After the Battle of Pea Ridge, Kiernan insists on joining the fighting ranks, and in that capacity is seemingly appointed a Major in the 6th Missouri Volunteer Infantry. In May 1863 at Port Gibson, Mississippi, he is wounded in the left lung and left on the battlefield for dead. Recovered and imprisoned, he effects an escape back to Union forces and resigns his commission. On August 1, 1863, he is commissioned a Brigadier General of the United States Volunteers by President Abraham Lincoln, commanding a post at Miliken’s Bend on the Mississippi River. However, ill-health as a result of his battlefield wounds forces him to resign on February 3, 1864.
In May 1865 Kiernan gains a U.S. consular post at Chinkiang, China. He manages to make the trip there, but his health does not allow him to perform the duties. He returns to New York where he becomes an examining physician for the Bureau of Pensions, a position he holds until his death.
James Lawlor Kiernan dies on November 26, 1869. The official cause of death is “congestion of the lungs.” Perhaps he is killed by that Confederate ball that wounded him six years earlier. He is buried in Green-Wood Cemetery in Brooklyn, New York.
Lawless is born at Lyons Demesne below Lyons Hill, Ardclough, County Kildare. Her grandfather is Valentine Lawless, 2nd Baron Cloncurry, a member of the Society of United Irishmen and son of a convert from Catholicism to the Church of Ireland. Her father is Edward Lawless, 3rd Baron Cloncurry, thus giving her the title of “The Honourable.” In contrast, her brother Edward Lawless is a landowner with strong Unionist opinions, a policy of not employing Roman Catholics in any position in his household, and chairman of the Property Defence Association set up in 1880 to oppose the Irish National Land League and “uphold the rights of property against organised combination to defraud.” The prominent Anglo-Irish unionist and later nationalist, Home Rule politician Horace Plunkett is a cousin. Lord Castletown, Bernard FitzPatrick, 2nd Baron Castletown is also a cousin. It is widely believed that she is a lesbian and that Lady Sarah Spencer, dedicatee of A Garden Diary (1901) is her lover.
Lawless spends part of her childhood with the Kirwans of Castle Hackett, County Galway, her mother’s family, and draws on West of Ireland themes for many of her works. She occasionally writes under the pen name “Edith Lytton.”
Lawless writes nineteen works of fiction, biography, history, nature studies and poetry, many of which are widely read at the time. She is most famous today for her Wild Geese poems (1902).
Some critics identify a theme of noble landlord and noble peasant in her fourth book, Hurrish, a Land War story set in The Burren of County Clare which is read by William Ewart Gladstone and said to have influenced his policy. It deals with the theme of Irish hostility to English law. In the course of the book a landlord is assassinated, and Hurrish’s mother, Bridget, refuses to identify the murderer, a dull-witted brutal neighbour. The book is criticised by Irish-Ireland journals for its “grossly exaggerated violence,” it’s embarrassing dialect, staid characters.
Her reputation is damaged by William Butler Yeats who accuses her in a critique of having “an imperfect sympathy with the Celtic nature” and for adopting “theory invented by political journalists and forensic historians.” Despite this, Yeats includes her novels With Essex in Ireland (1890) and Maelcho (1894) in his list of the best Irish novels.
Emily Lawless dies at Gomshall, Surrey, on October 19, 1913. Her papers are preserved in Marsh’s Library in Dublin.
Máirtín Ó Cadhain, one of the most prominent Irish language writers of the twentieth century, dies on October 18, 1970. Perhaps best known for his 1949 work Cré na Cille, Ó Cadhain plays a key role in bringing literary modernism to contemporary Irish language literature.
Born in Connemara, County Galway, Ó Cadhain becomes a schoolteacher but is dismissed due to his membership in the Irish Republican Army (IRA). In the 1930s he serves as an IRA recruiting officer, enlisting fellow writer Brendan Behan, and participates in the land campaign of the native speakers, which leads to the establishment of the Ráth Cairn neo-Gaeltacht in County Meath. Subsequently, he is arrested and interned in the Curragh Camp in County Kildare during the Emergency years due to his continued involvement in the violent activities of the IRA.
Ó Cadhain’s politics are a nationalist mix of Marxism and social radicalism tempered with a rhetorical anti-clericalism. In his writings concerning the future of the Irish language he is, however, practical about the position of the Catholic Church as a social and societal institution, craving rather for a wholehearted commitment to the language cause even among Catholic churchmen. It is his view that, as the Church is there anyway, it would be better if it were more willing to address the Faithful in the national idiom.
As a writer, Ó Cadhain is acknowledged to be a pioneer of Irish language modernism. His Irish is the dialect of Connemara, but he is happy to cannibalise other dialects, classical literature and even Scottish Gaelic for the sake of linguistic and stylistic enrichment of his own writings. Consequently, much of what he writes is reputedly hard to read for a non-native speaker.
Ó Cadhain is a prolific writer of short stories. His collections of short stories include Cois Caoláire, An Braon Broghach, Idir Shúgradh agus Dháiríre, An tSraith Dhá Tógáil, An tSraith Tógtha and An tSraith ar Lár. He also writes three novels, of which only Cré na Cille is published during his lifetime. The other two, Athnuachan and Barbed Wire, appear in print only recently. He translates Charles Kickham‘s novel Sally Kavanagh into Irish as Saile Chaomhánach, nó na hUaigheanna Folmha. He also writes several political or linguo-political pamphlets. His political views can most easily be discerned in a small book about the development of Irish nationalism and extremism since Theobald Wolfe Tone, Tone Inné agus Inniu. In the early 1960s he writes, partly in Irish, partly in English, a comprehensive survey of the social status and actual use of the language in the west of Ireland, published as An Ghaeilge Bheo – Destined to Pass. In August 1969 he delivers a speech, published as Gluaiseacht na Gaeilge: Gluaiseacht ar Strae, in which he speaks of the role Irish speakers should take in ‘Athghabháil na hÉireann’, or the Re-Conquest of Ireland as James Connolly first coins the term.
He and Diarmaid Ó Súilleabháin are considered the two most innovative Gaelic authors to emerge in the 1960s. He has frequent difficulties to get his work edited, but unpublished writings have appeared at least every two years since the publication of Athnuachan in the mid-nineties.
Harris is born James Thomas Harris on February 14, 1855, in Galway, County Galway, to Welsh parents. While living with his older brother he is, for a year or more, a pupil at The Royal School, Armagh. At the age of twelve he is sent to Wales to continue his education as a boarder at the Ruabon Grammar School in Denbighshire, a time he is to remember later in My Life and Loves. Harris is unhappy at the school and runs away within a year.
Harris runs away to the United States in late 1869, arriving in New York City virtually penniless. The 13-year-old takes a series of odd jobs to support himself, working first as a shoeshiner, a porter, a general laborer, and a construction worker on the erection of the Brooklyn Bridge. He later turns these early occupational experiences into art, incorporating tales from them into his book The Bomb.
From New York Harris moves to the American Midwest, settling in Chicago, where he takes a job as a hotel clerk and eventually a manager. Owing to Chicago’s central place in the meat packing industry, Harris makes the acquaintance of various cattlemen, who inspire him to leave the big city to take up work as a cowboy. He eventually grows tired of life in the cattle industry and enrolls at the University of Kansas, where he studies law and earns a degree, gaining admission to the Kansas state bar association.
Harris is not cut out to be a lawyer and soon decides to turn his attention to literature. He returns to England in 1882, later traveling to various cities in Germany, Austria, France, and Greece on his literary quest. He works briefly as an American newspaper correspondent before settling down in England to seriously pursue the vocation of journalism.
From 1908 to 1914 Harris concentrates on working as a novelist, authoring a series of popular books such as The Bomb, The Man Shakespeare, and The Yellow Ticket and Other Stories. With the advent of World War I in the summer of 1914, Harris decides to return to the United States.
From 1916 to 1922 he edits the U.S. edition of Pearson’s Magazine, a popular monthly which combines short story fiction with socialist-tinted features on contemporary news topics. One issue of the publication is banned from the mails by United States Postmaster GeneralAlbert S. Burleson during the period of American participation in the Great War. Despite this Harris manages to navigate the delicate situation which faces the left wing press and to keep the Pearson’s Magazine functioning and solvent during the war years.
Harris becomes an American citizen in April 1921. In 1922 he travels to Berlin to publish his best-known work, his autobiography My Life and Loves. It is notorious for its graphic descriptions of Harris’ purported sexual encounters and for its exaggeration of the scope of his adventures and his role in history. Years later, Time Magazine reflects in its March 21, 1960 issue “Had he not been a thundering liar, Frank Harris would have been a great autobiographer….he had the crippling disqualification that he told the truth, as Max Beerbohm remarked, only ‘when his invention flagged’.” A fifth volume, supposedly taken from his notes but of doubtful provenance, is published in 1954, long after his death.
Harris also writes short stories and novels, two books on Shakespeare, a series of biographical sketches in five volumes under the title Contemporary Portraits and biographies of his friends Oscar Wilde and George Bernard Shaw. His attempts at playwriting are less successful. Only Mr. and Mrs. Daventry (1900), which is based on an idea by Oscar Wilde, is produced on the stage.
Married three times, Harris dies of a heart attack in Nice at the age of 75 on August 26, 1931. He is subsequently buried at Cimetière Caucade in the same city. Just after his death a biography written by Hugh Kingsmill (pseudonym of Hugh Kingsmill Lunn) is published.
In November 1938, Lord Killanin is commissioned into the Queen’s Westminsters, a territorial regiment of the British Army, where he is responsible for recruiting fellow journalists, including future The Daily Telegraph editor Bill Deedes, and friends who are musicians and actors. He reaches the rank of major and takes part in the planning of D-Day and the Invasion of Normandy in 1944, acting as brigade major for the 30th Armoured Brigade, part of the 79th Armoured Division. He is appointed, due to the course of operations, a Member of the Order of the British Empire (MBE). After being demobilised, he goes to Ireland. He resigns his TA commission in 1951.
In 1950, Lord Killanin becomes the head of the Olympic Council of Ireland (OCI) and becomes his country’s representative in the IOC in 1952. He becomes senior vice-president in 1968, and succeeds Avery Brundage, becoming President-elect at the 73rd IOC Session (August 21–24) held in Munich prior to the 1972 Summer Olympics. He takes office soon after the Games.
Lord Killanin serves as Honorary Consul-General of Monaco in Ireland from 1961 to 1984 and as Chairman of the Race Committee for Galway Racecourse from 1970 to 1985. A keen horse racing enthusiast, he also serves as a steward of the Irish Turf Club on two occasions and on the National Hunt Steeplechase Committee. In his business life Lord Killanin is a director of many companies including Irish Shell, Ulster Bank, Beamish & Crawford and Chubb Ireland. He is a founder member of An Taisce (The National Trust for Ireland) and is chairman of the National Monuments Advisory Council until his death.
Lord Killanin dies at his home in Dublin on April 25, 1999, at the age of 84 and, following a bilingual funeral Mass at St. Enda’s Church in Spiddal, County Galway, he is buried in the family vault in the New Cemetery, Galway.
McKenna grows up in Galway, where her father is Professor of Mathematics at University College Galway, and in County Monaghan, speaking fluent Irish. She is still in her teens when she becomes a member of an amateur Gaelic theatre group and makes her stage debut at Galway’s Gaelic theatre, the Taibhdhearc na Gaillimhe, in 1940.
McKenna is remembered for her English language performances at the Abbey Theatre in Dublin where she eventually stars in what many consider her finest role in the George Bernard Shaw play, Saint Joan.
While performing at the Abbey Theatre in the 1940s, she meets actor Denis O’Dea, whom she marries in 1946. Until 1970 they live in Richmond Street South, Dublin. They have one child, a son Donnacha O’Dea, who swims for Ireland at the 1968 Summer Olympics and later wins a World Series of Poker bracelet in 1998.
In 1947, McKenna makes her debut on the London stage in The Chalk Garden. She reprises the role on Broadway in 1955, for which she receives a Tony Award nomination for “Best Actress in a Leading Role, Drama.” In 1956, she appears in the Cambridge Drama Festival production of Saint Joan at the Off-BroadwayPhoenix Theatre. Theatre critic Elliot Norton calls her performance the finest portrayal of Joan of Arc in memory. Siobhán McKenna’s popularity earns her the cover of Life magazine. She receives a second Tony Best Actress nomination for her role in the 1958 play, The Rope Dancers, in which she stars with Art Carney and Joan Blondell.
Although primarily a stage actress, McKenna appears in a number of made-for-television films and dramas. She also appears in several motion pictures such as King of Kings in 1961, as the Virgin Mary. In 1964, she performs in Of Human Bondage and the following year in Doctor Zhivago. She also appears in the miniseries The Last Days of Pompeii as Fortunata, wife of Gaius, played by Laurence Olivier. She stars in the title role of the Tales of the Unexpected episode “The Landlady.”
McKenna is awarded the Gold Medal of the Éire Society of Boston, for having “significantly fulfilled the ideals of the Éire Society, in particular, spreading awareness of the cultural achievements of the Irish people.”
McKenna’s final stage appearance comes in the 1985 play Bailegangaire for the Druid Theatre Company. Despite surgery, she dies of lung cancer on November 16, 1986, in Dublin, at 63 years of age. She is buried at Rahoon Cemetery in County Galway.
In what is known as the Ballyturin House Ambush, an Irish Republican Army (IRA) unit in County Galway ambushes a motor car as it leaves Ballyturin House near Gort on May 15, 1921.
The IRA gets into position at about 1:00 PM. They see Royal Irish Constabulary (RIC) District Inspector Cecil Blake arrive, as they have positively identified him through prior reconnaissance. They take over the gatehouse, and make any passersby prisoner in it, seventeen in all, until Blake’s car is seen about 8:30 PM. Passengers in the car with Blake include his wife Eliza, Captain Cornwallis of the 17 Lancers, Lieutenant McCreery of the 17 Lancers, and the daughter-in-law of Lady Gregory of Coole Park.
The car drives down the long drive to the gate. When they get there, one of the gates is closed, unbeknown to them a ploy by the IRA ambushers to force the car to stop. The car stops and Captain Cornwallis gets out to open the gate. It is at this point that they are ambushed by a group of twenty IRA men.
One of the IRA men in the bushes to the right shouts, “Hands up.” Cornwallis dashes outside the gate to protect himself from the men in the bushes, and fires a couple of revolver shots at the group. He is completely protected from them by the wall, but completely exposed to the men in the gatehouse and is shot and killed.
Mrs. Gregory gets out of the car on the side facing the IRA ambushers, which is believed to have saved her life, as they leave her alone. She works her way around to the back of the car and is led back towards the house by some of the IRA men after the firing stops.
Blake, Mrs. Blake, and Lt. McCreery are apparently killed without firing a shot. The IRA men then move in and remove the guns of their victims.
John and Anna Bagot, who are the owners of Ballyturin House, run down the long drive to the gate when they hear the shooting. Mrs. Gregory was handed over to Miss Molly Bagot. She tells the inquiry that she does not recognise any of the men. John Bagot is held at gunpoint and handed a note which apparently reads, “Volunteer HQ. Sir, if there is any reprisals after this ambush, your house will be set on fire as a return. By Order IRA.”
John Bagot dies on the April 27, 1935. His wife, Anna, lives until January 17, 1963. She dies in London at the age of 96 and is buried at Gresford Church near Wrexham, North Wales. Ballyturin House is abandoned and falls into a total ruin.
The ambush is believed to be in retaliation for an incident in which soldiers or police had tortured three local men for information by forcing them to dig their own graves and then threatening to bury them alive. It is also rumoured in the vicinity, although unsubstantiated, that Lady Gregory conspires with the IRA in planning the ambush which is why her daughter-in-law survives.
(Pictured: Death on a Summer’s evening: The deadly ambush at Ballyturin House on May 15 1921. London Illustrated News May 28 1921)
Walter Macken, writer of short stories, novels and plays, is born at 18 St. Joseph’s Terrace in Galway, County Galway on May 3, 1915.
Macken’s father, Walter Macken, Sr., formerly a carpenter, joins the British Army in 1915 and is killed in March of the following year at St Eloi. The family therefore has to rely on lodgers and a small service pension to sustain them.
Macken attends the Presentation Convent for Infants from (1918-1921), St. Mary’s, a Diocesan College where they train people who want to become priests (1923-1924), and Patrician Brothers both Primary and Secondary (1921-1922 and 1924-1934), where he takes his Leaving Certificate. He is writing short stories, novels, and plays in exercise books from the age of eight and carries on these works well into his teens.
Macken is originally an actor, principally with the Taibhdhearc na Gaillimhe in Galway, where he meets his wife Peggy, and The Abbey Theatre in Dublin. He also plays lead roles on Broadway in M. J. Molloy‘s The King of Friday’s Men and his own play Home Is the Hero. The success of his third book, Rain on the Wind, winner of the Literary Guild award in the United States, enables him to focus his energies on writing.
His son Ultan Macken is a well-known journalist in the print and broadcast media of Ireland, and wrote a biography of his father, Walter Macken: Dreams on Paper.
Walter Macken dies of heart failure at the age of 51 in Menlo, County Galway, on April 22, 1967.
Davy Carton, singer, songwriter, and rhythm guitarist, is born in Islington, London, on April 10, 1959. He is best known as a core member of The Saw Doctors, the folk-rock band he co-founds with Leo Moran and others in 1987.
Carton moves permanently to Tuam, County Galway, with his family in 1966. As a teenager he attends Tuam’s Christian Brothers school, where he forms the punk band Blaze X with fellow students Paul Cunniffe, Paul Ralph, and Ja Keating. He works in a local textile factory after leaving school but continues to play with Blaze X until the band dissolves in 1981, the year Carton marries his girlfriend, Trisha.
Working full-time in the textile factory throughout Ireland’s economically bleak 1980s, Carton largely puts his musical career on hold to support his wife and three young sons.
In the late 1980s, Carton gets together for a pint with Leo Moran, formerly of Irish reggae band Too Much for the White Man. Carton and Moran begin gigging around Galway with a handful of their own rootsy-rock compositions.
The duo adopts the name Saw Doctors — travelers who earn money by sharpening saws in old Ireland — until they can think of something better. As the band grows, the opportunity to find a better name never arises.
Carton finally gives up his day job in 1989, when the Saw Doctors rise to prominence and begin touring with bands including The Waterboys, Hothouse Flowers, and The Stunning.
Carton’s achievements with the Saw Doctors include six studio albums, two live albums, a concert DVD, several compilation albums, and extensive tours throughout Europe and the United States. Noted for his witty, rapacious lyrics, Carton has co-written almost all of the band’s songs, including “I Useta Lover,” one of the all-time best-selling singles in Ireland.
The Saw Doctors’ lyrics tend to stay out of political issues. “I’m not a politician, and I never will be a politician,” Carton tells the website PopMatters in 2003. “What I like to do is go into a room of people and make them sing along and whatever. I’m not going to tell them how to vote – there’s enough people doing that already. I’d rather talk about girlfriends and football. We don’t like to write about things we don’t really know about. We know about rejection from girls and all that, so we can write about that.”
Ruadhán founds a monastic settlement at Lorrha that consists of a monastery and various other buildings including cells for the many monks that live there. Also a ditch or large mound is built around the settlement to keep animals in and intruders out, the outlines of which remain visible today. Life for the monks is tough but simple, rising early from their beds which consist of rushes or straw placed on the bare ground. They then pray and fast between their domestic chores. The settlement is self-sufficient providing everything from food, clothing, to shelter. Villages and towns, such as the village of Lorrha, often pop up around monastic settlements as trade and refuge attracts the local people.
His embassy in 556 to King Diarmait mac Cerbaill at Tara, is worked into a legend known as the “Curse of Tara”, but the high-king continues to reside at Tara until his death in 564. Diarmuid Mac Cerbhaill violates the sanctity of the church by taking a hostage from its protection. The downfall of Tara from a once thriving royal residence is credited to Ruadhán.
Ruadhán gives the prophecy that Diarmait will be killed by the roof-beam of his hall at Tara. Diarmait has the beam cast into the sea. Diarmait then asks his druids to find the manner of his death, and they foretell that he will die of slaughter, drowning, and burning, and that the signs of his death will be a shirt grown from a single seed of flax and a mantle of wool from a single sheep, ale brewed from one seed of corn, and bacon from a sow which has never farrowed.
On a circuit of Ireland, Diarmait comes to the hall of Banbán at Ráith Bec, and there the fate of which he is warned comes to pass. The roof beam of Tara has been recovered from the sea by Banbán and set in his hall, the shirt, mantle, ale, and bacon are duly produced for Diarmait. Diarmait goes to leave Banbán’s hall, but Áed Dub mac Suibni, waiting at the door, strikes him down and sets fire to the hall. Diarmait crawls into an ale vat to escape the flames and is duly killed by the falling roof beam. Thus, all the prophecies are fulfilled.
The bell of St. Ruadhán is found in a well named after the Saint and is preserved in the British Museum. This well is situated across the road from the present day Church of Ireland.
seamus dubhghaill 