seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

Tag Archives: County Cork


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The Soloheadbeg Ambush

The Soloheadbeg ambush takes place on January 21, 1919, when members of the Irish Volunteers, which becomes the Irish Republican Army (IRA) later that year, ambush Royal Irish Constabulary (RIC) officers who are escorting a consignment of gelignite explosives at Soloheadbeg, County Tipperary. Two RIC officers are killed, and their weapons and the explosives are seized. As it happens on the same day that the revolutionary Irish parliament first meets and declares Ireland’s independence, it is often seen as the first engagement of the Irish War of Independence.

In April 1916, during World War I, Irish republicans launch an uprising against British rule in Ireland, called the Easter Rising. They proclaim an Irish Republic. After a week of heavy fighting, mostly in Dublin, the rising is put down by British forces. About 3,500 people are taken prisoner by the British, many of whom had played no part in the Rising. Most of the Rising’s leaders are executed. The rising, the British response, and the British attempt to introduce conscription in Ireland, leads to an even greater public support for Irish republicanism.

In the 1918 Irish general election, the Irish republican party Sinn Féin wins a landslide victory in Ireland, gaining 73 out of 105 seats in the British Parliament. However, in its election manifesto, the party has vowed to set up a separate government in Ireland rather than sit in the British Parliament. At a meeting in Dublin on January 21, 1919, Sinn Féin establishes an independent parliament called Dáil Éireann and declares independence from the United Kingdom.

That same day, an ambush is carried out by Irish Volunteers from the 3rd Tipperary Brigade. It involves Seán Treacy, Dan Breen, Seán Hogan, Séumas Robinson, Tadhg Crowe, Patrick McCormack, Patrick O’Dwyer and Michael Ryan. Robinson is the commander of the group that carries out the attack and Treacy coordinates the planning of the attack. The unit involved acts on its own initiative as had they had to wait for a response, even if it is affirmative, it might come too late.

In December 1918, they receive information that there are plans to move a consignment of gelignite from Tipperary British Army barracks to the Soloheadbeg quarry. They begin plans to intercept the consignment and Dan Breen’s brother Lars, who works at the quarry, receives information that the consignment is to be moved around January 16, 1919. They anticipate that there would be between two and six armed escorts, and they discuss different plans. If the escort is small, they believe they can overpower the RIC officers without firing a shot. Gags and ropes are hidden in the quarry, so that should officers surrender they can be bound and gagged. The planning for the ambush takes place in the ‘Tin Hut,’ a deserted semi-derelict house at Greenane.

Each day from January 16 to 21, the men chosen for the ambush take up their positions from early in the morning to late afternoon and then spend the night at the deserted house. Seven of the Volunteers are armed with revolvers while Treacy is armed with a small automatic rifle. On a rainy January 21, around noon, Patrick O’Dwyer sees the transport leaving the barracks. The consignment of 160 lbs. of gelignite is on a horse-drawn cart, led by two council men and guarded by two RIC officers armed with carbine rifles. O’Dwyer cycles quickly to where the ambush party is waiting and informs them. Robinson and O’Dwyer hide about 20 yards in front of the main ambush party of six, in case they rush through the main ambush position.

When the transport reaches the position where the main ambush party is hiding, masked Volunteers step out in front of them with their guns drawn and call on the RIC to surrender. The officers can see at least three of the ambushers. One officer gets down behind the cart and the other apparently fumbles with his rifle. According to the Volunteers, the officers raise their rifles to fire at them, but the rifles do not fire. The Volunteers immediately fire at the officers, and it is believed that Treacy fires the first shot. Both officers, James McDonnell and Patrick O’Connell, native Roman Catholics, are killed. MacDonnell (50) of Belmullet, County Mayo, is a widower with five children. O’Connell is unmarried and a native of Coachford, County Cork.

As planned, Hogan, Breen and Treacy take the horse and cart with the explosives and speed off. Tadhg Crowe and Patrick O’Dwyer take the guns and ammunition from the dead officers, while Robinson, McCormack and Ryan guard the two council workers, Ned Godfrey and Patrick Flynn, before releasing them once the gelignite is far enough away. Initially the explosives are hidden in a field in Greenane. They are moved several times and are later divided up between the battalions of the brigade.

The ambush is later seen as the beginning of the Irish War of Independence. The British government declares South Tipperary a Special Military Area under the Defence of the Realm Act two days later. There is strong condemnation from the Catholic Church in Ireland. The parish priest of Tipperary calls the dead officers “martyrs to duty.”

A meeting of the Executive of the Irish Volunteers takes place shortly thereafter. On January 31, An t-Óglach, the official publication of the Irish Volunteers, states that the formation of Dáil Éireann “justifies Irish Volunteers in treating the armed forces of the enemy – whether soldiers or policemen – exactly as a National Army would treat the members of an invading army.”

In February 1919 at a Brigade meeting in Nodstown, Tipperary, Brigade officers draft a proclamation, signed by Séumas Robinson as OC, ordering all British military and police forces out of South Tipperary and, should they stay, they will be held to have “forfeited their lives.” GHQ refuses to sanction the proclamation and demands it not be publicly displayed. Despite this it is still posted in several places in Tipperary.

In order to avoid capture, Breen, Treacy, Hogan and the other participants are forced to stay on the move for the following months, often hiding in the barns and attics of sympathisers.

A monument (pictured) has been erected at the site of the ambush, and each year a ceremony of remembrance is held there.


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Death of Gobnait Ní Bhruadair, Irish Republican & Lifelong Radical

Gobnait Ní Bhruadair, Irish republican and lifelong radical, dies in Sneem, County Kerry, on January 16, 1955. She campaigns passionately for causes as diverse as the reform of nursing, protection and promotion of the Irish language and the freedom of Ireland from British rule.

Ní Bhruadair is born the Hon. Albinia Lucy Brodrick on December 17, 1861, at 23 Chester Square, Belgrave, London, the fifth daughter of William Brodrick, 8th Viscount Midleton (1830–1907), and his wife, Augusta Mary (née Freemantle), daughter of Thomas Fremantle, 1st Baron Cottesloe. She spends her early childhood in London until the family moves to their country estate in Peper Harow, Surrey in 1870. Educated privately, she travels extensively across the continent and speaks fluent German, Italian and French, and has a reading knowledge of Latin.

Ní Bhruadair’s family is an English Protestant aristocratic one which has been at the forefront of British rule in Ireland since the 17th century. In the early twentieth century it includes leaders of the Unionist campaign against Irish Home Rule. Her brother, St. John Brodrick, 1st Earl of Midleton, is a nominal leader of the Irish Unionist Alliance from 1910 until 1918 when he and other Unionists outside Ulster establish the Irish Unionist Anti-Partition League.

The polar opposite of Ní Bhruadair, her brother is consistent in his low opinion of the Irish and holds imperialist views that warmly embrace much of the jingoism associated with social Darwinism. The young Albinia Lucy Brodrick conforms to her familial political views on Ireland, if her authorship of the pro-Unionist song “Irishmen stand” is an indicator. However, by the start of the twentieth century she becomes a regular visitor to her father’s estate in County Cork. There she begins to educate herself about Ireland and begins to reject the views about Ireland that she had been raised on. In 1902 she writes about the need to develop Irish industry and around the same time she begins to develop an interest in the Gaelic revival. She begins to pay regular visits to the Gaeltacht where she becomes fluent in Irish and is horrified at the abject poverty of the people.

From this point on, Ní Bhruadair’s affinity with Ireland and Irish culture grows intensely. Upon her father’s death in 1907 she becomes financially independent and in 1908 purchases a home near West Cove, Caherdaniel, County Kerry. The same year she establishes an agricultural cooperative there to develop local industry. She organises classes educating people on diet, encourages vegetarianism and, during the smallpox epidemic of 1910, nurses the local people. Determined to establish a hospital for local poor people, she travels to the United States to raise funds.

There Ní Bhruadair takes the opportunity to study American nursing, meets leading Irish Americans and becomes more politicised to Ireland’s cause. Upon her return to Kerry, she establishes a hospital in Caherdaniel later in 1910. She renames the area Ballincoona (Baile an Chúnaimh, ‘the home of help’), but it is unsuccessful and eventually closes for lack of money. She writes on health matters for The Englishwoman and Fortnightly, among other journals, is a member of the council of the National Council of Trained Nurses and gives evidence to the royal commission on venereal disease in 1914.

Ní Bhruadair is a staunch supporter of the 1916 Easter Rising. She joins both Cumann na mBan and Sinn Féin. She visits some of the 1,800 Irish republican internees held by the British in Frongoch internment camp in Wales and writes to the newspapers with practical advice for intending visitors. She canvasses for various Sinn Féin candidates during the 1918 Irish general election and is a Sinn Féin member on Kerry County Council (1919–21), becoming one of its reserve chairpersons. During the Irish War of Independence, she shelters Irish Republican Army (IRA) volunteers and consequently her home becomes the target for Black and Tans attacks.

Along with Dr. Kathleen Lynn she works with the Irish White Cross to distribute food to the dependents of IRA volunteers. By the end of the Irish War of Independence she has become hardened by the suffering she has seen and is by now implacably opposed to British rule in Ireland. She becomes one of the most vociferous voices against the Anglo-Irish Treaty of December 6, 1921. She becomes a firebrand speaker at meetings in the staunchly republican West Kerry area. In April 1923 she is shot by Irish Free State troops and arrested. She is subsequently imprisoned in the North Dublin Union, where she follows the example of other republicans and goes on hunger strike. She is released two weeks later. Following the formation of Fianna Fáil by Éamon de Valera in 1926, she continues to support the more hardline Sinn Féin.

In October 1926 Ní Bhruadair represents Munster at the party’s Ardfheis. She owns the party’s semi-official organ, Irish Freedom, from 1926–37, where she frequently contributes articles and in its later years acts as editor. Her home becomes the target of the Free State government forces in 1929 following an upsurge in violence from anti-Treaty republicans against the government. She and her close friend Mary MacSwiney leave Cumann na mBan following the decision by its members at their 1933 convention to pursue social radicalism. The two then establish an all-women’s nationalist movement named Mná na Poblachta, which fails to attract many new members.

Ní Bhruadair continues to speak Irish and regularly attends Conradh na Gaeilge branch meetings in Tralee. Although sympathetic to Catholicism, she remains a member of the Anglican Church of Ireland, and regularly plays the harmonium at Sneem’s Church of Ireland services. Described by a biographer as “a woman of frugal habits and decided opinions, she was in many ways difficult and eccentric.” She dies on January 16, 1955, and is buried in the Church of Ireland graveyard in Sneem, County Kerry.

In her will Ní Bhruadair leaves most of her wealth (£17,000) to republicans “as they were in the years 1919 to 1921.” The vagueness of her bequest leads to legal wrangles for decades. Finally, in February 1979, Justice Seán Gannon rules that the bequest is void for remoteness, as it is impossible to determine which republican faction meets her criteria.


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Annie Moore Becomes First Immigrant Processed Through Ellis Island

On January 1, 1892, Annie Moore, a 15-year-old Irish émigré from County Cork, becomes the first immigrant to the United States to pass through federal immigrant inspection at the Ellis Island station in New York Harbor.

Over 12 million immigrants are processed at the station that eventually closes in 1954. Third class and steerage passengers are processed at the Ellis Island station. First- and Second-class passengers are generally processed on the boats they arrive on as they are seen to be of lesser “risk.”

Moore arrives from County Cork aboard the Guion Line steamship Nevada in 1892. Her brothers, Anthony and Philip, who journey with her, have just turned 15 and 12, respectively. As the first person to pass inspection at the newly opened facility, she is presented with an American $10 gold piece from an American official.

Moore’s parents, Matthew and Julia, had come to the United States in 1888 and were living at 32 Monroe Street in Manhattan. Annie marries a son of German Catholic immigrants, Joseph Augustus Schayer (1876-1960), a salesman at Manhattan’s Fulton Fish Market, with whom she has eleven children, five of whom survive to adulthood. The rest all die before the age of three.

Moore dies of heart failure on December 6, 1924, at age 47 and is buried in Calvary Cemetery, Queens. Her previously unmarked grave is identified in August 2006. On October 11, 2008, a dedication ceremony is held at Calvary which celebrates the unveiling of a marker for her grave, a Celtic cross made of Irish blue limestone.

A woman named “Annie Moore” who died near Fort Worth, Texas, in 1924 had long been thought to be the one whose arrival marked the beginning of Ellis Island. Further research, however, establishes that the Annie Moore in Texas was born in Illinois.

The Irish American Cultural Institute presents an annual Annie Moore Award “to an individual who has made significant contributions to the Irish and/or Irish American community and legacy.” She is also honored by two statues sculpted by Jeanne Rynhart. One stands at Cobh Heritage Centre (formerly Queenstown), her port of departure, and another at Ellis Island, her port of arrival. The image is meant to represent the millions who pass through Ellis Island in pursuit of the American dream.

(Pictured: Statue of Annie Moore and her brothers on the quayside in Cobh, County Cork)


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Death of Patrick Hennessy, Irish Realist Painter

Patrick Anthony Hennessy RHA, Irish realist painter known for his highly finished still lifes, landscapes and trompe-l’œil paintings, dies in London on December 30, 1980. The hallmark of his style is his carefully observed realism and his highly finished surfaces, the result of a virtuoso painting technique.

Hennessy is born in Cork, County Cork, on August 28, 1915. The son of John Hennessy an army sergeant major from County Kerry and Bridget Hennessy from Cork. His father is killed in World War I at the Battle of Passchendaele in 1917. In 1921, when he is five years old, his mother remarries in Cork. Her second husband is a Scot named John Duncan and shortly afterwards the whole family moves to Arbroath, Scotland, where Duncan has relatives.

Hennessy is educated in Arbroath at St. Thomas RC Primary School followed by secondary education at Arbroath High School, where he begins to show an aptitude for art, leaving in 1933 with the Dux for Art and an accompanying medal. In the autumn of 1933 he enrolls at the Dundee of Jordanstone College of Art & Design, for a four-year Diploma course in Drawing and Painting under James McIntosh Patrick and Edward Baird. Here he meets Harry Robertson Craig who becomes his lifelong companion. He plays a full part in the social activities of the college, winning a fancy dress award at the Christmas revels in 1935 and producing a ballet “Paradise Lost” the following year. He gains a First Class Pass in each year of the course along with winning first prize in 1934 and 1936 for work done during the summer vacation. He graduates with a First Class Distinction in 1937.

Having gained a scholarship, Hennessy continues his studies at the Dundee of Jordanstone College of Art & Design for a further year by doing a Post-Graduate Diploma course in Drawing and Painting. Within a month of gaining his Post-Graduate Diploma he holds his first joint exhibition at the Art Galleries in Arbroath. In June 1938 he is awarded the Annual Travelling Scholarship for further studies in Paris and Italy. In Paris he meets up with the artists Robert Colquhoun and Robert MacBryde, whom he had met the previous year, the three travelling south together to Marseilles towards the end of that year. On his return to Scotland he is selected for the residential summer school course at Hospitalfield House near Arbroath under James Cowie. Two of his paintings, a still life and a self-portrait, are accepted that year by the Royal Scottish Academy for their Annual Exhibition. However, by the autumn of 1939 with war looming and feeling somewhat disenchanted on his return to Scotland, he decides to return to Ireland.

On arrival in Dublin Hennessy is offered an exhibition in December 1939 at the Country Shop on St. Stephen’s Green which is opened by Mainie Jellett. This attracts favourable attention. During the early 1940s he lives at various addresses in and around Dublin with frequent trips to Cork. In 1940 he is invited to join the Society of Dublin Painters and holds regular annual exhibitions of his work there during the 1940s and early 1950s. These exhibitions are supplemented by an eclectic mix of commissions, mostly portraits which he undertakes during this period. In 1941 he has three of his paintings accepted by the Royal Hibernian Academy (RHA) for their annual exhibition. This is the beginning of a long relationship with the RHA. He exhibits there virtually every year from 1941 until 1979, the year before his death.

From the early 1940s onwards, Hennessey’s work sometimes incorporates a homosexual visual subtext. He re-unites with Harry Robertson Craig in 1946 and soon after they move to Crosshaven, County Cork, and later to Cobh. In 1947, Time magazine selects him as one of Ireland’s outstanding painters, in recognition of the important position he has then attained in the art world. In 1948 he has an exhibition at the Victor Waddington Gallery, Dublin, and that same year is elected an associate of the Royal Hibernian Academy and a full member the following year. In 1950 his painting De Profundis is selected for the Contemporary Irish Painting exhibition that tours North America. As a result of this tour, the American public and critics begin to take notice of his work. In 1951 he visits Italy, taking in Venice and Sicily and returning to Dublin with many of his canvases painted abroad. One of these paintings, Bronze Horses of St. Marks, is exhibited at the Royal Academy of Arts in London in 1954.

In 1956, a friend of Hennessy, David Hendriks, opens the Ritchie Hendriks Gallery on St. Stephen’s Green, Dublin and it is this gallery that is to be the main outlet for his work over the following 22 years. In October 1956 the Thomas Agnew Gallery in London holds an exhibition of his work comprising 38 of his paintings. However, during the winter of 1959 he becomes seriously ill with pneumonia. As a consequence of this, in the autumn of that year he and Craig decide to winter in Morocco. This is the beginning of a new era in both their lives. They would never again spend a full year in Ireland. His exhibitions at the Ritchie Hendriks Gallery had for many years enjoyed favourable reviews from the art critics but in the 1960s this changes with critics claiming his paintings to be dull, repetitive and suggest he needs to explore new areas. Despite the barrage of criticism, in 1965 the Guildhall Gallery in Chicago offers him a major exhibition. Shortly after this exhibition takes place in 1966 he becomes one of the artists on permanent display at the gallery with an annual exhibition. The North American market is extremely lucrative for him and by the end of the decade he is selling more of his work in the United States than in Ireland. In 1968 he finally moves to Tangier, Morocco on a permanent basis and in 1970 sells his studio on Raglan Lane, Dublin.

In Morocco, Hennessy paints prolifically for nine years to keep up with demand from the Hendriks Gallery and Guildhall Gallery along with the RHA. In 1975 the Guildhall Gallery mounts a highly successful Retrospective of his work. In 1978 he has his last exhibition in Dublin at the Hendriks Gallery. By this time he has moved to the Algarve, Portugal and is beginning to have health problems.

In November 1980, with his health deteriorating, Craig brings Hennessy to a hospital in London for treatment. However, on December 30, 1980 he dies from cancer. Following cremation his ashes are buried in nearby Golders Green Crematorium. He leaves his entire estate to Harry Robertson Craig with the proviso that on Craig’s death the Royal Hibernian Academy should be the beneficiary. This legacy has been used to set up the annual Hennessy Craig Scholarship for aspiring artists.

Hennessy falls into the category of painter who develops a distinctive personal style, labelled at various times in his life as a Traditional Realist, Romantic, Photo Realist, Illusionary and Surrealist. However, he always remains intrinsically himself. His subjects range from still life and interiors to landscapes and portraits.

Examples of Hennessy’s work can be found in the public collections of the Crawford Art Gallery, the Dublin City Gallery The Hugh Lane, the Irish Museum of Modern Art (IMMA), the Limerick City Gallery of Art (LCGA), the National Gallery of Ireland (NGI), the National Self-Portrait Collection of Ireland (NSPCI) at the University of Limerick (UL), and in the collections of University College Cork (UCC) and University College Dublin (UCD).


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Birth of Diarmuid O’Hegarty, Civil Servant & Revolutionary

Diarmuid O’Hegarty (Ó hÉigeartuigh), civil servant and revolutionary, is born Jeremiah Stephen Hegarty on December 26, 1892, in Lowertown, Skibbereen, County Cork, the eldest of seven children of Jeremiah Hegarty (1856–1934) and his wife Eileen (née Barry), both teachers. He is educated at the Christian Brothers school, St. Patrick’s Place, Cork, joins the civil service in 1910 and is posted to the Department of Agriculture and Technical Instruction, acquiring invaluable administrative experience as private secretary to T. P. Gill, secretary of the department.

O’Hegarty is a member of the Keating branch of the Gaelic League and the closely associated Teeling circle of the Irish Republican Brotherhood (IRB). In 1913 he becomes secretary and stage manager of a troupe of Gaelic players, Na hAisteoirí, which includes several who later become prominent revolutionaries: Piaras Béaslaí, Gearóid O’Sullivan, Fionán Lynch, and Con Collins. As second lieutenant of F Company, 1st Battalion, Dublin Brigade, Irish Volunteers, during the Easter Rising, he is in charge of barricades in Church Street, Mary Lane, Mary’s Abbey, and Jameson Distillery, an area which sees fierce fighting. Imprisoned in Knutsford (May 1-18), he is released in error and returns to his post in the civil service. On his return he is a key figure in the reorganisation of the Volunteers and IRB, becoming a member of the executive of the IRB’s supreme council along with Michael Collins and Seán Ó Murthuile. He also becomes a central figure in Kathleen Clarke‘s prisoner support group, the Irish Volunteer Dependents Fund, and when it amalgamates with the more moderate Irish National Aid Association to form the INA&VDF in August 1916, he helps to ensure that it is dominated by republicans.

O’Hegarty is very close to Michael Collins and Harry Boland and in 1918 this IRB triumvirate exercises considerable control in the nomination of Sinn Féin candidates for the 1918 Irish general election. In the same year he is dismissed from the civil service for refusing to take the oath of allegiance, but his administrative talents find ample outlet in the secretariat of the revolutionary Dáil and later in the service of the Irish Free State to such an extent that he has been called ‘the civil servant of the revolution’ and ‘the Grey Eminence of the Free State Government.’ As clerk of the First Dáil and secretary to the Dáil cabinet (1919–21), he is largely responsible for its success, organising meetings of the clandestine parliament and coordinating the work of various departments from his offices on the corner of O’Connell Street and Abbey Street and later in Middle Abbey Street. He is determined that the Dáil will demonstrate its worth by ‘functioning as any progressive government would be expected to function.’ He records the minutes and handles all correspondence of the Dáil cabinet. As the conduit through which the Dáil’s ministers communicate, his role is central to the effective operation of government on the run. The influence this gives him within the revolutionary movement is bolstered by his senior role within the IRB and the positions of military significance which he occupies. He is a member of the Volunteer Executive (Jun 1916–Nov 1921), Irish Republican Army (IRA) Director of Communications (Jul 1918–Mar 1920), and Director of Organisation (Mar 1920–Apr 1921). When convicted of illegal assembly and jailed in Mountjoy Prison (Nov 1919–Feb 1920), he immediately wields power within the prison, ordering Noel Lemass off a hunger strike.

O’Hegarty resigns his military duties in April 1921 to concentrate on his work in the Dáil secretariat and serves as secretary to the Irish delegation during the Anglo–Irish Treaty negotiations in London (Oct–Dec 1921). He is a vital voice for the Treaty within the IRB and is appointed secretary to the cabinet of the Provisional Government in 1922, participating in the unsuccessful army unification talks of May 1922. During the Irish Civil War, he is briefly seconded from his civil service post to serve as military governor of Mountjoy Prison (Jul-Aug 1922), where he threatens that prisoners who persist in leaning out of windows and talking to the public outside the prison will be shot. Peadar O’Donnell, who is a prisoner there at the time, remembers him as the focus of much ‘republican bitterness.’ A member of the army council during the Irish Civil War, he serves as Director of Organisation (Jul–Dec 1922) and Director of Intelligence (Dec 1922–May 1923), leaving the army with the rank of lieutenant general on May 1, 1923, to resume his civil service career.

O’Hegarty is secretary to the Executive Council of the Irish Free State (1923–32) and principal private secretary to its president, W. T. Cosgrave. Again, he records the cabinet minutes and is the administrative pivot upon which government turns. He serves as secretary to numerous governmental delegations and is widely praised for his work in this role at the 1926 Imperial Conference and the 1930 Imperial Conference. In 1927 he goes to New York to represent the government at a hearing into the fate of republican funds in the United States. His career is the prime example of the influence of revolutionary veterans within the higher civil service in the early years of the state. After the change of government following the 1932 Irish general election, he is one of the very few senior civil servants who is effectively removed from his position. He is appointed to be a commissioner of public works, becoming chairman in 1949, a position he holds until his retirement in 1957. In 1939–40 he serves on the Economy Committee established by the government to advise on wartime spending, and in 1941 is a member of a tribunal of inquiry into public transport, which is principally concerned with the poor financial state of Great Southern Railways.

On April 27, 1922, with Michael Collins as his best man, O’Hegarty marries Claire Archer, daughter of Edward Archer, a post office telegraph inspector from Dublin, and Susan Archer (née Matthews). Her brother is William (Liam) Archer. They live at 9 Brendan Road, Donnybrook, Dublin.

O’Hegarty dies on March 14, 1958, in Dublin, leaving an estate of £5,441. His papers are in the University College Dublin (UCD) Archives.


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Birth of Richard Barrett, Irish Republican Army Volunteer

Richard Barrett, commonly called Dick Barrett, a prominent Irish Republican Army (IRA) volunteer, is born on December 17, 1889, in Knockacullen (Hollyhill), Ballineen, County Cork. He fights in the Irish War of Independence and on the Anti-Treaty side in the Irish Civil War, during which he is captured and later executed on December 8, 1922.

Barrett is the son of Richard Barrett, farmer, and Ellen Barrett (née Henigan). Educated at Knocks and Knockskagh national schools, he enters the De La Salle College, Waterford, where he trains to be a teacher. Obtaining a first-class diploma, he first teaches at Ballinamult, County Waterford but then returns to Cork in early 1914 to take up a position at the St. Patrick’s Industrial School, Upton. Within months he is appointed principal of Gurrane National School. Devoted to the Irish language and honorary secretary of Knockavilla GAA club, he does much to popularise both movements in the southern and western districts of Cork. He appears to have been a member of the Cork Young Ireland Society.

From 1917, inspired by the Easter Rising, Barrett takes a prominent part in the organisation and operation of the Irish Volunteers and Irish Republican Brotherhood (IRB). By this time, he is also involved with Sinn Féin, in which role he attends the ardfheis at the Mansion House in October 1917 and the convention of the Irish Volunteers at Croke Park immediately afterwards.

Through planning and participating in raids and gunrunning episodes, Barrett comes into close contact with many GHQ staff during the Irish War of Independence, thereby ensuring his own rapid promotion. He is an active Irish Republican Army (IRA) brigade staff officer and occasionally acts as commandant of the West Cork III Brigade. He also organises fundraising activities for the purchase of weapons and for comrades on the run. In July 1920, following the arrest of the Cork III Brigade commander Tom Hales and quartermaster Pat Harte, he is appointed its quartermaster. He is arrested on March 22, 1921, and imprisoned in Cork jail, later being sent to Spike Island, County Cork.

As one of the senior officers held in Spike Island, Barrett is involved in many of the incidents that occur during his time there. After the truce is declared on July 11, 1921, some prisoners go on hunger strike, but he calls it off after a number of days on instructions from outside as a decision had been made that able-bodied men are more important to the cause. In November, Barrett escapes by rowboat alongside Moss (Maurice) Twomey, Henry O’Mahoney, Tom Crofts, Bill Quirke, Dick Eddy and Paddy Buckley.

Following the Irish War of Independence, Barrett supports the Anti-Treaty IRA‘s refusal to submit to the authority of Dáil Éireann (civil government of the Irish Republic declared in 1919). He is opposed to the Anglo-Irish Treaty and calls for the total elimination of English influence in Ireland. In April 1922, under the command of Rory O’Connor, he, along with 200 other hardline anti-treaty men, take over the Four Courts building in the centre of Dublin in defiance of the new Irish government. They want to provoke British troops, who are still in the country, into attacking them. They hope this will restart the war with Britain and reunite the IRA against their common enemy. Michael Collins tries desperately to persuade O’Connor and his men to vacate the building. However, on June 28, 1922, after the Four Courts garrison had kidnapped J. J. O’Connell, a general in the new National Army, Collins’s soldiers shell the Four Courts with British artillery to spark off what becomes known as the Battle of Dublin. O’Connor surrenders following two days of fighting, and Barrett, with most of his comrades, is arrested and held in Mountjoy Gaol. This incident marks the official outbreak of the Irish Civil War, as fighting escalates around the country between pro- and anti-treaty factions.

After the death of Michael Collins in an ambush, a period of tit-for-tat revenge killings ensues. The government implements martial law and enacts the necessary legislation to set up military courts. In November, the government begins to execute Anti-Treaty prisoners, including Erskine Childers. In response, Liam Lynch, the Anti-Treaty Chief of Staff, gives an order that any member of the Dáil who had voted for the ‘murder legislation’ is to be shot on sight.

On December 7, 1922, Teachta Dála (TD) Sean Hales is killed by anti-Treaty IRA men as he leaves the Dáil. Another TD, Pádraic Ó Máille, is also shot and badly wounded in the incident. An emergency cabinet meeting is allegedly held the next day to discuss the assassination of Hales. It is proposed that four prominent members of the Anti-Treaty side currently held as prisoners be executed as a reprisal and deterrent. The names put forward were Barrett, O’Connor, Liam Mellows and Joe McKelvey. It is alleged that the four are chosen to represent each of the four provinces – Munster, Connacht, Leinster and Ulster respectively, but none of the four is actually from Connacht. The executions are ordered by Minister for Justice Kevin O’Higgins. At 2:00 AM on the morning of December 8, 1922, Barrett is awoken along with the other three and informed that they are all to be executed at 8:00 that morning.

Ironies stack one upon the other. Barrett is a member of the same IRA brigade as Hales during the Anglo-Irish War, and they were childhood friends. O’Connor had been best man at O’Higgins’ wedding a year earlier. The rest of Sean Hales’ family remains staunchly anti-Treaty, and publicly denounces the executions. In reprisal for O’Higgins’ role in the executions, the Anti-Treaty IRA kills his father and burns his family home in Stradbally, County Laois. O’Higgins himself dies by an assassin’s hand on July 10, 1927.

The executions stun Ireland, but in terms of halting the Anti-Treaty assassination policy, they have the desired effect. The Free State government continues to execute enemy prisoners, and 77 official executions take place by the end of the war.

Barrett is now buried in his home county, Cork, following exhumation and reinternment by a later government. A monument is erected by old comrades of the West Cork Brigade, the First Southern Division, IRA, and of the Four Courts, Dublin, garrison in 1922 which is unveiled on December 13, 1952, by the Tánaiste Seán Lemass.

A poem about the execution is written by County Galway clergyman Pádraig de Brún.


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Birth of Nancy Wynne-Jones, Welsh & Irish Landscape Artist

Nancy Wynne-Jones HRHA, Welsh and Irish artist, is born Mary Esperance Wynne-Jones on December 10, 1922, in Penmaenucha, Dolgellau, Wales.

Wynne-Jones is born to landowner Charles Llewellyn Wynne-Jones and Sybil Mary Gella Scott. The family spends half the year in Wales and half the year in Thornhill, Stalbridge, Dorset, England. She has two brothers, Andrew and Ronald (“Polly”), both of whom die in Africa during World War II.

Wynne-Jones is educated at home. Her skill in art leads to her getting lessons in Sherborne from a children’s book illustrator. Her music is encouraged by the family doctor, and she begins to compose and study the violin, receiving lessons in Bournemouth with the first violinist of the symphony orchestra and continues in Aberystwyth after the start of World War II. She goes on to study the violin and composition at the Royal Academy of Music, London (1940–43). While in London she also serves as a Voluntary Aid Detachment nurse until 1943 and later as a draughtswoman at the Ordnance Survey.

After the war Wynne-Jones purchases and manages a bookshop on the King’s Road in Chelsea, but it is not a financial success. She returns to painting, studying at the Heatherley School of Fine Art, London (1951-52) and the Chelsea School of Art (1952–55). She travels extensively through Portugal and Italy painting landscapes. An interest in completing landscapes in an abstract manner leads her to study with Peter Lanyon in St. Ives, Cornwall.

Wynne-Jones begins study in Cornwall in 1957 and remains there for fifteen years. Her first public exhibition is in a group show (1957) at the Pasmore Edwards Gallery, Newlyn. Other group shows are Jefferson Place Gallery, Washington, D.C., (1959), and in Falmouth, Cornwall (1960). Her solo exhibitions are at the New Vision Centre, London (1962 and 1965), Florence (1963) and Dolgellau (1964). From the 1960s through the 1990s she exhibits in Great Britain, Italy, Belgium, Germany, Ireland, Spain, Holland, South Africa, and the United States.

In 1962 Wynne-Jones purchases Trevaylor House near Penzance and provides accommodation for other artists including renowned Irish painter Tony O’Malley, sculptor Conor Fallon, and English poet and writer W. S. ‘Sydney’ Graham. In the 1970s she exhibits in Ireland at the Project Arts Centre, Dublin (1970) and at the Emmet Gallery, Dublin (1975 and 1977). During the 1980s she exhibits at the Lincoln and Hendricks galleries in Dublin before joining the Taylor Galleries, run by John and Patrick Taylor. She is elected honorary member of the Royal Hibernian Academy (RHA) in 1994 and becomes a member of Aosdána in 1996. Originally an abstract artist, her contact with the Irish countryside slowly transforms her work to that of a landscape artist, albeit with an influence of abstraction attached to it. She becomes well known in Irish art circles as an eminent Irish landscape artist.

Wynne-Jones is involved with artist Derek Middleton before moving to Cornwall. There she becomes romantically involved with Graham who is in an open marriage, however it is the death of her mentor Peter Lanyon that devastates her. She meets the sculptor Conor Fallon through their mutual friend Tony O’Malley. Fallon had arrived in Cornwall ostensibly to meet Lanyon. They marry in 1966. Their honeymoon in Provence is immortalised in expressionist paintings done by Wynne-Jones. The couple adopts a boy and a girl, siblings, John and Bridget. In 1972 she moves with her family to Kinsale, County Cork. It is in this area that a number of her paintings are created. She moves to Ballard House, near Rathdrum, County Wicklow in 1987. There she paints the mountain visible from her home.

Wynne-Jones dies at the age of 83 on November 9, 2006. She is buried in Ballinatone (Church of Ireland), Rathdrum.

(Pictured: “Klein Constantia with Table Mountain” by Nancy Wynne-Jones, acrylic on paper, 16 1/2″ x 23″)


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Death of Confederate General Patrick Cleburne at the Battle of Franklin

Patrick Ronayne Cleburne, native Irishman called the “Stonewall of the West” and one of the finest generals produced by either side during the American Civil War, is killed at the Battle of Franklin on November 30, 1864.

Cleburne is born on March 17, 1828 at Bride Park Cottage in Ovens, County Cork, just outside Cork city. He is extremely loyal to his adopted country, saying, “if this [Confederacy] that is so dear to my heart is doomed to fail, I pray heaven may let me fall with it, while my face is toward the enemy and my arm battling for that which I know to be right.” Sadly, he ultimately receives his wish.

Cleburne begins his military career in an unlikely manner. When he fails the entrance exam at Trinity College, Dublin, he cannot face his family. He enlists in the 41st Regiment of Foot in the British Army. In 1849 he purchases his discharge and leaves for the United States, eventually settling in Helena, Arkansas in June 1850 and earning his citizenship in 1855. He loves his new country, taking part in many community projects, and even being one of the few volunteers to care for the sick during a yellow fever outbreak.

In January 1861 Cleburne joins the local militia company, the Yell Rifles.  He leads the company in the seizure of the U.S. Arsenal in Little Rock in January 1861. When Arkansas secedes from the Union, the Yell Rifles become part of the 1st Arkansas Infantry Regiment. By fall of 1861 he has risen to command the 2nd Brigade, Hardee’s Division, in the Army of Central Kentucky. His first major battle is at the Battle of Shiloh, April 6-7, 1862. At the Battle of Richmond (Kentucky) in August 1862, he is wounded in the mouth and loses several of his teeth. Still, he earns the thanks of the Confederate States Congress for his actions there. During the October 1862 Battle of Perryville he is wounded again – twice, yet stays in command during the battle. In December 1862 he is promoted to Major General.

At the December 1862 Battle of Stones River, Cleburne and his division earn the praise of General Braxton Bragg for their incredible skill and valor. Cleburne’s actions and character play a large role in his men’s determination during battle.

In 1863 Cleburne faces off against Union General George Henry Thomas at the Battle of Chickamauga. His and General John C. Breckinridge’s assaults force General Thomas to call repeatedly for reinforcements. In November 1863 the Confederate army is forced to retreat after the Chattanooga Campaign. However, Cleburne has defeated every assault against his men eventually charging his attackers. After the battle, he and his men are charged with covering the retreat.

On January 2, 1864, Cleburne makes his most controversial decision ever. He gathers the corps and division commanders in the Army of Tennessee to present his proposal. The Confederacy is unable to fill its ranks due to a lack of manpower. He states that slavery is their “most vulnerable point, a continued embarrassment, and in some respects an insidious weakness.” His proposed solution is for the Confederacy to arm slaves to fight in the army. In time, these soldiers would receive their freedom. The proposal is not well received at all. In fact, Jefferson Davis, President of the Confederate States of America, directs that the proposal be suppressed.

In the spring of 1864 the Army of Tennessee moves towards Atlanta, Georgia. Cleburne and his men fight at Dalton, Tunnel Hill, Resaca, Pickett’s Mill, Ringgold and Kennesaw. The Atlanta Campaign begins in the summer and lasts until September, when General John Bell Hood evacuates Atlanta. Hood had taken command from General Joseph E. Johnston, which Cleburne felt to be a disaster for the Confederacy.

General Hood hopes to stop Union General John Schofield and his men before they can reach Nashville to reinforce General Thomas. Due to poor communications and nightfall, Schofield slips past the Army of Tennessee into Franklin.

The November 30, 1864 Battle of Franklin is a tragic loss for the Confederacy. Hood throws his men into well-fortified Union troops. The results are disastrous. About 6,000 men are killed or wounded including six generals who are killed or mortally wounded. Cleburne is one of these six, killed while attacking Union breastworks. He is last seen advancing on foot toward the Union line with his sword raised, after his horse had been shot out from under him. Accounts later say that he is found just inside the Federal line and his body is carried back to an aid station along the Columbia Turnpike. Confederate war records indicate he died of a shot to the abdomen, or possibly a bullet that went through his heart. When Confederates find his body, he has been picked clean of any valuable items, including his sword, boots and pocket watch.

Cleburne’s remains are first laid to rest at Rose Hill Cemetery in Columbia, Tennessee. At the urging of Army Chaplain Bishop Quintard, Judge Mangum, staff officer to Cleburne and his law partner in Helena, his remains are moved to St. John’s Episcopal Church near Mount Pleasant, Tennessee, where they remain for six years. In 1870, he is disinterred and returned to his adopted hometown of Helena, Arkansas, with much fanfare, and buried in the Helena Confederate Cemetery located in the southwest corner of the Maple Hill Cemetery, overlooking the Mississippi River.

Several geographic features are named after Patrick Cleburne, including Cleburne County in Alabama and Arkansas, and the city of Cleburne, Texas. The Patrick R. Cleburne Confederate Cemetery is a memorial cemetery in Jonesboro, Georgia that is named in honor of General Patrick Cleburne.


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Birth of Thomas Russell, Founding Member of the Society of United Irishmen

Thomas Paliser Russell, founding member and leading organiser of the Society of United Irishmen, is born in Dromahane, County Cork, on November 21, 1767.

Born into an Anglican family with a military tradition. Russell is intended for an ecclesiastical career in the Church of Ireland, but in 1783 sails with his brother’s regiment to India and fights at the battle of Cannanore. He is, however, disgusted by what he regards as “the unjust and rapacious conduct pursued by the authorities in the case of two native women,” and returns disaffected to Ireland in 1786. After briefly studying for the church ministry, he spends the next four years as a half-pay officer in Dublin pursuing studies of science, philosophy and politics.

In 1790, Russell meets Theobald Wolfe Tone in the visitors’ gallery of the Irish House of Commons and a lifelong friendship begins. At the end of the year, he is commissioned to Belfast as an ensign in the 64th infantry regiment of foot. Being convivial, good looking, charismatic and charming, he fits quickly into Belfast society. He is deeply religious and holds strong millennialist beliefs. On the other hand, he is also of a restless nature, drinks heavily, and is highly promiscuous.

Russell becomes a founder member of the first Society of United Irishmen in Belfast in 1791, writes for the Northern Star, and acts as secretary for the Dublin United Irishmen. He is the most socially radical of all United Irish leaders, an outspoken opponent of slavery and industrial exploitation.

Russell posts bail for a friend in order to secure his release from a debtor’s prison. When the friend defaults, Russell has to sell his ensigncy in July 1791. After several months, and to avoid further debt, he accepts the offer of Thomas Knox, 1st Viscount Northland, the father of an old army friend, to become seneschal (a kind of stipendiary magistrate) to the Northlands’ manor court at Dungannon. However, he resigns within a year, apparently disgusted by the sectarian animosities there. His financial situation worsens until he becomes librarian at the Belfast Society for Promoting Knowledge (the later Linen Hall Library) in 1794.

Russell is arrested on September 16, 1796, is charged with treason, and detained without trial in Newgate Prison, Dublin, until March 1799. He is then sent to Fort George in the north of Scotland. The longest serving United Irish prisoner, he is released in June 1802 on condition of exile to Hamburg. However, he soon makes his way to Paris where he meets Robert Emmet who, with William Putnam McCabe are advancing the plans for insurrection pending the French renewal of the war against England. Having little confidence in the French, however, he returns to Ireland in March 1803 to organise the North in conjunction with the veteran of the Battle of Antrim, James Hope. However, he meets with little success as much of the North is subdued following the suppression of the Irish Rebellion of 1798.

In 1803 Russell joins a general insurrection that is to take place throughout Ireland with blows being struck simultaneously at Dublin, Belfast, and Downpatrick. Unknown to him, Robert Emmet is unable to secure help and promised firearms. In Dublin after a brief street battle on the evening of July 23, 1803, Emmett calls off the rising.

Russell manages to hide for a number of weeks in Dublin but is caught in the authorities’ dragnet on September 9. He is sent under heavy escort to Downpatrick Gaol. There, convicted of high treason, he is hung and beheaded on October 12, 1803. His remains are buried in the graveyard of the parish church, Down Cathedral, in a grave paid for by his friend Mary Ann McCracken.


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Establishment of the Irish Hospitals’ Sweepstake

The Irish Hospitals’ Sweepstake is established in the Irish Free State on November 17, 1920. The lottery is established to finance hospitals.

The Sweepstake is generally referred to as the Irish Sweepstake or Irish Sweepstakes, frequently abbreviated to Irish Sweep or Irish Sweeps. The Public Charitable Hospitals (Temporary Provisions) Act, 1930 is the act that establishes the lottery. This act expires in 1934, in accordance with its terms, and the Public Hospitals Acts are the legislative basis for the scheme thereafter. The main organisers are Richard Duggan, Captain Spencer Freeman and Joseph McGrath. Duggan is a well known Dublin bookmaker who has organised a number of sweepstakes in the decade prior to setting up the Hospitals’ Sweepstake. Captain Freeman is a Welsh-born engineer and former captain in the British Army. After the Constitution of Ireland is enacted in 1937, the name Irish Hospitals’ Sweepstake is adopted.

The sweepstake is established because there is a need for investment in hospitals and medical services and the public finances are unable to meet this expense at the time. As the people of Ireland are unable to raise sufficient funds, because of the low population, a significant amount of the funds are raised in the United Kingdom and United States, often among the emigrant Irish. Potentially winning tickets are drawn from rotating drums, usually by nurses in uniform. Each such ticket is assigned to a horse expected to run in one of several horse races, including the Cambridgeshire Handicap, Epsom Derby and the Grand National. Tickets that draw the favourite horses thus stand a higher likelihood of winning and a series of winning horses have to be chosen on the accumulator system, allowing for enormous prizes.

The original sweepstake draws are held at the Mansion House, Dublin on May 19, 1939 under the supervision of the Chief Commissioner of Police, and are moved to a more permanent fixture at the Royal Dublin Society (RDS) in Ballsbridge later in 1940.

The Adelaide Hospital in Dublin is the only hospital at the time to not accept money from the Hospitals Trust, as the governors disapprove of sweepstakes.

From the 1960s onwards, revenues decline. The offices are moved to Lotamore House in County Cork. Although giving the appearance of a public charitable lottery, with nurses featured prominently in the advertising and drawings, the Sweepstake is in fact a private for-profit lottery company, and the owners are paid substantial dividends from the profits. Fortune magazine describes it as “a private company run for profit and its handful of stockholders have used their earnings from the sweepstakes to build a group of industrial enterprises that loom quite large in the modest Irish economy. Waterford Glassworks, Irish Glass Bottle Company and many other new Irish companies are financed by money from this enterprise and up to 5,000 people are given jobs.” At the time of his death in 1966, Joe McGrath has interests in the racing industry, and holds the Renault dealership for Ireland in addition to large financial and property assets. He is notorious throughout Ireland for his ruthless business attitude and his actions during the Irish Civil War.

In 1986, the Irish government creates a new public lottery, the National Lottery, and the company fails to secure the new contract to manage it. The final sweepstake is held in January 1986 and the company is unsuccessful for a licence bid for the National Lottery, which is won by An Post later that year. The company goes into voluntary liquidation in March 1987. The majority of workers do not have a pension scheme but the sweepstake has fed many families during lean times and is regarded as a safe job. The Public Hospitals (Amendment) Act, 1990 is enacted for the orderly winding up of the scheme, which has by then almost £500,000 in unclaimed prizes and accrued interest.

A collection of advertising material relating to the Irish Hospitals’ Sweepstakes is among the Special Collections of National Irish Visual Arts Library.