Having begun his career as a freelance musician, playing with the BBC Philharmonic orchestra and English National Opera North, an accident ends Cusack’s career as a musician, resulting in him pursuing a career in arts administration. Initially he focuses on the classical music sector, working at two leading concert venues in London, the Wigmore Hall and the Southbank Centre.
In 1992, Cusack makes his first move into theatre following his appointment as Administrative Director of West Yorkshire Playhouse in Leeds, alongside Jude Kelly, where he produces a number of plays including the touring production of Five Guys Named Moe for Cameron Mackintosh Limited. In 1996, he is appointed Head of Planning of the Royal National Theatre under the outgoing artistic director, Sir Richard Eyre, and subsequently with Sir Trevor Nunn and Sir Nicholas Hytner. In 2009, he becomes the National Theatre’s Associate Producer. During this period, he produces numerous productions for tour both in the UK and internationally, taking the work of the National Theatre to five continents. Alongside this, he works as a touring consultant for the Abbey Theatre in Dublin, the Royal Court Theatre, London, Fiery Angel in London’s West End, Canadian Stage in Toronto, Bangarra Dance Theatre in Sydney, TheEmergencyRoom and Corn Exchange in Dublin and Galway International Arts Festival. In June 2016, he is appointed Executive Producer of Wales Millennium Centre in Cardiff. In addition to this, he is Consultant Producer to the National Centre for the Performing Arts (India) in Mumbai.
As well as his theatre producing work, Cusack offers representation to a number of Irish artists including the director Annie Ryan, the composer Mel Mercier and the British playwrightMatt Wilkinson.
In 2023, Cusack is the recipient of the Olwen Wymark Award from the Writers’ Guild of Great Britain for his championing of new writing which is presented at the 18th Annual Awards Ceremony in London.
A 5-lb. (2.3 kg) bomb on a Metropolitan line train explodes prematurely in the front carriage of the train, injuring seven passengers. The bomb detonates prior to reaching the City of London, where it is thought the intended target to be Liverpool Street station at rush hour. Adrian Vincent Donnelly, a Provisional Irish Republican Army (IRA) volunteer, then shoots Post Office engineer Peter Chalk in the chest, and kills train driver Julius Stephen, who had attempted to catch him. Donelly exits the station to the street and threatens people with his revolver before Police Constable Raymond Kiff catches up with him. Shouting “You English bastards!” Donelly shoots himself in the chest but survives and is apprehended by Kiff.
Eleven days prior to the West Ham station attack, an IRA bomb explodes in a train at Cannon Street station. The day after the West Ham attack, a bomb on a train at Wood Green tube station explodes, injuring a man. On March 17, a 9-lb. (4.1 kg) bomb is discovered in a train at Neasden Depot. After these events, the London Transport Executive launches a security operation and assigns 1,000 plainclothed policemen on the London Underground system.
An appeal to raise money is launched for the family of the driver of the train, Julius Stephen, who left behind a widow and a family. As of August 1976, £17,000 had been raised.
(Pictured: The underground train damaged in the explosion, The Times, March 16, 1976)
Thomas Reynolds, United Irishman, informant, consul and heir to a fortune, is born at his father’s house, 9 West Park Street, Dublin, on March 12, 1771.
Reynolds’s family history is well documented. His great-great-grandfather was Connor Reynolds of Rhynn Castle, County Leitrim, who married the daughter of Sir Robert Nugent, by whom he leaves three sons, Conor, George Nugent and Thomas. The second of these renounces his family’s Catholicism and becomes a Protestant in order to obtain possession of the greater part of the family estates and was grandfather of the George Nugent Reynolds who was killed in a duel in 1786. The third son, Thomas, a successful wool-stapler in Dublin, married Margaret Lacy, the sister of the famous Austrian general, Franz Moritz von Lacy, and by her had three sons and one daughter. Thomas’s eldest son, James, inherited his business and was one of the seven Catholics who in 1757 met at the Globe coffee-house, Essex Street, to form a committee to request the removal of legal disabilities imposed on Catholics. Thomas’s second son, also Thomas, a manufacturer of woolen poplins, had three daughters, whose marriages connected him with several distinguished Catholic families, and an only son, Andrew, father of the main subject of this article. Andrew Reynolds, admitted into partnership with his father, later developed a new poplin “by having the warp of silk and the weft, or shoot, of worsted.” These poplins came to be “prized in foreign countries as Irish tabinets.” He had an annual turnover of £100,000 to £150,000 and eventually made profits of £15,000 to £20,000 a year. On April 20, 1767, Andrew Reynolds married as his second wife, a second-cousin, Rose Fitzgerald, eldest daughter of Thomas Fitzgerald of Kilmead, County Kildare, a distant kinsman and substantial creditor of the Duke of Leinster, and his wife Rose, daughter of Francis Lacy of Inns Quay, Dublin. By Rose he had two sons and twelve daughters.
Until the age of eight, Reynolds, the future United Irishman and the only son to survive to adulthood, lives at the seat of his maternal grandfather in the care of a Catholic priest, William Plunkett. He is then moved to the school of a Protestant clergyman named Crawford at Chiswick near London and by the age of twelve he spends all vacations in the house of Sir Joshua Reynolds, who appears to take pleasure in teaching him the first principles of drawing. From Chiswick, he moves to Liège in 1783 to be educated by Catholics priests, former Jesuits, returning to Ireland shortly before his father’s death, at the age of 44, on May 8, 1788.
After 1784, the introduction of cottons to Ireland spoiled Andrew Reynolds’s trade. Loans to his nephews, the O’Reilly brothers (Thomas, Patrick and Andrew), iron-smelters at Arigna, County Roscommon, worsen his losses, which reach £200,000 at the time of his death. Lodging with his mother in Dublin, 17-year-old Reynolds mixes with “dissipated idlers” such as Simon Butler and Valentine Lawless. He revisits the Continent and is in Paris in July 1789 when the Bastille is stormed. At the behest of his mother, he becomes a member of the Catholic Committee in succession to his father on February 9, 1791, and attends the Catholic Convention as a delegate of the Dublin parish of St. Nicholas Without in December 1792. He chooses not to enter his late father’s business, preferring, despite his small income, the carefree life of a gentleman, doing the rounds of his well-to-do country relations. On March 25, 1794, he marries Harriet Witherington, fourth daughter of William Witherington, a Dublin woolen merchant, and a younger sister of Matilda Tone. His mother thereupon assigns to him half of the capital in the family business – now carried on by a relation, Thomas Warren, formerly clerk to Andrew Reynolds – and one third of the profits. He has other property as well and expectations of more, including a life-interest in an estate in Jamaica and the promise from the Duke of Leinster of the reversion of Kilkea Castle in County Kildare. A poor manager, Warren is forced out and later testifies against him in a judicial process. He still has £18,500 in assets and in 1797 obtains possession of Kilkea Castle and winds up his business affairs.
On the eve of the rebellion of 1798, Reynolds is a gentleman “of ample fortune and of the first connexions in the country.” In January or February 1797, he is drawn into the United Irish organisation by Peter Sullivan, a confidential clerk in the Reynolds family business, who refers him to Richard Dillon, a Catholic linen-draper, and to Oliver Bond, in whose house in Bridge Street he is sworn in, believing, according to his son, that the sole objects of the organisation are Catholic emancipation and the reform of parliament. Soon he is attending meetings of a baronial committee, but only after meeting Lord Edward FitzGerald in November 1797 achieves a position of importance, that of County Kildare treasurer and membership of the Leinster provincial committee. After being informed of a plan for an insurrection and for the assassination of approximately eighty individuals, some of them his own relations, and knowing the provincial committee is to meet on March 12 at the house of Oliver Bond to decide finally on a general rising, he communicates the United Irishmen’s plan to Dublin Castle through William Cope, a merchant. Those present at Bond’s house are arrested and so the plan is spoiled. He resigns as county treasurer on March 18, to be replaced by John Esmonde. Known to the United Irish leadership as an informant and in danger of his life – at least two unsuccessful attempts on his life are made – but known to Dublin Castle only as an influential United Irishman, he suffers the ransacking of his house at Kilkea on April 20 by dragoons and militia, who believe FitzGerald is concealed there. Finally, he is arrested and is to face a court-martial at Athy but, his true identity being disclosed to Dublin Castle by Cope, he is delivered to a grateful Irish privy council on May 5.
During the rebellion, Kilkea Castle, which had been renovated by Reynolds in 1797 at an expense of over £2,500 and contains priceless paintings, is garrisoned by troops and attacked by insurgents, rendering it uninhabitable for many years. It is refitted in the late 1830s. He is the principal prosecution witness in the trials of John McCann, William Michael Byrne and Bond. There being few other grounds of defence, the defence counsel, John Philpot Curran, seeks to impeach his character and motives, which, with adverse remarks by Thomas Moore in his Life and Death of Lord Edward Fitzgerald (1831) and a hostile obituary in The Morning Chronicle, gives rise after his death to a two-volume apologia by his son, Thomas, based on family papers and a remarkably detailed source for the history of the Reynolds family. For his action in coming forward at a critical period to save Ireland from the wicked plans of the conspirators, he is honoured by Dublin Corporation with the Freedom of the City on October 19, 1798.
His life threatened, Reynolds resides for some months in Leinster Street, Dublin, then moves with his family to Britain, spending some time in Monmouthshire before settling in London in 1803. In 1810, he is appointed British postmaster-general in Lisbon, an onerous but lucrative appointment owing to the Peninsular War. In September 1814 he returns to England. In July 1817, favoured by Lord Castlereagh, he goes to Copenhagen as consul to Iceland. He has to visit that remote island part of the kingdom of Denmark only once (June–August 1818) and in January 1820 finally leaves Copenhagen leaving his younger son, Thomas, in charge of consular affairs. With his wife and daughters, he settles in Paris. There in 1825, his elder son, Andrew Fitzgerald, fights a duel with Thomas Warren, a French army officer and son of Thomas Warren who had been Reynolds’s clerk, and is later a United Irishman. In 1831, he undergoes a religious experience and embraces evangelical Protestantism.
Allen is born on July 6, 1936, in a nursing home at 37 Lower Leeson Street, Dublin, the youngest of three sons of (Gerard John) Cullen Tynan Allen, journalist, manager of The Irish Times, and raconteur, and his wife Jean Ballantyne (née Archer), an English-born nurse. His paternal grandmother, Nora Tynan O’Mahony, is the first women’s features editor of the Freeman’s Journal, and the poet Katharine Tynan is his great-aunt. Allen loses half a finger on his left hand in a childhood accident which becomes a favourite theme (and occasional prop) in his shows.
After initially attending Beaumont convent school, Allen goes to Firhousenational school, County Dublin, near the family residence outside Templeogue. For a period during World War II, he lives with his mother and brothers at Keenagh, County Longford, where they had moved for fear that Dublin might be targeted by air raids. On returning to Dublin, he goes to Terenure College, run by the Carmelite fathers. His reminiscences in later life often centre on memories of frequent and sadistic corporal punishment, and warnings from priests that adolescent male sexuality is a device of Satan leading straight to hell. His resentment is formative in his lifelong and outspoken atheism.
Allen, who is close to his father, is severely affected emotionally by his death in 1948, after which his relations with the school deteriorate further. The discovery that his father’s drinking and gambling had left the family heavily indebted means that, notwithstanding assistance from journalistic friends, his elder brothers are obliged to leave school and work as journalists to support the family. Restless and even more discontented at school than previously, he often plays truant to visit museums and art galleries. Expelled from Terenure College, he briefly attends the Catholic University School before leaving school at the age of 16. After working as a clerk for the Irish Independent, in 1954 he becomes a journalist on the Drogheda Argus, reporting weddings and gymkhanas. He later attributes this career path to the contemporary tradition of following a family profession.
Moving to London but failing to secure a job on a Fleet Street newspaper, Allen follows his brother John by becoming a “redcoat” attendant at Butlin’s holiday camps in Filey (Yorkshire), Skegness, Margate, and Brighton, performing various functions and telling jokes and stories during intervals between stage acts. In the winters he sells educational toys in Sheffield. Acquiring an agent, he becomes a professional comedian, adopting the stage name Dave Allen. He initially works the declining club and variety circuit, later claiming that he had toured with the last old-style nude tableaux show. In 1959, he makes his first television appearance on the BBC talent show New Faces and realises that television is the medium of the future. He tours with pop singer Helen Shapiro in 1963 and 1964, joined in the latter year by an emerging support band, the Beatles. At this period, he models himself on American stand-up comedians such as Jerry Lewis, focusing his act on discrete gags leading up to a punchline.
While performing in support of the singer Helen Traubel in Australian nightclubs, Allen often reminisces to her off stage about his early life. Traubel suggests that he incorporate such material into his act. Such is the genesis of his mature style of rambling absurdist monologues, which he describes as influenced by the Irish storytelling tradition in general, and his father’s stories in particular. After appearing in Melbourne and Sydney, he becomes the host of a ninety-minute chat show, Tonight with Dave Allen, on Sydney-based Channel 9. Eighty-four episodes are recorded of what becomes one of Australian television’s most successful programmes ever, its popularity boosted by the rumour that he is having an affair with singer Eartha Kitt, his hilarious interviews with eccentrics, and the frequent deployment of dangerous animals onstage.
Allen marries the English actress Judith Stott in Australia on March 9, 1964, a divorcée with one son. They have two children, including the comedian Ed Allen (Edward James Allen). After separating in 1980, the couple divorces in 1983. Returning to England in December 1964 to be with his wife, he establishes a reputation there through well-received performances as a compère at the televised Sunday Night at the London Palladium (1967) and The Blackpool Show (1966). After a slot as resident comedian on The Val Doonican Show (1965–67), he obtains his first stand-alone show, Tonight with Dave Allen, in 1967 on ITV, a mixture of sketches with the monologues for which he becomes best known. He usually performs seated on a barstool, smoking a cigarette, and sipping from a presumed glass of whiskey (actually ginger ale), while musing on the oddities of life, often expressing his suspicion of authority figures. His signature farewell phrase is “Goodnight, and may your God go with you.”
On BBC television Allen headlines two programmes: The Dave Allen Show (1968–69), and Dave Allen at Large (1971–79). He writes much of his own material, compulsively scouring newspapers for items that he can work into his act. He resists suggestions that he should move to an early evening slot, as this would entail restrictions on his material. In the 1970s and 1980s he tours widely with a one-man stage show, “An evening with Dave Allen,” containing more “adult” material than would be allowed on television at the time. His stage performances are less well-received in the United States than elsewhere.
Allen’s treatment of sex and religion involves him in frequent controversies. Priests and the confessional are frequent targets. In 1975, he provokes widespread protests from Catholics over a sketch in which the pope, played by Allen himself, and his cardinals perform a striptease on the steps of St. Peter’s Basilica. In 1977, his shows are banned from RTÉ. In 1984, the British anti-indecency campaigner Mary Whitehouse formally complains about his televised act, with particular reference to a simulated post-coital conversation. As with many stage comedians, his angry and outspoken stage persona contrasts with a reserved offstage life. He keeps his stage persona distinct from his private life and does not allow his children to attend his shows.
Allen gives occasional straight performances, notably in Edna O’Brien‘s plays A Pagan Place (1972) and Flesh and Blood (1985); in the dual roles of Captain Hook and Mr. Darling in a production of Peter Pan (1973); and in Alan Bennett‘s television play One Fine Day (1979). He has a supporting role in the Australian comedy film Squeeze a Flower (1970). He also presents several documentaries, notably Dave Allen in the Melting Pot (1969); surveying life in New York City, he discusses racism and drug addiction and conducts one of the first television interviews with openly gay men. Other documentaries for ITV include Dave Allen in Search of the Great English Eccentric (1974), and Dave Allen (1978), which deals with American eccentrics. Long fascinated with ghost stories, he publishes an anthology of horror stories, A Little Night Reading (1974).
In the 1980s, Allen is regarded by many fans of the new, politically engaged “alternative comedians” as old-fashioned. His leisurely style contrasts with their quick-fire delivery, and some of his references to the Irish and other ethnic groups are seen as demeaning. He makes a partial television comeback with a six-part BBC One series, Dave Allen (1990), using considerably more outspoken material than he had previously deployed on television.
In 1993, Allen appears in a six-part series for the new ITV London franchise, Carlton Television. Thereafter he moves into semi-retirement, partly because of health problems, while continuing to make guest television appearances. At the British Comedy Awards he is named best comedy performer (1993) and is granted a lifetime achievement award (1996). He occasionally releases videos of older material “to keep myself in the style to which I had become accustomed – a bit of an Irish retirement, actually.” He maintains tight editorial control over his recordings, having been annoyed when his first television shows were chopped and changed when re-broadcast by American networks. They are released on DVD after his death. He presents a six-part BBC series based on his old material, The Unique Dave Allen (1998). After giving his last performance on BBC Radio 4 in 1999, he retires and devotes himself to his hobby as an amateur painter.
After a seventeen-year relationship, Allen marries secondly Karin Stark, a theatrical producer, on December 9, 2003. Their one son is born three weeks after Allen dies peacefully in his sleep as a result of sudden arrhythmic death syndrome on March 10, 2005, in Kensington, London.
A selection of his routines, edited by Graham McCann, is published as The Essential Dave Allen (2005). His obituarists see him as prefiguring the aggressive mocking of authority by the alternative comedians who had once criticised him, and as paving the way for such irreverent and anti-deferential satire of political and religious authority as Not the Nine O’Clock News and Father Ted. The widespread use of the monologue by Irish dramatists such as Conor McPherson in the first decade of the twenty-first century also owes something to his influence.
(From: “Allen, Dave” by Patrick Maume, Dictionary of Irish Biography, http://www.dib.ie, June 2011)
Mac Liammóir is born Alfred Willmore on October 25, 1899. He is born to a Protestant family living in the Kensal Green district of London.
As Alfred Willmore, he is one of the leading child actors on the English stage, in the company of Noël Coward. He appears for several seasons in Peter Pan. He studies painting at London’s Slade School of Fine Art, continuing to paint throughout his lifetime. In the 1920s he travels all over Europe. He is captivated by Irish culture and learns the Irish language which he speaks and writes fluently. He changes his name to an Irish version, presenting himself in Ireland as a descendant of Irish Catholics from Cork. Later in his life, he writes three autobiographies in Irish and translates them into English.
While acting in Ireland with the touring company of his brother-in-law Anew MacMaster, Mac Liammóir meets the man who becomes his partner and lover, Hilton Edwards. Their first meeting takes place in the Athenaeum, Enniscorthy, County Wexford. Deciding to remain in Dublin, where they live at Harcourt Terrace, the pair assists with the inaugural production of Galway‘s Irish language theatre, An Taibhdhearc. The play is Mac Liammóir’s version of the mythical story Diarmuid agus Gráinne, in which Mac Liammóir plays the lead role as Diarmuid.
Mac Liammóir and Edwards then throw themselves into their own venture, co-founding the Gate Theatre in Dublin in 1928. The Gate becomes a showcase for modern plays and design. Mac Liammóir’s set and costume designs are key elements of the Gate’s success. His many notable acting roles include Robert Emmet/The Speaker in Denis Johnston‘s The Old Lady Says “No!” and the title role in Hamlet.
In 1948, Mac Liammóir appears in the NBC television production of Great Catherine with Gertrude Lawrence. In 1951, during a break in the making of Othello, he produces Orson Welles‘s ghost-story Return to Glennascaul which is directed by Hilton Edwards. He plays Iago in Welles’s film version of Othello (1951). The following year, he goes on to play ‘Poor Tom’ in another Welles project, the TV film of King Lear (1953) for CBS.
Mac Liammóir claims when talking to Irish playwright Mary Manning, to have had a homosexual relationship with General Eoin O’Duffy, former Garda Síochána Commissioner and head of the paramilitary Blueshirts in Ireland, during the 1930s. The claim is revealed publicly by RTÉ in a documentary, The Odd Couple, broadcast in 1999. However, Mac Liammóir’s claims have not been substantiated.
Mac Liammóir’s life and artistic development are the subject of a major study by Tom Madden, The Making of an Artist. Edwards and Mac Liammóir are the subject of a biography, titled The Boys by Christopher Fitz-Simon.
Micheál Mac Liammóir dies at his and Edwards’s Dublin home, 4 Harcourt Terrace, at the age of 78 on March 6, 1978. Edwards and Mac Liammóir are buried alongside each other at St. Fintan’s Cemetery, Sutton, Dublin.
Born Alice Izabella, she is one of ten children born to grocer Moses Crowe and Therese Eglinton. From an early age, she shows an interest in the theatre, and regularly attends productions in both the Gaiety and Abbey theatres. Having completed her education, she joins a convent but soon after abandons the idea of becoming a nun. In October 1921, she enters the Abbey School of Acting. She has a career with the Abbey Theatre from 1921 to 1970.
Upon her entry to the Abbey School of Acting, Crowe makes her debut in 1921 in the play The Revolutionist, taking the lead role of Nora Mangan. She plays her last role of Miss Hatty in Grogan and the Ferret, after which she retires. During nearly five decades, she stars in many plays, some of which include The Marriage of Columbine (1921) and Juno and the Paycock (1924). Between 1931 and 1953, she appears in the Abbey Theatre productions of plays by Irish playwrightTeresa Deevy including A Disciple (1931), Katie Roche (1936, 1937, 1949, 1953), Temporal Powers (1932, 1937) and The Reapers (1930).
Also in 1964, Crowe appears in the Aldwych Theatre‘s production of Juno and the Paycock in London. She works in the Abbey for the vast majority of her career, except for when she is on a six-month tour for Peg O’ My Heart, touring Northern Ireland and England.
In 1924, when the play Grasshopper is being produced, Crowe meets her husband, Peter Judge, also known as F. J. McCormick. They are married in 1925 and the marriage produces a daughter and a son.
Donnelly is born in Killybrackey, near Dungannon, County Tyrone, on July 10, 1914, into a family of cattle breeders. His father, Joseph Donnelly, sells his farm in 1917 and the family moves to Dundalk and opens a greengrocer‘s shop. Joseph Donnelly becomes quite prosperous, running his shop, dealing cattle and buying and selling property in the Dundalk area. In addition to Charles, the Donnellys have five other sons and two daughters. His mother, Rose, dies in 1927, when he is 13 years old.
Donnelly receives his early education in the Christian Brothers school in Dundalk. When he is fourteen in 1928, the family moves again, this time to Dublin, where his father purchases a house on Mountjoy Square in the north inner city. He enrolls in O’Connell School on North Frederick Street but is expelled after only a few weeks. He spends the next few months wandering the streets of Dublin during school time before his father discovers what had happened. Also at this time, he meets and is befriended by radical political activists from the Irish Republican Army (IRA), the Communist Party of Ireland and the left-Republican group Saor Éire.
Donnelly’s father and aunts get him an apprenticeship with a carpenter, but he gives this up after a year to enroll in University College Dublin (UCD) in 1931, where he studies Logic, English, History and the Irish language. In university he begins writing poetry and prose for student publications but fails his first-year examinations. At this time, he also becomes deeply involved in radical left-wing and republican politics. He drops out of university in 1934, having failed his first-year exams three times and joins the radical group, the Republican Congress. There he befriends veteran republicans Frank Ryan and George Gilmore. He also becomes involved in a romantic relationship with another republican activist, Cora Hughes, Éamon de Valera‘s goddaughter and later partner of George Gilmore. In July 1934, he is arrested and imprisoned for two weeks for his role in picketing a Dublin bakery with other Congress members. After this, his father expells him from the family home and he spends a period sleeping in parks around Dublin.
The Republican Congress splits at its first annual meeting in September 1934, but the 20-year-old Donnelly is elected to the National Executive of the truncated organisation. Thereafter, he writes for the Congress newspaper on political and social questions. In January 1935, he is again arrested for assaulting a Garda at a Congress demonstration and is imprisoned for a month. In February 1935, he leaves Ireland for London. In the British capital he forms the first Republican Congress branch in London and becomes its first chairman. He finds employment variously as a dishwasher in pubs and cafes and as a reporter with an international news agency. While in London he remains a regular contributor to the Republican Congress newspaper and various left-wing publications. Together with two other poets, Leslie Daiken and Ewart Milne, he is one of the founders of a duplicated publication called Irish Front, the London journal of the Republican Congress. Daiken admits that many of the Irish Front editions are written almost entirely by Donnelly.
Eoin McNamee recalls Donnelly as “a frail looking Dublin man with a Tyrone background…he was something of an intellectual and clearly the theorist of the Irish Republican Congress in London at that time. He was well versed in Marxism, wrote for the Congress and Communist press, and frequently appeared on left-wing public platforms.”
In July 1936, on the outbreak of the Spanish Civil War, Donnelly urges the Republican Congress to send fighters to the International Brigades. He himself returns to Dublin with the intention of organising such a force. By the end of 1936, he has gone again to London and joins the Brigades. He reaches Spain on January 7, 1937, and at Albacete, meets up with an Irish contingent, led by Frank Ryan, known as the Connolly Column, who had come to Spain to fight on the Republican side. He and his comrades are attached to the American Lincoln Battalion. On February 15, after receiving only rudimentary military training, the Lincoln Battalion is thrown into the Battle of Jarama, near Madrid. Donnelly reaches the front on February 23, where he is promoted to the rank of field commander. On February 27, his unit is sent on a frontal assault on the Nationalist positions on a hill named Pingarrón. The object of the attack is to take the enemy trenches and ultimately to drive them across the Jarama River. He and his unit are pinned down by machine gun fire all day. In the evening, the Nationalists launch a counterattack.
A Canadian veteran recalls, “We ran for cover, Charlie Donnelly, the commander of an Irish company is crouched behind an olive tree. He has picked up a bunch of olives from the ground and is squeezing them. I hear him say something quietly between a lull in machine gun fire: Even the olives are bleeding.” The line later becomes famous.
A few minutes later, as his unit retreats, Donnelly is caught in a burst of gunfire. He is struck three times, in the right arm, the right side and the head. He collapses and dies instantly. His body lay on the battlefield until it is recovered by fellow Irish Brigadier Peter O’Connor on March 10. He is buried at Jarama in an unmarked grave with several of his comrades.
Written by Donnelly’s brother Joseph, a collection of his work, Charlie Donnelly: the Life and Poems, is published in 1987 by Dedalus Press. On the eve of the 71st anniversary of his death, February 26, 2008, he is commemorated with the unveiling of a plaque at his alma mater, UCD, attended by 150 people. The commemoration, organised jointly by a group of UCD students and the Donnelly family, is hosted by the School of English and also includes a lecture by Gerald Dawe on Donnelly’s life and poetry. In April 2008, the UCD branch of the Labour Party is renamed the Charlie Donnelly Branch in his honour.
Donnelly’s friend Blanaid Salkeld commemorates him in her poem “Casualties,” writing “That Charlie Donnelly small and frail/ And flushed with youth was rendered pale/ But not with fear, in what queer squalor/ Was smashed up his so-ordered valour.” A 1976 documentary about the Civil War by Cathal O’Shannon is entitled Even the Olives are Bleeding.
Donnelly is survived by a brother, Joseph, who manages to get many of his poems published in 1987; only five or six are published during his lifetime. Discussing his work, Colm Tóibín says it “mixed an Audenesque exactitude with a youthful romanticism… his poem “The Tolerance of Crows” belongs in any anthology of modern poetry.” In 1992, Donnelly has work included in Dedalus Irish Poets: An Anthology from Dedalus Press.
Earley first joins the Roscommon minor football team in 1963, at the age of fifteen. In that year, his side reaches the Connacht minor final, losing to Mayo. Two years later, in 1965, he lines out in a second Connacht minor decider. Five-in-a-row hopefuls Mayo are beaten by Roscommon, giving him a Connacht Minor Football Championship title. Roscommon are later defeated in the All-Ireland semi-final. He also plays under-21 hurling with Roscommon. In 1969, he plays in the All-Ireland under-21 final where Roscommon faces Kildare, however Kildare wins on the day.
Earley is only seventeen years-old when he makes his senior debut for Roscommon in 1965. Over the next fifteen years, Roscommon wins four Connacht Senior Football Championship titles. In 1985, he sustains a fractured jaw in the Connacht semi-final against Galway, with many expecting it to end his career. He confounds everybody and lines out in the Connacht final against Mayo two weeks later. In spite of kicking six points, Mayo still triumphs by 2–11 to 0–8. At the age of thirty-seven, he decides to retire from inter-county football.
After completing his Leaving Certificate in 1965, Earley joins the Defence Forces as a cadet and is commissioned in 1967. His first posting is as a platoon commander in the Recruit Training Depot at the Curragh Camp and, in 1969, he is appointed an Instructor at the Army School of Physical Culture (ASPC). Two years later, in 1971, he obtains a specialist diploma in physical education at St. Mary’s College, Twickenham.
Earley’s service record includes overseas service with the United Nations Truce Supervision Organization (UNTSO) in 1975, Adjutant to the 52nd Infantry Battalion of the United Nations Interim Force in Lebanon (UNIFIL). From 1987 to 1991, he serves as deputy military adviser to UN secretary general Javier Pérez de Cuéllar and Battalion Commander of the 81st Infantry Battalion UNIFIL in 1997. While serving with the UN up to 1991 he is a member of negotiating teams dealing with the Iraqis and Kuwaitis and is a key adviser during the setting up of the UN’s mission in Kuwait – Unikom. He is involved in negotiating an end to the Angolan Civil War. He is a graduate of the Royal College of Defence Studies, London (2001), and holds a Master of Arts (Hons) in peace and development studies from the University of Limerick (1999). He undertakes the Ranger Course in the Defence Forces, which leads to the establishment of special operations training and the establishment of the Army Ranger Wing (ARW). He is the last serving member of that course.
Earley is appointed school commandant of the ASPC. In 1991, he is appointed an instructor at the Command and Staff School of the Military College and in 1994-95 he helps establish the United Nations Training School Ireland (UNTSI) in the Military College.
Earley is promoted to lieutenant colonel in 1995. He commands the 27 Infantry Battalion on the Irish border. He is promoted to colonel in 2001. In December 2003, he is made brigadier general and is appointed major general in March 2004 when he receives his final appointment. He replaces Lieutenant General James Sreenan. He becomes chief of staff in April 2007, leading the Army, Air Corps and Naval Service.
On April 18, 2010, Earley indicates he plans to retire from the Defence Forces due to ill health. He is awarded a Distinguished Service Medal with Honour from TaoiseachBrian Cowen. His resignation is accepted on June 9, 2010, and one of his previous deputies, Major General Sean McCann, is appointed Chief of Staff.
Earley dies of Creutzfeldt–Jakob disease (CJD) on June 23, 2010, at the age of 62. His Newbridge funeral on June 24, 2010, is attended by Taoiseach Brian Cowen, Irish government ministers and leading GAA figures, while former Taoiseach Liam Cosgrave issues a statement calling him “one of the great figures of this country.”
Rice is born to Johnny Rice and his wife Nell (née Hayes). Her mother can sing, and her father is a master mason. Her mother’s singing brings in extra money after her father is posted overseas during World War II. She goes to Methodist College Belfast and by the age of fourteen is living in the family home with lodgers as her parents are in Africa where her father is working. She is not academic and takes only a passing interest in becoming a secretary. A school friend says that all she wants to do is draw.
The artist Gerard Dillon comes from Belfast. He helps Rice after they are introduced to each other by her piano teacher in 1951. He is friends with the painter George Campbell. They both share “an interest in bohemian characters.” She regards both Dillon and Campbell as her mentors for decades and her work is of a similar surrealistic and primitive style.
In 1956, Rice completes her first solo exhibition at the British Council in Hong Kong. She had been there since 1954 doing typing and practicing her painting. Her father is working there, and she stays in Hong Kong until the following year. When she returns, she earns money working night shifts in the BBC newsroom.
Gerard Dillon and his sister, Mollie, have a property on London‘s Abbey Road in 1958. They rent part of the house to artist Arthur Armstrong, and they rent a flat to Rice and her brother. Dillon and Rice would tour junk yards to find objects like leather and string that they include in their artwork. The house is known for its ex-pat Irish artists which also include Aidan Higgins and Gerry Keenan.
In 1963, Rice goes to the United States to exhibit, and she has to be persuaded to find time to meet President Kennedy. This is three weeks before he is killed in Dallas. In 1967, she is in Paris learning lithography and marries the German contemporary artist Haim Kern. Their child Tristran is born, and the marriage soon ends, and she leaves for Switzerland.
Rice marries again after she returns to Ireland to live in County Fermanagh. They have a daughter who is named Trasna. She exhibits twice in Belfast. In 1997, a large collaboration with Felix Anaut results in images of Adam and Eve which is prepared for a Spanish arts festival near Zaragoza. Another large commission is to decorate the shutters of Pushkin House at Baronscourt for Alexandra Hamilton, Duchess of Abercorn, in 2005.
Rice dies in County Monaghan on March 23, 2015, where she had lived for twenty years. She completes her last exhibition in 2009, over fifty years after her first in Hong Kong. She has exhibited and had her work in notable collections including the United Nations. She is noted for only creating art when she wanted to, she had never conformed, Aeneas Bonner says in her obituary “Normality was a not a close acquaintance.”
In 1990, Cusack, in the role of Masha, joins two of her sisters, Niamh (as Irina) and Sorcha (as Olga), and her father, Cyril Cusack (as Chebutykin) for a well-received production of Anton Chekhov‘s tragicomedy Three Sisters in a new version by Frank McGuinness, directed by Adrian Noble at the Gate Theatre, Dublin, before transferring to the Royal Court Theatre in London. The production also features Niamh’s husband, Finbar Lynch, as Solenyi and Lesley Manville as Natasha. The production wins the three real-life sisters the Irish Life Award in 1992.
One of Cusack’s best known stage roles is Our Lady of Sligo by Sebastian Barry in 1998, in which she plays the principal role of Mai O’Hara in performances in Ireland, on Broadway and at the National Theatre. For this she wins the 1998 Evening Standard Theatre Award for Best Actress, the 1998 Critics’ Circle Theatre Award for Best Actress and her fourth Olivier Award nomination for Best Actress. In 2006-07 she stars with Rufus Sewell in Tom Stoppard‘s Rock ‘n’ Roll at the Royal Court Theatre in London which transfers to the West End and Broadway, winning Cusack her fifth Olivier Award nomination and her second Tony Award nomination.
In 2015, Cusack returns to Ireland’s Abbey Theatre, where she begins her theatre career. She appears in the world première of Mark O’Rowe‘s play Our Few and Evil Days, acting opposite long-time collaborator Ciarán Hinds. She wins the Irish Times Irish Theatre Award for Best Actress.
Cusack stars with Peter Sellers in the film Hoffman (1970). She guest stars in an episode of The Persuaders! (1971), a TV series starring Tony Curtis and Roger Moore, as Jenny Lindley, a wealthy heiress who suspects that a man claiming to be her dead brother is in fact an impostor. In 1975, she makes three appearances in the TV series Quiller as the character Roz.
Further starring roles include lead roles in Oliver’s Travels (1995), Have Your Cake and Eat It (1997) for which Cusack wins the Royal Television Society‘s RTS Award for Best Actress and Frank McGuinness’s The Hen House (1989) for BBC Television. She stars in the title role of George du Maurier‘s Trilby (1976), in an adaptation for the BBC’s Play of the Month, with Alan Badel as Svengali. She also stars in the BBC mini-series North & South (2004, from the novel by Elizabeth Gaskell) as Mrs. Thornton. She stars in the BBC sitcom Home Again (2006) and appears in the TV series Camelot (2011), which runs for one season. She has featured roles in the mini-series The Deep (2014) and the series Marcella (2016), an eight-episode murder mystery.
Along with other actresses, including Paola Dionisotti, Fiona Shaw, Juliet Stevenson and Harriet Walter, Cusack contributes to a book by Carol Rutter called Clamorous Voices: Shakespeare’s Women Today (1994). The book analyses modern acting interpretations of female Shakespearean roles.
Cusack marries British actor Jeremy Irons in 1978, and they have two sons, Samuel James and Maximilian Paul. Prior to marrying Irons, she gives birth to a son in 1967 and places the boy for adoption. In 2007, a journalist for the Irish Sunday Independent, Daniel McConnell, reveals that Cusack is the mother of left-wing general election candidate and now member of Irish parliament Richard Boyd Barrett. The two have since been reunited.
Cusack is a patron of the Burma Campaign UK, the London-based group campaigning for human rights and democracy in Burma. In 1998, she is named, along with her husband, in a list of the biggest private financial donors to the British Labour Party. In August 2010, she signs the “Irish artists’ pledge to boycott Israel” initiated by the Palestine Solidarity Campaign.
(Pictured: Sinéad Cusack reciting poetry for the British Library in October 2021)
seamus dubhghaill 