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Death of Leslie Daiken, Copywriter, Editor & Writer

Leslie Herbert Daiken, an Irish advertising copywriter, editor, and writer on children’s toys and games, dies in London on August 15, 1964.

Born Leslie Yodaiken into a Russian–Jewish family in Portobello, Dublin, Daiken is the son of Samuel and Rosa Yodaiken. His father is a dealer in rubber and scrap metal, with premises in Dublin and Glasgow, and he is educated at two independent fee-paying schools, St. Andrew’s College and Wesley College, and then in 1930 he enters Trinity College Dublin. In his first year, one of his lecturers in French literature was Samuel Beckett. He is an active member of the Dublin University Socialist Society and a founding member of the college’s Gaelic Society.

In 1932, and again in 1933, as Yodaiken he wins the Vice-Chancellor’s Prize for English Prose, and while at Trinity, he publishes short stories and verse in Choice, The Dublin Magazine, and The New English Weekly.

In 1933, Daiken is present at the house of Charlotte Despard in Eccles Street, Dublin, also used as a Workers’ College, when it is attacked by a mob of Blueshirts. He leads the immediate defence of the building, which is saved on that occasion by the intervention of Irish Republican Army (IRA) men posing as the police.

In 1934, as Yodaiken, he graduates with a BA from Trinity in English and French Literature, with a Second Class degree. After graduating, Daiken works briefly as a schoolteacher in Dublin. In April 1935, his short story “Angela” is published in The New English Weekly under the pen name of Ned Kiernan. That year, he migrates to London.

Soon after his arrival in London, Daiken is one of the three founders of a duplicated publication called Irish Front, together with two other poets, Charles Donnelly and Ewart Milne.

In England, Daiken starts to shorten his surname from Yodaiken to Daiken, for his publications, but he does not make this change formally until doing so by deed poll in 1943.

In December 1935, The Irish Times reviews a production in Camden Town of Ireland Unfree, a stage version by Daiken of Patrick Pearse’s poem “The Rebel.” It states that “Mr. Daiken carries Pearse’s theme beyond his idealistic conclusion to the revolutionary viewpoint of the Irish workers.”

Daiken keeps up his links with leftist Irish writers and dissidents and edits the collection of working-class political verse Goodbye Twilight: songs of the struggle in Ireland (1936), illustrated by Harry Kernoff. The Irish Press describes this as “forty young poets with blazing eyes and clenched fists.” In another review, Louis MacNeice calls the book a “collection of proletarian poems – some communist, some Irish republican, and all written in a defiant spirit of opposition … a violent reaction against Yeats and all that he stood for.”

Daiken does not go to fight in the Spanish Civil War, although his Irish Front colleague Charles Donnelly does, and is killed; but he is active in fundraising for the Connolly Column, the Irish section of the International Brigades. He is also a contributor to the branch of Republican Congress in London, an Irish republican and Marxist-Leninist pressure group which aims to engage Irish emigrants working in the city on socialist issues.

In 1939, Mairin Mitchell is highly critical of the Irish leftists, and in particular Daiken, for their views on the Molotov–Ribbentrop Pact, and writes to Desmond Ryan in September, “Brian O’Neill, Bloomsbury, and Daiken will sing Russia right or wrong.”

In October 1939, at the time of the wartime National Registration Act, Daiken is living in a studio at Old Castle Wharf, Twickenham, and describes himself as “Script-writer and advertising copywriter.”

During World War II, Daiken enlists in the Corps of Signals of the Irish Army, a neutral force, and also works for Reuters as a correspondent on education. In 1944, he edits They Go, the Irish, a collection of essays, including one from Seán O’Casey. In 1945, a collection of his verse is published under the title Signatures of All Things. In the summer of that year, Samuel Beckett gives Daiken his unpublished novel Watt, in the hope that he can find a publisher for it, but he fails to do so. They continue to write to each other and meet in London and Paris in the 1950s. He also keeps up with another friend from Trinity, Con Leventhal.

After he becomes a father in 1945, Daiken’s main interest moves on from political activism to children’s games and toys, and by 1951 the basement of his London home has become a toy museum. He writes on the subject and makes television and radio programmes for the BBC about it. His film One potato, two potato, a compilation of children’s street rhymes, wins the Festival Mondial du Film prize in 1958. His radio play The Circular Road is about a Jewish-Irish child.

In the 1950s Daiken founds the National Toy Museum and Institute of Play, today part of the Toy Collection at Hove Museum of Creativity.

Daiken returns to Ireland many times as a visitor. In the early 1960s he completes a radio play about the Jewish community of Dublin in the 1920s, which is broadcast on RTÉ.

In October 1963, Conor Cruise O’Brien, Vice Chancellor of the University of Ghana, recruits Daiken as a lecturer in education, and not long before his death he makes a film called The Piano about teaching white and black children in a school in Africa. He dies on August 15, 1964, while spending the summer vacation at home in London, leaving an estate valued at £3,865. He is cremated. His widow survives him until 1981.

In a tribute to Daiken, his 1930s communist associate Brian O’Neill writes, “He was always busy, always with a half dozen irons in the fire, always trying to give a hand to some Irish writer who needed it.”

In the early 1990s, Katrina Goldstone interviews Daiken’s brother, Aubrey Yodaiken, and later reports: “I was left with a faint sense of melancholy, as my interviewee had become distressed speaking about his brother, Leslie Daiken, and recalling his irrepressible and exasperating personality, his many projects, half-started novels…”

Aubrey Yodaiken is distressed by the lack of appreciation of his brother’s many cultural efforts and by the fact that his “scattershot literary endeavours” seem to have come to naught.

The National Library of Ireland holds a collection of Daiken’s papers, in particular his publications and correspondence, presented to it in 1995 by his elder daughter, by then Melanie Cuming, and his younger brother, Aubrey Yodaiken. The papers are mostly in English, French, German, Dutch, Italian, Hebrew, and Irish.


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Birth of Catherine O’Brien, Irish Stained Glass Artist

Catherine Amelia “Kitty” O’Brien, Irish stained glass artist and a member and director of An Túr Gloine, is born in Durra House, Spancill Hill, County Clare, on June 19, 1881.

O’Brien is one of five children of Pierce O’Brien, a gentleman landowner, and Sophia Angel St John O’Brien. Her first cousin is woodcarver Sophia St John Whitty. She attends the Mercy Convent in Ennis, going on to win a scholarship to the Dublin Metropolitan School of Art. While there she studies under William Orpen and Alfred E. Child who teach her the art of stained glass.

Among O’Brien’s first commissions is the St. Ita window for St. Brendan’s cathedral in Loughrea, County Galway, in 1904, which is designed by Sarah Purser. She joins An Túr Gloine in 1906, beginning her career there by designing Angel of the Annunciation window in the Enniskillen convent chapel. For a window in the Wilson private chapel at Coolcarrigan House, Naas, County Kildare, in 1912, she incorporates Celtic design, some drawing on the Book of Durrow. In 1914, she tours the cathedrals of Paris, Rouen, and Chartres with Purser and Wilhelmina Geddes. She designs three windows depicting St. John, St. Flannan, and St. Munchin, for the Honan Chapel at University College Cork in 1916. Her 1923 design of the centenary memorial window in St. Andrew’s church, Lucan, represents the parable of the Good Shepherd. When in 1925 An Túr Gloine becomes a cooperative society, she becomes a shareholder along with Ethel Rhind, Evie Hone, and Michael Healy.

O’Brien’s 1926 lunette The Spirit of Night represents night, twilight, and dawn, and is for the private home of Keng Chee in Singapore, which is later demolished. The window of St. Catherine of Siena for the Sacred Heart convent chapel in Newton, Massachusetts dates from 1927. Her 1931 St. Patrick window, for the De La Salle school, East Coast Rd., Singapore, commissioned by architect Denis Santry, is the only extant stained-glass work by an Irish artist in that country. Much like Rhind, O’Brien also employs opus sectile, such as in her 1936 Mass in Penal Days in the Franciscan friary, Athlone, County Westmeath. She contributes two windows, Pelican and Lamb and Host and Chalice: Wheat and Grapes, to the ten windows An Túr Gloine produces for Brophy College Chapel, Phoenix, Arizona in 1937. From 1937 until 1947, she works on 22 opus sectile panels for the Protestant Church in Ennis.

Purser retires from An Túr Gloine in 1940, and O’Brien succeeds her as director, going on to purchase it and the contents in 1944. She rents a section of the premises to fellow stained-glass artist Patrick Pollen from 1954 onwards. She exhibits at the 1953 Irish Exhibition of Living Art, and the 1958 exhibition of the Arts and Crafts Society of Ireland. When the An Túr Gloine studios are damaged by fire in 1958, she rebuilds them and reopens by 1959. She is an active member of the Soroptimists and the Guild of Irish Art Workers. The last work she completes is a three-light window for the Church of St. Multose, Kinsale, County Cork, in 1962. A commission for two windows for the private chapel of Áras an Uachtaráin for President Éamon de Valera is left unfinished at her death.

O’Brien dies in Dublin on July 18, 1963, and is buried in Whitechurch Parish Graveyard, County Dublin. She is commemorated in a window designed by Pollen in St. Laurence O’Toole chapel, Christ Church Cathedral, Dublin, where for forty years she made floral arrangements. Over 150 of her An Túr Gloine drawings from notebooks are now in the National Gallery of Ireland.

(Pictured: Stained glass window in the south wall of Ferns Cathedral, Ferns, County Wexford)


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Death of Chicago May

Chicago May, the nickname of Mary Anne Duignan, an Irish-born criminal who becomes notorious in the United States, United Kingdom and France, dies in Philadelphia, Pennsylvania, on May 30, 1929. She refers to herself as the “queen of crooks” and sometimes uses the name May Churchill.

Duignan is born in Edenmore, Ballinamuck, County Longford, on December 26, 1871. In 1890, at the age of 19, she steals the proceeds earned by her parents from a recent cattle fair and runs away to Liverpool, England where she buys new clothes and books a ticket to America. Upon arrival in New York City she supports herself by prostitution and picking pockets.

She moves to Chicago to take advantage of the large influx of visitors at the 1893 World’s Columbian Exposition. She teams up with another prostitute. One robs customers while the other is having sex with them. She returns to New York City, where she works as a dancer, but is soon arrested for stealing a wallet, earning her first jail sentence. She briefly marries friend Jim Sharpe but the couple soon separates. After this, she calls herself May Churchill Sharpe. She soon establishes herself with the local criminal underworld, becoming involved in various crimes, mostly of a petty nature, including fraud, assault, brawling, drunk and disorderly behaviour, beggary and pickpocketing.

Duignan has various criminal lovers, but she graduates from petty criminality to major crime when she meets Eddie Guerin, who organises a robbery of the American Express office in Paris. She is imprisoned for her role in the crime. She operates her schemes on four continents and in nine countries. She reaches the height of her career in England when she is taken up by aristocrat Sir Sidney Hamilton Gore, who supposedly proposes marriage to her, shortly before he shoots himself.

After Guerin escapes from a French prison island, he makes his way to London where he meets Duignan again, but the relationship turns sour. She takes up with a burglar named Charley Smith. In 1907, during an altercation with Guerin, Smith shoots him, wounding him in the foot. Smith and Duignan are both accused of attempted murder. She is convicted and sentenced to 15 years. She is released in 1917, and returns to the United States.

By the 1920s, Duignan is living in Detroit and has become destitute. No longer young, she is reduced to propositioning men on the streets and is repeatedly arrested for soliciting and common prostitution. She hopes to make money from her former notoriety by writing magazine articles and an autobiography with the help of a journalist, which is published in 1928 as Chicago May, Her Story, by the Queen of Crooks. Her former lover Guerin publishes his own life story at the same time, under the title I Was a Bandit. She dies at the age of 58 in Philadelphia on May 30, 1929.


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Birth of James FitzJames Butler, 2nd Duke of Ormonde

James FitzJames Butler, 2nd Duke of Ormonde, KG, Irish statesman and soldier, is born into a Protestant family on April 29, 1665, at Dublin Castle. He is the third of the Kilcash branch of the family to inherit the earldom of Ormond. He serves in the campaign to put down the Monmouth Rebellion, in the Williamite War in Ireland, in the Nine Years’ War and in the War of the Spanish Succession but is accused of treason and goes into exile after the Jacobite rising of 1715.

Butler is the second but eldest surviving son, and one of eleven children, of Thomas Butler by his wife Emilia van Nassau-Beverweerd. His father is known as Lord Ossory. His father is heir apparent of James Butler, 1st Duke of Ormond but predeceases him and so never becomes duke. His father’s family, the Butler dynasty, is Old English and descends from Theobald Walter, who had been appointed Chief Butler of Ireland by King Henry II in 1177. His mother is Dutch. She descends from a cadet branch of the House of Nassau.

Butler is educated in France and afterwards at Christ Church, Oxford. On the death of his father on July 30, 1680, he becomes Baron Butler in the peerage of England and the 7th Earl of Ossory in the peerage of Ireland.

Butler obtains command of a cavalry regiment in Ireland in 1683 and having received an appointment at court on the accession of James II, he serves against the Duke of Monmouth at the Battle of Sedgemoor in July 1685. Having succeeded his grandfather as 2nd Duke of Ormonde on July 21, 1688, he is appointed a Knight of the Order of the Garter on September 28, 1688. In 1688, he also becomes Chancellor of the University of Dublin and Chancellor of the University of Oxford.

In January and February 1689, Butler votes against the motion to put William of Orange and Mary on the throne and against the motion to declare that James II has abdicated it. Nevertheless, he subsequently joins the forces of William of Orange, by whom he is made colonel of the 2nd Troop of Horse Guards on April 20, 1689. He accompanies William in his Irish campaign, debarking with him in Carrickfergus on June 14, 1690, and commands this troop at the Battle of the Boyne in July 1690. In February 1691 he becomes Lord Lieutenant of Somerset.

Butler serves on the continent under William of Orange during the Nine Years’ War and, having been promoted to major general, he fights at the Battle of Steenkerque in August 1692 and the Battle of Landen in July 1693, where he is taken prisoner by the French and then exchanged for the Duke of Berwick, James II’s illegitimate son. He is promoted to lieutenant general in 1694.

After the accession of Queen Anne in March 1702, Butler becomes commander of the land forces co-operating with Sir George Rooke in Spain, where he fights in the Battle of Cádiz in August 1702 and the Battle of Vigo Bay in October 1702 during the War of the Spanish Succession (1701–1714). Having been made a Privy Councillor, he succeeds Lord Rochester as Lord Lieutenant of Ireland in 1703. In 1704, he leases and rebuilds a property that becomes known as Ormonde Lodge in Richmond outside London.

Following the dismissal of the Duke of Marlborough, Butler is appointed Commander-in-Chief of the Forces and colonel of the 1st Regiment of Foot Guards on January 4, 1712, and Captain General on February 26, 1712. In the Irish Parliament he and the majority of peers support the Tory interest.

Butler plays a dramatic role at the notorious meeting of the Privy Council on March 8, 1711, when Antoine de Guiscard, a French double agent who is being questioned about his treasonable activities, attempts to assassinate Robert Harley, 1st Earl of Oxford, against whom he has a personal grudge for drastically cutting his allowance, by stabbing him with a penknife. Harley is wounded, but not seriously, due largely to the fact that he is wearing a heavy gold brocade waistcoat in which the knife gets stuck. Several Councillors, including Butler, stab Guiscard in return. Guiscard implores Butler to finish the deed, but he replies that it is not for him to play the hangman. In any case, he has the sense to see that Guiscard must be kept alive at least long enough to be questioned, although as it turns out Guiscard’s wounds are fatal, and he dies a week later.

On April 23, 1712, Butler leaves Harwich for Rotterdam to lead the British troops taking part in the war. Once there he allows himself to be made the tool of the Tory ministry, whose policy is to carry on the war in the Netherlands while giving secret orders to him to take no active part in supporting their allies under Prince Eugene. In July 1712, he advises Prince Eugene that he can no longer support the siege of Le Quesnoy and that he is withdrawing the British troops from the action and instead intends to take possession of Dunkirk. The Dutch are so exasperated at the withdrawal of the British troops that they close the towns of Bouchain on Douai to British access, despite the fact that they have plenty of stores and medical facilities available. Butler takes possession of Ghent and Bruges as well as Dunkirk, in order to ensure his troops are adequately provided for. On April 15, 1713, he becomes Lord Lieutenant of Norfolk.

Ormonde’s position as Captain-General makes him a personage of much importance in the crisis brought about by the death of Queen Anne and, during the last years of Queen Anne, he almost certainly has Jacobite leanings and corresponds with the Jacobite Court including his cousin, Piers Butler, 3rd Viscount Galmoye, who keeps barrels of gunpowder at Kilkenny Castle. King George I, on his accession to the throne in August 1714, institutes extensive changes and excludes the Tories from royal favour. Butler is stripped of his posts as Captain-General, as colonel of the 1st Regiment of Foot Guards and as Commander in Chief of the Forces with the first two posts going to the Duke of Marlborough and the role of Commander-in-Chief going to John Dalrymple, 2nd Earl of Stair. On November 19, 1714, Butler is instead made a member of the reconstituted Privy Council of Ireland.

Accused of supporting the Jacobite rising of 1715, Butler is impeached for high treason by Lord Stanhope on June 21, 1715. He might avoid the impending storm of Parliamentary prosecution, if he remains in England and stands trial but instead, he chooses to flee to France in August 1715 and initially stays in Paris with Lord Bolingbroke. On August 20, 1715, he is attainted, his estate forfeited, and honours extinguished. The Earl Marshal is instructed to remove the names and armorial bearings of Butler and Bolingbroke from the list of peers and his banner as Knight of the Garter is taken down in St. George’s Chapel.

On June 20, 1716, the Parliament of Ireland passes an act extinguishing the regalities and liberties of the county palatine of Tipperary; for vesting Butler’s estate in the crown and for giving a reward of £10,000 for his apprehension, should he attempt to land in Ireland. But the same parliament passes an act on June 24, 1721, to enable his brother, Charles Butler, 1st Earl of Arran, to purchase his estate, which he does accordingly.

Butler subsequently moves to Spain where he holds discussions with Cardinal Giulio Alberoni. He later takes part in a Spanish and Jacobite plan to invade England and puts James Francis Edward Stuart on the British throne in 1719, but his fleet is disbanded by a storm in the Bay of Biscay. In 1732, he moves to Avignon, where he is seen in 1733 by the writer Lady Mary Wortley Montagu. He dies at Avignon in exile on November 16, 1745, but his body is returned to London and buried in Westminster Abbey on May 22, 1746.

On July 20, 1682, Butler, then called Lord Ossory, marries Lady Anne Hyde, daughter of Laurence Hyde, who is then Viscount Hyde of Kenilworth but becomes Earl of Rochester in November. The couple has a daughter, Mary, who dies young in 1688.

Following the death of his first wife in 1685, Butler plans to marry again in order to secure a male heir. He gains permission from the House of Lords for the arranging of a jointure for another marriage in May 1685, and in August of that year, he marries Lady Mary Somerset, daughter of the Duke of Beaufort and Mary Capel. The couple has a son, Thomas (1686–1689), and two daughters, Elizabeth (1689–1750) and Mary (1690–1713). His second wife is a Lady of the Bedchamber to Queen Anne. Their younger daughter, Mary, marries John Ashburnham, 1st Earl of Ashburnham.

(Pictured: Portrait of James Butler, 2nd Duke of Ormonde, by Michael Dahl, National Portrait Gallery)


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Thomas Francis Meagher Publicly Presents the Tricolour National Flag

Waterford native Thomas Francis Meagher presents the tricolour national flag of Ireland to the public for the first time at a meeting of the Young Ireland party in Dublin on April 15, 1848.

The mid-19th-century is a difficult time for the Irish. Under British subjugation, and amidst the vice-grip of the Great Famine, Ireland and its people are in desperate need for optimism, and something to bring the nation together.

News of the recent French Revolution has reached Irish ears and there is a growing belief that the path to independence is an achievable one.

During a trip to Paris with an Irish delegation sent to congratulate the French republicans on their successful revolution, Meagher is inspired to create a design for the Irish tricolour, similar to the French flag, with the help of a small group of French women sympathetic to the Irish cause.

The new flag has green, white and orange stripes – the colours symbolising the unification of two traditions into one nation – Catholics (green) and Protestants (orange). Few realise however, that Meagher’s original flag has the orange stripe closest to the staff, a design now used by Ivory Coast.

As Meagher outlines later, “The white in the centre signifies a lasting truce between Orange and Green and I trust that beneath its folds the hands of Irish Protestants and Irish Catholics may be clasped in generous and heroic brotherhood.”

At a meeting in Waterford on March 7, 1848, Meagher first publicly unveils the flag from a second-floor window of the Wolfe Tone Club as he addresses a gathered crowd on the street below who are present to celebrate another revolution that has just taken place in France.

From March of that year the Irish tricolour appears side-by-side with the French tricolour at meetings held all over the country.

On April 14 and 15, the flag is paraded around the country. Political journalist John Mitchel says at the time, “I hope to see that flag one day waving, as our national banner.”

The flag is nearly forgotten following the Young Irelander’s failed rising later in 1848. The Fenians, the next Irish revolutionary movement, use the traditional green field and golden harp motif for its flags and it is the predominantly used flag for the next sixty years.

During this time, support for Meagher’s design grows, and following the events of the 1916 Easter Rising, it is resurrected by the Irish Volunteers and later by Sinn Féin and is unofficially adopted as the flag of Ireland. With the green stripe closest to the staff, Meagher’s tricolour becomes the official flag of the 26 counties of the Irish Republic.

In 1937, the design achieves constitutional status as the official Irish flag.

Until recently, display of the tricolour flag is illegal in the six occupied counties of Northern Ireland.

(From: “On this day in 1848: Ireland’s new flag is shown to public for first time” by Harry Brent, The Irish Post, http://www.irishpost.com, April 15, 2021)


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Death of Stephen Moylan, Patriot During the American Revolutionary War

Stephen Moylan, Irish American patriot leader during the American Revolutionary War, dies in Philadelphia, Pennsylvania, on April 11, 1811. He holds several positions in the Continental Army including Muster-Master General, Secretary and Aide to General George Washington, 2nd Quartermaster General, Commander of The Fourth Continental Light Dragoons and Commander of the Cavalry of the Continental Army.

Moylan is born to a Catholic family in Cork, County Cork, in 1737. His father, John Moylan, is a well-to-do merchant in Shandon, County Cork. His older brother Francis becomes Bishop of Cork. His family sends him to be educated in Paris. He then works in Lisbon for three years in the family shipping firm. He settles in Philadelphia in 1768 to organize his own firm. He is one of the organizers of the Friendly Sons of St. Patrick, an Irish American fraternal organization, and serves as its first president.

Moylan joins the American Continental Army in 1775 and upon the recommendation of John Dickinson, is appointed Muster-Master General on August 11, 1775. His brother John acts as United States Clothier General during the war. His experience in the shipping industry affords the United States a well-qualified ship outfitter, who helps fit out the first ships of the Continental Navy. On March 5, 1776, he becomes secretary to General George Washington with the rank of lieutenant colonel. He is appointed Quartermaster General in the American Continental Army on June 5, 1776, succeeding Thomas Mifflin. He resigns from this office on September 28, 1776. However, he continues to serve as a volunteer of General Washington’s staff through December 1776.

In January 1776, Moylan writes a letter using the term “United States of America,” the earliest known use of that phrase.

Moylan then raises a troop of light dragoons, the 4th Continental Light Dragoons, also known as Moylan’s Horse, on January 3, 1777, at Philadelphia, and is appointed colonel in the Continental Army on January 5. The regiment is be noted for taking the field in captured British red coats. However, they see action in green coats at the Battle of Brandywine on September 11, 1777, and the Battle of Germantown on October 4, 1777, and end the year by protecting the Cantonment at Valley Forge. He succeeds General Casimir Pulaski as Commander of the Cavalry in March 1778. Moylan’s Horse sees action at the Battle of Monmouth on June 28, 1778.

In the campaign of 1779 Moylan and the 4th Dragoons are stationed at Pound Ridge, New York, and see action when the British raid Norwalk, Connecticut, on July 11, 1779. He and the 4th Dragoons take part in the Battle of Springfield in New Jersey, on June 23, 1780, and General Anthony Wayne‘s expedition at Bull’s Ferry, New Jersey, on July 20, 1780. He commands his Dragoons at the Siege of Yorktown in October 1781, after which he is to take the cavalry to the Southern Campaign. However, his failing health causes him to leave the field and return to Philadelphia, where he constantly appeals to the Continental Congress to man, equip and maintain the Continental Dragoon Regiments.

Moylan is rewarded for his service by being breveted to brigadier general on November 3, 1783.

Moylan is married to Mary Ricketts Van Horne on September 12, 1778, and has two daughters, Elizabeth Catherine, and Maria. His two sons die as children. He dies in Philadelphia on April 11, 1811, and is buried there in the churchyard at St. Mary’s Roman Catholic Church.


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Birth of Máire Mhac an tSaoi, Diplomat, Poet & Memoirist

Máire Mhac an tSaoi, Irish civil service diplomat, writer of Modernist poetry in the Dingle Peninsula dialect of Munster Irish, a memoirist, and a highly important figure within modern literature in Irish, is born Máire MacEntee in Dublin on April 4, 1922. Along with Seán Ó Ríordáin and Máirtín Ó Direáin, she is, in the words of Louis de Paor, “one of a trinity of poets who revolutionised Irish language poetry in the 1940s and 50s.” She has a lifelong passion for the Irish language and is one of the leading authorities on Munster Irish.

Mhac an tSaoi’s father, Seán MacEntee, is born in Belfast and is a veteran of the Irish Volunteers during the 1916 Easter Rising and the subsequent Irish War of Independence, and of the Anti-Treaty Irish Republican Army (IRA) during the Irish Civil War. He is also a founding member of Fianna Fáil, a long-serving TD and Tánaiste in the Dáil. Her mother, Margaret Browne (or de Brún) of County Tipperary, is also an Irish republican and a distinguished Celticist who teaches courses in Irish literature in the Irish language at Alexandra College and University College Dublin (UCD).

Mhac an tSaoi is influenced by her stays in the Dingle Peninsula in County Kerry with her uncle, Monsignor De Brún, at his parish of Dún Chaoin. Monsignor de Brún, similarly to his sister, is a distinguished linguist and Celticist, the literary translator of Homer, Dante Alighieri, Sophocles, and Jean Racine into Modern Irish, “and one of the most distinguished literary figures of his time.”

Mhac an tSaoi studies Modern Languages and Celtic Studies at UCD, before going to further research at the Dublin Institute for Advanced Studies and at the University of Paris. She writes the famous work of Christian poetry in Munster Irish, Oíche Nollag (“Christmas Eve”), when she is only 15-years of age.

Mhac an tSaoi spends two years studying in post-war Paris (1945–47) before joining the Irish diplomatic service and is working at the Irish embassy in Madrid when she commits herself to writing poetry in Irish following her discovery of the works of Federico García Lorca.

She remains a prolific poet and is credited, along with Seán Ó Ríordáin and Máirtín Ó Direáin, with reintroducing literary modernism into Irish literature in the Irish language, where it had been dormant since the 1916 execution of Patrick Pearse, in the years and decades following World War II. Her poetry draws on the vernacular spoken by the native Irish speakers of the Munster Gaeltacht of West Kerry during the first half of the twentieth century. Formally, she draws on the song metres of the oral tradition and on older models from the earlier literary tradition. In later work, she explores looser verse forms but continues to draw on the remembered dialect of Dún Chaoin and on a scholarly knowledge of the older literature.

Mhac an tSaoi is elected to Aosdána in 1996 but resigns in 1997 after Francis Stuart is elevated to the position of Saoi. She had voted against Stuart because of his role as an Abwehr spy and in radio propaganda broadcasts from Nazi Germany aimed at neutral Ireland during World War II.

In 2001, she publishes an award-winning novel A Bhean Óg Ón… about the relationship between the 17th-century County Kerry poet and Irish clan chief Piaras Feiritéar and Meg Russell, the woman for whom he composed some of the greatest works of love poetry ever written in the Irish language.

Her poems Jack and An Bhean Óg Ón are both featured on the Leaving Certificate Irish course, at both Higher and Ordinary Levels, from 2006 to 2010. Her literary translation of Rainer Maria Rilke‘s Duino Elegies from Austrian German into the Irish language is published in 2013.

Mhac an tSaoi marries Irish politician, writer, and historian Conor Cruise O’Brien in a Roman Catholic wedding Mass in Dublin in 1962. This makes her the stepmother to O’Brien’s children from his 1939 civil marriage. Her mother is deeply embarrassed by the exposure of the relationship and staunchly opposes the match, as she has long been a close friend of O’Brien’s Presbyterian first wife. Despite their subsequent marriage, the exposure of their extramarital relationship ends Mhac an tSaoi’s diplomatic and civil service career. They later adopted two children, Patrick and Margaret.

She then lives with her husband in New York City, where he becomes a professor at New York University (NYU) after the Congo Crisis destroys O’Brien’s diplomatic career. He is long blamed by the United Nations for the escalation of the Congo Crisis.

Mhac an tSaoi and her husband, who is then serving as Albert Schweitzer Professor of the Humanities at NYU, are both staunchly opposed to the Vietnam War. They are both arrested by the New York City Police Department (NYPD), along with Dr. Benjamin Spock and Beat Generation poet Allen Ginsberg, during an allegedly violent protest outside a United States military induction centre in New York City on December 5, 1967. Afterward, during an interview with The New York Times, she accuses the NYPD of using excessive force both during and after her husband’s arrest.

She later returns with O’Brien to live in Dublin, where she attends another protest rally against the Vietnam War along O’Connell Street in 1969.

Mhac an tSaoi dies peacefully at the age of 99 on October 16, 2021, at home where she has been cared for by her daughter Margaret.


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Birth of Irish Artist Estella Solomons

Estella Frances Solomons, one of the leading Irish artists of her generation, is born into a prominent Jewish family in Dublin on April 2, 1882. She is noted for her portraits of contemporaries in the republican movement and her studio is a safe house during the Irish War of Independence.

Solomons is born to Maurice Solomons and poet Rosa Jane Jacobs. Her father is an optician whose practice in 19 Nassau Street, Dublin, is mentioned in Ulysses. Her father is also the Vice-Consul of Austria-Hungary. The Solomons family, who came to Dublin from England in 1824, are one of the oldest continuous lines of Jews in Ireland.

Solomons grandmother, Rosa Jacobs Solomons, who is born in Hull in England, is the author of a book called Facts and Fancies (Dublin 1883). Her brother, Bethel Solomons, a renowned physician, a master of the Rotunda Hospital and Irish international rugby player, is mentioned in Finnegans Wake. Her brother Edwin is a stockbroker and prominent member of the Dublin Jewish community. Her younger sister Sophie is a trained opera singer. A portrait of Sophie, by her cousin the printmaker Louise Jacobs, survives in the Estella Solomons archives in the Library of Trinity College Dublin (TCD).

In 1898, at the age of 16, Solomons enters the Dublin Metropolitan School of Art where she wins a significant prize. Her classmates include future Irish artists including Mary Swanzy, Eva Hamilton and William J. Leech. She also attends the Chelsea School of Art from 1903 to 1906. A visit to the tercentenary exhibition of the work of Rembrandt in Amsterdam in 1903 impacts her creative practice and possibly influences her adoption of printmaking as her principal vehicle of expression. She studies under two of Ireland’s leading artists, Walter Osborne, who is another major influence, and William Orpen. With her friends Cissie Beckett (aunt of Samuel Beckett) and Beatrice Elvery, she goes to study in Paris at Académie Colarossi. On her return she exhibits in Leinster Hall, Molesworth Street, with contemporaries such as Beatrice Elvery, Eva Hamilton and Grace Gifford. Her work is also included in joint exhibitions with other artists at Mills Hall and the Arlington Gallery, London. She also exhibits at her Great Brunswick Street studio in December 1926.

Solomons illustrates Padraic Colum‘s The Road Round Ireland (1926) and DL Kelleher’s The Glamour of Dublin in 1928. Originally published after the devastation of the 1916 Easter Rising, the later edition features eight views of familiar locations in the city centre including Merchant’s Arch and King’s Inns. Her etching “A Georgian Doorway” is included in Katherine MacCormack’s Leabhar Ultuin in 1920. This publication features illustrations by several prominent Irish artists and is sold in aid of the new Saint Ultan’s Children’s Hospital in Charlemont Street, Dublin, that had been founded by two prominent members of Cumann na mBan, Dr. Kathleen Lynn and Madeleine ffrench-Mullen.

Solomons paints landscapes and portraits, including of artist Jack Yeats, politician Arthur Griffith, poet Austin Clarke, and writers James Stephens and George Russell (Æ).

Solomons is elected an associate of the Royal Hibernian Academy (RHA) in July 1925, but it is not until 1966 that she is elected an honorary member. Her work is included in the Academy’s annual members’ exhibition every year for sixty years.

Solomons is married to poet and publisher Seumas O’Sullivan, whose birth name is James Sullivan Starkey. Her parents oppose the relationship as O’Sullivan is not of the Jewish faith. They marry in 1925, when she is 43 and he 46, after her parents have died. She collaborates with her husband on The Dublin Magazine (1923–58), the renowned literary and art journal, of which O’Sullivan is editor for 35 years. She provides vital financial support to the magazine, particularly in sourcing advertising, which is difficult in the tough economic climate of the new Free State. She is helped in this endeavour by poet and writer, Kathleen Goodfellow, a lifelong friend. When Solomons and O’Sullivan are looking to move from their house in Rathfarnham because of a damp problem, Goodfellow offers them the house beside her own on Morehampton Road for a nominal rent. Two of Solomons’ portraits of Goodfellow are in the Model Arts and Niland Gallery in Sligo.

Solomons joins the Ranelagh branch of Cumann na mBan at the same time as Goodfellow. They are taught first aid, drilling and signaling by Phyllis Ryan. She is active before and during the Irish War of Independence. She conceals ammunition in the family vegetable garden before delivering it to a Sinn Féin agent. Her studio at Great Brunswick Street is used as a safe house by republican volunteers. During this time, she paints the portraits of a number of revolutionaries, some of which she has to later destroy to avoid incriminating them. Her work includes a portrait of Frank Aiken when we was chief of staff of the Irish Republican Army (IRA).

Solomons takes up a teaching position at Bolton Street College, Dublin. In 1939, she organises an exhibition in Dublin to help refugee artists from Europe.

Solomons dies on November 2, 1968, and is buried in Woodtown Cemetery, Rathfarnham. Her friend Kathleen Goodfellow gifts the Morehampton Road Wildlife Sanctuary, where Solomons liked to paint, to An Taisce. Two plaques have subsequently been erected there, one in memory of Solomons and one for Goodfellow.

Some of Solomons works are held in the Niland Collection, at The Model gallery in Sligo and in the National Gallery of Ireland. Her archives, which include artwork and photographs (and prints by Louise Jacobs), and the archives of The Dublin Magazine are in the Library of Trinity College Dublin.


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Birth of Piers Butler, 3rd Viscount Galmoye

Piers Butler, 3rd Viscount Galmoye, otherwise Viscount Galmoy, an Anglo-Irish nobleman, is born on March 21, 1652. He is descended from Thomas Butler, 10th Earl of Ormond, and is the son of Edward Butler, 2nd Viscount Galmoye, and Eleanor (née Whyte), daughter of Sir Nicholas Whyte of Leixlip, County Kildare.

Butler succeeds to the title at the age of fifteen and was educated at the University of Oxford, taking the degree of LL.D. in 1677. In 1678, he is commissioned as a captain in Colonel Thomas Dongan‘s regiment, which is disbanded before he takes up his post.

Under James II of England Butler is Privy Councillor of Ireland, Lieutenant of the County of Kilkenny, and Colonel of the 2nd Regiment of Irish Horse. Serving as part of the Jacobite Irish Army, he commands a regiment at the Battle of the Boyne and serves with distinction in the Battle of Aughrim. He is one of the signatories of the Treaty of Limerick. At the Glorious Revolution, he might have been able to secure his old estates of 10,000 acres in Kilkenny and 5,000 in Wexford, had he consented to give his allegiance to William III of England rather than following Patrick Sarsfield and James II into exile in France. Instead, the English Parliament attaints him and declares his titles forfeited in 1697 by the statute 9 Will. 3. c. 4.

In 1692, Butler is created Earl of Newcastle in County Limerick in the Jacobite peerage of Ireland. In France he is named Colonel of the 2nd Queen’s Regiment of Irish Horse in the service of that country and serves with distinction in various battles of the War of the Spanish Succession, also becoming a Lieutenant-General in the Spanish army. He is at the Siege of Roses in 1693, and in 1694 is a Brigadier attached to the army of Germany. He serves in Italy and other parts of Continental Europe from 1701 to 1703, sharing all the fortunes of the Irish Brigade. He later serves in the French army as a Lieutenant-General. He is created Brigadier of Cavalry in 1694.

Butler marries Anne Mathew and with her has one son, Colonel Edward Butler, who is killed at the Battle of Malplaquet in 1709. After the death of his first wife, he marries Henrietta FitzJames, the illegitimate daughter of King James II and Arabella Churchill and the widow of Henry Waldegrave, 1st Baron Waldegrave, on April 3, 1695. She deserts him and returns to England.

Butler dies at the age of eighty-eight in Paris on June 18, 1740, and is buried at St. Paul’s there. John C. O’Callaghan writes in Irish Brigades in the Service of France (Glasgow, 1870): “The successive claimants of the title of Galmoy were officers in France down to the Revolution; in whose armies, as well as in others, various gentlemen have honourably represented a name, of which the illustrious General Lafayette is related to have said, in the war for the independence of the United States of America, that ‘whenever he wanted anything well done, he got a Butler to do it.'”

Notwithstanding the attainder, the viscountcy is assumed by his nephew, James Butler of the Irish Brigade in France, the son of the Viscount’s brother, Richard Butler of Galmoye.


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Death of Playwright T. C. Murray

Thomas Cornelius Murray, Irish dramatist who is closely associated with the Abbey Theatre, dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia.

Murray is born in Macroom, County Cork on January 17, 1873, the seventh of the eleven children of Cornelius Murray and Honora Murray (née Kelleher). He is educated at St. Patrick’s Teacher Training College in Drumcondra, Dublin. He works as a schoolteacher and in 1900 is appointed headmaster of the national school in Rathduff, County Cork. His first play, The Wheel of Fortune, is produced in 1909 by the Little Theatre in Cork, a theatre he co-founded with Daniel Corkery, Con O’Leary and Terence MacSwiney. The play is revised and renamed Sovereign Love in 1913. In 1915, he moves to Dublin as headmaster of the Model Schools at Inchicore, where he remains until his retirement from teaching in 1932.

Murray’s play Birthright is performed in the Abbey Theatre in 1910 and establishes him as a writer of force. In all, he writes fifteen plays, all of which are produced by the Abbey. His two most highly regarded works are Maurice Harte (1912) and Autumn Fire (1924). Both of these and Birthright are performed in New York City on Broadway, with Autumn Fire having a run of 71 performances. He also writes an autobiographical novel Spring Horizon (1937).

It has been stated both by A. DeGiacomo and by R. Allen Cave that, in the Art competitions at the 1924 Summer Olympics in Paris, France, Murray is awarded a bronze medal for his play Birthright. However, according to the official record for the games, although Murray is a participant in the literature category with this play and also with Maurice Harte, he does not win a medal.

In his later years, Murray holds a number of significant positions: director of the Authors’ Guild of Ireland, vice-president of the Irish Academy of Letters and president of the Irish Playwrights’ Association. He is awarded an honorary Doctor of Letters (D.Litt.) by the National University of Ireland in 1949. He dies on March 7, 1959, at his home on Sandymount Strand, Ballsbridge, Dublin, of viral pneumonia, his wife having predeceased him by fifteen years. His extensive papers, containing scripts of almost all of his fifteen plays, correspondence, clippings, reviews, and other material, are held in the National Library of Ireland (NLI).