a two year illness. His private funeral is conducted by Rev. Terence McCaughey, a family friend. The Irish Times endows an annual Douglas Gageby Fellowship for young journalists and a stand of trees is planted in his memory at Moynalty. His papers are presented to Dublin City University (DCU).
