Norman Derek Mahon, Irish poet, is born in Belfast, Northern Ireland, on November 23, 1941, but lives in a number of cities around the world. At his death it is noted that his “influence in the Irish poetry community, literary world and society at large, and his legacy, is immense.” President of IrelandMichael D. Higgins says of Mahon, “he shared with his northern peers the capacity to link the classical and the contemporary but he brought also an edge that was unsparing of cruelty and wickedness.”
At Inst Mahon encounters fellow students who share his interest in literature and poetry. The school produces a magazine in which he produces some of his early poems. According to the critic Hugh Haughton, his early poems are highly fluent and extraordinary for a person so young. His parents cannot see the point of poetry, but he sets out to prove them wrong after he wins his school’s Forrest Reid Memorial Prize for the poem ”The power that gives the water breath.”
At times expressing anti-establishment values, Mahon describes himself as an “aesthete” with a penchant “for left-wingery […] to which, perhaps naively, I adhere.”
In March 2020, at the beginning of the COVID-19 pandemic, RTÉ News ends its evening broadcast with Mahon reading his poem Everything Is Going to Be All Right.
Mahon dies in Cork, County Cork, on October 1, 2020, after a short illness, aged 78. He is survived by his partner, Sarah Iremonger, and his three children, Rory, Katy, and Maisie. His papers are held at Emory University.
Mahon features on the Irish Leaving Certificate course with ten of his poems (Grandfather, Day Trip to Donegal, Ecclesiastes, After the Titanic, As It Should Be, A Disused Shed in Co. Wexford, Rathlin, The Chinese Restaurant in Portrush, Kinsale and Antarctica)
Twomey is educated at St. Mary’s Secondary School in Midleton, County Cork but leaves before completing the Leaving Certificate at the age of fifteen. She does manual labor at a local factory but continues to draw and briefly studies fine art before she is admitted to Ballyfermot Senior College in Dublin to their School of Animation program on the basis of her portfolio. In the factory she operates a conveyor belt for up to twelve hours on end during the night shift. She credits this period of her life to much of her success, as she wears headphones to drown out the loud noise of machinery, the silence combined with the monotony of the task she performs allows her to ponder concepts and generate ideas, many of which are put to film later in her life.
After graduating from Ballyfermot Senior College in 1995, Twomey begins to work for Brown Bags Film, an animation studio in Dublin. In 1999, she helps found Cartoon Saloon, along with Tomm Moore, Paul Young and Ross Murray. In 2002, she directs the award-winning short animated film From Darkness. The short film has no dialogue and is based on an Inuit folk tale where a man helps a woman with only a skeleton for a body to regenerate. She also works on the successful animated TV series Skunk Fu!.
Twomey goes on to write and direct the animated short Cúilín Dualach (Backwards Boy), released in 2004. Based on a story by Jackie Mac Donacha, a boy with his head on backwards finds only love and acceptance in his mother and has to work to gain that from the rest of his community but most of all his father.
Twomey continues to work on feature films with Cartoon Saloon with 2014’s Song of the Sea directed by Tomm Moore. She works as the film’s head of story and voice director.
Twomey next directs the animated film The Breadwinner, released in 2017. Based on the best-selling young adult novel by Deborah Ellis, an 11-year-old girl named Parvana must dress as a boy and become the titular breadwinner for her family when her father is wrongfully arrested by the Taliban. It premieres at the Toronto International Film Festival in September 2017 with a wide release in November 2017. It is the first feature-length film she has sole director credit on. She works on the project with actress Angelina Jolie, who helps fund the project and works as an executive producer. The project is a huge success for Twomey, as she is recognized as a solo female filmmaker, and given accolades as well as being lauded by many as a source of female empowerment, all while battling cancer during production. During the development of The Breadwinner, she is named in Variety‘s “2017 10 Animators to Watch.”
Twomey becomes the seventh graduate of Ballyfermot Senior College to be nominated for an Academy Award with her work on The Breadwinner when it is nominated for Best Animated Feature at the 90th Academy Awards. She is also nominated for an award at the Golden Globe Awards.
Twomey’s work also has a heavy presence at the Emile Awards, an annual event held by the European Animation Awards Association that honors European creators of animation. During the awards of 2018, which are hosted in Lile, France, her film The Breadwinner wins awards in five categories: Best Direction, Best Storyboarding, Best Character Animation, Best Background, and Best Character Design.
Twomey has won several awards according to the Screen Directors Guild of Ireland (SDGI). These awards include the best New Irish Short Animation at the Galway Film Fleadh (2002), Best Short at the Boston Irish Film Festival (2003), Best Animation at the Kerry Film Festival (2003), and the Silver Award at the Kalamazoo Animation Festival International (2003) for her film From Darkness. Her film Cúilín Dualach (Backwards Boy) also wins the Best Animated Short from the Irish Film & Television Academy (2005), Best Short Film at Cartoons on the Bay (2005), Best Animation for Children at Animadrid (2005) and the Best Animation at the Celtic Film Festival (2005). Among other awards, the 2018 Cinema for Peace Award for Justice for her movie The Breadwinner can be included.
Mhac an tSaoi is influenced by her stays in the Dingle Peninsula in County Kerry with her uncle, Monsignor De Brún, at his parish of Dún Chaoin. Monsignor de Brún, similarly to his sister, is a distinguished linguist and Celticist, the literary translator of Homer, Dante Alighieri, Sophocles, and Jean Racine into Modern Irish, “and one of the most distinguished literary figures of his time.”
Mhac an tSaoi studies Modern Languages and Celtic Studies at UCD, before going to further research at the Dublin Institute for Advanced Studies and at the University of Paris. She writes the famous work of Christian poetry in Munster Irish, Oíche Nollag (“Christmas Eve”), when she is only 15-years of age.
Mhac an tSaoi spends two years studying in post-war Paris (1945–47) before joining the Irish diplomatic service and is working at the Irish embassy in Madrid when she commits herself to writing poetry in Irish following her discovery of the works of Federico García Lorca.
She remains a prolific poet and is credited, along with Seán Ó Ríordáin and Máirtín Ó Direáin, with reintroducing literary modernism into Irish literature in the Irish language, where it had been dormant since the 1916 execution of Patrick Pearse, in the years and decades following World War II. Her poetry draws on the vernacular spoken by the native Irish speakers of the Munster Gaeltacht of West Kerry during the first half of the twentieth century. Formally, she draws on the song metres of the oral tradition and on older models from the earlier literary tradition. In later work, she explores looser verse forms but continues to draw on the remembered dialect of Dún Chaoin and on a scholarly knowledge of the older literature.
Mhac an tSaoi is elected to Aosdána in 1996 but resigns in 1997 after Francis Stuart is elevated to the position of Saoi. She had voted against Stuart because of his role as an Abwehr spy and in radio propaganda broadcasts from Nazi Germany aimed at neutral Ireland during World War II.
In 2001, she publishes an award-winning novel A Bhean Óg Ón… about the relationship between the 17th-century County Kerry poet and Irish clan chief Piaras Feiritéar and Meg Russell, the woman for whom he composed some of the greatest works of love poetry ever written in the Irish language.
Her poems Jack and An Bhean Óg Ón are both featured on the Leaving Certificate Irish course, at both Higher and Ordinary Levels, from 2006 to 2010. Her literary translation of Rainer Maria Rilke‘s Duino Elegies from Austrian German into the Irish language is published in 2013.
Mhac an tSaoi marries Irish politician, writer, and historian Conor Cruise O’Brien in a Roman Catholic wedding Mass in Dublin in 1962. This makes her the stepmother to O’Brien’s children from his 1939 civil marriage. Her mother is deeply embarrassed by the exposure of the relationship and staunchly opposes the match, as she has long been a close friend of O’Brien’s Presbyterian first wife. Despite their subsequent marriage, the exposure of their extramarital relationship ends Mhac an tSaoi’s diplomatic and civil service career. They later adopted two children, Patrick and Margaret.
She then lives with her husband in New York City, where he becomes a professor at New York University (NYU) after the Congo Crisis destroys O’Brien’s diplomatic career. He is long blamed by the United Nations for the escalation of the Congo Crisis.
Kearney is the third of five children. He has an older brother, Richard, a younger brother Dave (who plays for Leinster) and a sister, Sara, the youngest of the five children. His elder brother Ross dies at the age of six following an accident in 1988. He is a seventh cousin of former U.S. PresidentJoe Biden.
Like many of his peers, Kearney gets involved in athletics at an early age. The dominant sport in the area is Gaelic football. As a youth, he plays Gaelic for Naomh Muire, and in the Cooley Kickhams underage setup, before graduating to the Cooley senior football team at the age of 17 in 2004 and also Louth at minor level.
Kearney attends Clongowes Wood College in County Kildare for his secondary education. After his Leaving Certificate he moves to University College Dublin (UCD) on a sports scholarship, where he plays for the rugby team. He graduates in April 2010 with a Bachelor of Arts degree in economics. In 2005 he helps the U-20s team win the McCorry Cup, beating Dublin University Football Club (DUFC) in the final. In 2018, he is awarded the UCD Alumni Award in Sport.
Kearney plays for Leinster at both schoolboy and U-19 level before going on to represent them as a senior. He scores a hat-trick of tries on his debut for Leinster in a pre-season friendly win over Parma.
Kearney makes his Celtic League debut for Leinster in 2005 in a 22–20 defeat away to the Ospreys. He makes 32 appearances in the competition, scoring eight tries, with three penalties during a period in September 2006, when usual place kicker, Felipe Contepomi, is injured. He plays in his first Heineken Cup game in a 19–22 defeat against Bath at the Royal Dublin Society (RDS) on October 22, 2005. It is the first of ten appearances scoring ten tries in the process. He is part of Leinster’s Heineken Cup winning team in 2009 but misses the 2011 final due to injury. On May 21, 2012, the day after Leinster wins their second straight Heineken Cup, he is announced as the ERC Player of the Year for 2012. During the 2011–12 campaign he starts all nine European matches scoring six tries. He is crowned Leinster player of the year for the 2011–12 season. He confirms his departure from Leinster on September 24, 2020.
In late September 2020, it is confirmed that Kearney has signed a one-year contract with Australian side Western Force. He makes his Force debut in an 11–27 defeat to the Brumbies on February 19, 2021. He announces his retirement from rugby after one season with Western Force in Super Rugby AU and Super Rugby Trans-Tasman. Following his retirement, he returns to Louth GAA club Cooley Kickhams where he begins training in August 2021 for the first time since 2005.
Kearney represents Ireland at schoolboy and U-19 level, and tours with Ireland A in the 2006 Churchill Cup. He is first called into the Irish training squad for 2005’s autumn internationals but does not play. He is named in the Irish squad to the 2007 summer tour of Argentina and earns his first cap against Argentina on June 2, 2007, in a 16–0 defeat. During the 2008 Six Nations Championship he scores two tries, one against Scotland and one against England. He is a member of the victorious Ireland team that wins the 2009 Six Nations Championship, Triple Crown and Grand Slam. One of the most famous incidents in his career is a high tackle incident involving Italy‘s Andrea Masi in the first minute of a game. The incident is taken as an indication of the danger posed by Kearney in attack. He misses almost a year – from November 2010 until August 2011 – due to a knee injury that requires surgery.
In the 2011 Rugby World Cup, Kearney is selected but is injured for the first game against the United States. However, he plays in all the other matches which take Ireland through to the quarterfinals, in which they are knocked out by Wales, 22–10. He is selected in the Ireland squad for the 2012 Six Nations Championship and named in the starting team to play Wales in the opening match. He plays in all the other games, which see Ireland finish third in the table. He is also in the first Irish rugby team in 39 years to beat Australia on Australian soil, in the 2018 summer series. He is named in the Ireland squad for the 2019 Rugby World Cup in Japan, starting three of Ireland’s five matches and splitting time at fullback with Jordan Larmour.
Kearney is named in the British & Irish Lions squad for the 2009 tour to South Africa. He makes his Lions test debut as a substitute in the 26–21 first test defeat in Durban. Due to an injury to Lee Byrne, he is selected again for the second test in Pretoria. He scores the only try for the Lions in a 28–25 defeat. He then plays in the final test in Johannesburg which the Lions win 28–9. On April 30, 2013, he is named in his second British & Irish Lions squad.
Kearney marries Jess Redden in 2021, and their son is born in 2023.
She studies in the school of Old Irish established by Professor Osborn Bergin and is strongly influenced by the Irish Australian professor O’Daly. She later teaches Latin through Irish at Ballingeary and becomes proficient in French, German, Italian and Spanish.
She spends the last £100 of her scholarship on a dowry for her marriage to Sean MacGearailt, later first Accountant General of Revenue in the Irish civil service, with whom she lives originally in Glasnevin and then in Dalkey.
She is a founder member of the radical Craobh an Chéitinnigh, the Keating branch of Conradh na Gaeilge, composed mainly of Dublin-based Kerry people and regarded, by themselves at least, as the intellectual focus of the League.
In August 1904, some six years after the establishment of the earliest women’s hurling teams, the rules of camogie (then called camoguidheacht), first appears in Banba, a journal produced by Craobh an Chéitinnigh. Camogie had come to public attention when it was showcased at the annual Oireachtas (Conradh na Gaeilge Festival) earlier that year, and it differed from men’s hurling in its use of a lighter ball and a smaller playing-field. Ní Chinnéide and Cáit Ní Dhonnchadha, like Ní Chinnéide, an Irish-language enthusiast and cultural nationalist, are credited with having created the game, with the assistance of Ní Dhonnchadha’s scholarly brother Tadhg Ó Donnchadha, who drew up its rules. She is on the first camogie team to play an exhibition match in Navan, County Meath, in July 1904, becomes an early propagandist for the game and, in 1905, is elected president of the infant Camogie Association.
She first visits the Blasket Islands in 1932 with her daughter Niamh, who dies tragically young. In the summer of 1934, she puts the idea into Peig Sayers‘s head to write a memoir. According to a later interview with Ní Chinnéide “she knew and admired her gift for easy conversation, her gracious charm as a hostess, her talent for illustrating a point she was making by a story out of her own experience that was as rich in philosophy and thought as it was limited geographically.” Peig answers that she has “nothing to write.” She had learned only to read and write in English at school and most of it has been forgotten.
Ní Chinnéide suggests Peig should dictate her memoir to her son Micheal, known to everyone on the island as An File (“The Poet”), but Peig “only shook her head doubtfully.” At Christmas, a packet arrives from the Blaskets with a manuscript, she transcribes it word for word and the following summer brings it back to the Blaskets to read it to Peig. She then edits the manuscript for the Talbot Press. Peig becomes well known as a prescribed text on the Leaving Certificate curriculum in Irish.
Ní Chinnéide has an acting part in the first modern play performed in Irish on the stage, Casadh an tSugáin by Douglas Hyde in 1901. She is later author of children’s plays staged by An Comhar Drámuidhachta at the Oireachtas and the Peacock Theatre, of which Gleann na Sidheóg and An Dúthchas (1908) are published. She is a broadcaster in Irish on 2RN, a wholly owned subsidiary of Raidió Teilifís Éireann, after its foundation in 1926 and author of a translation of Grimms’ Fairy Tales (1923). She is president of the Gaelic Players Dramatic group during the 1930s and a founder of the Gaelic Writers Association in 1939.
She soon becomes interested in writing children’s plays, including Gleann na Sidheóg (Fairy Glen, 1905) and Sidheoga na mBláth (Flower Fairies, 1909. Although there is little information available on the staging of her first play, by the time her second children’s play, Sidheóga na mBláth, is published in An Claidheamh Soluis in December 1907, “Éire Óg” (“Young Ireland”) branches of Conradh na Gaeilge have been established in conjunction with adults’ branches. Patrick Pearse in particular voices the expectation that this play will be staged by many “Éire Óg” branches “before the New Year is very old,” thus indicating the immediate take up of such plays. Indeed, a week after the play’s publication, it is staged in the Dominican College in Donnybrook, Dublin, where Ní Chinnéide had spent several years as an Irish teacher.
Earley first joins the Roscommon minor football team in 1963, at the age of fifteen. In that year, his side reaches the Connacht minor final, losing to Mayo. Two years later, in 1965, he lines out in a second Connacht minor decider. Five-in-a-row hopefuls Mayo are beaten by Roscommon, giving him a Connacht Minor Football Championship title. Roscommon are later defeated in the All-Ireland semi-final. He also plays under-21 hurling with Roscommon. In 1969, he plays in the All-Ireland under-21 final where Roscommon faces Kildare, however Kildare wins on the day.
Earley is only seventeen years-old when he makes his senior debut for Roscommon in 1965. Over the next fifteen years, Roscommon wins four Connacht Senior Football Championship titles. In 1985, he sustains a fractured jaw in the Connacht semi-final against Galway, with many expecting it to end his career. He confounds everybody and lines out in the Connacht final against Mayo two weeks later. In spite of kicking six points, Mayo still triumphs by 2–11 to 0–8. At the age of thirty-seven, he decides to retire from inter-county football.
After completing his Leaving Certificate in 1965, Earley joins the Defence Forces as a cadet and is commissioned in 1967. His first posting is as a platoon commander in the Recruit Training Depot at the Curragh Camp and, in 1969, he is appointed an Instructor at the Army School of Physical Culture (ASPC). Two years later, in 1971, he obtains a specialist diploma in physical education at St. Mary’s College, Twickenham.
Earley’s service record includes overseas service with the United Nations Truce Supervision Organization (UNTSO) in 1975, Adjutant to the 52nd Infantry Battalion of the United Nations Interim Force in Lebanon (UNIFIL). From 1987 to 1991, he serves as deputy military adviser to UN secretary general Javier Pérez de Cuéllar and Battalion Commander of the 81st Infantry Battalion UNIFIL in 1997. While serving with the UN up to 1991 he is a member of negotiating teams dealing with the Iraqis and Kuwaitis and is a key adviser during the setting up of the UN’s mission in Kuwait – Unikom. He is involved in negotiating an end to the Angolan Civil War. He is a graduate of the Royal College of Defence Studies, London (2001), and holds a Master of Arts (Hons) in peace and development studies from the University of Limerick (1999). He undertakes the Ranger Course in the Defence Forces, which leads to the establishment of special operations training and the establishment of the Army Ranger Wing (ARW). He is the last serving member of that course.
Earley is appointed school commandant of the ASPC. In 1991, he is appointed an instructor at the Command and Staff School of the Military College and in 1994-95 he helps establish the United Nations Training School Ireland (UNTSI) in the Military College.
Earley is promoted to lieutenant colonel in 1995. He commands the 27 Infantry Battalion on the Irish border. He is promoted to colonel in 2001. In December 2003, he is made brigadier general and is appointed major general in March 2004 when he receives his final appointment. He replaces Lieutenant General James Sreenan. He becomes chief of staff in April 2007, leading the Army, Air Corps and Naval Service.
On April 18, 2010, Earley indicates he plans to retire from the Defence Forces due to ill health. He is awarded a Distinguished Service Medal with Honour from TaoiseachBrian Cowen. His resignation is accepted on June 9, 2010, and one of his previous deputies, Major General Sean McCann, is appointed Chief of Staff.
Earley dies of Creutzfeldt–Jakob disease (CJD) on June 23, 2010, at the age of 62. His Newbridge funeral on June 24, 2010, is attended by Taoiseach Brian Cowen, Irish government ministers and leading GAA figures, while former Taoiseach Liam Cosgrave issues a statement calling him “one of the great figures of this country.”
Seóirse Bodley, Irish composer and former associate professor of music at University College Dublin (UCD), is born George Pascal Bodley in Dublin on April 4, 1933. In 2008, he is the first composer to become a Saoi of Aosdána. He is widely regarded as one of the most important composers of twentieth-century art music in Ireland, having been “integral to Irish musical life since the second half of the twentieth century, not just as a composer, but also as a teacher, arranger, accompanist, adjudicator, broadcaster, and conductor.”
Bodley’s father is George James Bodley (1879–1956), an employee in the Dublin office of the London Midland & Scottish Railway Company, and later of the Ports and Docks Board. His mother, Mary (née Gough, 1891–1977), works for the Guinness Brewery. He attends schools in the Dublin suburbs of Phibsborough and Glasnevin before he moves at the age of nine to an Irish-speakingChristian Brothers school at Parnell Square. He later studies at the School of Commerce in Rathmines, where he obtains his Leaving Certificate.
Music is encouraged in his parents’ home, and Bodley receives initial lessons on the mandolin from his father and on the piano from his mother. He studies the piano, harmony and counterpoint at the Royal Irish Academy of Music and obtains a Licentiate in piano from Trinity College London (TCL). From the age of 13, he also enrolls for a time at the Brendan Smith Academy of Acting. While he is still at school, he receives his first lessons in composition privately from the Dublin-based German choral conductor Hans Waldemar Rosen (1904–94), which continues, on and off, until 1956. From his student days he performs as an accompanist to singers and takes part in chamber music performances. An important element in his musical education is the twice-weekly free concerts given by the Radio Éireann Symphony Orchestra in the Phoenix Hall, Dame Court, where he has the opportunity to hear leading Irish and international performers and conductors presenting both classics and modern repertory.
From 1952 Bodley studies for a Bachelor of Music degree from University College Dublin, mainly with Anthony Hughes. He obtains the degree in 1955. From 1957 to 1959 he studies composition (with Johann Nepomuk David) and conducting at the Württembergische Hochschule für Musik in Stuttgart, Germany, and a year later he obtains a Doctorate in Music from UCD. He also takes classes in conducting with Hans Müller-Kray and Karl Maria Zwißler, and in piano with Alfred Kreutz. He returns to Germany several times in the early 1960s to participate in courses at the Darmstädter Ferienkurse, which significantly expands his knowledge of avant-garde techniques.
From 1959 until his retirement in 1998, Bodley lectures at the university’s music department, becoming associate professor in 1984. During the 1960s, he is conductor of the Culwick Choral Society.
Bodley’s development as a composer sees several distinct phases. In the 1970s he merges avant-garde styles with elements from Irish traditional music and becomes a figure of national importance. He receives several prestigious commissions for large-scale works, such as Symphony No. 3 (1981), written for the opening of the National Concert Hall.
In 1982 Bodley becomes a founder-member of Aosdána and PresidentMary McAleese confers the distinction of Saoi on him in November 2008. McAleese says that Bodley “has helped us to recast what it means to be an artist in Ireland.”
Durcan grows up in Dublin and in Turlough, County Mayo. His father, John, is a barrister and circuit court judge. He has a difficult and formal relationship with his father. He enjoys a warmer and more natural relationship with his mother, Sheila MacBride Durcan, through whom he is a great-nephew of both Maud Gonne, the Irish social and political activist, and John MacBride, one of the leaders of the Easter Rising, which begins the Irish War of Independence leading to the foundation of the Irish Free State.
In 1966, Durcan moves to London, where he works at the North Thames Gas Board. He meets Nessa O’Neill in 1967 and they marry and have two daughters, Sarah and Siabhra. They live in South Kensington, then move to Cork, where his wife teaches in a prison. The marriage ends in early 1984.
Durcan’s main published collections include A Snail in my Prime, Crazy About Women, Greetings to Our Friends in Brazil and Cries of an Irish Caveman. He appears on the 1990 Van Morrison album Enlightenment, giving an idiosyncratic vocal performance on the song “In The Days Before Rock’n’Roll,” which he also co-writes.
In 2003, Durcan publishes a collection of his weekly addresses to the nation, Paul Durcan’s Diary, on RTÉ Radio 1 programme Today with Pat Kenny. He gets his inspiration from Paidraig Whitty, a local Wexford poet. He is shortlisted in 2005 for the Poetry Now Award for his collection The Art of Life (The Harvill Press, 2004). In 2009, he is conferred with an honorary degree by Trinity College, Dublin. He is the Ireland Fund Artist-in-Residence in the Celtic Studies Department of St. Michael’s College at the University of Toronto in October 2009. In 2011 he is conferred with an honorary doctorate from University College Dublin.
Between 2004 and 2007 Durcan is the third Ireland Professor of Poetry. He is a member of Aosdána. Awards he has received include the Patrick Kavanaugh Poetry Award (1974), the Irish American Culture Institute Poetry Award (1989), the Whitbread Prize for Daddy, Daddy (1990) and the London Poetry Book Society choice for The Berlin Wall Café.
A number of poems from Durcan’s poetry career are studied by Irish students who take the Leaving Certificate.
MacSwiney Brugha is the daughter of the former Lord Mayor of Cork Terence MacSwiney and his wife Muriel Frances Murphy. Her father dies on hunger strike when she is two years old. Her father is in jail when she is born and does not see her until she is brought to see him when she is three months old. Her family’s republican and political activities leave a strong mark on her life.
Following the death of her father, her mother moves to Dublin. MacSwiney Brugha goes to live with Madame O’Rahilly, widow of The O’Rahilly, and sees her mother intermittently. Although as a child her parents decide she would speak the Irish language, her father’s death and her mother’s health results in her move to Germany in 1923 and there she is moved around a lot. She learns German and speaks no English and little or no Irish. In 1930 she is moved to Grainau in Bavaria, where she attends school. Her aunt, Mary MacSwiney, a legal guardian of hers, eventually comes to collect her and takes her back to Ireland. This causes a court case when it is claimed her aunt had kidnapped her. As a result of the court case her aunt is given custody, and she and her mother became estranged.
MacSwiney Brugha attends Scoil Íte and then St. Louis Secondary School in Monaghan where, in 1936, she completes her Leaving Certificate and gets a scholarship to University College Cork to study arts. In 1937 she plays the lead role in a play, The Revolutionist, published in 1914 and written by her father and produced by her aunt. She returns to Germany in 1938 to keep up her German and graduates with a first-class honours degree. She goes on to get her higher diploma and becomes a teacher. She spends some time teaching in Scoil Íte and then goes to Dublin in 1942 to get a master’s degree. She meets Ruairí Brugha while in Dublin. His father, Cathal Brugha, was killed in the Irish Civil War in 1922. They marry on July 10, 1945. The marriage produces four children: Deirdre, Cathal, Traolach and Ruairí.
MacSwiney Brugha’s husband has a strong political career with her support. He is a senator, a TD, and a member of the European Parliament. She leads her Fianna Fáilcumann and volunteers with the aid agency Gorta. With her husband as Official Opposition Spokesman on Northern Ireland from 1975 to 1977, the couple are very much involved in creating the policy of developing conciliation rather than aimed more at ending partition which they previously have been focused on.
At the age of 85 and after her sight has failed MacSwiney Brugha dictates her story to her daughter-in-law, Catherine Brugha. History’s Daughter: A Memoir from the Only Child of Terence MacSwiney is launched in 2005. Her own story is recorded in Irish Life and Lore. Her story is also the subject of a radio production. She dies unexpectedly at her home in Clonskeagh, County Dublin, at the age of 93 on May 20, 2012. She is buried in Glasnevin Cemetery.
Fianna Fáil leader Micheál Martin describes her as having made a “strong and valued” contribution to the development of Fianna Fáil while Gerry Adams says she “made her mark” on Irish history.
(Pictured: Máire MacSwiney Brugha on her wedding day, July 10, 1945)
A keen fan of all competitive sport, Coveney plays rugby for Garryowen, Cork Constitution and Crosshaven Rugby Club. In 1997-98, he leads the “Sail Chernobyl Project” which involves sailing a boat 30,000 miles around the world and raising €650,000 for charity. He is a qualified sailing instructor and lifeguard. He spends several years working as an agriculture adviser and farm manager.
Coveney is first elected to Dáil Éireann in a 1998 by-election as a Fine Gael candidate for Cork South-Central. He holds Shadow Ministries in the areas of Drugs and Youth Affairs, Communications, Marine and Natural Resources, and Transport. He chairs the Fine Gael Policy Development Committee prior to the 2011 Irish general election.
Coveney is a member of Cork County Council and the Southern Health Board from 1999 to 2003.
Coveney is elected to the European Parliament in 2004 and is a member of the EPP-ED group. He is a member of the Committee on Foreign Affairs and the Internal Market and Consumer Protection Committee. He is the author of the European Parliament’s Annual Report on Human Rights in the World for the year 2004 and again for 2006.
Coveney is named Tánaiste by Leo Varadkar, replacing Frances Fitzgerald, on November 30, 2017, a position he holds until June 27, 2020. He also serves as Minister for Housing, Planning and Local Government as well as Minister for Agriculture, Food and the Marine. For the six-month period ending June 2013, he chairs the EU Council of Agriculture & Fisheries Ministers where he is at the forefront regarding EU efforts in respect of Common Agricultural (CAP) as well as Common Fisheries (CFP) Policy reforms. Under his chairmanship both dossiers are progressed significantly, with a reform package for CFP agreed in May 2013 and a reform package for CAP agreed at the end of the Irish Presidency in July. The Defence portfolio is added to his brief on July 11, 2014.
In July 2008, Simon marries his long-time girlfriend Ruth Furney, an IDA Ireland employee. They have three daughters and currently live in Carrigaline, County Cork.
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