Cohalan is an outspoken critic during the Irish War of Independence, condemning acts of violence on both sides. In particular, he denounces the policy of reprisals. In July 1920, he pronounces an interdict on the killers of a Royal Irish Constabulary (RIC) sergeant, shot dead in the church porch in Bandon. He declares that anyone killing from ambush will be excommunicated. On December 12, 1920, Cohalan issues a decree saying that “anyone within the diocese of Cork who organises or takes part in ambushes or murder, or attempted murder, shall be excommunicated.” In turn, his life is threatened by the Irish Republican Army (IRA). In August 1928, he condemns the British government which had allowed Terence MacSwiney to die on hunger strike in 1920.
The Bessborough Home in Cork is run by the Sisters of the Sacred Hearts of Jesus and Mary and when the department “sought a change of superior in Bessborough because of the appallingly high death rate, he [Catholic Bishop of Cork Dr. Daniel Cohalan] denounced the request. The replacement of the Bessborough superior was delayed for four years after the department requested it, and many infants died during that time. It seems probable that the bishop’s intervention was elicited by the congregation.” In general, the report finds that the major causes of infant mortality in the homes were respiratory infections and gastroenteritis, while “public attention has focused on marasmus [malnutrition]” suggesting “willful neglect.” However, it says that “the term marasmus is best seen as indicating that a child was failing to thrive, but medical experts suggest that this was due to an underlying, undiagnosed medical condition.”
Cohalan dies in office at the age of 94 at Bon Secours Hospital, Cork, on August 24, 1952. A story, current at the time in Cork, refers to his antipathy towards bishops of the Church of Ireland who styled themselves “Bishop of Cork.” A month before his death, and on his deathbed, word is brought to him of the death of the Church of Ireland Bishop of Cork, Cloyne and Ross, Robert Hearn. The response of Cohalan, known “affectionately” as “Danny Boy”, is reputedly, “now he knows who’s Bishop of Cork.”
Francis Patrick Mary Browne, distinguished Irish Jesuit and a prolific photographer, dies in Dublin on July 7, 1960. His best-known photographs are those of the RMS Titanic and its passengers and crew taken shortly before its sinking in 1912. He is decorated as a military chaplain during World War I.
Browne is born to a wealthy family in 1880 at Buxton House, Cork, County Cork, the youngest of the eight children of James and Brigid (née Hegarty) Browne. His mother is the niece of William Hegarty, Lord Mayor of Cork, and a cousin of Sir Daniel Hegarty, the first Lord Mayor of Cork. She dies of puerperal fever eight days after his birth. After the death of his father in a swimming accident at Crosshaven on September 2, 1889, he is raised and supported by his uncle, Robert Browne, Bishop of Cloyne, who buys him his first camera shortly before the younger man embarks on a tour of Europe in 1897.
In April 1912 Browne receives a present from his uncle: a ticket for the maiden voyage of RMS Titanic from Southampton, England, to Queenstown, Ireland, via Cherbourg, France. He travels to Southampton via Liverpool and London, boarding the RMS Titanic on the afternoon of April 10, 1912. He is booked in cabin A-37 on the Promenade Deck. He takes dozens of photographs of life aboard RMS Titanic on that day and the next morning. He captures the last known images of many crew and passengers, including captain Edward J. Smith, gymnasium manager T. W. McCawley, engineer William Parr, Major Archibald Butt, writer Jacques Futrelle and numerous third-class passengers whose names are unknown.
During his voyage on the RMS Titanic, Browne is befriended by an American millionaire couple who are seated at his table in the liner’s first-class dining saloon. They offer to pay his way to New York and back in return for him spending the voyage to New York in their company. He telegraphs his superior, requesting permission, but the reply is an unambiguous “GET OFF THAT SHIP – PROVINCIAL.”
Browne leaves the RMS Titanic when she docks in Queenstown and returns to Dublin to continue his theological studies. When the news of the ship’s sinking reaches him, he realises that his photos would be of great interest, and he negotiates their sale to various newspapers and news cartels. They appear in publications around the world. The Eastman Kodak Company subsequently gives him free film for life, and he often contributes to The Kodak Magazine. It is unknown what type of camera he used to shoot the famous photos aboard RMS Titanic.
After his ordination on July 31, 1915, Browne completes his theological studies. In 1916, he is sent to Europe to join the Irish Guards as a chaplain. He serves with the Guards until the spring of 1920, including service at the Battle of the Somme and at Locre, Wytschaete, Messines Ridge, Paschendaele, Ypres, Amiens and Arras in Flanders.
Browne is wounded five times during the war, once severely in a gas attack. He is awarded the Military Cross (MC) on June 4, 1917 “for distinguished service in the field”. He is awarded a bar to his MC on February 18, 1918. He is also awarded the Croix de Guerre by France.
Browne takes many photographs during his time in Europe. One, which he calls “Watch on the Rhine,” is considered a classic image of World War I. He assembles a collection of his war photographs in an album named after his most famous photograph and distributes copies to his colleagues in the Guards.
After the war, Browne returns to Dublin, where, in 1922, he is appointed superior of Gardiner Street Church in Dublin. Ill health dogs him, however, and in 1924 it is thought that he would recover more quickly in warmer climes. He is sent on an extended visit to Australia. He takes his camera along, photographing life aboard ship and in Cape Town, South Africa, where he breaks his voyage.
On his way back to Ireland, Browne visits Ceylon, Aden, Suez, Saloniki, Naples, Toulon, Gibraltar, Algeciras, and Lisbon, taking photographs of local life and events at every stop. It is estimated that he takes more than 42,000 photographs during his life.
Browne resumes office as the Superior of Saint Francis Xavier Church, Dublin, upon his return. In 1929 he is appointed to the Retreats and Mission staff of the Irish Jesuits. His work entails preaching at missions and religious retreats all over Ireland. As most of this work is necessarily performed on evenings and Sundays, he has considerable time to indulge in his hobby during the daytime. He takes photographs of many parishes and towns in Ireland, and also photographs in London and East Anglia during his ecclesiastical travels to England.
Browne dies in Dublin on July 7, 1960, and is buried in the Jesuit plot in Glasnevin Cemetery in Dublin. His negatives lay forgotten for 25 years after his death. They are found by chance in 1985 when Father Edward E. O’Donnell discovers them in a large metal trunk, once belonging to Browne, in the Irish Jesuit archives. “When the trunk was opened in 1985, people compared him to the greats like Henri Cartier-Bresson and Robert Doisneau, but his work predated theirs by decades,” archivist David Davison later recalls.
O’Donnell brings the negatives to the attention of several publishers. The RMS Titanic photographs are published in 1997 as Father Browne’s Titanic Album with text by E. E. O’Donnell (Fr. Eddie O’Donnell). In all, at least 25 volumes of Browne’s photographs have now been published. The features editor of The Sunday Times of London calls this “the photographic equivalent to the discovery of the Dead Sea Scrolls.” Many of these books have become best-sellers, the latest being the Centenary Edition of Father Browne’s Titanic Album in 2012 by Messenger Publications, Dublin.
The Irish province of the Jesuits, the owner of the negatives pursuant to Browne’s will, engage photographic restoration specialists David and Edwin Davison to preserve and catalogue the fragile and unstable negatives. The Davisons make copies of every negative and are in the process of transferring every usable image to a digital format for future generations. The Davisons later acquire the rights to the photographs and still own the rights as Davison & Associates.
In 1997, Wall wins the Patrick Kavanagh Poetry Award. He publishes his first collection of poetry that same year. His first novel, Alice Falling, a dark study of power and abuse in modern-day Ireland, appears in 2000. He is the author of four novels, two collections of poetry and one of short stories.
In 2005, This Is The Country appears. A broad attack on politics in “Celtic Tiger” Ireland, as well as a rite of passage novel, it is longlisted for the Man Booker Prize, and shortlisted for the Irish Book Awards. It can be read as a satirical allegory on corruption, the link between capitalism and liberal democracy exemplified in the ‘entrepreneurial’ activities of minor drug dealers and gangsters, and reflected in the architecture of business-parks and sink estates. This political writing takes the form of “an insightful and robust social conscience”, in the words of academic John Kenny. Kenny also focuses on what he sees as Wall’s “baneful take on the Irish family, his fundamentally anti-idyllic mood” which has “not entirely endeared Wall to the more misty-eyed among his readers at home or abroad.” The political is also in evidence in his second collection of poetry Fahrenheit Says Nothing To Me. He is not a member of Aosdána, the Irish organisation for writers and artists. In 2006, his first collection of short fiction, No Paradiso, appears. In 2017, he becomes the first European to win the Drue Heinz Literature Prize.
His provocative political blog, The Ice Moon, has increasingly featured harsh criticism of the Irish government over their handling of the economy, as well as reviews of mainly left-wing books and movies. Many of his posts are satirical. He occasionally writes for literary journals, writes for Irish Left Review, and reviews for The Irish Times. His work has been translated into several languages. He has also appeared on the Irish-language channel TG4, such as in the programme Cogar.
He is one of the Irish delegates at the European Writers Conference in Istanbul in 2010.
Described by writer Kate Atkinson as “lyrical and cruel and bold and with metaphors to die for,” critics have focused on Wall’s mastery of language, his gift for “linguistic compression,” his “poet’s gift for apposite, wry observation, dialogue and character,” his “unflinching frankness” and his “laser-like … dissection of human frailties,” which is counterbalanced by “the depth of feeling that Wall invests in his work.” A review of his first novel in The New Yorker declares “Wall, who is also a poet, writes prose so charged—at once lyrical and syncopated—that it’s as if Cavafy had decided to write about a violent Irish household.” In a recent review, his long poem “Job in Heathrow,” anthologised in The Forward Book of Poetry 2010 but originally published in The SHOp, is described as “a chilling airport dystopia.” Poet Fred Johnston suggests that Wall’s poetry sets out to “list the shelves of disillusion under which a thinking man can be buried.” For Philip Coleman, “Ghost Estate is a deeply political book, but it also articulates a profound interest in and engagement with questions of aesthetics and poetics.”
Wall is a longtime sufferer of adult-onset Still’s disease (AOSD) and describes his efforts to circumvent the disabling effects of the disease using speech-to-text applications as “a battle between me and the software.”
As a young man, O’Connor embraces the Republican movement early on as he is encouraged by the American Revolution overseas. After his oldest brother Daniel gets into debt, his brother Roger buys out his inheritance. The family’s political and financial conflicts are only deepened when their sister Anne commits suicide, after having been forbidden by the family from marrying a Catholic man she was in love with.
In 1796, O’Connor joins the Society of United Irishmen and determines, on its platform, to contest what had been his uncle Lord Longueville’s Irish parliamentary seat in Antrim. In January 1797, to the “free electors” of the county he commends the “entire abolition of religious distinctions” and the “establishment of a National Government,” while protesting the “invasion” of the country by English and Scottish troops and the continuation of the continental war. Arrests, including his own in February for seditious libel, frustrate his attempts to canvass. With Lord Edward FitzGerald and others in the leadership in Dublin his thoughts turn to securing “fraternal” French support for a revolutionary insurrection.
O’Connor is released in 1802 under the condition of “banishment,” He travels to Paris, where he is regarded as the accredited representative of the United Irishmen by Napoleon who, in February 1804, appoints him General of Division in the French army. General Louis-Alexandre Berthier, Minister of War, directs that O’Connor is to join the expeditionary army intended for the invasion of Ireland at Brest. When the plan falls through, O’Connor retires from the army.
In 1807, although more than twice her age, O’Connor marries Alexandrine Louise Sophie de Caritat de Condorcet, known as Eliza, the daughter of the scholar the Marquis de Condorcet and Sophie de Condorcet. Following his marriage he borrows money from fellow exile William Putnam McCabe to acquire a country residence. His tardiness in repaying the debt to McCabe, whose own investments into cotton spinning in Rouen had failed, results in a lawsuit. Cathal O’Bryne suggests that the debt is behind O’Connor’s later suggestion to Richard Robert Madden that McCabe had been a double agent, a charge to which, Madden notes, the French government lends no credence.
O’Connor offers his services to Napoleon during the Hundred Days. After Napoleon’s defeat he is allowed to retire, becoming a naturalised French citizen in 1818. He supports the 1830 revolution which creates the July Monarchy, publishing a defence of events in the form of an open letter to General Gilbert du Motier, Marquis de Lafayette. After the revolution he becomes mayor of Le Bignon-Mirabeau. The rest of his life is spent composing literary works on political and social topics. He and his wife continue the efforts of her mother, who is herself an accomplished translator of Thomas Paine and Adam Smith, to publish her father’s works in twelve volumes between 1847 and 1849.
O’Connor’s wife give birth to five children, three sons and two daughters, almost all of whom predecease him. Only one son, Daniel, marries and has issue. Daniel marries Ernestine Duval du Fraville, a daughter of Laurent-Martin Duval, Baron Duval du Fraville, in 1843. She dies at Cannes in 1877.
O’Connor dies on April 25, 1852. His widow dies in 1859.
O’Connor’s descendants continue to serve as officers in the French army and still reside at Château Dubignon. Through his only surviving son, Daniel, he is a grandfather of two boys, Arthur O’Connor (1844–1909), who serves in the French army, and Fernand O’Connor (1847–1905), a Brigade General who serves in Africa and is made a Knight of the Legion of Honour. His grandson, Arthur, marries Marguerite de Ganay (1859–1940), a daughter of Emily and Etienne, Marquis de Ganay, in 1878. They have two daughters, Elisabeth O’Connor, the wife of Alexandre de La Taulotte, and Brigitte Emilie Fernande O’Connor (1880–1948), who in 1904 marries the Comte François de La Tour du Pin (1878–1914), who is killed ten years later at the First Battle of the Marne.
MacSwiney Brugha is the daughter of the former Lord Mayor of Cork Terence MacSwiney and his wife Muriel Frances Murphy. Her father dies on hunger strike when she is two years old. Her father is in jail when she is born and does not see her until she is brought to see him when she is three months old. Her family’s republican and political activities leave a strong mark on her life.
Following the death of her father, her mother moves to Dublin. MacSwiney Brugha goes to live with Madame O’Rahilly, widow of The O’Rahilly, and sees her mother intermittently. Although as a child her parents decide she would speak the Irish language, her father’s death and her mother’s health results in her move to Germany in 1923 and there she is moved around a lot. She learns German and speaks no English and little or no Irish. In 1930 she is moved to Grainau in Bavaria, where she attends school. Her aunt, Mary MacSwiney, a legal guardian of hers, eventually comes to collect her and takes her back to Ireland. This causes a court case when it is claimed her aunt had kidnapped her. As a result of the court case her aunt is given custody, and she and her mother became estranged.
MacSwiney Brugha attends Scoil Íte and then St. Louis Secondary School in Monaghan where, in 1936, she completes her Leaving Certificate and gets a scholarship to University College Cork to study arts. In 1937 she plays the lead role in a play, The Revolutionist, published in 1914 and written by her father and produced by her aunt. She returns to Germany in 1938 to keep up her German and graduates with a first-class honours degree. She goes on to get her higher diploma and becomes a teacher. She spends some time teaching in Scoil Íte and then goes to Dublin in 1942 to get a master’s degree. She meets Ruairí Brugha while in Dublin. His father, Cathal Brugha, was killed in the Irish Civil War in 1922. They marry on July 10, 1945. The marriage produces four children: Deirdre, Cathal, Traolach and Ruairí.
MacSwiney Brugha’s husband has a strong political career with her support. He is a senator, a TD, and a member of the European Parliament. She leads her Fianna Fáilcumann and volunteers with the aid agency Gorta. With her husband as Official Opposition Spokesman on Northern Ireland from 1975 to 1977, the couple are very much involved in creating the policy of developing conciliation rather than aimed more at ending partition which they previously have been focused on.
At the age of 85 and after her sight has failed MacSwiney Brugha dictates her story to her daughter-in-law, Catherine Brugha. History’s Daughter: A Memoir from the Only Child of Terence MacSwiney is launched in 2005. Her own story is recorded in Irish Life and Lore. Her story is also the subject of a radio production. She dies unexpectedly at her home in Clonskeagh, County Dublin, at the age of 93 on May 20, 2012. She is buried in Glasnevin Cemetery.
Fianna Fáil leader Micheál Martin describes her as having made a “strong and valued” contribution to the development of Fianna Fáil while Gerry Adams says she “made her mark” on Irish history.
(Pictured: Máire MacSwiney Brugha on her wedding day, July 10, 1945)
A keen fan of all competitive sport, Coveney plays rugby for Garryowen, Cork Constitution and Crosshaven Rugby Club. In 1997-98, he leads the “Sail Chernobyl Project” which involves sailing a boat 30,000 miles around the world and raising €650,000 for charity. He is a qualified sailing instructor and lifeguard. He spends several years working as an agriculture adviser and farm manager.
Coveney is first elected to Dáil Éireann in a 1998 by-election as a Fine Gael candidate for Cork South-Central. He holds Shadow Ministries in the areas of Drugs and Youth Affairs, Communications, Marine and Natural Resources, and Transport. He chairs the Fine Gael Policy Development Committee prior to the 2011 Irish general election.
Coveney is a member of Cork County Council and the Southern Health Board from 1999 to 2003.
Coveney is elected to the European Parliament in 2004 and is a member of the EPP-ED group. He is a member of the Committee on Foreign Affairs and the Internal Market and Consumer Protection Committee. He is the author of the European Parliament’s Annual Report on Human Rights in the World for the year 2004 and again for 2006.
Coveney is named Tánaiste by Leo Varadkar, replacing Frances Fitzgerald, on November 30, 2017, a position he holds until June 27, 2020. He also serves as Minister for Housing, Planning and Local Government as well as Minister for Agriculture, Food and the Marine. For the six-month period ending June 2013, he chairs the EU Council of Agriculture & Fisheries Ministers where he is at the forefront regarding EU efforts in respect of Common Agricultural (CAP) as well as Common Fisheries (CFP) Policy reforms. Under his chairmanship both dossiers are progressed significantly, with a reform package for CFP agreed in May 2013 and a reform package for CAP agreed at the end of the Irish Presidency in July. The Defence portfolio is added to his brief on July 11, 2014.
In July 2008, Simon marries his long-time girlfriend Ruth Furney, an IDA Ireland employee. They have three daughters and currently live in Carrigaline, County Cork.
William of Orange, King of Holland, and recently declared King William III of England, arrives with his fleet in Belfast on June 14, 1690. He remains for twelve days, departing on June 26. For his part he likes what he sees. “This country is worth fighting for,” he says.
William’s departure from London is held up by parliamentary business until the end of May, when he announces that he can wait no longer and adjourns Parliament. He sets out early in the morning of June 4, reaching Northampton before nightfall. On Sunday, June 8, he attends divine service in Chester Cathedral and goes on to inspect the ships at Hoylake on the tip of the Wirral Peninsula.
For two days the wind is contrary, but on June 11 he embarks on board the yacht “Mary” with a fleet escorted by Sir Cloudesley Shovell‘s squadron. On June 14 the hills of Ireland come in sight and in the afternoon the fleet casts anchor off Carrickfergus. He is rowed ashore in the Rear Admiral’s barge and at about 3:30 p.m. lands at the Old Quay under the shadow of the great Norman Castle.
The Garrison of the Castle has drawn up a Guard of Honour and the townspeople add their applause. The chosen spokesman is a Quaker, whose principles forbid him to doff his hat or use such titles as Sir and Majesty. He gets around the difficulty by taking off his hat and laying it on a stone and then stepping forward and saying “William, thou art welcome to thy Kingdom” which pleases the King so much that he replies, “You are the best-bred gentleman I have met since I came to England.” With these words he mounts his horse and sets off for Belfast.
Halfway along the shore is the little port of Whitehouse, where most of the army disembarks. The Commander-in-Chief, Frederick Schomberg, 1st Duke of Schomberg, and his senior commanders are waiting here to welcome the King. To cover the disembarkation, earthworks have been thrown up by the engineers at Fort William and garrisoned by troops ready for action.
In 1690 Belfast consists of about 300 houses in five streets. It has two churches, the Parish Church, where St. George’s Church still stands in the High Street, and the Presbyterian Meeting House in Rosemary Lane. The town had been surrounded by a rampart in 1642 and had been captured by Colonel Robert Venebles for Oliver Cromwell after a four-day siege and an assault on the North Gate in 1649.
It is at the North Gate that King William enters Belfast where North Street now crosses Royal Avenue. Here he is welcomed by the magistrates and burgesses in their robes and by the Rev. George Walker, now Bishop-elect of Derry. A Royal Salute is fired from the Castle and is echoed and re-echoed by the guns which Schomberg had placed at wide intervals for the purpose of conveying signals from post to post. Wherever it is heard it is known that King William has come. Before midnight all the heights of Antrim and Down are blazing with bonfires.
The next day being Sunday, William attends church at the Corporation Church, now St. George’s Church. On Monday, June 16, addresses of loyalty are presented on behalf of the Church of Ireland and Presbyterian Church clergy, the civic authorities of the city of Londonderry, the town of Belfast and by the Sheriffs, Justices of the Peace and Gentlemen of the Counties of Down and Antrim. The next two days are spent in military preparation.
In the previous season Schomberg had conducted a slow and cautious campaign but William says he has not come to Ireland to let the grass grow under his feet. He orders a general muster of the army in the Parish of Aghaderg which includes Scarvagh and on Thursday, June 19, begins his southward march from Belfast Castle.
The line of march continues along Upper Malone by the Old Coach Road and past the ruins of both Drumbeg and Lambeg Parish Churches which had been burned down in 1641. William reaches Schomberg’s headquarters in Lisburn Castle for lunch on the same day that he left Belfast Castle. The afternoon and evening are spent inspecting troops on Blaris Moor, and then on to Hillsborough Castle for the night.
The cavalcade moves on through the little round hills of County Down, crosses the Upper Bann between Huntly and Ballievey by ford over the hill of Banbridge and on to the rendezvous on the northwest of Loughbrickland.
After the disappointments of the previous season and the appalling loss of life through disease, Schomberg had dispersed his army into winter quarters all over Ulster. The Derry and Enniskillen men had gone home to pick up the threads of their lives. Now the farmers among them have the crop in and are recalled to the colours and ready to be reviewed. There are four regiments of Enniskillen men – Wynns, Tiffins, Lloyds and Cunninghams, one of foot and three of horse. There is only one regiment of Derry men, St. John’s, commanded by Mitchelburne with Rev. George Walker as chaplain.
On June 22, William sits in the saddle for hours reviewing his 36,000 men. Marching past are 10,000 Danes, some of whom came from Norway and Sweden, and even Finland, 7,000 Dutch and Brandenburgers, 2,000 French Huguenots, 11,000 English and Scots, 800 Derrymen, 4,500 Inniskilleners and two companies from Bandon, County Cork.
On June 24, an advance party reaches beyond Newry to the edge of Dundalk and brings intelligence that the deposed King James II has fallen back on Ardee. The following day the main army advances to Newry and camps on the side of a hill. On June 25, with the King at their head, wearing an Orange colour sash, they go through the Moyry Gap and pass out of Ulster en route to the Boyne.
Rynhart is born Jeanne Scuffil in Dublin on March 17, 1946, to Kathleen Connolly and Frederick Scuffil, a sign writer for the Guinness Brewery. She is an apprentice to George Collie RHA for two years and then attends the National College of Art and Design, graduating in 1969 before moving to Coventry, England, where she continues her studies in fine art and sets up a studio with sculptor John Letts. She returns to Ireland in 1981, moving to Ballylickey, near Bantry in County Cork, where she establishes the Rynhart Fine Art gallery and workshop with her husband, Derek.
One of the first bronze craft studios in Ireland, the Rynhart pieces include both small figurative cold cast bronze sculptures of flower sellers, fishermen, horses, sailing boats and musical instruments as well as bronze life-size statues, smelted in a foundry. Her busts of Oscar Wilde and Jonathan Swift are in the Dublin Writers Museum and a Rynhart bust of James Joyce is in New York Public Library.
Rynhart creates the Molly Malone statue for the 1988 Dublin Millennium celebrations. The statue is controversial at the time of its unveiling due to the statue’s revealing dress. Registrar of Aosdána, Adrian Munnelly, writes to the An Bord Fáilte criticising it. The statue is defended by the Lord Mayor of DublinBen Briscoe. Rynhart herself writes in The Irish Times that the clothing and appearance are accurate for women of that era. The statue has since become one of the most popular tourist attractions in Dublin and is fondly regarded by locals.
In 1994, Rynhart’s daughter Audrey joins the business. In 2010, Audrey and her husband, Les Elliott, take over the running of the business which is now based in their studio in Glengarriff, County Cork. From then onwards, Rynhart continues to do some modelling work but has largely retired.
Rynhart dies on June 9, 2020, aged 74, in Schull Community Hospital, Cork, following a short illness. She is buried in the Abbey Cemetery, Bantry, and is survived by her husband, Derek, daughter, Audrey, son, Barry, and grandchildren, Lydia and Sophie.
Murphy’s father is Nicholas Murphy and her mother Mary Gertrude Purcell of Carrigmore, in Montenotte, Cork. She is sent away to school, to a convent in Sussex, England.
At Christmas 1915 Murphy attends an evening at the Fleischmann home where she meets Terence MacSwiney. Her family does not want the couple involved and does not approve of her growing interest in nationalism and socialism. In 1917 she marries MacSwiney in St. Joseph’s Church, Bromyard, Herefordshire, while he is interned due to his involvement in the Easter Rising of 1916. Her bridesmaid is Geraldine O’Sullivan, and his best man is Richard Mulcahy. The couple had waited until she had come of age at 25 so that she is financially independent of her parents. They have a daughter, Máire MacSwiney Brugha.
MacSwiney sees very little of her husband during their married life as he is often arrested. He dies due to his hunger strike on October 25, 1920, as Lord Mayor of Cork. Her husband’s death has a huge impact on her life, being a public event as well as a personal loss. She completes a lecture and interview tour of the United States, over nine months, with his sister Mary. She is the first woman to be given the Freedom of New York City, in 1922.
MacSwiney begins to suffer from depression and takes her daughter to Germany, leaving her there while she travels Europe. She eventually loses custody of her child and by 1934 she no longer has any involvement in her daughter’s life.
MacSwiney spends a lot of time in Paris, where she continues to be engaged with politics, typically those of left-wing, including communist, groups. She becomes involved with Pierre Kaan and they have a daughter, Alix, who is born on May 5, 1926, in Germany. Kaan is sent to a concentration camp by the Gestapo and dies on May 18, 1945, as a result of his treatment there.
MacSwiney is critical of American foreign policy on Vietnam, calling the United States a “world imperialist power.”
MacSwiney never resolves her relationships with either her own daughter or her family. She is paid a pension as the widow of Terence MacSwiney from 1950. She is living in Tonbridge in Kent with her daughter near the end of her life. She dies on October 26, 1982, at Oakwood Hospital in Barming Heath near Maidstone.
Croke gains the good opinion of the Irish ecclesiastical authorities and is rewarded in 1870 by his promotion to Bishop of Auckland in New Zealand. His former professor, Paul Cullen, by then Cardinal Archbishop of Dublin, is largely responsible for filling the Australasian Catholic church with fellow Irishmen. His strong recommendations lead to Croke’s appointment. Croke arrives at Auckland on December 17, 1870, on the City of Melbourne. During his three years as bishop, he restores firm leadership to a diocese left in disarray by his predecessor, Bishop Jean Baptiste Pompallier. He devotes some of his considerable personal wealth to rebuilding diocesan finances and also takes advantage of Auckland’s economic growth following the development of the Thames goldfields to further his aims, ensuring that all surplus income from parishes at Thames and Coromandel is passed on to him, and he institutes a more rigorous system for the Sunday collection at St. Patrick’s Cathedral. He imports Irish clergy to serve the growing Catholic community, and with Patrick Moran, the first Catholic Bishop of the Diocese of Dunedin, he tries unsuccessfully to secure an Irish monopoly on future episcopal appointments in New Zealand. Croke supports separate Catholic schools and their right to state aid and voices his opposition to secular education as Auckland’s Catholic schools are threatened by the provincial council’s Education Act 1872, which helps to create a free, secular and compulsory education system. However, generally, Croke’s image is uncontroversial. On January 28, 1874, after barely three years in office, Croke departs for Europe, on what is ostensibly a 12-month holiday, and he does not return to New Zealand.
Croke becomes a member of the Irish hierarchy when he is translated to be Archbishop of Cashel, one of the four Catholic Irish archbishoprics in 1875. Archbishop Croke is a strong supporter of Irish nationalism, aligning himself with the Irish National Land League during the Land War, and with the chairman of the Irish Parliamentary Party, Charles Stewart Parnell. In an 1887 interview he explains that he had opposed the League’s “No rent manifesto” in 1881, preferring to stop payment of all taxes.
Croke also associates himself with the Temperance Movement of Fr. Theobald Mathew and Gaelic League from its foundation in 1893. Within Catholicism he is a supporter of Gallicanism, as opposed to the Ultramontanism favoured by the Archbishop of Dublin, Cardinal Cullen. His support of nationalism causes successive British governments and Lord Lieutenant of Ireland‘s governments in Dublin to be deeply suspicious of him, as are some less politically aligned Irish bishops.
Following the scandal that erupts over Parnell’s relationship with Katharine O’Shea, the separated wife of fellow MP Captain William O’Shea, Archbishop Croke withdraws from active participation in nationalist politics.
seamus dubhghaill 