Murphy’s father is Nicholas Murphy and her mother Mary Gertrude Purcell of Carrigmore, in Montenotte, Cork. She is sent away to school, to a convent in Sussex, England.
At Christmas 1915 Murphy attends an evening at the Fleischmann home where she meets Terence MacSwiney. Her family does not want the couple involved and does not approve of her growing interest in nationalism and socialism. In 1917 she marries MacSwiney in St. Joseph’s Church, Bromyard, Herefordshire, while he is interned due to his involvement in the Easter Rising of 1916. Her bridesmaid is Geraldine O’Sullivan, and his best man is Richard Mulcahy. The couple had waited until she had come of age at 25 so that she is financially independent of her parents. They have a daughter, Máire MacSwiney Brugha.
MacSwiney sees very little of her husband during their married life as he is often arrested. He dies due to his hunger strike on October 25, 1920, as Lord Mayor of Cork. Her husband’s death has a huge impact on her life, being a public event as well as a personal loss. She completes a lecture and interview tour of the United States, over nine months, with his sister Mary. She is the first woman to be given the Freedom of New York City, in 1922.
MacSwiney begins to suffer from depression and takes her daughter to Germany, leaving her there while she travels Europe. She eventually loses custody of her child and by 1934 she no longer has any involvement in her daughter’s life.
MacSwiney spends a lot of time in Paris, where she continues to be engaged with politics, typically those of left-wing, including communist, groups. She becomes involved with Pierre Kaan and they have a daughter, Alix, who is born on May 5, 1926, in Germany. Kaan is sent to a concentration camp by the Gestapo and dies on May 18, 1945, as a result of his treatment there.
MacSwiney is critical of American foreign policy on Vietnam, calling the United States a “world imperialist power.”
MacSwiney never resolves her relationships with either her own daughter or her family. She is paid a pension as the widow of Terence MacSwiney from 1950. She is living in Tonbridge in Kent with her daughter near the end of her life. She dies on October 26, 1982, at Oakwood Hospital in Barming Heath near Maidstone.
Butler is born in Cambrai, France, the youngest daughter of Walter Butler, 16th Earl of Ormonde, of Garryricken, County Tipperary, and his wife, Ellen (née Morres), of Latargh, County Tipperary. Her family are members of the old Catholic gentry, and her father is the sole lineal representative of James Butler, 2nd Duke of Ormonde. In 1740 her family returns to the Garryricken estate, where she spends part of her childhood. She is educated by the English Benedictine nuns of the convent of Our Lady of Consolation in Cambrai, where her Jacobite grand-aunt is a pensioner. Reared in the liberal and anti-clerical environment at Cambrai, she is open about her opposition to Irish Catholicism. She is also well read in literature.
By the time Butler returns to Ireland, her brother John has claimed the family titles and is recognised as 17th Earl of Ormonde. Though he never uses the title, his sisters are recognised as the daughters of an earl. As the family is impoverished, and she is not disposed to marriage, a decade is passed in unhappiness. Then in 1768 the thirteen-year-old Sarah Ponsonby arrives in Kilkenny to attend a local school. Following her visit to the Butler home at Kilkenny Castle, and despite the difference in age, the two form an immediate friendship and correspond secretly, having discovered their mutual interest in the arts and Jean-Jacques Rousseau‘s ideal of pastoral retirement.
Ponsonby, on finishing school, is sent to live with relatives at the nearby Woodstock Estate, and there is subject to the uninvited attention of a middle-aged guardian. Butler is discontented with her life and the prospects of her family’s wish to send her back to Cambrai, so the two plan to leave their difficulties behind and settle in England. In their first attempt to flee in March 1778, they leave for Waterford disguised as men and wielding pistols, but their families manage to catch up with them. Butler is then sent to the home of her brother-in-law Thomas ‘Monarch’ Kavanagh of Borris, County Carlow, but makes a second, successful attempt and runs away to find Ponsonby at the Woodstock Estate. Her persistence wins out when both families finally capitulate and accept their plans to live together.
The two set out for Wales in May 1778 and, after an extensive tour of Wales and Shropshire, eventually settle in Llangollen Vale, where they rent a cottage which is renamed Plas Newydd. They are accompanied by Mary Carryl, a former servant of the Woodstock household, who remains in their service until her death in 1809. Having made a deliberate decision to retire from the world, they spend the greater part of their days corresponding with friends, reading, building up a large library and making alterations to Plas Newydd, which takes on a fashionable Gothic look. Their garden, landscaped under their direction, becomes a popular attraction for visitors. Butler meticulously records their daily routine in a series of journals, some of which are now lost.
Their seclusion, eccentricities, semi-masculine dress and short-cropped powdered hair gain them notoriety, and it becomes fashionable to call on them. Their numerous and illustrious visitors include Hester Lynch Piozzi, Charles and Erasmus Darwin, Sir Walter Scott, Sir Arthur Wellesley, the Duke of Gloucester and Josiah Wedgwood. In 1792 they entertain Pamela Sims, later that year to become the wife of Lord Edward FitzGerald, and her mother Madame de Genlis. Following the arrest of Edward FitzGerald in 1798, Pamela and her suite flee to London and on May 27 pass through Llangollen, where the events in Dublin are already known. On hearing that Pamela FitzGerald is staying in the local inn, Butler and Ponsonby invite her to call in. However, when Pamela wishes to stay for the day, their apprehension of Jacobinism leads them to persuade her “principally for her own sake and a little for [our] own to proceed as fast and as incognito as possible for London.”
Both Anna Seward and William Wordsworth, who stay at Plas Newydd, write poems celebrating their friendship, and Lord Byron sends them a copy of The corsair. Owing to her support of the Bourbons, Butler is sent the Croix St. Louis, which she wears about her neck. Their celebrity does have its drawbacks: an article in the General Evening Post of July 24, 1790, entitled ‘Extraordinary female affection’, suggests indirectly that their relationship is unnatural. Butler is particularly angered by this publicity and appeals to Edmund Burke for legal advice. Their retirement is also continually dogged by financial difficulties. They live mainly off their respective allowances and Butler’s royal pension, granted through the influence of Lady Frances Douglas, but spend beyond their means and are often in debt. To add to their problems, Butler receives no mention in her father’s will. However, the Gothic eccentricities of their cottage, which they succeed over time in purchasing, and garden attract even the interest of Queen Charlotte.
Though it is claimed that neither woman spent a night away from Plas Newydd, in January 1786 they stay with their friends the Barretts of Oswestry, and that September they visit Sir Henry Bridgeman of Weston Park, near Staffordshire. In June 1797 they take their only holiday, at the coastal resort of Barmouth. Despite their isolation they are well informed about international events and society gossip. The Irish serjeant-at-law Charles Kendal Bushe recalls how they gave him all the news of Dublin, London, Cheltenham, and Paris. In later years Butler’s eyesight deteriorates, preventing her from keeping her journal. She is secretly painted as an old woman with Ponsonby by Lady Mary Leighton and sketched by Lady Henrietta Delamere. A distinctive, anonymous silhouette shows the two generously proportioned women in traditional riding habits (National Portrait Gallery, London).
Butler dies on June 2, 1829, and is buried alongside Mary Carryl at St. Collen’s Church in Llangollen. Sarah Ponsonby is subsequently buried with them.
(From: “Butler, Lady (Charlotte) Eleanor” by Frances Clarke, Dictionary of Irish Biography, http://www.dib.ie)
Croke gains the good opinion of the Irish ecclesiastical authorities and is rewarded in 1870 by his promotion to Bishop of Auckland in New Zealand. His former professor, Paul Cullen, by then Cardinal Archbishop of Dublin, is largely responsible for filling the Australasian Catholic church with fellow Irishmen. His strong recommendations lead to Croke’s appointment. Croke arrives at Auckland on December 17, 1870, on the City of Melbourne. During his three years as bishop, he restores firm leadership to a diocese left in disarray by his predecessor, Bishop Jean Baptiste Pompallier. He devotes some of his considerable personal wealth to rebuilding diocesan finances and also takes advantage of Auckland’s economic growth following the development of the Thames goldfields to further his aims, ensuring that all surplus income from parishes at Thames and Coromandel is passed on to him, and he institutes a more rigorous system for the Sunday collection at St. Patrick’s Cathedral. He imports Irish clergy to serve the growing Catholic community, and with Patrick Moran, the first Catholic Bishop of the Diocese of Dunedin, he tries unsuccessfully to secure an Irish monopoly on future episcopal appointments in New Zealand. Croke supports separate Catholic schools and their right to state aid and voices his opposition to secular education as Auckland’s Catholic schools are threatened by the provincial council’s Education Act 1872, which helps to create a free, secular and compulsory education system. However, generally, Croke’s image is uncontroversial. On January 28, 1874, after barely three years in office, Croke departs for Europe, on what is ostensibly a 12-month holiday, and he does not return to New Zealand.
Croke becomes a member of the Irish hierarchy when he is translated to be Archbishop of Cashel, one of the four Catholic Irish archbishoprics in 1875. Archbishop Croke is a strong supporter of Irish nationalism, aligning himself with the Irish National Land League during the Land War, and with the chairman of the Irish Parliamentary Party, Charles Stewart Parnell. In an 1887 interview he explains that he had opposed the League’s “No rent manifesto” in 1881, preferring to stop payment of all taxes.
Croke also associates himself with the Temperance Movement of Fr. Theobald Mathew and Gaelic League from its foundation in 1893. Within Catholicism he is a supporter of Gallicanism, as opposed to the Ultramontanism favoured by the Archbishop of Dublin, Cardinal Cullen. His support of nationalism causes successive British governments and Lord Lieutenant of Ireland‘s governments in Dublin to be deeply suspicious of him, as are some less politically aligned Irish bishops.
Following the scandal that erupts over Parnell’s relationship with Katharine O’Shea, the separated wife of fellow MP Captain William O’Shea, Archbishop Croke withdraws from active participation in nationalist politics.
O’Connell is tutored at home in Latin and Greek, and before he is sixteen, he leaves with his cousin, Murty O’Connell, to join the French army. On February 13, 1760, he becomes a cadet in the Régiment de Royal Suédois. He spends almost his entire career in France or serving abroad with French regiments, but remains in close contact with his family, being in constant correspondence with the head of the clan, his brother Maurice O’Connell, who is almost twenty years his senior, and later arranging army appointments for a host of young nephews and cousins.
O’Connell serves with the Royal Suédois in the last two campaigns of the Seven Years’ War and is made assistant adjutant (sous-aide-major) of the regiment. At the close of the war, he is recommended for the military academy of Strasbourg (1765–66). He has a talent for self-advancement and is well regarded by his seniors, being tall, strong, handsome, disciplined, industrious, and sober. He has an almost morbid horror of drink, and his great boast is that he has never wasted a moment of his time or a farthing of his money.
Appointed to Col. Meade’s regiment of Lord Clare’s Irish Brigade with the rank of captain in October 1769, he sets sail immediately for Mauritius. Two years later he is allowed a visit home to Kerry for the first time in eleven years. In 1775 the death of Lord Clare’s son and the extinction of the title results in the reduction of the Irish Brigade and destroys O’Connell’s chance of promotion. He devotes himself to the study of chemistry, literature, and the military. A published study, Discipline of the army, comes under the notice of the military authorities, who obtain for him a Cross of Saint Louis, a pension of 2,000 livres a year, and the rank of lieutenant-colonel with which he is posted to his old regiment, the Royal Suédois, in 1778. With them he serves at the taking of Menorca in 1781 and is severely wounded at the Great Siege of Gibraltar in 1782 but manages to save the life of Charles Philippe, Count of Artois, the future Charles X. For these services he is made a count, one of only twenty-two people outside the royal family to receive this honour, and is made colonel of the German regiment of Salm-Salm in French pay, which at a grand review of 30,000 French troops in Alsace in 1785 is pronounced the best regiment. He begins to move in court circles and in 1788 kisses the hand of Marie Antoinette and rides in the king’s coach.
In 1788 O’Connell recommends to his brother Maurice the college of Saint-Omer as a suitable school for his nephews, Maurice and Daniel O’Connell, but taking belated notice of the gathering revolutionary storm, tries unsuccessfully to dissuade them. During the French Revolution of 1789 he allegedly announces his readiness to move his regiment into the capital to disperse revolutionary mobs but is not able to obtain the king’s permission. In 1790 his men mutiny, leaving him in the anomalous position of a colonel without a regiment. A protégé of the Ancien Régime, he nevertheless remains in Paris in 1790–91, serving the nouveau régime as a member of a commission engaged in revising army regulations.
In 1792 O’Connell joins Charles William Ferdinand, Duke of Brunswick‘s émigré army at Koblenz and takes part in the disastrous Battle of Valmy in Berchini’s regiment. Ever cautious, he serves as a private, refusing any command so that his name would not be mentioned in France. In November 1792 he is in London, almost penniless and bent on concealing that he had served against the republic. An alibi is procured and attested at Tralee to the effect that O’Connell had been in Ireland all the time and was forwarded to Paris to prevent the confiscation of property.
In London O’Connell petitions William Pitt the Younger to reconstruct the Irish Brigade in the service of George III. Six regiments are raised, with O’Connell appointed colonel of the 4th, but the scheme is only partially realised as three of the regiments are sent to the West Indies and Nova Scotia, where they succumb to pestilence. By 1798 the brigade has entirely ceased to exist, though he retains his full pay as a British colonel, which he draws to the end of his life. At this period his name is mooted by Gen. Henry Clarke and Theobald Wolfe Tone as a possible commander of their troops. Clarke gives his opinion that O’Connell is a good parade officer but has no genius in command, to which Wolfe Tone replies that he “was in favour of his being employed for I know he hates England.”
In 1796, O’Connell marries Martha, comtesse de Bellevue (née Drouillard de Lamarre; d. 1807), a young widow with three children, at the French chapel in Covent Garden. In 1802 he takes advantage of the peace of Amiens to return to France. On the renewal of war, the couple is detained by Napoleon as British subjects, and remain virtual prisoners in France until the restoration of the Bourbons in 1814. Back in favour, O’Connell receives the rank of lieutenant-general in the French army and commander of the Order of Saint Louis. His fortunes revive, he advances a large sum to his nephew Daniel to save him from bankruptcy in 1815 and comes to his rescue again in 1818, though by this date he has already settled the bulk of his fortune on his great-nephews. He follows his namesake’s career with keen interest, but his advice is invariably cautious and is not much heeded. After the French Revolution of 1830 he refuses to take the oath of allegiance to Louis Philippe I and is struck off the military list, though he becomes a naturalised French citizen in 1831.
O’Connell dies on July 9, 1833, at the Château de Bellevue at Meudon, near Blois, and is buried at the cemetery at Coudé. He has no children and his title, though not his fortune, descends to his godson, the Baron d’Eschegoyen’s second son, who takes the name O’Connell. A portrait by Paul Guérin hangs in Derrynane House.
(From: “O’Connell, Count Daniel Charles” by Bridget Hourican, Dictionary of Irish Biography, http://www.dib.ie)
Emmet is a son of Dr. Robert Emmet from County Tipperary (later to become State Physician of Ireland) and Elizabeth Mason of County Kerry, both of whose portraits are today displayed at Cork’s Crawford Art Gallery. He is the elder brother of Robert Emmet, who is executed for leading the Irish Rebellion of 1803, becoming one of Ireland’s most famous republican martyrs. His sister, Mary Anne Holmes, holds similar political beliefs.
Emmet is a man of liberal political sympathies and becomes involved with a campaign to extend the democratic franchise for the Irish Parliament and to end discrimination against Catholics. He is called to the Irish bar in 1790 and quickly obtains a practice, principally as counsel for prisoners charged with political offenses. He also becomes the legal adviser of the Society of the United Irishmen.
When the Dublin Corporation issues a declaration of support of the Protestant Ascendancy in 1792, the response of the United Irishmen is their nonsectarian manifesto which is largely drawn up by Emmet. In 1795 he formally takes the oath of the United Irishmen, becoming secretary in the same year and a member of the executive in 1797. As by this time the United Irishmen had been declared illegal and driven underground, any efforts at peaceful reform of government and Catholic emancipation in Ireland are abandoned as futile, and their goal is now the creation of a non-sectarian Irish republic, independent from Britain and to be achieved by armed rebellion. Although Emmet supports this policy, he believes that the rebellion should not commence until French aid has arrived, differing from more radical members such as Lord Edward FitzGerald.
British intelligence infiltrates the United Irishmen and manages to arrest most of their leaders on the eve of the rebellion. Though not among those taken at the house of Oliver Bond on March 12, 1798, Emmet is arrested about the same time and is one of the leaders imprisoned initially at Kilmainham Gaol and later in Scotland at Fort George until 1802. Upon his release he goes to Brussels where he is visited by his brother Robert in October 1802 and is informed of the preparations for a fresh rising in Ireland in conjunction with French aid. However, at that stage France and Britain are briefly at peace, and the Emmets’ pleas for help are turned down by Napoleon.
Emmet receives news of the failure of his brother’s rising in July 1803 in Paris, where he is in communication with Napoleon Bonaparte. He then emigrates to the United States and joins the New York bar where he obtains a lucrative practice.
After the death of Matthias B. Hildreth, Emmet is appointed New York State Attorney General in August 1812 but is removed from office in February 1813 when the opposing Federalist Party obtains a majority in the Council of Appointment.
Lawless, a Catholic, is the confidant of Lord Edward FitzGerald, and Professor of Anatomy and Physiology in the Royal College of Surgeons in Ireland, Dublin. Closely connected with John Sheares in the direction of affairs in the spring of 1798, a warrant for his arrest is issued on May 20 with a reward of £300. Timely notice is, however, given him of the fact by Mr. Stewart, the Surgeon-General, and he escapes to France, where his abilities and spirit recommend him to the special favour of Napoleon. While in Paris, he spends time with other United Irishmen in exile, including Myles Byrne and William James MacNeven.
Lawless is placed on half-pay in 1800, but in 1803 is appointed captain of the Irish Legion, and in July 1806 is ordered to Vlissingen, then besieged by the English, to command the Irish battalion. To reach his post he has to pass in a small open boat through the English fleet. He is dangerously wounded in a sortie, and when General Monet capitulates without stipulating for the treatment of the Irish as prisoners of war, Lawless escapes from the town with the eagle of his regiment, conceals himself for two months in a doctor’s house, and at length finds an opportunity of getting to Antwerp by night in a fishing boat. MarshallJean Baptiste Jules Bernadotte welcomes him, extols him in general orders, and reports his exploits to Napoleon, who summons him to Paris, decorates him with the Legion of Honour, and promotes him to be lieutenant-colonel. In 1812 he gains a colonelcy, and on August 21, 1813, he loses a leg at the Battle of Dresden. He retires to his country house in Tours.
After the restoration of the Bourbons, Lawless is returned, in October 1814, to half-pay with the rank of brigadier general. He dies in Paris at the age of 52 on December 25, 1824. His remains are buried at Père Lachaise Cemetery in Paris. He is one of the best officers of the last large French unit of The Wild Geese. Thomas Moore describes him as “a person of that mild and quiet exterior which is usually found to accompany the most determined spirit.”
(Pictured: Gravesite of General William Lawless in Père Lachaise Cemetery in Paris, France)
Praeger is born on April 15, 1867, in Holywood, County Down. She is the daughter of Willem Emilius Praeger, a Dutch linen merchant who had settled in Ireland in 1860, and Marie Patterson. She has five brothers of who Robert goes on to become a distinguished naturalist. Within months of her birth the family moves to Woodburn House, Croft Road, Holywood, where they have as a neighbour Rev. Charles McElester, a Non-subscribing Presbyterian minister who runs a day school in his church. She both attends this school, and later teaches there. She receives her secondary education at Sullivan Upper School, Holywood, the Belfast School of Art, and the Slade School of Fine Art, London. Before returning to Ireland to open a studio in Belfast and then in Holywood, she studies art in Paris.
Praeger writes and illustrates children’s books but achieves fame with her sculpture The Philosopher which is exhibited at the Royal Academy of Arts in London, bought by an American collector, and is now on display in the Colorado Springs Museum and Art Gallery. She mostly works in plaster, but also uses stone, marble, terracotta and bronze, and her work includes relief panels, memorial plaques and stones. She exhibits in London and Paris, at the Royal Hibernian Academy, as well as at the Irish Decorative Art Association Exhibitions. She is a member of the Guild of Irish Art Workers.
Among Praeger’s other works are The Wai, Johnny the Jig, These Little Ones, St. Brigid of Kildare and The Fairy Fountain. For the Causeway School near Bushmills, County Antrim, she carves Fionnula the Daughter of Lir in stone. She models a heraldic figure for the Northern Bank in Donegall Square West, Belfast, and bronze plaques for the front door of the Carnegie library, Falls Road, Belfast, as well as the angels on Andrews Memorial Hall in Comber, County Down, and some work in St. Anne’s Cathedral, Belfast. She illustrates three books for her brother, Robert Praeger. She is President of the Royal Ulster Academy, an honorary Fellow of the Royal Hibernian Academy, and she receives an honorary doctorate from Queen’s University, Belfast. In 1939 she is awarded the MBE.
Praeger maintains her studio in Hibernian Street, Holywood, up until 1952, at the age of 85. She dies at Rock Cottage, County Down, on April 17, 1954. She is buried in the Priory Cemetery, Holywood. Her work in included in the collections of the Ulster Museum and the National Gallery of Ireland, and some private collections around the world
(From: “Sophia Rosamond Praeger (1867 – 1954): Sculptor” by Kate Newmann and Richard Froggatt, Dictionary of Ulster Biography, http://www.newulsterbiography.co.uk)
Hone’s most important works are probably the East Window, depicting the Crucifixion, for the Chapel at Eton College, Windsor (1949–1952) and My Four Green Fields, now located in Government Buildings, Dublin. This latter work, commissioned for the Irish Government’s Pavilion, wins first prize for stained glass in the 1939 New York World’s Fair. It graces CIÉ‘s Head Office in O’Connell Street from 1960 to about 1983. The window is then taken into storage by Abbey Glass in Kilmainham, Dublin at the request of the Office of Public Works.
The East Window of Eton College is commissioned following the destruction of the building after a bomb is dropped on the school in 1940 during World War II. She is commissioned to design the East Window in 1949, and the new window is inserted in 1952. This work is featured on an Irish postage stamp in 1969. From December 2005 to June 2006, an exhibition of her work is on display at the National Gallery of Ireland. Saint Mary’s church in Clonsilla also features her stained glass windows.
Hone is extremely devout. She spends time in an Anglican Convent in 1925 at Truro in Cornwall and converts to Catholicism in 1937. This may have influenced her decision to begin working in stained glass. Initially she works as a member of the An Túr Gloine stained glass co-operative before setting up a studio of her own in Rathfarnham.
Unmarried, Hone dies on March 13, 1955, while entering her parish church at Rathfarnham. She is survived by two of her sisters. Over 20,000 people visit a memorial exhibition of her work at University College Dublin (UCD), Earlsfort Terrace, Dublin, in 1958.
(Pictured: “My Four Green Fields” by Evie Hone, which depicts the four provinces of Ireland)
Yeats spends her first three years between Ballylee, County Galway, and Oxford before her family moves to 82 Merrion Square, Dublin in 1922. She is very sick as a child and spends three years in two different hospitals, St. Margaret’s Hall, 50 Mespil Road, and Nightingale Hall, Morehampton Road, Dublin. She then goes to the Pension Henriette, a boarding school in Villars-sur-Bex, Switzerland from 1928–30. In 1923 her Aunt Elizabeth “Lolly” gives her brush drawing lessons which aid her in winning first prize in the Royal Dublin Society (RDS) National Art competition for children under eight years old in 1925 and 1926.
Yeats trains in the Royal Hibernian Academy school from 1933 to 1936 and works as a stage designer with the Abbey Theatre in Dublin. In 1936, at the age of 16, she is hired by the Abbey Theatre as assistant to Tanya Moiseiwitsch. She studies for four months at the School of Theatrical Design in Paris with Paul Colin in 1937. At 18, she begins her costume career on sets with Ria Mooney‘s company. At the Abbey, she designs the sets and costumes for revivals of W.B. Yeats’ plays The Resurrection and On Baile’s Strand (1938).
In 1938 Yeats designs the first production of W.B. Yeats’ play Purgatory. The designs for Purgatory are her most successful achievement. Purgatory is the last play that W.B Yeats sees on stage, and when it is performed it is a full house. When working on Purgatory, Hugh Hunt wants to have a moon on the back cloth of the production, but she refuses. “If she does not win, she is going to say that she doesn’t wish to have her name on the programme as a designer of the setting.” This could be the main reason why her name is not on many productions that she worked on. She also designs the first play of her uncle Jack Yeats to receive professional production, Harlequin’s Positions.
In 1939 Yeats is promoted to head of design at the Abbey until her departure in May 1941. In 1939 it is commented that her designs are “getting arty” and not in keeping with style of the Abbey. One of her last designs is her father’s last play, The Death of Cuchulain, for the Lyric Theatre on the Abbey stage in 1949. She designs and stage-manages for the Peacock Theatre, the Cork Opera House, the Olympia Theatre, the Gaiety Theatre, the Lyric Theatre, the Abbey Theatre and the Players Theatre.
Among the work Yeats is credited with in the Abbey Theatre, she also works on five productions in the Peacock Theatre with the Theatre Company: Alarm Among the Clerks (1937), The Phoenix (1937), Harlequin’s Positions (1939), The Wild Cat (1940), and Cavaliero (The Life of a Hawk) (1948).
Yeats chooses to move towards painting full-time beginning a brief study at the Dublin Metropolitan School of Art in 1941. She experiments with watercolour and wax. She has a touching naive expressionist style and is interested in representing domestic humanity. She designs many of the covers for the books of Irish language publisher Sáirséal agus Dill over a twenty-year period from 1958. She does illustrations for books by Denis Devlin, Thomas Kinsella and Louis MacNeice, and works with many young designers, such as Louis le Brocquy.
Yeats dies at the age of 82 on July 4, 2001, and is buried in Shanganagh Cemetery, south Dublin.
The Royal Hibernian Academy holds a retrospective of her work in 1995, as does the National Gallery of Ireland in 2002. She donates her collection of Jack B. Yeats’ sketch books to the National Gallery of Ireland, leading to the creation of the Yeats Museum within the Gallery. Her brother, Michael, in turn, donates her sketchbooks to the Museum.
(Pictured: “Coole Park,” oil on board by Anne Butler Yeats, Duke Street Gallery, Dublin)
Weldon is born on September 6, 1890, in Hiskinstown, Delvin, County Westmeath, the eldest son of James Weldon, a schoolteacher, originally of Ballinea, Mullingar, and Fanny Weldon (née Duncan). He attends his father’s school at Delvin until he is eighteen, and the relationship between father and son is to remain rather formal and strict.
Stimulated by the visiting fit-up theatrical companies and of news from Dublin of the Abbey Theatre, in September 1908 he takes the lead in a local staging of a political melodrama, Robert Emmet by Henry C. Mangan. The following summer he leaves for Dublin, ostensibly to become a civil servant but in fact to audition as an actor at the Abbey Theatre. His acting career with the Abbey Theatre begins in September 1910 with a role in R. J. Ryan’s The Casting-out of Martin Whelan.
MacNamara is the author of several novels, the most well-known of which is his first, The Valley of the Squinting Windows (1918), its title a byword for small-town hypocrisy and begrudgery. The work itself is an uneasy fusion of a satiric portrait of gossipy, prying women and dipsomaniacally drinking men with a naturalist tragedy in which the sins of the past repeat themselves in the lives of the younger characters. The novel’s frank treatment of sexual matters is eclipsed as a cause of offence by the unflattering portrayal of almost all the inhabitants of the fictional village called Garradrimna, a place that local people feel would be automatically identified as Delvin. In the ensuing controversy the novelist’s father, James Weldon (widely suspected of being the author), and his school are subject to boycott. His attempts to seek legal redress in 1923 are unsuccessful.
MacNamara continues to write for many years after this controversial first work, and locates most of his later fiction in Garradrimna, in the Irish Midlands. Among his plays are The Glorious Uncertainty (1923) and Look at the Heffernans! (1926). His work is part of the literature event in the art competition at the 1924 Summer Olympics in Paris.
In 1925 McNamara is appointed registrar to the National Gallery of Ireland in Dublin, a position he holds until his retirement in 1960. In 1932 he becomes one of the first members of the Irish Academy of Letters, and in 1935 joins the board of directors of the Abbey Theatre.
MacNamara marries Helena Degidon, a schoolteacher, in 1920. His later years are dogged by increasing ill health and he dies at Sir Patrick Dun’s Hospital, Dublin, on February 4, 1963.
