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Birth of Frank Harris, Journalist & Novelist

frank-harris

Frank Harris, Irish American editor, novelist, short story writer, journalist and publisher, is born James Thomas Harris to Welsh parents in Galway, County Galway on February 14, 1855. He is friendly with many well-known figures of his day.

Harris’s father, Thomas Vernon Harris, is a naval officer from Fishguard, Pembrokeshire, Wales. While living with his older brother he is, for a year or more, a pupil at The Royal School, Armagh. At the age of twelve he is sent to Wales to continue his education as a boarder at the Ruabon Grammar School in Denbighshire, a time he is to remember later in My Life and Loves. He is unhappy at the school and runs away within a year.

Harris runs away to the United States in late 1869, arriving in New York City virtually penniless. The 13-year-old takes a series of odd jobs to support himself, working first as a shoeshiner, a porter, a general laborer, and a construction worker on the erection of the Brooklyn Bridge. He later turns these early occupational experiences into art, incorporating tales from them into his book The Bomb (1908).

From New York Harris moves to Chicago, where he takes a job as a hotel clerk and eventually a manager. Owing to Chicago’s central place in the meat packing industry, he makes the acquaintance of various cattlemen, who inspire him to leave the big city to take up work as a cowboy. He eventually grows tired of life in the cattle industry and enrolls at the University of Kansas, where he studies law and earns a degree, gaining admission to the Kansas Bar Association.

Harris is not cut out to be a lawyer and soon decides to turn his attention to literature. He returns to England in 1882, later traveling to various cities in Germany, Austria, France, and Greece on his literary quest. He works briefly as an American newspaper correspondent before settling down in England to seriously pursue the vocation of journalism.

Harris first comes to general notice as the editor of a series of London papers including The Evening News, The Fortnightly Review and the Saturday Review, the latter being the high point of his journalistic career, with H. G. Wells and George Bernard Shaw as regular contributors.

From 1908 to 1914 Harris concentrates on working as a novelist, authoring a series of popular books such as The Bomb, The Man Shakespeare, and The Yellow Ticket and Other Stories. With the advent of World War I in the summer of 1914, he decides to return to the United States.

From 1916 to 1922 Harris edits the U.S. edition of Pearson’s Magazine, a popular monthly which combines short story fiction with socialist-tinted features on contemporary news topics. One issue of the publication is banned from the mails by United States Postmaster General Albert S. Burleson during the period of American participation in World War I. Despite this Harris manages to navigate the delicate situation which faces the left-wing press and keeps Pearson’s Magazine functioning and solvent during the war years.

Harris becomes an American citizen in April 1921. In 1922 he travels to Berlin to publish his best-known work, his four-volume autobiography My Life and Loves (1922–1927). It is notorious for its graphic descriptions of his purported sexual encounters and for its exaggeration of the scope of his adventures and his role in history. A fifth volume, supposedly taken from his notes but of doubtful provenance, is published in 1954, long after his death.

Harris also writes short stories and novels, two books on William Shakespeare, a series of biographical sketches in five volumes under the title Contemporary Portraits and biographies of his friends Oscar Wilde and George Bernard Shaw. His attempts as a playwright are less successful. Only Mr. and Mrs. Daventry (1900), which is based on an idea by Oscar Wilde, is produced on the stage.

Married three times, Harris dies of a heart attack in Nice, France on August 26, 1931. He is buried at Cimetière Sainte-Marguerite, adjacent to the Cimetière Caucade, in Nice. Just after his death a biography written by Hugh Kingsmill (pseudonym of Hugh Kingsmill Lunn) is published.


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Death of Irish Artist John Butler Yeats

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John Butler Yeats, Irish artist and the father of William Butler Yeats, Lily Yeats, Elizabeth Corbett Yeats and Jack Butler Yeats, dies in New York City on February 3, 1922. The National Gallery of Ireland holds a number of his portraits in oil and works on paper, including one of his portraits of his son William, painted in 1900. His portrait of John O’Leary (1904) is considered his masterpiece.

Yeats is born on March 16, 1839, in Lawrencetown, County Down, in what is now Northern Ireland. His parents are William Butler Yeats (1806–1862) and Jane Grace Corbert. He is the eldest of nine children. Educated in Trinity College Dublin and a member of the University Philosophical Society, Yeats begins his career as a lawyer and junior assistant briefly with Isaac Butt before he takes up painting in 1867 and studies at the Heatherley School of Fine Art.

Yeats marries Susan Pollexfen (13 July 1841 – 3 January 1900) on September 10, 1863, at St. John’s Church in Sligo. Susan Yeats is dismayed when her husband abandons the study of law to become an artist. She is described as a “shadowy figure” who goes “quietly, pitifully, mad.” They have six children: William Butler Yeats, Susan Mary “Lily” Yeats, Elizabeth Corbett “Lolly” Yeats, Robert Corbet Yeats, John “Jack” Butler Yeats and Jane Grace Yeats.

There are few records of his sales, so there is no catalogue of his work in private collections. It is possible that some of his early work may have been destroyed by fire in World War II. It is clear that he has no trouble getting commissions as his sketches and oils are found in private homes in Ireland, England and the United States. His later portraits show great sensitivity to the sitter. However, he is a poor businessman and is never financially secure. He moves frequently and shifts several times between England and Ireland.

In 1907, at the age of 68, he travels to New York aboard the RMS Campania, with his daughter Lily, and never returns to Ireland. In October 1909 he moves into his final home, a boarding house run by the Petitpas sisters which is located at 317 West Twenty-Ninth Street. In New York, he is friendly with members of the Ashcan School of painters.

John Butler Yeats dies in the boarding house on February 3, 1922. Edmund Quinn makes a death mask which is now in the collection of the Yeats Society in Sligo. Yeats is buried in Chestertown Rural Cemetery in Chestertown, New York, next to his friend, Jeanne Robert Foster.


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Death of Architect Michael Scott

michael-scott

Michael Scott, Irish architect whose buildings include the Busáras building in Dublin, Cork Opera House, the Abbey Theatre and both Tullamore and Portlaoise Hospitals, dies on January 24, 1989.

Scott is born in Drogheda on June 24, 1905. His family originates in the province of Munster. His father, William Scott, is a school inspector from near Sneem on the Iveragh Peninsula in County Kerry. His mother is from County Cork. He is educated at Belvedere College in Dublin. There he first demonstrates his skills at painting and acting. Initially he wants to pursue a career as a painter, but his father points out that it might make more financial sense to become an architect.

Scott becomes an apprentice for the sum of £375 per annum to the Dublin architectural firm Jones and Kelly. He remains there from 1923 until 1926, where he studies under Alfred E. Jones. In the evenings after work, he also attends the Metropolitan School of Art and the Abbey School of Acting, and appears in many plays there until 1927, including the first productions of Seán O’Casey’s Juno and the Paycock and The Plough and the Stars. On completing his pupilage, he becomes an assistant to Charles James Dunlop and then has a brief spell as an assistant architect in the Office of Public Works.

In 1931 Scott partners with Norman D. Good to form Scott and Good, and they open an office in Dublin. They design the hospital at Tullamore (1934–1937) and Portlaoise General Hospital (1935). Between 1937 and 1938, he is the President of the Architectural Association of Ireland (AAI). He founds his company, Michael Scott Architects, in 1938. That same year he also designs his house Geragh, at Sandycove, County Dublin.

Scott’s most important pre-war commission is the Irish Pavilion for the 1939 New York World’s Fair. He produces a shamrock shaped building constructed in steel, concrete and glass. It is selected by an international jury as the best building in the show. As a result, he is presented with a silver medal for distinguished services and given honorary citizenship of the city of New York by then Mayor Fiorello H. La Guardia. Other better-known architects who design national pavilions for this World Fair include Alvar Aalto of Finland and Oscar Niemeyer of Brazil.

Scott has three major commissions from the Córas Iompair Éireann CIÉ, the Inchicore Chassis Works, the Donnybrook Bus Garage and, most famously, the Dublin Central Bus Station, to be known as àras Mhic Dhiarmada or Busáras. Though initially controversial, Busáras wins Scott the Royal Institute of the Architects of Ireland Triennial Gold Medal for Architecture.

Later, Ronnie Tallon and Robin Walker become partners, and the firm is renamed Scott Tallon Walker in 1975, shortly after the firm wins the Royal Institute of British Architects (RIBA) Royal Gold Medal.

Scott, who spends most of his life living at Sandycove Point, just south of Dún Laoghaire in south Dublin, dies in Dublin on January 24, 1989, and is buried near Sneem in County Kerry.


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Birth of Playwright Thomas Cornelius Murray

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Thomas Cornelius Murray, Irish dramatist who is closely associated with the Abbey Theatre, is born in Macroom, County Cork on January 17, 1873.

Murray is educated at St. Patrick’s Teacher Training College in Drumcondra, Dublin. He works as a schoolteacher and in 1900 is appointed headmaster of the national school in Rathduff, County Cork. His first play, The Wheel of Fortune, is produced in 1909 by the Little Theatre in Cork, a theatre he had co-founded with Daniel Corkery, Con O’Leary and Terence MacSwiney. The play is revised and renamed Sovereign Love in 1913. In 1915, he moves to Dublin as headmaster of the Model Schools at Inchicore, where he remains until his retirement from teaching in 1932.

Murray’s play Birthright is performed in the Abbey Theatre in 1910 and establishes him as a writer of force. In all, he writes fifteen plays, all of which are produced by the Abbey. His two most highly regarded works are Maurice Harte (1912) and Autumn Fire (1924). Both of these and Birthright are performed in New York City on Broadway, with Autumn Fire having a run of 71 performances. He also writes an autobiographical novel Spring Horizon (1937).

It has been stated both by A. DeGiacomo and by R. Allen Cave that, in the Art competitions at the 1924 Summer Olympics in Paris, France, Murray is awarded a bronze medal for his play Birthright. However, according to the official record for the games, although Murray is a participant in the literature category with this play and also with Maurice Harte, he does not win a medal.

T. C. Murray dies in Dublin on March 7, 1959.


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Birth of Sister Maura John Clarke

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Sister Maura John Clarke, Irish American Catholic Maryknoll sister who serves as a missionary in Nicaragua and El Salvador, is born Mary Elizabeth Clarke in Queens, New York on January 13, 1931, the eldest of three children.

Clarke’s parents, both born in Ireland, settle in Belle Harbor, Queens, New York in the late 1920s. She enters Maryknoll in 1950 and makes her first vows in 1953. Initially, she is attracted to Maryknoll by a deep desire “to become closer to God and to serve Him.”

After graduation from Maryknoll Teachers College in 1954, Sister Clarke is assigned to teach at St. Anthony’s Parish School in The Bronx. In 1959 her growing desire “to serve Him” is further strengthened with her assignment to Siuna, Nicaragua, as a teacher and then superior of the little community. She is in Managua from 1970 to 1976 where she ministers to the people, sharing with them in the cataclysmic earthquake of 1972. With them she works tirelessly, helping them rebuild their homes and establish basic Christian communities.

In 1977 Sister Clarke returns to the Center to serve on a Maryknoll Sisters World Awareness Team, working primarily along the East Coast of the United States. She is the same everywhere she serves – friendly, loving, generous, gentle, using her gifts and abilities tirelessly, and trusting that with God’s help she can do what is needed. When her term with the World Awareness Team ends early in 1980, she decides to return to Nicaragua.

In August 1980 emergency needs in El Salvador call Sister Clarke and she spends her first weeks there in Santa Ana. However, after Sister Carol Piette’s death, she volunteers immediately to accompany Sister Ita Ford in Chalatenango to minister to the poor and oppressed and the imprisoned.

When Sister Clarke comes to the Regional Assembly the day before Thanksgiving, November 26, 1980, she feels not only willing to return to El Salvador, but convinced that Chalatenango is the place where she can and will serve Christ’s poor. With Sister Ford she searches out the missing, prays with the families of prisoners, buries the dead, and works with the people in their struggle to break out of the bonds of oppression, poverty, and violence. Their days are filled with difficulty and fearful danger at times.

Sister Clarke returns with Sister Ford to El Salvador late in the afternoon of December 2, 1980. Two of their good friends and collaborators in mission meet them at the airport to take them back to Chalatenango. A few hours later she is beaten, raped, and murdered along with three fellow missionaries — Sister Ita Ford, Sister Dorothy Kazel and missionary Jean Donovan — by members of the military of El Salvador. She is buried in Chalatenango, El Salvador.


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Birth of Poet & Linguist Michael O’Siadhail

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Micheal O’Siadhail, poet and linguist, is born in Dublin on January 12, 1947. Among his awards are The Marten Toonder Prize and The Irish American Culture Institute Prize for Literature.

O’Siadhail is born into a middle-class Dublin family. His father, a chartered accountant, is born in County Monaghan and works most of his life in Dublin, and his mother is a Dubliner with roots in County Tipperary. Both of them are portrayed in his work in several poems such as “Kinsmen” and “Promise”. From the age of twelve, he is educated at the Jesuit boarding school Clongowes Wood College, an experience he is later to describe in a sequence of poems “Departure” (The Chosen Garden).

At Clongowes O’Siadhail is influenced by his English teacher, the writer Tom MacIntyre, who introduces him to contemporary poetry. At thirteen he first visits the Aran Islands. This pre-industrial society with its large-scale emigration has a profound impact on him. His earlier work reflects this tension between his love of his native Dublin and his emotional involvement with those outlying communities and which features in the sequence “Fists of Stone” (The Chosen Garden).

O’Siadhail studies at Trinity College Dublin (1964–68) where his teachers include David H. Greene and Máirtín Ó Cadhain. He is elected a Scholar of the College and takes a First-Class Honours Degree. His circle at Trinity includes David McConnell (later professor of genetics), Mary Robinson and David F. Ford (later Regius Professor of Divinity at the University of Cambridge). He subsequently embarks on a government exchange scholarship studying folklore and the Icelandic language at the University of Oslo. He retains lifelong contacts with Norwegian friends and sees Scandinavian literature as a major influence.

In 1970 O’Siadhail marries Bríd Ní Chearbhaill, who is born in Gweedore, County Donegal. She is for most of her life a teacher and later head mistress in an inner-city Dublin primary school until her retirement in 1995 due to Parkinson’s disease. She is a central figure in his oeuvre celebrated in the sequence “Rerooting” in The Chosen Garden and in Love Life, which is a meditation on their lifelong relationship. One Crimson Thread travels with the progression of her Parkinson’s Disease. She dies on June 17, 2013.

For seventeen years, O’Siadhail earns his living as an academic; firstly, as a lecturer at Trinity College (1969–73) where he is awarded a Master of Letters degree in 1971 and then as a research professor at the Dublin Institute for Advanced Studies. During these years he gives named lectures in Dublin and at Harvard University and Yale University and is a visiting professor at the University of Iceland in 1982. In 1987 he resigns his professorship to devote himself to writing poetry which he describes as “a quantum leap.”

During his years as an academic, O’Siadhail, writing under the Irish spelling of his name, published works on the linguistics of Irish and a textbook for learners of Irish.

O’Siadhail serves as a member of the Arts Council of the Republic of Ireland (1987–93), of the Advisory Committee on Cultural Relations (1989–97) and is editor of Poetry Ireland Review. He is the founding chairman of ILE (Ireland Literature Exchange). As a founder member of Aosdána (Academy of Distinguished Irish Artists) he is part of a circle of artists and works with his friend the composer Seóirse Bodley, the painters Cecil King and Mick O’Dea and in 2008 gives a reading as part of Brian Friel‘s eightieth birthday celebration.

O’Siadhail represents Ireland at the Poetry Society‘s European Poetry Festival in London in 1981 and at the Frankfurt Book Fair in 1997. He is writer-in-residence at the Yeats Summer School in 1991 and writer in residence at the University of British Columbia in 2002.

O’Siadhail is now married to Christina Weltz, who is a native of New York, and Assistant Professor of surgical oncology at Mount Sinai Hospital. They reside in New York.


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Death of Padraic Colum, Poet & Novelist

padraic-colum

Padraic Colum, Irish-born American poet, novelist, biographer, playwright, and children’s author whose lyrics capture the traditions and folklore of rural Ireland, dies in Enfield, Connecticut on January 11, 1972. He is one of the leading figures of the Irish Literary Revival.

Colum was born on December 8, 1881, in Columcille, County Longford, the first of eight children born to Patrick and Susan Columb. In 1892, the family moves to Glasthule, near Dublin and he attends the local national school. He starts writing after he finishes school and meets a number of the leading Irish writers of the time, including W. B. Yeats, Lady Gregory and Æ. He also joins the Gaelic League and is a member of the first board of the Abbey Theatre. He becomes a regular user of the National Library of Ireland, where he meets James Joyce and the two become lifelong friends.

Influenced by the literary activity of the Celtic revival centered in Dublin at the turn of the century, Colum publishes the collection of poetry Wild Earth (1907). He co-founds The Irish Review in 1911, then three years later settles permanently in the United States. His varied literary output includes volumes of poetry including Dramatic Legends (1922) and Creatures (1927), plays such as Broken Soil (first performed 1903) and The Land (1905), novels, anthologies of folklore and children’s books. The reminiscence Our Friend James Joyce (1959) is written with his wife Mary (Maguire), a well-known literary critic.

The Colums spent the years from 1930 to 1933 living in Paris and Nice, where Padraic renews his friendship with James Joyce and becomes involved in the transcription of Finnegans Wake. After their time in France, the couple moves to New York City, where they do some teaching at Columbia University and City College of New York. He is a prolific author and publishes a total of 61 books, not counting his plays. While in New York, he writes the screenplay for the 1954 stop-motion animated film Hansel and Gretel: An Opera Fantasy. It is his only screenplay.

Mary dies in 1957, and Colum completes Our Friend James Joyce, which they had worked on together. It is published in 1958. He divides his later years between the United States and Ireland. In 1961 the Catholic Library Association awards him the Regina Medal.

Padraic Colum dies on January 11, 1972, at the age of 90, in Enfield, Connecticut. He is buried in St. Fintan’s Cemetery in Sutton, Dublin.


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Death of William Sampson, United Irishman, Author & Lawyer

william-sampson

William Sampson, member of the Society of United Irishmen, author and Irish Protestant lawyer known for his defence of religious liberty in Ireland and the United States, dies in New York City on December 28, 1836.

Sampson is born in Derry, County Londonderry, to an affluent Anglican family. He attends Trinity College Dublin and studies law at Lincoln’s Inn in London. In his twenties, he briefly visits an uncle in North Carolina. In 1790 he marries Grace Clark, and they have two sons, William and John, and a daughter, Catherine Anne.

Admitted to the Irish Bar, Sampson becomes Junior Counsel to John Philpot Curran and helps him provide legal defences for many members of the Society of United Irishmen. A member of the Church of Ireland, he is disturbed by anti-Catholic violence and contributes writings to the Society’s newspapers. He is arrested at the time of the Irish Rebellion of 1798, imprisoned, and compelled to leave Ireland for exile in Europe.

Shipwrecked at Pwllheli in Wales, Sampson makes his way to exile in Porto, Portugal, where he is again arrested, imprisoned in Lisbon, and then expelled. After living some years in France, and then Hamburg, he flees to England ahead of the approach of Napoleon‘s armies where he is re-arrested. After unsuccessfully petitioning for a return to Ireland, he arrives in New York City on July 4, 1806.

In the United States, Sampson successfully continues his career in the law, eventually sending for his family. He sets up a business publishing detailed accounts of the court proceedings in cases with popular appeal. In 1809 he reports on the case of a Navy Lieutenant Renshaw prosecuted for dueling. That same year he handles a case against Amos and Demis Broad, accused of brutally beating their slave, Betty, and her 3-year-old daughter where Sampson succeeded in having both slaves manumitted. The authorities in Ireland had disbarred Sampson, which causes him some bitter amusement, as it does not affect his work in the United States.

Sampson’s most important case in the United States is in 1813 and is referred to as “The Catholic Question in America.” Police investigating the misdemeanor of receiving stolen goods question the suspects’ priest, the Reverend Mr. Kohlman. He declines to give any information that he has heard in confession. The priest is called to testify at the trial in the Court of General Sessions in the City of New York. He again declines. The issue whether to compel the testimony is fully briefed and carefully argued on both sides, with a detailed examination of the common law. In the end, the confessional privilege is accepted for the first time in a court of the United States.

William Sampson dies on December 28, 1836, and is buried in the Riker Family graveyard on Long Island in what is now East Elmhurst, Queens, New York. He is later reinterred in Green-Wood Cemetery in Brooklyn, where he is now buried in the same plot as Matilda Witherington Tone and William Theobald Wolfe Tone, the wife and son of the Irish revolutionary Wolfe Tone, and his daughter Catherine, the wife of William Theobald Wolfe Tone.


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Birth of Dion Boucicault, Playwright & Actor

dionysius-boucicault

Dionysius Lardner “Dion” Boucicault, Irish American playwright and actor and a major influence on the form and content of American drama, is born in Dublin on December 26, 1820.

Educated in England, Boucicault begins acting in 1837 and in 1840 submits his first play to Lucia Elizabeth Vestris at Covent Garden, however it is rejected. His second play, London Assurance (1841), which foreshadows the modern social drama, is a huge success and is frequently revived into the 20th century. Other notable early plays were Old Heads and Young Hearts (1844) and The Corsican Brothers (1852).

In 1853 Boucicault and his second wife, Agnes Robertson, arrive in New York City, where his plays and adaptations are long popular. He leads a movement of playwrights that produces in 1856 the first copyright law for drama in the United States. His play The Poor of New York, based on the panics of 1837 and 1857, has a long run at Wallack’s Theatre in 1857 and is presented elsewhere as, for example, The Poor of Liverpool. The Octoroon (1859) causes a sensation with its implied attack on slavery.

Boucicault and his actress wife join Laura Keene’s theatre in 1860 and begin a series of his popular Irish plays — The Colleen Bawn, or The Brides of Garryowen (1860), Arrah-na-Pogue (1864), The O’Dowd (1873), and The Shaughraun (1874). Returning to London in 1862, he provides Joseph Jefferson with a successful adaptation of Rip Van Winkle (1865). In 1872 he returns to the United States, where he remains, except for a trip to Australia that results in his third marriage (for which he renounced the legitimacy of his second marriage). Among his associates in the 1870s is the young David Belasco. At the time of his death on September 18, 1890, in New York City, he is a poorly paid teacher of acting. He is buried in Mount Hope Cemetery, Hastings, Westchester County, New York.

About 150 plays are credited to Boucicault, who, as both writer and actor, raises the stage Irishman from caricature to character. To the American drama he brings a careful construction and a keen observation and recording of detail. His concern with social themes prefigures the future development of drama in both Europe and America.

(Pictured: Dionysius Boucicault, taken 1890 or before. Photograph: Harvard Theatre Collection/Wikimedia Commons)


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Birth of John Kyan, Inventor in Wood Preservation

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John Howard Kyan, inventor of the ‘kyanising’ process for preserving wood, is born on November 27, 1774, in Dublin. His father, also John Howard Kyan, is the owner of valuable copper mines in County Wicklow. He is educated to take part in the management of the mines, but soon after he enters the company its fortunes decline, and in 1804 his father dies almost penniless.

For a time, Kyan is employed at some vinegar works at Newcastle upon Tyne, but subsequently removes to London. The decay of the timber supports in his father’s copper mines had already directed his attention to the question of preserving wood, and as early as 1812 he begins experiments with a view to discovering a method of preventing the decay. Eventually he finds that bichloride of mercury or corrosive sublimate, as it is commonly called, gives the best results and, without revealing the nature of the process, he submits a block of oak impregnated with the substance to the Admiralty in 1828. It is placed in the ‘fungus pit’ at Woolwich, where it remains for three years exposed to all the conditions favourable to decay. When taken out in 1831, it is found to be perfectly sound, and after further trials it still remains unaffected.

Kyan patents his discovery in 1832 (Nos. 8263 and 6309), extending the application of the invention to the preservation of paper, canvas, cloth, cordage, etc. A further patent is granted in 1836 (No. 7001).

The process attracts great attention. Michael Faraday chooses it as the subject of his inaugural lecture at the Royal Institution on February 22, 1833, on his appointment as Fullerian professor of chemistry. Dr. George Birkbeck gives a lecture upon it at the Royal Society of Arts on December 9, 1834, and in 1835 the Admiralty publishes the report of a committee appointed by the board to inquire into the value of the new method.

In 1836, Kyan sells his rights to the Anti-Dry Rot Company, an Act of Parliament being passed which authorises the raising of a capital of £250,000. Tanks are constructed at Grosvenor Basin, Pimlico, at the Grand Surrey Canal Dock, Rotherhide, and at the City Road Basin.

Among the early applications of the process is the kyanising of the palings around the Inner Circle, Regent’s Park, which is carried out in 1835 as an advertisement with small brass plates being attached to the palings at intervals stating that the wood has been submitted to the new process. The plates soon disappear, but the original palings still remain in good condition.

The timber used in building the Oxford and Cambridge Club, British Museum, Royal College of Surgeons, Westminster Bridewell, the new roof of the Temple Church, and the Ramsgate harbour works is also prepared by Kyan’s process. When wooden railway ties become general, a very profitable business for Kyan’s company is anticipated, and for a time these hopes are realised.

It becomes evident that iron fastenings cannot be used in wood treated with corrosive sublimate, on account of the corrosive action, and it is said that the wood becomes brittle. The salt is somewhat expensive and Sir William Burnett‘s method of preserving timber by zinc chloride, and afterwards the application of creosote for that purpose, proves severe competitors. Doubts begin to be expressed as to the real efficiency of kyanising, and the process gradually ceases to be employed.

John Kyan dies on January 5, 1850, in New York City, where he is engaged on a plan for filtering the water supplied to that city by the Croton Aqueduct.