Murdoch is the daughter of Irene Alice (née Richardson) and Wills John Hughes Murdoch. Her father, a civil servant, comes from a mainly Presbyterian sheep farming family from Hillhall, County Down. In 1915, he enlists as a soldier in King Edward’s Horse and serves in France during World War I before being commissioned as a second lieutenant. Her mother trains as a singer before Iris is born and is from a middle-class Church of Ireland family in Dublin. Her parents first meet in Dublin when her father is on leave and are married in 1918. Iris is the couple’s only child. When she is a few weeks old the family moves to London, where her father had joined the Ministry of Health as a second-class clerk. She is a second cousin of the Irish mathematician Brian Murdoch.
From 1947 to 1948 Murdoch studies philosophy as a postgraduate at Newnham College, Cambridge. She meets Ludwig Wittgenstein at Cambridge but does not hear him lecture, as he had left his Trinity College professorship before she arrives. In 1948 she becomes a fellow of St. Anne’s College, Oxford, where she teaches philosophy until 1963. From 1963 to 1967 she teaches one day a week in the General Studies department at the Royal College of Art.
In 1956 Murdoch marries John Bayley, a literary critic, novelist, and from 1974 to 1992 Warton Professor of English at Oxford University, whom she had met in Oxford in 1954. The unusual romantic partnership lasts more than forty years until Murdoch’s death. Bayley thinks that sex is “inescapably ridiculous.” She in contrast has “multiple affairs with both men and women which, on discomposing occasions, Bayley witnesses for himself.”
Murdoch’s first novel, Under the Net, is published in 1954 and is selected in 1998 as one of Modern Library’s 100 best English-language novels of the 20th century. She had previously published essays on philosophy, and the first monograph about Jean-Paul Sartre published in English. She goes on to produce 25 more novels and additional works of philosophy, as well as poetry and drama.
Murdoch’s last novel, Jackson’s Dilemma, is published in 1995. She is diagnosed with Alzheimer’s disease in 1997 and dies on February 8, 1999, in Oxford, England. There is a bench dedicated to her in the grounds of Lady Margaret Hall, Oxford, where she enjoyed walking.
Goddard Henry Orpen, lawyer and historian, is born in Dublin on May 8, 1852, the fourth son of the five sons and three daughters of John Herbert Orpen, barrister, of Dublin, and Ellen Susanna Gertrude Richards, youngest daughter of Rev. John Richards of Grange, County Wexford.
On August 18, 1880, in St. Peter’s Church, Aungier Street, Dublin, Orpen marries Adela Elizabeth Richards, the daughter and heiress of Edward Moore Richards, engineer and the landlord of Grange, County Wexford. Adela is his first cousin once removed, her great-grandfather and his grandfather being the Rev. John Richards. They live for two decades after their marriage at Bedford Park, Chiswick, London, with their daughter Lilian Iris (b. 1883) and son Edward Richards (b. 1884). Soon after their marriage, he begins taking lessons in the Irish language in line with his passionate interest in Irish historical and antiquarian research, which gradually supplants his languishing legal career. He translates and edits a French rhymed chronicle about the Anglo-Norman conquest of Ireland, entitled The Song of Dermot and the Earl (1892), the title which he gives it and by which it has since generally been known in English. He also translates Émile de Laveleye‘s Le Socialisme Contemporain (The Socialism of Today, 1884), to which he adds a chapter on English socialism.
After Adela’s father transfers ownership of his estate to her in 1900, now renamed Monksgrange, the Orpens reluctantly leave London to live there, enabling Orpen to devote his time fully to research and writing. His major work is Ireland Under the Normans (Vols. 1–2, 1911; Vols. 3–4, 1920), which argue that the Norman invasion benefited the Irish, leading to advances in agriculture and trade.
Both before and after his death Orpen’s work is the subject of hostile criticism from those with more nationalist inclinations, starting with Eoin MacNeill in a series of lectures delivered in 1917. Despite his own eminence as a scholar of medieval Ireland, MacNeill resorts to unfair polemic in his attack on Orpen, caricaturing his account of pre-Norman Irish society and disregarding the more subtle nuances in his views of the English Irish relationship. In this he has been followed by generations of other scholars and readers, overlooking the depth of Orpen’s research, the perceptiveness of his interpretations, and the extent of his fieldwork on the archaeological evidence from the medieval period. Orpen takes the study of Anglo-Norman Ireland out of the realm of vague antiquarianism and professionalises it. His standards are not those of “the gentleman-amateur” as might be expected from his background, but of the twentieth century “scientific” historian, and he is therefore now widely regarded as the founder of the professional study of Anglo-Norman Ireland. Perhaps the most striking evidence of the continued validity and relevance of his work is that his four-volume Ireland Under the Normans has been twice republished in more recent years, in 1968 by Oxford University Press and in 2002 in a one-volume version by Four Courts Press.
Orpen is elected a member of the Royal Society of Antiquaries of Ireland (RSAI), serving as president in 1930–32), and the Royal Irish Academy (RIA) (1911), and contributes historical articles to their journals as well as to periodicals such as The American Historical Review (1913–14) and The Cambridge Medieval History (1932, 1936). A lecture to the New Ross Literary Society is later published as New Ross in the Thirteenth Century (1911). He also contributes a major chapter on the medieval church to the second volume of Walter Alison Phillips‘s History of the Church of Ireland (1934). Though his literary work is recognised by an honorary doctorate from TCD in 1921, he feels increasingly isolated as Monksgrange is targeted during the Irish Civil War and raided on several occasions. On religion he lists himself as an agnostic in the 1911 census.
Orpen’s final work is The Orpen Family, a personal family history printed for private circulation in 1930. A portrait of Orpen (above) by Seán O’Sullivan hangs in Monksgrange.
Orpen dies on May 15, 1932, at Monksgrange, and is buried alongside his wife Adela in St. Anne’s Churchyard, Killanne, County Wexford. His very extensive papers, including correspondence, manuscripts and drawings, as well as records and papers of the Orpen family, are held at Monksgrange. Included there is a very large collection of his photographs, a skill in which he notably distinguishes himself. A small collection of his correspondence is also held in the National Library of Ireland (NLI).
(From: “Orpen, Goddard Henry” by Philip Bull, Dictionary of Irish Biography, http://www.dib.ie, October 2009, revised March 2021 | Pictured: Portrait of Goddard Henry Orpen by Seán O’Sullivan)
Thomas Reynolds, United Irishman, informant, consul and heir to a fortune, is born at his father’s house, 9 West Park Street, Dublin, on March 12, 1771.
Reynolds’s family history is well documented. His great-great-grandfather was Connor Reynolds of Rhynn Castle, County Leitrim, who married the daughter of Sir Robert Nugent, by whom he leaves three sons, Conor, George Nugent and Thomas. The second of these renounces his family’s Catholicism and becomes a Protestant in order to obtain possession of the greater part of the family estates and was grandfather of the George Nugent Reynolds who was killed in a duel in 1786. The third son, Thomas, a successful wool-stapler in Dublin, married Margaret Lacy, the sister of the famous Austrian general, Franz Moritz von Lacy, and by her had three sons and one daughter. Thomas’s eldest son, James, inherited his business and was one of the seven Catholics who in 1757 met at the Globe coffee-house, Essex Street, to form a committee to request the removal of legal disabilities imposed on Catholics. Thomas’s second son, also Thomas, a manufacturer of woolen poplins, had three daughters, whose marriages connected him with several distinguished Catholic families, and an only son, Andrew, father of the main subject of this article. Andrew Reynolds, admitted into partnership with his father, later developed a new poplin “by having the warp of silk and the weft, or shoot, of worsted.” These poplins came to be “prized in foreign countries as Irish tabinets.” He had an annual turnover of £100,000 to £150,000 and eventually made profits of £15,000 to £20,000 a year. On April 20, 1767, Andrew Reynolds married as his second wife, a second-cousin, Rose Fitzgerald, eldest daughter of Thomas Fitzgerald of Kilmead, County Kildare, a distant kinsman and substantial creditor of the Duke of Leinster, and his wife Rose, daughter of Francis Lacy of Inns Quay, Dublin. By Rose he had two sons and twelve daughters.
Until the age of eight, Reynolds, the future United Irishman and the only son to survive to adulthood, lives at the seat of his maternal grandfather in the care of a Catholic priest, William Plunkett. He is then moved to the school of a Protestant clergyman named Crawford at Chiswick near London and by the age of twelve he spends all vacations in the house of Sir Joshua Reynolds, who appears to take pleasure in teaching him the first principles of drawing. From Chiswick, he moves to Liège in 1783 to be educated by Catholics priests, former Jesuits, returning to Ireland shortly before his father’s death, at the age of 44, on May 8, 1788.
After 1784, the introduction of cottons to Ireland spoiled Andrew Reynolds’s trade. Loans to his nephews, the O’Reilly brothers (Thomas, Patrick and Andrew), iron-smelters at Arigna, County Roscommon, worsen his losses, which reach £200,000 at the time of his death. Lodging with his mother in Dublin, 17-year-old Reynolds mixes with “dissipated idlers” such as Simon Butler and Valentine Lawless. He revisits the Continent and is in Paris in July 1789 when the Bastille is stormed. At the behest of his mother, he becomes a member of the Catholic Committee in succession to his father on February 9, 1791, and attends the Catholic Convention as a delegate of the Dublin parish of St. Nicholas Without in December 1792. He chooses not to enter his late father’s business, preferring, despite his small income, the carefree life of a gentleman, doing the rounds of his well-to-do country relations. On March 25, 1794, he marries Harriet Witherington, fourth daughter of William Witherington, a Dublin woolen merchant, and a younger sister of Matilda Tone. His mother thereupon assigns to him half of the capital in the family business – now carried on by a relation, Thomas Warren, formerly clerk to Andrew Reynolds – and one third of the profits. He has other property as well and expectations of more, including a life-interest in an estate in Jamaica and the promise from the Duke of Leinster of the reversion of Kilkea Castle in County Kildare. A poor manager, Warren is forced out and later testifies against him in a judicial process. He still has £18,500 in assets and in 1797 obtains possession of Kilkea Castle and winds up his business affairs.
On the eve of the rebellion of 1798, Reynolds is a gentleman “of ample fortune and of the first connexions in the country.” In January or February 1797, he is drawn into the United Irish organisation by Peter Sullivan, a confidential clerk in the Reynolds family business, who refers him to Richard Dillon, a Catholic linen-draper, and to Oliver Bond, in whose house in Bridge Street he is sworn in, believing, according to his son, that the sole objects of the organisation are Catholic emancipation and the reform of parliament. Soon he is attending meetings of a baronial committee, but only after meeting Lord Edward FitzGerald in November 1797 achieves a position of importance, that of County Kildare treasurer and membership of the Leinster provincial committee. After being informed of a plan for an insurrection and for the assassination of approximately eighty individuals, some of them his own relations, and knowing the provincial committee is to meet on March 12 at the house of Oliver Bond to decide finally on a general rising, he communicates the United Irishmen’s plan to Dublin Castle through William Cope, a merchant. Those present at Bond’s house are arrested and so the plan is spoiled. He resigns as county treasurer on March 18, to be replaced by John Esmonde. Known to the United Irish leadership as an informant and in danger of his life – at least two unsuccessful attempts on his life are made – but known to Dublin Castle only as an influential United Irishman, he suffers the ransacking of his house at Kilkea on April 20 by dragoons and militia, who believe FitzGerald is concealed there. Finally, he is arrested and is to face a court-martial at Athy but, his true identity being disclosed to Dublin Castle by Cope, he is delivered to a grateful Irish privy council on May 5.
During the rebellion, Kilkea Castle, which had been renovated by Reynolds in 1797 at an expense of over £2,500 and contains priceless paintings, is garrisoned by troops and attacked by insurgents, rendering it uninhabitable for many years. It is refitted in the late 1830s. He is the principal prosecution witness in the trials of John McCann, William Michael Byrne and Bond. There being few other grounds of defence, the defence counsel, John Philpot Curran, seeks to impeach his character and motives, which, with adverse remarks by Thomas Moore in his Life and Death of Lord Edward Fitzgerald (1831) and a hostile obituary in The Morning Chronicle, gives rise after his death to a two-volume apologia by his son, Thomas, based on family papers and a remarkably detailed source for the history of the Reynolds family. For his action in coming forward at a critical period to save Ireland from the wicked plans of the conspirators, he is honoured by Dublin Corporation with the Freedom of the City on October 19, 1798.
His life threatened, Reynolds resides for some months in Leinster Street, Dublin, then moves with his family to Britain, spending some time in Monmouthshire before settling in London in 1803. In 1810, he is appointed British postmaster-general in Lisbon, an onerous but lucrative appointment owing to the Peninsular War. In September 1814 he returns to England. In July 1817, favoured by Lord Castlereagh, he goes to Copenhagen as consul to Iceland. He has to visit that remote island part of the kingdom of Denmark only once (June–August 1818) and in January 1820 finally leaves Copenhagen leaving his younger son, Thomas, in charge of consular affairs. With his wife and daughters, he settles in Paris. There in 1825, his elder son, Andrew Fitzgerald, fights a duel with Thomas Warren, a French army officer and son of Thomas Warren who had been Reynolds’s clerk, and is later a United Irishman. In 1831, he undergoes a religious experience and embraces evangelical Protestantism.
Elizabeth Corbet Yeats, known as Lolly, Anglo-Irisheducator and publisher, dies on January 16, 1940. She works as an art teacher and publishes several books on art and is a founder of Dun Emer Press which publishes several works by her brother, W. B. Yeats. She is the first commercial printer in Ireland to work exclusively with hand presses.
Yeats is born at 23 Fitzroy Road, London, on March 11, 1868. She is the daughter of the Irish artist John Butler Yeats and Susan Yeats (née Pollexfen). She is sister to W. B., Jack and Susan Mary “Lily” Yeats. From the age of four she lives in Merville, Sligo, at the home of her grandfather William Pollexfen. In November 1874 her family moves to 14 Edith Villas, West Kensington, London. Her governess is Martha Jowitt from 1876 until 1879 before the family moves to Bedford Park, Chiswick, in 1878.
The family moves to Eardley Crescent, South Kensington, London, in 1886. While there Yeats starts to write fiction and publishes a homemade magazine, The Pleiades, with six friends, contributing “Story without a plot” to the Christmas 1888 issue. In addition, she publishes “Scamp and three friends” in The Vegetarian.
Yeats also attends the Chiswick School of Art with her sister Susan and brother Jack Butler Yeats, learning “Freehand drawing in all its branches, practical Geometry and perspective, pottery and tile painting, design for decorative purposes.”
In the 1890s Yeats lives at 3 Blenheim Road, Bedford Park, London, and trains as a kindergarten teacher at the Froebel College in Bedford, Bedfordshire. She undertakes her teaching practice at the Bedford Park High School. In 1892, when her training is completed, she teaches as a visiting art mistress at the Froebel Society, Chiswick High School and the Central Foundation School.
Yeats earns a good income from lecturing and publication of four popular painting manuals: Brushwork (1896), Brushwork Studies of Flowers, Fruits and Animals (1898), Brushwork Copy Book (1899), and Elementary Brushwork Studies (1900).
Yeats trains and works as an art teacher and is a member of William Morris‘s circle in London before her family returns to Dublin in 1900. She writes and creates the artwork for Elementary Brush-Work Studies (1900), an educational book that teaches young children the technique of painting flowers and plants using her simple method. At the suggestion of Emery Walker, who works with Morris on the Kelmscott Press, she studies printing with the Women’s Printing Society in London.
In Dublin, Yeats accepts the invitation to join Evelyn Gleeson to form the Dun Emer Guild along with Lily, who is an embroiderer. She manages the Dun Emer Press from 1902 with a printing press acquired from a provincial newspaper. The Press is located at Runnymede, the house of Evelyn Gleeson. This is set up with the intention of training young women in bookbinding and printing as well as embroidery and weaving. In 1903 she starts printing and Dun Emer’s first book is W. B. Yeats’s In the Seven Woods (1903).
Despite being a gifted printer, the costings exceed the quality of work that Yeats produces with the result that the press is often at risk financially. Eleven books, decorated with pastels by George William Russell, appear under the Dun Emer imprint produced from a first-floor room. She has several disagreements with her brother William over his directions as literary editor. She also dislikes Evelyn Gleeson. In October 1906 she travels to New York to advertise her products but publishes Dun Emer’s last book, William’s Discoveries (1907), in late November when she returns to Dublin.
After many years of strained relations between the Yeats sisters and Evelyn Gleeson, their business relationship is finally ended. Subsequently, in 1908, Lolly and her brother William start the Cuala Press, publishing over 70 books including 48 by the poet. Yeats manages the press while her sister Lily controls the embroidery section. Cuala continues to be a family strain. Their father, John Butler Yeats, has to castigate his son William for sending overtly critical letters to his sisters about the press. However, Cuala produces magnificent books: W. B. Yeats’ The Green Helmet and Other Poems (1910) and a series of Broadsides (published 1908–15, with illustrations from Jack Yeats).
Yeats works with Cuala Press until just before her death in Dublin on January 16, 1940, after a diagnosis of high blood pressure and heart trouble.
(Pictured: “Elizabeth Corbet Yeats” by Jack Butler Yeats, oil on canvas, circa 1899, National Gallery of Ireland)
Murdoch is born on July 15, 1919, in Phibsborough, Dublin, the daughter of Irene Alice (née Richardson) and Wills John Hughes Murdoch. Her father, a civil servant, comes from a mainly Presbyterian sheep farming family from Hillhall, County Down. In 1915, he enlists as a soldier in King Edward’s Horse and serves in France during World War I before being commissioned as a second lieutenant. Her mother trains as a singer before Iris is born and is from a middle-class Church of Ireland family in Dublin. Her parents first meet in Dublin when her father is on leave and are married in 1918. Iris is the couple’s only child. When she is a few weeks old the family moves to London, where her father had joined the Ministry of Health as a second-class clerk. She is a second cousin of the Irish mathematician Brian Murdoch.
From 1947 to 1948 Murdoch studies philosophy as a postgraduate at Newnham College, Cambridge. She meets Ludwig Wittgenstein at Cambridge but does not hear him lecture, as he had left his Trinity College professorship before she arrives. In 1948 she becomes a fellow of St. Anne’s College, Oxford, where she teaches philosophy until 1963. From 1963 to 1967 she teaches one day a week in the General Studies department at the Royal College of Art.
In 1956 Murdoch marries John Bayley, a literary critic, novelist, and from 1974 to 1992 Warton Professor of English at Oxford University, whom she had met in Oxford in 1954. The unusual romantic partnership lasts more than forty years until Murdoch’s death. Bayley thinks that sex is “inescapably ridiculous.” She in contrast has “multiple affairs with both men and women which, on discomposing occasions, Bayley witnesses for himself.”
Murdoch’s first novel, Under the Net, is published in 1954 and is selected in 1998 as one of Modern Library’s 100 best English-language novels of the 20th century. She had previously published essays on philosophy, and the first monograph about Jean-Paul Sartre published in English. She goes on to produce 25 more novels and additional works of philosophy, as well as poetry and drama.
Murdoch’s last novel, Jackson’s Dilemma, is published in 1995. She is diagnosed with Alzheimer’s disease in 1997 and dies on February 8, 1999, in Oxford. There is a bench dedicated to her in the grounds of Lady Margaret Hall, Oxford, where she enjoyed walking.
Cyril James Cusack, Irish actor who appears in numerous films and television productions in a career lasting more than 70 years, dies in Chiswick, London, England on October 7, 1993. In 2020, he is listed at number 14 on The Irish Times‘s list of Ireland’s greatest film actors.
Cusack is born in Durban, Natal, South Africa, on November 26, 1910. His mother, Alice Violet (née Cole), is an English Cockney actress and chorus girl, and his father, James Walter Cusack, is an Irish mounted policeman in the Colony of Natal, South Africa. His parents separate when he is young and his mother takes him to England, and then to Ireland. His mother and her partner, Brefni O’Rorke, join the O’Brien and Ireland Players.
Cusack makes his first stage performance at the age of seven. He is educated at Newbridge College in Newbridge, County Kildare, then reads law at University College Dublin. He leaves without a degree and joins the Abbey Theatre in 1932. Between then and 1945, he performs in over 60 productions, particularly excelling in the plays of Seán O’Casey. He also performs Irish playwright Teresa Deevy‘s plays Katie Roche and The King of Spain’s Daughter. In 1932 he also joins the Gate Theatre company, appearing with them in many notable productions over the years. In 1947, he forms his own company and stages productions in Dublin, Paris and New York.
In 1963, Cusack joins the Royal Shakespeare Company in London and appears there for several seasons. By this stage he has established a successful career in films, which had started at the age of eight. Also in 1963, he wins a Jacob’s Award for his performance in the Telefís Éireann production of Triptych. He receives honorary degrees in 1977 and 1980 from the National University of Ireland (NUI) and the University of Dublin respectively.
Cusack, who is bilingual in English and Irish, has a leading role in the controversial Irish language film Poitín (1977). He is also offered the role of the First Doctor in Doctor Who.
Cusack’s last stage performance is in Anton Chekhov‘s Three Sisters (1990), in which three of his daughters play the sisters.
Cusack is twice married, firstly to Mary Margaret “Maureen” Kiely (1920–1977), on April 5, 1945. Together they have five children: Paul (1946), Sinéad (1948), Sorcha (1949), Niamh (1959), and Pádraig (1962). He and his second wife, Mary Rose Cunningham (1979–1993), have one daughter, Catherine (1968).
In later life, Cusack becomes a campaigner for conservative causes in Ireland, notably in his opposition to abortion, where he becomes a frequent letter-writer to the main liberal Irish newspaper, The Irish Times. Regarding his Catholic faith, he comments “Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.” His religious credentials come under scrutiny following his death and the revelation that he had been unfaithful in his first marriage, with a long-term mistress, Mary Rose Cunningham. He marries Cunningham following his first wife’s death.
On October 7, 1993, Cusack dies at the age of 82 at home in Chiswick, Greater London, from amyotrophic lateral sclerosis (ALS). His acting career had lasted 75 years.
Todhunter is the eldest son of Thomas Harvey Todhunter, a Quaker merchant of English origin. He is educated at Quaker schools, including Bootham School in York and in Mountmellick, County Laois. He starts work at his father’s offices in Dublin and London before continuing on to attend Trinity College, Dublin, where he studies medicine. While at Trinity, he wins the Vice-Chancellor’s prize for English Verse 1864, 1865 and 1866, and the Gold Medal of the Philosophical Society 1866 for an essay. He also clerks for William Stokes while studying. He receives his Bachelor of Medicine in 1867 and his Doctor of Medicine degree in 1871.
In 1870, one year prior to receiving his Doctor of Medicine, Todhunter becomes a Professor of English Literature at Alexandra College, Dublin. Four years later, he resigns from that position and travels to Egypt and several places in Europe. He marries Dora L. Digby in 1879. In 1881, he finally settles in London, where his home in Bedford Park, Chiswick is located in a small community of writers and artists, including William Butler Yeats. Informal “symposia” are held at his house about once a fortnight, when friends gather at his fireside to discuss poetry and philosophy. He is involved in the founding of the Irish Literary Society there.
Todhunter’s first volume is a collection of narrative and lyrical poems entitled Laurella (1876). Grace, tenderness, and melody mark these poems. In later years he does much stronger work under the influence of ancient Celtic literature, to the study of which he is led by the memorable rendering of the Cú Chulainn legend published in 1878 by Standish O’Grady. The Banshee and Other Poems (1888) and The Irish Bardic Tales (1896) contain the best of his work in poetry.
Three of Todhunter’s plays have been acted with success. One of them, The Black Cat (1893), produced by the Independent Theatre Society, a private club formed to forestall censorship by the Lord Chamberlain’s Office, is a factor in the revival of the literary drama. However, it only receives one performance, on December 8, 1893, at the Opera Comique. His translation of Heinrich Heine‘s Buch der Lieder is perhaps the best complete English version of a work than which none more irresistibly attracts or more cruelly eludes the art of the translator. He is also author of a few brief prose works, including “The Life of Patrick Sarsfield, Earl of Lucan” and “A Study of Shelley.”
Todhunter dies on October 25, 1916, at his residence in Bedford Park.
Feargus Edward O’Connor, Irish Chartist leader and advocate of the Land Plan, which seeks to provide smallholdings for the labouring classes, dies in Notting Hill, West London, England on August 30, 1855. He succeeds in making Chartism the first specifically working-class national movement in Great Britain. A highly charismatic figure, he is admired for his energy and oratory but was criticised for alleged egotism.
O’Connor is born on July 18, 1796, in Connorville house, near Castletown-Kinneigh in west County Cork, into a prominent Irish Protestant family. He is originally christened Edward Bowen O’Connor, but his father, the Irish nationalist politician Roger O’Connor, chooses to call him Feargus. He is educated mainly at Portarlington Grammar School and has some elementary schooling in England.
O’Connor, who claims royal descent from the ancient kings of Ireland, practices law but exchanges law for politics when he is elected to the British House of Commons as Member of Parliament for County Cork, as a Repeal candidate rather than a Whig. Unseated in 1835, he turns to radical agitation in England, although he continues to press Irish grievances and to seek Irish support. As a result of his humour, invective, and energy, he becomes the best-known Chartist leader and the movement’s most popular speaker. His journal, The Northern Star, founded in 1837, gains a wide circulation.
O’Connor’s methods and views alienate other Chartist leaders, particularly William Lovett, but in 1841, after spending a year in prison for seditious libel, he acquires undisputed leadership of the Chartists. Failing to lead the movement to victory and vacillating in his attitude toward the middle class and toward the People’s Charter, a six-point bill drafted and published in May 1838, he begins to lose power, although he is remarkably elected to Parliament for Nottingham in 1847, defeating Thomas Benjamin Hobhouse.
The failure of the People’s Charter in 1848 marks the beginning of the end for O’Connor, whose egocentricity is already bordering on madness. In the spring of 1852, he visits the United States, where his behaviour leaves no doubt that he is not a well man. It is possible that he is in the early stages of general paralysis of the insane, brought on by syphilis.
In the House of Commons in 1852 O’Connor strikes three fellow MPs, one of them Sir Benjamin Hall, a vocal critic of the Land Plan. Arrested by the Deputy Sergeant-at-Arms, he is sent by his sister to Dr. Thomas Harrington Tuke‘s private Manor House Asylum in Chiswick, where he remains until 1854, when he is removed to his sister’s house. He dies on August 30, 1855, at 18 Albert Terrace, Notting Hill Gate. He is buried in Kensal Green Cemetery on September 10. No fewer than 40,000 people witness the funeral procession. Most Chartists prefer to remember his strengths rather than his shortcomings.
(Pictured: Stipple engraving portrait of the Chartist leader Feargus Edward O’Connor by an unknown artist, mid 19th century, published in the Northern Star in December 1837)
Mowlam is a lecturer in the Political Science Department at the University of Wisconsin–Milwaukee in 1977 and at Florida State University in Tallahassee from 1977 to 1979. During her time in Tallahassee, someone breaks into her apartment. She suspects that it is Ted Bundy, the serial killer and rapist who is thought to have murdered at least 35 young women and attacked several others. She returns to England in 1979 to take up an appointment at the University of Newcastle upon Tyne.
Having failed to win selection for the 1983 general election, Mowlam is selected as Labour candidate for the safe seat of Redcar after James Tinn stands down. She takes the seat in the 1987 general election, becoming the Labour spokesperson on Northern Ireland later that year. Together with Shadow Chancellor John Smith, she is one of the architects of Labour’s “Prawn Cocktail Offensive” dedicated to reassuring the UK’s financial sector about Labour’s financial rectitude.
Mowlam joins the Shadow Cabinet when John Smith becomes leader of the Labour Party in 1992, holding the title of Shadow Secretary of State for National Heritage. During this time, she antagonises both monarchists and republicans by calling for Buckingham Palace to be demolished and replaced by a “modern” palace built at public expense. Later, her willingness to speak her mind, often without regard to the consequences, is seen as her greatest strength by her supporters.
Following Smith’s death in 1994, Mowlam, alongside Peter Kilfoyle, becomes a principal organiser of Tony Blair‘s campaign for the Labour leadership. After his victory, Blair makes her Shadow Secretary of State for Northern Ireland. She initially resists being appointed to the position, preferring an economic portfolio, but, after accepting it, she throws her weight into the job.
Mowlam oversees the negotiations which lead to the 1998 Good Friday Agreement. She is successful in helping to restore an Irish Republican Army (IRA) ceasefire and including Sinn Féin in multi-party talks about the future of Northern Ireland. In an attempt to persuade the Ulster loyalists to participate in the peace process, she pays an unprecedented and potentially dangerous visit to loyalist prisoners in HM Prison Maze, meeting convicted murderers face-to-face and unaccompanied.
Mowlam witnesses the Good Friday Agreement signing in 1998, which leads to the temporary establishment of a devolved power-sharing Northern Ireland Assembly. However, an increasingly difficult relationship with Unionist parties means her role in the talks is ultimately taken over by Tony Blair and his staff.
Mowlam’s deteriorating relationship with Unionists is the key reason she is replaced by Peter Mandelson as Northern Ireland Secretary in October 1999. Her move to the relatively lowly position of Minister for the Cabinet Office possibly involves other factors, notably her health and her popularity. On September 4, 2000, she announces her intention to retire from Parliament and relinquishes her seat at the 2001 general election.
Five months before the 1997 general election, Mowlam is diagnosed with a brain tumor, a fact that she tries to keep private. She appears to suffer from balance problems as a result of her radiotherapy. According to her husband, she falls on July 30, 2005, receiving head injuries and never regaining consciousness. Her living will, in which she asks not to be resuscitated, is honoured. On August 12, 2005, Mowlan is moved to Pilgrims Hospice in Canterbury, Kent, where she dies seven days later, on August 19, 2005, aged 55.
Mowlam is an atheist and is cremated in Sittingbourne on September 1, 2005 at a non-religious service conducted by Reverend Richard Coles, formerly of the 1980s band The Communards. Half of her ashes were scattered at Hillsborough Castle, the Secretary of State for Northern Ireland’s official residence, and the other half in her former parliamentary constituency of Redcar.
O’Connor is born into a prominent Irish Protestant family who claims to be the descendants of the 12th-century king Ruaidrí Ua Conchobair. He is educated mainly at Portarlington Grammar School and has some elementary schooling in England.
O’Connor practices law but exchanges law for politics when he enters the British Parliament in 1832 as a member for County Cork. Unseated in 1835, he turns to radical agitation in England, although he continues to press Irish grievances and to seek Irish support. As a result of his humour, invective, and energy, he becomes the best-known Chartist leader and the movement’s most popular speaker. His journal, the Northern Star (founded in 1837), gains a wide circulation.
O’Connor’s methods and views alienate other Chartist leaders, particularly William Lovett, but in 1841, after spending a year in prison for seditious libel, he acquires undisputed leadership of the Chartists. Failing to lead the movement to victory and vacillating in his attitude toward the middle class and toward the People’s Charter, a six-point bill drafted and published in May 1838, he begins to lose power, although he is elected to Parliament for Nottingham in 1847. The failure of the People’s Charter in 1848 marks the beginning of the end for O’Connor, whose egocentricity is already bordering on madness.
The circulation of the Northern Star falls steadily, and it loses money. O’Connor’s health is failing, and reports of his mental breakdown regularly appear in the newspapers. In the spring of 1852, he visits the United States, where his behaviour leaves no doubt that he is not a well man.
In 1852 in the House of Commons O’Connor strikes three fellow MPs, one of them Sir Benjamin Hall, a vocal critic of the Land Plan. Arrested by the Deputy Sergeant-at-Arms, he is sent by his sister to Dr. Thomas Harrington Tuke‘s private Manor House Asylum in Chiswick, where he remains until 1854, when he is moved to his sister’s house. He dies on August 30, 1855, at 18 Albert Terrace, Notting Hill Gate and is buried on September 10 in Kensal Green Cemetery. No fewer than 40,000 people witness the funeral procession. Most Chartists preferred to remember O’Connor’s strengths rather than his shortcomings.
seamus dubhghaill 