seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA


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Loyalists Protest Sinn Féin Minister’s Refusal to Fly Union Flag

On Friday, August 4, 2000, Loyalists protest after Northern Ireland health minister Bairbre de Brún, a member of Sinn Féin, refuses to fly the Union flag outside her Belfast offices to mark the 100th birthday of Britain’s Queen Mother. First Minister David Trimble had written to the Northern Ireland secretary requesting that the Union Flag should be flown on all government buildings.

About 20 people take part in the picket organised by the loyalist Progressive Unionist Party (PUP) as the minister leaves the Department of Health offices on Friday morning.

In Bangor, County Down, a group of loyalist protesters put up a Union Flag outside the offices of Sinn Féin education minister Martin McGuinness at his department’s Rathgael House headquarters. Another group of PUP protesters demonstrate at government buildings in Adelaide Street in Belfast city centre, where the Union Flag is flying above two of the government buildings in the street.

Protestors hold up posters showing the faces of de Brun and McGuinness printed on a Union Flag. The posters also show the face of the nationalist Social Democratic and Labour Party (SDLP) agriculture minister Bríd Rodgers.

The PUP’s Billy Hutchinson criticises Sinn Féin ministers over their refusal to fly the Union Flag. “These people cannot even recognise that we have a monarch who’s 100 years old and they can’t even fly the flag, just because they think that everything that is British is no good,” he says. “These people forget that they have lived in Britain all their lives, most of them. They weren’t even born at Partition (of Ireland).” He adds that Sinn Féin’s ministers should accept that they are “British ministers in a British state.”

However, Sinn Féin’s Alex Maskey condemns the protests as “intimidating and sectarian.” He says Sinn Féin’s position on the flying of flags is designed not to cause offence. “Where British cultural and political symbols are invoked in public life, equivalent Irish cultural and political symbols should be given equal prominence. Where this cannot be agreed, no such symbols should fly,” he says.

The issue of flags has been emotive and divisive in Northern Ireland. The Sinn Féin ministers anger unionists on May 2 by ordering their civil servants not to fly the flag as part of the Coronation Day celebrations. The row reaches a head when the anti-agreement Democratic Unionist Party (DUP) attempts to guarantee the flying of the Union Flag with an assembly motion in June. However, the party fails to win enough support for their motion to be passed.

There are about 13 days in the year when the Union Flag is flown on designated government offices in the United Kingdom. Government buildings across the UK – from Whitehall ministries to town council offices are expected to raise the Union Flag on these days.

It is the second time in a week that the health minister has run into controversy. On Wednesday, August 2, she is confronted by angry loyalist protesters during an official visit to a County Antrim hospital. Around 20 demonstrators picket the Lagan Valley Hospital in Lisburn, while she is on a visit to see a GP scheme as part of a programme to learn about aspects of the health service. The tyres on the minister’s car are let down and an egg is thrown. De Brun is forced to leave the complex by another door.

(From: “Trimble joins Union Flag row,” BBC News, news.bbc.co.uk, Friday, August 4, 2000 | Pictured: Protesters picket the Department of Health)


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Death of Henry Joy McCracken, Founding Member of the United Irishmen

Henry Joy McCracken, Irish Republican, industrialist and a founding member of the Society of United Irishmen, is hanged from gallows erected in front of the Market House on Belfast‘s High Street on July 17, 1798, on land his grandfather had donated to the city.

McCracken is born in Belfast on August 31, 1767, into two of the city’s most prominent Presbyterian industrial families. He is the son of a shipowner, Captain John McCracken and Ann Joy, daughter of Francis Joy, of French Huguenot descent. The Joy family makes their money in linen manufacture and founds the News Letter. He is the older brother of political activist and social reformer Mary Ann McCracken, with whom he shares an interest in Irish traditional culture.

In 1792, McCracken helps organise the Belfast Harp Festival which gathers aged harpists from around Ireland and helps preserve the Irish airs by having them transcribed by Edward Bunting. Bunting, who lodges in the McCracken’s Rosemary Lane home, is a classically trained musician.

McCracken becomes interested in republican politics from an early age and along with other Protestants forms the Society of United Irishmen in 1795 which quickly makes him a target of the authorities. He regularly travels throughout the country using his business as a cover for organising other United Irish societies but is arrested in October 1796 and imprisoned in Kilmainham Gaol in Dublin. While imprisoned with other leaders of the United Irishmen, he falls seriously ill and is released on bail in December 1797.

Following the outbreak of the Irish Rebellion of 1798 in Leinster in May 1798, the County Antrim organisation meets on June 3 to decide on their response. The meeting ends inconclusively with a vote to wait for French aid being passed by a narrow margin. A new meeting of delegates is held in Templepatrick on June 5 where McCracken is elected general for Antrim, and he quickly begins planning military operations.

McCracken formulates a plan for all small towns in Antrim to be seized after which rebels will converge upon Antrim town on June 7 where the county’s magistrates are to hold a crisis meeting. Although the plan meets initial success and McCracken leads the rebels in the attack on Antrim, the Catholic Defenders group whom he expects assistance from are conspicuous by their absence. The mainly Ulster Scots rebels led by McCracken are defeated by the English forces and his army melts away.

Although McCracken initially escapes with James Hope, James Orr, and James Dickey and is supported in his month-long period of hiding by his sister Mary Ann, a chance encounter with men who recognize him from his cotton business leads to his arrest. He is offered clemency if he testifies against other United Irishmen leaders, but he refuses to turn on his compatriots.

McCracken is court martialed and hanged at Corn Market, Belfast, on land his grandfather had donated to the city, on July 17, 1798. According to historian Guy Beiner, his corpse is spared the indignity of decapitation in order not to provoke renewed agitation. He is buried in the Parish Church of St. George in Belfast, but a few years later the grave is demolished.

McCracken’s remains are believed to have been re-interred by Francis Joseph Bigger in 1909 at Clifton Street Cemetery, Belfast, alongside his sister Mary Ann. His illegitimate daughter Maria, whose mother is speculated to have been Mary Bodell, is raised by her aunt Mary Ann McCracken.


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King William III, William of Orange, Arrives in Belfast

William of Orange, King of Holland, and recently declared King William III of England, arrives with his fleet in Belfast on June 14, 1690. He remains for twelve days, departing on June 26. For his part he likes what he sees. “This country is worth fighting for,” he says.

William’s departure from London is held up by parliamentary business until the end of May, when he announces that he can wait no longer and adjourns Parliament. He sets out early in the morning of June 4, reaching Northampton before nightfall. On Sunday, June 8, he attends divine service in Chester Cathedral and goes on to inspect the ships at Hoylake on the tip of the Wirral Peninsula.

For two days the wind is contrary, but on June 11 he embarks on board the yacht “Mary” with a fleet escorted by Sir Cloudesley Shovell‘s squadron. On June 14 the hills of Ireland come in sight and in the afternoon the fleet casts anchor off Carrickfergus. He is rowed ashore in the Rear Admiral’s barge and at about 3:30 p.m. lands at the Old Quay under the shadow of the great Norman Castle.

The Garrison of the Castle has drawn up a Guard of Honour and the townspeople add their applause. The chosen spokesman is a Quaker, whose principles forbid him to doff his hat or use such titles as Sir and Majesty. He gets around the difficulty by taking off his hat and laying it on a stone and then stepping forward and saying “William, thou art welcome to thy Kingdom” which pleases the King so much that he replies, “You are the best-bred gentleman I have met since I came to England.” With these words he mounts his horse and sets off for Belfast.

Halfway along the shore is the little port of Whitehouse, where most of the army disembarks. The Commander-in-Chief, Frederick Schomberg, 1st Duke of Schomberg, and his senior commanders are waiting here to welcome the King. To cover the disembarkation, earthworks have been thrown up by the engineers at Fort William and garrisoned by troops ready for action.

In 1690 Belfast consists of about 300 houses in five streets. It has two churches, the Parish Church, where St. George’s Church still stands in the High Street, and the Presbyterian Meeting House in Rosemary Lane. The town had been surrounded by a rampart in 1642 and had been captured by Colonel Robert Venebles for Oliver Cromwell after a four-day siege and an assault on the North Gate in 1649.

It is at the North Gate that King William enters Belfast where North Street now crosses Royal Avenue. Here he is welcomed by the magistrates and burgesses in their robes and by the Rev. George Walker, now Bishop-elect of Derry. A Royal Salute is fired from the Castle and is echoed and re-echoed by the guns which Schomberg had placed at wide intervals for the purpose of conveying signals from post to post. Wherever it is heard it is known that King William has come. Before midnight all the heights of Antrim and Down are blazing with bonfires.

The next day being Sunday, William attends church at the Corporation Church, now St. George’s Church. On Monday, June 16, addresses of loyalty are presented on behalf of the Church of Ireland and Presbyterian Church clergy, the civic authorities of the city of Londonderry, the town of Belfast and by the Sheriffs, Justices of the Peace and Gentlemen of the Counties of Down and Antrim. The next two days are spent in military preparation.

In the previous season Schomberg had conducted a slow and cautious campaign but William says he has not come to Ireland to let the grass grow under his feet. He orders a general muster of the army in the Parish of Aghaderg which includes Scarvagh and on Thursday, June 19, begins his southward march from Belfast Castle.

The line of march continues along Upper Malone by the Old Coach Road and past the ruins of both Drumbeg and Lambeg Parish Churches which had been burned down in 1641. William reaches Schomberg’s headquarters in Lisburn Castle for lunch on the same day that he left Belfast Castle. The afternoon and evening are spent inspecting troops on Blaris Moor, and then on to Hillsborough Castle for the night.

The cavalcade moves on through the little round hills of County Down, crosses the Upper Bann between Huntly and Ballievey by ford over the hill of Banbridge and on to the rendezvous on the northwest of Loughbrickland.

After the disappointments of the previous season and the appalling loss of life through disease, Schomberg had dispersed his army into winter quarters all over Ulster. The Derry and Enniskillen men had gone home to pick up the threads of their lives. Now the farmers among them have the crop in and are recalled to the colours and ready to be reviewed. There are four regiments of Enniskillen men – Wynns, Tiffins, Lloyds and Cunninghams, one of foot and three of horse. There is only one regiment of Derry men, St. John’s, commanded by Mitchelburne with Rev. George Walker as chaplain.

On June 22, William sits in the saddle for hours reviewing his 36,000 men. Marching past are 10,000 Danes, some of whom came from Norway and Sweden, and even Finland, 7,000 Dutch and Brandenburgers, 2,000 French Huguenots, 11,000 English and Scots, 800 Derrymen, 4,500 Inniskilleners and two companies from Bandon, County Cork.

On June 24, an advance party reaches beyond Newry to the edge of Dundalk and brings intelligence that the deposed King James II has fallen back on Ardee. The following day the main army advances to Newry and camps on the side of a hill. On June 25, with the King at their head, wearing an Orange colour sash, they go through the Moyry Gap and pass out of Ulster en route to the Boyne.

(From: “History of Orangeism: King William in Ulster,” Museum of Orange Heritage, http://www.orangeheritage.co.uk)


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Death of Rosamond Praeger, Artist & Sculptor

Sophia Rosamond Praeger, Irish artist, sculptor, illustrator, poet and writer, dies at Rock Cottage, County Down, Northern Ireland, on April 17, 1954.

Praeger is born on April 15, 1867, in Holywood, County Down. She is the daughter of Willem Emilius Praeger, a Dutch linen merchant who had settled in Ireland in 1860, and Marie Patterson. She has five brothers of who Robert goes on to become a distinguished naturalist. Within months of her birth the family moves to Woodburn House, Croft Road, Holywood, where they have as a neighbour Rev. Charles McElester, a Non-subscribing Presbyterian minister who runs a day school in his church. She both attends this school, and later teaches there. She receives her secondary education at Sullivan Upper School, Holywood, the Belfast School of Art, and the Slade School of Fine Art, London. Before returning to Ireland to open a studio in Belfast and then in Holywood, she studies art in Paris.

Praeger writes and illustrates children’s books but achieves fame with her sculpture The Philosopher which is exhibited at the Royal Academy of Arts in London, bought by an American collector, and is now on display in the Colorado Springs Museum and Art Gallery. She mostly works in plaster, but also uses stone, marble, terracotta and bronze, and her work includes relief panels, memorial plaques and stones. She exhibits in London and Paris, at the Royal Hibernian Academy, as well as at the Irish Decorative Art Association Exhibitions. She is a member of the Guild of Irish Art Workers.

Among Praeger’s other works are The Wai, Johnny the Jig, These Little Ones, St. Brigid of Kildare and The Fairy Fountain. For the Causeway School near Bushmills, County Antrim, she carves Fionnula the Daughter of Lir in stone. She models a heraldic figure for the Northern Bank in Donegall Square West, Belfast, and bronze plaques for the front door of the Carnegie library, Falls Road, Belfast, as well as the angels on Andrews Memorial Hall in Comber, County Down, and some work in St. Anne’s Cathedral, Belfast. She illustrates three books for her brother, Robert Praeger. She is President of the Royal Ulster Academy, an honorary Fellow of the Royal Hibernian Academy, and she receives an honorary doctorate from Queen’s University, Belfast. In 1939 she is awarded the MBE.

Praeger maintains her studio in Hibernian Street, Holywood, up until 1952, at the age of 85. She dies at Rock Cottage, County Down, on April 17, 1954. She is buried in the Priory Cemetery, Holywood. Her work in included in the collections of the Ulster Museum and the National Gallery of Ireland, and some private collections around the world

(From: “Sophia Rosamond Praeger (1867 – 1954): Sculptor” by Kate Newmann and Richard Froggatt, Dictionary of Ulster Biography, http://www.newulsterbiography.co.uk)


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Birth of Neil Shawcross, Post-Impressionist Artist

Neil Shawcross MBE, RHA, HRUA, Post-Impressionist artist, is born in Kearsley, Lancashire, England, on March 15, 1940. He has been a resident of Northern Ireland since 1962.

Shawcross studies at Bolton College of Art from 1955 to 1958, and Lancaster College of Art from 1958 to 1960, before moving to Belfast in 1962 to take up a part-time lecturer’s post at the Belfast College of Art, becoming full-time in 1968. He continues to lecture there until his retirement in 2004.

Primarily a portrait painter, his subjects include Nobel Prize winning poet Seamus Heaney, novelist Francis Stuart (for the Ulster Museum), former Lord Mayor of Belfast David Cook (for Belfast City Council), footballer Derek Dougan and fellow artists Colin Middleton and Terry Frost. He also paints the figure and still life, taking a self-consciously childlike approach to composition and colour. His work also include printmaking, and he has designed stained glass for the Ulster Museum and St. Colman’s Church, Lambeg, County Antrim.

Shawcross’s academic career includes a residency at Virginia Center for the Creative Arts in Amherst, Virginia in 1987, a residency at Vermont Studio Center in Johnson, Vermont in 1991, and a visiting assistant professorship at Pennsylvania State University in 1993.

Shawcross has exhibited nationally, with one-man shows in London, Manchester, Dublin and Belfast, and internationally in Hong Kong and the United States, and his work is found in many private and corporate collections.

Shawcross is elected an Associate of the Royal Ulster Academy of Art in 1975, and is made a full Academician in 1977. He wins the Academy’s Conor Award in 1975, its gold medal in 1978, 1982, 1987, 1994, 1997 and 2001, and its James Adam Prize in 1998. He is also a member of the Royal Hibernian Academy (RHA). He is awarded the Gallaher Portrait Prize in 1966.

Shawcross is conferred an honorary doctorate by Queen’s University Belfast in 2007. He is appointed Member of the Order of the British Empire (MBE) in the 2014 New Year Honours for services to arts in Northern Ireland.

In 2010, the Merrion Hotel, Dublin, hosts a private collection of the works of Shawcross. In 2015, he exhibits a collection of six foot tall book covers inspired by original Penguin paperbacks at the National Opera House in Wexford, County Wexford. In 2018, he donates to Belfast City Council a collection of 36 paintings dedicated to ‘Writers of Belfast’ in a show of appreciation to his adopted home city. A major retrospective of his works are exhibited at the F. E. McWilliam Gallery and Studio, Banbridge, County Down, in the same year.

Shawcross is a Patron of the charity YouthAction Northern Ireland. He lives in Hillsborough, County Down, Northern Ireland.


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Birth of Northern Irish Motorcyclist Joey Dunlop

William Joseph Dunlop OBE, Northern Irish motorcyclist, is born in Armoy, County Antrim, near Ballymoney, on February 25, 1952. His achievements include three hat-tricks at the Isle of Man TT meeting (1985, 1988 and 2000), where he wins a record 26 races in total. A curve at the 26th milestone on the Isle of Man is named in his honour. During his career he won the Ulster Grand Prix 24 times.

Dunlop marries on September 22, 1972 at the Ballymoney register office. He is the proprietor of a pub in Ballymoney and is highly superstitious, always wearing a red T-shirt and his yellow crash helmet when racing. He is presented with the Freedom of the Borough by Ballymoney Council in 1993.

Dunlop helps orphans in the Balkans, driving a van loaded with supplies to orphanages in Romania, Albania and Bosnia-Herzegovina before the annual racing season begins. In 1996, he receives an OBE for his humanitarian work.

On the night of May 23, 1985, Dunlop is traveling from Northern Ireland to the Isle of Man for the annual TT races by sea, onboard the Tornamona, a former fishing boat. The vessel departs from Strangford, County Down with Dunlop, other riders, racing bikes and equipment onboard. Strong currents into Strangford Lough push the Tornamona onto St. Patrick’s Rock where her rudder breaks off in a crevice. The boat sinks and all 13 passengers and crew are rescued by the Portaferry Lifeboat. The bikes are later recovered by divers.

In 1986, Dunlop wins a fifth consecutive TT Formula One world title. Initially based on one race at the Isle of Man TT after the loss of World Championship status from 1977-onwards and organised by the Auto-Cycle Union, the title is eventually expanded to take in more rounds in other countries.

Dunlop is awarded the MBE in 1986 for his services to the sport. He is featured in three documentary films regarding his career: V Four Victory (1983), Joey – The Man Who Conquered the TT (2013) and Road (2014).

Dunlop wins his third hat trick at the Isle of Man TT in 2000 and sets his fastest lap on the course of 123.87 mph in the Senior race, in which he finishes third.

Dunlop dies in Tallinn, Estonia, on July 2, 2000 while leading a 125cc race on the Pirita-Kose-Kloostrimetsa Circuit. He appears to lose control of his bike in the wet conditions and dies instantly on impact with trees. As a mark of respect, the Estonian government’s official website is replaced with a tribute to Dunlop within hours of his death. Northern Ireland television carries live coverage of his funeral. Fifty thousand mourners, including bikers from all parts of Britain and Ireland and people from all backgrounds in Northern Ireland, attend the funeral procession to Garryduff Presbyterian church and his burial in the adjoining graveyard.

Following Dunlop’s death, the Leisure Centre in his hometown of Ballymoney is renamed from the Riada Centre to the Joey Dunlop Leisure Centre. Also, a memorial statue is erected in his hometown. The Joey Dunlop Foundation is initiated, a charity that provides appropriate accommodation for disabled visitors to the Isle of Man. In 2001, the Joey Dunlop Memorial Garden is established in the Dunlop family’s hometown, and in 2010 the tribute is extended to include the Robert Dunlop Memorial Garden to honour Joey’s late brother, Robert Dunlop.

The most successful overall rider at the annual TT races is awarded the “Joey Dunlop Cup.” On the Isle of Man, a statue of Dunlop astride a Honda overlooks the Bungalow Bend at Snaefell and the 26th Milestone area of the TT course is named “Joey’s.” A memorial stone is installed at the crash site in Tallinn as well. Irish publishers the O’Brien Press produces a full-colour pictorial tribute to Dunlop following his death. Northern Ireland band Therapy? records a song in memory of Dunlop called “Joey.” It appears on the album Shameless, released in 2001.

On January 30, 2015, Dunlop is voted Northern Ireland’s greatest sports star by readers of the Belfast Telegraph newspaper. In 2016 he is voted through Motorcycle News as the fifth greatest motorcycling icon ever, behind Valentino Rossi.


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Death of James “Jemmy” Hope, United Irishmen Leader

James “Jemmy” Hope, Society of United Irishmen leader who fights in the Irish Rebellions of 1798 and 1803 against British rule in Ireland, dies on February 10, 1847 at his son Henry’s home, 1 Lancaster St., Belfast.

Hope is born in Templepatrick, County Antrim, on August 25, 1764 to a Presbyterian family originally of Covenanter stock. He is apprenticed as a linen weaver but attends night school in his spare time. Influenced by the American Revolution, he joins the Irish Volunteers, but upon the demise of that organisation and further influenced by the French Revolution, he joins the Society of the United Irishmen in 1795.

Hope quickly establishes himself as a prominent organiser and is elected to the central committee in Belfast, becoming close to leaders such as Samuel Neilson, Thomas Russell, and Henry Joy McCracken. He is almost alone among the United Irish leaders in targeting manufacturers as well as landowners as the enemies of all radicals. In 1796, he is sent to Dublin to assist the United Irish organisation there to mobilise support among the working classes, and he is successful in establishing several branches throughout the city and especially in The Liberties area. He also travels to counties in Ulster and Connacht, disseminating literature and organizing localities.

Upon the outbreak of the 1798 rebellion in Leinster, Hope is sent on a failed mission to Belfast by Henry Joy McCracken to brief the leader of the County Down United Irishmen, Rev. William Steel Dickson, with news of the planned rising in County Antrim, unaware that Dickson had been arrested only a couple of days before. He manages to escape from Belfast in time to take part in the Battle of Antrim where he plays a skillful and courageous role with his “Spartan Band,” in covering the retreat of the fleeing rebels after their defeat.

Hope manages to rejoin McCracken and his remaining forces after the battle at their camp upon Slemish mountain, but the camp gradually disperses, and the dwindling band of insurgents are then forced to go on the run. He successfully eludes capture, but his friend McCracken is captured and executed on July 17. Upon the collapse of the general rising, he refuses to avail of the terms of an amnesty offered by Charles Cornwallis, 1st Marquess Cornwallis on the grounds that to do so would be “not only a recantation of one’s principles, but a tacit acquiescence in the justice of the punishment which had been inflicted on thousands of my unfortunate associates.”

Hope lives the years following 1798 on the move between counties Dublin, Meath and Westmeath but is finally forced to flee Dublin following the failure of Robert Emmet‘s rebellion in 1803. He returns to the north and evades the authorities attentions in the ensuing repression by securing employment with a sympathetic friend from England. He is today regarded as the most egalitarian and socialist of all the United Irish leadership.

After suffering poor health for some years, Hope dies on February 10, 1847 at his son Henry’s home, 1 Lancaster St., Belfast. He is buried in the Mallusk Cemetery, Newtownabbey, County Antrim. The headstone is raised by his friends, Henry Joy McCracken’s sister Mary Ann, and the Shankill Road United Irishman Isreal Milliken. The historian Richard Robert Madden, who had encouraged Hope to write his memoirs, supplies the inscription. The headstone features the outline of a large dog, which supposedly brought provisions to him and his compatriots when they were hiding following the Battle of Antrim.


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Birth of Arthur Armstrong, Landscape & Still Life Painter

Arthur Armstrong, landscape and still life painter who often works in a Cubist style, is born in Carrickfergus, County Antrim, Northern Ireland, on January 12, 1924. A prolific painter, completing up to 300 paintings a year, in oils, watercolour and mixed media, he regards himself first and foremost as an abstract artist.

Armstrong is the son of a house painter and attends Strandtown Primary School. Later he studies architecture at Queen’s University Belfast, but after two years he moves to study art at Belfast School of Art. The influence of Cubism and the School of Paris can be clearly seen in his work, which takes him to England, France and Spain. He also travels and paints in the west of Ireland and Connemara inspires some of his best work. In 1950 his work is exhibited in the Grafton Gallery in Dublin, and subsequent exhibitions take place in England, Spain and the United States, as well as in Belfast and Dublin. In 1957 he is awarded a travelling scholarship from the Council for the Encouragement of Music and the Arts (CEMA), a forerunner of the Arts Council of Great Britain, and goes to Spain. He eventually settles in Dublin in 1962 and begins showing work at the Royal Hibernian Academy.

In 1968 Armstrong is awarded the Douglas Hyde Gold Medal at the Oireachtas Exhibition. In 1969 he designs sets, with George Campbell and Gerard Dillon, for the Seán O’Casey play, Juno and the Paycock, at the Abbey Theatre in Dublin. He becomes a member of the Royal Hibernian Academy in 1972 and in 1973 he is awarded the Art in Context prize from the Arts Council of Northern Ireland. He becomes a member of Aosdána in 1981, the same year that a retrospective exhibition of his work from 1950 to 1980 is held by the Arts Council of Northern Ireland.

From 1971 Armstrong lives at 28 Chelmsford Avenue, Ranelagh, Dublin, in a house he shares with Gerard Dillon. A bachelor, Armstrong dies in a Dublin hospital on January 13, 1996. The contents of his studio are sold February 3, 1998.

(Pictured: “Glendalough” by Arthur Armstrong, oil on board)


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British Ultimatum to the Irish Delegation at the Anglo-Irish Treaty Talks

The Irish delegation at the Anglo-Irish Treaty talks in London are given an ultimatum by British Prime Minister David Lloyd George on December 5, 1921. Sign the treaty or face “immediate and terrible war.”

In 1920, during the Irish War of Independence, the Government of Ireland Act not only establishes the new state of Northern Ireland but gives that state the right to opt-out of a future self-governing Irish Free State within the British Commonwealth of Nations.

The Northern state consists of the six northeastern counties of Ulster with a unionist majority. They are Antrim, Down, Armagh, Derry, Tyrone, and Fermanagh. Belfast is to be the seat of a government and hold limited devolved powers. The counties of Donegal, Cavan, and Monaghan are to be absorbed within the Irish Free State controlled from parliament in Dublin.

Irish nationalists are dismayed with the plan. Protestant Unionists, particularly those living within the boundaries of the new state, accept and start to implement the Act. Sectarian attacks are launched upon Catholic homes in Belfast, Derry, Banbridge, Lisburn, and Dromore. Catholics are driven from Belfast shipyards and from various engineering works in the city. Supposedly these attacks are in revenge for Irish Republican Army (IRA) assassinations.

The IRA continues the campaign to establish a republic with the Irish War of Independence. By the middle of 1921, both sides are exhausted, and a truce is called on June 9.

In July 1921, Éamon DeValera, the president of Dáil Éireann, goes to London to meet with Prime Minister Lloyd George. They agree an Irish delegation will come to London to discuss terms in the autumn.

The delegation appointed by the Dáil to travel to London consists of Arthur Griffith (Minister for Foreign Affairs and chairman of the delegation); Michael Collins (Minister for Finance and deputy chairman of the delegation); Robert Barton (Minister for Economic Affairs); George Gavan Duffy and Éamonn Duggan, with Erskine Childers, Fionán Lynch, Diarmuid O’Hegarty, and John Chartres providing secretarial assistance. DeValera himself does not attend. Future historians wonder if he knew they would not be able to negotiate a 32 county Irish Republic.

During the debate, Lloyd George insists Ireland remain part of the Commonwealth and Dáil Éireann members take the oath of allegiance to the British throne. After a delay of two months, Lloyd George delivers the ultimatum on December 5, sign a treaty within three days or there will be war.

The Anglo-Irish Treaty is to give Ireland a 26 county Free State with Dominion status. The right to raise taxes, regulate foreign trade, independence in internal affairs, own an army, and the oath of allegiance is changed to one of fidelity.

The British are to retain three naval bases within the jurisdiction of the Free State, at Cobh, Lough Swilly, and Berehaven. The Northern Ireland boundary is to be determined by a commission. This gives false hope to large tracts of Tyrone, Fermanagh, Down, Armagh, and Derry City would be given to the Free State as they have Catholic majorities.

Just after 2:00 AM on December 6, 1921, the Irish delegation, without consulting the Dáil, finally sign a treaty with the British. Collins writes, prophetically, later on the day of the signing, “early this morning I signed my death warrant.”

The Treaty displeases the Catholics in the north and the unionists in the south. Meanwhile, many of those involved in the conflict are abhorred at the fact that not all of Ireland is to leave the United Kingdom.

(From: “The Anglo-Irish Treaty (1921)” by Brian O’Neill, Your Irish Culture, http://www.yourirish.com, May 20, 2020)


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Birth of Roy McFadden, Poet, Editor & Lawyer

Roy McFadden, Northern Irish poet, editor, and lawyer, is born in Downpatrick, County Down, on November 14, 1921.

McFadden is born to Roland Victor MCFadden and his wife Maud Steele. A short time after his birth the family relocates to Belfast. He is educated at Knock Grammar School, Regent House School in Newtownards, and later graduates in Law from Queen’s University Belfast in 1944. He becomes a prominent lawyer and an influential figure in the Belfast literary scene.

McFadden’s first poem is published before he is thirteen. His earliest influences are from magazines and journals that his father brings home, and by Francis Turner Palgrave‘s Golden Treasury. He first comes to prominence as a promoter of Ulster literature in the 1940s when he edits two anthologies of poetry, Ulster Voices and Irish Voices in 1943. In 1948, he co-founds with Barbara Edwards (née Hunter) the Northern Irish poetry magazine Rann and then, co-edits it with her during its whole run, until 1953. Like its predecessor Lagan, it is unapologetically regionalist.

McFadden is the author of nine volumes of poetry, from Swords and Ploughshares (1943) to the posthumously published Last Poems (2002). Among his poems are “Saint Francis and the Birds” and “Independence”. His book, The Garryowen, is published by Chatto & Windus in the Phoenix Living Poets series. Most recently, his poem “Post-War” has been anthologised in Armistice: A Laureate’s Choice of Poems of War and Peace (Faber Poetry) (2018). There is a long gap between 1947 and 1971 when he publishes no collections of his work, however he continues to write and publishes in periodicals and newspapers such as The Irish Times where in that time he has sixty poems printed. His voice is well known on local BBC Radio through the Poetry Notebooks series, and he also has several verse-plays broadcast.

In 1952 McFadden marries Margaret Ferguson. Together they produce three sons and two daughters. He lives for a number of years in Lisburn, County Antrim. Inspired by Herbert Read and Alex Comfort, he describes himself as a pacifist and an anarchist in 1999. McFadden dies at his Belfast home on September 15, 1999.

The Roy McFadden Papers, comprising the poet’s personal manuscripts and papers, are lodged at Queen’s University Belfast. The Roy McFadden Library at Trinity College Dublin comprises books and journals on Irish and world literature from his collection. A comprehensive collection of his published work is held at the National Poetry Library, Southbank Centre, London.