seamus dubhghaill

Promoting Irish Culture and History from Little Rock, Arkansas, USA

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Death of Piaras Béaslaí, Author, Playwright & Politician

Piaras Béaslaí, author, playwright, biographer and translator, who is a member of the Irish Republican Brotherhood (IRB), fights in the Easter Rising and serves as a member of Dáil Éireann, dies on June 22, 1965.

Béaslaí is born Percy Frederick Beazley in Liverpool, England on February 15, 1881, to Irish Catholic parents, Patrick Langford Beazley, originally from Killarney, County Kerry, and Nannie Hickey, from Newcastle West, County Limerick. During his summer holidays in his younger years, he spends time in Ireland (near Kenmare, County Kerry) with his paternal uncle, Father James Beazley, where he begins to learn the Irish language. He is educated at St. Francis Xavier’s College in Liverpool, where he develops his keen interest in Irish. By the time he is aged 17 his Irish proficiency is exceptional.

After finishing his education at St. Francis Xavier’s, Béaslaí is encouraged to begin Irish poetry by Tadhg Ó Donnchadha. He follows his father’s footsteps into journalism, initially working for the local Wallasey News. In 1906 he moves to Dublin, and within a year becomes a freelance writer for the Irish Peasant, Irish Independent, Freeman’s Journal and Express. He is offered a permanent position with Independent Newspapers, as assistant leader writer and special reporter for the Dublin Evening Telegraph. He writes regularly for the Freeman’s Journal, including a daily half-column in Irish.

After his early introduction to Irish poetry Béaslaí becomes involved in staging Irish-language amateur drama at the Oireachtas annual music festival. He begins to write both original works and adaptations from foreign languages. One of these works, Eachtra Pheadair Schlemiel (1909), is translated from German into Irish.

Later Béaslaí continues to write poetry, such as the collection “Bealtaine 1916” agus Dánta Eile (1920), and short stories such as “Earc agus Aine agus Scéalta Eile.” Between 1913 and 1939 he writes many plays, including Cliuche Cartaí (1920), An Sgaothaire agus Cúig Drámaí Eile (1929), An Danar (1929) and An Bhean Chródha (1931). He writes two books about his comrade Michael Collins: Michael Collins and the Making of a New Ireland (2 volumes, 1926) and Michael Collins: Soldier and Statesman (1937).

Béaslaí’s works revolve around the Irish language movement and the Irish Republican Army (IRA), focusing on the independence struggle of Ireland. He writes about these topics in newspapers such as the Standard and The Kerryman. His most notable work in newspapers during his later life includes his contribution to the Irish Independent, which publishes a section called ‘A Veteran Remembers’ five days a week from May 16 to June 1957, as well as a weekly section called ‘Moods and Memories’ on Wednesdays from May 24, 1961, to June 16, 1965.

One of the awards Béaslaí gains during his career is on August 14, 1928, a gold medal at the Tailteann Literary Awards. While in Dublin, he joins the Keating Branch of the Gaelic League, and after he moves to Ireland, he begins using the Irish form of his name, Piaras Béaslaí, rather than Percy Beazley.

Béaslaí is a founding member of the Irish Volunteers in 1913. In January 1916 he serves as a courier for political activist and revolutionary leader Seán Mac Diarmada. By the time of the Easter Rising that year, he is deputy commanding officer of the 1st Dublin Battalion. In an audio recording to which he contributes in 1958, he details his experience in the Rising, describing the rebels assembling before noon in Blackhall Street at battalion headquarters. After midday they march out to the Four Courts, erecting barricades as they do so. The Four Courts is his main station.

In the audio, Béaslaí recalls a green flag with a gold harp in the centre. This is the non-Sinn Féin flag at the time. He is in direct charge of the Four Courts area, and at one point during the fight he orders a complete blackout. He recalls, “things were going badly for the English soldiers” and describes the whole event as “a weird experience.” He remembers the streets being lit up with fires in the darkness as if it were bright as day. He speaks of the intensity of the firing line and then how it suddenly ceases on the Friday. He remembers falling asleep and when he awakens being presented with Patrick Pearse‘s order to surrender. The rebels are brought to Richmond Barracks. He then spends fifteen months in English prisons.

Béaslaí serves three years of penal servitude divided between a stringent HM Prison Portland and a more lenient HM Prison Lewes. He is then imprisoned two times within four months during 1919, both terms ending in celebrated escapes. After his final prison release, Michael Collins approaches him about editing An tOglach, the Irish Volunteer newspaper. This sees communication between GHQ and local volunteers drastically improve.

Later, Béaslaí becomes director of publicity for the Irish Republican Army, and at the 1918 Irish general election he is elected to the First Dáil as Sinn Féin MP for East Kerry. Sinn Féin MPs elected in the Westminster elections of 1918 refuse to recognise the Parliament of the United Kingdom, and instead assemble the following January at the Mansion House in Dublin as a revolutionary parliament, Dáil Éireann. Béaslaí is noted for his translation of the democratic programme of the First Dáil, which he reads aloud at the inaugural sitting.

Béaslaí is a member of the Sinn Féin party for five years. Between 1919 and 1921 he represents the East Kerry constituency in the First Dáil. Then, at the 1921 Irish elections, he is returned unopposed to the Second Dáil as a Sinn Féin Teachta Dála (TD) for Kerry–Limerick West. Following the signing of the Anglo-Irish Treaty, he is re-elected there unopposed at the 1922 Irish general election as a pro-Treaty Sinn Féin candidate, and is thus a member of the Third Dáil, which is Pro-Treaty at this stage. In 1922 he goes to the United States to explain the Treaty to Sinn Féin’s Irish American supporters. He does not contest the 1923 Irish general election.

Béaslaí and Con Collins share the distinction of having been elected in three Irish general elections unopposed by any other candidates.

During Béaslaí’s time in London, he gives a lot of his time to the Gaelic League. In the Keating branch of the league, in Ireland, he develops an interest in the IRB. Cathal Brugha, a branch member, asks him to join the IRB. The Keating branch is where Béaslaí meets Michael Collins, eventually introducing Collins to his cousin and fellow branch member, Elizabeth Mernin. He is also instrumental in establishing An Fáinne, an Irish-speaking league whose members vow to speak solely Irish among themselves and wear a membership badge of a circle. This coincides with his involvement in the IRB. His love of the Irish language gives him an opportunity to delve into his other hobbies. He writes for Banba, an Irish journal published by the Gaelic League. He is able to express his love for theatre, in the Gaelic League, forming a group of men called “Na hAisteoirí.”

Béaslaí dies, unmarried, at the age of 84 on June 22, 1965, in a nursing home in Dublin. He is buried in a plot in Glasnevin Cemetery, after a Requiem Mass in St. Columba’s Church, Iona Road, Glasnevin.


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Death of Gerald Griffin, Novelist, Poet & Playwright

Gerald Griffin (Irish: Gearóid Ó Gríofa), Irish novelist, poet and playwright, dies of typhus fever on June 12, 1840. His novel The Collegians is the basis of Dion Boucicault‘s play The Colleen Bawn, or The Brides of Garryowen. Feeling he is “wasting his time” writing fiction, he joins the Congregation of Christian Brothers, a Catholic religious congregation founded by Edmund Ignatius Rice, to teach the children of the poor.

Griffin is born in Limerick, County Limerick, on December 12, 1803, the youngest son of thirteen children of a substantial Catholic farming family. Patrick Griffin, his father, also makes a living through brewing, and he participates as one of Henry Grattan‘s Irish Volunteers (18th century). His mother comes from the ancient O’Brien dynasty and first introduces him to English literature. When he is aged seven, the family moves to Fairy Lawn, a house near Loghill, County Clare, which sits on a hill above the bank of the Shannon Estuary, about twenty-seven miles from Limerick. Here he has an idyllic childhood and receives a classical education.

In 1820 the family at Fairy Lawn is broken up. The parents with several of the children emigrate to the United States and settle in Pennsylvania. Griffin, with one brother and two sisters, is left behind under the care of his elder brother William, a practicing physician in Adare, County Limerick. He meets John Banim in Limerick. Inspired by the successful production of Banim’s play Damon and Pythias (1821), Griffin, at nineteen years of age, moves to London in 1823. After an unsuccessful attempt at becoming a playwright, he endures years of poverty in London, managing only to scrape by through writing reviews for periodicals and newspapers. At the end of two years, he obtains steady employment in the publishing house as reader and reviser of manuscripts, and in a short time becomes frequent contributor to some of the leading periodicals and magazines. His early pieces in The Literary Gazette vividly describe the rural setting of his childhood, recount Irish folklore, translate the Celtic Irish language for the English readers, and, as Robert Lee Wolff observes, “waxed richly sardonic about Irishmen who tried to be more English than the English.”

Griffin’s Holland-Tide or Munster Popular Tales is published by Simpkin & Marshall in 1827. Holland-Tide is a collection of seven short stories, all of which are told in the house of a hospitable Munster farmer during All Hallows’ Eve in Munster. Holland-Tide establishes his reputation, and he returns to Ireland, where he writes Tales of the Munster Festivals in Pallaskenry to which his brother William has moved.

Experience leads Griffin to modify his expectations in relation to literary work, and, with a view to the legal profession, he enters the University of London as a law student, but in a short time removes to Dublin for the study of ancient Irish history, preparatory to his work The Invasion, which is published in 1832. This work has a good sale and is highly praised by scholars but never becomes popular.

With the exception of a tour through Scotland and a short trip on the European continent, Griffin lives with his brother, keeping up to some extent his literary labours. By 1833, he is increasingly concerned that he is wasting his time and begins to devote himself to teaching the poor children of the neighborhood. In 1838, hes all of his unpublished manuscripts and joins the Congregation of Christian Brothers, a Catholic religious order which has as its special aim the education of children of the poor. Writing to an old friend he says he feels a great deal happier in the practice of this daily routine than he ever did while roving about the great city, absorbed in the modest project of rivaling Shakespeare and throwing Scott in the shade. In June 1839, he is transferred from Dublin to Cork, where he dies of typhus fever at the age of thirty-six on June 12, 1840.

Griffin’s play Gisippus is produced posthumously at Theatre Royal, Drury Lane on February 23, 1842, by William Macready, and it runs to a second edition in print.

One of Griffin’s most famous works is The Collegians, a novel based on a trial that he had reported on, involving the murder of a young Irish Catholic girl (Ellen Hanley) by a Protestant Anglo-Irish man (John Scanlon). The novel is later adapted for the stage as The Colleen Bawn by Dion Boucicault.

Griffin has a street named after him in Limerick and another in Cork. Loughill/Ballyhahill GAA club in west Limerick plays under the name of Gerald Griffins.

(Pictured: “Portrait of Gerald Griffin (1803-1840), Poet and Novelist,” painting by Richard Rothwell (1800-1868), National Gallery of Ireland)


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Thomas “Silken Thomas” FitzGerald Confronts King Henry VIII

Thomas FitzGerald, Lord Offaly at the time, known as “Silken Thomas” because of the silk worn on his followers’ helmets, rides through Dublin with a large band of followers on June 11, 1534, as he has heard the false rumour spread by Henry VIII that his father, Gerald FitzGerald, 9th Earl of Kildare, has been executed in the Tower of London. He enters the Chapter House of St. Mary’s Abbey, Dublin, where the King’s Counsel is awaiting him and flings down his Sword of State. This is a dramatic act of defiance, by which he hopes to force his claim to power. Henry VIII treats it as an act of open revolt and confines his father to the Tower where he dies two months later.

FitzGerald is born in London in 1513, the son of Gerald FitzGerald, 9th Earl of Kildare and his first wife Elizabeth Zouche, who is a distant cousin of Henry VII.

In February 1534, FitzGerald’s father is summoned to London and appoints his then 21-year-old son deputy governor of Ireland in his absence. In June 1534 FitzGerald hears rumours that his father has been executed in the Tower of London and that the English government intends the same fate for himself and his uncles.

FitzGerald summons the council to St. Mary’s Abbey, Dublin, and on June 11, 1534, accompanied by 140 armoured gallowglasses with silk fringes on their helmets, rides to the abbey and publicly renounces his allegiance to his cousin King Henry VIII, Lord of Ireland.

The Lord Chancellor of Ireland and Archbishop of Dublin, John Alen, attempts to persuade FitzGerald not to commit himself to such a rash proceeding. The young lord’s harper, however, understanding only Irish, and seeing signs of wavering in FitzGerald’s bearing, commences to recite a poem in praise of the deeds of his ancestors, telling him at the same time that he lingers there too long. Roused by this he throws down the sword of state and rushes from the hall, followed by his adherents. The council sends an order for his immediate arrest to the Lord Mayor of Dublin, who does not have sufficient force at his disposal.

The Earl of Desmond and many of FitzGerald’s father’s oldest and best friends’ reason with him but he is not to be turned from his purpose. As Vice-Deputy, he has under his control most of the Pale‘s fortresses and large government stores.

Dublin Castle alone holds out for the King of England. FitzGerald calls the lords of the Pale to the siege of the Castle. Those who refuse to swear fidelity to him are sent as prisoners to his Maynooth Castle. Goods and chattels belonging to the King’s subjects he declares forfeited, and he announces his intention of exiling or putting to death all born in England. He sends messengers to his cousin and friend Lord Butler, son of the Earl of Ormond, offering to divide the kingdom with him if he will join his cause, but Butler refuses. Several children of the citizens of Dublin in different parts of the Pale are seized as hostages for the good behavior of the city.

In July, FitzGerald attacks Dublin Castle, but his army is routed. He is, rightly or wrongly, judged to be responsible for the execution at Artane of Archbishop Alen, who had tried to mediate. This loses him support from the clergy. According to a long-established tradition, the killers, John Teeling and Nicholas Wafer, misunderstand his order, given in Irish, to “take this fellow away” as an order to kill Alen. By this time his father has taken ill and died in London, and he has technically succeeded as 10th Earl, but the Crown never confirms his title. He retreats to his stronghold at Maynooth Castle, but in March 1535 this is taken by an English force under Sir William Skeffington by bribing a guard, while Thomas is absent gathering reinforcements to relieve it. The surrendered garrison is put to death, which becomes known as the “Maynooth Pardon.” FitzGerald has wrongly assumed that his cause would attract overwhelming support, in particular from Catholics opposed to Henry VIII’s English Reformation. But Henry’s new policy also outlaws Lutheranism, and so Henry is not finally excommunicated until 1538.

In July, Lord Leonard Grey arrives from England as Lord Deputy of Ireland. FitzGerald, seeing his army melting away and his allies submitting one by one, asks for pardon for his offences. He is still a formidable opponent, and Grey, wishing to avoid a prolonged conflict, guarantees his personal safety and persuades him to submit unconditionally to the King’s mercy. According to the Tree Council of Ireland, legend has it that FitzGerald plays a lute under the boughs of the now oldest planted tree in Ireland, the Silken Thomas Yew, the night before he surrenders to King Henry VIII.

In October 1535, FitzGerald is sent as a prisoner to the Tower of London. The Attainder of the Earl of Kildare Act 1536 is passed to permit his execution and the confiscation of his property. Despite Grey’s guarantee, he is executed with his five uncles at Tyburn, London, on February 3, 1537. The 1536 Act remains law until it is repealed by the Statute Law Revision (Pre-1922) Act 2005.

FitzGerald’s revolt causes Henry to pay more attention to Irish matters and is a factor in the creation of the Kingdom of Ireland in 1541. In particular the powers of the lord’s deputy are curbed, and policies such as surrender and regrant are introduced. To provide for greater security the Royal Irish Army is established as a standing army.


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Death of Fionán Lynch, Revolutionary, Barrister, Politician & Judge

Fionán (Finian) Lynch, Irish revolutionary, barrister, politician and judge, dies on June 3, 1966, in Dartry, a small suburb of Dublin.

Lynch is born on March 17, 1889, in Cahersiveen, County Kerry, the fourth son of Finian Lynch of Kilmakerin, Cahersiveen, a national teacher, and Ellen Maria Lynch (née McCarthy). Educated at St. Brendan’s College, Killarney, Rockwell College, County Tipperary, and Blackrock College, Dublin. He has plans to study medicine, but in 1907, when he is 18 years old, his father dies, and he does not have the money to pursue this career path. He becomes a teacher in Swansea, south Wales, where he forms a branch of the Gaelic League and teaches the Irish language.

Lynch returns to Ireland in 1909, where he starts training as a teacher in St Patrick’s College, Dublin. He graduates in 1911 as a primary school teacher. In April 1912 he begins working as a national schoolteacher at St. Michan’s School, Dublin, becomes an active member of the Keating branch of the Gaelic League, and is recruited into the Irish Republican Brotherhood (IRB) by Seán Mac Diarmada. He also joins the Irish Volunteers in 1913, and becomes captain of F Company, 1st Battalion, Dublin Brigade. With Piaras Béaslaí he founds Na hAisteoirí, a drama company dedicated to the production of plays in Irish, with many of its members fighting during the 1916 Easter Rising. In the months before the rising Lynch temporarily stands down from the Volunteers after his school manager tells him he will be sacked if he does not. Learning that a rising was imminent, he rejoins the Volunteers, and over the Easter weekend commands the detachment that guards Bulmer Hobson to prevent him from interfering with Volunteer mobilisation. During the rising he is involved in heavy fighting in the North King Street area and is subsequently imprisoned.

Held at Lewes Prison, Lynch is released under the general amnesty. In August 1916 he is reimprisoned for making an inflammatory speech, and in September leads the Mountjoy Prison hunger strike with Austin Stack and Thomas Ashe. He is released in November following a further hunger strike at Dundalk prison. He is imprisoned again in May 1918 on the same charge during the ‘German Plot’ allegations and is released in August 1919, after which he helps to plan the escape of other prisoners.

Elected a Sinn Féin TD for South Kerry in December 1918 and for Kerry–Limerick West in May 1921, Lynch serves as assistant secretary to the Anglo-Irish Treaty delegation in London (October–December 1921), where he is largely responsible for organising the living arrangements at the two Irish headquarters. A supporter of the treaty, he addresses Pro-Treaty rallies with Michael Collins, and from January to August 1922 is Minister for Education with the Provisional Government, at the same time as Michael Hayes is Minister for Education for Dáil Éireann. Possible conflict is avoided by the pragmatic division of duties, under which Hayes takes responsibility for intermediate and higher education, and Lynch for primary education. It is also left for Lynch to clarify the relationship between the new Provisional Government and the board of commissioners of intermediate education, which is not abolished until 1923. These developments, however, are overshadowed by the beginning of the Irish Civil War, where military considerations take precedence over civic responsibilities.

Required to serve in the army, in July 1922 Lynch is appointed a vice-commandant of the south-western division with the rank of commandant-general, commanding a unit of Dublin soldiers in County Kerry, where on occasion he has to endure being ambushed, leading a fellow commandant to note ironically that his constituents do not seem to think much of him. However, the reluctance of former colleagues to attack him possibly ensure his survival during the war. Frank Henderson of Dublin’s No. 1 brigade of the Irish Republican Army (IRA) tells Ernie O’Malley of his reluctance to become involved in reprisal shootings after Free State executions, commenting, “I didn’t like that order. I could have shot Eamonn Duggan and Fionán Lynch, for they went home every night drunk, but I left them alone.”

After the Irish Civil War Lynch is elected a Cumann na nGaedheal TD for Kerry, a seat he holds until 1937, after which he represents the constituency of Kerry South (1937–44). He serves as Minister for Fisheries (1922–28) and Minister for Lands and Fisheries (1928–32) and retains his interest in education. He supports the Irish National Teachers‘ Organisation policy on the Irish language during the 1920s, commenting that he is entirely opposed to attempting to teach subjects through Irish where Irish is not the known language.

In 1931 Lynch qualifies as a barrister. After Fianna Fáil comes to power and during the rise of the Blueshirts he speaks at public meetings with Eoin O’Duffy, and they are attacked by a crowd in Tralee in October 1933. After the fall of O’Duffy and the reorganisation of Fine Gael, W. T. Cosgrave appoints a front bench designed to represent the various groups in the party, which witness former ministers, including Desmond FitzGerald, Patrick Hogan, and Lynch, relegated to the back benches. Lynch serves as Leas-Cheann Comhairle of the Dáil (1938–39). Having built up a legal practice, he retires from politics in October 1944 and is subsequently appointed a circuit court judge in the north-west district, retiring from the bench in 1959.

Lynch dies suddenly at his home in Dartry, County Dublin, on June 3, 1966, shortly after celebrating the 50th anniversary of the Easter Rising. He is survived by his wife Brighid (née Slattery), a native of Tralee, and by their five sons and one daughter. His papers are on permanent loan to Kerry County Library archives.

(From: “Lynch, Fionán (Finian)” by Diarmaid Ferriter, Dictionary of Irish Biography, http://www.dib.ie)


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First Mass at St. Mary’s Church, Belfast

St. Mary’s Church, Belfast, a Roman Catholic church located in Chapel Lane/Smithfield area of Belfast, Northern Ireland, opens for public worship on May 30, 1784. It is mother church for the city. At the time, it is the only Roman Catholic church in the then town of Belfast after the relaxation of some of the Penal Laws. The church grounds contain an undistinguished grotto dedicated to Our Lady of Lourdes.

In the census of 1782, there are only 365 Catholics recorded living in Belfast. Following a collection from the local Church of Ireland and Presbyterian congregations, funds are donated to the building of St. Mary’s Church.

The first Mass is celebrated on Sunday, May 30, 1784, by Father Hugh O’Donnell, the first Parish Priest of Belfast. In the opening ceremony, a company of the Irish Volunteers line the chapel yard and escort Father O’Donnell into the building.

In 1813, the church’s pulpit is donated by the Anglican Vicar of Belfast, Canon Turner, continuing the positive relationship between the Roman Catholic church and the local Protestant congregations. Later, in 1815, St. Patrick’s Church is built to accommodate the growing Catholic population of the city.

As Belfast’s Catholic population grows after the famine, the church is deemed too small and thus architect John O’Neill is contracted to design a church big enough for the burgeoning congregation. Although none of the original church can be seen, in 1868 the church is enlarged and renovated into a new Romanesque style building.

In the Marian Year of 1954 a Grotto to Our Lady of Lourdes is established under the auspices of the then Administrator, Fr. Bernard MacLaverty, an uncle of the Belfast novelist of the same name. The grotto is created in the gardens surrounding the church by the Belfast architect Padraic Gregory.

To mark the bicentenary the sanctuary is renovated in 1983 with work by artist Roy Carroll, a favourite of Cahal Daly. Much of this timber furniture is later removed after Daly’s departure from the Diocese of Down and Connor.

In May–August 2017, the church undergoes substantial renovation work to repair the roof and walls, and to repave the grotto area.

For almost forty years the church is served by clergy from the Mill Hill Fathers, the last of whom leave in 2019. The current Administrator is Fr. Timothy Bartlett assisted by a range of retired clergy. The church holds two masses a day on Sunday and Monday, and three a day on Friday and Saturday. The 6:00 p.m. Mass on both Friday and Saturday are held in the Irish language.


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Founding of the Irish Literary Society

The Irish Literary Society is formally founded at the Caledonian Hotel, The Strand, London on May 12, 1892, with Sir Charles Gavan Duffy as President and Evelyn Gleeson as its first secretary. Among its founders are William Butler Yeats, T. W. Rolleston, Francis Fahy and Douglas Hyde as well as other leaders of the Irish literary revival. The Society succeeds the Southwark Irish Literary Club.

Stopford Brooke gives the inaugural lecture to the Society on “The Need and Use of Getting Irish Literature into the English Tongue.” The lecture is published by Bloomsbury House on March 11, 1893, its delivery delayed allowing for the start of the National Literary Society in Ireland. Although the business of the ILS has always been conducted in English, the Society is influential in nurturing the revival of the Irish language by programming language classes even before the Gaelic League was formed in 1893. It also sponsored the Petrie Collection of Irish Music and twelve-volume Irish library of history and literature published between 1893 and 1904.

A Book of Irish Verse, designed to publicise the new societies, is published in 1895, edited by Yeats and dedicated “To the Members of the National Literary Society of Dublin and the Irish Literary Society of London.” It features poetry by Rolleston, Hyde, Katharine Tynan, Lionel Johnson, George William Russell (Æ) and several others, with notes and an introduction by Yeats. In addition, the Society brings Irish actors to London in 1903 and 1904 to present plays by Lady Gregory, Yeats and others.

By 1910 the Society has grown to comprise nearly 400 members and helps to bring into existence the English Folk Dance and Song Society (EFDSS). The Society develops a proposal for a New Irish Library, a series of books to honor Irish culture, with Rolleston and Douglas Hyde as editors.

Its objects are ‘to afford a centre of social and literary intercourse for persons of Irish nationality, and to promote the study of the Irish language, Irish history, literature, music, and art.’ Honorary membership is originally available for those of other nationalities, today full membership is available to all.

Arthur Conan Doyle, of Irish descent, and with a keen interest in Ireland, chaired the Irish Literary Society’s dinner on February 13, 1897. He spoke on ‘The Irish Brigade.’

(From: The website of the Irish Literary Society, Cumman Éireannach na liteardhachta, irishlitsoc.org)


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Birth of T. W. Rolleston, Poet, Critic & Journalist

Thomas William Hazen Rolleston, poet, critic, and journalist, is born on May 1, 1857, at Glasshouse, near Shinrone, King’s County (now County Offaly).

Rolleston is the youngest child among three sons and a daughter of Charles Rolleston-Spunner, barrister and county court judge for Tipperary, and his wife Elizabeth, daughter of John Richards, judge and baron of the Court of Exchequer, Ireland. He attends St. Columba’s College, Rathfarnham, where he is head boy, and Trinity College Dublin (TCD), graduating with an MA in 1878. His literary ambitions first emerge at university, where he wins the vice-chancellor’s prize for English verse in 1876.

In 1879 Rolleston marries Edith Caroline, daughter of Rev. William de Burgh of Naas, County Kildare. She suffers from rheumatism, and this encourages the couple to live in Germany from 1879 to 1883. During this period, he develops a fascination for German philosophy and literature and begins a correspondence with the American poet Walt Whitman, whose work he knows through Edward Dowden. In 1881 he offers to translate into German, with S. K. Knortz, Whitman’s Leaves of Grass. This is published as Grashalme in 1889. In that year he also publishes a biography of the German philosopher Gotthold Lessing, and in 1892 delivers the Taylorian Lectures at the University of Oxford on this subject.

In the meantime, Rolleston has returned to Ireland and co-founds the Dublin University Review (DUR) with Charles Hubert Oldham in February 1885. In March 1885, under their stewardship the DUR is the first to publish W. B. Yeats. The poetry of Katharine Tynan and the first English translations of Ivan Turgenev also appear in the magazine. He has a fondness for clubs and at this time is associated with the Contemporary Club, where he becomes friendly with fellow member Douglas Hyde, and the Young Ireland Society, where he is vice-president and a disciple of John O’Leary. He writes the dedication to O’Leary in Poems and ballads of Young Ireland (1888) and is encouraged by the older man in his editing of The prose writing of Thomas Davis (1890). Under O’Leary’s influence he flirts with Fenianism, perhaps even joining the Irish Republican Brotherhood (IRB) for a time and is strongly critical of the prominent involvement of Catholic clergy in the home rule movement.

After the demise of the DUR in December 1886 Rolleston moves to London but remains involved in Irish literary activity. Although unenthusiastic in his assessment of The Wanderings of Oisín (1889), he is friendly with Yeats, and they instigate the Rhymers’ Club (1890). He is a much better critic and organiser than poet but contributes to The Book of the Rhymers’ Club (1892) and The Second Book of the Rhymers’ Club (1894). His work appears in a number of contemporary journals and anthologies, and he has one collection published, Sea Spray (1909).

Rolleston is first secretary of the Irish Literary Society (1892) and attends the foundation of its sister organisation in Dublin, the National Literary Society. These societies are soon riven by a dispute for control between Yeats and Charles Gavan Duffy, centred on the political and literary agenda of the movement. Rolleston at least acquiesces in, if not actively contributes to, Yeats’s defeat. They remain on reasonable terms, but Yeats is resentful. Rolleston edits the famous anthology, Treasury of Irish Poetry (1900), with the Rev. Stopford Augustus Brooke, whose daughter, Maud, he had married in October 1897. They have four children. His first marriage also produces four children, and he is godfather to Robert Graves, whose father, Alfred Perceval Graves, is a friend.

In 1894 Rolleston returns to Dublin, becoming managing director and secretary of the Irish Industries Association (1894–7) and honorary secretary of the Arts and Crafts Society of Ireland (1898–1908). A central figure in the latter as an organiser, propagandist, and critic rather than a practitioner, lecturing regularly and editing the journal of the society, he seeks to integrate the arts and crafts revival with other contemporary developments, cooperating with the Congested Districts Board for Ireland to organise classes. He is a supporter of the co-operative movement of Horace Plunkett, and a member of the Recess Committee. On the foundation of the Department of Agriculture and Technical Instruction (DATI), he is employed by Plunkett and T. P. Gill as organiser of lectures (1900–05). In this capacity he manages the Irish historic collection at the St. Louis exhibition of 1904 and publicly supports Plunkett in his dispute with the DATI in 1908. Convinced that the development of Irish industry is central to national progress, he believes that the Irish Parliamentary Party (IPP) failed to offer a clear practical programme for Irish nationalism. By 1900, however, his own nationalism is tempered by a belief in the importance of the imperial connection, and he opposes the pro-Boer stance taken by many Irish nationalists. In later years he publishes pamphlets urging economic development as a means of quelling Irish demands for home rule.

Rolleston is a sporadic member of the Gaelic League, writing the lyrics for the ‘Deirdre cantata,’ which wins first prize at the first Feis Ceoil in Dublin in 1897. At one point he suggests the foundation of a separate Gaelic League for Protestants and provokes controversy in 1896 by suggesting that scientific ideas cannot be represented in the Irish language. Later, he concedes that he is wrong. In 1909 he settles in London when offered the job of editor of the German language and literature section of The Times Literary Supplement, a position he holds until his death. He reinvolves himself in the Irish Literary Society and publishes a number of volumes based on Irish myth, including the influential Myths and Legends of the Celtic Race (1911), and Richard Wagner‘s Der Ring des Nibelungen. He is a founder of the India Society of London (1910). During the World War I he is librarian for the ministry of information and utilises his knowledge of Irish in the Obscure Languages section of the censor’s department.

Like many involved in cultural activities at this time Rolleston is satirised by George Moore in Hail and Farewell, but he remains very friendly with Moore, who dedicates the 1920 edition of Esther Waters to him. Rolleston dies suddenly on December 5, 1920, at his home in Hampstead, London. His widow donates many of his books to Cork Public Library.

(From: “Rolleston, Thomas William Hazen (T. W.)” contributed by William Murphy, Dictionary of Irish Biography, http://www.dib.ie)


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Birth of Eoghan Ó Tuairisc, Poet & Writer

Eoghan Ó Tuairisc (Eugene Rutherford Watters), Irish poet and writer, is born at Dunlo Hill, Ballinasloe, County Galway, on April 3, 1919.

Eugene Rutherford Watters is the eldest of two sons and two daughters born to Thomas Watters, a soldier, and his wife, Maud Sproule. His second name comes from his grandfather, Rutherford Sproule. He is educated at Garbally College. He enters St. Patrick’s Teacher Training College, Drumcondra, Dublin, in 1939, graduating with a Diploma in Education in 1945. He is awarded an MA, by University College Dublin in 1947.

Ó Tuairisc holds a commission in the Irish Army during the Emergency from 1939 to 1945. He is a teacher in Finglas, County Dublin from 1940 to 1969. From 1962 to 1965, he is editor of Feasta, the journal of Conradh na Gaeilge.

Ó Tuairisc writes novels, verse, drama and criticism in both Irish and English. His first major publication is his controversial novel Murder in Three Moves (1960), followed by the Irish-language prose epic L’Attaque (1962), which wins an Irish Book Club award. Both works have a strong poetic flavour. His next book is a volume of verse entitled Week-End. His narrative poem The Weekend of Dermot and Grace (1964), an Irish version of Venus and Adonis, is considered his finest work.

Ó Tuairisc’s first wife, the Irish artist Una McDonnell, dies in 1965. He produces little during the five years following McDonnell’s death, which is an unsettled period of limited productivity, changing residence and jobs, and, ultimately, serious depression. In 1972 he marries the writer Rita Kelly, also of Ballinasloe. They live in the lock house at the Maganey Lock on the River Barrow that he had bought near Carlow, County Carlow.

In 1981 Ó Tuairisc publishes The Road to Brightcity: and other stories (Swords: Poolbeg Press, 1981), a translation of nine of the best short stories written originally in Irish by Máirtín Ó Cadhain. Also in 1981, he and Rita Kelly publish a joint collection of their poems, Dialann sa Díseart.

Like Diarmaid Ó Súilleabháin, Ó Tuairisc “challenged the critical orthodoxy by openly proclaiming that their standards could not be those of the Gaeltacht and by demanding a creative freedom that would acknowledge hybridity and reject the strictures of the linguistic purists.”

Ó Tuairisc is an inaugural member of Aosdána, when it is founded in 1981, and the first of its members to die. He is a recipient of an Arts Council of Ireland prize, as well as an Abbey Theatre prize for a Christmas pantomime in Irish.

Ó Tuairisc dies on August 24, 1982. He is survived by his second wife, Rita. A bibliography of his work, together with biographical information, is published in Irish in 1988.


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Death of Nelly O’Brien, Miniaturist, Artist & Activist

Ellen Lucy or Nelly O’Brien, Irish miniaturist, landscape artist, and Gaelic League activist, dies suddenly on April 1, 1925, while visiting her brother Dermod at 66 Elm Park Gardens, London.

O’Brien is born Ellen Lucy O’Brien on June 4, 1864, at Cahirmoyle, County Limerick. She is the eldest child of Edward William O’Brien and Mary O’Brien (née Spring Rice). Her siblings are Lucy and Dermod, with Dermod also becoming an artist. Her father is a landowner, and her mother is a sculptor and painter and sister of Thomas Spring Rice. Her grandfather is William Smith O’Brien.

While a young child, O’Brien spends two years living on the French Riviera from 1866 to 1868. Her mother later dies of tuberculosis, and the three children are raised by their aunt, the writer and nationalist, Charlotte Grace O’Brien. Their father remarries in 1880, to Julia Marshall, with whom he has two sons and two daughters.

O’Brien attends school in England from 1879, and later enrolls to study painting at the Slade School of Fine Art. She meets Walter Osborne through her brother Dermod, and considers herself engaged to him, but Osborne dies on April 24, 1903. A portrait of O’Brien by Osborne is held in the Hugh Lane Gallery.

O’Brien returns to Ireland and begins to paint miniatures on ivory using a magnifying glass. She also paints watercolour landscapes. Her first exhibition with the Royal Hibernian Academy (RHA) is in 1896, where she shows three works including Sketch near Malahide. She exhibits with the RHA on and off until 1922. During some of her time in Dublin, she lives with her half-brother, Edward Conor Marshall O’Brien, on Mount Street.

As part of an exhibition of Irish painters, O’Brien exhibits a number of portrait miniatures at the London Guildhall in 1904. The 1906 Oireachtas na Gaeilge features a number of her paintings, and in the same year she becomes honorary secretary of a newly established art committee. At the Munster–Connacht exhibition in Limerick of 1906, she exhibits a miniature of William Smith O’Brien amongst her 12 works on show. She produces many portraits, including one of Douglas Hyde, which is exhibited by the RHA in 1916.

O’Brien is an early member of the Gaelic League, being present at its first Oireachtas na Gaeilge in 1897 and founding the Craobh na gCúig gCúigí (Branch of the Five Provinces). In 1905, she writes a long letter in defence of Douglas Hyde and the Gaelic League in The Church of Ireland Gazette. She holds meetings of Craobh na gCúig gCúigí in her flat at 7 St. Stephen’s Green every Saturday night in 1907. In 1911, she founds Coláiste Eoghain Uí Chomhraí (O’Curry Irish College) in Carrigaholt, County Clare, which is named in honour of Eugene O’Curry, with the help of her cousin and friend Mary Spring Rice.

One of her ultimate goals is to create a national Irish church, which would unite Protestants and Catholics through the Irish language. To this end, she establishes the Irish Guild of the Church with Seoirse de Rút in 1914. The aim of the organisation is to provide a communal union for members of the Church of Ireland who are dedicated to “Irish Ireland” ideals.

Acting as a representative for the Gaelic League, she travels to the United States with Fionan MacColuim in 1914 to 1915, to fund raise and promote Irish art and industries. At Coláiste Eoghain Uí Chomhraí, she stresses the importance of the Irish language in the home, as well as the skills of housewives and those in domestic service in strengthening the language and Irish culture.

O’Brien notes that she initially thought that the 1916 Easter Rising was “in the nature a demonstration against conscription as it had been announced that the volunteers would resist disarmament.” She is staying with the Hydes at 1 Earlsfort Place during the Rising, as her flat at College Park Chambers had been destroyed. She protests the conscription bill in Ireland as a mass meeting of women at the Mansion House in 1918. She launches the Gaelic Churchman in 1919 as the official publication of the Irish Guild of the Church. In one article entitled A plea for the Irish services, she promotes her campaign for Irish language services in Protestant churches. In her capacity of vice-president of the guild, she invites Éamon de Valera to attend one of their meetings in 1921.

O’Brien dies suddenly on April 1, 1925, while visiting Dermod at 66 Elm Park Gardens, London. She is buried at the family plot in Cahirmoyle.

(Pictured: Nelly O’Brien by Sir Joshua Reynolds, 1723-1792)


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Birth of Máirín Cregan, Nationalist, Playwright, & Novelist

Máirín Cregan, Irish nationalist who is involved in the 1916 Easter Rising and Irish War of Independence, is born in Killorglin, County Kerry, on March 27, 1891. She later makes her name writing for children, as well as writing plays and novels for adults.

Mary Ellen Cregan is born to Morgan Cregan and Ellen O’Shea. Her father is a stonemason from Limerick. The family are strong believers in the Gaelic revival movement and Cregan herself learns the Irish language and performs songs at Gaelic League concerts. Although she goes to primary school locally, she goes away to secondary school to St. Louis Convent in Carrickmacross, County Monaghan. After finishing school, she becomes a teacher, working in Goresbridge, County Kilkenny from 1911 to 1914.

In September 1914 Cregan goes to Dublin to study music in the Leinster School of Music, under Madame Coslett Heller. It is while she is in Dublin that she becomes friends with the Ryan family, who are strong nationalists as well as interested in the Gaelic League and Sinn Féin. She begins to sing for concerts which are fundraisers for the Irish Volunteers. The last concert is just two weeks before the Easter Rising.

During Easter week Cregan is sent to Tralee with “automatics and ammunition” by Seán Mac Diarmada. While she is carrying a violin case of munitions, she is also carrying details for the wireless technology needed for communicating with the SS Aud, the boat which is carrying more weapons for the rebellion. The communications with the SS Aud go wrong when the car carrying the Volunteers goes off a pier and the occupants are drowned. She is still in the area to assist with the surviving Volunteer, who unfortunately knows nothing of the details for the SS Aud. She is not easily able to get back to Dublin, because owing to the Rising the city is cut off. By the time she gets back, her friends have been arrested.

When Cregan is going to school in Dublin she is also working in a school in Rathmines. Like many of the teachers, she loses her job after the rising because of her connection to the rebels. However, she is able to get new positions over the next few years in both Ballyshannon and Portstewart until she marries. In Ballyshannon she experiences the early expressions of support and sympathy, but Portstewart is a Unionist enclave with many houses flying union flags on polling day in 1918.

Cregan is a member of Cumann na mBan and with them is active during the Irish War of Independence. She is given a medal for her participation. On July 23, 1919, she marries Dr. James Ryan in Athenry, County Galway. His entire family had been deeply involved in the Easter Rising, as well as the Irish War of Independence and the Irish Civil War. They have three children, Eoin, who becomes a Senator, Nuala (Colgan) and Seamus.

The family is initially based in Wexford during the War. The house is often raided when the British soldiers are looking for her husband and Cregan herself is arrested in February 1921 for refusing to put up martial law posters. Later the family sells the house and remains mobile while she works for the Sinn Féin government, and her husband is in prison. It is during this time that she works as a courier to the continent and to London. After the war, they purchase Kindlestown House in Delgany, County Wicklow, where they remain for the rest of their lives.

Cregan works as a journalist for The Irish Press and The Sunday Press. Her political awareness and involvement mean that her work there is on political articles.

Cregan’s first book for children is Old John and gains her considerable international success and attention. Sean Eoin is also published in Irish and is illustrated by Jack Butler Yeats. Her work is also aired on the BBC and RTÉ. Rathina wins the Downey Award in the United States in 1943. She also writes two plays: Hunger strike (1933), based on experience of her husband’s involvement in such a strike, which is broadcast on Radio Éireann on May 5, 1936, and Curlew’s call (1940).

Cregan dies on November 9, 1975, in St. Vincent’s Hospital, Dublin, and is buried in Redford cemetery near her home in County Wicklow.

(Pictured: Máirín Cregan and her husband, Dr. James Ryan)