seamus dubhghaill

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Death of Cyril Cusack, Irish Film & Television Actor

Cyril James Cusack, Irish actor who appears in numerous films and television productions in a career lasting more than 70 years, dies in Chiswick, London, England on October 7, 1993. In 2020, he is listed at number 14 on The Irish Times‘s list of Ireland’s greatest film actors.

Cusack is born in Durban, Natal, South Africa, on November 26, 1910. His mother, Alice Violet (née Cole), is an English Cockney actress and chorus girl, and his father, James Walter Cusack, is an Irish mounted policeman in the Colony of Natal, South Africa. His parents separate when he is young and his mother takes him to England, and then to Ireland. His mother and her partner, Brefni O’Rorke, join the O’Brien and Ireland Players.

Cusack makes his first stage performance at the age of seven. He is educated at Newbridge College in Newbridge, County Kildare, then reads law at University College Dublin. He leaves without a degree and joins the Abbey Theatre in 1932. Between then and 1945, he performs in over 60 productions, particularly excelling in the plays of Seán O’Casey. He also performs Irish playwright Teresa Deevy‘s plays Katie Roche and The King of Spain’s Daughter. In 1932 he also joins the Gate Theatre company, appearing with them in many notable productions over the years. In 1947, he forms his own company and stages productions in Dublin, Paris and New York.

In 1963, Cusack joins the Royal Shakespeare Company in London and appears there for several seasons. By this stage he has established a successful career in films, which had started at the age of eight. Also in 1963, he wins a Jacob’s Award for his performance in the Telefís Éireann production of Triptych. He receives honorary degrees in 1977 and 1980 from the National University of Ireland (NUI) and the University of Dublin respectively.

Cusack, who is bilingual in English and Irish, has a leading role in the controversial Irish language film Poitín (1977). He is also offered the role of the First Doctor in Doctor Who.

Cusack’s last stage performance is in Anton Chekhov‘s Three Sisters (1990), in which three of his daughters play the sisters.

Cusack is twice married, firstly to Mary Margaret “Maureen” Kiely (1920–1977), on April 5, 1945. Together they have five children: Paul (1946), Sinéad (1948), Sorcha (1949), Niamh (1959), and Pádraig (1962). He and his second wife, Mary Rose Cunningham (1979–1993), have one daughter, Catherine (1968).

In later life, Cusack becomes a campaigner for conservative causes in Ireland, notably in his opposition to abortion, where he becomes a frequent letter-writer to the main liberal Irish newspaper, The Irish Times. Regarding his Catholic faith, he comments “Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.” His religious credentials come under scrutiny following his death and the revelation that he had been unfaithful in his first marriage, with a long-term mistress, Mary Rose Cunningham. He marries Cunningham following his first wife’s death.

Cusack is a longtime friend of Attorney General of Ireland, Chief Justice of Ireland and fifth President of Ireland Cearbhall Ó Dálaigh, whom he got to know when they were students at University College Dublin in the early 1930s.

On October 7, 1993, Cusack dies at the age of 82 at home in Chiswick, Greater London, from amyotrophic lateral sclerosis (ALS). His acting career had lasted 75 years.

Cusack is the maternal grandfather of Irish Socialist Workers Party Teachta Dála (TD) Richard Boyd Barrett and English actor Max Irons.


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Birth of Charlie McCreevy, Fianna Fáil Politician

Charles McCreevy, former Fianna Fáil politician, is born in Sallins, County Kildare, on September 30, 1949. He serves as European Commissioner for Internal Market from 2004 to 2010, Minister for Finance from 1997 to 2004, Minister for Tourism, Transport and Communication from 1993 to 1994 and Minister for Social Welfare from 1992 to 1993. He also serves as a Teachta Dála (TD) for the Kildare constituency (and later the Kildare North constituency) from 1977 to 2004.

McCreevy is educated locally at Naas by the Congregation of Christian Brothers, and later at the fee paying Franciscan Gormanston College. He studies Commerce at University College Dublin and goes on to become a chartered accountant. His family background is modest, his father and ancestors since the late 18th century are lockkeepers on the Grand Canal, a job carried on by his mother after the death of his father, when McCreevy is four years old.

McCreevy’s political career begins with when he wins a seat in the Kildare constituency at the 1977 Irish general election, which is a landslide for Charles Haughey‘s supporters in Fianna Fáil and he is re-elected at every subsequent election until he joins the European Commission. Between 1979 and 1985, he serves as an elected member of the Kildare County Council.

In the 1979 Fianna Fáil leadership election, McCreevy strongly supports the controversial Charles Haughey, who narrowly wins the post. However, in a time of severe budgetary difficulties for Ireland, he soon becomes disillusioned with the new Taoiseach and his fiscal policies. In October 1982, he launches a motion of no-confidence in the party leader, which evolves into a leadership challenge by Desmond O’Malley. In an open ballot and supported by only 21 of his 79 colleagues, the motion fails and McCreevy is temporarily expelled from the parliamentary party.

In later years O’Malley is expelled from Fianna Fáil itself and forms the Progressive Democrats (PDs), espousing conservative fiscal policies. Although considered ideologically close to the PDs, and a personal friend of its erstwhile leader, Mary Harney, McCreevy chooses to remain a member of Fianna Fáil, where he eventually serves in joint FF-PD Governments.

For his first 15 years as TD, while Haughey remains leader, McCreevy remains a backbencher. In 1992, Albert Reynolds becomes Taoiseach and McCreevy is appointed Minister for Social Welfare. In this role, he is principally remembered for a set of 12 cost-cutting measures, collectively termed the “dirty dozen”, which are arguably minor in their direct impact but provide a major political headache for his party in the 1992 Irish general election.

In 1993, McCreevy becomes Minister for Tourism, Transport and Communication, which he holds until the government falls in December 1994. In opposition under new Fianna Fáil leader Bertie Ahern, he is appointed Opposition Spokesperson for Finance. In this role he is viewed as actively pro-enterprise, anti-spending and a key advocate for tax cuts.

In 1997, Fianna Fáil returns to power and McCreevy becomes Minister for Finance. His period coincides with the era of the “Celtic Tiger,” which sees the rapid growth of the Irish economy due to social partnership between employers, government and unions, increased female participation in the labour force, decades of tuition-free secondary education, targeting of foreign direct investment, a low corporation tax rate, an English-speaking workforce only five time-zones from New York City, and membership of the European Union – which provides payments for infrastructural development, export access to the European Single Market and a Eurozone country. He is a consistent advocate of cutting taxes and spending.

In 2004, McCreevy is selected by the Government of Ireland to replace David Byrne as Ireland’s European Commissioner. He is appointed to the Internal Market and Services portfolio, by President of the European Commission José Manuel Barroso. At his confirmation hearings in the European Parliament MEPs describe him as “fluent and relaxed.” He also informs them that he has campaigned for the ratification of every European Treaty since 1972.

In October 2007, McCreevy, commenting on the Northern Rock bank’s loss of investor confidence, claims that banking regulations in the UK, which forces banks to be open to scrutiny from outside investors, caused the panic. He says if access to the bank’s dealings had been restricted, then the trouble could have been avoided.

Irish constitutional law requires a referendum to alter the constitution for such a major change as the adoption of the Treaty of Lisbon. Interviewed beforehand, McCreevy says that he has not read the Treaty in full himself, though he understands and endorses it. The referendum is held on June 12, 2008, and the Irish electorate does not approve the Treaty. He is heavily criticised in the European Parliament and by the leader of the Socialist group in the European Parliament, Martin Schulz, who demands on June 17, 2008, that McCreevy be removed as a European Commissioner. Schulz slightly misquotes McCreevy, whom he stated had contributed to Ireland’s rejection of the Treaty of Lisbon with remarks during the referendum campaign that no “sane person” would read the document.

Following McCreevy’s departure from the commission, he is forced to resign from the board of a new banking firm, NBNK Investments, after an EU ethics committee finds a conflict of interest with his work as a European Commissioner in charge of financial regulation.


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Death of Short Story Writer Michael Banim

Michael Banim, Irish short story writer and brother of John Banim, dies in Booterstown, a coastal suburb of Dublin, on August 30, 1874.

Banim is born in Kilkenny, County Kilkenny on August 5, 1796. He is educated at Dr. Magrath’s Catholic school. He goes on to study for the bar, but a decline in his father’s business causes him to retire from his studies. He returns home to take over the family business, which he returns to prosperity, restoring his parents to comfort, both material and mental. In 1826 he visits John in London, making the acquaintance of many distinguished men of letters. When the struggle for Catholic emancipation is at its height, he works energetically for the cause.

Around 1822, Banim’s brother John broaches his idea for a series of national tales. He assists John in the O’Hara Tales, where he uses the name “Abel O’Hara,” and there is difficulty in allocating their respective contributions. While John is the more experienced writer, Michael provides material based on his social observations. They revise each other’s work. He writes in such hours as he can snatch from business and is the principal author of about thirteen out of the twenty-four works attributed to the brothers, including Crohoore of the Bill-Hook, The Croppy, and Father Connell. He is amiable, unambitious, modest, and generous to a degree. He keeps himself in the background, letting his younger brother have all the honor of their joint production. In 1828 he has the honor of a visit from the Comte de Montalembert, who has read the O’Hara Tales and is then on a tour through Ireland.

When his brother John is struck down by illness, Banim writes and earnestly invites him to return to Kilkenny and share his home. “You speak a great deal too much,” he observes in one letter, “about what you think you owe me. As you are my brother, never allude to it again. My creed on this subject is, that one brother should not want while the other can supply him.” However, John remains in France, seeking medical care in Paris.

Following his brother’s death in 1842, Banim writes Clough Fionn (1852), and The Town of the Cascades (1864). In 1861 he writes prefaces and notes for a reprint of the “O’Hara” novels by the publishing firm William H. Sadlier, Inc. of New York City. Besides their desire to give a true picture of their country, still crippled and prostrate from the effects of the Penal Laws, the Banims are undoubtedly influenced by the Romantic movement, then at its height.

In 1840, Banim marries Catherine O’Dwyer with whom he has two daughters, Mathilde and Mary. Although a man of means, in less than a year he loses almost the whole of his fortune through the failure of a merchant. Poor health follows. He is appointed postmaster of Kilkenny in 1852, a position he holds until illness forces him to retire in 1873. He also serves a term as mayor. His health failing, he goes with his family to reside at Booterstown, near Dublin, where he dies on August 30, 1874. His widow is granted a civil list pension.


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Death of Irish Folk Musician Tommy Makem

Thomas “Tommy” Makem, internationally celebrated Irish folk musician, artist, poet and storyteller, dies in Dover, New Hampshire, on August 1, 2007, following a lengthy battle with lung cancer.

Makem is born in Keady, County Armagh, on November 4, 1932. He is best known as a member of The Clancy Brothers and Tommy Makem. He plays the long-necked 5-string banjo, tin whistle, low whistle, guitar, bodhrán and bagpipes, and sings in a distinctive baritone. He is sometimes known as “The Bard of Armagh,” taken from a traditional song of the same name, and “The Godfather of Irish Music.”

Makem’s mother, Sarah Makem, is an important source of traditional Irish music, who is visited and recorded by, among others, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy and Sean O’Boyle. His father, Peter Makem, is a fiddler who also plays the bass drum in a local pipe band named “Oliver Plunkett,” after a Roman Catholic martyr of the reign of Charles II of England. His brother and sister are folk musicians as well. Makem, from the age of eight, is member of the St. Patrick’s church choir for 15 years where he sings Gregorian chant and motets. He does not learn to read music but he makes it in his “own way.”

Makem starts to work at 14 as a clerk in a garage and later he works for a while as a barman at Mone’s Bar, a local pub, and as a local correspondent for The Armagh Observer.

Makem emigrates to the United States in 1955, carrying his few possessions and a set of bagpipes from his time in a pipe band. Arriving in Dover, New Hampshire, he works at Kidder Press, where his hand was accidentally crushed by a press in 1956. With his arm in a sling, he leaves Dover for New York City to pursue an acting career.

The Clancys and Makem are signed to Columbia Records in 1961. The same year, at the Newport Folk Festival, Makem and Joan Baez are named the most promising newcomers on the American folk scene. During the 1960s, the Clancy Brothers and Tommy Makem perform sellout concerts at such venues as Carnegie Hall, and make television appearances on shows like The Ed Sullivan Show and The Tonight Show. The group performs for President John F. Kennedy. They also play in smaller venues such as the Gate of Horn in Chicago. They appear jointly in the UK Albums Chart in April 1966, when Isn’t It Grand Boys reaches number 22.

Makem leaves the group in 1969 to pursue a solo career. In 1975, he and Liam Clancy are both booked to play a folk festival in Cleveland, Ohio, and are persuaded to do a set together. Thereafter they often perform as Makem and Clancy, recording several albums together. He once again goes solo in 1988. Throughout the 1970s and 1980s he performs both solo and with Liam Clancy on The Irish Rovers‘ various television shows, which are filming in Canada and Ireland.

In the 1980s and 1990s, Makem is a principal in a well-known Irish music venue in New York, “Tommy Makem’s Irish Pavilion.” This East 57th Street club is a prominent and well-loved performance spot for a wide range of musicians. Among the performers and visitors are Paddy Reilly, Joe Burke, and Ronnie Gilbert. Makem is a regular performer, often solo and often as part of Makem and Clancy, particularly in the late fall and holiday season. The club is also used for warm-up performances in the weeks before the 1984 reunion concert of The Clancy Brothers and Tommy Makem at Lincoln Center for the Performing Arts. In addition, the after-party for Bob Dylan‘s legendary 30th Anniversary Concert Celebration at Madison Square Garden in 1992 is held at the Irish Pavilion.

In 1997 Makem writes a book, Tommy Makem’s Secret Ireland, and in 1999 premiers a one-man theatre show, Invasions and Legacies, in New York. His career includes various other acting, video, composition, and writing credits. He also establishes the Tommy Makem International Festival of Song in South Armagh in 2000.

Tommy Makem dies in Dover, New Hampshire, on August 1, 2007, following a lengthy battle with lung cancer. He continues to record and perform until very close to the end. Paying tribute to him after his death, Liam Clancy says, “He was my brother in every way.” He is buried next to his wife at New Saint Mary Cemetery in Dover.


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Death of Ulysses S. Grant, 18th President of the United States

Ulysses S. Grant, American military leader who serves as the 18th president of the United States (1869 to 1877), dies on July 23, 1883, after a long and painful battle with throat cancer.

Grant is born Hiram Ulysses Grant in Point Pleasant, Ohio, on April 27, 1822, to Jesse Root Grant, a tanner and merchant, and Hannah Simpson Grant. His mother descends from Presbyterian immigrants from Ballygawley, County Tyrone.

Raised in Ohio, Grant possesses an exceptional ability with horses, which serves him well through his military career. He is admitted to West Point, graduates 21st in the class of 1843 and serves with distinction in the Mexican–American War. In 1848, he marries Julia Dent, and together they have four children. He abruptly resigns his army commission in 1854 and returns to his family but lives in poverty for seven years.

Grant joins the Union Army after the American Civil War breaks out in 1861 and rises to prominence after winning several early Union victories on the Western Theater. In 1863 he leads the Vicksburg campaign, which gains control of the Mississippi River. President Abraham Lincoln promotes him to lieutenant general after his victory at Chattanooga. For thirteen months, he fights Robert E. Lee during the high-casualty Overland Campaign and at Petersburg. On April 9, 1865, Lee surrenders to Grant at Appomattox. A week later, Lincoln is assassinated and is succeeded by Andrew Johnson, who promotes him to General of the Army in 1866. Later he openly breaks with Johnson over Reconstruction policies as he used the Reconstruction Acts, which had been passed over Johnson’s veto, to enforce civil rights for recently freed African Americans.

A war hero, drawn in by his sense of duty, Grant is unanimously nominated by the Republican Party and is elected president in 1868. As president, Grant stabilizes the post-war national economy, supports ratification of the Fifteenth Amendment, and crushes the Ku Klux Klan. He appoints African Americans and Jewish Americans to prominent federal offices. In 1871, to help reduce federal patronage, he creates the first Civil Service Commission. The Liberal Republicans and Democrats unite behind his opponent in the 1872 presidential election, but he is handily re-elected. His Native American policy is to assimilate Indians into the White culture. The Great Sioux War of 1876 is fought during his term. In his foreign policy, the Alabama claims against Great Britain are peacefully resolved, but his prized Caribbean Dominican Republic annexation is rejected by the United States Senate.

Grant’s responses to corruption charges, in his federal departments rife with scandal, are mixed, often naïvely defending the culprits, particularly his war-time comrade Orville E. Babcock. But he also appoints cabinet reformers, such as John Brooks Henderson, for the prosecution of the Whiskey Ring. The Panic of 1873 plunges the nation into a severe economic depression that allows the Democrats to win the House majority. In the intensely disputed 1876 presidential election, he facilitates the approval by Congress of a peaceful compromise.

In his retirement, Grant is the first president to circumnavigate the world on his tour, meeting with Queen Victoria and many prominent foreign leaders. In 1880, he is unsuccessful in obtaining the Republican presidential nomination for a third term. In the final year of his life, facing severe financial reversals and dying of throat cancer, he writes his memoirs, which prove to be a major critical and financial success.

After a year-long struggle with throat cancer, surrounded by his family, Grant dies at 8:08 AM at his Mount McGregor cottage on July 23, 1885, at the age of 63. Philip Sheridan, then Commanding General of the Army, orders a day-long tribute to Grant on all military posts, and President Grover Cleveland orders a thirty-day nationwide period of mourning. After private services, the honor guard places Grant’s body on a special funeral train, which travels to West Point and New York City. A quarter of a million people view it in the two days before the funeral. Tens of thousands of men, many of them veterans from the Grand Army of the Republic (GAR), march with Grant’s casket drawn by two dozen black stallions to Riverside Park in the Morningside Heights neighborhood of Upper Manhattan. His pallbearers include Union generals William Tecumseh Sherman and Philip Sheridan, Confederate generals Simon Bolivar Buckner and Joseph E. Johnston, Admiral David Dixon Porter, and Senator John A. Logan, the head of the GAR. Following the casket in the seven-mile-long procession are President Cleveland, the two living former presidents Rutherford B. Hayes and Chester A. Arthur, all of the President’s Cabinet, as well as the justices of the Supreme Court.

Attendance at the New York funeral tops 1.5 million. Ceremonies are held in other major cities around the country, while Grant is eulogized in the press and likened to George Washington and Abraham Lincoln. His body is laid to rest in a temporary tomb in Riverside Park. Twelve years later, on April 17, 1897, he is reinterred in the General Grant National Memorial, also known as “Grant’s Tomb,” the largest mausoleum in North America.


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Birth of Joseph Campbell, Poet & Lyricist

Joseph Campbell, Irish poet and lyricist, is born in Belfast on July 15, 1879. He writes under the Gaelic form of his name Seosamh Mac Cathmhaoil (also Seosamh MacCathmhaoil), as Campbell is a common anglicisation of the old Irish name MacCathmhaoil. He is now remembered best for words he supplied to traditional airs, such as “My Lagan Love” and “Gartan Mother’s Lullaby.” His verse is also set to music by Arnold Bax and Ivor Gurney.

Campbell is born into a Catholic and Irish nationalist family from County Down. He is educated at St. Malachy’s College, Belfast. After working for his father he teaches for a while. He travels to Dublin in 1902, meeting leading nationalist figures. His literary activities begin with songs, as a collector in Antrim, County Antrim and working with the composer Herbert Hughes. He is then a founder of the Ulster Literary Theatre in 1904. He contributes a play, The Little Cowherd of Slainge, and several articles to its journal Uladh edited by Bulmer Hobson. The Little Cowherd of Slainge is performed by the Ulster Literary Theatre at the Clarence Place Hall in Belfast on May 4, 1905, along with Lewis Purcell’s The Enthusiast.

Campbell moves to Dublin in 1905 and, failing to find work, moves to London the following year where he is involved in Irish literary activities while working as a teacher. He marries Nancy Maude in 1910, and they move shortly thereafter to Dublin, and then later to County Wicklow. His play Judgement is performed at the Abbey Theatre in April 1912.

Campbell takes part as a supporter in the Easter Rising of 1916, doing rescue work. The following year he publishes a translation from Irish of the short stories of Patrick Pearse, one of the leaders of the Rising.

Campbell becomes a Sinn Féin Councillor in Wicklow in 1921. Later in the Irish Civil War he is on the Republican side, and is interned in 1922-23. His marriage breaks up, and he emigrates to the United States in 1925 where he settles in New York City. He lectures at Fordham University, and works in academic Irish studies, founding the University’s School of Irish Studies in 1928, which lasts four years. He is the editor of The Irish Review (1934), a short lived “magazine of Irish expression.” The business manager is George Lennon, former Officer Commanding of the County Waterford Flying Column during the Irish War of Independence. The managing editor is Lennon’s brother-in-law, George H. Sherwood.

Campbell returns to Ireland in 1939, settling at Glencree, County Wicklow. He dies at Lacken Daragh, Enniskerry, County Wicklow on June 6, 1944.


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Birth of Sean Scully, Painter, Printmaker, Sculptor & Photographer

Sean Scully, Irish-born American-based artist working as a painter, printmaker, sculptor and photographer, is born in Dublin on June 30, 1945. His work is held in museum collections worldwide and he has twice been named a Turner Prize nominee.

Four years after his birth, Scully’s family moves to London where they live in a working-class part of South London, moving from lodging to lodging for a number of years. By the age of 9, he knows he wants to become an artist. From the age of 15 until he is 17, he is apprenticed at a commercial printing shop in London as a typesetter, an experience that greatly influences his future artwork.

Scully studies at Croydon School of Art between 1965-67 and at Newcastle University between 1967-71. He is awarded the Frank Knox Memorial Fellowship in 1972 to attend Harvard University. It is during this first stay in the United States that he begins to experiment with new techniques such as tape and spray paint. In 1975 he is awarded a Harkness Fellowship and establishes a studio in New York, where he settles, becoming an American citizen in 1983.

Over the years, Scully develops and refines his own recognisable style of geometric abstraction and most notably his characteristic motif of the ‘stripe.’ Although he is predominately known for his monumental paintings, he is also a gifted printmaker who has made a notable body of woodcuts and etchings.

Scully has his first solo exhibition at the Rowan Gallery, London in 1973. He has his first retrospective at the Ikon Gallery in Brindleyplace, Birmingham, in 1981, which travels throughout the United Kingdom. In 1989 his first solo exhibition in a European museum travels from the Whitechapel Gallery in London to Palacio Velázquez in Madrid and Städtische Galerie im Lenbachhaus in Munich. He has further solo exhibitions at Kunstsammlung Nordrhein Westfalen in Düsseldorf (2001) which travels to Haus der Kunst in Munich and the Institut Valencià d’Art Modern in Valencia; The Phillips Collection in Washington, D.C. (2005) travels to the Modern Art Museum of Fort Worth in Texas, the Cincinnati Art Museum in Ohio and finally the Metropolitan Museum of Art in New York City. A major retrospective tours multiple venues in China between 2015 and 2017.

Scully’s paintings and prints are held in the collections of Tate in London, the Albertina in Vienna, Museo Nacional Centro de Arte Reina Sofía in Madrid, Instituto Valencia d’Arte Modern in Valencia, the Metropolitan Museum of Art and the Solomon R. Guggenheim Museum in New York City, the National Gallery of Art in Washington D.C., Modern Art Museum of Fort Worth in Texas, Guangzhou Museum of Art in Guangzhou, China, and the Central Academy of Fine Arts in Beijing, China.

Scully has held teaching positions at Chelsea College of Arts and Goldsmith’s College of Art and Design, both in London, Princeton University in New Jersey, Parsons School of Design in New York, and most recently at the Akademie der Bildenden Künste in Munich. He is shortlisted for the Turner Prize in 1989 and in 1993, and is elected a Royal Academician in 2013. He participates for the first time at the Venice Biennale in 2014.

Sean Scully lives and works in New York and in Bavaria, Germany.


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Death of Frank Harte, Traditional Irish Singer

Frank Harte, traditional Irish singer, music collector, architect and lecturer, dies of a heart attack on June 27, 2005.

Harte is born in Chapelizod, County Dublin on May 14, 1933. He emigrates to the United States for a short period, but later returns to Ireland where he works as an architect, lecturer at Dublin Institute of Technology in Rathmines, Dublin and in later life fully engages in songs in many ways.

Harte’s introduction to Irish traditional singing comes from a chance listening to an itinerant who is selling ballad sheets at a fair in Boyle, County Roscommon. He begins collecting early in life and by the end of his life has assembled a database of over 15,500 recordings.

Harte becomes a great exponent of the Dublin street ballad, which he prefers to sing unaccompanied. He is widely known for his distinctive singing, his Dublin accent having a rich nasal quality complementing his often high register. His voice mellows considerably by the time of his later recordings, allowing for an expressive interpretation of many love songs such as “Bonny Light Horseman” on the album My Name is Napoleon Bonaparte. This is contrasted sublimely by his cogent interpretation of the popular “Molly Malone.” He also becomes more accustomed to singing with accompaniment which is not strictly part of the Irish singing tradition and does not come naturally to him.

Though Irish Republican in his politics, Harte believes that the Irish song tradition need not be a sectarian or nationalist preserve. He believes that songs are a key to understanding the past often saying, “those in power write the history, while those who suffer write the songs, and, given our history, we have an awful lot of songs.” Though considered a stalwart of traditional Irish singing and well aware of it, he does not consider himself to be a sean-nós singer.

Harte wins the All-Ireland Fleadh Cheoil singing competition on a number of occasions and in 2003 receives the Traditional Singer of the Year award from the Irish-language television channel TG4.

Harte records several albums and makes numerous television and radio appearances, most notably the Singing Voices series he writes and presents for RTÉ Radio, which is produced by Peter Browne in 1987. He is a regular at the Sunday morning sessions at The Brazen Head pub, along with Liam Weldon who runs the session. He is also an enthusiastic supporter of An Góilín Traditional Singer’s Club.

Harte appears at many American festivals including The Blarney Star in New York City, Gaelic Roots in Boston College, The Catskills Irish Arts Week, The Greater Washington Ceili Club Festival in Maryland and the Milwaukee Irish Fest and for seventeen years he is a veritable staple at the Irish Week every July in the Augusta Heritage Festival in Elkins, West Virginia where he often performs with Mick Moloney.

Frank Harte dies of a heart attack, aged 72, on June 27, 2005. His influence is still evident in singers such as Karan Casey and he continues to be remembered fondly in sessions and folk clubs on both sides of the Irish Sea.


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Death of Myles Walter Keogh, Last Man Killed at the Battle of Little Big Horn

Myles Walter Keogh, soldier in the United States Army, is the last man killed at the Battle of Little Big Horn on June 25, 1876, according to the Sioux. His horse is the only U.S. survivor.

Keogh is born in Orchard House in Leighlinbridge, County Carlow, on March 25, 1840. He attends the National School in Leighlinbridge and is long thought to have attended St. Patrick’s College in Carlow but that college has no record of his attendance. It is possible that he attends St. Mary’s Knockbeg College.

By 1860, a twenty-year-old Keogh volunteers, along with over one thousand of his countrymen, to rally to the defence of Pope Pius IX following a call to arms by the Catholic clergy in Ireland. By August 1860, Keogh is appointed second lieutenant of his unit in the Battalion of St. Patrick, Papal Army under the command of General Christophe Léon Louis Juchault de Lamoricière. Once the fighting is over and duties of the Pontifical Swiss Guard become more mundane, Keogh sees little purpose in remaining in Rome. In March 1862, with civil war raging in America, he resigns his commission in the Company of St. Patrick and sets out for New York City, arriving on April 2.

Keogh actively participates in several prominent American Civil War battles including the Shenandoah Valley, the Battle of Antietam, the Battle of Fredericksburg, and the Battle of Gettysburg.

Perhaps the strongest testimony to Keogh’s bravery and leadership ability comes at the Battle of the Little Bighorn, also known as Custer’s Last Stand, on June 25, 1876. The senior captain among the five companies wiped out with General George Armstrong Custer that day, and commanding one of two squadrons within the Custer detachment, Keogh dies in a “last stand” of his own, surrounded by the men of Company I. When the sun-blackened and dismembered dead are buried three days later, Keogh’s body is found at the center of a group of troopers. The slain officer is stripped but not mutilated, perhaps because of the “medicine” the Indians see in the Agnus Dei (“Lamb of God”) he wears on a chain about his neck or because many of Sitting Bull‘s warriors are believed to be Catholic. Keogh’s left knee has been shattered by a bullet that corresponds to a wound through the chest and flank of his horse, indicating that horse and rider may have fallen together prior to the last rally.

The badly injured animal is found on the fatal battlefield and nursed back to health as the 7th Cavalry’s regimental mascot, which he remains until his death in 1890. This horse, Comanche, is considered the only U.S. military survivor of the battle, though several other badly wounded horses are found and destroyed at the scene. Keogh’s bloody gauntlet and the guidon of his Company I are recovered by the army three months after Little Bighorn at the Battle of Slim Buttes.

Originally buried on the battlefield, Keogh’s remains are disinterred and taken to Auburn, New York as he had requested in his will. He is buried at Fort Hill Cemetery on October 26, 1877, an occasion marked by citywide official mourning and an impressive military procession to the cemetery.

Tongue River Cantonment in southeastern Montana is renamed after him to be Fort Keogh. The fort is first commanded by Nelson A. Miles. The 55,000-acre fort is today an agricultural experiment station. Miles City, Montana is located two miles from the old fort.


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Death of Brigadier General Robert Nugent of the U.S. Army

Brigadier General Robert Nugent, Irish-born American United States Army officer during the American Civil War and the Indian Wars, dies at the age of 76 in Brooklyn, New York on June 20, 1901.

Born in Kilkeel, County Down on June 27, 1824, Nugent serves with the 69th New York Infantry Regiment, from its days as a militia unit and into its incorporation into the Union Army at the start of the war and is one of its senior officers at the First Battle of Bull Run.

When the unit is originally mustered out of service, the 90-day enlistment terms having expired, Nugent accepts a commission as a captain in the regular army. He is immediately assigned to the 13th Infantry Regiment whose commanding officer, General William Tecumseh Sherman, personally requests. Taking a leave of absence to return to New York, he assists Thomas Francis Meagher in organizing the Irish Brigade. The newly reformed 69th Infantry Regiment is the first unit assigned to the Irish Brigade and, with Nugent as its colonel, he leads the “Fighting 69th” at the Battles of Seven Pines, Gaines’ Mill, Savage’s Station, White Oak Swamp, Glendale, and Malvern Hill.

Nugent is wounded, shot in the stomach, at the Battle of Fredericksburg and is eventually forced to resign his command. He is appointed acting assistant provost marshal for the southern district of New York, which includes New York City and Long Island, by the U.S. Department of War. An Irishman and Democrat, his appointment is thought to assure the Irish American population that conscription efforts would be carried out fairly. The Irish-American, a popular Irish language newspaper, writes that the selection is a “wise and deservedly popular one.” He does encounter resistance from city officials wanting him to remain uninvolved, however by mid-June he reports to his superior officer and provost marshal general Colonel James Fry that conscription efforts are “nearing completion without serious incident.”

Understanding the seriousness of the situation, Nugent attempts to keep the draft selections quiet and in isolated parts of the city. In Manhattan however, lotteries are placed in the heart of Irish tenement and shanty neighborhoods where the draft is most opposed.

In the ensuing New York City draft riots, Nugent takes command of troops and attempts to defend the city against the rioters. Despite issuing the cancellation of the draft, the riots continue for almost a week. His home on West 86th Street is looted and burned by the rioters during that time, his wife and children barely escaping from their home. Upon breaking into his house, furniture is destroyed, and paintings of Nugent and Meagher are slashed, although Brigadier General Michael Corcoran‘s is left untouched.

On October 28, Nugent is relieved of his post and succeeded by General William Hayes. Returning to active duty, he assumes command of the Irish Brigade in November 1864, shortly after the death of Corcoran, and is present at the Battle of Spotsylvania Court House, the Siege of Petersburg and the Appomattox campaign. As its last commanding officer, he and the Irish Brigade also march in the victory parade held in Washington, D.C. following Robert E. Lee‘s surrender at Appomattox Court House.

Nugent is brevetted Brigadier General for distinguished leadership of the 69th Regiment on March 13, 1865. The veterans of the Irish Brigade are honorably discharged and mustered out three months later. Nugent, however, remains in the regular U.S. Army for the next twenty years, a formidable “Indian fighter” during the America Indian Wars with the 13th and 24th Infantry Regiments. In 1879, he retires at the rank of major and resides in New York where he is involved in the Grand Army of the Republic, the War Veterans’ Association of the 7th Regiment and an honorary member of The Old Guard.

Nugent becomes ill in his old age, complications arising from his wounds suffered at Fredericksburg, and remains bedridden for two months before his death at his McDonough Street home in Brooklyn on June 20, 1901. In accordance with his last wishes, he is buried at Cypress Hills National Cemetery, located in the Cypress Hills neighborhood of Brooklyn.